It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture was to expound his philosophy as a form of “existentialism,” a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make (...) it accessible to a general audience. The published text of his lecture quickly became one of the bibles of existentialism and made Sartre an international celebrity. The idea of freedom occupies the center of Sartre’s doctrine. Man, born into an empty, godless universe, is nothing to begin with. He creates his essence—his self, his being—through the choices he freely makes. Were it not for the contingency of his death, he would never end. Choosing to be this or that is to affirm the value of what we choose. In choosing, therefore, we commit not only ourselves but all of mankind. This book presents a new English translation of Sartre’s 1945 lecture and his analysis of Camus’s _The Stranger_, along with a discussion of these works by acclaimed Sartre biographer Annie Cohen-Solal. This edition is a translation of the 1996 French edition, which includes Arlette Elkaïm-Sartre’s introduction and a Q&A with Sartre about his lecture. (shrink)

In Sketch for a Theory of the Emotions, Sartre highlights how emotions can transform our perspective on the world in ways that might make our situations more bearable when we cannot see an easy or happy way out. The point of this chapter is to spell out and discuss Sartre’s theory of emotion as presented in the Sketch with two aims in mind. The first is to show that although emotions have the power to transform our perspectives on (...) the world in ways described by Sartre, Sartre is mistaken to think emotions comprise the cognitive transformations in question. The second aim is to show why on one plausible way of thinking about the relationship holding between emotions and the cognitive transformations they help to bring about, emotions turn out to be the very sort of things that Sartre claims at the outset they are not, namely types of bodily feelings or sensations, a view of emotion that can be accredited to William James. (shrink)

Sartre's moral thinking progressed from an abstract, idealistic ethics of authenticity to a more concrete, realistic, and materialistic morality. Much of Sartre's important unpublished work on ethics - relevant to both his 'first' and his 'second' ethics - has become available to scholars only in the years since his death. Only now has it become possible to give a complete presentation of both the first and the second ethics and to accurately identify their relationship. Sartre's Two Ethics (...) also presents Professor Anderson's original criticisms of Sartre's two ethics, and concludes that the second is a significant advance over the first. (shrink)

This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.

I argue that Sartre's Transcendence of the Ego draws on Kant's theory of spontaneity to articulate its metaphysical account of consciousness's mode of being, to defend its phenomenological description of the intentional structure of self‐consciousness, and to diagnose the errors that motivate views of consciousness qua person or substance. In addition to highlighting an overlooked dimension of Sartre's early relation to Kant, this interpretation offers a fresh account of how Sartre's argument for the primacy of pre‐personal consciousness (...) works, and brings the extent of his proximity to idealist models of mind into greater relief. It also affords Sartre the resources to respond to criticisms that his account of self‐consciousness relies on a spurious distinction and that his view of freedom cannot explain how consciousness is conditioned by its world. (shrink)

In his classic text, A Theory of Justice, John Rawls argues that the structural principles of a society are just when they issue from a procedure that is fair. One crucial feature that makes the procedure fair is that the persons who will be subjected to these principles choose them after they have deliberated together in a condition marked by a certain balance of knowledge and ignorance. In particular, these people know enough to consider principles that are workable, yet converse (...) behind a “veil of ignorance,” unable to predict what their place in society will be and hence discouraged from slanting the principles toward any preferential interests. My paper questions whether this attempt to ensure the disinterestedness of the conversation of justice is feasible. I worry that when we approach this question practically, we discover that the education that furnishes us with the knowledge necessary to choose viable principles must at the same time preclude genuine ignorance about our social position and interests. As an alternative, I suggest that we convene the conversation of justice behind a “veil of existence.” In this condition, people possess knowledge about how their society works and even about their places in it; however, this knowledge does not foster preferential interests because all interests are subjected to the question of their existential meaning. As Jean-Paul Sartre explains in his essay, “Existentialism is a Humanism,” for our interests to be truly meaningful, they must be affirmed as free responses to our thrownness into existence. Yet how do we find the wherewithal to make such responsible choices rather than lapse into paralysis before their essentially arbitrary differences? My positive thesis is that we may do so by acknowledging how all of us in this existential predicament critically and mutually provoke each to commit oneself to depart from the others in specific ways. This process of provocation is thus educational. It broaches a conception of non-instrumental, non-mimetic, liberal study, one which I try to enact in a writing that employs direct address, regular returns to questions that put discourse at a loss, and expanding webs of association. In this manner, I hope to demonstrate that liberal study may deepen our appreciation of our communal nature, our camaraderie, and thus motivate us to participate unselfishly in the conversation of justice. (shrink)

"Popular summaries of existentialism and Sartre's ideas have ensured a wide currency for such words as 'absurdity', 'nothingness', 'engagement', 'shame', and 'anguish'. But for Sartre, each of these words embodies a precise philosophical concept which he applies and explores further in his fiction and plays. Synthesized in 'Being and Nothingness' and 'Critique of Dialectical Reason', these concepts comprise a fully articulated philosophical system which, as Arthur C. Danto argues, in its vision and scope, logical responsibility and human relevance, (...) takes its place among the greatest of philosophical achievements. This book offers a synoptic and sympathetic reconstruction of the Sartrean system and in particular Sartre's analysis of the nature of language, consciousness, knowledge, self, and values." --Descripción del editor. (shrink)

I argue that Sartre’s philosophy can be both broadened in its aspirations and deepened in its implications through dialogue with the life sciences. Section 1 introduces the philosophical terrain. Section 2 explores Sartre’s evolving understanding of nature and human relations with nature. Section 3 explores Sartre’s perspectives on scientific inquiry, natural history, and dialectical reason. Section 4 outlines recent developments in the life sciences that bear directly on Sartre’s quiet curiosity about a naturalistic dialectics. Section 5 (...) suggests how these developments constitute progress toward an “ecologized” dialectical philosophy consistent with Sartre’s mature ontology of praxis and pertinent to addressing the burgeoning socioecological crisis. (shrink)

Keine ausführliche Beschreibung für "Sartres Sozialphilosophie" verfügbar.

This introduction traces the philosophical achievements of a thinker sonfluential that his death in 1980 brought 50,000 people on to the streets ofaris. The account of Jean-Paul Sartre - writer, journalist and intellectualornerstone of the 20th century - stretches from his early existential phaseo his later Marxist beliefs. With coverage of such major contemporary issuess human liberty, sociobiology, the ethics of work, and the influence ofenetics on ideas of individual freedom, Neil Levy uses a range of originalaterial not only (...) to introduce Sartre and his work, but also to highlight hisontinuing relevance to today's moral and scientific climate. At the heart ofhis study is a focus on the ethical dimension of Jean-Paul Sartre'shilosophical thought: a focus which challenges us to consider more closelyhe shape of our lives, and the manner in which human beings should treat onenother. (shrink)

Jean-Paul Sartre’s theory of “the look” has generally been understood as an argument for the impossibility of mutual recognition between consciousnesses. Being-looked-at reveals me as an object for the other, but I can never grasp this object that I am. I argue here that the chapter “The Look” in Being and Nothingness has been widely misunderstood, causing many to dismiss Sartre’s view unfairly. Like Hegel’s account of recognition, Sartre’s “look” is meant as a theory of successful mutual (...) recognition that proves the existence of others. Yet Sartre claims that such an account is plausible only if recognition is affective, not cognitive. Situating Sartre’s account of the look within his technical understanding of affect’s distinctness from cognition not only enables a better understanding of Sartre’s view, but also reveals a compelling alternative to the understanding of self-other relations in contemporary affect theory. (shrink)

Until recently, the work of Jean-Paul Sartre seemed to have faded out of fashion. Existentialism was replaced by structuralism and poststructuralism, and Sartrean philosophy was relegated to anthologies. In France and the United States, real confrontation with his work has been virtually missing. This collection of essays addresses this absence by shedding light on Sartre's contribution to critical trends that have been developing over the last twenty years, including feminism, gender studies and post-colonial studies. In addition, the essays (...) combine to reassess Sartre's importance in such traditional fields as literature, philosophy and psychoanalysis. An essential, comprehensive volume of work, Situating Sartre in Twentieth-Century Thought and Culture updates and expands the scope of Sartrean studies. (shrink)

El presente ensayo se inscribe en el centenario del nacimiento de Jean-Paul Sartre. Hoy, a veinticinco años de su muerte, se debate en un marco diferente en muchos aspectos de la pretérita generación a la que perteneció: el presente ahora es el de la denominada globalización, el de la Unión Europea, el conflicto étnico y cultural, la caída de la Unión Soviética… y se debate, por circunstancias históricas y de progreso en un mundo que discute críticamente, y precisamente, sobre (...) el filósofo y escritor francés. Nos proponemos estudiar, desde las coordenadas del materialismo filosófico, los componentes filosóficos presentes en L’Idiot de la famille, el último trabajo de Jean-Paul Sartre antes de su fallecimiento en 1980. Obra que es producto de una larga reflexión iniciada en su juventud con la lectura de Madame Bovary y latente a lo largo de su vida como escritor, para concluir en los años setenta con su publicación y en el marco de los acontecimientos revolucionarios del París de mayo del 68. (shrink)

Jean-Paul Sartre claims in his 1945 lecture ‘Existentialism is a Humanism’ that there are two kinds of existentialism: that of Christians like Karl Jaspers, and atheistic like Martin Heidegger. Sartre's ‘spiritual master’ Heidegger had no problem with Sartre defining him as an atheist, but he had serious problems with Sartre's concept of humanism and existentialism. Heidegger claims that the essence of humanism lies in the essence of the human being. After the Enlightenment, the Western concept of (...) man has been presented in education in the form of Kantian humanistic essentialism. At least in the Finnish educational system, Kantian humanism is almost an official ideological background of all national curriculums. Is such a kind of essentialism and metaphysics plausible in our modern or postmodern times? We examine the Sartre-Heidegger controversy on humanism and the concept of man in education using Freire's humanism and Gelassenheit education as exemplars. (shrink)

The Western philosophic tradition has tended to tie the question of action to that of freedom, with the relationship structured around the free will/determinism opposition. In contrast, I show that in Being and Nothingness, Sartre offers a stringent and radical critique of these approaches. I briefly outline the conceptual parameters of Sartre’s early ontology, before showing that he rejects the free will tradition because of its underlying conception of freedom and insistence that action is reflective and will-based. According (...) to Sartre, consciousness is not a sum of parts, with one aspect (will) guiding the rest. Consciousness is a differentiated whole, divided between reflective and pre-reflective levels. Will is tied to the reflective level of consciousness and so cannot be said to be foundational given that reflectivity depends upon pre-reflectivity. Instead, it is an expressive effect of consciousness’s spontaneous, pre-reflective, projection of itself towards a particular end and value. (shrink)

This book is a comprehensive study of the writings of Jean-Paul Sartre. As well as examining the drama and the fiction, the book analyses the evolution of his philosophy, explores his concern with ethics, psychoanalysis, literary theory, biography and autobiography and includes a lengthy section on the still much-neglected study of Flaubert, L'Idiot de la famille. One important aim of the book is to rebut the charges made by many theorists and philosophers by revealing that Sartre is in (...) fact a major source for concepts such as the decentred subject and detotalised truth and for the revolt against individualistic humanism. Dr Howells also takes into account much posthumously published material, in particular the Chaiers pour une morale, but also the Lettres au Castor and the Cranets de la drole de guerre. The work is a substantial contribution to Sartre studies, but has been written with the non-specialist in mind; to that end all quotations are translated into English and gathered in an appendix. (shrink)

In The Imaginary Sartre offers a systematic, insightful and heterodox account of imagining in many forms. Beginning with four ‘characteristics’ he takes to capture the phenomenology of imagining, he draws on considerations both philosophical and psychological to describe the deeper nature of the state that has those features. The result is a view that remains the most potent challenge to the Humean orthodoxy that to this day dominates both philosophical and psychological thinking on the topic.

This paper illuminates the central arguments in Sartre's UNESCO address, 'The Singular Universal." The address begins by asking whether objective facts tell us everything there is to know about Kierkegaard. Sartre's answer is negative. The question then arises as to whether we can lay hold of Kierkegaard's "irreducible subjectivity" by seeing him as alive for us today, i.e., as transhistorical. Sartre's answer here is affirmative. However, a close inspection of this answer exposes a deeper level to the (...) address. The struggle to find a place for Kierkegaard within the world of objective knowledge is an allegory. It mirrors Sartre's struggle to find a place for his existentialism within the Marxism that dominates his later thinking. (shrink)

This article will offer an alternative understanding of managerial decision-making drawing from Sartre’s Critique of Dialectical Reason rather than simply Being and Nothingness. I will begin with a brief explanation of Sartre’s account of freedom in Being and Nothingness. I will then show in the second section how Andrew West uses Sartre’s conception of radical freedom from Being and Nothingness for a managerial decision-making model. In the third section, I will explore a more robust account of freedom (...) from Sartre’s Critique of Dialectical Reason. I will attempt to show that freedom is not simply a matter of choosing (or not choosing) to perform an action, but entails external constraints—including other people. Finally, I will provide the implications of this account of freedom for managerial decision-making. I will show that it’s unreasonable to place full responsibility and/or blame on managers given their constraints. This does not absolve them from responsibility, but better accounts for the way in which we ought to hold them responsible. (shrink)

Sartre’s obscure but evocative remarks on bodily awareness have often been cited, but, I argue, they have rarely been understood. This paper aims to bring the connection between Sartre's views on bodily awareness and his more general distinction between “positional” and “non-positional” consciousness. Sartre’s main claim about bodily awareness, I argue, is that our primary awareness of our own bodies is a form of non-positional consciousness. I show that he is right about this, and right to think (...) that recognizing this point is crucial to understanding what it is for something to be my body. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Notes and Fragments SARTRE AND SEXISM by Hazel E. Barnes Insofar as is possible, I want to consider here not Sartre the man but Sartre the philosopher—or, more precisely, the philosophy of Sartre. To askwhether Sartre's long association with Simone de Beauvoir was a model of human relations at their best or an example ofbad faith on both sides is not to my present (...) purpose. Nor are his numerous, sometimes rather unsavory affairs with other women. Of course, the man and his work cannot be separated entirely. Sartre himselfadmitted that despite his wholehearted support of women's liberation, there remained in him vestiges of ingrained male chauvinism which he found difficult to eradicate.1 We should expect to find echoes of these in his writing, and we do—not in the ideas but in the imagery and rhetoric, and these not only in the fiction but in the philosophical works. The grossest example is the well-known passage in which Sartre discusses the "existential meanings" ofslime and holes.2 Slime, the great "Antivalue," is "a moist and feminine sucking" and "a sickly-sweet feminine revenge." Moreover—and this is even worse—Sartre allows his meditation on holes to lead by a process of his own associations to the idea ofa woman's sex as "a voracious mouth" evoking the male castration complex. This is not the only place where Sartre links female with notions of a treacherous receptivity. Furthermore, such passages are complemented by others where Sartre employs male sexual imagery to describe the activity of consciousness. Knowledge is portrayed as penetration and conquest. He points out, without objecting, that banal metaphors of everyday language suggest that "knowing" has overtones of carnal knowing and sexual violation: "What is seen is possessed; to see is to deflower.... The unknown object is given as immaculate, as Philosophy and Literature, © 1990, 14: 340-347 Hazel E. Barnes341 virgin, comparable to a whiteness.... Man has not yet 'snatched' its secret away from it.... Figures of speech... like that of the 'unviolated depths of nature' suggest the idea ofsexual intercourse more plainly."3 There can be no doubt that a full investigation ofthe linguistic codes in Sartre's writing would reveal him to be a man comfortably ensconced in a world of male dominance. Yet Collins and Pierce in their excellent article, "Holes and Slime: Sexism in Sartre's Psychoanalysis," even as diey deplore Sartre's sexist language and his failure to depict any fictional female characters as embodiments of existential authenticity, admit that these weaknesses are at variance with the central philosophy ofBeing and Nothingness and not derived logically from it.4 I agree, and diat is why I hold that the sexism is there but is contingent, relevant to our appraisal of die writer but not essential to ourjudgment on the philosophy and its potential value as a support to feminism. In saying this I am partially making the sort of distinction employed by Jean Grimshaw, who points out that a philosophy built on male assumptions may exclude women essentially as with Kant, inconsistendy as with Aristode, or inadvertendy as with Descartes.5 The difference with Sartre is that in spite of the occasional lapse into traditional male linguistic tropes, the work, like its author, is notjust theoretically egalitarian but concerned explicidy with forms of oppression and the problems of disfavored groups. More than that of any other male writer, Sartre's philosophy seems to me to demand feminism as one of its natural consequences. That diis has been historically true is shown, ofcourse, by the fact that Simone de Beauvoir used Sartrean existentialism as the foundation for her own original analysis of women's situation in TL· Second Sex. The irony is diat this book, which played a key role in launching the movement for women's liberation throughout the world, has been adversely criticized by later feminists precisely on the grounds of its Sartrean orientation, along with Beauvoir's emphasis on women's right to share the things men value rather than to challenge those values. Beauvoir herself later recognized that the book did not go far enough, but she never renounced what she had written there. My claim... (shrink)

These remarks take up the reflexive problematics of Being and Nothingness and related texts from a metalogical perspective. A mutually illuminating translation is posited between, on the one hand, Sartre’s theory of pure reflection, the linchpin of the works of Sartre’s early period and the site of their greatest difficulties, and, on the other hand, the quasi-formalism of diagonalization, the engine of the classical theorems of Cantor, Gödel, Tarski, Turing, etc. Surprisingly, the dialectic of mathematical logic from its (...) inception through the discovery of the diagonal theorems can be recognized as a particularly clear instance of the drama of reflection according to Sartre, especially in the positing and overcoming of its proper value-ideal, viz. the synthesis of consistency and completeness. Conversely, this translation solves a number of systematic problems about pure reflection’s relations to accessory reflection, phenomenological reflection, pre-reflective self-consciousness, conversion, and value. Negative foundations, the metaphysical position emerging from this translation between existential philosophy and metalogic, concurs by different paths with Badiou’s Being and Event in rejecting both ontotheological foundationalisms and constructivist antifoundationalisms. (shrink)

La célébrité de Sartre auprès du grand public tient sans doute, pour une bonne part, à son activité et à ses nombreux engagements politiques. Ceux-Ci ne doivent cependant pas éclipser une œuvre imposante qui, d'une certaine manière, loin d'être réservée à quelques initiés, s'offre à chacun : tout le monde d'ailleurs n'a-t-il pas, un jour ou l'autre, lu ou entendu du Sartre? Cependant, l'auteur de La Nausée ou de Huis clos fut avant tout un philosophe, dont les thèses (...) sur la contingence, la mauvaise foi, la praxis, l'aliénation, l'engagement, etc., irriguèrent le reste de son œuvre comme la pensée de ses contemporains, et qu'il faut sans doute compter avec Bergson ou Merleau-Ponty, au nombre des grands philosophes français du XXe siècle. (shrink)

‘A whole man, made of all men, worth all of them, and any one of them worth him.’ This was how Jean-Paul Sartre characterized himself at the end of his autobiographical study, Words. And Bernard-Henri Lévy shows how Sartre cannot be understood without taking into account his relations with the intellectual forebears and contemporaries, the lovers and friends, with whom he conducted a lifelong debate. His thinking was essentially a tumultuous dialogue with his whole age and himself. He (...) learned from Gide the art of freedom, and how to experiment with inherited fictional forms. He was a fellow-traveller of communism, and yet his relations with the Party were deeply ambiguous. He was fascinated by Freud but trenchantly critical of psychoanalysis. Beneath Sartre’s complex and ever-mutating political commitments, Lévy detects a polarity between anarchic individualism on the one hand, and a longing for absolute community that brought him close to totalitarianism on the other. Lévy depicts Sartre as a man who could succumb to the twentieth century’s catastrophic attraction to violence and the false messianism of its total political solutions, while also being one of the fiercest critics of its illusions and shortcomings. (shrink)

Examines Sartre's reception and legacy, both within France and beyond.

When humanism is thought, especially within the borders of 20th century philosophy, one of the things that first comes to mind is the statements which have occurred in 1950s between Martin Heidegger and Jean-Paul Sartre, can be named as Heidegger-Sartre Controversy on Humanism and mainly based on two texts. Sartre, in one of his speeches, builds an essential connection between humanism and existentialism and in here he defines Heidegger as an existentialist like himself. In return, Heidegger, probably (...) as a criticism to Sartre's attribution to him, told about his thoughts on humanism within the expanded version of one of his earlier letters. By this controversy the context and content humanism had been expanded, the understanding of humanism is deepened. The aim of this article is to manifest if there are some things that the controversy between Heidegger and Sartre could contribute to the terms -as a problematic humanism has nowadays- like post-humanism, trans-humanism, meta-humanism, super-humanism, alter-humanism whose terminological meanings aren't quite well-defined. It is to investigate if there are any solutions that humanism -which is being shaped again and obtaining new contexts through these terms- could gain by this controversy against this current terminology problem. (shrink)

Jean-Paul Sartre is a man who lived half his life in the limelight of extreme notoriety. An intellectual who already in 1945 had to protest against attempts aimed at institutionalizing the writer, turning his works into 'national goods', exclaiming: 'it is not pleasant to be treated in one's lifetime as a public monument'. What must be equally unpleasant is to be constantly subjected to abuse. And the fact is that no writer in his lifetime has been the target of (...) so many attacks, from the most varied and rather powerful quarters, as Jean-Paul Sartre. What are the reasons? How should we approach the work of this man, our contemporary? (shrink)

This article is on Jean-Paul Sartre’s existentialist philosophy and his theory of art. Sartre, first of all, sets up phenomenological ontology, then founds humanist atheist existentialism. Sartre projects his theory of committed literature as his contribution to the field of philosophy of art on phenomenological ontology and humanist atheist existentialism. In the first part of this article, a brief description of the sources and grounds of Sartre’s ideas are given. In the second part, the theory of (...) committed literature is explained. Here, the most important property of Sartre’s art theory, namely Sartre’s separation of literature from plastic arts is clarified. The second part of the article is composed of four sections. In the first section of the second part, Sartre’s critique against the theory of aesthetic purity is investigated. In the second section, a relation between development of art and human freedom is set up. In the third section the difference between art of literature and plastic arts is determined. In the fourth and the last section the meaning of committed literature is defined. (shrink)

My article focuses on the status of the materialist dialectic in Sartre, with particular reference to the second part of the Critique of Dialectical Reason, with the points of continuity and together with the lines of demarcation with respect to Marxism. The attempt is to keep together, albeit in an unstable manner, the investigation into the intelligibility of History with an approach that takes on the demands of Marxian materialism, with a strong enhancement of the political dimension of the (...) struggles, but within the specific space of the situation. (shrink)

The vicissitudes of the concept of original choice illustrate the change, and yet the continuity, of Sartre's existentialist thought as he gradually changed the focus of his attentions from psychological to sociological aspects of "the human condition." The relationship of the doctrine to Sartre's own "existential psychoanalysis" is described. The point at which Sartre explicitly repudiated the earlier doctrine of original choice and the general characteristics of his revised doctrine are explicated. In general, Sartre's current position (...) is that the goal- directed structure of human endeavor is a freely-created variation upon the conditioning imposed by society, aiming at liberation from such external determinism. Sartre continues to reject the notion of a causal determinism, psychological or social, which makes the person a product—a "thing"—and which reduces human freedom to the status of illusion. (shrink)

Arthur Danto was an original thinker, and like all creative readers of the history of philosophy he invariably heard in those who caught his attention echoes, faint or raucous, of his own thoughts. Danto rejects the transparency theory as inadequate to how we talk about art and to artistic practice. For Danto, an artwork is not a mere representation, with a particular kind of content. Echoing a familiar theme from traditional aesthetic theory, Danto reminds us that “it is crucial to (...) distinguish the form of a representation from the content of the representation”. Sartre and Danto agree that artistic style and expression differ essentially from mundane character and meaning. By his own admission, Sartre's favored argumentative technique was to invest heavily in sharp categorical distinctions where common sense and philosophical refinement are inclined to see complexity and ambiguity. (shrink)

Sartre’s memoir Words turns on his mid-life realisation that, although he had abandoned belief in God, he had hitherto based his work on a religious model. From this point God no longer appears as a primary reference in his writings. This is in sharp contrast with the pervasive presence of God in earlier works, especially in his ontology and related reflections on ethics. In ontology Sartre was particularly concerned with the Cartesian idea of the creator God as ens (...) causa sui. Adapting this to his own system, he uses the idea of causa sui to mark the absolute (but non-substantial) existence of for-itself being (consciousness) as separate from the uncreated plenitude of in-itself being. He then argues that the idea of God as a consciousness that founds its own being is an impossible synthesis of the for-itself and the in-itself. The idea nonetheless remains fundamental for consciousness, for desire, which arises in response to lack, ultimately the lack of in-itself being, reflects an original choice that leads to constant striving towards the impossible goal of being God. This theme haunts the ontology from beginning to end. Sartre offers a system to rival Descartes or Leibniz, but adopts a quasi-religious framework of salvation in which, apart from the promise of a possible escape from ontological destiny, human beings are condemned to futility. In ethics he explores the idea of conversion from original choice to an authentic choice of freedom, but fails to break out of the closed framework set by the ontology. (shrink)

This essay argues for a new conception of bad faith based partly on Harry Frankfurt's famous account of personal autonomy in terms of higher‐order volitions and caring, and based partly on Sartre's insights concerning tacit or pre‐thetic attitudes and “transcendent” freedom. Although Sartre and Frankfurt have rarely been connected, Frankfurt's concepts of volitional “wantonness” and “bullshit” (wantonness about truth) are similar in certain revealing respects to Sartre's account of bad faith. However, Sartre leaves no room for (...) Frankfurt's central point that people can volitionally commit themselves to develop certain motives and reduce others, thereby shaping an authentic identity through volitional “identification” and “alienation” of motives. Frankfurt in turn minimizes the role that a sense of liberty to form and alter higher‐order volitions plays in experiences of autonomy, which Sartre recognizes in the transcendence of the “for‐itself.” When these points are combined, we get a tri‐level theory of intrasubjective volitional stances that explains Sartre's cases better than his own theory can, and also clarifies how sincere or procedurally autonomous self‐relation is possible. (shrink)

This paper compares the treatment of other minds in Strawson and Sartre. Both discussions are presented here as transcendental arguments, and some striking parallels between them are brought out. However the primary significance of the alignment lies in the difference that emerges between two forms of transcendental proof, with the phenomenological treatment in Sartre promising to yield a stronger conclusion than Strawson's argument. The paper goes some way towards bringing out this difference.

Most Sartrean scholarship attributed Sartre’s ontology of hostile intersubjectivity to Hegel’s theory of recognition, and a Sartrean politics of violence to Hegel’s master-slave dyad. This article sets out to examine Sartre and Hegel in three areas of their work: first, a reassessment of Sartre’s ontology which was commonly thought to be founded on Hegel’s thymos; second, a reconsideration of Fukuyama’s conceptualisation of democracy as the end of Hegel’s historical progress and Sartre’s critique of democracy based on (...) a humanist version of Marxism as philosophy of our time; and finally, a re-evaluation of the conceptualisation of freedom through Hegel’s universal will and Sartre’s principle of universal fraternity. (shrink)

Sartre's phenomenological ontology discloses that understanding consciousness and its mode of being requires an analysis of its relation with other consciousnesses. The primordial manner in which the Other relates to consciousness is through the look. Sartre claims that consciousness tends to adopt a pre-reflective fundamental project that leads it to view the Other as a threat to its pure subjective freedom. This creates a conflictual social relation in which each consciousness tries to objectify the Other to maintain its (...) subjective freedom. But Sartre also notes that consciousnesses can establish a social relation called the “we” in which each consciousness is a free subject. While certain commentators have noted that communication allows each consciousness to learn that the Other is not simply a threatening object but another subject, communication can only play this positive role if both consciousnesses have undergone a specific process called conversion. Only conversion brings consciousness to recognise, respect, and affirm the Other's practical freedom in the way necessary to create a we-relation. To support my argument, I spend significant time outlining what conversion and the social relations created post-conversion entail. (shrink)

Bonnie Burstow; Sartre: a possible foundation for educational theory, Journal of Philosophy of Education, Volume 17, Issue 2, 30 May 2006, Pages 171–185, https.

Introduction: to historicize or not to historicize -- From time to history -- The historical search for the unhistorical -- Human history and the human condition -- History and revolution -- History and a note on ethics.

This brief essay unpretentiously seeks to highlight the relevance of some of the central questions in Jean-Paul Sartre's Being and Nothingness, thus aiming to contribute to broadening the scope of the French philosopher's ideas. Without fearing controversy, it presents the correlation between the concept of freedom and the responsibility necessarily implied. Such concepts remind us that this work is current, for it demands to assume its political and ethical unfoldings as unavoidable demands. The debate is built, then, through (...) class='Hi'>Sartre's encounters with his peers, highlighting the interlocutions and controversial divergences that mark his itinerary. Finally, the timeliness of the work seems to reside in the historical failure of the humanist project, that is, Being and Nothingness continues to be current, because we are still incapable of promoting a historical situation in which the human being is free. (shrink)

Sartre’s phenomenological view of consciousness gives primacy to the thesis that all consciousness is nonthetically aware of itself, i.e., pre-reflectively aware of itself but not as an object. Few commentators, however, have explained Sartre’s grounds for holding this thesis, despite his view that the thesis’s truth underwrites the certainty of the Cartesian cogito and thereby the method of Sartre’s own phenomenological ontology. I document three lines of support for the thesis, the most promising of which consists in (...) a proof by cases. Namely, Sartre’s texts contain the argument that the existence of nonthetic consciousness is the only satisfactory explanation of the Cartesian cogito’s certainty. The paper concludes with an examination of whether and how nonthetic consciousness can serve as a foundation for Sartre’s method of phenomenological ontology. (shrink)