O principal ponto de desacordo sobre a abordagem kantiana do problema da verdade é se ela pode ser compreendida nos moldes da filosofia contemporânea como coerentista ou como correspondentista. Primando por uma consideração sistemática da argumentação de Kant em confronto com a literatura existente sobre o problema, este trabalho defende a segunda alternativa. Sustentase a tese de que a definição da verdade como a “concordância do conhecimento com o seu objeto” é cogente em todo o percurso do pensamento kantiano e (...) que, nessa acepção, a verdade culmina por ser abordada não a partir de uma teoria estabelecida, mas como um problema cuja solução não pode ser dada nos limites da filosofia crítico-transcendental. Pondera-se, primeiramente, a literatura que situa Kant quer como coerentista quer como correspondentista e sistematiza-se a segunda alternativa em quatro grupos: a leitura ontológica, a leitura isomórfica, a leitura “consequencialista” e a leitura regulativa. Num segundo momento, em atenção ao período pré-crítico, argumenta-se que a alternativa coerentista deixa de se confirmar já nessa mesma época e que, na década de 1750, Kant descarta uma suposta teoria correspondentista isomórfica. Num último momento, considera-se a argumentação crítica e defende-se que a mesma concebe a verdade como um problema fundamental que não cabe ao tratamento de uma teoria correspondentista concebida de modo “consequencialista” ou regulativo. (shrink)

The deduction of the categories lies undoubtedly at the very heart of Kant's theoretical philosophy and, for this reason, it is one of items in the philosophical canon that is greatly discussed and least agreed upon. In the modern and contemporary Western philosophical tradition as well as in Kant’s literature, the loci classici for its consideration are the 1781 and 1787 editions of the Critique of pure reason. In this paper, I aim at presenting and discussing an argument that Kant (...) advances in the Prolegomena and which is virtually ignored in the approach of the deduction of the categories. At first, an inquiry into the distinction between analytic and synthetic methods is carried out. After that, the difference between judgments of perception and judgments of experience is taken into account. Finally, the Prolegomena’s argument for the categories is brought into discussion. (shrink)

ABSTRACT At the core of Kant’s theoretical philosophy lies the deduction of the categories: his effort to secure the distinctiveness of sensibility and understanding and to provide a necessary relation between the domains of these faculties. The argument for this claim is presented in two different versions - i.e., the A and B editions of the Critique of pure reason - and is one of the most puzzling in Kant’s corpus. The common view in the literature that considers the importance (...) of the A-deduction and tries to present its structure is that it must be understood in the light of the B-deduction argument. I aim at contesting this view and offering an internal reconstruction of the A-deduction argument which reveals its unique methodology. The thesis advanced is that the A-deduction follows an analytical methodology and that this methodology does not allow the accomplishment of the task of the deduction stated in Kant’s effort. At first, Kant’s retrospect of the A-deduction is taken into account. After that, a consideration of the part of the argument described as ‘subjective deduction’ is carried out. (shrink)

Research question and aimClinical Ethics Committees (CECs) aim to support healthcare professionals (HPs) and healthcare organizations to deal with the ethical issues of clinical practice. In 2020,...

O artigo propõe e desenvolve um esquema analítico baseado no neo-institucionalismohistórico para compreender e explicar a gênese da capacidade estatal a partir devariáveis exclusivamente políticas. Tomando como problema o caso do aumento exponencialdo poder estatal durante o regime do Estado Novo no Brasil (1937-1945), procura-serefletir sobre os determinantes empíricos e, derivados deles, os critérios teóricos responsáveispor dar conta de três acontecimentos simultâneos: a centralização decisória no topodo executivo federal; a influência das instituições formais de governo sobre o processo deseleção e (...) recrutamento do pessoal político; e a divisão desigual do poder de decidir entreos diferentes grupos da elite dirigente. Esses três processos estão na base da construçãoda autoridade do Estado sobre a sociedade (a “soberania”) e da nacionalização das estruturasde dominação. Eles funcionaram como precondição para a mudança no modelo dedesenvolvimento econômico na primeira metade do século XX. Por contraste, essasvariáveis podem servir para pensar o movimento oposto em fins do século XX, onde há,como efeito da “crise do Estado nacional-desenvolvimentista”, uma erosão da capacidadeestatal e a constituição de uma nova dependência econômica. (shrink)

We study a modal language for negative operators—an intuitionistic-like negation and its paraconsistent dual—added to (bounded) distributive lattices. For each non-classical negation an extra operator is hereby adjoined in order to allow for standard logical inferences to be opportunely restored. We present abstract characterizations and exhibit the main properties of each kind of negative modality, as well as of the associated connectives that express consistency and determinedness at the object-language level. Appropriate sequent-style proof systems and adequate kripke semantics are also (...) introduced, characterizing the minimal normal logic and a few other basic logics containing such negative modalities and their companions. (shrink)

No mito do Político há elementos da cosmologia, da teologia e da antropologia de Platão. Apresentados em narração mitológica, esses elementos não só não estão em contradição com as perspectivas formuladas em contextos argumentativos, mas ajudam a compreendê-las e interpretálas. Esta comunicação quer mostrar: a) o tempo do mundo na era de Zeus está sob governo de deus; b) o governo de deus não exclui, mas exige a autonomia humana; c) a inserção da ação humana no contexto cósmico é fundamental (...) para o sentido e alcance da autonomia humana; d) a descrição platônica do cosmo é crucial para a compreensão de suas preocupações ético-políticas.In the Statesman myth elements of Platonic cosmology, theology, and anthropology can be found. These elements, although presented in a mythological narrative, are not only not in contradiction with Plato's direct formulations, but also help in the understanding and interpreting of them. This paper aims to show that: a) cosmic time in the age of Zeus is under divine government; b) this divine government does not exclude but requires human autonomy; c) the inclusion of human action in the cosmic context is essential to understanding the meaning and reach of human autonomy; d) Plato's description of the cosmos is crucial to understanding his ethicalpolitical preoccupations. (shrink)

Language does not fossilize but this does not mean that the language's evolutionary timeline is lost forever. Great apes provide a window back in time on our last prelinguistic ancestor's communication and cognition. Phylogeny and cladistics implicitly conjure Pan (chimpanzees, bonobos) as a superior (often the only) model for language evolution compared with earlier diverging lineages, Gorilla and Pongo (orangutans). Here, in reviewing the literature, it is shown that Pan do not surpass other great apes along genetic, cognitive, ecologic, or (...) vocal traits that are putatively paramount for language onset and evolution. Instead, revived herein is the idea that only by abandoning single‐species models and learning about the variation among great apes, there might be a chance to retrieve lost fragments of the evolutionary timeline of language. (shrink)

O trabalho de Kurt Goldstein ainda é pouco conhecido no Brasil. Sendo um dos fatores quedificultam o acesso aos seus escritos a ausência de traduções das suas obras para a línguaportuguesa. No entanto, sua influência está presente em diversas áreas do conhecimento, aexemplo da Neurologia, Neuropsicologia, Psicologia e Filosofia. Desse modo, com o intuitode resgatar os fundamentos de conhecimentos e práticas realizadas nos camposinfluenciados por ele, esse artigo apresenta uma introdução à sua obra. Foram utilizadoscomo base os escritos The Organism: (...) A holistic approach to biology derived frompathological data in man e Human Nature in the light of psychopathology. A partir daanálise dessas obras foram selecionados três grandes temas a serem explorados: a questãodo método para o autor, a teoria do organismo apresentada por ele e a noção de naturezahumana presente em seus trabalhos. Por meio dessa retomada da obra do autor, pretendeseapontar para sua “fenomenologia”, além de abrir caminho para novas discussões sobresua influência. (shrink)

I seek to show in this paper how, in addressing the concept of “I” and the question of self-knowledge in the Critique of Pure Reason, one encounters a paradox, which is essentially a consequence of the doctrine of transcendental idealism. I point to Kant's concept of “I” and its three co-constitutive perspectives. The importance of the concept of subject and its intertwining with the concept of reason is pointed out, as also how these two concepts appear in the text of (...) the Critique of Pure Reason as presuppositions. Subsequently, I deal with some basic questions of transcendental idealism. Finally, I briefly present the three perspectives of the "I": as a phenomenon, as a transcendental structure, and as a noumenon. I conclude by bringing back what Kant himself conceives as a paradox, which is the subject’s self-affection, and the relation between the subject as noumenon and as inner sense. (shrink)

The purpose of this article is to examine the objective side of subjectivity formation through music. I attempt to show how music is a way to configure subjectivity in its interiority, but in a way that it can be shared between other individual subjectivities. Music has an objective structure, but this structure is the temporal and sonorous interiority of subjectivity. It has as its objective manifestation and consequence the feelings and emotions. These feelings are subjective, and in the level of (...) subjective Geist they are related to intuition. Hegel believes that such intuition cannot be properly communicated, due to its exclusive access to the individual subject himself. Despite that, music is an art, and it takes part in the level of absolute Geist. That means that music is the connection between the objective and subjective sides of Geist, being a product of social relations, including the sharing, experience and recognition of subjective operations by the participants in society as something in common. Art is related to intuition but it is not intuition itself, nor it is reduced to the capacity of intuition. All three capacities of the subjective Geist in the theoretical Geist (namely intuition, representation and thinking) can be part of the relationship between art and the individual perspective.However, the link between art and intuition is an analogy between the subjective Geist and the absolute Geist, considering that art is a level of manifestation of social self-consciousness where the people and the social group have not yet become conscious of its content in its manifestation. The exposition of the ideal content of social relations is manifested through absolute Geist, beginning with its sensible manifestation. After this process, it is signified through a practice related to representation, and finally it is related to a conceptually and linguistically mediated practice, philosophy. These products cannot be a consequence of a mere subjective connections, but must be (as part of absolute Geist) a consequence of the objective relation between individuals in its subjective manifestations. Furthermore, subjective capacities are a condition without which the development of the absolute Geist is not possible. At the same time, it is not possible that subjective Geist’s capacities can be fully realized without social relations. Science is not a product of an individual-solipsistic relationship with the environment, but a product of a social relations, including language, shared experiences and shared ways of comprehension, such as the common way to feel and receive the environment in a subjective level discussed below. I divide this exposition into three parts: (1) music and subjectivity, where I deal with the relation between body vibration, time, sound and the formal interiority of the listener/musical subject, analyzing the form of music in its subjective side (the relation to the listener); (2) music and content, where I examine the content generated by music as being the process of formation itself (i.e. the process of given form to the interiority of subjectivity through sounds becomes its own content, namely, the feelings); and (3) music and words, where I scrutinize the relationship between music and words’ capacities to make reference and to have content, considering the connection between pure music and lyrics, and between music and poetry as singular forms of art. I conclude with the idea that music has a specific role in Hegel’s system, which is to bring to light and develop absolute Geist’s (understood as the objectivation and formation of a social and cultural subjectivity) internal aesthetic form. (shrink)

BackgroundIn Italy, the COVID-19 pandemic has caused a collective trauma. Post-traumatic growth has been defined as the subjective experience of positive psychological changes as a result of a traumatic event. PTG can involve changes in five psychological main dimensions: relating to others, new possibilities, personal strength, spiritual change, and appreciation of life. In the context of national emergencies, those PTG dimensions encompassing changes at the social level can play a role in coping strategies that involve a renewed sense of self (...) and one’s social identities, including national identities, and in turn, foster a stronger sense of trust and connection to others.AimTo investigate how each of the five PTG dimensions mediates the association between the salience of national identity and interpersonal trust in a sample of Italian young adults. Trust in national and European institutions were expected to positively predict the strength of the Italian national identity which in turn was expected to be positively associated with interpersonal trust, and the PTG relating to others dimension to mediate this association.MethodThis study involves the secondary analysis of data from a representative sample of 2,000 Italian young adults. Participants completed a web survey during the peak of the COVID-19 crisis in Italy with measures of trust in EU and national institutions, national identity, interpersonal trust, and the PTG Inventory. Structural equation modeling procedures were employed for key hypotheses tests.ResultsTrust in national institutions positively predicted national identity, which in turn was positively associated with interpersonal trust. Evidence of a full mediation effect of the PTG relating to others dimension on the association between national identity and interpersonal trust was found.DiscussionFindings contribute to clarify the psychological responses to collective traumas. In the context of Italy’s COVID-19 crisis, trust in national institutions reinforced Italian national identity, which was in turn associated with greater interpersonal trust, but only when psychological responses to the trauma involved changes in how individuals perceived and related to others, and not merely a focus on the self. Theoretical and practical implications are discussed. (shrink)

Quest’articolo prova ad offrire una ricostruzione storica e un’analisi teorica di due concetti che hanno pervaso il dibattito politico contemporaneo: post-verità e complottismo. Nel farlo, il principale obiettivo di chi scrive è quello di smentire la presunta filiazione tra post-strutturalismo e post-truismo. Questo tentativo si fonda sull’ipotesi che il passaggio da una società del segreto ad una società della trasparenza abbia prodotto di fatto una invisibilizzazione del reale attraverso la sua sovra-esposizione documediale.

La sección de literatura de esta edición N.° 31, nos brinda un paisaje poético dibujado por el escritor Adriano (de San Martín) Corrales Arias, oriundo de Costa Rica, territorio cuyo relieve y herencia mesoamericana recorre a través de palabras sinuosas, vertidas en los poemas 12, 29 y 34 de su libro Vanitas, publicado en la capital costarricense por la Editorial Arlekín, en 2021.

In this paper, I present some concepts of Hegel’s philosophy of art, aiming to interpret a cultural-political situation, namely, Bolsonarism in contemporary Brazil. I present the ideas in the following order: (a) the modes of comprehension, mainly through the distinction between the poetic and the prosaicmodes; (b) the conception of “Action [Handlung]” as a category of art, by means of its three levels: State of the World [Weltzustand], Situation [Situation], and Action itself [Handlung als solche]; (c) an evaluation of the (...) anachronism of the ideas of myth and hero in contemporary times, through a reflection mediated by the categories of sublation [Aufhebung] and history. (shrink)

A discussion concerning whether to conceive Artificial Intelligence systems as responsible moral entities, also known as “artificial moral agents”, has been going on for some time. In this regard, we argue that the notion of “moral agency” is to be attributed only to humans based on their autonomy and sentience, which AI systems lack. We analyze human responsibility in the presence of AI systems in terms of meaningful control and due diligence and argue against fully automated systems in medicine. With (...) this perspective in mind, we focus on the use of AI-based diagnostic systems and shed light on the complex networks of persons, organizations and artifacts that come to be when AI systems are designed, developed, and used in medicine. We then discuss relational criteria of judgment in support of the attribution of responsibility to humans when adverse events are caused or induced by errors in AI systems. (shrink)