This article considers the role of the spectator's imagination in their engagement with the sensory world of cinema. I argue that the spectator's mental images, far from being overwhelmed by those on the screen, are an important element of a complex interaction with the sensations offered and indicated by the film. I develop these ideas through a reading of Krzysztof Kieślowski's Trois Couleurs: Blanc, in which hairdresser Karol is himself unusually dependent on the mental image. This preoccupation of the (...) film directs us to question the parallel images generated by the spectator, and the ways in which they both alienate us from his subjective experience and provoke our sympathies. (shrink)
Taking full measure of Rorty's influence and legacy demands encountering his reception outside North America. One such case, Eastern Europe, where Rorty spent considerable time and enjoys a committed following, is especially interesting, given the post-1989 resonance of his claims about the priority of democracy to philosophy.Polish philosopher Krzysztof Skowroński's attention to the underappreciated normative dimension of Rorty's pragmatism opens a window into this reception. This wide-ranging book advances a core – and, in my view, essential – insight: there (...) is a "profoundly axiological character" to Rorty's philosophy. Even though Rorty consciously eschewed a theory of values or a system of axiology, for... (shrink)
According to Krzysztof Michalski, Nietzsche’s intellectual project, from start to finish, has an overarching and unifying theme, namely a reflection on time, including the passing of human life, the emergence of new things, and the general finitude of existence. For him, then, it is possible to organize Nietzsche’s thought into a coherent whole around the concept of “eternity,” where eternity signifies a dimension of time, indeed, the core of it, its essence and engine. Typically, we think of eternity as (...) a refutation of time and of becoming, signaling an infinite prolongation. The author, however, wishes to show that eternity is what can explain the transformation of the present into the past and that it comes to .. (shrink)
We reproduce here forty previously unpublished letters sent by Jan Patočka to the Polish philosopher Krzysztof Michalski between 1973 and 1976. The letters to Michalski reveal his key role in motivating Patočka to formulate his ideas concerning the philosophy of history and present them first in a series of underground lectures in Prague and finally on paper in his last samizdat book, the Heretical Essays on the Philosophy of History.
Presented here is the German translation of Jan Patočka’s fragment Nitro a svět which was written in the 1940s and belongs to the so called „Strahov Papers“. The fragment reflects Patočka’s early attempts towards a thinking of subjectivity and the world. Thereby Patočka’s approach is phenomenological, but also integrates motives of German Idealism. The critical impact of the fragment lies in its orientation against the scientific biologism of its times.
It seems philosophers often feel compelled to assess the continuing relevance of their chosen fields of specialization and/or their favorite philosophers. While this volume does not set out to prove that the philosophy of John Dewey is of continuing relevance (and it is difficult to imagine how one would prove such a thing), several of the included essays explicitly argue that Dewey's work provides resources to advance contemporary philosophical debates. The collection was assembled from essays presented at a June 2009 (...) conference at the University of Opole in southern Poland, held in honor of the 150th anniversary of Dewey's birth. The very fact that sesquicentennial conferences like this one were held all over .. (shrink)
1. As indicated in the Acknowledgments, the sourcebook, The Essential Santayana, is the product of the input of a short list of scholars who, give or take a few names, constitute the “Santayana revival” heralded on the back-cover. Martin A. Coleman has acted as the clearing house for their suggestions, while also writing an Introduction, arranging the readings into five general headings, and providing thumb-nail synopses of each of the readings in each category. While all this is a solid contribution (...) on Coleman’s part, the back-cover contains two questionable if not plainly fallacious “advertisements.” The first is the claim that Santayana, along with William James and Josiah Royce, ranks as “one of the founders .. (shrink)
Poetic Disinterest: Power, Movement, and Language After HeideggerKrzysztof Ziarek’s study of Martin Heidegger calls attention to the German philosopher’s writing and to the movement and momentum of his poetic practice. Ziarek frames Heidegger’s thinking-writing as a practice focused on what is revealed in the turning of words, on what appears in the synergy between words as signs and words in their singular relationship to the world. In this translation and interpretation of volumes 71 and 74 of Heidegger’s Collected Works, Ziarek (...) “underscores the idiomatic character of Heidegger’s approach”. Ziarek’s discussion of these works, which were written in the 1930s and 1940s, builds... (shrink)
In eleven first-rate essays, the normative thought of C. S. Peirce is not just exegetically exhumed from out of a sprawled corpus, a challenging task in its own right, but actually resuscitated to new life to address contemporary concerns. The goal of this collection is stated simply by de Waal and Skowronski in their introduction. Because there are “an increasing number of people . . . beginning to look at what Peirce has to offer more generally to contemporary esthetics and (...) moral philosophy . . . this volume will prove a valuable starting point for this [interest]” . While this volume is valuable and a successful contribution to Peirce studies, it is by no means a starting point for this kind of elaboration .. (shrink)