Artistic function within the global society is not more to produce “beauty” instead to acting inside communication. At Baudelaire’s time beauty was the ephemeral and bizarre. Masterpiece, work of art now is rather an open device. At the beginning of the modern era, cinema creates a new kind of spectator as an absent-minded expert, as W. Benjamin said. The new technological condition produces itself a sort of technical aura (so is for radio, cinema, records etc.) But as K. Marx said (...) «production produce consume». So a new condition of aura in communication era lies in the ephemeral artist’s act. Art is now in the era of “gas”, to live the aura is just to breath an atmosphere as Y. Michaud says. Artistic function is to produce relations and public relations. Curators they work as cool hunters or disc jockey and museums are a new kind of mass media for an absent-minded public enjoying in the supermarket of aura. (shrink)

Artistic function within the global society is not more to produce “beauty” instead to acting inside communication. At Baudelaire’s time beauty was the ephemeral and bizarre. Masterpiece, work of art now is rather an open device. At the beginning of the modern era, cinema creates a new kind of spectator as an absent-minded expert, as W. Benjamin said. The new technological condition produces itself a sort of technical aura (so is for radio, cinema, records etc.) But as K. Marx said (...) «production produce consume». So a new condition of aura in communication era lies in the ephemeral artist’s act. Art is now in the era of “gas”, to live the aura is just to breath an atmosphere as Y. Michaud says. Artistic function is to produce relations and public relations. Curators they work as cool hunters or disc jockey and museums are a new kind of mass media for an absent-minded public enjoying in the supermarket of aura. (shrink)

The notion of individualised evidence holds the key to solve the puzzle of statistical evidence, but there’s still no consensus on how exactly to define it. To make progress on the problem, epistemologists have proposed various accounts of individualised evidence in terms of causal or modal anti-luck conditions on knowledge like appropriate causation, sensitivity and safety. In this paper, I show that each of these fails as satisfactory anti-luck condition, and that such failure lends abductive support to the following conclusion: (...) once the familiar anti-luck intuition on knowledge is extended to individualised evidence, no single causal or modal anti-luck condition on knowledge can succeed as the right anti-luck condition on individualised evidence. This conclusion casts serious doubts on the fruitfulness of the move from anti-luck conditions on knowledge to anti-luck conditions on individualised evidence. I expand on these doubts and point out further aspects where epistemology and the law come apart: epistemic anti- luck conditions on knowledge do not adequately characterise the legal notion of individualised evidence. (shrink)

Recent experimental epistemology has devoted increasing attention to folk attributions of epistemic justification. Empirical studies have tested whether lay people ascribe epistemic justification in specific lottery-style vignettes (Friedman and Turri 2014, Turri and Friedman 2015, Ebert et al. 2018) and also to more ordinary beliefs (Nolte et al. 2021). In this paper, I highlight three crucial but hitherto uncritically accepted assumptions of these studies, and I argue that they are untenable. Central to my criticism is the observation that epistemic justification (...) is a philosophical term of art mostly foreign to lay people: as such, it is not suitable for direct empirical testing without being previously introduced. This point reveals a folk conceptual gap between the subject matter of these experimental studies and the conceptual repertoire we can reasonably expect lay people to possess. I elaborate on this worry, and I end on a cautiously optimistic note: after suggesting better strategies to survey folk attributions of epistemic justification, I conclude that the challenge raised by the folk conceptual gap remains difficult but can in principle be addressed. (shrink)

In recent years, the epistemic reliability of moral intuitions has been undermined by substantial empirical data reporting the influence of cognitive biases. This paper discusses and elaborates upon a promising strategy in response to the reliability challenge to moral intuitions. The considered argument appeals to the fact that moral intuitions are experienced with different levels of strength and agents accept only strong intuitions, not vulnerable to bias under realistic circumstances. This essay aims to reconstruct this defense from the reliability challenge (...) in its most promising form and to evaluate the plausibility of the argument in light of the available empirical evidence. What emerges from the discussion is that the vindication of moral intuitions fundamentally depends on two distinct premises: first, the hypothesis that agents accept moral intuitions proportionally to their level of confidence, and second, the hypothesis that intuitive confidence is epistemically reliable. While there is consistent evidence for the first hypothesis, there is still no conclusive evidence for the second. (shrink)

In "My Own Life," Hume writes:1 During my retreat in France, first at Reims, but chiefly at La Fleche, in Anjou, I composed my Treatise of Human Nature. After passing three years very agreeably in that country, I came over to London in 1737. In the end of 1738, I published my Treatise, and immediately went down to my mother and my brother, who lived at his country house, and was employing himself very judiciously and successfully in the improvement of (...) his fortune. It is thus "chiefly" at La Flèche that Hume wrote one of the masterpieces of early modern philosophy. Hume's stay in France extended from July 1734 to August 1737. He spent a few weeks in Paris in the summer of 1734, hosted by Chevalier... (shrink)

The imminent deployment of autonomous vehicles requires algorithms capable of making moral decisions in relevant traffic situations. Some scholars in the ethics of autonomous vehicles hope to align such intelligent systems with human moral judgment. For this purpose, studies like the Moral Machine Experiment have collected data about human decision-making in trolley-like traffic dilemmas. This paper first argues that the trolley dilemma is an inadequate experimental paradigm for investigating traffic moral judgments because it does not include agents’ character-based considerations and (...) is incapable of facilitating the investigation of low-stakes mundane traffic scenarios. In light of the limitations of the trolley paradigm, this paper presents an alternative experimental framework that addresses these issues. The proposed solution combines the creation of mundane traffic moral scenarios using virtual reality and the Agent-Deed-Consequences (ADC) model of moral judgment as a moral-psychological framework. This paradigm shift potentially increases the ecological validity of future studies by providing more realism and incorporating character considerations into traffic actions. (shrink)

Self-recognition is an intimate act performed by people. Inspired by Paul Ricoeur, we reflect upon the action of self-recognition, especially when data visualization represents the observer itself. Along the article, the reader is invited to think about this specific relationship through concepts like the personal identity stored in information systems, the truthfulness at the core of self-recognition, and the mutual-recognition among community members. In the context of highly interdisciplinary research, we unveil two protagonists in data visualization: the designer and the (...) observer - the designer as the creator and the observer as the viewer of a visualization. This article deals with some theoretical aspects behind data visualization, a discipline more complex than normally expected. We believe that data visualization deserves a conceptual framework, and this investigation pursues this intention. For this reason, we look at the designer as not just a technician in the visualization production, but as a contemporary ethnologist - the designer as a professional working in a social environment to comprehend the context and formulate a specific inquiry with the help of appropriate visual languages. (shrink)

Despite the substantial appeal of the safety condition, Kelp (J Philos Res 34:21–31, 2009; Am Philos Q 53:27–37; Good Thinking. A Knowledge First Virtue Epistemology, Routledge, London, 2018) has raised a difficult challenge for safety-theoretic accounts of knowledge. By combining Gettier-style fake barn cases with epistemic Frankfurt cases, he concludes that no formulation of safety can be strong enough to predict ignorance in the former and weak enough to accommodate knowledge in the latter. In this note, my contribution is two-fold. (...) Firstly, I take up Kelp’s challenge and I show that, once properly understood, safety successfully rises to it. Secondly, I draw a more general lesson on the safety condition: a satisfactory solution to Kelp’s challenge calls for a revision of the standard formulation of safety, which must be indexed to both methods and environments. My conclusion will be that an environment-relative version of safety not only meets Kelp’s challenge, but it also advances our understanding of the safety condition on knowledge. (shrink)

"Sólo sé que no sé nada. Pienso, luego existo. Todo lo sólido se desvanece en el aire. Dios ha muerto. Por medio de frases como esas, disparadores que estimulan el pensamiento, Darío Sztajnszrajber se propone sacar a la filosofía de los formatos que la hacen excluyente. Al hacerlo nos lleva a una conversación alucinada y alucinante con once ideas clásicas, tan pequeñas como para caber en un tuit y a la vez tan interminables como las búsquedas existenciales.Incómodo y complejo como (...) su materia misma, este libro inclasificable--es ensayo filosófico, y es también novela--consagra a su autor como un explorador impertinente. Sztajnszrajber puede explicar y a la vez contradecir a filósofos como Aristóteles, Descartes, Marx, Nietzsche o Foucault e invitarnos a perdernos en la riqueza de sus ideas. Su historia comienza con un hombre que escapa y, al descender a un subte porteño, se encuentra azarosamente con un crimen del poder. Entre las huellas reconocibles de una república precaria, la trama mezcla la sangre y el amor, la historia y la esperanza, la represión estatal y la resistencia ciudadana.En Filosofía en 11 frases, su primer libro con Paidós, Sztajnszrajber lleva la filosofía a los lectores que quieren pensar sin ser subestimados. Y los desafía, socráticamente, con una convicción: todos podemos hacer filosofía aunque no lo sepamos."--. (shrink)

_Riassunto_: Diversi studi hanno posto in risalto le affinità tra la filosofia critica di Wittgenstein e la psicoanalisi di Lacan. Questo lavoro passa in rassegna alcuni aspetti comuni ai due autori, delineando una prospettiva d’incontro teoretica e concettuale. Un punto d’incontro tra questi due pensatori comprende la fondamentale attenzione per il linguaggio e un atteggiamento critico verso la concettualizzazione classica della soggettività. Questo saggio tenta di sviluppare teoreticamente questi punti di contatto introducendo il concetto di soggettività senza interiorità, un soggetto (...) senza psicologia. In effetti, l’affidamento di Wittgenstein sulla grammatica e il ricorso di Lacan al significante portano allo stesso risultato: considerare il linguaggio in sé come matrice della soggettività. Da questa prospettiva la fondazione della soggettività non risiede più in una certa supposta sostanza metafisica bensì in una esteriorità radicale, nei giochi linguistici. _Parole chiave_: Wittgenstein; Lacan; Inconscio; Linguaggio; Grammatica _A subjectivity without interiority: Wittgenstein with Lacan_ _Abstract_: Several studies highlight affinities between Wittgenstein’s critical philosophy and Lacan’s psychoanalysis. The following article revisits certain points of both authors, proposing a theoretical and conceptual encounter between them. Indeed, the common ground between these two thinkers includes a fundamental focus on language and a critical approach to classic conceptualisation of subjectivity. This contribution attempts to theoretically developing this encounter by introducing the concept of subjectivity without interiority, a subject without psychology. In fact, Wittgenstein’s reliance on grammar and Lacan’s use of the signifier yield the same result: pointing to language itself as the matrix of subjectivity. From this perspective, the foundation of subjectivity no longer resides in some supposed metaphysical substance, but rather in a radical exteriority, in linguistic games. _Keywords_: Wittgenstein; Lacan; Unconscious; Language; Grammar. (shrink)

La teoría del conocimiento en Tomás de Aquino es uno de los temas más controversiales de los últimos años entre los medievalistas debido a la interpretación de las teorías escolásticas en base a los modelos cognitivos contemporáneos. En estos debates, la noción de semejanza ocupa un lugar central, a pesar de que su estatus como una relación no es lo suficientemente tratado. En el presente trabajo abordo el problema del conocimiento en Tomás de Aquino como un término del orden de (...) los relativos. Primero presento el modo en el cual el autor incluye el conocimiento dentro de esta categoría como una relación «asimétrica» exponiendo los criterios que distinguen a este tipo de relativos y argumentando de qué modo el conocimiento cumple con ellos. Luego destaco la importancia del término «semejanza» en la gnoseología de Tomás y lo analizo desde el punto de vista de la relación, señalando diversos problemas y ambigüedades que se desprenden de la presentación de Tomás de Aquino. (shrink)

Podcasts have been described as “a cinema for the ears” and this application of a visual rhetoric to describe an audio-only experience results in an attempt to define what is still a relatively new medium. I argue that it is possible to consider something cinematic without the presence of moving images. Assertions in favour of the cinematic nature of podcasts often employ the visual imagination of listeners evoked by heightened audio characteristics that a particular podcast may possess. By focusing on (...) film-centred podcasts specifically, which, in terms of content and form, are implicitly and often explicitly concerned with properties of the cinematic, I argue for a more conceptual analysis of the idea of a visual form of audio. While many film-oriented podcasts provide a supplementary celebration of cinema culture rather than manifesting a unique cinematic experience of their own, there are examples of film-centred podcasts that attempt to actualise what I will call an “audio-cinematic” experience, deploying the creative potential of the podcast to manifest an experiential aura that evokes a cinematic imagination. I analyse the sonic dimensions of audio-cinematic podcasts including my work with Neil Fox on The Cinematologists Podcast. (shrink)

The paper seeks to contribute to the discussion of Hume's theory of personal identity, by examining a conflict regarding the vivacity of the self in his writings about sympathy. Although the mechanism of sympathy supposes that self is the liveliest perception of thought, when we consider sympathy through the perspective of the ‘desire of company’, we find that self lacks vivacity and, without alterity, it would be in reality nothing. Our objective is to present the conflict and show that, far (...) from being a contradiction in Hume's thinking, it is consistent with how the philosopher conceives personal identity as a product of imagination, that is, a perception that, like any other, exists within the flow of perceptions. (shrink)

This paper considers whether the category of sovereign “decision,” as it is used in Carl Schmitt’s Political Theology, has analogies with the paradigm of “choice,” as it is theorized in neoliberalism. Both decision and choice belong to that mode of judgement that “cuts” the field of alternatives into two, into two “extreme” alternatives. This mode of judgment not only presupposes the subject of the decision, but also sets up the terms of the choice, clearly indicating the optimal option. For Schmitt, (...) a political decision arises in a “case of necessity”: in the “serious case” of war. And yet, it is precisely the neoliberal depoliticization of war that reduces it to a rule, and every choice fundamentally to a stance for or against. To escape from the neoliberal reduction of political decision in the form of a choice, I examine another mode of decision, absent from Schmitt’s texts: “disclosedness.”. (shrink)

In this paper, I develop and motivate a novel formulation of the safety condition in terms of etiological proper function. After testing this condition against the most pressing objections to safety-theoretic accounts of knowledge in the literature, my conclusion will be the following: once safety is suitably understood in terms of etiological proper function, it stands a better chance as the right anti-Gettier condition on knowledge.

The article considers the nature of series as a narrative, focusing especially on its chronotope, i.e. its spatiotemporal coordinates. The concept of chronotope can be applied at at least two different levels of the interpretation of a narrative: the real world of reception and the expressive form of narration. The impact of series entails both aspects. It is for this reason that series, once on television then on the internet, represented a revolutionary turn in the modern experience of storytelling. Series (...) are therefore bound to the progressive spread of a new form of sociality known as a digital “total mobilisation”. Since the era of TV series up to the emergence of web series, seriality has been able to regulate the increase of interaction in the use of visual devices. Series play the role of a dietetical regulator, which designs the spectators’ attention. An artistic, i.e. experimental, exploitation of this new form of storytelling is possible when one considers the emergence of a new narrative genre, which we propose to call the “short form”. (shrink)

Dario Martinelli’s compact and enjoyable treatise on zoömusicology, _Of Birds, Whales and Other Musicians_ introduces musicologists, biologists, social scientists, and philosophers to a new theoretical model for studying how animal behavioral patterns relate to sound communication. Organized by musical trait rather than animal species, and drawing upon the work of such esteemed philosophers as Umberto Eco, Charles Sanders Peirce, and Thomas Sebeok, Martinelli’s analyses redefine the boundaries surrounding music and help readers—scholars and amateurs alike—to appreciate the relationship between animals (...) and musicological exchanges. (shrink)

Moral intuitions are generally understood as automatic strong responses to moral facts. In this paper, I offer a metacognitive account according to which the strength of moral intuitions denotes the level of confidence of a subject. Confidence is a metacognitive appraisal of the fluency with which a subject processes information from a morally salient stimulus. I show that this account is supported by some empirical evidence, explains the main features of moral intuition and is preferable to emotional or quasi-perceptual views (...) of moral intuition. (shrink)

Nel caso di riedizione di opera ormai classica, normalmente le ragioni che hanno spinto l’autore a riproporne o rivederne l’impianto sono proposte nella nuova prefazione o in introduzione: non è facile, invece, imbattersi – anche all’interno del corpo del testo vero e proprio - nella esplicita confessione del travaglio teorico all’origine del ripensamento, della rielaborazione e della revi­sione delle proprie posizioni interpretative. È quello che accade affrontando la lettura della recente t...

The purpose of the present article is to illustrate the crucial role played by the Umwelt theory in zoomusicological (and, more generally, zoosemiotic) studies. Too much, in fact too little, has been written on the relationship between non-human animals and music. Most of these writings do not explicitly aim at contributing to the actual problem (a good example being the reflections on birdsong contained in John Locke’s Essay Concerning Human Understanding). Some are, so to speak, a little folkloristic, quite a (...) few broach the problem in strictly scientific terms, and very few take a clearly zoomusicological approach. In an attempt to understand all the possible ways in which the problem can be analysed, it turns out that all these contributions — in spite of their reciprocal diversity — have points in common, leading to three main categories of approach: discontinuity, gradualism, and pluralism (or Umwelt theory). The discontinuist attitude is by definition opposed to the intent of a zoomusicological research, which in fact defends the thesis that music is not specific only to humans. On the other hand, one might share the gradualist assumption that musicality departs from a basis common to many animal species (at least, all those provided with vocal apparatuses). However, such a basis cannot be interpreted as monolithic (i.e., as having developed in a unique and indivisible way), carrying, as a result, qualitative differences in music between species. For the above-mentioned reasons, and for others to be illustrated in the present paper, it becomes clear that the approach to zoomusicology must necessarily be pluralistic. The most suitable framework seems to be that postulated by Jakob von Uexküll, and known as the theory ofUmwelt. (shrink)

Tracciare una via verso Parmenide è quanto esplicitamente si propone la ri­cerca di Atwood Wilkinson: più esattamente un tentativo di « ascoltare di nuovo la sapienza dei nostri primi testi filosofici » (p. 7). Quella del poeta-filosofo di Elea, infatti, è opera della quale troppo spesso le letture metafisiche e analitiche di­menticano la peculiare collocazione tra la cultura orale della antica tradizione poetica e la allora relativamente recente pratica della scrittura: da quella tradi­zione...

In questo articolo si prendono in esame due Lares bronzei ritrovati negli scavi di Veleia, custoditi presso il locale Antiquarium. Le due statuette, molto diverse tra loro, presentano alcune peculiarità iconografiche: una sembra appartenere a una rara tipologia di Compitales con rhyton e kantharos; l’altra, vicina all’iconografia del Lar Familiaris, presenta gli attributi posti in posizione inversa. Nello studio si cerca di contestualizzare le due statuette nel panorama della piccola bronzistica della Cisalpina, e di approfondire le conoscenze relative a queste (...) due rare iconografie. (shrink)

Recent epistemology has witnessed a substantial opposition between two competing approaches to capturing the notion of non-accidentality in the analysis of knowledge: the explanationist and the modalist. According to the latest advocates of the former, S knows that p if and only if S believes that p because p is true. According to champions of the latter, S knows that p if and only if S's belief that p is true in a relevant set of possible worlds. Because Bogardus and (...) Perrin's explanationism promises to deliver a plausible analysis of knowledge without any need for modal notions, it is an elegant proposal with prima facie appeal. However, such version of explanationism ultimately does not live up to its promises: in this paper, I raise some objections to their explanationist analysis of knowledge while showing that modalism is in much better shape than they think. In particular, I argue that their explanationist condition generates the wrong results in Gettier cases and fake-barn cases. I also offer and defend a novel version of modalism: I introduce a refined safety condition which is shown to successfully handle the same Gettier cases that beset Bogardus and Perrin's version of explanationism. The paper concludes with a reassessment of the explanationist's initial ambition to provide an analysis of knowledge without modal notions. The upshot will be that even if the prospects for such analysis remain dim, our money should be on the modalist, not the explanationist. (shrink)

The purpose of this study was to examine the perceptions of American history among adolescent Mexican Americans at the eight-grade level in a mid-west town's middle school. This qualitative study shows that multiple contexts influenced the process of teaching and learning history between and among a white teacher and adolescent Mexican Americans at Atkinson Middle School. Those overlapping contexts (the context of the education of minority language students, the context of social studies education, and the school's culture) created a unique (...) totality responsible for shaping the experiences of learning American history by Mexican-American students. These experiences were detrimental for the appreciation by Mexican-American students of American history's potential meanings and significance. (shrink)

Financial and prosocial biases in favor of attractive adults have been documented in the labor market, in social transactions in everyday life, and in studies involving experimental economic games. According to the taste-based discrimination model developed by economists, attractiveness-related financial and prosocial biases are the result of preferences or prejudices similar to those displayed toward members of a particular sex, racial, ethnic, or religious group. Other explanations proposed by economists and social psychologists maintain that attractiveness is a marker of personality, (...) intelligence, trustworthiness, professional competence, or productivity. Evolutionary psychologists have argued that attractive adults are favored because they are preferred sexual partners. Evidence that stereotypes about attractive people are causally related to financial or prosocial biases toward them is weak or nonexistent. Consistent with evolutionary explanations, biases in favor of attractive women appear to be more consistent or stronger than those in favor of attractive men, and biases are more consistently reported in interactions between opposite-sex than same-sex individuals. Evolutionary explanations also account for increased prosocial behavior in situations in which attractive individuals are simply bystanders. Finally, evolutionary explanations are consistent with the psychological, physiological, and behavioral changes that occur when individuals are exposed to potential mates, which facilitate the expression of courtship behavior and increase the probability of occurrence of mating. Therefore, multiple lines of evidence suggest that mating motives play a more important role in driving financial and prosocial biases toward attractive adults than previously recognized. (shrink)

Since the meaning of the design in the XIX Century, “applied art” , till today's Designart, through the artidesign , the boundary among art and design has been often unsettled. During the 50’s, Max Bill has defined “hairdresser” the designer who focuses on the shape rather than the function. Nowadays, we are surrounded by more and more products with high symbolic level designed to state their aesthetic configuration. Nothing against the communicative value of the product. However, what happens when it (...) affects the usability? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Experience, Embodiment, and History: Remarks on Waldow’s Experience EmbodiedDario Perinetti (bio)Anik Waldow’s Experience Embodied delves into what she calls the “early modern debate on the concept of experience.”1 In her rich and wide-ranging account, she shows how a group of key early modern philosophers dealt with a puzzle regarding the connection between the subjective and objective aspects of experience. The puzzle stems from the fact that experience reveals as (...) much about the experiencing subject as it does about the experienced world. Waldow believes that a one-sided focus on the role of “the way of ideas” in shaping the subjective aspect of experience has distorted our understanding of early modern views on experience.According to the traditional reading, the puzzle presents an intractable challenge to early modern philosophers. For if we experience the world through ideas, and ideas are internal mental states, it becomes difficult to reconcile the explanations required for the psychology of our mental states with those needed for the natural sciences dealing with objective states of affairs. But, so Waldow claims, the challenge can be successfully faced once we understand experience as embodied: “We have to think of experience as embodied to do justice to both explanatory requirements, because it is the body that connects the experiencing mind and its subjectivity with the factual realm of the world.”2Waldow disputes the commonly held view that early modern philosophers saw experience as an interaction between mind and world. She contends, instead, that most early modern philosophers understood experience as embodied. The thesis is presented through a series of “case studies” or “snapshots.” These snapshots focus on the way Descartes, Locke, Hume, Rousseau, Herder, and Kant accounted for the [End Page 319] embodied dimension of experience. The case studies are noteworthy because they succeed in revealing the significance of embodied experience for the authors in question. Waldow manages to expose the significance of embodied experience by focusing on the connection between the authors’ central philosophical views and their views on topics like education, the psychology of emotions, and history, which are often considered of lesser interest by contemporary philosophers.For example, in chapter 1, Waldow argues that connecting Descartes’s mind-body dualism with his understanding of reason as a tool for human self-determination and agency, makes it possible to see how, contrary to commonly held assumptions, Descartes’s dualism aligns well with an understanding of experience as embodied. This weakens the view that Descartes defended a conception of reason as disembodied, and instead, allows for a reading of Cartesian philosophy as aligned with a more naturalistic picture of human nature. In her chapters on Hume and Herder, Waldow sheds light on the way these philosophers perceived reason and experience as deeply rooted in bodily sensibility, as well as in historically shaped moral attitudes and social norms. This focus on embodied experience is central for highlighting how, in different ways, these philosophers endorsed the naturalistic project of understanding the human place in nature. Building on these results, Waldow approaches the problem of the relationship between naturalism and the methodology proper to philosophy from a different and original angle. Her final chapters on Herder and Kant present two ways of understanding the connection between philosophy and the empirical sciences. In her view, Herder advocates for a naturalistic methodology as a way to provide answers to deep metaphysical questions, as well as to empirical questions related to human nature and its connection to culture, society, and history. Unlike Herder, Kant appears as promoting a form of methodological dualism that distinguishes conceptual questions regarding the structure of experience from empirical questions regarding the experience of concrete, embodied human beings. Waldow succeeds in highlighting this contrast between two methodological approaches, thanks to a journey that takes us through the canonical texts of these two thinkers, as well as through less frequented texts such as Herder’s work on the origins of language and Kant’s writings on anthropology, geography, natural history, and history. As can be seen, Waldow’s book not only provides a valuable insight into the significance of embodied experience in early modern philosophy, but also offers refreshing and unexpected readings of the... (shrink)

With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the (...) transcendent dimension of being. The revolt advocated by Evola does not resemble the familiar protests of either liberals or conservatives. His criticisms are not limited to exposing the mindless nature of consumerism, the march of progress, the rise of technocracy, or the dominance of unalloyed individualism, although these and other subjects come under his scrutiny. Rather, he attempts to trace in space and time the remote causes and processes that have exercised corrosive influence on what he considers to be the higher values, ideals, beliefs, and codes of conduct--the world of Tradition--that are at the foundation of Western civilization and described in the myths and sacred literature of the Indo‑Europeans. Agreeing with the Hindu philosophers that history is the movement of huge cycles and that we are now in the Kali Yuga, the age of dissolution and decadence, Evola finds revolt to be the only logical response for those who oppose the materialism and ritualized meaninglessness of life in the twentieth century. Through a sweeping study of the structures, myths, beliefs, and spiritual traditions of the major Western civilizations, the author compares the characteristics of the modern world with those of traditional societies. The domains explored include politics, law, the rise and fall of empires, the history of the Church, the doctrine of the two natures, life and death, social institutions and the caste system, the limits of racial theories, capitalism and communism, relations between the sexes, and the meaning of warriorhood. At every turn Evola challenges the reader’s most cherished assumptions about fundamental aspects of modern life. A controversial scholar, philosopher, and social thinker, JULIUS EVOLA (1898-1974) has only recently become known to more than a handful of English‑speaking readers. An authority on the world’s esoteric traditions, Evola wrote extensively on ancient civilizations and the world of Tradition in both East and West. Other books by Evola published by Inner Traditions include Eros and the Mysteries of Love, The Yoga of Power, The Hermetic Tradition, and The Doctrine of Awakening. (shrink)

This article compares two philosophers who have a different theoretical origin: respectively, Arthur C. Danto and Jean-François Lyotard. Both of them are interested in the revolutionary character of Andy Warhol’s art. Danto as well as Lyotard argues that Warhol conceives the work of art as a machine: according to the former, it is a philosophical machine; according to the latter, it is a consumerist machine. Nonetheless, the two hypotheses converge on judging Warhol’s art as a turn in the history of (...) art and its relationship to the world. According to Danto, who follows Hegel here, Warhol at the same time interprets and transcends the 1960s and their Zeitgeist. But paradoxically, Warhol’s historical gesture, epitomized by his work Brillo Box, initiates the age of the “end of art”. According to Lyotard, on the contrary, Warhol represents the end of the critical power of modern art, to which the sublime alone can remediate. The two perspectives converge in the idea that the investigation of repetition is the very center of Warhol’s art. Art has now become the pivot of the Western capitalism and consumerist society. Warhol actually explores the different forms and modes of repetition (commodities, icons, symbols) and, in this way, anticipates the confrontation of contemporary art with the “finite infinite” represented by the media world. (shrink)