This pathbreaking work argues that the major intellectual trend in China from the seventeenth through to the early nineteenth century was Confucian ritualism, as expressed in ethics and classical learning. Through the performance of rites, the early Qing scholars believed they could cultivate Confucian virtues and achieve social order. The author shows how Confucian ritualism, with its emphasis on lineage, became a broad movement of social reform that stressed conformity and clearly prescribed rules of behavior, expressed notably in the (...) growing cult of female chastity. (shrink)

The significance of informed consent in research involving humans has been a topic of active debate in the last decade. Much of this debate, we submit, is predicated on an ideology of individualism. We draw on our experiences as anthropologists working in Western and non Western (Iban) health care settings to present ethnographic data derived from diverse scenes in which consent is gained. Employing classical anthropological ritual theory, we subject these observational data to comparative analysis. Our article argues that the (...) individualist assumptions underlying current bioethics guidelines do not have universal applicability, even in Western research settings. This is based on the recognition that the social world is constitutive of personhood in diverse forms, just one of which is individualistic. We submit that greater attention must be paid to the social relations the researcher inevitably engages in when conducting research involving other people, be this in the context of conventional medical research or anthropological field work. We propose, firstly, that the consenting process continues throughout the life of any research project, long after the signature has been secured, and secondly, that both group and individual dimensions of consent, and the sequence in which these dimensions are addressed, should be carefully considered in all cases where consent is sought. (shrink)

Euthymos was a real person, an Olympic victor from Locri Epizephyrii in the first half of the fifth century bc. Various sources attribute to him extraordinary achievements: he received cult in his own lifetime; he fought with and overcame the ¿Hero of Temesa¿, a daimon who in ritual deflowered a virgin in the Italian city of Temesa every year; and he vanished into a local river instead of dying (extant iconography from Locri shows him as a river god receiving cult (...) a century after his death). By taking an integrative approach to Euthymos¿ legend and cult iconography, this article proposes a new interpretation of the complex. It is argued that Euthymos received cult already in his lifetime in consequence of his victory over the Hero and that he took over, in a modified form, the Hero¿s cult. Various considerations, including the role of river gods as the recipients of brides¿ virginity in prenuptial rites, point to an identification of the Hero as a river deity. In this light it is suggested that the contest between Euthymos and the Hero was conceived as a deliberate emulation of Herakles¿ fight with Acheloos. The case of Euthymos at Locri, for all its peculiarities, draws our attention to some important aspects of the heroization of historical persons in the Classical period. First, the earliest attested cult of a living person in Greece is to be placed around the middle of the fifth century. Second, heroized persons in the Classical period were not always passive in the process of their heroization, but could actively promote it. And third, a common pattern in the heroization of contemporaries in the Classical period was to accommodate them into existing cults. (shrink)

Two excerpts from Xenophon, in which he states that Socrates avidly practised religious ceremonies promoted by Athens, are subject to two different interpretations by modern historians. For some, they are the proof that the Athenian city was only concerned with the rituals of its fellow citizens, and in no way with their beliefs. In contrast with this view, Hendrick Versnel feels that, by writing that Socrates performed ceremonies, Xenophon thinks that he proves that his master really did believe in the (...) gods. Both of these interpretations are incorrect, as a careful new consideration of these passages can demonstrate. (shrink)

Vol 1. Substance truth and person -- vol 2. Perfecting reality -- vol 3. Practical implication -- vol 4. The idealist theory of truth.

Plato makes explicit references to Corybantic rites in six of his dialogues, spanning from the so-called early Crito to the later Laws. In all but one of these an analogy is established between aspects of the Corybantic rites and some kind of λόγος: the words of the poets in the Ion, Lysias' speech in the Phaedrus, and the arguments of Euthydemus and Dionysodorus, the personified Laws and Socrates in the Euthydemus, Crito and Symposium respectively. Plato's use of Corybantic (...) analogies is thus quite extensive. Indeed, according to Ivan M. Linforth, whose 1946 article is still the most rigorous treatment of our sources on Corybantic rites in classical Athens, Plato is our ‘principal witness concerning Corybantic rites and their function’. (shrink)

C.B. Macpherson's “Possessive Individualist” reading of Locke is one of the most radical and influential interpretations in the history of exegesis. Despite a substantial critical response over the past five decades, Macpherson's reading remains orthodox in various circles in the humanities generally, particularly in legal studies, and his interpretation of several crucial passages has unwittingly been followed even by his sharpest critics within Lockean scholarship. In order to present the definitive rebuttal to this interpretation, and so finally to lay it (...) to rest, I argue that every one of Macpherson's key pieces of textual evidence can be rejected entirely on its own terms; that is, by reference to no more than its immediate context. In this way I contend that fault of the Possessive Individualist reading lies far deeper than mere cherry-picking of the Lockean corpus, but centrally involves misreading, misplacing and misrepresenting the very parts of Locke's work Macpherson cites as evidence for his reading. (shrink)

In the seventeenth century, missionaries in China translated a vast array of Chinese works, including classics, official histories, and legal documents. Their translations have been analysed through several perspectives, yet their use of Chinese dictionaries has been largely overlooked. In the context of the Rites Controversy, between the Jesuits on one side and the Dominican and Franciscan friars on the other, precise references to authoritative Chinese dictionaries were made to corroborate their interpretation of Chinese rituals as either religious or (...) secular. This article first describes why and how missionaries started from the early beginning of the mission in the 1580s to write their own bilingual dictionaries based on existing Western and Chinese dictionaries. Then, it considers how the same dictionaries became an important reference when the Rites Controversy erupted in the 1630s. Based on manuscript and printed documents written until 1670, three Chinese characters which became the focus of competing interpretations are discussed: miao as temple versus hall, ji as sacrifice versus offering, and sheng as prophet versus wise man. Besides the problem of biased translations on both sides, we shall show that there was a more fundamental reason which prevented the missionaries from settling their controversy using dictionaries. (shrink)

The socio-religious panorama of the African religion deserves a close observation of its foundation and function. The perception of the spirit world is dominant in Africa. Similarly, spiritual warfare in the African context is prevalent in the mind and worldview of an African. Spiritual warfare derives its framework from African Traditional Religion (ATR). Hence, understanding ATR’s complexity helps us with the understanding of spiritual warfare. Some essential questions to understand would be what is spiritual warfare from an ATR perspective? How (...) do Africans perceive spiritual warfare? And how do Africans engage in spiritual warfare? What is the place of ATR in spiritual warfare? African Traditional Religion acknowledges the reality and functionality of witchcraft. The perception of the reality of evil forces in Africa attracts all forms of spiritual rites, seeking more extraordinary spiritual powers for defensive and offensive spiritual warfare. This article argues that the effectual Christian response to spiritual warfare with witchcraft practices in Africa is ‘the classical model’ of spiritual warfare. The article provides a synopsis of the models of spiritual warfare, that is, the classical model (CW), world systems model (WSM), ground-level deliverance model (GLDM), and strategic-level deliverance model (SLSW). Subsequently, the article provides the framework for African spiritual warfare and witchcraft practices from traditional and contemporary perspectives. Lastly, the article argues that the Evangelical Christian Response to witchcraft practices is rooted in ‘the classical model’ of spiritual warfare. Contribution: The article contributes to African religiosity within the African context. It reveals the ongoing argument about the continuity and discontinuity of the ATR beliefs and practices in Christianity. The article adds to the evangelical or classical arguments in support of the discontinuity of ATR beliefs and practices in Christianity. (shrink)

This paper considers a set of passages from classical Latin literature of the first century BC and first century AD that indicate awareness of the particular transformations undergone by a human body during the process of open-air cremation. Evidence for the extent of cremation throughout the Roman West is reviewed, as are indications that mourners frequently remained near the pyre throughout the lengthy transformation of the corpse into bone-remnants and ash. In addition, archaeological, ethnographic, and forensic evidence documenting the step-by-step (...) changes undergone by the burning body is introduced. Against this backdrop, numerous passages from authors such as Horace, Vergil, Propertius, Tibullus, Ovid, Seneca, Lucan, Statius, and Suetonius take on new significance. Although authors occasionally cite crematory details as such, they more frequently make use of such details in non-crematory contexts in order to achieve a variety of literary and aesthetic goals, including economy of description, reflection on the circulation of substance, and clarification of the process of ekpyrosis, or cosmic conflagration. For these writers considered as a group cremation serves as an indicator of both the abject nature of the human condition and of its potential sublimity. The calculated displacement of key aspects of the crematory process onto non-crematory events and practices mirrors and extends the liminality associated with crematory rites. (shrink)

The word “euthanasia” is hopelessly overloaded with emotional connotations. It means so many things to many different people. The implications of euthanasia associated with the Second World War have often rendered the term unsuitable for discussions of a rational manner. As far as I am concerned, what happened in Germany under Hitler had nothing to do with the classic meaning of a gentle and easy death but was rather simply a policy of mass murder.

Addressed here is the psychological complexity of meter, notated and heard, in The Firebird and Part II of The Rite of Spring. Of concern from the standpoint of the listener are the competing forces of meter, displacement, and parallelism; how these forces take precedence, with melody and harmony falling into place accordingly. Duly supplanted is the motivicism of the Classical style, as Theodor Adorno observed some time ago. Also of consequence here are octatonic harmony and the strict performance style favored (...) by the composer on a life-time basis. (shrink)

The Chinese character, he (和), “harmony,” occurs more than 100 times in the Liji (禮記; the Book of Rites). This accounts for over one‐third of the term's total number of occurrences in the 13 pre‐Qin Confucian classics. In this study, we engage with existing scholarship on the concept of “harmony” in Chinese culture and contribute to the discussion by analyzing the variety of senses that “harmony” has in the pre‐Qin Confucian classics, especially the Liji. We find that usages of (...) the term “he” (“harmony”) in the Liji fall into six categories, namely, self, external things, music, human relations, politics, and the universe. We hold that the ways in which harmony features in the Liji and other Confucian classics can help us understand the Chinese cultural presupposition that there exists “only one world,” meaning that this world encompasses both the natural and the supernatural, and that human beings are a holistic blend of body and heart‐mind, which does not give rise to any dualistic tension between body and mind. Based on our understanding of the unique Chinese worldview and the corresponding view on life, this study aims to give an account for the importance of harmony as a guideline within various areas of Chinese life. (shrink)

Many academics extol chaos theory and the science of complexity as significant scientific advances with application in such diverse fields as biology, anthropology, economics, and history. In this paper we focus our attention on structure‐within‐chaos and the dynamic self‐organization of complex systems in the context of social philosophy. Although the modern formulation of the science of complexity has developed out of late‐twentieth‐century physics and computational mathematics, its roots may extend much deeper into classical thinking. We argue here that the essential (...) ideas and predictions of the science of complexity are found within the social ordering principle of li (the rites) in Confucius's Analects. (shrink)

I. It has long been a standing puzzle why the women at the festival of Mater Matuta prayed, not for their own children, but for their sisters' offspring. The attempts to connect it with any sociological phenomenon are purely absurd, and would not have been noticed but for their association with one or two famous names and the complete ignorance of non-European systems of relationship prevailing among the scholars of an older generation. There is no system under which a woman (...) is closer akin to her sister's children than to her own; for under father-right a nephew or niece is further off than an own child, and if the system be pushed to the most logical and most absurd extremity, so as to make a child kin to his father only, not his mother, then he is also no kin to his mother's sister; under mother-right, which Rome never had in any form whatsoever, the mother is still nearer kin than the maternal aunt; while if ever there was, anywhere in the world, a classificatory system so pure and rigorous as to make no distinction between the actual mother and any other woman of the same age-class, then mother and aunt were in the same degree of kinship to every member of the younger generation. No ritual explanation I know will bear investigating. Yet the fact is handed down to us on good authority, probably that of Verrius Flaccus, the most likely common source for Ovid and Plutarch. (shrink)

I. It has long been a standing puzzle why the women at the festival of Mater Matuta prayed, not for their own children, but for their sisters' offspring. The attempts to connect it with any sociological phenomenon are purely absurd, and would not have been noticed but for their association with one or two famous names and the complete ignorance of non-European systems of relationship prevailing among the scholars of an older generation. There is no system under which a woman (...) is closer akin to her sister's children than to her own; for under father-right a nephew or niece is further off than an own child, and if the system be pushed to the most logical and most absurd extremity, so as to make a child kin to his father only, not his mother, then he is also no kin to his mother's sister; under mother-right, which Rome never had in any form whatsoever, the mother is still nearer kin than the maternal aunt; while if ever there was, anywhere in the world, a classificatory system so pure and rigorous as to make no distinction between the actual mother and any other woman of the same age-class, then mother and aunt were in the same degree of kinship to every member of the younger generation. No ritual explanation I know will bear investigating. Yet the fact is handed down to us on good authority, probably that of Verrius Flaccus, the most likely common source for Ovid and Plutarch. (shrink)

오늘날 주자학은 여전히 이기·심성론을 위주로 진행되고 있고, 이는 서양철학의 형이 상학, 존재론, 인식론의 틀에 맞추어 동양철학의 존재를 증명하고자 했던 현대 신유가의 노력의 연장선이라 할 수 있다. 전통시대 사상가들의 개념과 명제를 형이상학과 인식론으 로 구성하는 철학적 작업은 그들이 처했던 역사적 맥락에 대한 이해를 바탕으로 할 때 단 장취의와 오독의 가능성을 낮출 수 있다. 지성사와 예학 등 주자학에서의 역사적 연구는 개념과 명제를 통해 제시했던 표면적인 의미 뿐 아니라 여기에 함축된 문제의식과 지향점 을 확인하는 것에 기여할 수 있다. 국내 지성사 연구들은 정주학의 출현을 (...) 요청했던 사대부들의 정치·사회·문화적 정 체성과 “학문”의 관계를 중심으로 전개되었다. 이들은 여러 주자학 연구들이 간과하고 있는 “누가, 왜(무슨 문제로 인해, 무엇을 하기 위해)”라는 문제를 돌아볼 기회를 제공하고 있다. 주자 예학은 주자학적 이상의 실현방법과 공부론의 현실적 적용이라는 측면에서 가치 를 가진다. 주자 예학에 대한 연구는 『가례家禮』와 『의례경전통해儀禮經傳通解』를 중심으 로 이루어졌다. 『가례』와 관련해서는 주희의 친작 여부, 명청왕조와 조선에서의 전파 및 해석의 역사에 관한 연구가 다수 진행되었다. 『가례』는 일상적 의례 실천에 관한 지침서의 성격이 있지만, 보편적 도덕원칙인 리는 구체적 의례행위로 실현된다는 점에서 『가례』 전승 및 주석에 대한 연구는 주자학적 가치와 이상을 현실에 실현하려는 노력을 반영한다. 『의례경전통해』에 대한 심층적 연구는 아직 충분히 진행되지 못한 상태로, 정현정의 박사 논문에서 편찬 의도, 여조겸 등 학자들과의 토론과정, 목차와 구성, 편찬 과정 및 이 과정 에서 참고한 경전 등에 대해 비교적 상세한 논의를 진행한 것 이외에는 『가례』와의 비교 연구가 주를 이루고 있다. (shrink)

Excerpt from Le Probleme de la Verite dans la Philosophie de Spinoza Pleant, ont partage l'opinion favorable qu'en ont recue le signataire de ces lignes, rapporteur du memoire, et, peu apres lui, a son entree en fonctions a la Faculte, M. Gueroult, professeur d'histoire de la philo sophie, qui ont pris l'initiative d'en demander l'impression la Com mission des Publications. Nous le soumettons avec confiance au juge ment du public philosophique. About the Publisher Forgotten Books publishes hundreds of thousands of (...) rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Meeting of Minds: Intellectual and Religious Interaction in East Asian Traditions of ThoughtDeborah SommerMeeting of Minds: Intellectual and Religious Interaction in East Asian Traditions of Thought. Edited by Irene Bloom and Joshua A. Fogel. New York: Columbia University Press, 1997. Pp. 391.Meeting of Minds: Intellectual and Religious Interaction in East Asian Traditions of Thought, a volume of eleven essays written in honor of Wing-tsit Chan and William Theodore (...) de Bary, proposes to explore how Confucian and Neo-Confucian traditions have responded to and have influenced other traditions (Buddhist, Taoist, folk, Japanese nativist, and so on) in China and Japan. The essays are arranged first geographically (seven articles on China precede four on Japan) and then roughly chronologically. All essays, save one, describe Sung or post-Sung developments. A few sentences per essay must suffice in this review.Irene Bloom's "Three Visions of Jen" is the only essay on the classical period. Informed especially by Wing-tsit Chan's work on jen and shaped by Sung and later notions of the transmission of the way, the essay examines the notion of jen in the Analects, the Mencius, and Chu Hsi's "Jen shuo" (Discussion of jen), succinctly [End Page 318] emphasizing the significant differences of perspective therein. Nodding to the book's larger intent of examining intellectual interactions with other traditions, some attention is given in the conclusion to comparisons with the Mohist, Yangist, and Ch'an traditions. Rodney Taylor's "Chu Hsi on Meditation" is also deeply indebted to Wing-tsit Chan and starts by resurveying much terrain already explored in Chan's 1989 "Chu Hsi and Quiet-Sitting" (in Chu Hsi: New Studies, published by University of Hawai'i Press). Taylor enlarges upon Chan's work especially in his discussion of Chu Hsi's practices of breath-control techniques to improve health. In keeping with the larger direction of the book, Taylor contrasts Chu's emphasis on quiet sitting as a support for study with the different spiritual goals of Ch'an Buddhism.Patricia Ebrey's "Sung Neo-Confucian Views on Geomancy" examines a topic that is seldom encountered in American scholarship: the attitudes of such figures as Ssu-ma Kuang, Ch'eng I, Chu Hsi, and Ts'ai Yan-ting toward popular practices governing the placement of graves. Ebrey outlines the views of those who, as it were, are "for" or "against" geomancy (Chu and Ts'ai took geomancy seriously, although Ssu-ma and Ch'eng viewed it with apprehension) but also provides textual evidence that allows one to see the grayer areas between support for, and condemnation of, feng shui and other arts. Julia Ching's "Chu Hsi and Taoism" considers Chu's interpretations of such classical texts as the I ching, Lao Tzu, Chuang Tzu, and Ch'u tzu and also assays his commentaries on such later texts as the Ts'an-t'ung-ch'i (an alchemical text Chu commented on with the assistance of Ts'ai Yan-ting) and the Yin-fu-ching (a commentary that Ching concludes is most likely not Chu's work). She also explores in some detail the specifics of Chu's regimen of breathing practices.Moving from specific thinkers of the Sung to general developments in the Ming and Ch'ing dynasties, Chn-fang Y's "The Cult of Kuan-yin in Ming-Ch'ing China: A Case of Confucianization of Buddhism?" describes how the cult of Kuan-yin served the aims of Confucian family values and facilitated the realization of women's domestic expectations of filiality and fertility. Y explores the little-studied practice of ke-ku, or the cutting off of one's flesh to feed another, and relates Kuan-yin's role as a protector of those who engage in such filial excisions.Koichi Shinohara's "Ta-hui's Instructions to Tseng K'ai: Buddhist 'Freedom' in the Neo-Confucian Context" returns to the Sung but continues the focus on Buddhism, finding an example of Buddhist-Confucian interaction in the religious instruction given by the monk Ta-hui to a vice minister of rites. But what is particularly Confucian about minister Tseng K'ai's interest in Buddhism? The... (shrink)

The role of religion in the public space is a matter of debate. The public sphere understood as a space oriented to achieving interests of common concern, reaching social and political consensus by means of deliberation has relegated religion to the private sphere. The last decades have attested a revival of the public role of religion, a “de-privatization” of religion. This paper explores the contemporary influence of religious beliefs and liturgical practice on issues of public concern focusing on the statements (...) and liturgical gestures of Pope Francis, notably regarding the disenfranchised and the refugees, as well as his engagement for the environment. The statements and liturgical gestures of Pope Francis have challenged the dissociation between religious practice and social ethics, and have returned religion to the forefront of public debates. A symbolic example is his unconventional practice of a traditional rite, that of the washing of the feet during liturgical celebrations on Holy Thursday. This classical liturgical rite, brought to public attention through the media, has become the vehicle of Francis’ social ethical views, and due to his involvement in the refugee-debate, a powerful political statement. Such statements are not limited to Catholics or individuals of other denominations, but contribute to the agenda of public discussions. (shrink)

This paper examines the ritual and philosophical meaning of the term ‘nondual’ (advaya/advaita) in early Śākta Tantras (6th–9th centuries), including some early sources of the anti-ritualist kaula cult. It shows that nondualism denoted only ritual nondualism in the earliest texts, namely, the principle of seeing and using pure and impure substances in ritual without distinction, rejecting the pure-impure dichotomy of orthopraxy. The ontology these tantras presuppose is basically dualist, for they usually see the Lord and the created world as different (...) and regard original impurity (mala) as a removeable material entity, similarly to the classical system of the dualist Śaiva Siddhānta. Nondual ontology evolves gradually, starting with scattered statements about the nature of the god and the phenomenal world, usually in a ritual context. It appears in a form similar to the classical one only in the Krama and related systems, as argued in Sanderson (in: Goudriaan (ed.) Ritual and speculation in early tantrism: studies in honour of André Padoux, 1992). (shrink)

Ovid's disclaimers in theArs Amatorianeed to be read in this context. My main argument is that, in his disclaimers, Ovid is rendering his female readership socially unrecognizable, rather than excluding respectable virgins andmatronaefrom his audience.Ars1.31–4, Ovid's programmatic statement about his work's target audience, is a case in point. A closer look at the passage shows that he does not necessarily warn off Roman wives and marriageable girls:este procul, uittae tenues, insigne pudoris,quaeque tegis medios instita longa pedes:nos Venerem tutam concessaque furta (...) canemusinque meo nullum carmine crimen erit. Ov.Ars Am.1.31–4Stay away, slender fillets, symbol of modesty,and you, long hem, who cover half the feet:we shall sing of safe sex and permitted cheatingand there will be no wrong in my song. (shrink)

The Strangeness of Gods combines studies of changes in modern interpretations of Greek religion with studies of changes in Athenian ritual. The combination is necessary in order to combat influential stereotypes: that Greek religion consisted of ritual without theological speculation, that ritual is inherently conservative. To re-examine the evidence for Greek rituals and their interpretation is also to re-examine our own preconceptions and prejudices. The argument presented by S. C. Humphreys tries to bring Greek texts closer to the `classic' (...) texts of other civilizations, and religion, as a form of speculative thought, closer to science. Her studies of Athenian rituals put this emphasis on changing interpretations into practice, showing that the Athenians thought about their rites as well as celebrating them. (shrink)

Sophocles' Oedipus at Colonus has traditionally been regarded as the poet's primary tragedy involving hero cult; this essay explores the more subtle but no less ritually explicit hero cult of the Aias first outlined by Burian. The passage, as Burian saw, occurs when the young Eurysakes kneels at his father's body and Teukros conducts an unusual combination of rites: supplication, curse, offering of hair, and magic . One crucial direction to the child, kai phulasse , however, is here not (...) understood to be a paradox of the suppliant who "protects" what he seizes but rather his physical attachment to the locus where he abides as well as his ritual dependence on the source of protection . By saying a curse and obtaining protection, Teukros and Eurysakes indicate how the still-warm body of the dead hero has already acquired special powers after death: specifically, the power to bestow both blessings and curses on mortals. The argument turns from the body to the tomb, the physical and lasting monument of hero cult, which the Sophoclean audience would know. The preceding scene ends with a pivotal choral passage where the hero's burial and cult are prescribed in highly Homeric terms . This passage forms an important link between the opposing views of the fate of the corpse and also between the hero's death and burial. This choral celebration of the hero's future status is cast in traditional Homeric language, but with some revealing inversions. One is the reversal of the verb whereby the earth "holds" or possesses heroes in Homer, while Aias occupies and possesses his tomb . The evolution of Homeric views of death is traced . In Sophocles' Aias the chorus performs the burial as a ritual act establishing a cult, long before it happens at the end of the play. The article concludes with a discussion of the historical cults of Aias known to the Athenians and of the more significant way that Aias becomes a hero: not self-consciously, as Oedipus did, but through rituals performed by his family and community. In the Aias, the poet's sense of hero cult lies closer to Homer and the epic tradition than it does, for instance, to Aeschylus. (shrink)

The concept of legitimacy is at the heart of the theory of power. It is essential to understand how a political power is built and how obedience is obtained among the population. We examine here the legitimacy of power for two of the most important political philosophies of classical China: Confucianism and Legalism. We show how a specific group of the population, the scholar-officials, play a specialised role in the two systems, acting as a legitimisation group. We further compare (...) class='Hi'>rites and laws as a way to obtain social order, and morality vs punishments as a way to obtain obedience. We conclude that the Confucianist system is less fragile than the Legalist, but also more oppressive, since it allows fewer personal choices to individuals. (shrink)

In everyday reasoning - just as in science and art - knowledge is acquired more by "doing" than with long analyses. What do we "do" when we discover something new? How can we define and explore the pattern of this reasoning, traditionally called "synthetic"? Following in the steps of classic pragmatists, especially C.S. Pierce, Giovanni Maddalena's Philosophy of Gesture revolutionizes the pattern of synthesis through the ideas of change and continuity and proposes "gesture" as a new tool for synthesis. (...) Defining gesture as an action with a beginning and an end that carries on a meaning, Maddalena explains that it is a dense blending of all kinds of phenomena - feelings and vague ideas, actual actions, habits of actions - and of signs - icons, indexes, and symbols. When the blending of phenomena and signs is densest, the gesture is "complete," and its power of introducing something new in knowledge is at its highest level. Examples of complete gestures are religious liturgies, public and private rites, public and private actions that establish an identity, artistic performances, and hypothesizing experiments. A departure from a traditional Kantian framework for understanding the nature and function of reason, The Philosophy of Gesture proposes an approach that is more attuned with our ordinary way of reasoning and of apprehending new knowledge. (shrink)

The Vestal Virgins are one of the most famous elements of Roman religion, yet despite their perennial appeal and the importance of some smaller scale studies of the priesthood, the priestesses have not received a monograph-length study since F. Giuzzi, Aspetti giuridici del sacerdozio romano. II sacerdozio di Vesta (Naples, 1968). Now we have books by R.L. Wildfang and M.C. Martini that could not be more different. The former offers a thorough survey of what the sources can tell us about (...) the priesthood in the period from the end of the Second Carthaginian War to the first century C.E. The latter is an analysis of early Roman historiography and the role the Vestals, in particular their periodic unchastity, played in the creation of the traditional account of the development of Rome. W's book puts forward two main arguments: (1) the Vestals were charged with the ritual purification of the city and with the storage and preparation of ritual materials, and (2) many aspects of the priesthood that have long puzzled scholars are tied to the Vestals' status as Roman citizens, but citizens who existed outside the traditional family structure. The book will be accessible to those new to the topic, but the notes will repay specialists. Ancient sources are quoted in translation, with original texts provided in an appendix. A second appendix provides a list of known Vestals. This slender volume could have been even thinner if the frequent repetitions were cut down. W's work might have been better as a hefty article, so little is there to know about the Vestals. The Classical Review vol. 58 no. 1 C The Classical Association 2008; all rights reserved This content downloaded from 204.235.148.90 on Sat, 26 Jul 2014 11:47:09 AM All use subject to JSTOR Terms and Conditions THE CLASSICAL REVIEW 213 In the Introduction, W makes a welcome distinction among types of rituals often lumped together in discussions of 'fertility' rituals, with which the Vestals are often associated (p. 4). W reserves 'fertility' to describe only those rites that deal with the reproduction of people, livestock and the growth of crops. Harvest rituals are linked to the harvesting of crops, while another set of rites, 'storage rites', are tied to the preservation of the harvest. The final group, purification rituals, aim at the cleansing of an individual, place or object of 'all forms of pollution that would render it or them unfit to come into contact with the religious sphere'. The book is arranged thematically. The first two chapters lay out all we can know about the priestesses' ritual obligations performed in the seclusion of the temple and out amongst the people. While a reader may not find W's interpretation of each of the Vestals' actions equally persuasive, the overall argument that the priestesses' activities were, by and large, purificatory is convincing. Two of the more interesting aspects of W.'s discussion are her considerations of Vesta's fire and of the water required for some of her rituals (pp. 8-11). Fire was seen by the Romans as both a fertile and a sterile force, and scholars have emphasised one or the other, or the contrast between them, in their interpretation of the Vestals. W points out that fertile fire is always described in masculine terms and is associated with Vulcan. Vesta's fire, however, is always associated with sterility and purity, and so should be understood as having a purificatory significance. W points out that Vesta's fire was used only in the manufacture of ritually necessary items: roasting spelt for mola salsa, baking brine for muries and burning ashes from the fetal cow from the Fordicidia and the tail of the October horse, both of which were used at the Parilia. For other rituals, the Vestals were required to use water, the purificatory substance par excellence, drawn only from the spring of Juturna and carried only in vessels that could not be set down. These restrictions ensured that the water was always fresh, running water that never touched profane earth. Chapters 3-5 trace out the unique position the Vestals occupied in Roman society, arguing that they existed outside the standard Roman familial and other social structures, yet remained fully part of the Roman state. W suggests that the initiation rite of captio removed the new priestess not only from her family but, more importantly, from her family cult, thus avoiding any potential contamination of familial and public cult. Virginity was required for multiple reasons, the most significant being that such a status allowed the priestess to remain a full member of the Roman state, but prevented her from being a member of a traditional family structure. Throughout the book, W makes much of the idea of Vestals as represen tatives of Roman citizen women without ever really dealing with the question to what extent any Roman woman, priestess or not, was a ciuis. Though W is probably correct, it is not entirely certain to what extent women were citizens in the Republic, and at least a reference to some key ancient sources and to recent scholarship on this question should be made (e.g. L. Peppe, Posizione giuridica e ruolo sociale della donna romana in eta repubblicana [Milan, 1984]). The sixth chapter, 'The Vestals in the Romans' History', looks at the appearance of Vestals in the early history of Rome, refining the common assumption that accusations of, and convictions for, incestum arose only in periods of great stress and danger. W adds that a priestess's involvement, or her family's involvement, in one of the groups taking part in the conflict or struggle of the moment also played a role. This chapter traces changes over the course of 300 years in the attitudes of the priestesses and the Romans more generally toward the priesthood, its role in society This content downloaded from 204.235.148.90 on Sat, 26 Jul 2014 11:47:09 AM All use subject to JSTOR Terms and Conditions 214 THE CLASSICAL REVIEW and its requirement of 30 years of chastity. The argument hangs on even less evidence than other sections of the work. In contrast to their central place in W's book, the Vestals play only a small (though crucial, in her interpretation) role in M.'s work. The basic argument of the book is that episodes of Vestal incestum are linked in the historiographic tradition to key moments in the development of the Roman state: the separation of augurium from regnum, the development of a mixed patrician-plebeian aristocracy, the creation of a monetary system and the expansion of the colonial system outside Italy. The history of Rome can be seen as alternating phases of stasis and transformation; instances of Vestal incestum mark the transitions (p. 95). The work falls into two parts that are not well integrated. The first is a useful discussion of the historiography of the Roman Republic, taking in turn each element of the story of the founding of Rome from the arrival of Aeneas to the death of Remus. M. traces how early Roman writers, especially Fabius Pictor, reshaped the tradition already present in some Greek authors, distancing Rome from the Greek world and adding an Italic element to the tale. This detailed analysis is well worth consulting and will be of interest to those working on many aspects of cultural life in the Republic. The second, larger, section of the book comprises a series of studies of the Vestals known to have been convicted of incestum during the Republic. After dealing with issues of dating and sources, M. links each case of incestum to a major event in Roman history. Not all the events are equally important for the creation of the Rome of the middle and late Republic. One wonders why M. chose to tie the conviction of Minucia, somewhere between 339 and 332, to the admission of plebeians to the praetorship in 337 rather than to the conclusion of the Latin War in 338. Some explanation is warranted. The connection M. draws is often very vague, as in the case of Sextilia (pp. 144-54), convicted and interred alive in either 275 or 274. M. sees this as marking the end of any meaningful distinction between patricians and plebeians, following as it does the first time a plebeian censor completed a lustrum. The gap of five or six years between Sextilia's conviction and Cn. Domitius Calvinus Maximus' censorship in 280 passes unremarked. Similarly, in discussing the three Vestals accused of incestum in 114-113 (pp. 188-210), M. steps away from the commonly accepted interpretation of the event as part of the continuing struggle between Gracchan and senatorial forces, arguing instead that it is tied to the establishment in 118 of the colony of Narbo Martius, Rome's first colony in Gaul. Here, as elsewhere, there is no evidence that any ancient author linked the founding of the colony and Vestal unchastity; the temporal gap makes an association even more unlikely. Ultimately, it is not possible to accept M.'s argument that Vestal incestum punctuated key stages in the development of the 'cosmo Romano' in the way she imagines. Even so, M.'s effort to reintegrate the Vestals into the larger narrative of Rome's history is thought-provoking, and it is to be hoped that it will spark further work in the same vein. The field is perhaps in a better position to undertake work on this scale now that we have W's careful and comprehensive collection and interpre tation of what there is to know about the Vestals. Yale University CELIA E. SCHULTZ celia.schultz(yale.edu This content downloaded from 204.235.148.90 on Sat, 26 Jul 2014 11:47:09 AM All use subject to JSTOR Terms and Conditions. (shrink)

Many Hindu deities as known from classical sources have a very slender profile in the Vedic texts, appearing in only a few passages and often represented in ways that seem peripheral to their full, classical personae. Ritualists and devotees steeped in that older literature took pains to connect those deities to Vedic mantras and rites, in order to validate them with the prestige of venerable orthodoxy as well as to provide a basis for Brahmin priestly roles in their worship. (...) The case of the goddess Durgā is particularly striking in this respect, since her Vedic “footprint” is so small. This study carefully examines the Durgā Sūkta and related materials to show how Taittirīya and Ṛgveda Brahmins went about supplying a Vedic liturgy for Durgā worship. This account complements the one recently proposed to show how Atharvan priests in the service of rulers drew on Atharvavedic traditions to present Durgā as a patron goddess of arms and military strength. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Commandment against the Law Writing and Divine Justice in Walter Benjamin’s “Critique of Violence”Tracy McNulty (bio)Pierre Legendre has shown that the Romano-canonical legal traditions that form the foundations of Western jurisprudence “are founded in a discourse which denies the essential quality of the relation of the body to writing” [“Masters of Law” 110]. It emerges historically as a repudiation of Jewish legalism and Talmud law, where the rite (...) of circumcision encodes the subject’s entry into law as an “allegiance to the absolute Writing,” or the “relationship between the human subject and the logical place of the Other” [110–11; see also “les juifs”]. In this shift, one understanding of writing is displaced by another: the material inscription of the letter, as an incommunicable limit or cut, is supplanted by the fantasy of what Legendre calls a “living writing,” a writing “in the heart” that promotes an ideal of perfect communication in which nothing is lost, in which meaning is lodged in an absolute Other who guarantees all knowledge. In his words, “we belong to a culture in which a mystically alienated human body stands in the place of the absolute book. The state has emerged from this structure.... Its basic characteristics can be set out by means of a fundamental Romano-pontifical maxim: the Emperor carries all the archives in his breast (omnia scrinia habet in pectore suo)” [“Masters of Law” 109].The ultimate theological source of this Roman maxim is Paul’s polemic against the Jewish law in the Epistle to the Romans. Paul’s polemic is structured by a distinction between two orders of law: the “law of God” and the “law of sin.” The first is associated with the intelligible “spirit” of the law, which is “written in the heart,” the second with the prescriptive “letter” of the Jewish law, which compromises or corrupts the first by binding it to a particular representation and consigning it to written form. Paul’s solution is to bypass the law, to bypass representation, and perhaps even language itself. The prescriptive “letter” of the Jewish law must be sublated by the law of the spirit, such that “we serve not under the old written code but in the new life of the Spirit” [Romans 7: 6]. Christ, as the living embodiment of the law of God, upholds the spirit of the law by “fulfilling”––and so rendering obsolete–its written form.The doctrine of Christ as the “living law” sustains what Legendre describes as a “banalisation of writing” [“Masters of Law” 111], a disregard for its material inscription that holds the letter to be nothing more than a placeholder, a flawed or incomplete representation of a meaning or truth that is itself beyond words. At the same time, it makes possible the legal and political fantasy of a living writing, located in a single body understood as the site of interpretive authority. The extraction of a meaning or truth from the intractable letter becomes the ultimate aim of the legal order and the most lofty task of its sovereign interpreter, uniquely charged with animating the dead letter. This notion permeates what Peter Goodrich describes as “the most standard protocols of legal reading,” according to [End Page 34] which “it is not the letter but the spirit that determines the meaning of the law”:The text is composed of dead letters (litera mortua); the rule is no more than a “mute judge,” a sleeping form, requiring the interposition, anima legis, of jurist or judge.... [T]he meaning of the law is internal to its living body, viva vox iuris or lex loquens, its image, interpreter, or legislator. In classical terms it is spelled out by reference to something beyond words: “to know the law is not to know the words of the law, but its force and power.” In a renaissance formulation we are similarly told that “no words, forms, niceties, or propriety of language is of any regard in the Civil Law, in comparison to truth, faithfulness and integrity. For verba menti, non verbis servire debet; words, are made as instruments to serve and express the mind, and not to command it.”[229–30]1... (shrink)

The path of religious pluralism starts with the fact that our world contains a number of religious faiths having different ideas of the nature of divinity as the main and fundamental principle of religions and therefore, different and various dogmas, rites, and rituals.Despite the claim that the idea of religious pluralism is a product of modern philosophical schools, specifically new epistemological principles, I have attempted to demonstrate that what I have called "pluralistic religion," as a part of a necessary (...) and substantial distinction that has to be drawn between this hypothesis and John Hick's classic theory of "religious pluralism," is strongly rooted in the principle of "ultimate truth and uniqueness of .. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Mahāyāna Theology of the Real Presence of Christ in the EucharistJohn P. KeenanMahāyāna theology is an approach to thinking about the Christian faith within the philosophical context of the great Mahāyāna Buddhist thinkers: philosophers of emptiness such as Nāgārjuna, Āryadeva, and Candrakīrti in the Mādhyamika tradition; and philosophers of consciousness such as Maitreya, Asaçga,Vasubandhu, Sthiramati, Paramārtha, and Hsūan-tsang in theYogācāra tradition. The advantage of employing Mahāyāna philosophy in (...) the doing of Christian theology is that this philosophical tradition developed with the dual purpose of supporting and encouraging faith and practice while eliminating absolutist claims for metaphysically fixed and unalterable ideas.Mahāyāna is deconstructive without any of the aloofness that modern French philosophers apparently feel they must adopt vis-à-vis theology and the Church. Just as Plato did for the Fathers of the early church and Aristotle did for Aquinas, Mahāyāna opens avenues of thought and questioning for contemporary theologians that will gift our cultures with the grace of new theological insight into the meaning of Christ's presence to and among human beings.And so I would like to do some theology here, demonstrating how a Mahāyāna thinker like myself might envisage the real presence of Jesus in the Eucharist.The Real Presence of ChristThe theology of the real presence of Jesus in the Eucharist has had a long and fascinating development. For the first eight centuries, the issue did not arise with any doctrinal insistence.1 Christians were content to see Christ's presence in the performance of the Eucharistic rite as a medicine of immortality that would heal their souls and embody for them the reality of the risen Christ. It was only later, in the condemnation of the theologian Ratramnus2 and the development of the doctrine of transubstantiation, that the classical formulation took shape.3 That doctrine was expressed in philosophic terms that were then current, concepts that were accepted as clear and valid frameworks for thinking.Medieval theologians, especially the great St. Thomas Aquinas in the thirteenth [End Page 89] century, had just rediscovered Aristotle and gloried in the subtle intricacies and vast overviews that this "new" learning provided them.4 They philosophized by seeking insight into and defining the very act of existence itself, discussing the "essences," or "substances" of things as the underlying realities that we encounter in our life and in our faith. In this view, Christ "subsists"—that is, he really exists—as the substance of the bread and wine in the Eucharist. This is the philosophic view that is stressed even today in the Roman Catholic Church. Modern Catholic theologian Bernard Cooke explains the real presence of Christ in the Eucharist as follows:Christ bespeaks in the action of the Mass the presence of his own risen body beneath the appearance of food and drink. He effects this by changing the inner reality (the "substance") of the bread and wine into his risen humanity. This is the unique change that the Church has for centuries called transubstantiation—the change of the substance of the bread into the substance of Christ's risen body. Before the transubstantiation in the Mass, the inner reality (the substance) of the bread and wine is what sustains the external appearances in existence. These appearances tell us of the presence of the inner reality of bread and wine (which itself is not visible). After the transubstantiation, the risen humanity of Christ is what sustains these external appearances in existence. Consequently, they now tell us of the presence of Christ.5The disputes about the real presence of Christ in the Eucharist hinged precisely on this issue—what is the inner reality of the sacrament? Another scholar of these arguments, Francis Clarke, writes:All the Eucharistic controversies... hinge upon one question: What is the substance of the sacrament? "If we did once agree in that, the whole controversy [concerning the sacrifice] would soon be at an end," for the answer to that question decides "whether Christ's body be there offered indeed unto the heavenly Father by the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The “Magic” of Music:Archaic Dreams in Romantic Aesthetics and an Education in AestheticsAlexandra Kertz-WelzelO, then I close my eyes to all the strife of the world—and withdraw quietly into the land of music, as into the land of belief, where all our doubts and our sufferings are lost in a resounding sea....1Music serves many different functions in human life, accompanying everyday activities such as working, shopping, or watching TV, (...) as well as creating an individual world of sounds in which to relax, to enjoy life, or just to escape into one's dreams. Tia DeNora describes this personal use of music as a technology for the self and quotes Mireille, a contract cleaner, who thinks that "everybody should listen to music. It helps you to be calm, relaxed, to see your life differently."2This desire to change minds or moods and perhaps to be personally transformed by music also motivates adolescents to listen to their music giving them a strong feeling of self-identity and helping to relieve boredom, get through difficult times, or reduce tension.3 Although this obviously everyday use of music is usually different from the life-changing strong experiences with music which Robert Panzarella4 or Alf Gabrielsson5 investigate in their research, it nevertheless shows the natural human desire to use music to transform emotions or experience life more intensively. Certainly, adolescents do have different kinds [End Page 77] of intensive and even ecstatic experiences with music; for example, while attending a rock concert with its pseudo-religious implications, or a Friday night dance party with friends, or while making music in a band. Gabrielsson quotes the description of a young woman, attending an outdoor concert of Prince:One feels so free somehow. At concerts one can dance, jump, scream and sing as much as one wants. You are like a part of it all, not just a spectator. Throughout the whole concert the audience was in total ecstasy. It was only one thing that mattered: the music! You are filled with the wonderful feeling that everything is all right, that you are living only for what is happening 'right now.' You are in a way 'intoxicated with joy."... You don't think about what you are doing. You do what you feel like, without even thinking about it.6This desire for intensive or even ecstatic experiences through music is not only an aspect of individual life, it is also an important issue in the history of music and aesthetics from ancient times. One origin of music and art can be found in the relationship of music with religion and ritual, using sound's emotional and ecstatic power to connect the world of human beings and the sacred. Music as magic and a means of ecstasy was a frequent conceptualization in ancient Egypt, as well as in Greece, in the rites of ancient Celts and early Christians, and also in non-Western religions today.7 Priests or shamans among the Australian Aborigines, Native Americans, and West-African tribes use the emotional power of music to evoke trance in their contemporary practices.Unfortunately, the aesthetics of Western European art music, especially since the eighteenth century, tends to eliminate this sensual "magic"8 of music only to replace an ecstatic way of experiencing music with a more intellectual approach. The idea of absolute music or the aesthetics of formalism attempts to establish a "pure" approach to listening without feeling, imagination, or sensuality. It is a claim to elitism which might be one reason why it is difficult for students to be affected by Western European art music, since it appears to be far away from their own world of intensive music experience. Not only the way of listening and performing Western European art music, but also the music itself may prevent students from further involvement in "classical" music and having the kind of intensive experiences their "own" music offers them. If a goal of music education is not only to involve students in art music but also to deepen and enhance their lives through aesthetic experiences, it may be reasonable to start with their musical experiences and to... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The “Magic” of Music:Archaic Dreams in Romantic Aesthetics and an Education in AestheticsAlexandra Kertz-WelzelO, then I close my eyes to all the strife of the world—and withdraw quietly into the land of music, as into the land of belief, where all our doubts and our sufferings are lost in a resounding sea....1Music serves many different functions in human life, accompanying everyday activities such as working, shopping, or watching TV, (...) as well as creating an individual world of sounds in which to relax, to enjoy life, or just to escape into one's dreams. Tia DeNora describes this personal use of music as a technology for the self and quotes Mireille, a contract cleaner, who thinks that "everybody should listen to music. It helps you to be calm, relaxed, to see your life differently."2This desire to change minds or moods and perhaps to be personally transformed by music also motivates adolescents to listen to their music giving them a strong feeling of self-identity and helping to relieve boredom, get through difficult times, or reduce tension.3 Although this obviously everyday use of music is usually different from the life-changing strong experiences with music which Robert Panzarella4 or Alf Gabrielsson5 investigate in their research, it nevertheless shows the natural human desire to use music to transform emotions or experience life more intensively. Certainly, adolescents do have different kinds [End Page 77] of intensive and even ecstatic experiences with music; for example, while attending a rock concert with its pseudo-religious implications, or a Friday night dance party with friends, or while making music in a band. Gabrielsson quotes the description of a young woman, attending an outdoor concert of Prince:One feels so free somehow. At concerts one can dance, jump, scream and sing as much as one wants. You are like a part of it all, not just a spectator. Throughout the whole concert the audience was in total ecstasy. It was only one thing that mattered: the music! You are filled with the wonderful feeling that everything is all right, that you are living only for what is happening 'right now.' You are in a way 'intoxicated with joy."... You don't think about what you are doing. You do what you feel like, without even thinking about it.6This desire for intensive or even ecstatic experiences through music is not only an aspect of individual life, it is also an important issue in the history of music and aesthetics from ancient times. One origin of music and art can be found in the relationship of music with religion and ritual, using sound's emotional and ecstatic power to connect the world of human beings and the sacred. Music as magic and a means of ecstasy was a frequent conceptualization in ancient Egypt, as well as in Greece, in the rites of ancient Celts and early Christians, and also in non-Western religions today.7 Priests or shamans among the Australian Aborigines, Native Americans, and West-African tribes use the emotional power of music to evoke trance in their contemporary practices.Unfortunately, the aesthetics of Western European art music, especially since the eighteenth century, tends to eliminate this sensual "magic"8 of music only to replace an ecstatic way of experiencing music with a more intellectual approach. The idea of absolute music or the aesthetics of formalism attempts to establish a "pure" approach to listening without feeling, imagination, or sensuality. It is a claim to elitism which might be one reason why it is difficult for students to be affected by Western European art music, since it appears to be far away from their own world of intensive music experience. Not only the way of listening and performing Western European art music, but also the music itself may prevent students from further involvement in "classical" music and having the kind of intensive experiences their "own" music offers them. If a goal of music education is not only to involve students in art music but also to deepen and enhance their lives through aesthetic experiences, it may be reasonable to start with their musical experiences and to... (shrink)

This paper seeks to ascertain the ways in which Adonis and his ritual lament were used by Classical men and women in their constructions of their own gender and the other. The evidence from Classical Athens turns out to originate mainly among men and thus outside the cult, from which men were excluded; the myths and descriptions of the rite that we possess say more about men's attitudes toward themselves and toward women than about the celebrants' motives. Nevertheless, women's attitudes (...) toward Adonis may be inferred from the social circumstances in which the Attic cult arose. Care must be taken to distinguish the different interests represented in the extant evidence . Marcel Detienne's influential structuralist interpretation of the cult has rightly dissociated Attic Adonis from similar Near Eastern figures and contextualized him in Classical Athenian society. Detienne's interpretation, however, has limitations, since it treats Adonis only as a representative of the unmanly and unproductive, and tends to ignore the different uses to which men and women could put Adonis and his rite. For example, the proverb "more fruitless than the gardens of Adonis" originated in male discourse, and does not necessarily reflect women's views. In comedy Adonis and the Adonia become a foil for masculine values; not only does this tell us nothing of what the celebrants thought, but awareness of the many strategies of self-definition available to Athenian men compels us to entertain other constructions of Adonis in other discursive milieus. Finally, although little testimony remains from the woman's perspective, we may speculate that in democratic Athens, restrictions on traditional female mourning rituals and the polarization of the sexes would have made such a private cult as the Adonia attractive to women. (shrink)

Yuejiao was the primary form of education ever since the time of Emperors Yao and Shun. This tradition of valuing Yue over Li lasted till the Three Dynasties period. After the Spring and Autumn Period, Lijiao became the dominant form, but it still consisted of a lot of yue. Seeing the declining of this tradition, Confucius claimed to “follow upon Zhou”. That is, he wanted to recover and inherit this ideology that engages primarily in music cultivation supplemented by ritual normalization. (...) His statement: “Let a man be first incited by the Songs, then given a firm footing by the study of ritual, and finally perfected by music,” also shows his emphasis on Yue. More proofs can be found in Confucian classics such as Analects and the Record of Rites, in which discourses on/ about beauty and goodness are characterized by the juxtaposition of Li and Yue to serve a higher purpose for the pre-Qin Confucians. However, this ideology was not inherited by later Confucians. And the consequence is with the increasing status and impact of Confucianism in China in the past 2500 years, such a tradition of valuing Yue over Li gradually turned into a tradition of valuing Li over Yue. This, however, is inconsistent with both Confucius’ ideology of Li and Yue and the real characteristic of Chinese cultural tradition. (shrink)

In the article, the vocabulary related to the wedding ceremony in the Pamiri languages is discussed. In particular, vocabulary reflecting the wedding ceremony in Ishkashimi language is almost unknown. In the Pamiri languages are still preserved all the traditional wedding ceremonies. The vocabulary associated with them is well-kept in full and is indigenous and sometimes borrowed. For the most, the terminology applied in the ritual is borrowed. Often the term is borrowed from Badakhshan dialect of the Tajik language. At the (...) same time, some Tajik words are used in specific meaning that is typical only to the dialect of Badakhshan and Dari language of Badakhshan in Afghanistan. This is mainly the vocabulary associated with traditional ways and procedures of the wedding ceremony. Some other words, such as sarbьzьrg ’to give respect, attention to mourners’, can be observed only in classical Persian literature. In view of the Islamization of the region the Arab terms are frequently used in rituals; they are associated with official terminology applied during the marriage process and designate its legal aspects. There are also Turkic lexis that was included into the dictionary because of language and cultural contacts in the region. It is significant that in the lexicon predominate metaphorical and descriptive ways of designation of the ceremonies. Remarkable specific vocabulary with original meaning is of particular use in the local minor Iranian languages in comparison with such major written national languages as Tajik language of Tajikistan and Dari Afghanistan. For example, in Ishkashimi language the word dumod is used only in the sense of ‘son-in-law‘, and in the meaning of ‘bridegroom‘ - only Å¡amard. Since the marriage and wedding ceremony has a special place in the spiritual culture of the people, the symbolic function is included into almost all the rites and ritual objects of it. During the ceremony, people wish of fertility, happiness, coming together and family well-being for the whole family and for the newlyweds. Thus, the terminology associated with these rites is preserved for a long time in the language; equally strong are numerous ritual prohibitions related to marriage. (shrink)

The article argues that the famous story about the strike, exile and return of the Romanaulosplayers, which is recorded in the sixth book of Ovid'sFastiand referred to by other Latin and Greek sources, is based on a narrative model that already existed in Greece in the Archaic period. The study draws parallels between the tale of the pipers and the myth of the return of Hephaestus to Olympus, suggesting that, apart from similar plots, the two stories share many motifs, such (...) as references to themes derived from comedy and satyr drama. Searching for a possible channel of transmission of the story from Archaic Greece to Augustan Rome, the study explores the presence of satyric motifs in Etruscan vase-painting and Roman processional rites. It is furthermore emphasized that many of these motifs, which also appeared in lost satyr-plays, are echoed in Augustan poetry. (shrink)

Many academics extol chaos theory and the science of complexity as significant scientific advances with application in such diverse fields as biology, anthropology, economics, and history. In this paper we focus our attention on structure‐within‐chaos and the dynamic self‐organization of complex systems in the context of social philosophy. Although the modern formulation of the science of complexity has developed out of late‐twentieth‐century physics and computational mathematics, its roots may extend much deeper into classical thinking. We argue here that the essential (...) ideas and predictions of the science of complexity are found within the social ordering principle of li (the rites) in Confucius's Analects. (shrink)

When Andromache emerges from the inner chamber in Book 22, ascends the walls of Troy and looks out over the plain, she beholds a spectacle of ruthless brutality. She who has not been aware of the final combat, nor of the slaying of her husband, is suddenly confronted by the receding trail of utter defeat. Swift horses drag her husband's corpse into the distance, the cherished head disfigured as it is dragged, raking the dust of what was once their homeland. (...) The violence of the scene is forcefully conveyed by one word in particular. The swift horses drag Hektor κηδστως —without κδος without care, ‘sans soucier de, brutalement’. In itself the word κηδστως provides a definition of violence, one captured in Shakespeare's phrase ‘careless force’. Violence is, in its harsh brutality, specifically heedlessness, an absence of any form of care. When Achilles hurls the slain suppliant Lykaon into the river he utters the taunt, ‘the fish, κηδες, will lick clean your wound's blood’ . The discarded corpse is denied funeral rites: in place of the care that the relations of the dead traditionally bestow in tending, washing, enshrouding, lamenting, and burying the dead, here the heedless creatures of nature, fleeting visitors, will attend to the corpse, ‘clean’ it, but utterly without care, completely oblivious to the oblivion they create by destroying. In Book 24 Achilles will describe the gods themselves as κηδες. (shrink)

Whereas the Upanishads contain much which is, strictly speaking, of little interest to the historian of Indian thought, the Pre-Upanishadic texts are not completely devoid of passages which are of special importance for anyone who endeavours to trace the origin and oldest form of the main texts of classical Indian philosophy. Too often the difference between Upanishads and Pre-Upanishadic literature has been exaggerated ; too often the philosophical importance of the ritualistic speculations contained in the Brahmanas has been undervalued ; (...) too often these texts have been neglected by the compilers of handbooks. One of those points which have not always received due attention concerns the theoretic foundation of the belief in the possibility of gaining the victory over death and of the efforts to realize this ambition. One of the most important problems in which the Indians have always been interested is the relation between the One and the Many, between this phenomenal world and its source and ground. Already in the Rgveda opinions differ : it has been a divine architect who made the phenomenal world ; it has been an anonymous primeval deity who became a golden germ from which a demiurge was born ; the world has arisen from the impersonal One who desired to create the world, etc. In the course of time these creators and ideas of the original One fused into the great figure of Prajapati, „the Lord of Creatures”. This God, who occupies a central position in the Brdhmawa-texts originally was what he was to remain in popular belief : the deity presiding over biological creation. In the ritualistic speculations of the authors of the Brahmanas he is the Creator, the Father of gods and anti-gods, the origin of creation. In the beginning Prajapati was alone, he was ,all this’, he was the universe in ,concentrated’ and unmanifested form. By way of emanation and self-differentiation he became the manifested universe, including the creatures. After this creative activity he is empty and exhausted, because he has ,entered the universe' or rather transformed himself into the universe. His strength, force and health can however be recovered and restored by means of rites. The world and the creatures which emanated from Prajapati were not perfect ; they were a discontinuum, disintegrated, in the power of death. In order to make life possible and to make the world habitable Prajdpati instituted rites. Prajapati is in the Brahmanas identified with the highest and most general categories ; he is the year, i.e. the complete cycle of time comprising the past and the future, totality and completeness. The year, viewed as an integral structure is the fundamental basis of all that happens. Being also the rite, the sacral act, Prajapati is on the other hand the earthly counterpart of the great cosmic drama. On these two identifications the ritualistic system of these authors is constructed. Among these authorities Sandilya. occupies a prominent place. The mundane events oscillating between the poles of birth and death, of genesis and decay, rites are needed to reintegrate what has become decomposed. They are however also to restore the original unity and totality, to co-ordinate the non-co-ordinated phenomena, to reconstruct Prajapati, to restore his original oneness. The rites reduce, temporarily it is true and with regard to the individual who has them performed, the phenomenal multiplicity to a reintegrated totality, in which the diversity of Prajapati's emanation has been destroyed, and the original unity and oneness has been restored. This theory underlies the structure of the great Fire-altar , by which the sacrificer identifies himself with Prajapati whose original unity is restored. By performing this elaborate ritual the personality of the sacrificer was transformed into a new and divine existence, which was no longer subject to the imperfections proper to this world. That is to say : the sacrificer acquires ,immortality' , he transcends the limits of phenomenal time, he becomes sarva, i.e. safe-andsound, whole. Prajapati-the year will not destroy the man who identifies himself with the totality, with Prajapati-the year, and who has acquired an insight into the meaning of this identification ; that man overcomes disintegration and discontinuity, he gains the victory over death, that is to say : he attains to a sound and complete condition. In the course of time the personal Prajapati and the impersonal Brahman are identified. In the early Upanishads the latter becomes the great fundamental principle. These works resume on the one hand ancient speculations a part of which has been preserved in the Rg- and Atharvavedas, and utilize, on the other hand, the ritualistic theories of the Brdhmawas. The tendency of their authors is however to dissociate themselves from ritualism. Emphasizing the quest for the salvation and spiritual welfare of the individual they go into the problem of the ,Soul' , that is the ,self' or the very core of the personality, which is essentially different from all phenomenal plurality. The hitman is identified with the Punira, the primeval man out of whom the universe arose. It follows that the Atrmn is also cosmic. According to Udddlaka Arum it is the subtle essence of all that exists. All the important potencies in the universe are said to be its manifestations. However, in these works . Htman and Brahman tend to fuse and the great teacher Ydjwavalkya concluded to their being identical. Ordinary men do not understand this identity, but the few who are able to arrive at this highly important insight gain the victory over the imperfections and contingencies of empirical existence. They experience the ecstatic and unanalysable condition of unity, the undifferentiated Plenum or Totality, the ,All'. They know that they are truly Brahman or Sarvam. Now, it is most important to attain to this condition, which implies the victory over death, before one is to die the worldly death. The man who dies without having escaped death will die again and again in the hereafter. Whereas the ritualists attempt to protect themselves from this much feared ,repeated death' by means of rites, especially by the construction of the Fire-altar, the teachers whose words are recorded in the early Upanishads ascribed the delivering power to the esoteric knowledge of the ,under lying theory', to the knowledge of the ritual-cosmic interrelations : the man who knows the relevant speculations will be released. This belief in the redeeming power of the rites and the ,theory' on which they are based was also of special importance with regard to the development of the Karman-doctrine. Thus ritual and spiritual identification with the One which is the Totality, the Primeval Being, the Creator, the Atman enables man by experiencing a transformation to conquer phenomenal time and death. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 323 Person and Religion: An Introduction to the Philosophy of Religion. By ZOFIA J. ZDYBICKA, U.C.J.A. Translated by Theresa Sandok. New York: Peter Lang, 1991. Pp. xix+ 397 (cloth). Zdybicka's volume is the third in Peter Lang's series, "Catholic Thought from Lublin." A convenient way to display the contents of Person and Religion is to elaborate the meaning of " philosophy of religion " and its comprising (...) terms. Philosophy of religion designates the attempt to arrive at an ultimate explanation of the empirically given and existentially apprehended fact of religion (p. 96). In other words, why does religion exist at all and what are its subjective and objective grounds? This endeavor Zdybicka understands to be a recent one. Despite a wealth of reflection on religion over the centuries (See her historical survey, pp. 1-49), only since the 19th century have there been separate disciplines with the phenomenon of religion as their object. Zdybicka also emphasizes that not any kind of philosophy is equal to the task of carrying out the above mentioned attempt. Since the ultimate explanation of religion as truth or fantasy will entail determining whether God exists, only philosophies capable of grasping the real can serve the interests of philosophy of religion. Forms of Kantianism and phenomenology are not equal to the task (p. 97). Only a realistic philosophy connected with a theory of being stands a chance of offering an ultimate explanation of religion. In particular, the metaphysics borne in mind here is that of Krapiec. Peter Lang has recently published an English translation of it under the title, Metaphysics: An Outline of the History of Being (see my review in the January issue of The Thomist.) This work is indispensable background reading for Part III of Zdybicka's volume. Though this metaphysics is existential Thomist, its employment in a philosophy of religion will not resolve the question of which religion is true, though some religions will be ruled out as unsuitable for the human being (p. 97). What is understood as "religion"? In its basic meaning the religious fact is the reference or orientation of the human being toward a transcendent reality (p. 109). Considered more closely, the religious fact is actually multiphasic. First, there is the experience of our own ontic insufficiency and the consciousness of our transcendence and search for a value capable of preserving us in being and giving us complete existential meaning. Second, there is the religious experience in its strict sense. This second phase is itself divided into three phases. First is some kind of revelation from the religious object. Zdybicka stresses that this revelation occurs through signs to which we respond in faith; there is no direct cognitive contact with the religious object. 324 BOOK REVIEWS Second, there is the active response of the one struck by this revelation. The response consists in pursuing union with the deity. This second phase involves purification. Finally, there is the realization of the bond with the sacrum. What is achieved in the human person is holiness. The book concludes (pp. 315-22) with an extended discussion of this value. In sum, the phases of the religious experience properly speaking are: encounter, dialogue, and union. Zdybicka regards religious cults and rites as simply the externalization of religious acts (p. 129). They complete the description of the religious fact. Zdybicka also takes some time to distinguish religious experience from cognitive, moral, and aesthetic experience. Finally, pp. 157-59 contain an interesting inductive argument that the object of religious experience has always been understood as personal. In Part III Zdybicka performs a philosophical assessment of the religious fact. Specifically, the assessment is of the above mentioned introductory phase. Also as mentioned, Zdybicka takes advantage of Krapiec's Gilsonian existential Thomism which has denominated "classical philosophy." This philosophy's analysis of the human person and of reality critically validates both the subjective and objective grounds for the fact of religion properly speaking. The philosophically established subjective grounds include the contingent ontic status of the human person as this is evinced in the presence of the essence/existence composition. They also include an analysis of the person's ability to know and... (shrink)

A comprehensive cross-referenced guide to classical Hinduism from its beginnings to the fifteenth century explains rites, concepts, myths, symbols, literary texts.

Introduction: Confucianism as humanism. Confucianism as a religion. The spirit of Confucianism.--Confucius.--Mencius.--Hsün Tzu.--Ta hsüeh (The great learning)--Chung yung (The doctrine of the mean)--Hsiao ching (The classic of filial piety)--Li chi (The book of rites)--Tung chung-shu.

This book is an exploration of Western thought that emerged from the fringes of the great philosophical schools. In particular, it analyzes various cultural phenomena or studies the work of certain authors essential to understand European culture in its entirety since classical Greece. This is the context for investigating the presence of rites, myths, witches and religious ideas in Europe due to philosophical systems, but also thoughts born on the fringes of the majority philosophical currents. All this is explained (...) in three parts: the first, centered on the ancient world; the second, Christianity; the third, in Europe until the 17th century. (shrink)

Kant has been the target of innumerable objections, and yet his thought involves correct scientific aperçus, as well as viable ethical ideas, which are increasingly embraced in the Global Village. Kant's critical philosophy involves profound puzzles. In the first Critique, a spatial force field is identified as an a priori and yet material condition of experience . In the Foundations of the Metaphysics of Morals, the Good Will is of singular but odd importance , and the Categorical Imperative has a (...) noumenal, yet comprehensible status, and involves two starkly different "versions" . To solve these puzzles requires us to unify and contextualize Kant. The critical philosophy is a piece of a larger philosophical whole—the ideas Kant advanced before and after the 1780s. Kant's overall thought needs to be understood as a product of the pantheist Enlightenment, which was shaped by the Confucian Classics. In the first section, I paint a portrait of Kant's thing in itself. I speculate that it is an interactive bond of forces in space, governing nature; and I contend that this structural-dynamic perspective may not only unify Kant's insights but also supply an ontological narrative that integrates scientific knowledge today. In the second section, I interpret the historical record. I argue that the structural-dynamic perspective was a driving idea of the early Enlightenment; that this idea arrived from China through the Rites Controversy; and that this idea, mediated by others, informed Kant. In the third section, I examine Kant's first book, Thoughts on the True Estimation of Living Forces . I argue that this exotic idea is the core of his theory of dynamics, and that the key features of his theory of dynamics withstood the test of time. (shrink)

Plato Plato (427-347 BC) is surely the most famous of all philosophers. Little is known of his early life, except that he was born into a noble Athenian ...