Much has been written about data politics in the last decade, which has generated myriad concepts such as ‘surveillance capitalism’, ‘gig economy’, ‘quantified self’, ‘algorithmic governmentality’, ‘data colonialism’, ‘data subjects’ and ‘digital citizens’. Yet, it has been difficult to plot these concepts into an historical series to discern specific continuities and discontinuities since the origins of modern power in its three major forms: sovereign, disciplinary and regulatory. This article argues that the coronavirus pandemic in 2020 brought these three forms (...) of power into sharp relief but made particularly visible a fourth form of power that we name ‘sensory power’, which has been emerging since the 1980s. The article draws on early studies of power by Michel Foucault, subsequent studies on biopower and biopolitics that expanded on them, and studies in the past decade that focused on data produced from apps, devices and platforms. Yet, despite its ambition, the article is inevitably an outline of a much larger project. (shrink)

The overall dorsalizing effect proposed by the authors may be consistent with behavioral evidence showing that the dorsal cortex of reptiles functions like the hippocampal formation of mammals. It is suggested that the dorsal cortex of reptiles expanded in this dorsalizing process to become both entorhinal/subicular cortex and sensory neocortex.

The essay develops a disjunctive account of perception, showing that it needs to be renamed 'self-conscious power account'. For it is by reference to a self-conscious power of sensory knowledge that, on the one hand, the unity of perception and illusion and, on the other hand, the priority of perception over illusion, specifically, its priority in knowledge, is understood. The concept of a self-conscious power thus transpires as lying at the basis of a sound epistemology and (...) response to sceptical arguments such as the argument from illusion. (shrink)

Some sensory experiences are pleasant, some unpleasant. This is a truism. But understanding what makes these experiences pleasant and unpleasant is not an easy job. Various difficulties and puzzles arise as soon as we start theorizing. There are various philosophical theories on offer that seem to give different accounts for the positive or negative affective valences of sensory experiences. In this paper, we will look at the current state of art in the philosophy of mind, present the main (...) contenders, critically compare and contrast them. In particular, we want to examine how they handle the reason-giving power of affective states. We will look into two representationalist proposals (Evaluativism and Imperativism) and a functionalist proposal, and argue that, contrary to their own advertisements, the representationalist proposals don’t have good accounts of why and how sensory affect can motivate, rationalize, and justify subsequent behavior and intentional mental activity. We will show that our own functionalist proposal does a much better job in this regard, and that when the representationalist proposals are modified to do a better job, they fare better not because of their representationalist credentials but due to their functionalist ones. (shrink)

It is hoped that modern sensory substitution and augmentation devices will be able to replace or expand our senses. But to what extent has this been achieved to date? To what extent are the experiences created by sensory substitution devices like the sensory experiences that we are trying to replace? To what extent can we augment people’s senses providing them with new information and new experiences? The first aim of this introduction is to delve deeply into this (...) question to discover the usefulness of these devices, to outline the different sorts of experience that might be created, and what the evidence tells us about these experiences. While there are some reasons to be hopeful about the powers of sensory substitution devices, there are also reasons to wonder whether they will ever really have the practical applications that we hope they might have. The second aim is to look to see whether the study of modern sensory substitution and augmentation devices can shed light on the nature of our senses and perception in general. Much of the philosophical, psychological, and neuroscientific work that takes place concerning sensory substitution and augmentation is keenly aware of the possibility that it might help our understanding and it seeks to comprehend many different aspects of perception. (shrink)

Sensory ecology is a discipline that focuses on how living creatures use information to survive, but not to live. By trans-defining the orthodox concept of sensory ecology, a serious heterodox question arises: how do organisms use their senses to live, i.e. to enjoy or suffer life? To respond to such a query the objective and emotional meaning of symbols must be revealed. Our program is distinct from both the neo-Darwinian and the classical ecological perspective because it does not (...) focus on survival values of phenotypes and their functions, but asks for the aesthetic effect of biological structures and their symbolism. Our message recognizes that sensing apart from having a survival value also has a beauty value. Thus, we offer a provoking and inspiring new view on the sensory relations of ‘living things’ and their surroundings, where the innovating power of feelings have more weight than the privative power of reason. (shrink)

Nicolas Malebranche holds that we see all things in the physical world by means of ideas in God (the doctrine of "vision in God"). In some writings he seems to posit ideas of particular bodies in God, but when pressed by critics he insists that there is only one general idea of extension, which he calls “intelligible extension.” But how can this general and “pure” idea represent particular sensible objects? I develop systematic solutions to this and two other putative difficulties (...) with Malebranche’s theory of sensory cognition by appealing to the notion of “seeing as” and to his doctrine that ideas in God have causal powers to affect the mind. (shrink)

This paper advances the thesis that sensory concepts have as a semantic component the first-person indexical. It is argued that the private nature of our access to our own sensations forces, in our talking about them, an indexical reference to the inner states of the speaker in lieu of publicly accessible properties by which reference is usually fixed. Indexicals, such as ‘here’, can be understood despite ignorance of their referent. Such is the case with sensory terms. Furthermore, the (...) thesis that sensory terms are indexical has considerable explanatory power. I give two examples: firstly, I argue that clashes of intuition over Block's ‘inverted spectrum’ thought experiment can be explained by appeal to semantic properties of indexicals. Secondly, I argue that multiple realisability intuitions can be shown to be consistent with the view that sensations are type-identical with brain states. (shrink)

From 1979 to 1999, a heated dispute over the science or pseudoscience of extraordinary power or extrasensory perception took place in China. During these two decades, many so-called “grandmasters” of ESP and Qigong emerged, and millions of people across the country studied with them; this was known as “Qigong Fever” or “ESP Fever.” The supporters of ESP argued that ESP existed, people could cultivate ESP through specific Qigong training, and ESP was a science; whereas the opponents of ESP denied (...) all of these. Both sides of the dispute had many supporters. With the onset of Qigong Fever in China, some Qigong and ESP masters developed their Qigong organizations into Chinese-style religions. Qigong Fever ended when the religions were banned by the Chinese government. The rise of Qigong Fever demonstrated that basic questions about the boundaries between science and pseudoscience were not easy to answer. Different theoretical and practical consequences resulted from different answers to these questions. (shrink)

This paper suggests several summa genera for the various meanings of intentio in Aquinas and briefly outlines the genera of cognitive intentiones. It presents the referential and existential nature of intentions of harm or usefulness as distinguished from external sensory or imaginary forms in light of Avicenna’s threefold sensory abstraction. The paper offers a terminological clarification regarding the quasi-immaterial existential status of intentions. Internal sensory intentions account for a way in which one perceives something, as is best (...) seen in light of the distinction between formal and material objects. Against the imagist account of intentions that denies the memorative power an immanent object, it shows that the memorative’s proper and immediate object is the intention of the past, while its extrinsic mediate object is the imaginary phantasm. (shrink)

Despite the power of VR in immersing viewers in an experience, it generally only targets viewers via visual and auditory cues. Human beings use more senses to gather information, so expectedly, the full potential of this medium is currently not yet tapped. This study contributes in answering two research questions: How can conventional VR ads be enriched by also addressing the forgotten sense of smell?; and Does doing so indeed instill more engaging experiences? A 2 × 3 between-subjects study (...) is conducted, whereby an existing branded VR commercial is augmented with “sound” and “scents.” The power of these sensory augmentations is evaluated by inspecting emotional, cognitive and conative dimensions of customer engagement. The results identify product-scent congruence as a deal-maker, albeit product-scent incongruence is not necessarily a deal-breaker. The article concludes with further research avenues and a translation into managerial implications. (shrink)

In drawing out how human lives are always already inextricably entangled with the non-human elements of the world, this paper explores how stone, as a constituent of urban materiality, provokes a wealth of emotional, sensory and affective impacts in the experience of place. The paper discusses how the sonic, tactile and visual qualities of stone contribute to the sensory and affective experience of places, shape the symbolic meanings and affective impacts of diverse memorials, and trigger a powerful sense (...) of geological conviviality. (shrink)

Seemingly small changes in brain organization can have revolutionary consequences for function. An example is evolution's application of the primate action-planning mechanism to the management of communicative sequences. When feedback from utterances reaches the brain again through a mechanism that evolved to monitor action sequences, it makes another pass through the brain, amplifying the human power of thinking.

BackgroundSeveral investigations have addressed the process of balance adaptation to external perturbations. The adaptation during unperturbed stance has received little attention. Further, whether the current sensory conditions affect the adaptation rate has not been established. We have addressed the role of vision and haptic feedback on adaptation while standing on foam.MethodsIn 22 young subjects, the analysis of geometric and spectral variables of the oscillation of the centre of feet pressure identified the effects of vision, light-touch or both in the (...) anteroposterior and mediolateral direction over 8 consecutive 90 s standing trials.ResultsAdaptation was obvious without vision and tenuous with vision. With trial repetition, path length and median frequency diminished with EC while sway area and mean level of the spectrum increased. The low- and high-frequency range of the spectrum increased and decreased in AP and ML directions, respectively. Touch compared to no-touch enhanced the rate of increase of the low-frequency power. Spectral differences in distinct sensory conditions persisted after adaptation.ConclusionBalance adaptation occurs during standing on foam. Adaptation leads to a progressive increase in the amplitude of the lowest frequencies of the spectrum and a concurrent decrease in the high-frequency range. Within this common behaviour, touch adds to its stabilising action a modest effect on the adaptation rate. Stabilisation is improved by favouring slow oscillations at the expense of sway minimisation. These findings are preliminary to investigations of balance problems in persons with sensory deficits, ageing, and peripheral or central nervous lesion. (shrink)

Car sickness is a major concern for car passengers, and with the development of autonomous vehicles, increasing numbers of car occupants are likely to be affected. Previous laboratory studies have used EEG measurements to better understand the cerebral changes linked to symptoms. However, the dynamics of motion in labs/simulators differ from those of a real car. This study sought to identify specific cerebral changes associated with the level of car sickness experienced in real driving conditions. Nine healthy volunteers participated as (...) front passengers in a slalom session inducing lateral movements at very low frequency. They were continuously monitored via EEG recordings and subjectively rated their level of symptoms after each slalom, using a 5-point likert scale. Car-sickness symptoms evolved concomitantly with changes in theta and alpha power in the occipital and parietal areas. These changes may reflect altered sensory integration, as well as a possible influence of sleepiness mitigating symptoms. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IN THE REALM OF THE SENSES: SAINT THOMAS AQUINAS ON SENSORY LOVE, DESIRE, AND DELIGHT MARK P. DROST University of Rochester Rochester, New York Introduction SAINT THOMAS AQUINAS characterizes delight (delectatio ) as a state in which we are in " union with some good" (I-II, 35, 1).1 Further on he augments this description of delight : " we are not without the good we love, but are (...) at rest in its possession" (35, 6). Concerning love (amor) 2 Aquinas says, "love remains whether the object is present or absent " (28, 1). But Aquinas also says that when we love an obl Unless otherwise indicated all references (ordered by number of question and article) refer to the Blackfriars edition of Aquinas's Summa Theologiae (New York: McGraw-Hill Book Company) V. 19-21 (in the Prima Secundae Questions 22-48), trans. Eric D'Arcy (Questions 22-30, 1967; 31-39, 1975) and John Reid (Questions 40-48, 1965) and V. 11-12 (in the Prima Pars Questions 75-89), trans. Timothy Sutter (Questions 75-83, 1970) and Paul T. Durbin (Questions 84-89, 1968). 2 " There will be as many kinds of love as there are kinds of orexis and wanting" (26, 1). The notion of love (amor sensitivus) that is under scrutiny here is an event in the sensory orexis and occurs in the body-soul composite. It is not a case of intellectual or spiritual love (which is an act of the will and occurs in the soul alone). We are not dealing with the following notions of love: dilectio (which adds to love the property of election), caritas (charity, which is an act of will), or amicitia (friendship) which is more than love. (With respect to amicitia, unrequited friendship is not possible in principle, but unrequited love is factually real ; hence amicitia requires something more than love, viz. reciprocity.) Surely one is capable of experiencing more than one of these sentiments at a moment. One might be attracted on the basis of one's sensory orexis to someone and simultaneously love that person as a friend. Although these are not simultaneously incompatible affections, I will exclusively focus on the notion of amor sensitivus. 47 48 MARK P. DROST ject, " we are already in some kind of communion with it. Love therefore involves union" (25, 2). These statements are prima facie inconsistent unless Aquinas acknowledges that there are unions in which the object is not possessed. I contend that love is a case of being intentionally directed to a good, but it is not identical to the union which is a result of possessing a good. Although Aquinas describes love as a condition of union, love in fact is a condition of union which is ontologically prior to the union which is exhibited in delight. A consequence of Aquinas's thesis is the ontological possibility of loving something without taking delight in it or desiring it. We cannot, however, take delight in something or desire it unless we love it. I. MOVEMENT AND REST IN THE DESCRIPTION OF EMOTIONS The metaphors of motion, rest, approach, and retreat play a significant role in Aquinas's descriptions of the intentionality in various emotional states. As appetitive powers whose principle of operation is in the body-soul composite,8 Aquinas often describes the emotions through metaphors that suggest a similarity to the movement of physical objects (37, 2). The emotions are instances of orectic movement, and orectic movement is analogous to the movement of the inanimate orexis : Now orectic movement is, in the operations of the soul, what physical movement is in the physical world. Compare the physical movements of approach and withdrawal: approach is, of itself, directed towards something in harmony with nature; withdrawal is, of itself, directed towards something discordant with nature: thus a heavy body by its nature draws away from a higher place and towards a lower one (36, 2). The analogy between motion in the physical world and orectic movement of the soul is a teleological one: just as a light or heavy a Emotions, like perception (e.g. seeing, hearing), are powers whose principle of operation range in the body-soul composite. However, " some of the soul... (shrink)

In his major works for the pope, as well as several other works from his maturity, Bacon focused on the utility of natural knowledge, both in terms of human know-how and what that know-how could produce. He looked to the courtly sciences, which privilege application and knowledge gained through the sensorium, as sources of natural knowledge and as exemplars for the potential of natural knowledge. This essay argues that Roger Bacon’s work ought to be understood within the context of the (...) court. Bacon’s emphasis on devices in the pursuit of knowledge and utility demonstrates the extent to which the courtly sciences were valued alongside traditional natural philosophical frameworks, and need to be understood in that context. Both the courtly sciences and Bacon’s theory of scientia experimentalis focus on materials, sensory knowledge, and knowledge of particulars in pursuit of applied ends. Bacon drew inspiration from the courtly sciences in theorizing how natural knowledge could serve ruling power. By examining Bacon’s major works on scientia experimentalis and analyzing his reliance on examples from the history of Alexander the Great, this essay demonstrates the interrelation of political power and erudite knowledge, and how they intersected through the cultivation and application of experimentum and technology. Finally, Bacon’s interest in the utility of knowledge suggests that courtly settings in this period are significant locations for the development and applications of natural knowledge. (shrink)

Perception is fascinating and is inextricably bound up with all levels and kinds of thinking. Perceptual knowledge, descriptive data, serves as raw material for any and all processing operations. Certainly all kinds of constructing and processing operations await, e.g., imagining, describing, generalizing, comparing, day-dreaming, thousands of kinds. The mind is constantly at work with its symbols, such as images and language, formulating and focusing percepts out of sensory stimuli and then making thought and feeling constructs.

Aang is unwilling to kill Ozai in order to secure peace. The Lion Turtle's remark indicates that Aang's alternative strategy involves bending Ozai's energy, and that Aang is victorious because his spirit is unbendable while Ozai's presumably is bendable. Buddhist teachings identify five fundamental hindrances that foster duhkha. Aang struggles with all five hindrances, but he ultimately overcomes them and has a true heart. The first hindrance concerns sensory desire, longing for pleasure through the bodily senses. The second hindrance (...) is ill will. The third hindrance is dullness and drowsiness. The fourth hindrance is restlessness and remorse. The fifth and final hindrance is doubt. By virtue of overcoming emotional hindrance and delusion, Aang becomes a person who embraces obstacles and strives to overcome them through compassion rather than control. (shrink)

The paper posits a relationship between the sensory modality of touch, including a sense of active movement, and early modern knowledge of active powers in nature. It seeks to appreciate the strength and appeal of knowledge built on the active-passive distinction, including that which was retrospectively labeled animist. Using statements by Descartes, Hobbes, Locke, Spinoza, Leibniz, and Stahl, rather than detailed new readings of texts, the paper asks whether scholars drew on phenomenal, or conscious, awareness of activity as effort (...) encountering resistance when they reasoned about activity in the world. How were there relations and analogies between descriptions of psyche’s relation to body, of the relation of living forces to matter, of relations among material objects, of God’s relationship to His creation, and of relations involving causal agency generally? It is possible to understand what were later called animistic theories as belonging to the mainstream of the new natural philosophy, not to a residue of unscientific argument. Early modern theories of active and vital powers cannot be dismissed because they were based, in error, on mere analogy to human action. Rather, they had a central position in reasoning grounded in phenomenal awareness of action-resistance when a person is “in touch.”. (shrink)

The paper argues that much of Kant’s largely formalistic account of aesthetic appreciation stands on the idea that the judger is able to engage with the object of her judgment purely sensibly and hence non-conceptually or non-cognitively. This is to say that the judger must be able to ground her judgment on the immediate sensory affection by the object or on the object’s sensible form. The paper also argues that these two purely sensible grounds, accessible in the aesthetic examination (...) of objects, underlie the feeling involved in such judgments. In broader terms, the paper outlines how Kant’s account of aesthetic judgment suggests what might be called a contemplative model of perception. (shrink)

A central goal of philosophy of perception is to uncover the nature of sensory capacities. Ideally, we would like an account that specifies what conditions need to be met in order for an organism to count as having the capacity to sense or perceive its environment. And on the assumption that sensory states are the kinds of things that can be accurate or inaccurate, a further goal of philosophy of perception is to identify the accuracy conditions for (...) class='Hi'>sensory states. In this paper I recommend a novel approach to these core issues, one that draws heavily on game-theoretic treatments of signaling in nature. A benefit of the approach is that it helps us to understand why biologists attribute sensory powers to such a diverse range of organisms, including plants, fungi, and algae. (shrink)

Descartes analysed the mind into various faculties or powers, including pure intellect, imagination, senses, and will. This article focuses on his account of the sensory power, in relation to its Aristotelian background. Descartes accepted from the Aristotelians that the senses serve to preserve the body by detecting benefits and harms. He rejected the scholastic Aristotelian sensory ontology of resembling species, or ‘forms without matter’. For the visual sense, Descartes offered a mechanistic ontology and a partially mechanized account (...) of sensory processes, including some previously ascribed to judgement. He did this in the context of his theory of brain signs that prompt sensations. The article contends that Descartes’s use of the sign-relation was modelled on standard discussions of non-resembling signs in commentaries on Aristotle’s De interpretatione. It follows three uses of the sign-relation: brain states that cause colour sensations; brain states that cause experiences of spatialized contents, such as shapes; and brain states that realize a ‘natural geometry’. It argues that Descartes’s natural geometry does not involve mental operations but physiological mechanisms that co-vary with the distance to seen objects. While retaining the language of sensory powers, Descartes offered a partial mechanization of those powers. (shrink)

The secondary qualities are those qualities of objects that bear a certain relation to our sensory powers: roughly, they are those qualities that we can readily detect only through a certain distinctive phenomenal experience. Contrary to what is sometimes supposed, there is nothing about the world itself (independent of our minds) that determines the distinction between primary and secondary qualities. Instead, a theory of the secondary qualities must be grounded in facts about how we conceive of these qualities, and (...) ultimately in facts about human perception. (shrink)

The Inner Touch presents the archaeology of a single sense: the sense of being sentient. Aristotle was perhaps the first to define this faculty when in his treatise On the Soul he identified a sensory power, irreducible to the five senses, by which animals perceive that they are perceiving: the simple "sense," as he wrote, "that we are seeing and hearing." After him, thinkers returned, time and again, to define and redefine this curious sensation. The classical Greek and (...) Roman philosophers as well as the medieval Arabic, Hebrew, and Latin thinkers who followed them all investigated a power they called "the common sense," which one ancient author likened to "a kind of inner touch, by which we are able to grasp ourselves." Their many findings were not lost with the waning of the Middle Ages. From Montaigne and Francis Bacon to Locke, Leibniz, and Rousseau, from nineteenth-century psychiatry and neurology to Proust and Walter Benjamin, the writers and thinkers of the modern period have turned knowingly and unknowing to the terms of older traditions in exploring the perception that every sensitive being possesses of its life.The Inner Touch reconstructs and reconsiders the history of this perception. In twenty-five concise chapters that move freely among ancient, medieval, and modern cultures, Daniel Heller-Roazen investigates a set of exemplary phenomena that have played central roles in philosophical, literary, psychological, and medical accounts of the nature of animal existence. Here sensation and self-sensation, sleeping and waking, aesthetics and anesthetics, perception and apperception, animal nature and human nature, consciousness and unconsciousness, all acquire a new meaning.The Inner Touch proposes an original, elegant, and far-reaching philosophical inquiry into a problem that has never been more pressing: what it means to feel that one is alive.Winner of the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Descartes’s Demon and the Madness of Don QuixoteSteven NadlerDescartes’s “malicious demon” (genius malignus, le mauvais génie)—the evil deceiver of the Meditations on First Philosophy whose hypothetical existence threatens to undermine radically Descartes’s confidence in his cognitive f aculties—is an artful philosophical and literary device. There is considerable debate over the significance of this powerful and malevolent being within Descartes’s argumentative strategy. Some insist that its role is a substantive (...) one, with Descartes in troducing the deceiver in order to deepen yet further the skeptical doubts of the First Meditation, doubts from which he hopes, by the grace of a benevolent God, eventually to rescue himself. 1 Others claim that its role is merely a rhetorical one, with the demon meant simply to reinforce already philosophically well-established skeptical doubts that, in the face of everyday habit, are difficult to sustain. 2 Either way, there is no underestimating the force of the hypothesis as an epistemological tool for subverting our faith in our reasoning and sensory powers. [End Page 41]It is useful to place the “evil genius” in the context of seventeenth-century intellectual culture 3 not just for our understanding of what may have been the historical origins of this most extreme and “metaphysical” 4 of all skeptical doubts but also for broadening our appreciation of its significance beyond epistemology alone. When we grasp the various practical (moral, legal, and social) problems and the literary and artistic possibilities raised by the demon hypoth esis, we can see why such an improbably hyper-skeptical thesis is nonetheless deserving of general interest. To take just one example, Richard Popkin, in his seminal work on the history of skepticism in early modern thought, describes the knotty problems that are generated in the legal context of a trial when the issue of the demonic is raised (as in the case of someone on trial for witchcraft). 5In the service of this contextualizing project I compare Descartes’s meditator (with his self-assumed skeptical pose) with a near-contemporary literary character of particular fame and importance. What is especially striking—and instructive—in this comp arison are the parallels and resonances between the kind of general, systematic, philosophically-generated hyperbolic doubt that Descartes introduces by way of his deceptor potentissimus et malignus and the initially more particular (but perhaps eq ually systematic) distrust of the faculties that is suggested by Don Quixote’s own “rationalization” of his illusions. 6 In fact precisely the same philosophical problem is raised both in the first major work of modern philosophy and in the first modern novel: in the face of the possibility of ongoing deception by some powerful and malicious being, how can we possibly trus t our sensory and rational faculties to provide us with true and reliable knowledge? Descartes’s philosophical work can even provide us with a key to understanding part of the nature of Don Quixote’s madness, to systematizing it in its epistemological dim ensions. Reciprocally, it may be that Cervantes’s hero gives us a concrete picture of what it would be like to try to live in the radically deceptive world of the skepticism of the First Meditation. [End Page 42]Did Cervantes’s novel have a direct influence on Descartes’s philosophical reflections? The first part of Don Quixote was published in 1604; the second part, written after several pirated editions of Part I had been circulating for a number of year s, appeared in 1614, the year before Cervantes’s death. The novel was immediately and enormously popular and was quickly translated into a number of other languages. The first French translation of Part I (by César Oudin) was published in 1614. In 1618, François de Rosset translated Part II, and these two translations were published together in one volume in 1639, 1646, and 1665. 7 We can be confident that Descartes knew about Cervantes’s works; and while we cannot say with certainty that he read Don Quixote, given his education, social status, interest in novels of chivalry, and the intellectual circles in which he traveled, it would be surprising if he did not. He... (shrink)

Thomas Aquinas’ thesis that emotions are “motions of the sensory appetitive power”, which are controlled by the rational power, raises three fundamental problems. (1) How can this thesis be reconciled with the assumption that emotions are to be ascribed to a person and not to a sensory power as an inner agent? (2) How can emotions have a cognitive content if they are nothing but appetitive states? (3) How is it to be explained that emotions (...) are often not under rational control or that they even have a strong impact on so-called rational activities? All of these questions are discussed with respect to the example of fear. This example shows that Aquinas defends a complex position which takes both the cognitive dimension of emotions and the mutual relation between sensory and rational states into ac- count. (shrink)

According Aristotle's On the Soul, the first and most important form of sensation which we human beings share with other animals is a sense of touch. Without touch animals cannot exist. The first part of my article presents Aristotle's teaching about the internal connection between the soul and the sensory powers, especially as regards the sense of touch. The second part consists of a collection of the classical considerations about this subject. The third part then deals with the actuality (...) of some Aristotle's thesis about touch with reference to current research in neurophysiology on kinesthesia and haptic perception. (shrink)

This essay addresses the following questions: How does the meta-sensory function of koine aisthesis relate to its other functions? How can a meta-level arise from the immanence of sensation? Can we give an account of meta-sensation that doesn’t assume a transcendental plane? My contention is that the representationalist model doesn’t apply to Aristotle and that Aristotle offers an alternative that is worth exploring. I propose to interpret the meta-sensory power of the koine aisthesis in terms of the (...) sensing of the limits of perception. The sensing of the limit of sensation is the sensing of sensation itself qua potentiality as exemplified by Aristotle’s observations on the experience of seeing darkness or hearing silence. If it is so, sensing-that-I-sense doesn’t require an appeal to a transcendent faculty and arises from the immanent experience of sensation itself. (shrink)

Thomas Aquinas’ thesis that emotions are “motions of the sensory appetitive power”, which are controlled by the rational power, raises three fundamental problems. (1) How can this thesis be reconciled with the assumption that emotions are to be ascribed to a person and not to a sensory power as an inner agent? (2) How can emotions have a cognitive content if they are nothing but appetitive states? (3) How is it to be explained that emotions (...) are often not under rational control or that they even have a strong impact on so-called rational activities? All of these questions are discussed with respect to the example of fear. This example shows that Aquinas defends a complex position which takes both the cognitive dimension of emotions and the mutual relation between sensory and rational states into ac- count. (shrink)

In his seminal 1935 study of the internal senses in medieval2 thought, Harry Austryn Wolfson presented a detailed account of the development of the "classification and terminology" of the Greek, Arabic, Hebrew and Latin traditions on sensory powers which he called, "post-sensationary faculties,"~ that is, powers which are posterior to the five external senses. In explaining the complex development of teachings on the internal senses from Aristotle's texts, Wolfson recounted the Aristotelian understanding of Galen who specifically locates the OHXVOTl'ttKOV (...) or cogitative faculty in the middle ventricle of the brain and John of Damascus whose equally Aristotelian account follows the Stagirite in attributing judgments of goodand bad as well as combination and separation of ideas to the omvoTl'ttKTJ 'lfUXTt or the cogitative soul and to ouxvma or cogitation.4 One of the many fruits of Wolfson's discussion was an explanation of the development of the Avicennian doctrine of estimation as arising"out of a desire to supplement a deficiency which seemed to exist in Aristotle's account of the actual motion of pursuit and avoidance which is observed in both man and animal. "5 With wahm used to describe instinctive behavior consequent upon non-rational animal imagination analogous to human reasoning or deliberation, Wolfson wrote, the Arabic fikr now was tobe associated with imagination and no longer was to be seen as simply the power of combining and separating ideas. "In the case of ouivotcx combined with imagination, it is the combination and separation of images, i.e., the construction out of images of things existent, new composite images of things nonexistent, or the breaking up of images of things existent into images of things nonexistent."6 From this moment on, and not without some foundation in Aristotle's own texts as indicated, fikr/ cogitatio and their related derivative terms are used to characterize human rational powers which are essentially activities involving the bodyand bodily instruments insofar as imagination is necessarily bodily. (shrink)

According Aristotle's On the Soul, the first and most important form of sensation which we human beings share with other animals is a sense of touch. Without touch animals cannot exist. The first part of my article presents Aristotle's teaching about the internal connection between the soul and the sensory powers, especially as regards the sense of touch. The second part consists of a collection of the classical considerations about this subject. The third part then deals with the actuality (...) of some Aristotle's thesis about touch with reference to current research in neurophysiology on kinesthesia and haptic perception. (shrink)

[Sensation, Causality, and Attention: Roger Bacon and Peter Olivi] This paper investigates what conditions are to be met for sensory perception to occur. It introduces two diff erent theories of perception that were held by two medieval Franciscan thinkers — namely, Roger Bacon (1214/1220–1292) and Peter Olivi (ca. 1248–1298). Bacon analyses especially the causal relation between the object and the sensory organ in his doctrine of the multiplication of species. In his view, a necessary condition of perception is (...) the reception of the species in a fully disposed sensory organ. On the contrary, Olivi stresses the active role of the sensory power. A necessary condition of sensation is the aspectus — i.e. the focus of our power’s attention on the object. Furthermore, the paper investigates whether and how each of the two thinkers can deal with the arguments proposed by his opponent — namely whether Bacon’s theory is able to explain attention and what the causal role of the object in Olivi’s theory is. (shrink)

Mental imagery has often been taken to be equivalent to “sensory imagination”, the perception‐like type of imagination at play when, for example, one visually imagines a flower when none is there, or auditorily imagines a music passage while wearing earplugs. I contend that the equation of mental imagery with sensory imagination stems from a confusion between two senses of mental imagery. In the first sense, mental imagery is used to refer to a psychological attitude, which is perception‐like in (...) nature. In the second sense, mental imagery refers to a mental content, which can be grasped via different attitudes. I will show that failure to acknowledge the distinction between these senses of mental imagery has muddled philosophical discussion. This distinction brings much needed clarity to debates where sensory imagination and mental imagery are invoked, shedding light on issues such as the nature of imagistic mental states, and the representational powers and limits of mental imagery. I will conclude by sketching a general attitudinal account of imagination that does justice to both senses of mental imagery, outlining a promising framework for understanding imagination. (shrink)

Powerful ultrastructural tools are providing new insights into neuronal circuits, revealing a wealth of anatomically‐defined synaptic connections. These wiring diagrams are incomplete, however, because functional connectivity is actively shaped by neuromodulators that modify neuronal dynamics, excitability, and synaptic function. Studies of defined neural circuits in crustaceans, C. elegans, Drosophila, and the vertebrate retina have revealed the ability of modulators and sensory context to reconfigure information processing by changing the composition and activity of functional circuits. Each ultrastructural connectivity map encodes (...) multiple circuits, some of which are active and some of which are latent at any given time. (shrink)

In order to take advantage of the potential offered by the medium of virtual reality, it will be essential to develop an understanding of how to maximize the desirable experience of ‘presence’ in a virtual space (‘being there’), and how to minimize the undesirable feeling of ‘cybersickness’ (a constellation of discomfort symptoms experienced in virtual reality). Although there have been frequent reports of a possible link between the observer’s sense of presence and the experience of bodily discomfort in virtual reality, (...) the amount of literature that discusses the nature of the relationship is limited. Recent research has underlined the possibility that these variables have shared causes, and that both factors may be manipulated with a single approach. This review paper summarizes the concepts of presence and cybersickness and highlights the strengths and gaps in our understanding about their relationship. We review studies that have measured the association between presence and cybersickness, and conclude that the balance of evidence favours a negative relationship between the two factors which is driven principally by sensory integration processes. We also discuss how system immersiveness might play a role in modulating both presence and cybersickness. However, we identify a serious absence of high-powered studies that aim to reveal the nature of this relationship. Based on this evidence we propose recommendations for future studies investigating presence, cybersickness, and other related factors. (shrink)

Besides sensory characteristics of food, food-evoked emotion is a crucial factor in predicting consumer’s food preference and therefore in developing new products. Many measures have been developed to assess food-evoked emotions. The aim of this literature review is (i) to give an exhaustive overview of measures used in current research and (ii) to categorize these methods along measurement level (physiological, behavioral, and cognitive) and emotional processing level (unconscious sensory, perceptual / early cognitive, and conscious / decision making) level. (...) This 3x3 categorization may help researchers to compile a set of complementary measures (‘toolbox’) for their studies. We included 101 peer-reviewed articles that evaluate consumer’s emotions and were published between 1997 to 2016, providing us with 59 different measures. More than 60% of these measures are based on self-reported, subjective ratings and questionnaires (cognitive measurement level) and assess the conscious / decision-making level of emotional processing. This multitude of measures and their overrepresentation in a single category hinders the comparison of results across studies and building a complete multi-faceted picture of food-evoked emotions. We recommend (1) to use widely applied, validated measures only, (2) to refrain from using (highly correlated) measures from the same category but use measures from different categories instead, preferably covering all three emotional processing levels, and (3) to acquire and share simultaneously collected physiological, behavioral, and cognitive datasets to improve the predictive power of food choice and other models. (shrink)

Sensory and tracking technologies are being introduced into workplaces in ways Taylor and the Gilbreths could only have imagined. New work design experiments merge wellness with productivity to measure and modulate the affective and emotional labour of resilience that is necessary to survive the turbulence of the widespread incorporation of agile management systems, in which workers are expected to take symbolic direction from machines. The Quantified Workplace project was carried out by one company that fitted sensory algorithmic devices (...) to workers’ computers and bodies, which, this article argues, identify workers’ so-called agility and reveal management practices that track affective and emotional labour, categorized in the project as stress, subjective productivity and wellbeing. Capital’s accelerated attempts to capture more areas of work and workers’ capacities facilitate the conversion of labour power into a source of value but also results in alienation and abstraction. Participants’ resistance to participation in the Quantified Workplace reveals tensions in the labour process when affect is measured in processes of corporate change. (shrink)

Dans mon article, je vais essayer de développer une analyse de deux des plus importants chapitres du De anima d'Aristote : les chapitres 4 et 5 du livre III, où Aristote propose son traitement de la question de l'intellect. Sans entrer dans les détails de l'histoire de l'interprétation de ce texte, je propose d'identifier l'intellect dit ‘passif’ avec quelques traits distinctifs de la puissance de la phantasia ou imagination, et ce que l'on appelle ‘l'intelligence productive’ avec l'environnement cosmique, qui, en (...) vertu de ses régularités, produit les habitats qui vont agir sur la puissance sensorielle de l'être humain et qui, dans la production des expériences sensorielles de l'être humain, fera passer son esprit du statut d'intellect passif à celui d'intellectus in habitu. (shrink)

This chapter describes Immanuel Kant's conception of anthropology and the most basic distinctions he draws when invoking faculties throughout the anthropology transcripts. It explains Kant's account of the objective senses (hearing, sight, and touch), and shows that the sensory material provided by these senses are empirical conditions of experience that supplement the a priori conditions articulated in the Critique of Pure Reason. The chapter also describes some of the central details of Kant's account of the imagination, focusing on his (...) distinction between wit and the power of judgment and on the law of association he endorses. It outlines Kant's account of both the deficiencies of the mind and the perfection of cognition. By showing how the transcendental faculties are manifested at the level of actual, concrete experience, the anthropology transcripts can help to illuminate Kant's understanding of the operations and functions of the human mind. (shrink)

Descartes set for himself the ambitious program of accounting for the functions of the Aristotelian vegetative and sensitive souls without invoking souls or the faculties or powers of souls in his explanations. He rejects the notion that the soul is hylomorphically present in the organs of the body so as to carry out vital and sensory functions. Rather, the body’s organs operate in a purely mechanical fashion. That is what is involved in “mechanizing” these phenomena. The role of the (...) soul is restricted to properly mental functions: to the conscious aspects of sensations and other mental operations; to intellectual acts; and to acts of volition. In effect, soul becomes mind. In order to understand the extent of Descartes’ ambition, this chapter first considers more fully the functions attributed to the soul or to the vital faculties in the Aristotelian and Galenic traditions, and especially the functions of the sensitive soul or power. It draws attention to the cognitive aspects of these functions, beyond the mere operation of the external senses. Then it turns to Descartes’ mechanistic explanations for these cognitive functions. Finally, it situates Descartes’ new mechanistic psychology within the larger context of his novel anthropology, or theory of the human being. (shrink)

Berkeley writes in his ThreeDialogues Between Hylas and Philonous that he “acknowledge[s] a twofold state of things, the one ectypal or natural, the other archetypal and eternal[.] The former was created in time; the latter existed from everlasting in the mind of God”. On a straightforward reading of this passage, it looks as though Berkeley is an indirect perception theorist, who thinks that our sensory ideas are copies or resemblances of archetypal divine ideas. But this is problematic because Berkeley’s (...) rejection of scepticism seems partly to rest on a rejection of indirect perception. In this paper, I consider, and reject, three different approaches to solving this problem: that Berkeley’s remarks on archetypes are unrepresentative; that Berkeley is indeed committed to divine archetypal ideas ; and that Berkeley thinks divine archetypal ideas are identical to human ideas. I finally settle on a fourth strategy, which involves reading Berkeley’s archetypes as divine powers to produce ideas. I claim that this reading is consistent with the texts, that it has an etymological basis and philosophical precedent, and that it resolves the problems associated with the other three approaches to archetypes. (shrink)

Cognitive Theories of emotions have enjoyed great popularity in recent times. Allegedly, the so-called Perceptual Theory constitutes the most attractive version of this approach. However, the Perceptual Theory has come under increasing pressure. There are at least two ways to deal with the barrage of objections, which have been mounted against the Perceptual Theory. One is to argue that the objections work only if one assumes an overly narrow conception of what perception consists in. On a better and more liberal (...) understanding of perception, the objections lose their force. The other is to stress that the differences between emotions and sensory perceptions can be explained by focusing on a new analogy. As I will argue, emotions have interesting similarities with magnitude representations, such as the representation of distance. Such representations are plausibly thought to be analog and non-conceptual, but by contrast to sensory perceptions, such as colour perceptions, they do not lie at the sensory periphery. This new analogy makes room for a novel and attractive theory of emotions, the Receptive Theory, which allows for a positive and epistemologically fruitful characterization of emotions. (shrink)

The article is devoted to the transformations of society in the era of globalization. The global world is seen as a consequence of the successful implementation of the world-historical the Project of Modernity. Its completion results in the loss of its intellectual authority and historical effective- ness. The principal quality of contemporary society became its globality. The paradoxical phenomenon of the world, that had ceased to be a reality, became an integrative shape of the global transformations. Visibility took the privileged (...) place here. The degradation of reality is analyzed in its main forms: dematerialization of reality; decline and destruction of human sensory experience; destruction of the alive contacts with living beings and the capacity to empathize with somebody; the loss of the space of the human existence space features of a stable, predictable, structured se- mantic order. The consequence of that is the destruction of the foundations of the communities and society as a whole, which is fixed by the notion of their «vagueness». The correlation to this social metamorphosis is a new anthropological format — the singularity, which provides for the theoretical abolition of identity as a way for defining a man. It means the loss of an individual’s predictability and its determination as a social character. The network is the way through which the singularities interact, and swarms are the natural form of their association. Swarm is a historically new, unstructured, but subordinated to common impulses union, which consists of points of activity of different intensity. The analysis of society is incomplete without taking into account its discursive-communicative nature. In the global world there is a decline in the discourses. The signs of that process are the lack of legitimacy in classical instances of the meaning (truth, good, beauty, etc.), the degeneration of thinking into mixing, changing criteria of significance (dominance of curiosity and impression), social degradation of the media. The main feature of these changes is the latest phenomenon of information power (the power of depersonalized information space and information technology — those modes of circulation and use of information that became a determining factor in human life in the globalized world). (shrink)

Dans mon article, je vais essayer de développer une analyse de deux des plus importants chapitres du De anima d'Aristote : les chapitres 4 et 5 du livre III, où Aristote propose son traitement de la question de l'intellect (Nous). Sans entrer dans les détails de l'histoire de l'interprétation de ce texte, je propose d'identifier l'intellect dit ‘passif’ avec quelques traits distinctifs de la puissance de la phantasia ou imagination, et ce que l'on appelle ‘l'intelligence productive’ avec l'environnement cosmique, qui, (...) en vertu de ses régularités, produit les habitats qui vont agir sur la puissance sensorielle de l'être humain et qui, dans la production des expériences sensorielles de l'être humain, fera passer son esprit du statut d'intellect passif à celui d'intellectus in habitu. (shrink)