This chapter contains sections titled: Pre‐Kantian Philosophical Theology Post‐Kantian Reconstructions of the Deist Project Hume and the Hermeneutics of Suspicion Works cited.

KANT ARGUES AT GREAT LENGTH in the Critique of Pure Reason that the existence of God cannot be demonstrated by means of theoretical reason. For after dividing all traditional theistic proofs into three different kinds—the ontological, the cosmological, and the physico-theological—Kant argues first that the cosmological and physico-theological implicitly assume the ontological argument and then that the ontological argument is necessarily fallacious. By restricting knowledge in this manner Kant notoriously makes room for faith, that is, in this (...) case, for a practical proof of the existence of God, which he develops in the Critique of Practical Reason. Kant’s reasons for rejecting theoretical proofs of the existence of God have received considerable attention. In particular, Kant’s objection to the ontological argument, namely that existence is not a real predicate, still seems relevant in contemporary philosophy of religion. What has not received much attention, however, is the relationship between Kant’s rejection of theistic proofs in his critical period and his views on the matter in his pre-critical period. For throughout his pre-critical period, but especially in his The Only Possible Argument in Support of a Demonstration of the Existence of God, Kant believes that there is a theoretical proof of the existence of God. One would naturally expect Kant’s criticisms of theistic proofs as developed in the “ideal of pure reason” to apply in straightforward ways to his earlier attempts at a theistic proof. However, Kant rejects the three traditional arguments in The Only Possible Argument just as he does in the first Critique. Further, his reason for rejecting the ontological argument in particular is identical to the one presented in the first Critique: “Existence is not a predicate or a determination of a thing.” Accordingly, Kant understood himself to be developing a theistic proof in The Only Possible Argument that is distinct from the three traditional arguments and is also not subject to the objections he raises against them. Given that Kant rejects all theoretical proofs of God’s existence in his critical period and given that he did not take his critical objections to the traditional proofs to apply to the theistic proof developed in The Only Possible Argument, what is his justification for rejecting his pre-critical argument for God’s existence? (shrink)

Shortly after the appearance of the Critique of Pure Reason, Kant’s claim that the ontological proof of God’s existence contains all the probative force of the cosmological argument was discussed at great length by J. F. Flatt, J. F. v. Abel and J. A. Eberhard. These early criticisms do not seem to have received the attention they deserve, even though they are extremely relevant, cogent, and difficult to dispute. Regardless of whether their assumptions are accepted, these objections point (...) out certain obscurities and flaws in Kant’s argument, casting doubt, from a logical standpoint, on the success of the main Kantian criticism of the cosmological proof. (shrink)

Kant’s objection to the ontological argument in the first Critique is thought to be contained within the claim that ‘existence is not a predicate’. This article maintains that this ‘digression’ on existence is not Kant’s main objection. Instead, Kant argues within the first eight paragraphs of this fourteen paragraph section that there is no meaningful predication – either logical or real – without a synthetic, existential judgment concerning the subject of predication. Thus, the very subject of predication (...) of the proof (God) is an empty concept and an indeterminate nominal definition (rather than a real possibility) that allows for neither meaningful predication nor the generation of a contradiction. I argue that this objection is significantly different than classical objections that are often identified with it and from Kant’s objection in 1763. I also argue that Kant’s target is not simply the Cartesian argument but is also his own pre-critical onto-theological argument. There is little evidence that Kant continues to accept the a priori onto-theological argument, and, in fact, he rejects its core claims in his discussion of the ontological argument and in the final paragraphs of the section on the Ideal of Reason. (shrink)

St Anselm is one of the major thinkers of the medieval epoch of the history of philosophy. Interest in Anselm usually focuses on his discussion of the problem of the existence of God especially as contained in the Proslogion. Indeed Anselm is mostly known for his attempt to proof the existence of God in the Proslogion. The argument he advances here which goes by the name ontological argument has been a point of reference all through the history of (...) Western philosophy and is usually viewed as his most substantive contributions to philosophy of religion, with Hume and Kant criticizing it in the eighteenth century and thinkers such as Hartshorne, Malcom and Plantinga endorsing it in the Twentieth century. Like Augustine before him and Aquinas after him, Anselm did not see any opposition between faith and reason, or again, between philosophy and theology, as he was concerned with providing rational ground for the doctrines of Christianity which he already accepted as a matter of faith. Indeed as commentators rightly note, Anselm’s thought can be summed up in the Augustinian dictum, “faith seeks understanding”, so that he is arguably one of the early pioneers of Christian theology, so far as he sees certain solidarity between faith and reason, with reason providing the excellent service of rational clarification of what we accept by faith. The inter-play Anselm sees as subsisting between faith and reason is one we must take into account if we must appreciate his contributions to theology and metaphysics, for this consideration permeates the whole of his thought. For him clearly, that there is no divorce between faith and reason means concretely that “I do not seek to understand in other that I may believe, but rather I believe in order that I may understand”. (shrink)

The famous triad of ‘rational proofs’ of God’s existence may, if their underlying intuitions are taken at face value, be reversed to prove the contrary, namely the non-existence of God. The ontological argument, for example, proceeds from the notion of God as the ‘real most’ or ‘absolutely real’ being. However, the existence of an entity thus defined must be beyond doubt, for if distinguishing between ‘levels of reality’ makes any sense at all, ‘more real’ must also (...) mean ‘more manifest’. And since a being whose existence is beyond doubt is greater than that whose existence is in doubt, God, to fit the definition provided by St. Anselm, must be a being the existence of which cannot be doubted or, more strictly, the existence of which can only come to be doubted if He did not exist to dispel all doubts. Hence it follows that God does not exist, because it is an undeniable fact that His existence is subject to doubt. This paper is not, however, about theexistence of God, it is about the inherent dialectic of theological reason that seeks non-natural or supernatural explanations for natural phenomena. (shrink)

This essay examines Wolff’s science of teleology, which has historically been dismissed as a crude physico-theology resting on a simple confusion between uses and purposes. Focusing especially on his two German volumes (German Teleology, 1723, and German Physiology, 1725), I argue that, first, Wolff never intended teleology to be a self-standing theology; and second, that teleology, as a part of physics, is primarily an applied or practical discipline. In its theological function, teleology presupposes the ontological and cosmological arguments for the (...) being and attributes of God rendered in rational theology. As a part of physics, meanwhile, teleology presupposes the inert-mechanical view of nature which had emerged in the seventeenth century, and builds upon mechanistic physics by providing a perspective on nature as consisting of relations of benefit and advantage. The physiological part of teleology, or the study of plant and animal bodies, occupies a special place, for which Wolff deploys notions of health and sickness consistent with the mechanistic physics he accepts. With this in view, I argue that Wolff’s teleology could not be the proper target of Kant’s critique of physico-theology. Yet, there remain deeper differences between Wolff and Kant on the topic, which have to do with the sources and limits of teleological reasoning in general. (shrink)

This chapter is about Hume’s critiques of the cosmological, ontological, and design arguments for the existence of God, as proposed by Samuel Clarke and other Newtonian theologians. Clarke regarded the cosmological argument as essential to prove the uniqueness, eternity, infinity, and omnipresence of God and the design argument as essential to prove the wisdom and foresight of God. The criticisms Hume makes all depend on his empiricist theory of ideas and his revolutionary theories of causation and causal (...) reasoning. Most of the chapter discusses these themes. The concluding section draws attention to recent research that shows two things. One is how central to Hume’s whole philosophical enterprise is his rejection of theological ideas and doctrines. The other is how this relates to his rejection of certain parts of Newtonian metaphysics. (shrink)

I do not think that the existence of God can be proved or even that the main justification for the belief can be found in argument in the ordinary sense of that term, but I think two of the three which have, since Kant at least, been classified as the traditional arguments of natural theology have some force and are worthy of serious consideration. This consideration I shall now proceed to give. I cannot say this of the remaining one (...) of the arguments, the ‘ontological proof’, which I shall therefore not discuss here. (shrink)

The nature of Kant’s criticism of his pre-Critical ‘possibility proof’ for the existence of God, implicit in the account of the Transcendental Ideal in the Critique of Pure Reason, is still under dispute. Two issues are at stake: the error in the proof and diagnosis of the reason for committing it. I offer a new way to connect these issues. In contrast with accounts that locate the motivation for the error in reason’s interest in an unconditioned causal ground (...) of all contingent existence, I argue that it lies in reason’s interest in another kind of unconditioned ground, collective unity. Unlike the conception of the former, that of the latter directly explains the problematic ontological assumption of the possibility proof, the existence of intelligible objects as the ground of possibility. I argue that such Platonic entities are assumed because they are amenable to the kind of unity prescribed by reason. However, since the interest in collective unity has a legitimate regulative use when applied to the systematic unity of nature, the conception of God entailed by the possibility proof is retained as a regulative idea of reason. (shrink)

The search for God is dictated not from without but from a profound sense of one's own moral being and worthiness to be happy. The core of Immanuel Kant's argument remains relevant to the experience of ordinary men and women. He wished to strengthen, not undermine, belief in God and in the spiritual nature of humankind. This 1763 essay is imporrtant in understanding the development of Kant's thought. It exposed the flaw in the Cartesian argument that the existence of (...) a perfect being could be deduced from an idea or concept of such. Similarly, Kant saw the problem inherent in the Leibnizian view of a philosophical system modeled on mathematics: a philosopher who, like a mathematician, began with an arbitrary definition remained trapped in a circle of words. In The One Possible Basis for a Demonstration of the Existence of God , Kant diverged from the familiar forms of ontological argument. The result was a brilliant approach to divine being that anticipated his mature Critique of Pure Reason. With this Bison Book edition, The One Possible Basis appears in paperback for the first time. Gordon Treash's English translation, the only modern one, faces pages containing the original German. Treash, who is a professor of philosophy at Mount Allison University, Sackville, New Brunswick, edited, with Paul A. Bogaard, Metaphysics as Foundation: Essays in Honor of Ivor Leclerc . Also available as a Bison Book is Kant's last major essay, The Conflict of the Faculties (1992). (shrink)

Kant argues that any argument for a transcendent God presupposes the logically flawed ontological argument. The teleological argument cannot satisfy the demands of reason for a complete explanation of the meaning and purpose of our universe without support from the cosmological argument. I avoid the assumption of a perfect being, and hence the ontological argument, in my version of the cosmological argument. The necessary being can be identified with the creator of the universe by adding analogical mental relations. The (...) creation of the universe is then shown to reflect modern scientific cosmology as well as stories and metaphors in the Eastern and Western religious traditions and to resolve the problem of evil. (shrink)

In Part 9 of David Hume’s Dialogues Concerning Natural Religion, a series of five criticisms is presented against the Cosmological-Ontological Proof of God’s necessary existence. In essence, the Cosmological-Ontological Proof seeks to establish that that the chain of causes and effects that constitutes the world, despite being eternal, requires a cause, in virtue of the contingency of the chain and its members. The argument attempts to defend the position that, of the four possible causal explanations for the chain (...) of causes and effects -a contingent being that exists outside the chain; chance; nothing (in the Aristotelian sense of thisterm); or a necessarily existent being-only the latter can be successfully defended, leading to the conclusion that the cause of the world is a necessarily existent being. Of the five criticisms directed against this argument in Part 9 of the Dialogues, the fourth of these is the one that is most neglected in the literature: it is this criticism that I have selected for discussion in my paper. This criticism holds that since the causal chain is held to be eternal, it cannot have a cause, given that causal relations require temporal priority in the cause in relation to the effect, and that the effect be a new existent. However, since the Cosmological-OntologicalProof insists on the contingency of the causal chain as a whole and of each of its members, the fourth criticism is not regarded as a relevant criticism, inasmuch as all contingent beings require a cause in order for them to exist, and this includes the eternal causal chain that constitutes the world. In my paper, I attempt to support the fourth criticism of the Cosmological-Ontological Proof, by establishing that, in the context of this argument, the contingency of the causal chain and its members is not sufficient to establish that the chain must have a cause. (shrink)

Does God exist? What are the various arguments that seek to prove the existence of God? Can atheists refute these arguments? The Existence of God: A Philosophical Introduction assesses classical and contemporary arguments concerning the existence of God: the ontological argument, introducing the nature of existence, possible worlds, parody objections, and the evolutionary origin of the concept of God the cosmological argument, discussing metaphysical paradoxes of infinity, scientific models of the universe, and philosophers’ discussions about ultimate (...) reality and the meaning of life the design argument, addressing Aquinas’s Fifth Way, Darwin’s theory of evolution, the concept of irreducible complexity, and the current controversy over intelligent design and school education. Bringing the subject fully up to date, Yujin Nagasawa explains these arguments in relation to recent research in cognitive science, the mathematics of infinity, big bang cosmology, and debates about ethics and morality in light of contemporary political and social events. The book also includes fascinating insights into the passions, beliefs and struggles of the philosophers and scientists who have tackled the challenge of proving the existence of God, including Thomas Aquinas, and Kurt Gödel - who at the end of his career as a famous mathematician worked on a secret project to prove the existence of God. The Existence of God: A Philosophical Introduction is an ideal gateway to the philosophy of religion and an excellent starting point for anyone interested in arguments about the existence of God. (shrink)

The following dissertation is a study of the "ontological proof' for God's existence, specifically of the controversy concerning this proof from the seventeenth through the nineteenth centuries. As the title indicates, the primary theme is Hegel's defense and reformulation of the proof. I argue for a metaphysical interpretation of Hegel's Science of Logic, by showing that one of Hegel's chief goals in the Logic is to provide a demonstration for the thesis that "necessary existence belongs to God's nature." (...) I conclude that while Hegel offers a coherent and informative account of this thesis, his analysis does not overcome one of the principal shortcomings of the ontological proof, namely, that the argument involves an appeal to intuition. The ontological proof is thus, if in some sense valid, not persuasive. -/- The discussion of Hegel is preceded by a detailed analysis of Descartes' formulation of the proof. I argue that Descartes consistently defends his argument by appealing to metaphysical and epistemological doctrines as premises, so that the proof represents a conclusion of his entire philosophical system. I also provide a lengthy treatment of Kant's objections to the proof, and I conclude (1) that most of his arguments are repetitions of older objections and (2) that even his best arguments are question-begging. I show that Hegel sides with Descartes, and against Kant, on every relevant issue, and that Hegel's metaphysical system brings Descartes' assumptions to their ultimate consequences. -/- In the concluding chapters I examine some of the problems that underlie the theoretical philosophies of Kant and Hegel. I argue that Hegel fails to show that Kant's philosophy is self-refuting, and that Kant's critique of the ontological argument is consistent with the basic principles of his philosophy. The shortcoming of Kant's view is merely that he fails to justify some of those principles. In the final chapter I argue that any transcendental critique of the ontological argument, or of metaphysics in general, is doomed to failure. (shrink)

The essay collection "Kant on Proofs for God's Existence" provides a highly needed, comprehensive analysis of the radical turns of Kant's views on proofs for God's existence.— In the "Theory of Heavens" (1755), Kant intends to harmonize the Newtonian laws of motion with a physico-theological argument for the existence of God. But only a few years later, in the "Ground of Proof" essay (1763), Kant defends an ontological ('possibility' or 'modal') argument on the basis of (...) its logical exactitude while he praises the physico-theological argument for its beauty and appeal to the common sense. In the first "Critique" (1781/7), Kant replaces traditional constitutive ontological, cosmological, and physico-theological proofs with his own regulative theoretical and moral-practical religious arguments. He continues to defend a moral argument in the second "Critique" (1788). But in the third "Critique" (1790), Kant reintroduces a physico-theological besides an ethicotheological argument in order to unify the critical system of philosophy. Kant develops further moral arguments and arguments from evil in the "Theodicy" essay (1791) and the "Religion" (1793/4), and still searches for the right kind of proof for God's existence in the "Opus postumum" (1796–1804).—Part one of this volume is dedicated to an analysis of Kant's proofs for God's existence in their historical order that explains which proofs Kant favors or rejects in various periods of his thought. Part two contains a systematic classification of main kinds of proof for God's existence in Kant that outlines the argumentative structure of particular kinds of proof and discusses Kant's potential reasons for their variations and modifications. The essay collection speaks to Kant specialists, philosophers, and theologians, but introduces the topic to non-academic readers also. -/- Contributers: Uygar Abaci (Pennsylvania State University), Craig Bacon (University of South Carolina), Andrew Chignell (Princeton University), Eckart Förster (Humboldt University, Johns Hopkins University), Ina Goy (Beijing Normal University) Paul Guyer (Brown University), Graham Oppy (Monash University), Lara Ostaric (Temple University), Stephen Palmquist (Independent Scholar), Lawrence Pasternack (Oklahoma State University), Konstantin Pollok (University of Mainz), Oliver Sensen (University of Tulane), Allen Wood (Bloomington University, Stanford University). (shrink)

This paper is a sequel to my 'Theological Misinterpretations of Current Physical Cosmology' (Foundations of Physics [1996], 26 (4); revised in Philo [1998], 1 (1)). There I argued that the Big Bang models of (classical) general relativity theory, as well as the original 1948 versions of the steady state cosmology, are each logically incompatible with the time-honored theological doctrine that perpetual divine creation ('creatio continuans') is required in each of these two theorized worlds. Furthermore, I challenged the perennial theological doctrine (...) that there must be a divine creative cause (as distinct from a transformative one) for the very existence of the world, a ratio essendi. This doctrine is the theistic reply to the question: 'Why is there something, rather than just nothing?' I begin my present paper by arguing against the response by the contemporary Oxford theist Richard Swinburne and by Leibniz to what is, in effect, my counter-question: 'But why should there be just nothing, rather than something?' Their response takes the form of claiming that the a priori probability of there being just nothing, vis-à-vis the existence of alternative states, is maximal, because the non-existence of the world is conceptually the simplest. On the basis of an analysis of the role of simplicity in scientific explanations, I show that this response is multiply flawed, and thus provides no basis for their three contentions that (i) if there is a world at all, then its 'normal', natural, spontaneous state is one of utter nothingness or total non-existence, so that (ii) the very existence of matter, energy and living beings constitutes a deviation from the allegedly 'normal', spontaneous state of 'nothingness', and (iii) that deviation must thus have a suitably potent (external) divine cause. Related defects turn out to vitiate the medieval Kalam Argument for the existence of God, as espoused by William Craig. Next I argue against the contention by such theists as Richard Swinburne and Philip L. Quinn that (i) the specific content of the scientifically most fundamental laws of nature, including the constants they contain, requires supra-scientific explanation, and (ii) a satisfactory explanation is provided by the hypothesis that the God of theism willed them to be exactly what they are. Furthermore, I contend that the theistic teleological gloss on the 'Anthropic Principle' is incoherent and explanatorily unavailing. Finally, I offer an array of considerations against Swinburne's attempt to show, via Bayes's theorem, that the existence of God is more probable than not. (shrink)

Kant, Hume, and the Interruption of Dogmatic Slumber offers an interpretation of Kant’s “confession,” in the Prolegomena, that “it was the objection of David Hume that first, many years ago, interrupted my dogmatic slumber.” It argues that Hume roused Kant not, as has often been thought, by challenging the principle “every event has a cause” that governs experience, but by attacking the principle of sufficient reason, the basis of rationalist metaphysics and of the cosmological proof of the (...) existence of God. This proposal makes it possible to reconcile Kant’s declaration about Hume with his later assertion that it was the Antinomy of pure reason that first woke him from dogmatic slumber, because the Antinomy, like Hume’s challenge, is directed against the dogmatic use of the principle of sufficient reason. The proposal put forward here also makes it possible to understand why Kant speaks of “the objection of David Hume” after mentioning Hume’s attack on metaphysics; for the “objection” that Kant has in mind, it is argued here, is a challenge to metaphysics, rather than to the foundations of empirical knowledge. (shrink)

Kant, Hume, and the Interruption of Dogmatic Slumber offers an interpretation of Kant’s “confession,” in the Prolegomena, that “it was the objection of David Hume that first, many years ago, interrupted my dogmatic slumber.” It argues that Hume roused Kant not, as has often been thought, by challenging the principle “every event has a cause” that governs experience, but by attacking the principle of sufficient reason, the basis of rationalist metaphysics and of the cosmological proof of the (...) existence of God. This proposal makes it possible to reconcile Kant’s declaration about Hume with his later assertion that it was the Antinomy of pure reason that first woke him from dogmatic slumber, because the Antinomy, like Hume’s challenge, is directed against the dogmatic use of the principle of sufficient reason. The proposal put forward here also makes it possible to understand why Kant speaks of “the objection of David Hume” after mentioning Hume’s attack on metaphysics; for the “objection” that Kant has in mind, it is argued here, is a challenge to metaphysics, rather than to the foundations of empirical knowledge. (shrink)

The Hegel Lectures Series Series Editor: Peter C. Hodgson Hegel's lectures have had as great a historical impact as the works he himself published. Important elements of his system are elaborated only in the lectures, especially those given in Berlin during the last decade of his life. The original editors conflated materials from different sources and dates, obscuring the development and logic of Hegel's thought. The Hegel Lectures series is based on a selection of extant and recently discovered transcripts and (...) manuscripts. Lectures from specific years are reconstructed so that the structure of Hegel's argument can be followed. Each volume presents an accurate new translation accompanied by an editorial introduction and annotations on the text, which make possible the identification of Hegel's many allusions and sources. Lectures on the Proofs of the Existence of God Hegel lectured on the proofs of the existence of God as a separate topic in 1829. He also discussed the proofs in the context of his lectures on the philosophy of religion (1821-31), where the different types of proofs were considered mostly in relation to specific religions. The text that he prepared for his lectures in 1829 was a fully formulated manuscript and appears to have been the first draft of a work that he intended to publish and for which he signed a contract shortly before his death in 1831. The 16 lectures include an introduction to the problem of the proofs and a detailed discussion of the cosmological proof. Philipp Marheineke published these lectures in 1832 as an appendix to the lectures on the philosophy of religion, together with an earlier manuscript fragment on the cosmological proof and the treatment of the teleological and ontological proofs as found in the 1831 philosophy of religion lectures. Hegel's 1829 lectures on the proofs are of particular importance because they represent what he actually wrote as distinct from auditors' transcriptions of oral lectures. Moreover, they come late in his career and offer his final and most seasoned thinking on a topic of obvious significance to him, that of the reality status of God and ways of knowing God. These materials show how Hegel conceived the connection between the cosmological, teleological, and ontological proofs. All of this material has been newly translated by Peter C. Hodgson from the German critical editions by Walter Jaeschke. This edition includes an editorial introduction, annotations on the text, and a glossary and bibliography. (shrink)

Christopher Insole argues that we have underestimated the importance of the following theological problem in the development of Kant’s mature, critical philosophy: “How can it be said that we are free, given that we are created by God?” (p. 5). The author makes a strong case that this problem was formative for a range of Kant’s pre-critical views. What role it continues to play in the 1780s and beyond will be, as the author himself notes, controversial. Chapters 1–3 contain lucid (...) and, especially for those familiar only with Kant’s critical period, helpful discussions of several pre-critical texts together with an engagement with selected secondary literature. Thus, readers who know only Kant’s destruction of the divine proofs, in the Critique of Pure Reason (1781, 1787), may be surprised to find him defending versions of the ontological and cosmological proofs in The Only Possible Argument in Support of a Demonstration of the Existence of God (1763). Here Insole’s exposition is nuanced... (shrink)

We argue that Descartes’s theistic proofs in the ’Meditations’ are much simpler and straightforward than they are traditionally taken to be. In particular, we show how the causal argument of the "Third Meditation" depends on the intuitively innocent principle that nothing comes from nothing, and not on the more controversial principle that the objective reality of an idea must have a cause with at least as much formal reality. We also demonstrate that the so-called ontological "argument" of the "Fifth (...) Meditation" is best understood not as a formal proof but as an axiom, revealed as self-evident by analytic meditation. (shrink)

This volume can be considered a supplement to A. Plantinga's similar book on the Ontological argument, and includes classic texts and contemporary commentary on both the Cosmological and the Teleological arguments, though there is no extended consideration of the problem of evil as it bears particularly on the Teleological argument. Plato, Aristotle, Aquinas, Hume and Kant give the classic arguments for and against the Cosmological argument. Geach, Edwards, Plantinga, and Penelhum provide the contemporary commentary. Paley, Hume, (...) Mill, and Kant state and criticize the classical Teleological argument, while A. E. Taylor, Ducasse, and Broad provide the contemporary rejoinder. A concluding postscript includes articles by Smart and Taylor, with a brief selection from Tillich. It is helpful to have as much of the material as is possible on the theistic arguments under one cover. It is unfortunate, however, that editorial limitations and imagination were not stretched or reapportioned to provide some contemporary commentary from outside the orbit of Anglo-American philosophy. In addition, the editor's introduction contains some serious misstatements about the classical Cosmological arguments. The classical argument did not maintain in any sense that God is a "self-causing cause" or that the "Prime Mover is not only the initial member in a temporal series..." ; God is not "the initial member in a temporal series" at all. Nor does the editor distinguish between natural theology and the philosophy of religion; something close to obfuscation is the consequence of this failure in his remark that linguistic analysis has "demonstrated that a definition of God is the starting point for the philosophy of religion."—E. A. R. (shrink)

This paper explains a way of understanding Kant's proof of God's existence in the Critique of Practical Reason that has hitherto gone unnoticed and argues that this interpretation possesses several advantages over its rivals. By first looking at examples where Kant indicates the role that faith plays in moral life and then reconstructing the proof of the second Critique with this in view, I argue that, for Kant, we must adopt a certain conception of the highest good, (...) and so also must choose to believe in the kind of God that can make it possible, because this is essentially a way of actively striving for virtue. One advantage of this interpretation, I argue, is that it is able to make sense of the strong link Kant draws between morality and religion. (shrink)

According to recent commentators like Paul Guyer, Kant agrees with Hume's Dialogues Concerning Natural Religion that physico-theology can never provide knowledge of God and that the concept of God, nevertheless, provides a useful heuristic principle for scientific enquiry. This paper argues that Kant, far from agreeing with Hume, criticizes Hume's Dialogues for failing to prove that physico-theology can never yield knowledge of God and that Kant correctly views Hume's Dialogues as a threat to, rather than an (...) anticipation of, his own view that the concept of God provides a useful heuristic principle for science. The paper concludes that Kant's critique of physico-theology reflects Kant's deep dissatisfaction with Hume's manner of argumentation and suggests that Kant's attempt to provide a more successful critique of physico-theology merits continued philosophical attention. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

This is a system of pure speculative reason in answer to the challenge issued by Immanuel Kant, in his "Critique of Pure Reason," with regard to metaphysics; the challenge being clearly mentioned in the Appendix to his "Prolegomena..." wherein he asks his Reviewer to take any one of his four sets of contradictory propositions, and offer an a priori judgment/proposition of his own that would overturn the antinomy, and thus, allow room for the possibility of raising metaphysics to the (...) level of a science, meaning a synthesis of judgments, from pure reason, self-evidently a priori, therefore, necessary; and that as a synthesis of pure understanding, would relate to and help us make sense of reality, that is, the world of our experience. (shrink)

The Hegel Lectures SeriesSeries Editor: Peter C. Hodgson Hegel's lectures have had as great a historical impact as the works he himself published. Important elements of his system are elaborated only in the lectures, especially those given in Berlin during the last decade of his life. The original editors conflated materials from different sources and dates, obscuring the development and logic of Hegel's thought. The Hegel Lectures series is based on a selection of extant and recently discovered transcripts and manuscripts. (...) The original lecture series are reconstructed so that the structure of Hegel's argument can be followed. Each volume presents an accurate new translation accompanied by an editorial introduction and annotations on the text, which make possible the identification of Hegel's many allusions and sources. Lectures on the Proofs of the Existence of GodHegel lectured on the proofs of the existence of God as a separate topic in 1829. He also discussed the proofs in the context of his lectures on the philosophy of religion, where the different types of proofs were considered mostly in relation to specific religions. The text that he prepared for his lectures in 1829 was a fully formulated manuscript and appears to have been the first draft of a work that he intended to publish and for which he signed a contract shortly before his death in 1831. The 16 lectures include an introduction to the problem of the proofs and a detailed discussion of the cosmological proof. Philipp Marheineke published these lectures in 1832 as an appendix to the lectures on the philosophy of religion, together with an earlier manuscript fragment on the cosmological proof and the treatment of the teleological and ontological proofs as found in the 1831 philosophy of religion lectures. Hegel's 1829 lectures on the proofs are of particular importance because they represent what he actually wrote as distinct from auditors' transcriptions of oral lectures. Moreover, they come late in his career and offer his final and most seasoned thinking on a topic of obvious significance to him, that of the reality status of God and ways of knowing God. These materials show how Hegel conceived the connection between the cosmological, teleological, and ontological proofs. All of this material has been newly translated by Peter C. Hodgson from the German critical editions by Walter Jaeschke. This edition includes an editorial introduction, annotations on the text, and a glossary and bibliography. (shrink)

The positions of Christian Wolff and Im­manuel Kant on the possibility of proving the existence of God require some examination. Wolff’s critique of the physical-theological proof and his proposed ways of improving it are here analysed. God is central to Wolff’s philosophical system and the fundamental prerequisite of his theoretical and practical philosophy. Although Wolff insists that the natural law is inherent in human nature and can therefore be comprehended by human reason without turning to divine revelation, in (...) reality God is the creator of this natural law and the cause of its perfection. Accordingly, faith in the true God in Wolff’s philosophy is obligatory for achieving the supreme degree of virtue, whereas pagans and atheists can achieve only its lowest degree. Kant criticises traditional proofs of the existence of God both in his pre-critical and critical periods. The author looks at the role God plays in Kant’s practical philosophy. Comparing the positions of Kant and Wolff, the author finds many similarities between them. Chief of them is that although both thinkers saw the moral/natural law as universal and obligating regardless of a person’s faith in God, in fact faith in God turned out to be an inevitable consequence of the true moral attitude of the individual. (shrink)

The most fundamental subject and aim of the Islamic belief system is the subject of maʿrifatullah (knowing Allah). Studies on this subject are mostly called ithbāt al-wājib (the demonstration of God) in the literature. They are considered the most valuable work for kalām, philosophy and mysticism schools. Kalām schools started to use this conceptualization intensively after Fakhr al-Dīn al-Rāzī, mainly under the influence of Ibn Sīnā. Sūfis, on the other hand, most participated in these studies based on the theory of (...) the unity of existence. In kalām, all the principles of belief are ultimately grounded to explain and strengthen faith in Allah. For this reason, belief in Allah is referred to as aṣl al-uṣūl (the origin of all principles). Throughout history, scholars of kalām discussed the creedal issues of Islam in the Muslim society while it tried to answer the creedal issues abroad by the expanding Islamic geography with studies on ithbāt al-wājib. In this framework, the problems of prophecy and the hereafter are included in kalām. Since the beginning of the history of kalām, it has used the theory of atomism to a large extent, especially in defending the existence of Allah against materialists. The systematisation of Islamic philosophy and mysticism in time, the kalām cosmological argument, the argument from contingency of philosophers and the argument from kashf and ilhām of Sūfis strengthened this area from three different branches. On the other hand, the interaction of these schools within themselves and the diversification of the interlocutors of studies on ithbāt al-wājib brought these arguments closer together. The convergence in terms of terminology, subject and methodology, especially after Shahrestānī and Rāzī, revealed the tradition of philosophical theology. In this process, theologians began to use both the concepts of temporality (hudūth) and contingency (imkān) to use ontological, cosmological and teleological proofs. Dawānī, one of the eminent figures of these studies in the last periods of Ottomans, is the subject of our research, due to his skills in utilising these proofs of ithbāt al-wājib and his influence in the studies after him. His review of the matter can be observed in his effort in his works where he deals with the so-called deficiencies and errors of his predecessors regarding ithbāt al-wājib. For this reason, many annotations and commentaries were made for his treatises and ideas until the 19th century. Especially, the advance of materialism in the West in this century showed great influence on many scholars and intellectuals in the Ottoman Empire seems to be a parallel historical experience. Therefore, it has become necessary to utilise the arguments for the existence of Allah by supporting each individual argument together. In this regard, in our study, to see the process, we also discussed the views of Aḥmad Nūrī, one of the scholars in the last period Ottoman, who dealt with the common arguments about ithbāt al-wājib produced by the three primary schools of Islamic thought: kalām, Islamic philosophy and mysticism. (shrink)

What should philosophical theology look like after the critique of Onto-theology, after Phenomenology, and in the age of Speculative Realism? What does Kabbalah have to say to Philosophy? Since Kant and especially since Husserl, philosophy has only permitted itself to speak about how one relates to God in terms of the intentionality of consciousness and not of how God is in himself. This meant that one could only ever speak to God as an addressed and yearned-for holy Thou, but (...) not to God as infinite creator of all. In this book-length essay, the author argues that reality itself is made up of the Holy Name of God. Drawing upon the set-theoretical ontology of Alain Badiou, the computational theory of Stephen Wolfram, the physics of Frank Tipler, the psychoanalytical theory of Jacques Lacan, and the genius of Georg Cantor, the author works to demonstrate that the universe is a computer processing the divine Name and that all existence is made of information (the bit). As a result of this ontic pan-computationalism, it is shown that the future resurrection of the dead can take place and how it may in fact occur. Along the way, the book also offers compelling critiques of several significant theories of reality, including the phenomenological theologies of Emmanuel Levinas and Jean-Luc Marion, Process Theology, and Object-Oriented Ontology. Reality in the Name of God explores how the concepts of Jewish mysticism can be articulated and deployed as philosophical theses within current metaphysical debates. It provides a new and dynamic Structural Realist ontology of information. Ultimately, the book aims to deal a death blow to the restriction of philosophy and theology in relation to elaborations of a how a believer relates to a God outside the mind and to return thought to a direct encounter with the divine nature of reality itself and its creator"--Website of the publisher, October 19, 2020. (shrink)

This volume can be considered a supplement to A. Plantinga's similar book on the Ontological argument, and includes classic texts and contemporary commentary on both the Cosmological and the Teleological arguments, though there is no extended consideration of the problem of evil as it bears particularly on the Teleological argument. Plato, Aristotle, Aquinas, Hume and Kant give the classic arguments for and against the Cosmological argument. Geach, Edwards, Plantinga, and Penelhum provide the contemporary commentary. Paley, Hume, (...) Mill, and Kant state and criticize the classical Teleological argument, while A. E. Taylor, Ducasse, and Broad provide the contemporary rejoinder. A concluding postscript includes articles by Smart and Taylor, with a brief selection from Tillich. It is helpful to have as much of the material as is possible on the theistic arguments under one cover. It is unfortunate, however, that editorial limitations and imagination were not stretched or reapportioned to provide some contemporary commentary from outside the orbit of Anglo-American philosophy. In addition, the editor's introduction contains some serious misstatements about the classical Cosmological arguments. The classical argument did not maintain in any sense that God is a "self-causing cause" or that the "Prime Mover is not only the initial member in a temporal series..." ; God is not "the initial member in a temporal series" at all. Nor does the editor distinguish between natural theology and the philosophy of religion; something close to obfuscation is the consequence of this failure in his remark that linguistic analysis has "demonstrated that a definition of God is the starting point for the philosophy of religion."—E. A. R. (shrink)

There has been in recent years a plethora of defenses of theism from analytical philosophers such as Plantinga, Swinburne, and Alston. Richard Gale's important book is a critical response to these writings. New versions of cosmological, ontological, and religious experience arguments are critically evaluated, along with pragmatic arguments to justify faith on the grounds of its prudential or moral benefits. A special feature of the book is the discussion of the atheological argument that attempts to deduce a contradiction from the (...) theist's way of conceiving of God's nature. In considering arguments for and against the existence of God, Gale is able to clarify many important philosophical concepts including exploration, time, free will, personhood, actuality, and the objectivity of experience. (shrink)

A science of metaphysics adhering to Immanuel Kant's critical demands as set forth in his "Critique of Pure Reason", and "Prolegomena to Any Future Metaphysic...." The work includes an Appendix that quotes Kant's most relevant remarks in this regard, along with his criterion for objective validity that, given the technical jargon, can be next to impossible to interpret even for those most familiar with Kant. The Appendix allows Kant to interpret himself, the point being that many secondary works enter (...) into conflict with Kant. This can be seen most notably with respect to the somewhat understandable notion that Kant was opposed to speculative metaphysics; but Kant's criterion for objective validity undermines this closed-to-speculative-metaphysics interpretation. As a science in the Kantian sense this work (in this latest edition there is a 2/3 page abstract diagram of the science that makes it more conceptually clear) offers an opportunity for those inclined to shy away from speculative metaphysics to reexamine their interpretations. The objectives are as Kant mentions in the introduction to his CPR: God, Freedom, and Immortality; and that these problems can be dealt with rationally can be seen in this work; and without fear of violating Kant's justifiable strictures, the main one being that where anything offered in the name of pure reason is concerned, it must be such that it helps us to make sense of our phenomenal world. And as to Kant's prerequisite: "How are synthetic cognitions, a priori possible?" I refer to my essay "Beyond Kant and Hegel ..." in "The Review of Metaphysics", March 2013. The premise advanced in the essay is the same as in this booklet. This first part forms the groundwork for the second part, "Rational Theism, Part Two: The Problem of Evil, and God's Omnibenevolence (A Biblical Exegesis)," which notwithstanding its title, is philosophically grounded as a dissertation that can stand on its own. This secondary work is not secondary in importance, but primary in that it provides a rational answer to the problem of evil; and that answer can be found in the pages of the Bible. It is an answer that has escaped the notice of theologians and apologists and philosophers who have sought for an answer to the problem outside the sacred texts wherein the sole answer to the problem can be found, at least for anyone who cares to examine the relevant texts with care and attention. In this short work there are over five dozen scriptures taken into account that support the answer given; and the answer is both very clear, and rational. (shrink)

There has been in recent years a plethora of defences of theism from analytical philosophers: Richard Gale's important book is a critical response to these writings. New versions of cosmological, ontological, and religious experience arguments are critically evaluated, along with pragmatic arguments to justify faith on the grounds of its prudential or moral benefits. In considering arguments for and against the existence of God, Gale is able to clarify many important philosophical concepts including exploration, time, free will, personhood, actuality, (...) and the objectivity of experience. (shrink)

In this paper, I treat the question of whether and in what regard Kant's theory of biology contains a version of the argument from design, which is the question of whether Kant considers the purposive order of organized nature as a physicotheological proof for the existence of God, and in turn, the existence of God as the supersensible ground for the teleological order of organized nature. As an introduction to the topic, I name traditional examples of the (...) argument from design (section 1). I then outline Kant's changing attitude towards the argument in his Theory of Heavens, his Argument essay and the three Critiques, highlighting Kant's return to the argument from design in the CPJ after examining and rejecting it in his earlier writings. I elaborate in detail Kant's different uses of the argument in the "Critique of the Teleological Power of Judgment" (section 2). In section 3, I develop a consistent reading of Kant's references to the physicotheological proof in the "Critique of the Teleological Power of Judgment": in the "Analytic" he develops a teleological account of nature that makes no use of the argument from design but is consistent with it. In the "Dialectic" and the "Methodology", however, Kant discusses more ambitious systematic questions: the unity of the theoretical laws of nature and the unity of the natural and the supernatural moral laws. These are questions that require an explicit reference to the argument from design (section 3). (shrink)

Is there such a thing as natural knowledge of God? C. Stephen Evans presents the case for understanding theistic arguments as expressions of natural signs in order to gain a new perspective both on their strengths and weaknesses. Three classical, much-discussed theistic arguments - cosmological, teleological, and moral - are examined for the natural signs they embody. At the heart of this book lie several relatively simple ideas. One is that if there is a God of the kind accepted (...) by Christians, Jews, and Muslims, then it is likely that a 'natural' knowledge of God is possible. Another is that this knowledge will have two characteristics: it will be both widely available to humans and yet easy to resist. If these principles are right, a new perspective on many of the classical arguments for God's existence becomes possible. We understand why these arguments have for many people a continued appeal but also why they do not constitute conclusive 'proofs' that settle the debate once and for all. Touching on the interplay between these ideas and contemporary scientific theories about the origins of religious belief, particularly the role of natural selection in predisposing humans to form beliefs in God or gods, Evans concludes that these scientific accounts of religious belief are fully consistent, even supportive, of the truth of religious convictions. (shrink)

This paper provides an interpretation and evaluation of Spinoza's highly original version of the ontological proof in terms of the concept of substance instead of the concept of perfection in the first book of his Ethics. Taking the lead from Kant'€™s critique of ontological arguments in the Critique of Pure Reason, the paper explores the underlying ontological and epistemological presuppositions of Spinoza'€™s proof. The main topics of consideration are the nature of Spinoza's definitions, the way he conceives of (...) the relation between a substance and its essence, and his conception of existence. Once clarity is shed upon these fundamental issues, it becomes possible to address the proof in its own terms. It is then easy to see that Kant's objections miss their target and that the same is true of those advanced by another of the ontological argument'€™s most famous critics, Bertrand Russell. Finally, several interpretations of Spinoza'€™s proof are proposed and critically evaluated; on all of them, the argument turns out to be either invalid or question-begging. (shrink)

Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} Focusing mainly on a number of unpublished texts by Collingwood, especially his “Lectures on the Ontological Proof of the Existence of God,” the study examines the English philosopher’s innovative interpretation of the Anselm’s main contribution to the philosophical-theological tradition. Collingwood insightfully shows how the ontological argument can be used (...) in analyzing and discussing the religious experience, not in trying to formulate a logical proof of God’s existence. When abstracted from the individual’s practical religious life, that is, from the experience of prayer, worship, and the like, mind’s awareness of God cannot be understood. Resorting mainly to Anselm, Augustine, Thomas Aquinas, and Descartes, Collingwood argues that the externality of the Platonic absolute is that of an absolute transcendent whereas the Christian God is not only conceived as the transcendent cause of all things, but also as the immanent spirit in them. By asserting the unity of the mind—regarded as identical with its acts—this interpretation is meant to serve both as a means towards self-knowledge, and as a starting point for a future conceptual unification of religion and philosophy. (shrink)

One of the most popular accounts of the teleological argument for the existence of God is the analogical account that is the center of Hume’s knocker criticisms. Since Hume’s age, many theist scholars have attempted to propose convincing responses. Motahari is one of the rigorous thinkers who tackled the challenges which Hume posed. The purpose of this paper is to address Hume’s criticisms and assess Motahari’s rejoinders to them. It will be argued that Motahari’s (...) responses do not seem successful. Although Motahari has tried to refute Hume’s criticisms in some of his works, he implicitly endorsed Hume’s assessment of the analogical account of the teleological argument in other works, and came ultimately close to the Hume’s view. As Hume believed that the argument from design is not a successful philosophical argument to prove God’s existence that the theist contend, Motahari also admits at the end that this argument alone cannot prove God’s existence and emphasizes that the argument from design cannot prove God of Abraham’s religions, that is a person with necessary being, who is immaterial and eternal, is omniscient, omnipotent, perfectly good, and the creator of the universe. Motahari ultimately believed in deficiency of the argument from design too, and assessed it as an argument with limited functions for God’s existence. (shrink)

Kant's Critique of Judgment seems not to be an obviously unified work. Unlike other attempts to comprehend it as a unity, which treat it as serving either practical or theoretical interests, Kristi Sweet's book posits it as examining a genuinely independent sphere of human life. In her in-depth account of Kant's Critical philosophical system, Sweet argues that the Critique addresses the question: for what may I hope? The answer is given in Kant's account of 'territory,' a region of (...) experience that both underlies and mediates between freedom and nature. Territory forms the context in which purposiveness without a purpose, the Ideal of Beauty, the sensus communis, genius and aesthetic ideas, and Kant's conception of life and proof of God are best interpreted. Encounters in this sphere are shown to refer us to a larger, more cosmic sense of a whole to which both freedom and nature belong. (shrink)

This chapter discusses Kant's 1763 "possibility proof" for the existence of God. I first provide a reconstruction of the proof in its two stages, and then revisit my earlier argument according to which the being the proof delivers threatens to be a Spinozistic-panentheistic God—a being whose properties include the entire spatio-temporal universe—rather than the traditional, ontologically distinct God of biblical monotheism. I go on to evaluate some recent alternative readings that have sought to avoid this result by arguing that (...) the relevant facts about real modality can be ultimately grounded in God’s powers or thoughts – or that Kant just leaves the grounding relations mysterious. I argue that the textual and philosophical costs of each of these alternative readings are formidable. The chapter concludes with a discussion of the fate of the proof in the critical period. Some commentators think that it disappears altogether, or that it is downgraded such that it produces a mere regulative idea of God as the most real being. I suggest that the proof survives but that the mode of assent it licenses towards its conclusion changes from knowledge to a certain kind of Belief (Glaube). (shrink)

This work in metaphysics adheres to the critical demands of Immanuel Kant for what Kant would call a science of metaphysics, in that it consits strictly of a priori principles that, while from pure reason, can help make sense of our phenomenal world (Kant's criterion for objective validity). The work has an Appendix quoting Kant's most relevant remarks with regard to a science, and offers parallel quotes from David Hume's "Treatise of Human Nature". The work advances the explanation of (...) a causal process that accounts for the origination of the universals: space, time, mass (or substance), and mind (or consciousness), and it necessitates the existence of God as Absolute Being and Absolute Mind. Hegel's 'Science of Logic' is quoted wherein Hegel makes an analogous claim. The causal process is defined with both a definite beginning and a definite end and agreement can be found with the statement found in the book of Revelation, final chapter: "I am the Alpha and the Omega, the first and the last, the beginning and the end." The statement suggests a movement that is not in conflict with the science, and seems to reflect Hegel's own thoughts. The science does not conflict with, but it further finds agreement with the science of big bang cosmology, but it goes further in necessitating a 'singularity' at the beginning of time. The causal process defined has a Formative Phase and a Creative Phase, with the former preceding the big bang and the latter following after the big bang. (shrink)

This paper argues that an examination of the ontology that underpins Descartes’s Fifth Meditation ontological proof of God’s existence will contribute to a better understanding of the nature and structure of the proof. Attention to the Cartesian meditator’s development of this ontology in earlier meditations also makes clear why this proof could not have been asserted before the Fifth Meditation. Finally, it is argued that Kant’s objections against the ontological proof have no force against Descartes’ particular version of the (...) proof. (shrink)

This paper argues that an examination of the ontology that underpins Descartes’s Fifth Meditation ontological proof of God’s existence will contribute to a better understanding of the nature and structure of the proof. Attention to the Cartesian meditator’s development of this ontology in earlier meditations also makes clear why this proof could not have been asserted before the Fifth Meditation. Finally, it is argued that Kant’s objections against the ontological proof have no force against Descartes’ particular version of the (...) proof. (shrink)

This edition contains the Critique of Aesthetic Judgement and Critique of Teleological Judgement. The introductions and notes that accompanied the translations in the original two volumes have now been dropped in order to make the translations available in a single volume.