Analysts have generally offered two explanations for China's no-devaluation policy during the Asian financial crisis. The first is China's good economic fundamentals and the renminbi is not fully convertible. The second is China's foreign relations' imperative. China was endeavouring to seek favourable entry conditions into the WTO and improve relations with its Asian neighbours. At the same time it sought to exploit the undercurrent of resentment in Asia towards the role played by the US during the crisis. Policy making in (...) China has become more institutionalized in the post-Deng era, but these explanations ignore the role of China's domestic bureaucratic actors in exchange rate policy making. This paper examines the exchange rate regime preferences of China's key economic ministries and their influences in exchange rate policy making and argues that Party leaders were able to adopt a no-devaluation policy throughout the crisis because China's key economic ministries actively supported or acquiesced to that policy. (shrink)
BackgroundFamily presence during adult cardiopulmonary resuscitation is still not widely implemented. Based on empirical evidence, various national and international professional organizations recommend allowing relatives to be present during resuscitation. However, healthcare providers worldwide are still reluctant to make it standard care.PurposeThis paper is a part of an ongoing cross-cultural study that aims to solicit attitudes of healthcare providers working in emergency departments towards family presence during cardiopulmonary resuscitation. This paper reports the qualitative data from surveying healthcare providers working in an (...) emergency department at a university-affiliated hospital in Singapore.MethodHealthcare workers were asked to fill out an online survey, including both quantitative and qualitative questions. Their attitudes were critically analyzed and compared with existing empirical data.ResultsMajority of healthcare workers believed that relatives should not be present during c... (shrink)
This book is the result of an idea launched by the present editors of providing a gift to Dr. Runner in the form of a Festschrift written by former students. The response was overwhelming. Glenn Andreas, one of Dr. Runner's closest friends, and Paul Schrotenboer, secretary of the Reformed Ecumenical Synod, enthusiastically joined us, together with Bernard Zylstra of the Institute for Christian Studies and Harry Van Dyke of the Free University of Amsterdam, to form a committee for this purpose... (...) Upon the appearance of this publication the editors wish to express their sincere thanks to the members of the committee for the advice and encouragement they gave and for the work they have done. (shrink)
In a society which traditionally valued the moral and expressive forces of art, landscape painting became one of the most esteemed art forms. In China, "landscape" has always meant what its Chinese name—shan shui —implies: paintings dominated by peaks and streams supplemented by trees, rocks, mists, and plunging waterfalls. Despite major changes in style, landscape painting in China between the eighth and eighteenth centuries was remarkably stable in subject matter. Chinese artists painted the natural settings which surrounded them in their (...) home provinces or those which they discovered in their travels; and such settings were dominated by mountains and rivers. Moreover mountains and water were imbued with symbolic value. Traditionally the mountain has been considered the symbol of the emperor—the son of Heaven—and of virtue and masculine energy. The ridges and folds of the mountains display the veins of energy that course through the earth and the continuous process of change which characterizes the Universe. Water represents the origin of life, the female principle, vitality itself. Trees, stones, bamboo, and many flowers were similarly endowed with cosmogonic and moral significance. Given the symbolic value with which elements of nature were traditionally endowed, Chinese landscape painting is properly considered the normative form through which artists reasserted correct social relationships, moral order among men, and moral order in nature. Esther Jacobson-Leong, associate professor of art history at the University of Oregon, is currently working on problems in the significance in Steppe art and related traditions. (shrink)
In light of rapid globalization, there has been an increase in U.S. psychologists conducting international cross-cultural research. Such researchers face unique ethical dilemmas. Although the American Psychological Association has its own Code of Ethics with guidelines regarding research, these guidelines do not specifically address international and cross-cultural research. The purposes of this article are to (a) provide a review of current ethical guidelines for research on human subjects, (b) provide a review of major ethical challenges and dilemmas in conducting cross-cultural (...) research, (c) highlight several existing frameworks that maybe useful for increasing cross-cultural understanding of these ethical challenges for U.S. psychologists, and (d) issue a call to the American Psychological Association to begin to assess and evaluate the nature and extent of ethical problems in conducting cross-cultural research among its members. (shrink)
