Results for 'depiction'

984 found
Order:
See also
Bibliography: Depiction in Aesthetics
  1. Depicting Depictions.René Jagnow - 2016 - Pacific Philosophical Quarterly 98 (S1):453-479.
    How is it possible for a picture to depict a picture? Proponents of perceptual theories of depiction, who argue that the content of a picture is determined, in part, by the visual state it elicits in suitable viewers, that is, by a state of seeing-in, have given a plausible answer to this question. They say that a picture depicts a picture, in part, because, under appropriate conditions of observation, a suitable viewer will be able to see a picture in (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2. Depiction, Pictorial Experience, and Vision Science.Robert Briscoe - 2016 - Philosophical Topics 44 (2):43-81.
    Pictures are 2D surfaces designed to elicit 3D-scene-representing experiences from their viewers. In this essay, I argue that philosophers have tended to underestimate the relevance of research in vision science to understanding the nature of pictorial experience. Both the deeply entrenched methodology of virtual psychophysics as well as empirical studies of pictorial space perception provide compelling support for the view that pictorial experience and seeing face-to-face are experiences of the same psychological, explanatory kind. I also show that an empirically informed (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   26 citations  
  3. Depiction and Imagination.Jiri Benovsky - 2016 - SATS 17 (1):61-80.
    Depiction and imagination are intimately linked. In this article, I discuss the role imagination (as well as inference and knowledge/belief) plays in depiction, with a focus on photographic depiction. I partly embrace a broadly Waltonian view, but not always, and not always for Walton's own reasons. In Walton's view, imagination plays a crucial role in depiction. I consider the objection to his view that not all cases of depiction involve imagination – for instance, documentary photographs. (...)
    Direct download  
     
    Export citation  
     
    Bookmark   4 citations  
  4.  4
    Depiction of Sexual Violence in Indian Films: Viewing from and in a Man/patriarch’s World.Sudeshna Roy - 2021 - Journal of Media Ethics 39 (2):140-142.
    The Indian film’s depiction of rape and sexual violence specifically on women, can provide a glimpse into the wider Indian cultural mores seeping into the thoughts and processes that are in play du...
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  5.  74
    Visibility Constraints in Depiction: Objects Experienced versus Objects Depicted.Solveig Aasen - 2016 - Philosophical Quarterly 66 (265):665-679.
    It is widely accepted that pictures can only depict visible things. The paper criticises this ‘visibility constraint’ on the objects of depiction. The constraint is shown to imply that the range of visibilia is settled prior to an investigation of what can be seen in pictures. By contrast to this, I suggest that settling what can be seen in pictures is relevant to settling the range of visibilia. It is what we experience in pictures, and not the objects of (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  6. Seeing depicted space (or not).Mikael Pettersson - 2018 - In Anna Bergqvist & Robert Cowan (eds.), Evaluative Perception. Oxford University Press.
    What is it to see something in a picture? Most accounts of pictorial experience—or, to use Richard Wollheim’s term, ‘seeing-in’—seek, in various ways, to explain it in terms of how pictures somehow display the looks of things. However, some ‘things’ that we apparently see in pictures do not display any ‘look.’ In particular, most pictures depict empty space, but empty space does not seem to display any ‘look’—at least not in the way material objects do. How do we see it (...)
     
    Export citation  
     
    Bookmark  
  7. Against Depictive Conventionalism.Catharine Abell - 2005 - American Philosophical Quarterly 42 (3):185 - 197.
    In this paper, I discuss the influential view that depiction, like language, depends on arbitrary conventions. I argue that this view, however it is elaborated, is false. Any adequate account of depiction must be consistent with the distinctive features of depiction. One such feature is depictive generativity. I argue that, to be consistent with depictive generativity, conventionalism must hold that depiction depends on conventions for the depiction of basic properties of a picture’s object. I then (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   7 citations  
  8. Depiction, Imagination, and Photography.Jiri Benovsky - 2020 - In Keith Moser & Ananta Ch Sukla (eds.), Imagination and Art: Explorations in Contemporary Theory. Brill | Rodopi.
    Imagination plays an important role in depiction. In this chapter, I focus on photography and I discuss the role imagination plays in photographic depiction. I suggest to follow a broadly Waltonian view, but I also depart from it in several places. I start by discussing a general feature of the relation of depiction, namely the fact that it is a ternary relation which always involves "something external." I then turn my attention to Walton's view, where this third (...)
     
    Export citation  
     
    Bookmark   1 citation  
  9.  37
    Depiction and imagination.Jiri Benovsky - 2016 - SATS 17 (1):61-80.
    Depiction and imagination are intimately linked. In this article, I discuss the role imagination (as well as inference and knowledge/belief) plays in depiction, with a focus on photographic depiction. I partly embrace a broadly Waltonian view, but not always, and not always for Walton's own reasons. In Walton's view, imagination plays a crucial role in depiction. I consider the objection to his view that not all cases of depiction involve imagination – for instance, documentary photographs. (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  10. Depiction and convention.Ben Blumson - 2008 - Dialectica 62 (3):335-348.
    By defining both depictive and linguistic representation as kinds of symbol system, Nelson Goodman attempts to undermine the platitude that, whereas linguistic representation is mediated by convention, depiction is mediated by resemblance. I argue that Goodman is right to draw a strong analogy between the two kinds of representation, but wrong to draw the counterintuitive conclusion that depiction is not mediated by resemblance.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  11. Depiction and Composition.Ben Blumson - 2014 - In Resemblance and Representation: An Essay in the Philosophy of Pictures. Cambridge, UK: Open Book Publishers. pp. 99-116.
    Traditionally, the structure of a language is revealed by constructing an appropriate theory of meaning for that language, which exhibits how – and whether – the meaning of sentences in the language depends upon the meaning of their parts. In this paper, I argue that whether – and how – what pictures represent depends on what their parts represent should likewise by revealed by the construction of appropriate theories of representation for the symbol system of those pictures. This generalisation, I (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  12. Explaining depiction.Robert Hopkins - 1995 - Philosophical Review 104 (3):425-455.
    An account of depiction should explain its key features. I identify six: that depiction is from a point of view; that it represents its objects as having a visual appearance; that it depictive content is always reasonably detailed; that misrepresentation is possible, but only within limits; and that the ability to interpret depictions co-varies, given general competence with pictures, with knowledge of what the depicted objects look like. All this suggests that picturing works by capturing appearances, but how (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   16 citations  
  13. Depictive Verbs and the Nature of Perception.Justin D'Ambrosio - manuscript
    This paper shows that direct-object perceptual verbs, such as "hear", "smell", "taste", "feel", and "see", share a collection of distinctive semantic behaviors with depictive verbs, among which are "draw'', "paint", "sketch", and "sculpt". What explains these behaviors in the case of depictives is that they are causative verbs, and have lexical decompositions that involve the creation of concrete artistic artifacts, such as pictures, paintings, and sculptures. For instance, "draw a dog" means "draw a picture of a dog", where the latter (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  14.  22
    Depictions of the human person: a multidisciplinary approach to teaching ethics for advanced practice nursing.David J. Carter, Mark De Vitis & Erol Dulagil - 2019 - International Journal of Ethics Education 5 (1):101-114.
    Advanced practice nursing is an expanding field within many healthcare environments around the world. The scope and particular focus of an advanced practice nurse’s role is highly variable and thus the ethical challenges they face are equally diverse. Yet, the dominant existing ethics pedagogies used in the nursing context have been described as not fit-for-purpose. Existing pedagogies do not adequately prepare APN candidates to meet the ethical challenges they will encounter in practice. Applying an arts-based pedagogy in ethics education for (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  15.  8
    Depictions of the human person: a multidisciplinary approach to teaching ethics for advanced practice nursing.David J. Carter, Mark De Vitis & Erol Dulagil - 2019 - International Journal of Ethics Education 5 (1):101-114.
    Advanced practice nursing is an expanding field within many healthcare environments around the world. The scope and particular focus of an advanced practice nurse’s role is highly variable and thus the ethical challenges they face are equally diverse. Yet, the dominant existing ethics pedagogies used in the nursing context have been described as not fit-for-purpose. Existing pedagogies do not adequately prepare APN candidates to meet the ethical challenges they will encounter in practice. Applying an arts-based pedagogy in ethics education for (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  16.  11
    Depictions of the human person: a multidisciplinary approach to teaching ethics for advanced practice nursing.David J. Carter, Mark De Vitis & Erol Dulagil - 2019 - International Journal of Ethics Education 5 (1):101-114.
    Advanced practice nursing is an expanding field within many healthcare environments around the world. The scope and particular focus of an advanced practice nurse’s role is highly variable and thus the ethical challenges they face are equally diverse. Yet, the dominant existing ethics pedagogies used in the nursing context have been described as not fit-for-purpose. Existing pedagogies do not adequately prepare APN candidates to meet the ethical challenges they will encounter in practice. Applying an arts-based pedagogy in ethics education for (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  17. Defining depiction.Ben Blumson - 2009 - British Journal of Aesthetics 49 (2):143-157.
    It is a platitude that whereas language is mediated by convention, depiction is mediated by resemblance. But this platitude may be attacked on the grounds that resemblance is either insufficient for or incidental to depictive representation. I defend common sense from this attack by using Grice's analysis of meaning to specify the non-incidental role of resemblance in depictive representation.
    Direct download (9 more)  
     
    Export citation  
     
    Bookmark   9 citations  
  18. Directly depicting granular ontologies.Thomas Bittner & Barry Smith - 2004 - In IFOMIS Reports. pp. 117--151.
    Published in extended form as "Endurants and Perdurants in Directly Depicting Ontologies", -/- We propose an ontological theory that is powerful enough to describe both complex spatio-temporal processes and the enduring entities that participate in such processes. For this purpose we distinguish between ontologies and metaontology. Ontologies are based on very simple directly depicting languages and fall into two major categories: ontologies of type SPAN and ontologies of type SNAP. These represent two complementary perspectives on reality and result in distinct (...)
    Direct download  
     
    Export citation  
     
    Bookmark   2 citations  
  19.  47
    Depicting Movement.Solveig Aasen - 2021 - Australasian Journal of Philosophy 99 (1):34-47.
    ABSTRACT The paper addresses an underexplored puzzle about pictorial representation, a puzzle about how depiction of movement is possible. One aim is to clarify what the puzzle is. It might seem to concern a conflict between the nature of static surfaces and the dynamic things that they can depict. But the real conflict generating the puzzle is between the pictorial mode of presentation and what can be seen in pictures. A second aim of the paper is to solve the (...)
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  20.  47
    Depicting Movement.Solveig Aasen - 2021 - Australasian Journal of Philosophy 99 (1):34-47.
    ABSTRACT The paper addresses an underexplored puzzle about pictorial representation, a puzzle about how depiction of movement is possible. One aim is to clarify what the puzzle is. It might seem to concern a conflict between the nature of static surfaces and the dynamic things that they can depict. But the real conflict generating the puzzle is between the pictorial mode of presentation and what can be seen in pictures. A second aim of the paper is to solve the (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  21.  62
    Depiction and Intention.Ben Blumson - 2014 - In Resemblance and Representation: An Essay in the Philosophy of Pictures. Cambridge, UK: Open Book Publishers. pp. 51-66.
    This chapter defends intentionalism about pictorial representation.
    Direct download  
     
    Export citation  
     
    Bookmark  
  22.  90
    Depiction and plastic perception. A critique of Husserl’s theory of picture consciousness.Christian Lotz - 2007 - Continental Philosophy Review 40 (2):171-185.
    In this paper, I will present an argument against Husserl’s analysis of picture consciousness. Husserl’s analysis of picture consciousness (as it can be found primarily in the recently translated volume Husserliana 23) moves from a theory of depiction in general to a theory of perceptual imagination. Though, I think that Husserl’s thesis that picture consciousness is different from depictive and linguistic consciousness is legitimate, and that Husserl’s phenomenology avoids the errors of linguistic theories, such as Goodman’s, I submit that (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   13 citations  
  23. Depictive and Metric Body Size Estimation in Anorexia Nervosa and Bulimia Nervosa: A Systematic Review and Meta-Analysis.Simone Claire Mölbert, Lukas Klein, Anne Thaler, Betty J. Mohler, Chiara Brozzo, Peter Martus, Hans-Otto Karnath, Stefan Zipfel & Katrin Elisabeth Giel - 2017 - Clinical Psychology Review 57:21-31.
    A distorted representation of one's own body is a diagnostic criterion and core psychopathology of both anorexia nervosa (AN) and bulimia nervosa (BN). Despite recent technical advances in research, it is still unknown whether this body image disturbance is characterized by body dissatisfaction and a low ideal weight and/or includes a distorted perception or processing of body size. In this article, we provide an update and meta-analysis of 42 articles summarizing measures and results for body size estimation (BSE) from 926 (...)
    Direct download  
     
    Export citation  
     
    Bookmark   6 citations  
  24.  84
    Depiction and Convention.John G. Bennett - 1974 - The Monist 58 (2):255-268.
    Nelson Goodman has provided one of the most exciting advances in semiotic aesthetics in years in his recent book, Languages of Art. Among other theses that Goodman defends is the claim that pictures are elements of symbol systems to be understood in the way that languages are understood: that depiction and description are species of a common genus which is to be understood in terms of denotation. One of the consequences Goodman draws from his theory is that depiction (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  25. Depictive Structure?Ben Blumson - 2011 - Philosophical Papers 40 (1):1-25.
    This paper argues against definitions of depiction in terms of the syntactic and semantic properties of symbol systems. In particular, it is argued that John Kulvicki's definition of depictive symbol systems in terms of relative repleteness, semantic richness, syntactic sensitivity and transparency is susceptible to similar counterexamples as Nelson Goodman's in terms of syntactic density, semantic density and relative repleteness. The general moral drawn is that defining depiction requires attention not merely to descriptive questions about syntax and semantics, (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  26.  11
    Dépiction et détection : quel rôle pour la notion de ressemblance dans les théories de la photographie?Laure Blanc-Benon - 2020 - Philosophia Scientiae 24:147-168.
    Nous voulons montrer que les théories générales de la dépiction et les théories de la photographie diffèrent dans la manière dont elles ont jusqu’à présent mobilisé la notion de ressemblance. En insistant sur la différence entre peinture et photographie, et sur la photographie en tant qu’ensemble de produits plutôt que sur la photographie en tant que technologie de production d’images, la plupart des théories existantes de la photographie se sont empêchées de comprendre quel est le rôle exact de la ressemblance (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  27. Depicting Human Form.Clare Mac Cumhaill - 2020 - Royal Institute of Philosophy Supplement 87:151-167.
    This paper involves constructive exegesis. I consider the contrast between morality and art as sketched in Philippa Foot's 1972 paper of the same name, ‘Morality and Art’. I then consider how her views might have shifted against the background of the conceptual landscape afforded by Natural Goodness, though the topic of the relation of art and morality is not explicitly explored in that work. The method is to set out some textual fragments from Natural Goodness that can be arranged for (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  28.  56
    Social robots as depictions of social agents.Herbert H. Clark & Kerstin Fischer - 2023 - Behavioral and Brain Sciences 46:e21.
    Social robots serve people as tutors, caretakers, receptionists, companions, and other social agents. People know that the robots are mechanical artifacts, yet they interact with them as if they were actual agents. How is this possible? The proposal here is that people construe social robots not as social agents per se, but as depictions of social agents. They interpret them much as they interpret ventriloquist dummies, hand puppets, virtual assistants, and other interactive depictions of people and animals. Depictions as a (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  29.  46
    A Syncretistic Theory of Depiction.Alberto Voltolini - 2015 - New York: Palgrave-Macmillan.
    What is depiction? This is a venerable question that has received many different answers throughout the whole history of philosophy, especially in contemporary times. A Syncretistic Theory of Depiction elaborates a new account on this matter by providing a theory of depiction that tries to combine the merits of the previous theories while dropping their defects. It is argued that a picture is a representation in a pictorial or figurative mode, and its 'figurativity' is given by a (...)
    Direct download  
     
    Export citation  
     
    Bookmark   18 citations  
  30. Depiction.John Hyman - 2012 - Royal Institute of Philosophy Supplement 71:129-150.
    §1 Analytic philosophers interested in depiction have focused for the most part on two problems: first, explaining how pictures represent; second, describing the distinctive kinds of artistic value pictures can possess, or the distinctive ways in which they can embody artistic values that extend more broadly across the arts. I shall discuss the first problem here. The main concepts I shall be concerned with are depiction, resemblance, sense and reference.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   17 citations  
  31.  42
    Depictions of 'brain death' in the media: medical and ethical implications.Ariane Daoust & Eric Racine - 2014 - Journal of Medical Ethics 40 (4):253-259.
    Background Debates and controversies have shaped the understanding and the practices related to death determined by neurological criterion . Confusion about DNC in the public domain could undermine this notion. This confusion could further jeopardise confidence in rigorous death determination procedures, and raise questions about the integrity, sustainability, and legitimacy of modern organ donation practices.Objective We examined the depictions of ‘brain death’ in major American and Canadian print media to gain insights into possible common sources of confusion about DNC and (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  32.  40
    Depicting second-order isomorphism and “depictive” representations.Hedy Amiri & Chad J. Marsolek - 2002 - Behavioral and Brain Sciences 25 (2):182-183.
    According to Pylyshyn, depictive representations can be explanatory only if a certain kind of first-order isomorphism exists between the mental representations and real-world displays. What about a system with second-order isomorphism (similarities between different mental representations corresponding with similarities between different real-world displays)? Such a system may help to address whether “depictive” representations contribute to the visual nature of imagery.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  33.  78
    Depicting Motion in a Static Image: Philosophy, Psychology and the Perception of Pictures.Luca Marchetti - 2022 - British Journal of Aesthetics 62 (3):353-371.
    This paper focuses on whether static images can depict motion. It is natural to say that pictures depicting objects caught in the middle of a dynamic action—such as Henri Cartier-Bresson’s (1932) Behind the Gare St. Lazare—are pictures of movement, but, given that pictures themselves do not move, can we make sense of such an idea? Drawing on results from experimental psychology and cognitive sciences, I show that we can. Psychological studies on implicit motion and representational momentum indicate that motion is (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  34.  16
    Depicting as a method of communication.Herbert H. Clark - 2016 - Psychological Review 123 (3):324-347.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   33 citations  
  35.  39
    Depicting and seeing-in. The ‘Sujet’ in Husserl’s phenomenology of images.Patrick Eldridge - 2018 - Phenomenology and the Cognitive Sciences 17 (3):555-578.
    In this paper I investigate an underappreciated element of Husserl’s phenomenology of images: the consciousness of the depicted subject, which Husserl calls the Sujetintention, e.g. the awareness of the sitter of a portrait. Husserl claims that when a consciousness regards a figurative image, it is absorbed in the awareness of the depicted subject and yet this subject some how withholds its presence in the midst of its appearance in the image-object. Image-consciousness is an intuitive consciousness that intends a being that (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  36. Depiction.Christopher Peacocke - 1987 - Philosophical Review 96 (3):383-410.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   65 citations  
  37.  88
    Depiction and description.Arthur C. Danto - 1982 - Philosophy and Phenomenological Research 43 (1):1-19.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  38.  38
    Fiction, Depiction, and the Complementarity Thesis in Art and Science.Elay Shech - 2016 - The Monist 99 (3):311-332.
    In this paper, I appeal to a distinction made by David Lewis between identifying and determining semantic content in order to defend a complementarity thesis expressed by Anjan Chakravartty. The thesis states that there is no conflict between informational and functional views of scientific modeling and representation. I then apply the complementarity thesis to well-received theories of pictorial representation, thereby stressing the fruitfulness of drawing an analogy between the nature of fictions in art and in science. I end by attending (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  39.  11
    Depiction and Detection: which Role can Resemblance Play in Theories of Photography?Laure Blanc-Benon - 2020 - Philosophia Scientiae 24:147-168.
    Nous voulons montrer que les théories générales de la dépiction et les théories de la photographie diffèrent dans la manière dont elles ont jusqu’à présent mobilisé (ou non) la notion de ressemblance. En insistant sur la différence entre peinture et photographie, et sur la photographie en tant qu’ensemble de produits (les images photographiques) plutôt que sur la photographie en tant que technologie de production d’images, la plupart des théories existantes de la photographie se sont empêchées de comprendre quel est le (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  40.  6
    Depicting Historical Persons and Identities: A Faceted Approach.Melissa Resnick, Jian Qin & Brian Dobreski - 2021 - Knowledge Organization 47 (8):668-679.
    Archives are responsible for presenting historical materials to users while also placing them in context. Historical individuals and their identities pose specific challenges for the archive, including how to negotiate changing cultural perspectives on identity and how to convey and explain contexts to modern audiences. Contemporary subject representation practices in cultural heritage tend to offer a reductivist view of personal identity. Using a collection of visual images of nineteenth and twentieth century sideshow performers, the present work explored a faceted approach (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  41. Depiction Verbs and the Definiteness Effect.Graeme Forbes - unknown
    This paper is part of a longer project on the semantics of depiction verbs and their associated relational nouns. Depiction verbs include verbs for physical acts, such as ‘draw’ (with relational noun ‘drawing’), ‘sketch’, ‘caricature’, ‘sculpt’, ‘write (about)’, and verbs for mental ones, such as ‘visualize’, ‘imagine’, and ‘fantasize’.
     
    Export citation  
     
    Bookmark   2 citations  
  42.  6
    Depictive agreement and the development of a depictive marker in Swiss German dialects.Claudia Bucheli Berger - 2005 - In Nikolaus Himmelmann & Eva Schultze-Berndt (eds.), Secondary predication and adverbial modification: the typology of depictives. New York: Oxford University Press.
    Direct download  
     
    Export citation  
     
    Bookmark  
  43. Depiction with resemblance.Ben Blumson - manuscript
    No categories
     
    Export citation  
     
    Bookmark  
  44.  2
    Depictives in Kartvelian.Winfried Boeder - 2005 - In Nikolaus Himmelmann & Eva Schultze-Berndt (eds.), Secondary predication and adverbial modification: the typology of depictives. New York: Oxford University Press.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  45.  18
    Depicting Deity: A Metatheological Approach.Jonathan L. Kvanvig - 2021 - New York, NY: Oxford University Press.
    A theology aims to explain the nature of God. A metatheology investigates more fundamental issues concerning how to structure such an intellectual endeavor. This book examines where it is best to start the project of theology in the hope of offering a defensible metatheory from which a complete and elegant theology can be developed.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  46.  39
    Depicting Properties’ Properties.John Kulvicki - 2021 - Journal of the American Philosophical Association 7 (3):312-328.
    Little has been said about whether pictures can depict properties of properties. This article argues that they do. As a result, resemblance theories of depiction must be changed to accommodate this phenomenon. In addition, diagrams and maps are standardly understood to represent properties of properties, so this article brings accounts of depiction closer to accounts of diagrams than they had been before. Finally, the article suggests that recent work on perceptual content gives us reason to believe we can (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  47.  90
    Depicting the tree of life: The philosophical and historical roots of evolutionary tree diagrams.Nathalie Gontier - 2011 - Evolution, Education and Outreach 3 (4):515-38.
  48.  17
    Depiction as possible phase in the dynamics of sociomorphing.Johanna Seibt - 2023 - Behavioral and Brain Sciences 46:e45.
    The depiction model presents a major advance in our theoretical conceptualization of how humans experience and understand social robots. But the scope of the model is, I suggest, more limited: It pertains to one possible phase in a more comprehensive cognitive-practical dynamics of sense-making (“sociomorphing”) as conceptualized in the OASIS framework. According to the OASIS framework, some basic social actions can be realized by robots, while others may be depicted in the way described by the model.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  49. Depictive architectures for synthetic phenomenology.Igor Aleksander & Helen Morton - 2007 - In Antonio Chella & Riccardo Manzotti (eds.), Artificial Consciousness. Imprint Academic. pp. 67-81.
  50.  88
    Depiction.John Hyman & Katerina Bantinaki - 2017 - Stanford Encyclopedia of Philosophy.
    Direct download  
     
    Export citation  
     
    Bookmark   10 citations  
1 — 50 / 984