This study examined health professionals’ (HPs) experience, beliefs and attitudes towards brain death (BD) and two types of donation after circulatory death (DCD)—controlled and uncontrolled DCD. Five hundred and eighty-seven HPs likely to be involved in the process of organ procurement were interviewed in 14 hospitals with transplant programs in France, Spain and the US. Three potential donation scenarios—BD, uncontrolled DCD and controlled DCD—were presented to study subjects during individual face-to-face interviews. Our study has two main findings: (1) In the (...) context of organ procurement, HPs believe that BD is a more reliable standard for determining death than circulatory death, and (2) While the vast majority of HPs consider it morally acceptable to retrieve organs from brain-dead donors, retrieving organs from DCD patients is much more controversial. We offer the following possible explanations. DCD introduces new conditions that deviate from standard medical practice, allow procurement of organs when donors’ loss of circulatory function could be reversed, and raises questions about “death” as a unified concept. Our results suggest that, for many HPs, these concerns seem related in part to the fact that a rigorous brain examination is neither clinically performed nor legally required in DCD. Their discomfort could also come from a belief that irreversible loss of circulatory function has not been adequately demonstrated. If DCD protocols are to achieve their full potential for increasing organ supply, the sources of HPs’ discomfort must be further identified and addressed. (shrink)

Several studies have explored differences between North American and European doctor patient relationships. They have focused primarily on differences in philosophical traditions and historic and socioeconomic factors between these two regions that might lead to differences in behaviour, as well as divergent concepts in and justifications of medical practice. However, few empirical intercultural studies have been carried out to identify in practice these cultural differences. This lack of standard comparative empirical studies led us to compare differences between France and the (...) USA regarding end-of-life decision-making. We tested certain assertions put forward by bioethicists concerning the impact of culture on the acceptance of advance directives in such decisions. In particular, we compared North American and French intensive care professional's attitudes toward: (1) advance directives, and (2) the role of the family in decisions to withhold or withdraw life-support. (shrink)

A través de las categorías presentadas por Jacques Lacan, el pensar, el deseo y el goce, y en diálogo con la filosofía, se busca aportar un análisis de la producción histórica del sujeto que causó el Holocausto. El modo en que dicho acontecimiento atraviesa también el inconsciente de una cultura puso en cuestión el principio de conocimiento, de interpretación y de verdad sostenido por las ciencias y los saberes hasta entonces. Se amplía, pues, el campo de visión más allá de (...) lo propuesto por Hannah Arendt, y se enfoca hacia el inconsciente no solo individual, sino cultural. Se busca, por tanto, un armazón teórico para el desciframiento de esa subjetividad que produce los totalitarismos -- (Fuente: Anthropos). (shrink)

Este artículo busca avizorar, desde el terreno de las pretensiones del humanismo, la posibilidad de una ética desprovista de «centro» que se asiente en la «compasión». Se buscará comprender la necesidad de abandonar los intentos de retornar al proyecto «humanístico» y se señalará su mayor riesgo: el «cínico ilustrado». Adicionalmente, se considerará «el humanismo» como el solemne destello de una «estrella que murió hace mucho» pero que da señales para la construcción de una ética excéntrica fundada en la compasión y (...) el dolor. Para tales efectos, se presentarán tres secciones: a) el humanista un cínico ilustrado b) mecanismos de evasión. La miseria y el modo de vida burgués y c) la ausencia de centro y la posibilidad de una ética excéntrica. (shrink)

Overview The evolution of multicellularity raises questions regarding genomic and developmental commonalities and discordances, selective advantages and disadvantages, physical determinants of development, and the origins of morphological novelties. It also represents a change in the definition of individuality, because a new organism emerges from interactions among single cells. This volume considers these and other questions, with contributions that explore the origins and consequences of the evolution of multicellularity, addressing a range of topics, organisms, and experimental protocols. Each section focuses on (...) selected topics or particular lineages that present a significant insight or challenge. The contributors consider the fossil record of the paleontological circumstances in which animal multicellularity evolved; cooptation, recurrent patterns, modularity, and plausible pathways for multicellular evolution in plants; theoretical approaches to the amoebozoa and fungi (cellular slime molds having long provided a robust model system for exploring the evolution of multicellularity), plants, and animals; genomic toolkits of metazoan multicellularity; and philosophical aspects of the meaning of individuality in light of multicellular evolution. Contributors Maja Adamska, Argyris Arnellos, Juan A. Arias, Eugenio Azpeitia, Mariana Benítez, Adriano Bonforti, John Tyler Bonner, Peter L. Conlin, A. Keith Dunker, Salva Duran-Nebreda, Ana E. Escalante, Valeria Hernández-Hernández, Kunihiko Kaneko, Andrew H. Knoll, Stephan G. König, Daniel J. G. Lahr, Ottoline Leyser, Alan C. Love, Raul Montañez, Emilio Mora van Cauwelaert, Alvaro Moreno, Vidyanand Nanjundiah, Aurora M. Nedelcu, Stuart A. Newman, Karl J. Niklas, William C. Ratcliff, Iñaki Ruiz-Trillo, Ricard Solé . (shrink)

L’atmosphère« Atmosphère » est un terme employé communément par des auteurs dans le domaine de l’esthétique que dans celui de la météorologie. Ils le comprennent pourtant de manière assez différente, chacun prétendant que leur emploi est la plus fondamentale et que l’autre est seulement métaphorique. Pour les esthéticiens, l’atmosphère réelle est une aura qui émane des choses et qui affecte nos humeurs et nos motivations; pour les météorologistes, il s’agit de l’enveloppe gazeuse qui entoure la planète. Je montre que les (...) deux sens excluent l’air ou le réduisent à un éther immatériel. D’une part, pour la science météorologique, tout se passe comme l’air était enfermé à l’intérieur et considéré comme un ensemble d’effets mesurables et calculables. D’autre part,l’esthétique de l’affect a relié l’atmosphère aux formes solides des artéfacts et des paysages. En ramenant le medium aérien, je cherche une signification de l’atmosphère qui transcende l’opposition entre l’affectif et le météorologique. Je le fais en suivant Merleau-Ponty, qui traite l’atmosphère comme un espace d’inspiration et d’expiration. En tant que tel, il correspond étroitement à ce que Merleau-Ponty lui-même appelle la « chair ». Ce concept pourrait aussi être traduit par « meshwork » (réseau/filet/grillage), référant à ces faisceaux de lignes et de chemins par lesquels chaque être humain est cousu à la fabrique du monde. Pour Merleau-Ponty, la portée de la notion de chair réside dans l’affirmation que la perception est fondamentalement réversible. On ne peut être sentant que dans un monde sentant; c’est pourquoi, comme il le soutient, notre perception des choses dans l’environnement répond à la perception par l’environnementde notre soi. Cependant, je soutiens au contraire que ces deux mouvements d’inspiration et d’expiration ne sont pas le contraire exact l’un de l’autre. Comme le mouvement de la brasse en nataion, le premier est un mouvement de rassemblement et le second de propulsion. Nous inhalons l’atmosphère, mais nous exhalons selon les lignes du réseau. Bref, réseau et atmosphère sont deux côtés de la chair, et c’est dans leur alternance rythmique que nous trouvons la relation entre les lignes et le temps météorologique, qui est, comme je le soutiens, fondamental à la vie.L’atmosfera‘Atmosfera’ è una parola usata comunemente tanto da chi scrive di estetica come dai metereologi. Ciononostante, essi intendono con ciò delle cose piuttosto differenti, ognuno ritenendo che il proprio e il senso più fondamentale mentre l’altrui è meramente metaforico. Per chi si occupa di estetica, l’atmosfera reale è un’aura che emana dalle cose e affetta il nostro umore e le nostre motivazioni; per i metereologi è l’involucro gassoso che circonda il pianeta. Mostro come entrambi i sensi trascurano l’aria, o la riducono a un etere immateriale. Da una parte, per la scienza metereologica, è come se l’aria fosse stata portata al chiuso e presentata come una serie di effetti misurabili e calcolati. Dall’altra, l’estetica dell’affetto ha legato l’atmosfera alle forme solide degli artefatti e dei paesaggi.Nel reintrodurre l’ambiente aereo, intendo trovare un significato di atmosfera che trascenda l’opposizione tra i sensi affettivo e meteorologico. Faccio questo, seguendo Merleau-Ponty, trattando l’atmosfera come uno spazio di inalazione e esalazione. Come tale, corrisponde da vicino a ciò che Merleau-Ponty stesso chiama “la carne”. Ma questo concetto potrebbe anche essere tradotto come ‘reticolo’ (meshwork), riferendosi a quei grovigli di linee e percorsi lungo i quali ogni essere vivente è cucito al tessuto del mondo. Per Merleau-Ponty, il significato della carne risiede nella sua affermazione secondo la quale la percezione è fondamentalmente reversibile. Si può essere senzienti soltanto in un mondo senziente; quindi, ritiene il filosofo, la nostra percezione delle cose nell’ambienteè ricambiata dalla percezione che quest’ultimo ha di noi. Io mostro, al contrario, che questi due movimenti, corrispondenti all’inalazione e all’esalazione, non sono l’esatto rovescio l’uno dell’altro. Come nella bracciata a stile libero nel nuoto, il primo è un movimento di raccolta, il secondo un movimento di propulsione. Ovverossia, inaliamo l’atmosfera, ma esaliamo secondo le linee del reticolo. In breve, il reticolo e l’atmosfera sono due facce della carne, e troviamo nella loro alternanza ritmica la relazione tra le linee e il tempo che, come sostengo, è fondamentale alla vita. (shrink)

The philosophical theory of scientific explanation proposed here involves a radically new treatment of causality that accords with the pervasively statistical character of contemporary science. Wesley C. Salmon describes three fundamental conceptions of scientific explanation--the epistemic, modal, and ontic. He argues that the prevailing view is untenable and that the modal conception is scientifically out-dated. Significantly revising aspects of his earlier work, he defends a causal/mechanical theory that is a version of the ontic conception. Professor Salmon's theory furnishes a robust (...) argument for scientific realism akin to the argument that convinced twentieth-century physical scientists of the existence of atoms and molecules. To do justice to such notions as irreducibly statistical laws and statistical explanation, he offers a novel account of physical randomness. The transition from the "reviewed view" of scientific explanation to the causal/mechanical model requires fundamental rethinking of basic explanatory concepts. (shrink)

El objetivo del presente artículo es ofrecer una interpretación de la doctrina del esquematismo de los conceptos empíricos y matemáticos presentada por Kant en su Crítica de la razón pura. Mostramos que los esquemas de los conceptos empíricos y matemáticos son procedimientos de síntesis gobernados por reglas conceptuales. Aunque no consideramos que esta doctrina kantiana carece de problemas, nuestro trabajo muestra que: 1) esos esquemas pueden distinguirse rigurosamente de sus correspondientes conceptos; 2) esos esquemas no son entidades superfluas. Estas conclusiones (...) se alcanzan mostrando que el contenido de un concepto determina la unidad de elementos sensibles que tiene que ser efectuada por un esquema en tanto procedimiento de síntesis. (shrink)

In this paper we analyze an ambiguity concealed in the concept of determination as used by Kant in his characterization of the transcendental schema as “transcendental time-determination”. We claim that, in this context, “determination” can be understood in a dynamic way as well as in a static manner. In the first case, transcendental schemata are procedures of synthesis or temporal determination of the empirical manifold. In the second case, transcendental schemata are the basic temporal properties or determinations produced by those (...) procedures. (shrink)

L’atmosphère« Atmosphère » est un terme employé communément par des auteurs dans le domaine de l’esthétique que dans celui de la météorologie. Ils le comprennent pourtant de manière assez différente, chacun prétendant que leur emploi est la plus fondamentale et que l’autre est seulement métaphorique. Pour les esthéticiens, l’atmosphère réelle est une aura qui émane des choses et qui affecte nos humeurs et nos motivations; pour les météorologistes, il s’agit de l’enveloppe gazeuse qui entoure la planète. Je montre que les (...) deux sens excluent l’air ou le réduisent à un éther immatériel. D’une part, pour la science météorologique, tout se passe comme l’air était enfermé à l’intérieur et considéré comme un ensemble d’effets mesurables et calculables. D’autre part,l’esthétique de l’affect a relié l’atmosphère aux formes solides des artéfacts et des paysages. En ramenant le medium aérien, je cherche une signification de l’atmosphère qui transcende l’opposition entre l’affectif et le météorologique. Je le fais en suivant Merleau-Ponty, qui traite l’atmosphère comme un espace d’inspiration et d’expiration. En tant que tel, il correspond étroitement à ce que Merleau-Ponty lui-même appelle la « chair ». Ce concept pourrait aussi être traduit par « meshwork » (réseau/filet/grillage), référant à ces faisceaux de lignes et de chemins par lesquels chaque être humain est cousu à la fabrique du monde. Pour Merleau-Ponty, la portée de la notion de chair réside dans l’affirmation que la perception est fondamentalement réversible. On ne peut être sentant que dans un monde sentant; c’est pourquoi, comme il le soutient, notre perception des choses dans l’environnement répond à la perception par l’environnementde notre soi. Cependant, je soutiens au contraire que ces deux mouvements d’inspiration et d’expiration ne sont pas le contraire exact l’un de l’autre. Comme le mouvement de la brasse en nataion, le premier est un mouvement de rassemblement et le second de propulsion. Nous inhalons l’atmosphère, mais nous exhalons selon les lignes du réseau. Bref, réseau et atmosphère sont deux côtés de la chair, et c’est dans leur alternance rythmique que nous trouvons la relation entre les lignes et le temps météorologique, qui est, comme je le soutiens, fondamental à la vie.L’atmosfera‘Atmosfera’ è una parola usata comunemente tanto da chi scrive di estetica come dai metereologi. Ciononostante, essi intendono con ciò delle cose piuttosto differenti, ognuno ritenendo che il proprio e il senso più fondamentale mentre l’altrui è meramente metaforico. Per chi si occupa di estetica, l’atmosfera reale è un’aura che emana dalle cose e affetta il nostro umore e le nostre motivazioni; per i metereologi è l’involucro gassoso che circonda il pianeta. Mostro come entrambi i sensi trascurano l’aria, o la riducono a un etere immateriale. Da una parte, per la scienza metereologica, è come se l’aria fosse stata portata al chiuso e presentata come una serie di effetti misurabili e calcolati. Dall’altra, l’estetica dell’affetto ha legato l’atmosfera alle forme solide degli artefatti e dei paesaggi.Nel reintrodurre l’ambiente aereo, intendo trovare un significato di atmosfera che trascenda l’opposizione tra i sensi affettivo e meteorologico. Faccio questo, seguendo Merleau-Ponty, trattando l’atmosfera come uno spazio di inalazione e esalazione. Come tale, corrisponde da vicino a ciò che Merleau-Ponty stesso chiama “la carne”. Ma questo concetto potrebbe anche essere tradotto come ‘reticolo’ (meshwork), riferendosi a quei grovigli di linee e percorsi lungo i quali ogni essere vivente è cucito al tessuto del mondo. Per Merleau-Ponty, il significato della carne risiede nella sua affermazione secondo la quale la percezione è fondamentalmente reversibile. Si può essere senzienti soltanto in un mondo senziente; quindi, ritiene il filosofo, la nostra percezione delle cose nell’ambienteè ricambiata dalla percezione che quest’ultimo ha di noi. Io mostro, al contrario, che questi due movimenti, corrispondenti all’inalazione e all’esalazione, non sono l’esatto rovescio l’uno dell’altro. Come nella bracciata a stile libero nel nuoto, il primo è un movimento di raccolta, il secondo un movimento di propulsione. Ovverossia, inaliamo l’atmosfera, ma esaliamo secondo le linee del reticolo. In breve, il reticolo e l’atmosfera sono due facce della carne, e troviamo nella loro alternanza ritmica la relazione tra le linee e il tempo che, come sostengo, è fondamentale alla vita. (shrink)

In this article I try to refute the so-called "libertarian" theory of free will, and to examine how our conclusion ought to modify our common attitudes of praise and blame. In attacking the libertarian view, I shall try to show that it cannot be consistently stated. That is, my dscussion will be an "analytic-philosophic" one. I shall neglect what I think is in practice an equally powerful method of attack on the libertarian: a challenge to state his theory in such (...) a way that it will fit in the modern biology and psychology, which are becoming increasingly physicalistic. (shrink)

Prompted and ever diversified by the specifically human interrogative logos, scientific inquiries seek a common system of links in order to mutually confirm and rectify their results. Coming closer and closer to phenomenology, the sciences of life find the common ground of the reality in the ontopoiesis of life. Could it not be that the interrogative logos of science, participating in human creative inventiveness will bring together also the divergent scientific methods in a common network? A network which comprises natural (...) processes, societal sharing-in-life, and existential communication. Papers by: Gary Backhaus, Anjana Bhattacharjee, Simon Du Plock, Ignacy Fiut, Maria Golaszewska, Wendy C. Hamblet, Alexandr Kouzmin, Nikolay Kozhevnikov, Olga Louchakova, Jarlath Mc Kenna, Amy Louise Miller, Aria Omrani, Arthur Piper, Leszek Pyra, W. Kim Rogers, A.L. Samian, Camilo Serrano Bonitto, Natalia Smirnova, Eva Syristova, Anna-Teresa Tymieniecka, Roberto Verolini, Eldon C. Wait, Leo Zonneveld. (shrink)

_Rhetoric_ is the sixth volume in The New Hackett Aristotle series, a series featuring translations, with Introductions and Notes, by C. D. C. Reeve, Delta Kappa Epsilon Distinguished Professor of Philosophy at The University of North Carolina at Chapel Hill. The series will eventually include all of Aristotle's works.

La voix féminine dans l’œuvre lyrique mozartienne chante sur un unique registre, le registre aigu. Tous les personnages féminins possèdent une voix unique : celle du soprano ; par contre, la voix masculine, elle, chante sur deux registres : aigu et grave. Cette séparation sexuée des voix qui apparaît pour la première fois dans l’histoire de l’opéra avec Mozart délimite nettement, côté masculin, des rôles bien séparés : ceux des fils - ténor, registre aigu - et ceux des pères - (...) basse, registre grave -. Par contre, côté féminin, les rôles sont confondus ; jeunes filles, épouses, sœurs, mères, duègnes, non seulement possèdent une commune tessiture mais s’expriment musicalement, très souvent, de la même manière : la grande aria virtuose. C’est à travers le personnage de la mère et en particulier celui de la Reine de la Nuit dans La Flûte enchantée, que nous avons tenté de comprendre le pourquoi de cette voix unique de la féminité selon Mozart. Le fil de cette voix féminine est noué avec le fil d’une autre voix qui résonne dans la correspondance mozartienne, celle de la mère de Mozart, Anna-Maria. La mise en relation de l’œuvre et de la biographie détient, peut-être, la clé - musicale - de l’énigme. (shrink)

In our papers on the rationality of magic, we distinghuished, for purposes of analysis, three levels of rationality. First and lowest (rationalitYl) the goal directed action of an agent with given aims and circumstances, where among his circumstances we included his knowledge and opinions. On this level the magician's treatment of illness by incantation is as rational as any traditional doctor's blood-letting or any modern one's use of anti-biotics. At the second level (rationalitY2) we add the element of rational thinking (...) or thinking which obeys some set of explicit rules, a level which is not found in magic in general, though it is sometimes given to specific details of magical thinking within the magical thought-system. It was the late Sir Edward E. Evans-Pritchard who observed that when considering magic in detail the magician may be as consistent or critical as anyone else; but when considering magic in general, or any system of thought in general, the magician could not be critical or even comprehend the criticism. Evans-Pritchard went even further: he was sceptical as to whether it could be done in a truly consistent manner: one cannot be critical of one's own system, he thought. On this level (rationalitY2) of discussion we have explained (earlier) why we prefer to wed Evans Pritchard's view of the magician's capacity for piece-meal rationality to Sir James Frazer's view that magic in general is pseudo-rational because it lacks standards of rational thinking. (shrink)

The flowering of creative and speculative philosophy that emerged in modern Europe--particularly in Germany--is a thrilling adventure story as well as an essential chapter in the history of philosophy. In this integrative narrative, Solomon provides an accessible introduction to the major authors and movements of modern European philosophy, including the Enlightenment and Romanticism, Rousseau, German Idealism, Kant, Fichte, Schelling and the Romantics, Hegel, Schopenhauer, Kierkegaard, Feuerbach, Max Brentano, Meinong, Frege, Dilthey, Bergson, Nietzsche, Husserl, Freud, Wittgenstein, Heidegger, hermeneutics, Sartre, Postmodernism, Structuralism, (...) Foucault, and Derrida. (shrink)

The organ donation and transplantation (ODT) system heavily relies on the willingness of individuals to donate their organs. While it is widely believed that public trust plays a crucial role in shaping donation rates, the empirical support for this assumption remains limited. In order to bridge this knowledge gap, this article takes a foundational approach by elucidating the concept of trust within the context of ODT. By examining the stakeholders involved, identifying influential factors, and mapping the intricate trust relationships among (...) trustors, trustees, and objects of trust, we aim to provide a comprehensive understanding of trust dynamics in ODT. We employ maps and graphs to illustrate the functioning of these trust relationships, enabling a visual representation of the complex interactions within the ODT system. Through this conceptual groundwork, we pave the way for future empirical research to investigate the link between trust and organ donation rates, informed by a clarified understanding of trust in ODT. This study can also provide valuable insights to inform interventions and policies aimed at enhancing organ donation rates. (shrink)

Investigates the resolution of contradictions and ambiguous derogations in a code, by means of the imposition of partial orderings. Although formulated as a study in the logic of norms, it provided the initial ideas for work on the logic of theory (or belief) change, developed by the authors in a series of papers by the authors and Peter Gardenfors beginning in 1985.

The debate over the determination of death has been raging for more than fifty years. Since then, objections against the diagnosis of brain death from family members of those diagnosed as dead-have been increasing and are causing some countries to take novel steps to accommodate people’s beliefs and preferences in the determination of death. This, coupled with criticism by some academics of the brain death criterion, raises some questions about the issues surrounding the determination of death. In this paper, we (...) discuss some of the main approaches to death determination that have been theoretically proposed or currently put into practice and propose a new approach to death determination called "weak pluralism" as a reasonable ethical and political alternative to respect diversity in death determination. (shrink)

This book discusses American pragmatism as it is found in the writings of its three major advocates: Charles S. Peirce, William James, and John Dewey. This book discusses each man's definition of pragmatism and shows how each of them applied it to one basic concept: Peirce to a theory of reality; James to a notion of truth; and Dewey to the concept of God.

The Phenomenology of Spirit was Hegel's grandest experiement, changing our vision of the world and the very nature of philosophical enterprise. In this book, Solomon captures the bold and exhilarating spirit, presenting the Phenomenology as a thoroughly personal as well as philosophical work. He begins with a historical introduction, which lays the groundwork for a section-by-section analysis of the Phenomenology. Both the initiated as well as readers unacquainted with the intricacies of German idealism will find this to be an accessible (...) and exciting introduction to this great philosopher's monumental work. (shrink)

The ethics of deceased organ procurement (OP) is supposedly based on individual consent to donate, either explicit (opt-in) or presumed (opt-out). However, in many cases, individuals fail to express any preference regarding donation after death. When this happens, the decision to remove or not to remove their organs depends on the policy’s default option or on family preferences. Several studies show that in most countries the family plays a significant and often decisive role in the process of decision-making for OP. (...) Depending on the country, the family may be allowed to take different kinds of actions in different situations, and this may be granted either by law or by clinical practice only. This adds much complexity to the usual classification of consent policies in two categories: opt-in and opt-out. Here we propose a novel and comprehensive taxonomy of the models of consent for OP according to three variables: (1) the deceased’s wishes, if any, (2) family wishes, if any, and (3) default policies. By analysing these models of consent, we show that they rely on at least three different concepts of autonomy: individual autonomy, relational autonomy, and family autonomy. In light of this analysis, we discuss the ethical debates surrounding two policy approaches: presumed consent and family veto. (shrink)

'Original and provocative . . . engagingly written. (C Fred Alford) counters Levinas's notorious obscurity with a goodly dose of transparency' - John Lechte, Macquarrie University Abstract and evocative, writing in what can only be ...

The US neutrino community gathered at the Workshop on the Intermediate Neutrino Program at Brookhaven National Laboratory February 4-6, 2015 to explore opportunities in neutrino physics over the next five to ten years. Scientists from particle, astroparticle and nuclear physics participated in the workshop. The workshop examined promising opportunities for neutrino physics in the intermediate term, including possible new small to mid-scale experiments, US contributions to large experiments, upgrades to existing experiments, R&D plans and theory. The workshop was organized into (...) two sets of parallel working group sessions, divided by physics topics and technology. Physics working groups covered topics on Sterile Neutrinos, Neutrino Mixing, Neutrino Interactions, Neutrino Properties and Astrophysical Neutrinos. Technology sessions were organized into Theory, Short-Baseline Accelerator Neutrinos, Reactor Neutrinos, Detector R&D and Source, Cyclotron and Meson Decay at Rest sessions.This report summarizes discussion and conclusions from the workshop. (shrink)