En 1869, le jeune Brentano (1838-1917) consacre une étude à Auguste Comte (1798-1857), dans laquelle il rend un vibrant hommage au fondateur du positivisme. La question de la métaphysique mise à part, l’étude fait apparaître des affinités profondes entre le positivisme comtien et la philosophie de Franz Brentano : chez les deux penseurs on rencontre en fait le même refus de séparer la philosophie de la science. Au-delà de ces affinités qui existent au départ, la lecture de Comte aura durablement (...) marqué la pensée de Brentano. Tout ceci explique pourquoi l’héritage de Brentano a pu jouer un rôle certain dans l’avènement du néo-positivisme dans la Vienne des premières décennies du XX e siècle. La position particulière que Brentano occupe aussi bien par rapport au positivisme ancien qu’au néo-positivisme soulève deux problèmes majeurs. Le premier a trait au rôle que Brentano a pu jouer dans la transmission de l’idéal positiviste. Le second, plus fondamental, se rapporte aux liens généralement sous-estimés qui existent entre le néo-positivisme et la philosophie positiviste de Comte. (shrink)

Die auf G. Frege zurückgehende logische Urteilslehre, die die universalen Aussagen im Sinne existenzfreier und die partikulären im Sinne existenzmitbehauptender Urteile deutet, hat ihren Ursprung in der nicht-mathematischen Logik des 19. Jahrhunderts. Bei J.F. Herbart findet sich die hypothetische Konzeption der Allaussage, die eine bedeutsame, Fregesche Gedankengänge antizipierende Verfeinerung durch Chr. Sigwart erfährt. Die genaue Struktur der partikulären Aussage bleibt vorerst noch im Dunkel. Erst F. Brentano gelingt es, die universalen wie die partikulären Aussagen in ihrer Eigenart herauszustellen. In dieser (...) Entwicklung spielen die Problematik fiktiver Gegenstände und leerer Begriffe, die apriorische Gesetzlichkeit sowie der Einfachheitsbegriff eine zentrale Rolle. (shrink)

Die auf G. Frege zurückgehende logische Urteilslehre, die die universalen Aussagen im Sinne existenzfreier und die partikulären im Sinne existenzmitbehauptender Urteile deutet, hat ihren Ursprung in der nicht-mathematischen Logik des 19. Jahrhunderts. Bei J.F. Herbart findet sich die hypothetische Konzeption der Allaussage, die eine bedeutsame, Fregesche Gedankengänge antizipierende Verfeinerung durch Chr. Sigwart erfährt. Die genaue Struktur der partikulären Aussage bleibt vorerst noch im Dunkel. Erst F. Brentano gelingt es, die universalen wie die partikulären Aussagen in ihrer Eigenart herauszustellen. In dieser (...) Entwicklung spielen die Problematik fiktiver Gegenstände und leerer Begriffe, die apriorische Gesetzlichkeit sowie der Einfachheitsbegriff eine zentrale Rolle. (shrink)

How natural is natural deduction?– Gentzen's system of natural deduction intends to fit logical rules to the effective mathematical reasoning in order to overcome the artificiality of deductions in axiomatic systems (¶ 2). In spite of this reform some of Gentzen's rules for natural deduction are criticised by psychologists and natural language philosophers for remaining unnatural. The criticism focuses on the principle of extensionality and on formalism of logic (¶ 3). After sketching the criticism relatively to the main rules, I (...) argue that the criteria of economy, simplicity, pertinence etc., on which the objections are based, transcend the strict domain of logic and apply to arguments in general (¶ 4). (¶ 5) deals with Frege's critique of the concept of naturalness as regards logic. It is shown that this concept means a regression into psychologism and is exposed to the same difficulties as are: relativity, lack of precision, the error of arguing from `is' to `ought' (the naturalistic fallacy). Despite of these, the concept of naturalness plays the role of a diffuse ideal which favours the construction of alternative deductive systems in contrast to the platonic conception of logic (¶ 6). (shrink)

In der Wissenschaftslehre Bolzanos (1837) spielt der Begriff der Auslegung eine nicht unwesentliche Rolle. Seine Hauptfunktion besteht in der Explikation der logischen Elemente im Satz und in der Reduktion der sprachlichen Sätze auf das Grundmuster,,A hat b". Die Herausbildung und die Behandlung der Auslegungsproblematik bei Bolzano sind stark vom neuzeitlichen Gedankengut, aber auch von der mittelalterlichen Philosophie und Logik beeinflußt. Obwohl sein Auslegungsbegriff der logischen Tradition weitgehend verpflichtet bleibt, weist er doch andererseits tiefgehende Parallelen mit der von Frege und Wittgenstein (...) entwickelten Methode der logischen Analyse auf, sodaß Bolzano auch in diesem Punkt als ein Vorläufer der analytischen Philosophie gelten kann. (shrink)

Die Zusammenhänge die zwischen G. Freges und R. H. Lotzes logischen Lehren bestehen, sind, wie die gemeinsame Beurteilung der Gebrauchssprache zeigt, noch tiefer als allgemein angenommen. Insbesondere die von Frege konzipierte logische Sprachkritik ist in drei Punkten von Lotze beeinflußt. Lotze fordert nämlich die strenge Trennung von Logik und Gebrauchssprache. Daneben spielt der Begriff des Logischeinfachen eine zentrale Rolle in seiner Logik. Schließlich unterscheidet er den objektiven Gedanken von seiner Färbung. The connexions that exist between the logical doctrines of G. (...) Frege and R. H. Lotze are, as shows their common treatment of natural language, deeper than is generally admitted. In particular, the logical criticism of language conceived by Frege is influenced in three points by Lotze. Firstly, Lotze postulates the strict separation of logic and natural language. Furthermore, the idea of logical simplicity plays an important role in his logic. Finally, he distinguishes objective thought from its tone. (shrink)

Sowohl in seiner Habilitationsschrift Das Wesen der Wahrheit nach der modernen Logik (1910) als auch in Allgemeine Erkenntnislehre (1918) setzt Moritz Schhck sich kritisch mit der Phänomenologie Husserls auseinander. Im Zentrum der Kritik steht neben dem Anschauungsbegriff die Hypostasierung der logischen Bedeutungen. Es läßt sich zeigen, daß die Auseinandersetzung mit Husserl eine wesentliche Rolle in der Herausbildung der lingualistischen Bedeutungstheorie Schlicks spielt.

In der Wissenschaftslehre Bolzanos (1837) spielt der Begriff der Auslegung eine nicht unwesentliche Rolle. Seine Hauptfunktion besteht in der Explikation der logischen Elemente im Satz und in der Reduktion der sprachlichen Sätze auf das Grundmuster,,A hat b". Die Herausbildung und die Behandlung der Auslegungsproblematik bei Bolzano sind stark vom neuzeitlichen Gedankengut, aber auch von der mittelalterlichen Philosophie und Logik beeinflußt. Obwohl sein Auslegungsbegriff der logischen Tradition weitgehend verpflichtet bleibt, weist er doch andererseits tiefgehende Parallelen mit der von Frege und Wittgenstein (...) entwickelten Methode der logischen Analyse auf, sodaß Bolzano auch in diesem Punkt als ein Vorläufer der analytischen Philosophie gelten kann. (shrink)

Alfred Tarski a joué un rôle déterminant dans la déconstruction du clivage classique de l’analytique et du synthétique alors même que les ouvrages consacrés à ce chapitre de la philosophie restent, en général, relativement discrets au sujet de son rôle au profit de W. V. O. Quine. La critique de Tarski, qui s’articule dès 1930, s’organise le long de deux axes principaux. Le premier a trait à la difficulté de définir objectivement la notion de logicité ; le second, qui s’appuie (...) sur une conception holiste de la science, admet la possibilité d’une rectification des principes logiques au nom de l’expérience. Sur ce point, les objections ponctuelles de Tarski anticipent la critique plus systématique que Quine adressera à la notion de l’analyticité. L’analyse des principales étapes de la critique de Tarski révèle toutefois que sa pensée n’est pas toujours exempte de tensions internes. Alfred Tarski has played a decisive role in the refutation of the classic cleavage between analytic and synthetic truths, though the studies which deal with this chapter of philosophy generally stress the role of W. V. O. Quine in this question and omit to mention Tarski’s name. Tarski’s critique, which has been expressing itself since 1930, is developed along two main lines. The first concerns the difficulty of giving an objective definition of logical notions ; the second, based on a holistic conception of science, maintains the possibility of the refutation of logical principles by experience. In this question the selective objections of Tarski anticipate the more systematic critique of analyticity by Quine. However, the analysis of the different steps in Tarski’s critique shows that his way of thinking is not free of inner tensions. (shrink)

L’A. revient, dans le prolongement de son ouvrage L’anthropologie logique de Quine (qui plaçait l’accent sur la traduction, la logique et le principe de charité chez Quine) sur un élément souvent négligé de la thèse d’indétermination de la traduction, à savoir la reconstruction/identification des connecteurs logiques par l’assentiment et le dissentiment. Après avoir examiné diverses objections à l’utilisation par Quine des « fonctions de verdict » dans la traduction, l’A. en vient à la véritable motivation de Quine dans son recours (...) à l’assentiment, qui émerge dans l’ouvrage méconnu the roots of reference. Quine revient, par cet usage de l’assentiment, à la question de l’analyticité et à sa critique des « Deux dogmes », qu’il nuance, dans son oeuvre tardive, par la suggestion d’une analyticité non seulement naturalisée, mais socialisée. (shrink)

Argues that the only way to understand the Confucian vision of the consummate moral life is to take the tradition on its own terms.

What is music, what is its value, and what does it mean? In this stimulating volume, Roger Scruton offers a comprehensive account of the nature and significance of music from the perspective of modern philosophy. The study begins with the metaphysics of sound. Scruton distinguishes sound from tone; analyzes rhythm, melody, and harmony; and explores the various dimensions of musical organization and musical meaning. Taking on various fashionable theories in the philosophy and theory of music, he presents a compelling (...) case for the moral significance of music, its place in our culture, and the need for taste and discrimination in performing and listening to it. Laying down principles for musical analysis and criticism, this bold work concludes with a theory of culture--and a devastating demolition of modern popular music. "A provocative new study."--The Guardian. (shrink)

The earliest Analects yet discovered, this work provides us with a new perspective on the central canonical text that has defined Chinese culture--and clearly illuminates the spirit and values of Confucius.

This is a three-part exchange on the relationship between belief and credence. It begins with an opening essay by Roger Clarke that argues for the claim that the notion of credence generalizes the notion of belief. Julia Staffel argues in her reply that we need to distinguish between mental states and models representing them, and that this helps us explain what it could mean that belief is a special case of credence. Roger Clarke's final essay reflects on the (...) compatibility of the previously discussed views with dualist and monist interpretations of our mental states and our ways of modeling them. (shrink)

Resolving Bertrand’s probability paradox.

Book Description: First published in 1980, this contribution to political thought is a statement of the traditional conservative position. Roger Scruton challenges those who would regard themselves as conservatives, and also their opponents. Conservatism, he argues, has little in common with liberalism, and is only tenuously related to the market economy, to monetarism, to free enterprise or to capitalism. It involves neither hostility towards the state, nor the desire to limit the state's obligation towards the citizen. Its conceptions of (...) society, law and citizenship regard the individual not as the premise but as the conclusion of politics. At the same time it is fundamentally opposed to the ethic of social justice, to equality of station, opportunity, income and achievement, and to the attempt to bring major institutions of society such as schools and universities under government control. (shrink)

It seems odd to say that photography is not a mode of representation. For a photograph has in common with a painting the property by which the painting represents the world, the property of sharing, in some sense, the appearance of its subject. Indeed, it is sometimes thought that since a photograph more effectively shares the appearance of its subject than a typical painting, photography is a better mode of representation. Photography might even be thought of as having replaced painting (...) as a mode of visual representation. Painters have felt that if the aim of painting is really to reproduce the appearances of things, then painting must give way to whatever means are available to reproduce an appearance more accurately. It has therefore been said that painting aims to record the appearances of things only so as to capture the experience of observing them and that the accurate copying of appearances will normally be at variance with this aim. Here we have the seeds of expressionism and the origin of the view that painting is somehow purer when it is abstract and closer to its essence as an art. Roger Scruton is the author of Art and Imagination, The Aesthetics of Architecture, The Meaning of Conservatism, From Descartes to Wittgenstein, and The Politics of Culture and Other Essays. (shrink)

A dazzling treatise, as erudite and eloquent as Simone de Beauvoir's The Second Sex and considerably more sound in its conclusion - TLS "He is an eloquent and practised writer" - The Independent (UK) When John desires Mary or Mary desires John, what does either of them want? What is meant by innocence, passion, love and arousal, desire, perversion and shame? These are just a few of the questions Roger Scruton addresses in this thought-provoking intellectual adventure. Beginning from purely (...) philosophical premises, and ranging over human life, art and institutions, he surveys the entire field of sexuality; equally dissatisfied with puritanism and permissiveness, he argues for a radical break with recent theories. Upholding traditional morality - though in terms that may shock many of its practitioners - his argument gravitates to that which is candid, serene and consoling in the experience of sexual love. (shrink)

Available for the first time in English, Roger's masterwork of intellectual history situates the life sciences within the larger context of French Enlightenment thought and the history of institutions.

A compelling defense of the sacred by one of today's leading philosophers In The Soul of the World, renowned philosopher Roger Scruton defends the experience of the sacred against today's fashionable forms of atheism. He argues that our personal relationships, moral intuitions, and aesthetic judgments hint at a transcendent dimension that cannot be understood through the lens of science alone. To be fully alive—and to understand what we are—is to acknowledge the reality of sacred things. Rather than an argument (...) for the existence of God, or a defense of the truth of religion, the book is an extended reflection on why a sense of the sacred is essential to human life—and what the final loss of the sacred would mean. In short, the book addresses the most important question of modernity: what is left of our aspirations after science has delivered its verdict about what we are? Drawing on art, architecture, music, and literature, Scruton suggests that the highest forms of human experience and expression tell the story of our religious need, and of our quest for the being who might answer it, and that this search for the sacred endows the world with a soul. Evolution cannot explain our conception of the sacred; neuroscience is irrelevant to our interpersonal relationships, which provide a model for our posture toward God; and scientific understanding has nothing to say about the experience of beauty, which provides a God’s-eye perspective on reality. Ultimately, a world without the sacred would be a completely different world—one in which we humans are not truly at home. Yet despite the shrinking place for the sacred in today’s world, Scruton says, the paths to transcendence remain open. (shrink)

Offers an in-depth exposition of the Confucian conception of persons as the starting point of Confucian ethics.

Brings together essays on the philosophy of art in which a philosophical theory of aesthetic judgment is tested and developed through its application to particular examples. Each essay approaches, from its own field of study, what Roger Scruton argues to be the central problems of aesthetics -- what is aesthetic experience, and what is its importance for human conduct? The book is divided into four parts. The first contains a resume of modern analytical aesthetics, which also serves as an (...) introduction to subsequent chapters. It also includes an essay that reviews current theories of literary criticism. The second part is devoted to musical aesthetics and contains the theoretical core of the work. Here Scruton describes the contours of aesthetic understanding, and defends the view that the object of aesthetic experience is inherently significant, even when it has no "content" that can be described in propositional terms. He rebuts the view that music is representational, and in the third part goes on to propose a theory of representation whereby to refute the suggestion that photography is a representational art. This third section also contains a study of film. The final part comprises essays relating aesthetic judgment to the understanding of culture, humor, and design. It covers many subjects, including the prose works of Samuel Beckett and the architecture of Leninism. The essays in this book form parts of a single intellectual enterprise, which is to give analytical foundations to the criticism of literature, visual art, music, and culture. (shrink)

Philosopher Roger Scruton offers a wide-ranging perspective on philosophy, from logic to aesthetics, written in a lively and engaging way that is sure to stimulate debate. Rather than producing a survey of an academic discipline, Scruton reclaims philosophy for worldly concerns.

From Botticelli to birdsong, Mozart, and the Turner Prize, Roger Scruton explores what it means for something to be beautiful. This thought-provoking introduction to the philosophy of beauty draws conclusions that some may find controversial, but, as Scruton shows, help us to find greater sense of meaning in the beautiful objects around us.

Embryos, cells, genes, and organisms : reflections on the history of evolutionary developmental biology / Manfred D. Laubichler and Jane Maienschein The organismic systems approach : streamlining the naturalistic agenda / Werner Callebaut, Gerd B. Müller, and Stuart A. Newman Complex traits : genetics, development, and evolution / H. Frederik Nijhout Functional and developmental constraints on life-cycle evolution : an attempt on the architecture of constraints / Gerhard Schlosser Legacies of adaptive development / Roger Sansom Evo-devo meets the mind (...) : toward a developmental evolutionary psychology / Paul E. Griffiths Reproducing entrenchments to scaffold culture : the central role of development in cultural evolution / William C. Wimsatt and James R. Griesemer. (shrink)

The Zhuangzi is a deliciously protean text: it is concerned not only with personal realization, but also with social and political order. In many ways the Zhuangzi established a unique literary and philosophical genre of its own, and while clearly the work of many hands, it is one of the finest pieces of literature in the classical Chinese corpus. It employs every trope and literary device available to set off rhetorically charged flashes of insight into the most unrestrained way to (...) live one's life, free from oppressive, conventional judgments and values. The essays presented here constitute an attempt by a distinguished community of international scholars to provide a variety of exegeses of one of the Zhuangzi's most frequently rehearsed anecdotes, often referred to as "the Happy Fish debate." The editors have brought together essays from the broadest possible compass of scholarship, offering interpretations that range from formal logic to alternative epistemologies to transcendental mysticism. Many were commissioned by the editors and appear for the first time. Some of them have been available in other languages—Chinese, Japanese, German, Spanish—and were translated especially for this anthology. And several older essays were chosen for the quality and variety of their arguments, formulated over years of engagement by their authors. All, however, demonstrate that the Zhuangzi as a text and as a philosophy is never one thing; indeed, it has always been and continues to be, many different things to many different people. (shrink)

The Zhuangzi is a deliciously protean text: it is concerned not only with personal realization, but also with social and political order. In many ways the Zhuangzi established a unique literary and philosophical genre of its own, and while clearly the work of many hands, it is one of the finest pieces of literature in the classical Chinese corpus. It employs every trope and literary device available to set off rhetorically charged flashes of insight into the most unrestrained way to (...) live one's life, free from oppressive, conventional judgments and values. The essays presented here constitute an attempt by a distinguished community of international scholars to provide a variety of exegeses of one of the Zhuangzi's most frequently rehearsed anecdotes, often referred to as "the Happy Fish debate." The editors have brought together essays from the broadest possible compass of scholarship, offering interpretations that range from formal logic to alternative epistemologies to transcendental mysticism. Many were commissioned by the editors and appear for the first time. Some of them have been available in other languages—Chinese, Japanese, German, Spanish—and were translated especially for this anthology. And several older essays were chosen for the quality and variety of their arguments, formulated over years of engagement by their authors. All, however, demonstrate that the Zhuangzi as a text and as a philosophy is never one thing; indeed, it has always been and continues to be, many different things to many different people. (shrink)

Uses a comparative hermeneutical method to explain the most important terms in the classical Confucian philosophical texts, in an effort to allow the tradition to speak on its own terms.

Kant is arguably the most influential modern philosopher, but also one of the most difficult. Roger Scruton tackles his exceptionally complex subject with a strong hand, exploring the background to Kant's work, and showing why the Critique of Pure of Reason has proved so enduring.

Conjecture (1) of [Ma83] is confirmed here by the following result: if $3 \leq \alpha < \omega$, then there is a finite relation algebra of dimension α, which is not a relation algebra of dimension α + 1. A logical consequence of this theorem is that for every finite α ≥ 3 there is a formula of the form $S \subseteq T$ (asserting that one binary relation is included in another), which is provable with α + 1 variables, but not (...) provable with only α variables (using a special sequent calculus designed for deducing properties of binary relations). (shrink)