When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but (...) Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science. (shrink)

Fifty years ago when Jacques Hadamard set out to explore how mathematicians invent new ideas, he considered the creative experiences of some of the greatest thinkers of his generation, such as George Polya, Claude Le;vi-Strauss, and Albert Einstein. It appeared that inspiration could strike anytime, particularly after an individual had worked hard on a problem for days and then turned attention to another activity. In exploring this phenomenon, Hadamard produced one of the most famous and cogent cases for the existence (...) of unconscious mental processes in mathematical invention and other forms of creativity. Written before the explosion of research in computers and cognitive science, his book, originally titled The Psychology of Invention in the Mathematical Field , remains an important tool for exploring the increasingly complex problem of mental life. The roots of creativity for Hadamard lie not in consciousness, but in the long unconscious work of incubation, and in the unconscious aesthetic selection of ideas that thereby pass into consciousness. His discussion of this process comprises a wide range of topics, including the use of mental images or symbols, visualized or auditory words, "meaningless" words, logic, and intuition. Among the important documents collected is a letter from Albert Einstein analyzing his own mechanism of thought. (shrink)

This paper deals with what has been called "ars inveniendi" (’art of finding‘) in antiquity, medieval and early modern times. A survey of different techniques of finding tenable and relevant arguments is presented (among them, the Topical tradition, Status theory, Debate theory, Encyclopedic systems, Creativity techniques). Their advantages and disadvantages are critically compared. It is suggested that a mixture of strategies of finding arguments should be used. Finally, a few remarks showing the relationship beween the strategies of finding arguments and (...) creativity in general are given. (shrink)

This article discusses the “aesthetics of existence” developed by Foucault in the late “ethical” stage of his work, aiming to clarify its complex significance through its relationships with ethics, critique, and, in particular, art as a model of self-invention. The main claims are that aesthetics of existence is a new type of self-formation molded by technologies inspired not only by the ancient ethical self-formation but also by modern art understood as creative self-production; thus, aesthetics of existence is an active (...) form of aesthetic education, in the particular sense of an ontological self-formation. To argue these claims, the author advances a line of analysis alternative to typical readings, which see it as related exclusively to the ancient “art of living” or its modern revival in the Nietzschean project of self-fashioning. The focus is instead on the Baudelairean and Kantian roots of Foucault’s work—modernity as a critical attitude and the transgressive art of the self of the dandy—as keys to understand the reframing by him of the art of living into a modern aesthetics of existence. This appears as a critical-transgressive invention of the self, which could contribute to constituting new subjectivities and alternative norms for the entire social body. (shrink)

Summary We offer a novel historical-philosophical framework for discussing experimental practice which we call ‘Generating Experimental Knowledge’. It combines three different perspectives: experimental systems, concept formation, and the pivotal role of error. We then present an historical account of the invention of the Scanning Tunnelling Microscope (STM), or Raster-Tunnelmikroskop, and interpret it within the proposed framework. We show that at the outset of the STM project, Binnig and Rohrer—the inventors of the machine—filed two patent disclosures; the first is dated (...) 22 December 1978 (Switzerland), and the second, two years later, 12 September 1980 (US). By studying closely these patent disclosures, the attempts to realize them, and the subsequent development of the machine, we present, within the framework of generating experimental knowledge, a new account of the invention of the STM. While the realization of the STM was still a long way off, the patent disclosures served as blueprints, marking the changes that had to be introduced on the way from the initial idea to its realization. (shrink)

Conventional wisdom and many published histories of “Green Chemistry” describe its start as being a result of governmental and/or regulatory actions at the US Environmental Protection Agency during the early 1990’s. But there were many Real World industrial examples of environmentally friendly commercial processes in the oil and commodity chemicals industries for decades prior to the 1990s. Some early examples of commercial “Green Chemistry” are briefly described in this article. The Boots/Hoechst Celanese Ibuprofen process was one of the earliest multiple-award-winning (...) examples of industrial “Green Chemistry” in the fine chemical/pharmaceutical industry. The author, who conceived the BHC Ibuprofen synthetic strategy in 1984, reveals and documents that the BHC Ibuprofen process was not primarily a result of governmental or regulatory mandates, or environmentalist or political motivations. The BHC ibuprofen process, and probably many other early industrial “green” inventions, evolved from, and their development and commercialization motivated and guided by, a long prior industrial culture of both scientific and technical evolution. The invention and commercialization of these early industrial commercialized processes, and the BHC Ibuprofen process were also guided by both competitive and economic market needs, personal human motivations, and a low waste culture of “Quality” and “Continuous Improvement” that the commodity chemical industry internally promoted in the 1980’s. The author comments on some perceptions of the status of Green Chemistry now, and directions it should consider going in the future. The author recommends that young Green Chemists and/or Green Engineers reconsider “Quality” approaches in order to genuinely lead Society toward a Greener future. (shrink)

This article proposes three states in an actor-network and a global/local distinction among actants. This theoretical framework is applied to two invention networks: one created by an inventor of solar heating systems and another created by a designer who wanted to create an environmentally sustainable furniture fabric. Both solar inventor and fabric designer wanted to develop technologies that would improve the environment and also make money. The article concludes by considering whether invention networks that intend to turn “good (...) into gold” have to evolve a shared representation or whether it is sufficient for a new design to serve as a boundary object for actants. (shrink)

ABSTRACT The image of Plato captured in Raphael’s School of Athens as the champion of contemplative life has been celebrated for centuries. Such a description of Plato, however, would probably be surprising for most readers who are used to a very different Plato. For many current readers, Plato is a political philosopher. The contrast could not be sharper. The goal of this paper is to reconstruct the origins of the political interpretation of Plato’s thought. Prior to Popper, this interpretation was (...) first developed into a mainstream presentation by some important Hellenists in Germany in the first 30 years of the twentieth century, and it quickly became dominant outside the universitiies. One interesting example of the attempts to popularize Plato’s political thought is that of K. Hildebrandt, a member of the George Kreis, who sought to harmonize Plato and Nietzsche in order to derive a new politics of the German state. (shrink)

This paper is a critical assessment of the epistemological impact of the systematic quantification of nature with the accumulation of big datasets on the practice and orientation of ecological science. We examine the contents of big databases and argue that it is not just accumulated information; records are translated into digital data in a process that changes their meanings. In order to better understand what is at stake in the ‘datafication’ process, we explore the context for the emergence and quantification (...) of biodiversity in the 1980s, along with the concept of the global environment. In tracing the origin and development of the global biodiversity information facility we describe big data biodiversity projects as a techno-political construction dedicated to monitoring a new object: the global diversity. We argue that, biodiversity big data became a powerful driver behind the invention of the concept of the global environment, and a way to embed ecological science in the political agenda. (shrink)

Illuminates the emergence of race as a central concept in philosophy and the social sciences.

Bernard Stiegler’s concept of individuation suggests that the human being is co-constituted with technology. Technology precedes the individual in the respect that the latter is thrown in a technological world that always already contains externally inscribed memories—what he calls tertiary memories—that selectively form the individual and the collective space of the community. Revisiting Husserlian phenomenology, Stiegler renews the critique of culture industries asserting that imagination and differance have always been technologically mediated, and echoing the Heideggerian anxiety concerning thinking’s over-determination, Stiegler (...) offers an intriguing analysis of the specificity of our age’s technologies while exploring the possibility for political responsibility and educational intervention. (shrink)

Gilbert Simondon has recently attracted the interest of political philosophers and theorists, despite the fact that he is renowned as a philosopher of technics – author of Of the Mode of Existence of Technical Objects – who also elaborated a general theory of complex systems in Individuation in the Light of the Notions of Form and Information. A group of scholars has developed Gilles Deleuze’s early suggestion that Simondon’s social ontology might offer the basis for a re-theorisation of radical democracy. (...) Others, following Herbert Marcuse, have instead focused on Simondon’s analysis of the relationship between technology and society. However, only a joint study of Simondon’s two major works can reveal their implicit political stakes. As I will argue, Simondon’s anti-Aristotelianism and his anti-Heideggerian understanding of the Greek origins of philosophy, allow us to conceive philosophical thought as a ‘tradition of invention’, that is, a pedagogical technē endowed with the political task of maintaining the openness of the social system and allowing normative invention to emerge from within. (shrink)

Through a comparison of the logic of socio-economic and technical development in Marx with the logic of technical invention in Simondon, I argue the thesis that worker’s democracy is the forgotten political form that offers a viable alternative to both capitalism and Soviet-style Communism, the dominant political régimes of the Cold War period that have not yet been surpassed. Marx’s detailed account of the capitalist technical logic from handwork through manufacture to industry is a logic of continuous concretization in (...) Simondon’s sense. Its immanent teleology is the exclusion of living labor through automation such that freedom is understood as free time apart from labor and technical activity. A post-capitalist society would require a conception of freedom in labor, such as that held by the early Marx, that demands a leap from this logic of concretization to a new technical object. Such a new technical object would require workers to engage in technical activity that continues the activity of invention in Simondon’s sense. Through these interpretive and argumentative links, Simondon’s possibility of transindividual technical activity and knowledge can be seen as, in socio-political terms, aiming at workplace democracy. In philosophical terms, it aims to displace the priority of thought and imagination over activity and to locate both within an ongoing impersonal task which contains the possibility of individual and social self-realization. (shrink)

Contrary to the general belief that modernist art and architecture reflect the technological society, Jacques Ellul maintains in his L’empire du non-sens that they are justifications for the integration of humankind into what he called the technicist complex. Modernism in art and architecture meant that every product must be qualified by a technological character. This unassailable belief exerted some far-reaching influences on symbolic thought, on artistic expression, on architectural character. If imitation and invention were the two inseparable concepts through (...) which art and architecture were produced and symbolized, it is because they operate on a certain transparency between an exemplar and a work of art. By contrast, in the mentality of technique, artistic production operates based on a certain opacity to meanings outside of itself. Imitation and invention were separated. Thus, one of the principal beliefs in modernism, that art and architecture symbolize the technological society is actually one of its weakest. In considering technology as both the symbol and the product, the artistic idea and its representation collapsed into each other. (shrink)

In the seventeenth century the microscope opened up a new world of observation, and, according to Catherine Wilson, profoundly revised the thinking of scientists and philosophers alike. The interior of nature, once closed off to both sympathetic intuition and direct perception, was now accessible with the help of optical instruments. The microscope led to a conception of science as an objective, procedure-driven mode of inquiry and renewed interest in atomism and mechanism. Focusing on the earliest forays into microscopical research, from (...) 1620 to 1720, this book provides us with both a compelling technological history and a lively assessment of the new knowledge that helped launch philosophy into the modern era. Wilson argues that the discovery of the microworld--and the apparent role of living animalcula in generation, contagion, and disease--presented metaphysicians with the task of reconciling the ubiquity of life with human-centered theological systems. It was also a source of problems for philosophers concerned with essences, qualities, and the limits of human knowledge, whose positions are echoed in current debates about realism and instrument-mediated knowledge. Covering the contributions of pioneering microscopists (Leeuwenhoek, Swammerdam, Malpighi, Grew, and Hooke) and the work of philosophers interested in the microworld (Bacon, Descartes, Leibniz, Malebranche, Locke, and Berkeley), she challenges historians who view the abstract sciences as the sole catalyst of the Scientific Revolution as she stresses the importance of observational and experimental science to the modern intellect. (shrink)

If electronic word searching can be relied upon, then the problematic of signature does not arise in Derrida's corpus until after its initial three‐part salvo, Voice and Phenomena, Writing and Difference, and Of Grammatology, all published in 1967. The repetition bears what Derrida will later, in Glas, call his siglum, his abbreviation or acronym, the semanticization of his initials, D.Ja., which shows up in the common adverb déjà, “already.” Countersignature is a response to the other's writing, the other's signing. Which (...) is to say another name for it is reading, but one that figures an act of responsible response, signed and countersigned. To conclude, this chapter considers a text from 1998 that sustains a reflection on the history of, if not Derrida's signature, then an invention signed by Derrida. That invention is Derrida's translation of Hegelian Aufhebung as relève. (shrink)

Qu’est-ce qu’une spécialiste de la philosophie grecque peut bien avoir à transmettre à un auditoire de 500 juristes débutant(e)s? Le plaisir de penser, dans la rigueur et l’audace. Le goût foncièrement démocratique pour le débat, c’est-à-dire la nécessité de confronter sa pensée à celle d’autrui, fût-elle sous-tendue par une raison contradictoire. Comment faire? Plutôt qu’un parcours classique dans l’histoire de la philosophie, l’auteur a choisi de construire le cheminement d’une enquête en deux étapes. La première, placée sous le signe d’Oedipe, (...) interroge l’énigme de l’humain. Elle fera voyager de la description poétique de l’homme comme mortel éphémère chez Homère à l’être-vers la- mort selon Heidegger, de la définition de l’homme comme animal rationnel d’Aristote à son retournement en animal fou par Castoriadis. La seconde étape prolongera ce questionnement en l’axant sur le collectif. Elle portera sur l’invention de la politique : de la cité grecque à l’État moderne, comment les sociétés humaines se sont-elles organisées? Qu’ont-elles institué comme fondement à leur communauté? Une grande attention sera également accordée à l’étude de philosophes contemporains, qui, en se fondant sur la discussion des penseurs grecs et modernes, ont proposé de nouvelles manières de penser la démocratie, la liberté et le pouvoir, les formes de vie et les types humains, les actions et les passions propres au politique. Plongeant dans les racines du passé pour mieux comprendre le présent et inventer le futur, cet ouvrage intéressera en réalité toutes les personnes désireuses de s’engager dans une réflexion citoyenne. (shrink)