The Europe of many voices is founded on a balance between me and us. Even if persons, regions and countries communicate with their own voices, each voice is imbued with its inner and outer alienness, which can be represented but not replaced by others. There is no single European language, there is a variety of European languages. Interregional, international and intercultural experiences are characterized by the interweaving of one’s own and the foreign. We can be more or less close (...) to one another. Humanity can be understood only as an open horizon. Europe is not a stop on the path to a worldwide state, but a specific answer to global challenges. When the struggle for economic and military survival prevails, alienness turns into enmity. And the enemy is voiceless, just like the Barbarians. (shrink)

Our political present is characterized by the rise of right-wing populism. This trend has not only led to a repoliticization of society, but also of academic philosophy, including phenomenology. In the U.S., a strong movement has emerged under the label of critical phenomenology whereas in Europe the movement of political phenomenology has become prominent. Both projects have in common the aim of positioning phenomenology as a critical project, questioning social relations of domination and power. These projects relate to Husserl’s (...) transcendental phenomenology in different ways. In the following, I want to uncover this relation by fleshing out the horizons of critique that come with transcendental, critical, and political phenomenology. In particular I will show how the phenomenological method of demonstration can become a means of critique in political confrontations. (shrink)

Edmund Husserl. Infinite tasks -- Universality and spatial form -- Universality in the making -- Martin Heidegger. Singular essence -- The strangeness of beginnings -- The originary world of tragedy -- Jan Patoka. Care of the soul -- The genealogy of Europe-responsibility -- Jacques Derrida. European memories -- This little thing that is Europe -- De-closing the horizon.

Au fil du temps, l'Europe est devenue un objet central de la philosophie politique d'Étienne Balibar. Née sur le terreau de sa réflexion sur le racisme, cette pensée s'est concentrée toujours davantage sur la construction européenne et ses impasses. En ce sens, il s'agit d'une vision marquée par la crise et, de ce fait même, guidée par le souci et l'urgence de la démocratisation de l'Union européenne ou, ce qui revient au même, de sa transformation. Les problèmes de la (...) citoyenneté, des frontières, du positionnement géopolitique, de la constitution, des choix économiques, des migrants ont ainsi aimanté l'élaboration d'un ensemble de concepts originaux pour penser ces enjeux, formant une œuvre dont l'ampleur et l'extension n'ont probablement d'autre équivalent, dans la scène philosophique contemporaine, que l'entreprise de Jürgen Habermas. Les auteures et les auteurs de cet ouvrage - juristes, philosophes, politistes, venus de France et d'ailleurs - engagent à leur tour un échange productif avec les principaux concepts et propositions d'Étienne Balibar sur l'Europe, convaincus de leur intérêt théorique intrinsèque mais également de l'horizon post-national dans lequel le politique se déploie désormais. Ce qui donne l'occasion à Étienne Balibar de relancer, encore une fois, la discussion. (shrink)

The article by Sannikov Sergiy “History and Hermeneutic Horizons of the Bible Commentaries in the Slavic Context: Part 1. History and Practice of the Bible Commentaries in the Slavic Context” is the first part of the research of the history and hermeneutic horizons of the Bible commentaries in the Slavic context. The author surveys the history of the Bible interpretation in Eastern Europe, analyzes the diachronical interpretation principles progress, shows the hermeneutical methods used in the Evangelical movement of in (...) the 19th and 20th centuries and the correspondent hermeneutic approaches in the Orthodox tradition. The author distinguishes the main hermeneutic principles being the basis for the commentators of the 19th-20th centuries and the approaches to interpretation practiced in the Slavic context. A special attention is given to the Bible interpretation made by national authors who have been publishing their works during the last 20 years. The main emphasis is made on the literature on hermeneutics published in recent years and used in Evangelical educational institutions. (shrink)

La thèse de l’auteur est que la réalité quotidienne de la construction européenne, et de ses constantes avancées juridiques en marge même du processus politique ou interétatique d’approfondissement, devient de plus en plus difficile à concilier avec les conceptions monistes traditionnelles, non seulement de la souveraineté comme horizon indépassable de toute construction politique, mais aussi de la hiérarchie des normes juridiques, voire même de la théorie classique de séparation stricte des pouvoirs. L’auteur propose en particulier de se pencher d’abord (...) sur les conditions d’apparition historiques de ces théories classiques comme sur des théories antérieures que celles-ci ont évincées, puis sur le concept de « primauté » juridique du droit européen comme règle fondamentale de création et d’interprétation en tant que mécanisme central de l’ordre juridique européen. Dans l’adoption de cette règle fondamentale comme « règle de reconnaissance », les juges, mais peut-être plus encore, la communauté des avocats ont eu un rôle primordial. (shrink)

We reflect on a decade of Responsible Research and Innovation (RRI) as a discourse emerging from the European Commission (EC) 10 years ago. We discuss the foundations for RRI, its emergence during the Seventh Framework programme and its subsequent evolution during Horizon 2020. We discuss how an original vision for RRI became framed around five so-called ‘keys’: gender, open access, science communication, ethics and public engagement. We consider the prospects for RRI within the context of the EC’s Open Science (...) agenda and Horizon Europe programme, before closing with some reflections on the contribution RRI has made to debates concerning the relationship between science, innovation and society over the last decade. (shrink)

Understood historically, culturally, politically, geographically, or philosophically, the idea of Europe and notion of European identity conjure up as much controversy as consensus. The mapping of the relation between ideas of Europe and their philosophical articulation and contestation has never benefited from clear boundaries, and if it is to retain its relevance to the challenges now facing the world, it must become an evolving conceptual landscape of critical reflection. The Routledge Handbook of Philosophy of Europe provides an (...) outstanding reference work for the exploration of Europe in its manifold conceptions, narratives, institutions, and values. Comprising twenty-seven chapters by a group of international contributors, the Handbook is divided into three parts: • Europe of the Philosophers • Concepts and Controversies • Debates and Horizons Essential reading for students and researchers in philosophy, politics and European studies the Handbook will also be of interest to those in related disciplines such as sociology, religion, and European history and history of ideas. Darian Meacham is an Assistant Professor of Philosophy at Maastricht University, The Netherlands. He is the editor-in-chief of the Journal of the British Society for Phenomenology and the co-editor of Thinking After Europe: Jan Patočka and Politics (2016) Nicolas de Warren is Associate Professor of Philosophy and Jewish Studies at Pennsylvania State University, USA. He is the author of Husserl and the Promise of Time (2010), A Momentary Breathlessness in the Sadness of Time (2018), and Original Forgiveness (2020). (shrink)

We reflect on a decade of Responsible Research and Innovation (RRI) as a discourse emerging from the European Commission (EC) 10 years ago. We discuss the foundations for RRI, its emergence during the Seventh Framework programme and its subsequent evolution during Horizon 2020. We discuss how an original vision for RRI became framed around five so-called ‘keys’: gender, open access, science communication, ethics and public engagement. We consider the prospects for RRI within the context of the EC’s Open Science (...) agenda and Horizon Europe programme, before closing with some reflections on the contribution RRI has made to debates concerning the relationship between science, innovation and society over the last decade. (shrink)

New Cosmic Horizons was written by a project manager, originally trained as a physicist, who worked in the European space world and in business for about twenty‐five years and then returned to academia to complete his Ph.D. It is a well‐written, comprehensive compilation of major scientific results in space astronomy obtained during the latter half of the twentieth century. As the book jacket explains, “it explores the triumphs of space experiments and spacecraft designs and the amazing astronomical results that they (...) have produced.” It is particularly useful because it does not just concentrate on American contributions in this area, as important as they have been, but tries to redress the transatlantic balance by including scientific work in the Soviet Union and Europe, notably the European Space Agency. The blurb claims that David Leverington relates the changes in space astronomy programs in these various countries to their “changing political imperatives.” This is done very sketchily, however, and merely by way of a backdrop to his main objective.Practicing astronomers, be they amateur or professional, and historians of science who could use a survey of the major milestones in space astronomy will find this a useful guide. It is seriously marred as a reference work, however, by the total absence of any reference to primary or secondary material in the text. There is a bibliography of what Leverington calls “general sources used in the preparation of this book” , which includes standard histories of space and of space science. None of these books, nor any scientific papers, are cited in the body of the argument. Everything that is said, or claimed, has to be taken on the authority of the author, an extraordinary approach that can only undermine and discredit what was otherwise a laudable objective. (shrink)

This work is a two-division study of twentieth century philosophies of history in Europe. Fields engaged in the study are transcendental philosophy, speculative metaphysics, theology, historiographical theory, and intellectual history. The main question concerns the historical finitude of History and its temporal horizon. The work explores the unsolved consequences of G.W.F. Hegel's Phenomenology of Spirit and Martin Heidegger's Being and Time in twentieth-century German and French philosophies of History.

이 글은 유럽 역사의식의 위기에 대한 리쾨르의 관점을 분석하고 그의 재구축 방향을 검토한다. 그는 유럽 역사의식의 성격을 분석함으로써 유럽의 특성을 언급하고 환기시키는데 우리는 이를 통해 유럽에 대한 그의 인식을 확인할 수 있다. 역사의식의 위기를 분석하고 극복의 방향을 제시할 때, 그가 주로 활용하는 것은 코젤렉의 개념들이다. 대표적으로 ‘경험 공간’과 ‘기대 지평’ 같은 개념들을 사용하여 유럽 역사의식의 상황을 분석한다.BR 유럽 역사의식의 위기는 기본적으로 유럽의 고유한 경험 공간을 구성하는 과거 유산들의 ‘복합성’과 관련된 취약성으로부터, 보다 정확하게는 이 취약성에 대한 왜곡된 대응으로부터 발생한다. 과거와 연관된 (...) 병리는 미래와 현재의 위기, 혹은 병리와 맞물려 있다. 따라서 “붕괴된” 유럽의 역사의식을 재구축하기 위해서는 기억과 전통의 병리, 현재의 불모성 그리고 미래의 예기의 병리를 치유할 수 있어야 한다. 이 과정에서 과거, 현재 그리고 미래의 성격은 새롭게 해석된다.BR 유럽에 대한 리쾨르의 인식은 유럽의 역사의식에 대한 분석의 과정에서 간접적으로 나타난다. 우리는 그러한 인식이 나타나는 배경과 맥락을 함께 고려하면서 유럽에 대한 그의 인식에 대해 살펴보고자 한다. (shrink)

This work is a two-division study of twentieth century philosophies of history in Europe. Fields engaged in the study are transcendental philosophy, speculative metaphysics, theology, historiographical theory, and intellectual history. The main question concerns the historical finitude of History and its temporal horizon. The work explores the unsolved consequences of G.W.F. Hegel's Phenomenology of Spirit and Martin Heidegger's Being and Time in twentieth-century German and French philosophies of History.

"La géocritique de Nietzsche permet de comprendre sa pensée grâce aux pays, régions et villes du monde qui comptent pour lui. Outre la France, l'Allemagne et l'Europe, son regard englobe des espaces extra-européens, l'Inde, la Chine et l'Islam. Des données d'actualité l'intéressent autant que les strates historiques, parmi les paysages naturels, la Haute Engadine n'enchante pas moins que la Méditerranée et le désert. Nietzsche fait découvrir les lieux par l'intermédiaire des personnages qui les habitent ou incarnent. Ils peuvent être (...) écrivains, musiciens, peintres, figures mythologiques ou poétiques, fondateurs de religions, hommes d'Etat, etc. Le côte à côte d'observations anthropologiques, esthétiques et philosophiques ainsi que le lien entre espaces et cultures font apparaître, dans un langage souvent imagé, les concepts-clés, à savoir le surhomme, la volonté de puissance et l'éternel retour du même. La démarche nietzschéenne révèle des contrastes et se caractérise par le désir de dépasser les frontières pour accéder à l'interculturalité. Ouvrant des horizons nouveaux, elle reflète aussi l'héritage des Lumières et du classicisme allemand." -- [4ème de couverture]. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 67.4 (2006) 713-734 MuseSearchJournalsThis JournalContents[Access article in PDF]India and the Identity of Europe: The Case of Friedrich Schlegel 1Chen Tzoref-Ashkenazi University of HeidelbergAbstractThis paper examines Friedrich Schlegel's conception of an Oriental Renaissance through the study of ancient India. In his book Über die Sprache und Weisheit der Indier Schlegel compared his project of Sanskrit studies to the Humanistic Renaissance, but in practice (...) hoped the study of India would reverse the modernizing effects of the original Renaissance. His study of India was aimed at a redefinition of European and German cultural and national identities rather than broadening the horizons of Europe to a global perspective."If only Indian studies could find such cultivators and patrons as in the fifteenth and sixteenth centuries suddenly kindled in Italy and Germany an ardent appreciation of Greek studies, and in so short a time achieved so much that the reawakened knowledge of antiquity changed and rejuvenated wisdom and science, indeed one could even say the world itself. Not less grand and universal, I dare to assert, would be the effect of Indian studies even now, if it were seized with similar force and introduced into the circle of European learning." 2 [End Page 713]These enthusiastic words were used by Friedrich Schlegel (1772–1829) to recommend the study of Indian literature to the readers of his 1808 Über die Sprache und Weisheit der Indier. 3 In this book, Schlegel offered the fruits of his studies of Sanskrit and Indian literature, which began in Paris in 1803. Here he introduced to the educated public of Continental Europe the theory about the affinity of Sanskrit to Greek, Latin and German, twenty-two years after this theory, which is now called "the Indo-European relationship," was presented by Sir William Jones to the members of the Asiatick Society in Calcutta. The presentation of this linguistic relationship, together with a call to study languages by a historical-comparative method, comprised the first part of the book. The second part dealt with Indian philosophy, which according to Schlegel, belonged to the tradition of all Oriental philosophy. The third part suggested how the study of Indian literature might benefit the study of history in general. Central to this view was the speculation that Indian civilization had emigrated to Europe, supported by the linguistic affinity between Sanskrit and European languages.The recommendation in the quotation above was well received. The publication of Schlegel's book excited the intellectual community of continental Europe, and, by 1809, large parts of the book had appeared in French translation. 4 The most important outcome of this excitement was the arrival of Franz Bopp and August Wilhelm Schlegel, Friedrich's elder brother, in Paris to study Sanskrit. The excitement stirred by Schlegel's book reflected the growing interest in India and the East among European intellectuals. This was a very complex process that was a product of Europe's growing colonial power in Asia but was also a part of the modernization of European thought. Interest in India swelled during the last third of the eighteenth century, as the British were becoming the dominant power in the subcontinent and began collecting, analyzing, and distributing information on Indian civilization, mainly through the Asiatic Society in Calcutta, which was established by William Jones in 1783 under the patronage of the Governor-General Warren Hastings. 5 [End Page 714]What interested European intellectuals most about the ancient cultures of India and other oriental countries, was what they could learn about the ancient religions of these countries. The region from Egypt to India was thought to be the "cradle of humanity," with various thinkers believing the "Urheimat" to be in another center of oriental civilization, be it Egypt, Mesopotamia or Persia. India became popular with the publication of John Holwell's Interesting Historical Events Relating to Bengal in 1765, 6 which was the main source for Voltaire's ideas on India. 7 Statements concerning the nature of Hinduism became important... (shrink)

What is the role of the Social Sciences and Humanities in the journey to the Fourth Industrial Revolution? What is the impact of these disciplines for the challenges the world faces, supposedly defined by a highly dynamic phase of industrial and social restructuring, where the adaptive capacity of societies needs to be enhanced by specific skills and techno-social dependencies? What is the role of SSH in building cognitive competences, and new professional paths? This paper, part of the special focus of (...) the Annual Review of New Directions in the Humanities, seeks to unveil the importance of SSH disciplines to the major STEM disciplines. Although disciplines and research in Social Sciences and Humanities play a fundamental role in the production of knowledge relevant to society, the last decade of the 20th century has seen a continuous trend towards their devaluation. After a relatively glorious period during the first half of the century, when SSH disciplines still held a relative social influence, the arrival of digital technologies in 1990s, accelerated their decline. This article traces a brief overview of this decline and explores some of the causes as well as the challenges in valuing SSH. Focusing mainly on Europe, the paper presents the attempts, on behalf of the European Commission, to correct this decline. It also outlines some new ideas that could help a true integration and transfer of knowledge across STEM AND STEAM disciplines, such as the creation of specific 'missions'. Precisely, one of the diagnoses of the Horizon 2020 experience in Europe has been that investment in research is not effectively linked to the solution of specific problems. Thus, it is necessary to put in motion co-creation mechanisms among research disciplines and advance in the establishment of intersectoral bridges, bringing SSH research closer to the industry and other social sectors in order to solve the pressing challenges we face. (shrink)

The aim of this article is to show how both Jan Patočka and Jürgen Habermas, starting from a reinterpretation of the idea of «lifeworld», engaged a critique of modern civilisation, aiming (with different outcomes) at a redefinition of the concept of political community. In order to achieve this goal, I firstly focus on Patočka’s understanding of modern rational civilisation and its attempt to fix the fracture between «life» and «world». At this stage, I take also advantage of Hans Blumenberg’s distinction (...) between these two terms, in order to better clarify Patočka’s stance on this problem. Secondly, I analyse Habermas’ ideas of lifeworld and system, and their uncoupling in modern societies, as well as the reemergence of this issue in Habermas’ recent works on the European economic and political crisis. Finally, I focus on the very different ways in which Patočka and Habermas tackled the ideas of conflict and crisis in contemporary world, also in view of a possible path out of this crisis through a re-constitution of Europe. (shrink)

The most valuable finding of my first sightseeing trip was that medieval Europe was the seat of Christendom and that Christianity defines the West. I was amazed to see that Europe reveals so much of its past. I had not had such an experience in the United States, where I had lived as a student and then as a professor of economics.As I glimpsed the West, I found myself rediscovering Confucian civilization and how much I am still Confucian, (...) although I was born into a Presbyterian family in Korea. But then, Korea is the most Confucian country. Curious about the West since my first trip, whenever I can I have toured Europe in search of the meaning of the West.While travelling in Europe, my mind often jumps back to my early life in Korea and Japan. I am struck by the vivid contrast in appearance between medieval European towns and Asian towns, which were grey and as flat as pancakes. Medieval towns are stony and solid. Nothing is flimsy. Shaped by spires, domes, and towers, a European town's silhouette rises and falls like a stock market graph. Europeans obviously loved the vertical emphasis. A traveller can see either a soaring church tower or a castle keep miles away on the horizon. Churches predominate, as if to emphasize that the main business of the town is the worship and glorification of God. (shrink)

The work synthesises in 26 monographic chapters the results of a six-years long (2012 – 2018) interdisciplinary international project whose aim was to present the state of knowledge on today’s Poland during the Migration Period, and to compare the evolution of its settlement with that of its neighbours. One of its main results – the accordance between the palynological evidence of the change of environment (extensive reforestation and drastic reduction of anthropogenic indicators) and the archaeological reconstruction of the change of (...) settlement (disappearance of the Przeworsk, Wielbark and other cultures of the Roman Period by the mid-fifth century) – conclusively confirms the often questioned verdict of a sudden severe depopulation of the lands between the Vistula and the Oder, similar to that revealed in the rest of Central/eastern Europe (disappearance of the Elbe and Chernyakhiv-Sântana de Mureş cultures). An entirely new perspective opened by the project is the survival of enclaves with contacts all round the compass (the Eastern Empire, the Merovingian West, the Danubian lands, Scandinavia, the Western Balts). None of them yielded Slavonic material, even the longest-lived one recently discovered at Gąski-Wierzbiczany in Kujawy, evidently one of the main centres of the European Barbaricum and in the third and fourth century the Roman army’s recruiting station, which continued till the early seventh century; this evidence (or lack of it) is the death-blow to the theory of a supposed continuity of settlement – and so of ethnicity, necessarily Slavonic – from the Bronze Age to the Middle Ages. Through these enclaves, southern cultural influences reached Scandinavia during the Younger Germanic Iron Age; the one at the mouth of the Vistula seems to have been the earliest and greatest recipient of the Imperial solidi in the Baltic zone, from which they were redistributed to the Nordic lands. A sample of other topics: tracing the extent (quite limited) of the Hunnic presence north of the Carpathians; evidence on fugitives from Hermanaric’s realm, including what appears to be the earliest known assemblage of the Dančeny-Brangstrup horizon; the Migration Period among the Western Balts, neighbours and cultural cousins, who did not take part in the Völkerwanderung. In the end, two leitmotifs of the work, one pessimistic, the other optimistic: short-sightedness and harmfulness of the official persecutive policy, in Poland and the majority of other European countries, with regard to amateur metal detecting, which only makes priceless potential evidence disappear without a trace; material remains and relative written sources (in this case Iordanes and Procopius) reflect the same historical reality and can legitimately be used to support one another. (shrink)

The self-limiting revolutions of 1989 in Central Europe offer an alternative paradigm of revolutionary change that is reminiscent more of the American struggle for independence in 1776 than the Jacobin tendencies that grew out of the French Revolution of 1789. In order to understand the contradictory impulses of the revolutions of 1989—the desire for a radical renewal and the concern for preservation—this article takes as its point of departure the political thought of Hannah Arendt and Edmund Burke.

Cet ouvrage aborde l'histoire de la notion de pittoresque sous quatre angles : les développements initiaux des théories et des horizons du pittoresque entre la Renaissance et l'aube du romantisme ; la diversification des objets, des acteurs et des formes de sa quête dans le courant du xixe siècle ; les écritures du pittoresque dans la littérature européenne du xixe siècle ; la problématique du désenchantement/réenchantement du pittoresque au xxe siècle.

Traitant des origines de la pensée européenne - des présocratiques à Damascius, en passant par Platon, Aristote, Plotin et saint Augustin -, ce livre rencontre les inévitables intrications entre mythe et philosophie ainsi qu'entre l'Un et l'Etre. C'est précisément dans cette double intrication que s'enracine l'énigme de notre présent. Il s'agit ici d'une réflexion sur le passé. Mais le passé n'y est interrogé que dans la mesure où s'y dessine l'horizon à l'intérieur duquel la pensée continue de se déployer (...) aujourd'hui. Cette 3e édition est enrichie d'une présentation qui approfondit la question de la différence entre philosophie européenne et philosophie occidentale. (shrink)

The aim of this article is to show how both Jan Patočka and Jürgen Habermas, starting from a reinterpretation of the idea of «lifeworld», engaged a critique of modern civilisation, aiming at a redefinition of the concept of political community. In order to achieve this goal, I firstly focus on Patočka’s understanding of modern rational civilisation and its attempt to fix the fracture between «life» and «world». At this stage, I take also advantage of Hans Blumenberg’s distinction between these two (...) terms, in order to better clarify Patočka’s stance on this problem. Secondly, I analyse Habermas’ ideas of lifeworld and system, and their uncoupling in modern societies, as well as the reemergence of this issue in Habermas’ recent works on the European economic and political crisis. Finally, I focus on the very different ways in which Patočka and Habermas tackled the ideas of conflict and crisis in contemporary world, also in view of a possible path out of this crisis through a re-constitution of Europe. (shrink)

Achieving equity in international research is one of the pressing concerns of the twenty-first century. In this era of progressive globalization, there are many opportunities for the deliberate or accidental export of unethical research practices from high-income regions to low- and middle-income countries and emerging economies. The export of unethical practices, termed “ethics dumping,” may occur through all forms of research and can affect individuals, communities, countries, animals, and the environment. Ethics dumping may be the result of purposeful exploitation but (...) often arises from lack of awareness of good ethical and governance practice. This chapter describes the work of the TRUST project toward counteracting the practice of ethics dumping through the development of tools for the improvement of research governance structures. Multi-stakeholder consultation informs all of TRUST’s developments. Most importantly, this gives voice to marginalized vulnerable groups and indigenous people, who have been equal and active partners throughout the project. At the heart of the TRUST project is an ambitious aim to develop a Global Code of Conduct for Research in Resource-Poor Settings. Uniquely, the Code provides guidance across all research disciplines in clear, short statements, focusing on research collaborations that entail considerable imbalances of power, resources and knowledge and using a new framework based on the values of fairness, respect, care, and honesty. The code was recently adopted by the European Commission as a reference document for Horizon 2020 and Horizon Europe. (shrink)

After a period in which Responsible Research and Innovation (RRI) stood as a cross-cutting issue under the Eigth European Union Framework Programme for Research and Innovation (R & I), Horizon 2020, its further development and implementation has reached a crossroad. It turned out that there is a lack of consistent integration of RRI in Europe’s R & I practices (Novitzky et al. 2020), and dedicated funding for RRI is almost entirely absent in the Ninth European Union Framework Programme (...) for R & I, Horizon Europe. At the same time, global challenges like climate change become increasingly more urgent and thus continue to call for collective efforts of scientific research and industry, policy makers and civil society. Further, the emergence of disruptive technologies like synthetic biology, artificial intelligence and robotics raises several new societal concerns. Finally, the growing disbelief in science, as shown during the Corona pandemic, demonstrates the importance of aligning R & I policy and societal values all the more. For reasons as these, the disinvestment in a dedicated Science With and For Society programme line for RRI in Horizon Europe did not result in decreased academic attention for embedding science in society. On the contrary, a dedicated research community emerged that engages in the academic discourse of RRI and tries to contribute to projects on topics such as responsible data governance, responsible AI, and responsible agroecology within the Horizon Europe framework programme, sometimes even without the use of the frame RRI. (shrink)

ABSTRACT The article revisits the history of the ‘Eastern Question’ and its impact in late Victorian England through the lens of the British scholar Arthur J. Evans. Evans is best known for his archaeological discoveries in the island of Crete in the beginning of the twentieth century. His journalistic and archaeological ventures in the Balkans in the 1870s and 1880s have received scant attention. The article recovers Evans’ activities which straddled humanitarianism, political activism, archaeology, anthropology/ethnography and journalism. Although Evans was (...) not a systematic thinker on international affairs, his writings typified the liberal internationalist ambivalences on the ‘plight’ of eastern christians in southeastern Europe and the Balkans. The article argues that his thought fused two interrelated temporal frames: the deep anthropological and archaeological time of ancient civilizations and the modern framework of nationalist politics. These different horizons guided his understanding of the world of international affairs and underpinned the key role he played in debates on the Bosnian and Albanian questions. (shrink)

Nous manquons, aujourd'hui en Europe, d'un projet écologiste capable de résister aux politiques d'étouffement, dans un monde de plus en plus irrespirable. D'un projet initié dans les quartiers populaires, qui y articulerait en? n l'ancrage dans la terre et la liberté de circuler. D'un projet dont le regard serait tourné vers l'Afrique et qui viserait à établir un large front internationaliste contre le réchauffement climatique et la destruction du vivant. D'un projet qui ferait de la Méditerranée un espace autonome (...) et un point de ralliement des mutineries du Nord comme du Sud. D'un projet se donnant comme horizon à la fois la libération des terres, la libération animale et l'égale dignité humaine, fondamentalement liées. D'un projet assumant la sécession face à des forces d'extrême droite toujours plus menaçantes. D'un projet permettant de prendre le large en quête du One Piece, le fameux trésor du manga éponyme, devenu symbole, dans les quartiers populaires, de la soif de liberté qui y gronde. D'un projet qui se mettrait à hauteur d'enfants et chercherait leur bien-être et leur libération. Ce projet, c'est celui de l'écologie pirate. (shrink)

The creation of the state of Israel was the outcome of the Zionist movement, which originated in Europe and was itself inspired by fundamental European ideas—Enlightenment, national self-determination, democracy and socialism. From its earliest days Zionism was primarily a secular movement that rejected the religious establishment and religious way of life of the Jews in the Diaspora. In many respects, however, the founders of the state and the principles on which they founded its institutions—the political, judicial, economic, social, and (...) educational—were rooted in the ethical values and cultural practices of the Jewish tradition which they had apparently rejected. To explain this complex process of secularization of a very ancient religious and cultural tradition—which many see as an unresolved or unresolvable conflict between two opposing systems of thought—I draw on the hermeneutic philosophy of Hans-Georg Gadamer and especially on his Truth and Method (1960). Culture, according to Gadamer, is a continuous flow of tradition within what he called “the horizon.” People, he argued, create and live within a given cultural tradition, but they are at the same time its interpreters, enlarging it by adopting elements from various cultures and ideologies, or “horizons.” From this hermeneutic perspective, the founders of modern Israel and their successors were the active interpreters of the Jewish tradition within the larger historical context of the European Enlightenment. I illustrate this process of cultural interpretation by focusing on the secularization of the Jewish holidays, specifically on the way the Kibbutz movement, a leading symbol of the new Israel, re-interpretated Jewish holidays like Passover, Shavuot (Pentecost) and Yom Kippur, and gave these religious festivals a secular-Israeli content. However, this dynamic pioneering stage of secularization may be said to have ended by the 1980s. From then on, the secular identity of Israeli society has been undergoing a variety of radical changes. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“Even the Papuan is a Man and not a Beast”: Husserl on Universalism and the Relativity of CulturesDermot Moran (bio)“[A]nd in this broad sense even the Papuan is a man and not a beast.” ([U]nd in diesem weiten Sinne ist auch der Papua Mensch und nicht Tier, Husserl, Crisis, 290/Hua. VI.337–38)1“Reason is the specific characteristic of man, as a being living in personal activities and habitualities.” (Vernunft ist das (...) Spezifische des Menschen, als in personalen Aktivitäten und Habitualitäten lebenden Wesens, Husserl, Crisis, 338/Hua. VI.272)1. Particular Historicities and Universal ReasonIn this paper2 i shall explore—and suggest a way of resolving—the evident tensions to be found in Husserl’s Crisis of European Sciences (and associated texts) [End Page 463] between his commitment to the universality of reason as the goal or telos of European humanity (founded on the ancient Greek “breakthrough” to philosophy and science) and his recognition of the empirical plurality and “relativity” (Relativität) of individual peoples and nations (e.g. Indian, Chinese, Papuan, Bantu) locked into their own particular “socialities” (Sozialitäten), communal worlds, and historical trajectories (what Husserl broadly calls “historicities,” Geschichtlichkeiten, Historizitäten). 3 I shall examine the complex relations and tensions between Husserl’s conception of universality, whereby the same reason functions in every human as animal rationale, “no matter how primitive he is” (“Origin of Geometry,” Crisis, 378/ Hua. VI.385), and his concept of the self-enclosed particularity of individual peoples with their own cultural forms. Indeed, Husserl often emphasizes that the most prominent feature of cultural plurality is precisely its relativity: “relativity belongs to the normal course of life.”4 I shall evaluate Husserl’s response, which defends the project of realizing the ideal of a critical universal rationality, by situating his discussion in terms of the cultural conflict of the time with the rising National Socialist commitment to racial particularism, and by showing Husserl’s commitment to the inherent universality of the one shared life-world.In his research manuscripts of the 1920s and 1930s Husserl frequently discusses the complex relationships that exist between different cultures and traditions; different cultures have their specific historicities (Crisis, 274/Hua. VI.320), dialects, norms, ways of life, and so on. This is simply a matter of fact. There are, furthermore, some well-known and controversial passages in Husserl’s “Vienna Lecture” of May 1935 and also in his Crisis texts (both in the main 1936 published text, Part One [§6] and in the then unpublished Crisis Part Three A §365) where Husserl speaks of the universality inherent in European philosophical culture of the logos and contrasts it with various other communal forms, which are, in his view, merely “empirical-anthropological” types, enclosed in their particular historicities and relativities. Indeed, in this context, Husserl regularly invokes the idea of the “relativity of everything historical” (die Relativität alles Historischen, Crisis, 373/Hua. VI.382). In addition, there are a number of related texts, collected in the Crisis supplementary volume (Hua. XXIX),6 in the Intersubjectivity volumes (especially Hua. XV),7 as well as in the recent volume on the life-world [End Page 464] (Hua. XXXIX),8 which discuss the empirical differences between peoples and also the layers and strata of social groups, nations, and even the idea of larger international collectivities or “supernations” (Übernationen), such as Europe, or the League of Nations. Furthermore, there are—as Husserl indicates in his 1935 letter to the prominent French anthropologist Lucien Lévy-Bruhl—even cultures that are completely “self-enclosed” (abgeschlossene) unities, cut off, some of which know no history. According to Husserl, into this classical world of closed cultures, the ancient Greeks bring a new form of universality, one that leads them, through the grasp of idealization to infinite tasks, to break through the finite horizons of their environing world (Umwelt), which presents itself to them as a “near-world” (Nahwelt, Crisis, 324/Hua. VI.303; Hua. XXVII.228), and to arrive at the highly refined concept of the “true world” or the “scientific world [which] is a purposeful structure (Zweckgebilde) extending to infinity” (Crisis, 382... (shrink)

Historically, scientific and engineering expertise has been key in shaping research and innovation policies, with benefits presumed to accrue to society more broadly over time. But there is persistent and growing concern about whether and how ethical and societal values are integrated into R&I policies and governance, as we confront public disbelief in science and political suspicion toward evidence-based policy-making. Erosion of such a social contract with science limits the ability of democratic societies to deal with challenges presented by new, (...) disruptive technologies, such as synthetic biology, nanotechnology, genetic engineering, automation and robotics, and artificial intelligence. Many policy efforts have emerged in response to such concerns, one prominent example being Europe's Eighth Framework Programme, Horizon 2020, whose focus on “Responsible Research and Innovation” provides a case study for the translation of such normative perspectives into concrete policy action and implementation. Our analysis of this H2020 RRI approach suggests a lack of consistent integration of elements such as ethics, open access, open innovation, and public engagement. On the basis of our evaluation, we suggest possible pathways for strengthening efforts to deliver R&I policies that deepen mutually beneficial science and society relationships. (shrink)

In these essays, appearing for the first time in English, Gadamer addresses practical questions about recent politics in Europe, about education and university reform, and about the role of poetry in the modern world. This book also includes a series of interviews that the editors conducted in 1986. Gadamer elaborates on his experiences in education and politics, touching on the collapse of the Weimar Republic, the early Frankfurt School, Heidegger and the Nazis, university life in East Germany, and the (...) prospects for Europe in the coming years. Hans-Georg Gadamer was probably Heidegger’s leading interpreter in Germany, and in the 1950s and 1960s he became the world’s leading exponent of hermeneutics. His hermeneutical theory explains how it is that ancient art and philosophy still speak to us today. His influential idea of the “fusion of horizons” also shows how it is that we understand what is remote form our own culture. (shrink)

Habermas’s recent writings on the future of Europe advocate a European constitution as a means of consolidating the achievements of post-war social democracy and providing European level institutions with a normative foundation without the need to appeal to the idea of Europe as a ‘community of fate’. This article argues that, while these aims are laudable, the terms in which Habermas formulates them owe much both to a domestic German agenda and to his theory of communicative rationality and (...) the public sphere, which restricts the horizon within which the legitimacy of a European polity might be discussed and entails premature assumptions about what the core of a European identity consists in. It ends by suggesting an alternative sense of the European achievement and European identity. (shrink)

Habermas’s recent writings on the future of Europe advocate a European constitution as a means of consolidating the achievements of post-war social democracy and providing European level institutions with a normative foundation without the need to appeal to the idea of Europe as a ‘community of fate’. This article argues that, while these aims are laudable, the terms in which Habermas formulates them owe much both to a domestic German agenda and to his theory of communicative rationality and (...) the public sphere, which restricts the horizon within which the legitimacy of a European polity might be discussed and entails premature assumptions about what the core of a European identity consists in. It ends by suggesting an alternative sense of the European achievement and European identity. (shrink)

Demands to accommodate religious diversity in the public sphere have recently intensified. The debates surrounding the Islamic headscarf in Europe vividly illustrate this trend. We also find a new challenge on the horizon: namely, the request to "privatize diversity" through alternative dispute resolution processes that permit parties to move their disputes from public courthouses into the domain of religious or customary sources of law and authority. The recent controversies in Canada and England related to the so-called Shari’a tribunals (...) demonstrate the potential force of the storm to come. In this Article, I offer an alternative to the presently popular vision of private diversity. This alternative is based on a deep commitment to women’s identity and membership interests as well as their dignity and equality. Women’s legal dilemmas often arise from their allegiance to various overlapping systems of identification, authority and belief: in this case, those arising from religious and secular law. I argue that only recognition of women’s multiple affiliations, and the subtle interactions among them, can help resolve these dilemmas. The recognition of multiple legal affiliations does not sit well with the traditional view that a clear line can be drawn between public and private, official and unofficial, secular and religious, or positive law and traditional practice. Instead, to recognize multiple affiliations is to require greater access to, and coordination among, these once competing sources of law and identity. Once we conceive of citizenship more richly, it becomes apparent that individuals and families should not be forced to choose between the rights of citizenship and group membership: instead, they should be afforded the opportunity to express their commitment to both. I offer a vision of how such an alternative might be realized. (shrink)

continent. 2.1 (2012): 40–43. Lance Olsen is a professor of Writing and Literature at the University of Utah, Chair of the FC2 Board of directors, and, most importantly, author or editor of over twenty books of and about innovative literature. He is one of the true champions of prose as a viable contemporary art form. He has just published Architectures of Possibility (written with Trevor Dodge), a book that—as Olsen's works often do—exceeds the usual boundaries of its genre as it (...) explores his interests in narrative theory and pedagogy. The book is a kind of “anti-textbook;” a performative polemic against the stale, conservative and monolithic conception of the literary that so often dominates institutional discourse around creative writing. The following interview takes the occasion of AoP's publication as a chance to speak with Olsen about the book itself as well as to engage with larger, unanswerable, questions about the futures and intersections of literature and education. —Ben Segal INTERVIEW: 1) First, I want to start before the beginning, with the title. I’m really fascinated by the concept it conjures. Can you say something about innovative/experimental/(choose your adjective) literature in relation to both ideas around architecture and possibility? Innovative or experimental are tremendously fraught adjectives, needless to say. But for the purposes of my book, they modify a fiction concerned with the questions: What is fiction? What can it do, and how, and why? Now, of course, what looks “innovative” or “experimental” to one at 17 may not be what looks “innovative” or “experimental” to one at 27 or 57, and what looks “innovative” or “experimental” in 1812 may not be what looks “innovative” or “experimental” in 2012. A certain existential and historical perspectivism is always at work. But I think it’s fair to say that innovative and experimental usually refer to a narrativity that includes a self-reflective awareness of and engagement with theoretical inquiry, concerns, and obsessions, as well as a sense of being in conversation with fiction across space and time. One can't create challenging writing in a vacuum; it has to challenge in relation to something. So contemporary writers interested in the subject are not only in pursuit of the innovative, but are also always-already writing subsequent to it—writing, that is, in its long wake. Architectures of Possibility conceives of creativity as a possibility space, a locale just outside our comfort zones where we can and should take multiple chances in order to imagine in new ways, explore fresh strategies for finding and cultivating ideas, re-view what it is we’re doing and why, better understand what Samuel Beckett meant when he wrote: “Try again. Fail again. Fail better.” It reminds us that there are other ways of narrating our worlds and ourselves than those we have inherited from the entertainment industry, the government, academia, previous writing, and so on. 2) AoP seems to be directed at several audiences (and purposes) simultaneously. What I mean is that it seems at times a polemic in favor of innovative literature, at other times a creative writing textbook, and still other times a guide to the network of publishers, journals, and programs that make up the current world of non-mainstream literary art in the U.S. In my mind, Architectures is a theorized anti-textbook about writing. Most textbooks on the subject (think of Janet Burroway’s Writing Fiction: A Guide to Narrative Craft , taught in most creative-writing classroom across the country) orchestrate how to construct conventional stories. They instruct from a place of power how to generate familiar stories that are repeated so often that many of us begin to take them as the primary model for narrativity, if not unconsciously as a kind of truth. The result, as Brian Kiteley points out in 3 A.M. Epiphany (one of the only other alternative textbooks about innovative writing around, by the way, and a tremendous repository of exercises), is merely competent texts. Architectures problematizes that gesture by outlining what conventional narrativity looks like, urging writers to think about its ideology of form as well as content, and invites them to imagine writing, not as a set of relatively stable conventions, but, rather, as a possibility space where everything can and should be thought, tried, challenged. It thereby rhymes with Roland Barthes’s definition of literature: the question minus the answer—which is to say Architectures poses complications to the act of writing rather than solutions. 3) One of the most notable things about the book is the use of interviews. This is also one of the reasons that I think the book works so well for a variety of audiences—that anyone with even a passing interest in the state and future of literature will have an interest in your conversation with people like Ben Marcus, Samuel Delany, and Lydia Davis. I was hoping you could just talk a little about how you chose these subjects to interview, how you edited the interview material, and which answers you received struck you the most. Experimentalism , like realism , wants to appear in the plural. The idea of gathering more than forty interviews (with the help of my awesome collaborator, Trevor Dodge, himself a fine innovative author) represents an attempt to suggest that: the wide, rich, exciting opportunities inherent in the term. There are interviews with younger writers, elder statesmen in the field, publishers, editors, hypermedia artists, comic book makers, and so on: Joe Wenderoth, Carole Maso, Scott McCloud, Nick Montfort, Kathy Acker, et al. Trevor and I decided to do flash interviews: short, concentrated Q&As, each focusing on a particular troubling of writing. We only lightly edited the results to match the manuscript’s overall style, and every interview arrived as a surprise housing several unexpected insights. Three brief examples: Michael Mejia, when asked about what he dreads when setting about writing: “Dread is an interesting word here. I associate it less with loathing or aversion, I suppose, than with a kind of productive fear. Do I dread a project’s failure? Sure, who doesn’t? Who wants to waste time on something that comes to nothing, or is unreadable? But then, what do these terms mean, and who or what defines a work as a ‘failure,’ as ‘waste,’ as ‘unreadable’? Should a work actually try to interrogate and exceed these conceptual limitations? My tendency is to write into dread in order to reveal to myself, as much as to any reader that may come after, the varied complacencies that make other, mostly more conventional writings, readable. It’s at the frontier between readability (security) and unreadability (terror) that I want to live creatively.” Carole Maso, when asked what she’d like a sentence to accomplish: “I think a sentence can if allowed carry emotional and intellectual states as they flee, as they come and go, an escaping essence difficult to hold in other ways. In this way I think the sentence can work as a phrase of music does, sounding something large and elusive in us. Alternatively it can provide sometimes a stability, an essence, a moment of being. Unlike music the sentence also of course carries language with all its potential for meaning making and memory traces and association with it as well. I probably love the accretion of sentences most—those patterns, that shimmer, that resonance.” Shelley Jackson, when asked what is innovative about the innovative: “The purpose of the innovative is, I think, to wake us up. We are not quite alive, most of the time; we occupy a sort of cartoon version of our lives, its lines made smooth by repetition. Writing can open the seams in that world, reintroduce us to the real lives that we have forgotten. Maybe all good writing is innovative in some sense, in that it shows or tells or makes you feel something you never felt before—something for which you have no cartoon ready.” 4) You talk a little about N. Katherine Hayles’s concept of Media Specific Analysis and propose the supplemental notion of Medium Specific Generation—basically taking Hayles and applying her thought from the perspective of the writer. I’ve been trying to develop somewhat related theoretical frameworks, so I was really excited to come upon this section of the book. I’m wondering if you can talk a little more about this idea and, in general, about the potentials that you see as being opened up by writers engaging with and exploiting different media as literary platforms? “Lulled into somnolence by five hundred years of print,” Hayles urges in her (at least for me) transformative 2004 essay, “Print is Flat, Code is Deep,” “literary analysis should awaken to the importance of media-specific analysis, a mode of critical attention which recognizes that all texts are instantiated and that the nature of the medium in which they are instantiated matters.” She goes on to argue critics should learn to become more attuned to the materiality of the medium under investigation—which is to say a story isn’t a story isn’t a story. Rather, the “same” story remediated through film is intrinsically different from that story remediated through conventionally printed books is intrinsically different from that story remediated through hypermedia. “Materiality,” Hayles goes on, “is reconceptualized as the interplay between a text’s physical characteristics and its signifying strategies, a move that entwines instantiation and signification at the outset.” My point in Architectures is simply to emphasize Media Specific Generation: the idea that when writing you should be cognizant, not only of the thematics of the text you are working on, and, as it were, the internal components of its narrativity (character, language, plot, etc.), but also of the material embodiment those components take, and, perhaps more important, the material embodiment those components can take. The idea that the way texts matter matters isn’t something usually addressed in any significant way in creative-writing classrooms and textbooks. It may almost go without saying such experimentation with typography, layout, and white space has a long tradition—certainly one that tracks back at least as far as Guillaume Apollinaire’s early twentieth-century Calligrammes , Laurence Sterne’s textually ribald eighteenth-century Tristram Shandy , although one could arguably plot a hypothetical trajectory that reaches to ancient Greek romances like Achilles Tatius’ second-century Leucippe and Clitophon . Experiments into atomic materiality and digital immateriality bracket the definition of “book” at the same time they highlight Michael Martone’s prediction of its present future as increasingly viral, collaborative, and ephemeral. Or, as Matthew Battles points out: the future of the “book” has already arrived, and it is “ethereal and networked” rather than “an immutable brick.”While conventional writing and reading practices are conceptualized as private, individual, relatively fixed experiences, many of the new forms indicate that writing and reading—from production through dissemination—are rapidly becoming public, collective, incrementally unfixed experiences. That strikes me as an astonishing set of opportunities for a writer to investigate. 5) Another concept you elaborate in AoP is that of limit texts, basically texts that, once you read them, change what you imagine as the shape/horizon/potential of literature. You provide a fantastic reading list of limit texts at the end of AoP. I was hoping you could talk about a few of them in terms of how they specifically operate as limit texts for you—how they expand your understanding of what literature could be or do. Karl Jaspers coined the word Grenzsituationen (border/limit situations) to describe existential moments accompanied by anxiety in which the human mind is forced to confront the restrictions of its existing forms—moments that make us abandon, fleetingly, the securities of our limitedness and enter new realms of self-consciousness. Death, for example. Limit texts are a variety of disturbance that carries various elements of narrativity to their brink so the reader can never quite imagine them in the same terms again. Once you’ve taken one down from the shelf, you’ll never be able to put it back up again. They won’t leave you alone. They will continue to work on your imagination long after you’ve read them. Simply by being in the world, they ask us to embrace difficulty, freedom, radical skepticism. One of the most important for me is Samuel Beckett’s The Unnamable . Instead of establishing conventional setting and building traditional character, from its first words it unsettles both: “Where now? Who now? When now?” That first trio of question marks broadcasts the thematics of the writing (“novel” may be too strong a word) that will follow: it is all about a voice (or, perhaps, voices, about the grammatical mistake of the first-person pronoun), a consciousness (maybe, again, too strong a word), often genderless, removed from place and chronology and socioeconomic reality, hovering in a state of perpetual aporia. All it knows is what it doesn’t know, and its not-knowing is blackly, sardonically comic. The Unnamable is the embodiment of an unreliable narrator—a subject position that can’t trust itself, let alone be trusted by a reader. It contradicts, takes back, digresses, undoes what it just did, forgets, lies, hallucinates gloriously. The language is abstract, disembodied, devoid of sensory data, grayish rather than painterly in texture. Without knowing this passage is from a novel, a reader might well conclude s/he were reading a patch of (anti-)Cartesian philosophy. It might be helpful to conceive of what Beckett is doing as post-genre writing, then, or perhaps what Raymond Federman referred to as critifiction—a mode that blurs conventional distinctions between theory and narrative. In completely different register, and much more recently, Anne Carson’s Nox blew me away. It takes the form of an elegy for her older brother, whom she didn’t know well and who died unexpectedly while on the run from the law in Europe. The thing itself arrives in a box that simulates a thick book, as well as the brother’s textual coffin. Open it, and inside you discover, not a codex, but an accordioned series of “pages” that folds out into an arrangement that suggests an ancient scroll (Carson is, perhaps illuminatingly, a professor of classics) made up of shards of her brother’s letters, old photographs, tickets, Carson’s observations, Catullus’ poem 101 (the one addressed to the Roman poet’s dead brother, a doubling of Carson’s situation), and extensive dictionary entries on all the words that compose that poem. The aggregate produces a collage about the impossibilities of aggregates, the impossibilities of understanding fully, of capturing absences in language. At times Nox feels less an example of what most readers consider a book than something closer to a three-dimensional work of assemblage art. It’s a beautiful mechanism for contemplating Media Specific Analysis, for urging us all to be more extreme. 6) Finally, I want to talk a little about pedagogy and institutions. I’m less interested in questions like “Are MFA programs good for writers?” than in questions about how your role as teacher informs your understanding of literature and your writing practice. I’m also very curious about your take on how commercially marginal literary art is largely patronized by large state institutions and at the same time often imagines itself as a critical and even possibly revolutionary practice. How have your own positions within universities and university-affiliated organizations shaped your thinking about them and about innovative literature? I can imagine in many ways it might make you even more critical. And (I know, another ‘and’...) how does AoP (especially given its relation to Rebel Yell , your previous text on creative writing) reflect your personal history and experience as a teacher and member of communities that are largely defined by institutions? In the classroom, I try to generate the pedagogical field I would have liked to have inhabited as a student, but didn’t. Roland Barthes has a lovely line about this: “We need to substitute for the magisterial [classroom] space of the past (the word delivered by the master from the pulpit above with the audience below, the flock, the sheep, the herd)—a less upright, less Euclidean space where no one, neither teacher nor students, would ever be in his final place.” Easier said than done, of course, but an important life project for all who think of themselves as educators. My own classroom, my own writing, and Architectures of Possibility itself attempt to create the sort of possibility space where, as I mentioned at the outset of our interview, everything should be thought, tried, challenged; where everything rhymes with Roland Barthes’s definition of literature: the question minus the answer. I’m not sure I could write what I’m writing now without the conversations I have almost daily with my students, the conversations they have with each other, the conversations we all have with the texts we study. Especially in light of the paradigm shift over the last, say, quarter century from academia as intellectual exploration to academia as McDonaldized trade school, the irony isn’t lost on me concerning the discrepancy between the safe harbor innovative authors find there and the cultural critiques those authors launch through their writing and pedagogical work. In 2001, I quit my full professorship at one institution precisely because of my disappointment over what had happened to the learning environment there. I had no intentions of reentering the field. In 2007, however, the University of Utah approached me, and I found myself in an environment much more hospitable to the sort of work I want to do—teaching experimental narrative theory and practice. It isn’t by any means a simple irony. One could easily argue innovative writing and pedagogy represents the trace of the paradigm Barthes suggests, and that trace is tremendously productive in all kinds of ways. Innovative writing has never and will never change the world in any large, macrocosmic way. But we’ve all had our lives changed, one by one, by an encounter with a difficult, rich, resonant piece of prose, poetry, music, art, you name it. We’ve all had our lives changed at the ahistorical, microcosmic moment by a class we’ve taken, a teacher we’ve studied with, to such an extent that we became, quite literally, different people. I just came across a stunning set of sentences from Derrida on the topic: “What is education? The death of the parents.” That’s what we’re all up to in the innovative, be it in written texts or the texts we call our classrooms or the texts we call our politics: trying to disrupt what both can and can’t be disrupted, trying to undo what both can and can’t be undone, continuously. (shrink)

continent. 1.3 (2011): 201-207. “Poetry is experience, linked to a vital approach, to a movement which is accomplished in the serious, purposeful course of life. In order to write a single line, one must have exhausted life.” —Maurice Blanchot (1982, 89) Nikos Karouzos had a communist teacher for a father and an orthodox priest for a grandfather. From his four years up to his high school graduation he was incessantly educated, reading the entire private library of his granddad, comprising mainly (...) the Orthodox Church Fathers and the ancient classics. Later on in his life he sold the library for money, only to buy a little more time before he went broke again: “I carry sorrow like a cage/ I got no birds/ as I come back from her hair/ I see the profit emptied/ cool from terror.” (1993, Ι, 101) Nowadays—and ridiculously recently—we are more than apt to speak of a certain insouciance pertaining to the Greek form of expenditure: expenditure without any type of investment, sometimes not (even) symbolic. In the vaults of the European unconscious, this imprudent stance still conjures a “capital punishment” in the form of de-capitation, reflecting back the fear of excess and the terror of its consequences.1 Thus the Greek way of living is very close to what a stranger could have termed as “the Greek way of dying.” Yet, what is not often understood is that the Greek esprit , the same one that invented the maxim μηδ?ν ?γαν (“nothing in excess”), does not experience death solely as an imminent fear of bankruptcy. For it miraculously combines its unconditional acceptance with the promise of a resurrection that is always there in the scents of Spring, from Dionysus to the orthodox Christ: “Everyone resurrects himself through dying [….] Resurrection is the switching of mortalities.” (2002, 94) Hence, if an entire library was imprudently traded for a plate with seven olives, a sliced tomato and some fresh goat cheese, let us not be fooled: this is not the meal of the pauper, but that of “an aristocrat from God” (1993, II, 491) feeding his eloquent loudmouth, ridiculously cut open in an otherwise rock-solid caput . *** To speak of the Greek experience is to speak about a half-dead language that still utters in life what is seemingly excluded from it and thus forbidden to be talked about: death. Death as anything that is out of this world, as something that will never return . Still, along with an experience of death that recently waned as a worn-out academic fashion, the Greek experience is dead too. Nearly 2300 years of written words separating Homer from the fall of Byzantium equal 500 books on a library traded for money: “I am with the killed. Hence my deepest solitude. I do not feel this tremendous macho society, beyond from the fact that it is a ruthlessly consuming one. It is me who pays all the time .” (2002, 57) Let us do the math and see how much this dealing with the Greek experience is costing the poet and how much dealing with the Greek experience might cost us today. *** “I do not guarantee a single word.” (Karouzos, 1993, II, 454) Through its various dialects and forms, the Greek language speaks through an incessant historical dissemination. Anyone who is aware of this terrifying polymorphy and still calls himself a poet, must stand against a white sheet of paper, pen-in-hand, with a very particular duty: to be as fully inconsistent as possible. In the formally ironic uniqueness of the poem, the poet functions as “a band-aid for lesser and greater antinomies.” (1993, I, 251) Of course these antinomies are not exhausted in language—they are historical, political and, alas, existential. Yet, beyond appearances , it is language that ruthlessly encodes them through history, submitting the poet to the temptation of placing them one next to the other on a single white sheet. The closer their neighboring, the greater the scattering of the writer in the ironic uniqueness of the paper. In a work where poetic license is described as a “freedom-impasse” (2002, 51), this task is undertaken in full conscience of its personal consequences: “what I am interested in is to escape my individuality (envisioning the non-ego) […] Nevertheless, my dissociations never achieve duration.” (2002, 74-75) Hence, though poetry is the “deserted direction of will,” (1998, 62) the stance of the poet is not that of a Nietzschean “great man.”2 Whereas drunkenness provides a thread between the poem and the excess it both presupposes and infuses (“Poetry always enlarges. ‘Drunkenness’ is nothing more than that,” (2002, 85)), whereas language flashes in loudmouth spurts of déraison (“When I am alone I do something else. I utter words. For example, while having my ouzo and listening to music I am most likely capable of randomly shouting ‘Electricity!’” (2002, 138)), the poet never gives in to the double affirmation that would eventually risk the “element of pleasure in discourse.” (2002, 80)” It is exactly because the gap of the antinomies is so vast that poetry is not meant to be written with a hammer. Neither does writing consist in a reevaluation of those elements. In short, poetry is not an affirmation of difference, but the surprising beauty of chiming antinomies. We might never transcend them, but it is up to us to put them together. Yet again, this voisinage is not to be identified with the necessity of chance as an eternal return.4 On the contrary it is a return from that very return : Let us treat Yes as a No to No and No as a Yes […] And let us not forget that this pissed affirmation crumbled down Nietzsche’s intellect in the dark paths of this world. (2002, 88) This return from the “vicious circle” should in no way be taken as a form of artistic prudence. Rather it can be seen as a dribble of demonic inconsistency as Dionysus transforms himself into a Christ that is in turn de-theologized: “Who can forbid that? Every man is capable of his own theology, nothing can stop him.” (2002, 73-74) This is a turn towards an existential vision of the world, historically coinciding with a particular political defeat of the Left, to which the poet devoted all his life: after the defeat of the popular front I raised the question “why do we exist?” while others were asking “why we failed.” (2002, 57)5 But most of all it is a return to poetry that exceeds the existential question itself, going beyond the issue of faith. Poetry comes in as a question of return after a defeat that is confessed in full profanity. Though it accepts the necessity of the defeat, it does not affirm it. Though it negates it, the negation is not in the name of a promise to be delivered in the kingdom of heavens. Following a historical and existential defeat, poetry is born post mortem . It signals a return to Christ as “groundless religiousness in the surprise of the real as such” (2002, 72) which is at once a return to the refuge of childhood. It is not a question of endurance towards an eternal return. Rather it is a question on the possibility of an existential return. Returning in a world as someone who cannot enjoy any returns exactly because he is averse to guarantees. A return without returns. *** PHOTOCOPY OF HAPPINESS When I was young I used to pin down cicadas and step on ant nests. I used to stand there silent for hours. With threads I decapitated bees. Now I am a dead man breathing. (Karouzos, 1993, II, 336.) The return to the “paradise of childhood” (2002, 68) constitutes the devouring refuge of its own memory when defeat becomes the synonym of adulthood. The political struggles of a young communist in a country torn up by a civil war right after World War II fraught with incarcerations and exiles. Historically they resulted in the defeat of the communist movement in Greece and opened up a long turbulent road that would peak in the dictatorship of 1967. Existentially they led to a series of disillusionments: mental breakdown, divorce, abandonment of studies in law school. To the question “why do we exist” the answer was poetry. Still this exposé should not be read as a sweeping chronography of a man. For it actually happens to coincide with the historical fate of a nation that after its modern constitution never stopped dreaming of the glories of its past youth, in a present that was (and is) sweepingly disappointing. But isn’t this return to youth finally a way of compensating for a loss of youth that necessarily results in a losing adulthood? Will Greeks, the eternal children of Plato and Nietzsche, ever learn? How to return without dying, how to remember without wasting time? WE ARE IN THE OPEN MEANING Living the coldest mauve night right across Parthenon I went to take a piss on some foliage and I was enjoying the foliage as it was steaming. (Karouzos, 1993, II, 340) Beyond the historical tragedies of modern Greece and away from any personal disappointments, the relation that this land holds with language and history is mediated through the Greek light—whose omnipresence is the very condition of its transcendence. All historical contradictions from Dionysus to Christ took place under this light; all those disseminated dialects were spoken beneath its warmth. To paraphrase Lévinas,6 light is both the condition of the world and of our withdrawal from it—a withdrawal towards the invisibility of God, of the dead, of meta-physics, resulting from the temptation that all is still here, behind this light the visibility of which they once evaded: “birds, the allurement of God.” (1993, I, 17) Under that luminous sky, if Greeks can do anything at all, it is to envision a return that will never come. All they can do is write poetry—which is doing nothing; other than lending an ear to a disseminated language whispering a unity that cannot be promised, as an adulthood in defeat is ready to recognize. Trying “to trap the invisible in visibility” (1993, II, 483) they forget that they have grown up and one day they die—with the promise of return. Hence an additional meaning must be given to this return to childhood. It does not signal salvation but rather its promise. To the ears of an aged continent it means that the return to/of poetry is a losing game, a return without returns. “Europe, Europe… you are nothing more than the continuation of Barabbas.” (1993, I, 295) *** “Life is not there to verify theories.”7 The records show that Karouzos was finally given a second-class pension from the Greek government, at the time when he was being recognized by the literary press as one of Greece’s major contemporary poets. Being neither a bourgeois nor a nobelist, he proclaimed himself to be an anarcho-communist, unconditionally faithful to the utopia of a classless society. He also drank, heavily. “Capitalism made an animal out of man/ Marxism made an animal out of truth/ Shut up.” (1993, II, 369) Perhaps one of the most scandalous divides of our times has been the one between the living and the dead, the latent prohibition that the living should not be concerned with the dead based on the mere impossibility of the dead to be concerned with the living in the first place. What adds to this scandal is that this divide abuses anything that cannot return to us by subsuming it under the same futility. Hence death is no longer “loss” in the usual sense. It no more refers to the things we lost but to our “loss” (of time, money and well-being) as we insist to dwell on them. Death is a waste —of time. It is this waste that we find in the insouciance of Greek expenditure; the waste in dealing with a language that most of its historical part is no longer spoken (a dead language); the waste in translating a poet who is ex definitio untranslatable; the waste of his vision, his money, his life. The waste of dealing with anything that cannot return and that cannot bring in any returns . But it is also the waste of life that poetry itself presupposes, the waste of dealing with invisibility, with anything that is out of this world and thus invokes the fear of death that is in turn—and surprisingly— nowhere to be found. Instead of death, what is there, beyond the light, is the being without us (to recall the Lévinasian il y a ), the mumble of our own nothingness which constitutes the price to be paid for writing poetry under an evergreek light. To understand this to-and-fro, is to realize that poetry is something out of this world that nevertheless takes place in this world, by virtue of this world. But to ridiculously equate this to-and-fro with death as non-existence, is to exile poetry along with its own possibility from this same old world: I do not believe that poetry will ever disappear from this world. […] But I am also sure that it does not have many chances of playing, as you say, a redemptive role in our vertiginous technological future. Without being endangered as a creative need, it will be placed on the side of history. (2002, 32) It is mainly there that we would like to locate the meaning of Nikos Karouzos’s poetry today. If we are willing to include the Greek original it is because we consider that it will be both a waste of time for us to do so (since most of you cannot read Greek) and because it might induce you to the even larger waste of learning it. We would additionally be glad if this small introduction served as an equally wasteful, academically useless piece of reading, gesturing towards a taboo of investing in anything Greek—that is in anything dead among the living, in anything that will never come back and maybe was never here in the first place. This is the only way to reserve for ourselves the possibility of poetry and preserve the light of its promise. “To return: that is the miracle.” (1993, I, 17) Athens, Greece July 10, 2011 NOTES 1 “ Capitale (a Late Latin word based on caput “head”) emerged in the twelfth to thirteenth centuries in the sense of funds, stock of merchandise, sum of money or money carrying interest.[…] The word and the reality it stood for appear in the sermons of St. Bernardino of Siena (1380-1444) ‘… quamdam seminalem rationem lucrosi quam communiter capitale vocamus ’, ‘that prolific cause of wealth that we commonly call capital’” (Braudel, 1992, 232-233). 2 “A great man – a man whom nature has constructed and invented in the grand style – what is he? First : there is a long logic in all of his activity, hard to survey because of its length, and consequently misleading; he has the ability to extend his will across great stretches of his life and to despise and reject everything petty about him, including even the fairest, ‘divinest’ things in the world.” (Nietzsche, 1968, 505, §962) 3 Cf. Deleuze, 1986, 186-9. 4 “Return is the being of becoming, the unity of multiplicity, the necessity of chance: the being of difference as such or the eternal return.” (Deleuze, 189)5 In this 1982 interview Karouzos refers to the defeat of the communist movement in Greece after the civil war of 1946-1949 between the Governmental Army and the Democratic Army of Greece, the military division of the Greek communist party. Karouzos’s father was a member of the communist National Liberation front (EAM) members of which formed the mainl resistance movement (ELAS) in Greece during WWII. The poet was a member of the United Panhellenic Organization of Youth (EPON), which was a youth division of EAM. After the end of the war, ELAS was called to disarmament in view of the formation of a National Army. The members of EAM resigned from the government of national unity and a series of protests led to a 3 year civil war between ELAS and the Government Army. After the defeat of ELAS the Communist party was outlawed and many communists were exiled in deserted Greek islands. Karouzos, who took action in the Greek resistance and was active during the Greek civil war, was exiled in Icaria on 1947 and in Makronisos on 1953 where he was called two years earlier to do his military service. 6 “Existence in the world qua light, which makes desire possible, is then, in the midst of being, the possibility of detaching oneself from being. To enter into being is to link up with objects; it is in effect a bond that is already tainted with nullity. It is already to escape anonymity. In this world where everything seems to affirm our solidarity with the totality of existence, where we are caught up in the gears of a universal mechanism, our first feeling, our ineradicable illusion, is a feeling or illusion of freedom. To be in the world is this hesitation, this interval in existing, which we have seen in the analyses of fatigue and the present.” (Lévinas, 1988,43-4) 7from a TV interview. THE POETRY OF NIKOS KAROUZOS From Redwriter [ Ερυθρογρ?φος ], in Collected Works, Vol . II, Athens: Ikaros. 1993, 463-4. [Athens: Apopeira, 1990, 9-10.] JESUS ANTI-OEDIPUS* Why were we once saving till the fifth day the Paschal lamb? The scriptures say: with this victim’s meat we ought to cleanse all of our senses. To give life to the whitest wave miraculous odors in the extension of the chest. Ideals to death. For us to witness the illustrious dawns of Absinthe and for the soul to be a deeply carved ornament on the fore we named will. Then many deer running amidst the evergreen growth with watery hymns, then, the unintended angels descending with heights spiraling in their momentum offer themselves to the luminous Adventure. Whence the need for speech and our sufferings covered with flags like the glorified dead. An incorporeal finger pointing at the flamboyant and fragrant holocausts within the tired horizons and the exhausted breadths with joys of the mistletoe on fire and shivering all of the green-leaved love. Something would have chirped again had we not driven it away— maybe the ewe’s grass. Something would have called us to the eternal resurrection— maybe the grace of spring. But now our heart is fiercely blinded, withdrawn to the appearances of Hades. Silence and ice incessantly cover the Infant Spirit in thatched times. While the cherry trees are dreaming faintly glowing in absolute darkness there’s nothing the Babylonians can contemplate in labs with automatic colored lights. How to rejoice now in the fifth day of the lamb? We have forked the stars. We’ve gradually become supposedly sublime with plucked chimeras in our hands. Avenged relentlessly by science. *Though the poem appears in a 1990 collection, it was actually written in 1968. Hence the reader must be aware in not associating Karouzos’ Anti-Oedipus with the famous 1972 work of Deleuze and Guattari, given that the former precedes the latter. ΙΗΣΟΥΣ ΑΝΤΙ-ΟΙΔΙΠΟΥΣ Γιατ? κρατο?σαμε κ?ποτε ?ς την π?μπτη μ?ρα το πασχαλιν? πρ?βατο; Τα κε?μενα λ?νε: μ’ αυτο? του θ?ματος το κρ?ας ?πρεπε να καθαρ?σουμε ?λες τις αισθ?σεις. Για να δ?σουμε κ?μα στη ζω? λευκ?τατο θαυμ?σιες ευωδι?ς στην ?κταση του στ?θους. Ιδανικ? στο χ?ρο. Για να βλ?πουμε τα λαμπρ? χαρ?ματα του ?ψινθου και να ’ναι η ψυχ? στ?λισμα βαθυχ?ρακτο της πλ?ρης που την ε?παμε θ?ληση. Τ?τε πολλ?ς δορκ?δες τρ?χοντας αν?μεσα στην καταπρ?σινη φ?ση με τους υδ?τινους ?μνους, τ?τε, κατεβα?νοντας οι αθ?λητοι ?γγελοι με κυλινδο?μενο το ?ψος στην ορμ? τους χαρ?ζονται της αστραφτερ?ς Περιπ?τειας. ?θεν η μιλι? γι’ αυτ? χρει?ζεται και τα δειν? σκεπ?ζονται ωσ?ν τους τιμημ?νους νεκρο?ς με σημα?ες. Ασ?ματο δ?χτυλο δε?χνει τα φλογ?δη και μοσχοβ?λα ολοκαυτ?ματα στους κουρασμ?νους ορ?ζοντες στα εξουθενωμ?να πλ?τη καθ?ς αν?βουν οι χαρ?ς του νερα?δ?ξυλου και τρ?μει ολ?κληρη η πρασιν?φυλλη αγ?πη. Κ?τι θα κελαηδο?σε π?λι αν δεν το δι?χναμε— μπορε? της προβατ?νας το χορτ?ρι. Κ?τι θα μας καλο?σε στην απ?ραντη αν?σταση— μπορε? του ?αρος η χ?ρη. Μα η καρδι? μας ?γρια τυφλ?θηκε π?ρασε στα φαιν?μενα του ?δη. Σιγ? και π?γος αδι?κοπα σκεπ?ζει στους αχυρ?νιους καιρο?ς το Ν?πιο Πνε?μα. Την ?ρα που ονειρε?ονται οι βυσσινι?ς και λ?μπουν αμυδρ? μεσ’ στο απλ?τατο σκοτ?δι τ?ποτα δε στοχ?ζονται οι βαβυλ?νιοι στα εργαστ?ρια με τ’ αυτ?ματα χρωματιστ? φ?τα. Π?ς να χαρο?με πια την π?μπτη μ?ρα του προβ?του; Φουρκ?σαμε τ’ αστ?ρια. Γ?ναμε σιγ?-σιγ? δ?θεν υπ?ροχοι με μαδημ?νες χ?μαιρες στα χ?ρια. Μας ν?μεται σκληρ? η επιστ?μη. From: Redwriter [Ερυθρογρ?φος], in Collected Works, Vol. II, Athens: Ikaros. 1993, 472. [Athens: Apopeira, 1990, 18.] DIALECTΙCS OF SPRING Christ the straight angle; Christ the Pythagorean theorem. Christ the infinitesimal calculus from above the blessed Sets Christ. Christ the tessellation of massive particles Christ the zero mass. Hence we spray numbers and fields of lust. We are carabineers of diseased logic plus something— Observed means observer and Hekate The darkness luminous and light in the dark Astarte banqueters demons from today. ΔΙΑΛΕΚΤΙΚΗ ΤΟΥ ΕΑΡΟΣ Χριστ?ς η ορθ? γων?α· Χριστ?ς το πυθαγ?ριο θε?ρημα. Χριστ?ς ο απειροστικ?ς λογισμ?ς ?νωθεν ?λβια Χριστ?ς τα Σ?νολα. Χριστ?ς η ψηφιδογραφ?α στα μαζικ? σωμ?τια Χριστ?ς η μ?ζα μηδ?ν. ?ρα ψεκ?ζουμε αριθμο?ς και πεδ?α λαγνε?ας. Ε?μαστε τυφεκιοφ?ροι νοσο?σης λογικ?ς και κ?τι-- παρατηρο?μενο σημα?νει παρατηρητ?ς και Εκ?τη σκ?τος το π?μφωτο και φως εν τ? σκοτ?? η Αστ?ρτη συνδαιτημ?νες δα?μονες απ’ ?ρτι. From: Redwriter [Ερυθρογρ?φος], Athens: Apopeira, 1990, 18. [1993, II, 472]. CREDO (as we are used to say in Latin) Α I believe in one Poet expelled from heavens / fugitive from the god and vagabond, Empedocles / and here on earth / exile on the earth etc. of Baudelaire /. Β I believe in one Computer inside thunder and through matter. Γ Suffering undefiled / substantive / the Poet uplifts himself slow-burning suicidal implying lengthy sleeps. Δ Cutting down on prospective mistakes. Ε Of all things visible and invisible officiating the onion-peelings. Ζ The Poet has nothing / see the departed /. Η I believe in one Poet that says: madness I enjoy; he ridicules existence; let me light up from my mana. Θ Syntax he doesn’t care about when musicality commands him. Along with still more licenses, and Ts are played according to the concept sound anywhere. E.g. the winters here, he winters there; it will not come—I will not rest, etc. etc. Ι The Poet exercises thought until it’s stripped down. Κ And if he’s Greek he must always study the fineness of Attica, in light, mountains, fields and sea. For this fineness teaches language. Λ And if he’s deeply destined the Poet expresses the unexplainable of the explained; he happens to be a rightful heir to the scientist and his predecessor. Μ On the froth he does not last; the Poet blusters at the bottom of the pot. Ν Flamebred and never redeemed. Ξ The Poet must sometimes say: what a consumption of presence — be a bit lonely for a change! Ο The Poet is twilit. Π He is susceptible of deaths and resurrections. Ρ He looks from the corner of his eye and exists in a glance. Σ He follows behind the mother. Τ Eveningless when it comes to age. Υ I believe in one Poet who says: let the purities coincide. Until the Corinth of the Universe or even further. Φ In a higher despair. Χ In a brighter quintessence. Ψ In one sensation that lifts off. Ω Forgiving everyone. CREDO (ως ε?θισται να λ?με λατινιστ?) Α Πιστε?ω εις ?να Ποιητ?ν εκτ?ς ουρανο? / φυγ?ς θε?θεν και αλ?της, Εμπεδοκλ?ς / και επ? της γης / εξ?ριστος π?νω στη γη κ.λπ. του Βωδελα?ρου /. Β Πιστε?ω εις ?να Υπολογιστ?ν εντ?ς κεραυνο? και δια της ?λης. Γ Υποφ?ροντας ?χραντα / ουσιαστικ?ν / ο Ποιητ?ς ανατε?νεται βραδυφλεγ?ς αυτ?χειρας εξυπακο?οντας πολ?ωρους ?πνους. Δ Τα υποψ?φια λ?θη λιγοστε?οντας. Ε Ορατ?ν τε π?ντων και αορ?των ιερουργ?ντας την αποκρομμ?ωση. Ζ Ο Ποιτ?ς ?χει τ?ποτα / βλ?πε τους αναχωρ?σαντες /. Η Πιστε?ω εις ?να Ποιητ?ν που λ?ει: η τρ?λα μ’ αρ?σει· γελοιοποιε? την ?παρξη· ας αν?ψω απ’ τη μ?να μου. Θ Συνταχτικ? δεν το γνοι?ζεται στην προσταγ? της μουσικ?τητας. Μαζ? και μ’ ?λλες ακ?μη λευτερι?ς, και τα νυ πα?ζονται κατ? την ?ννοια ?χος οπουδ?ποτε. Π.χ. τον χειμ?να εδ?, το χειμ?να εκε?· δε θ? ’ρθει – δεν θα καταλαγι?σουμε, κ. λπ. κ.λπ. Ι Ο Ποιητ?ς γυμν?ζει τη σκ?ψη σε απογ?μνωση. Κ Κι αν ε?ναι ?λληνας οφε?λει να σπουδ?ζει π?ντοτε της Αττικ?ς τη λεπτ?τητα, σε φως, βουν?, χωρ?φια και θ?λασσα. Διδ?σκει γλ?σσα η λεπτ?τητα το?τη. Λ Κι αν ε?ναι βαθι? πεπρωμ?νος ο Ποιητ?ς εκφρ?ζει το ανεξ?γητο του εξηγητο?· τυγχ?νει ν?μιμος δι?δοχος του επιστ?μονα και προκ?τοχ?ς του. Μ Στον αφρ? δεν ?χει δι?ρκεια· στο πατοκ?ζανο μα?νεται ο Ποιητ?ς. Ν Φλογοδ?αιτος και ποτ? ξελυτρωμ?νος. Ξ Ο Ποιητ?ς κ?ποτε πρ?πει να λ?ει: μεγ?λη καταν?λωση παρουσ?ας – γενε?τε και λ?γο μοναξι?ρηδες! Ο Ο Ποιητ?ς ε?ναι αμφ?φλοξ. Π Επιδ?χεται θαν?τους και αναστ?σεις. Ρ Ακροθωρ?ζει και υπ?ρχει σε ξαφνοκο?ταγμα. Σ Ε?ναι ουραγ?ς της μητ?ρας. Τ Αν?σπερος απ? ηλικ?α. Υ Πιστε?ω εις ?να Ποιητ?ν που λ?ει: να συμπ?σουν οι αγν?τητες. Μ?χρι την Κ?ρινθο του Σ?μπαντος ? μακρ?τερα. Φ Σε αν?τερη απελπισ?α. Χ Σε φαειν?τερη πεμπτουσ?α. Ψ Σε μια α?σθηση που πτηνο?ται. Ω Συγχωρ?ντας τους π?ντες. From Large Sized Logic [ Λογικ? μεγ?λου σχ?ματος ], Athens: Erato, 1989, n.p. [1993, II, 521-3]. (shrink)

La 4e de couverture indique : "" La majorité des Français pensait comme Bossuet ; tout d'un coup, les Français pensent comme Voltaire c'est une révolution ", écrit Paul Hazard dans ce livre devenu un classique. De 1680 à 1715 s'affrontent, en effet, les idées les plus contradictoires et les plus puissantes. L'ordre classique, qui avait repris force après la Renaissance, paraissait éternel. Or, vers 1680, tout se met à bouger. Un air extérieur semble souffler dans le solennel édifice ; (...) des esprits ont l'audace de prétendre que les Modernes valent bien les Anciens, que le progrès doit l'emporter sur la tradition, la science sur la foi. " Il s'agissait de savoir si l'humanité continuerait sa route en se fiant aux mêmes guides ou si des chefs nouveaux lui feraient faire volte-face pour la conduire vers d'autres terres promises. " Une époque charnière donc, où l'esprit de doute surgit partout. Le goût des récits de voyage élargit les horizons et ébranle les certitudes acquises ; on discute de la Bible, de l'authenticité des textes sacrés, des mystères ; les libres penseurs font la guerre à la tradition ; on parle de religion naturelle, de mort naturelle, de droit naturel ; on rêve d'une ère de bonheur terrestre fondée sur la raison et sur la science, les philosophes prônent la tolérance. C'est ce formidable bouillonnement d'idées et d'hommes que décrit Paul Hazard, en retraçant en quelque sorte l'histoire des origines de l'Europe contemporaine.". (shrink)

Slavoj iek's refusal to sketch an alternative to the global liberal-capitalist order, combined with his claim that there is an urgent need for a repolitization of, most of all, the economy, raises the question of the possibility of radical political thought and action. Considering fundamentalisms and politically correct multiculturalism not as oppositional, but as correlative to the depolitization of post-modern societies, iek invokes the emancipatory legacy of Europe in an attempt to reinvent Marxism in a way similar to what (...) Lenin, thrown into an open situation, had to do in 1917 between the revolutions. A single question confronts political philosophy today: is liberal-capitalist democracy the ultimate horizon of our political practice, or is it possible to open up the space for another political articulation? The key to a repolitization is to identify with the symptom of the existing global order's false claim to Universality, with the excluded part of no part who politicizes it's predicament by claiming to stand for the real universal. In order not to discard political struggle as unrealistic, today's cynical realist consensus must be broken. Taking things as they really are has become the dominant ideological mode that keeps people from thinking about alternatives. The remedy is to show that things never are really as they are. (shrink)

À l'occasion du débat sur le traité constitutionnel pour l'Europe, on communique enfin davantage sur les valeurs communes, l'horizon idéal auquel aspirent les Européens. L'existence d'une communauté de valeursbasée principalement sur un consensus autour de la culture politique partagée fait office de certitudes dont la remise en cause s'apparente à un pêché contre le code moral moderne qui est celui de l'ordre démocratique et des droits de l'homme. Or, l'Europe est le lieu par excellence de la diversité (...) et des conflits qui en résultent et qui ont souvent été sanglants. Toute cette dimension de confrontation de paradigmes culturels, de l'altérité difficilement tolérée, de la difficile négociation entre ce qui unit et ce qui sépare est souvent occultée dans la communication sur l'Europe. Une approche interdisciplinaire, puisant dans les recherches de l'anthropologie culturelle, de la sociologie des relations interethniques et de la communication interculturelle semble plus à même de répondre à ce type de questionnements nécessaires à l'heure de la crise de la construction européenne.Public debate about the European constitutional treaty provided an opportunity to discuss common values that are ideals for all Europeans. Any criticism of the existence of a community based on a consensus constructed around a certain shared political model is not allowed. In fact, such criticism would be seen as a sin against the modern moral code which is based on a democratic order and the respect of human rights. The problem is that Europe is a place of diversity and, often, of violent conflicts. This aspect of cultural confrontation, lack of tolerance for otherness and the difficulty in negotiating what unites and what divides nations very often remains hidden in public communication about Europe. An interdisciplinary approach, inspired by cultural anthropology, inter-ethnic relations, sociology and cross-cultural communication, is more adapted to analyze such problems which need to be dealt with now while European integration is underway. (shrink)