While there has been extensive research on deception, extant literature has not examined how deception is processed solely from the customer's perspective. Extensive qualitative interviews were conducted and analyzed to inform the proposed framework. Cognitive dissonance theory and attribution theory are used to frame the process consumers go through when deception is perceived. When consumers perceive deceit, they will consider attribution before determining intentionality. Internal attributions relieve the company of wrongdoing to some extent, whereas external attributions lead consumers to examine (...) several elements of deception including intent. Unintentional deceit will trigger assessments of magnitude, stability, and switching costs; while less is considered when deceit is intentional. The findings of this research are important for advancing theory in relation to deceit and for helping practitioners understand the importance of changing consumer cognitions before consumers decide to change their behavior by discontinuing the relationship. (shrink)

This paper presents a holistic, contextualised case study of reintegration and trust repair at a UK utilities firm in the wake of its fraud and data manipulation scandal. Drawing upon conceptual frameworks of reintegration and organizational trust repair, we analyze the decisions and actions taken by the company in its efforts to restore trust with its stakeholders. The analysis reveals seven themes on the merits of proposed approaches for reintegration after an integrity violation , and novel insights on the role (...) of organizational identity, “changing of the guard” and cultural reforms alongside procedural modifications. The case further supports the dynamic nature of stakeholder salience across the reintegration process. The study both supports propositions from existing frameworks and suggests novel theoretical extensions for future research. (shrink)

Since each term only has significance in contrast to its negation, the distinction between the noumenal and the phenomenal is a Kantian philosophical postulation that is as arbitrary as any binary (e.g., presence–absence) when submitted to Jacques Derrida’s method of deconstruction. According to Noumenism – a philosophy founded on the non-dualistic reinscription of phenomena and noumena – works of art possess elements which are simultaneously sense-data, and no data to any mind. This paradoxical status is achieved by means of an (...) artist-invented mechanism which allows its generative workings to run amok. The mechanism itself is a ‘compound-image’ formed by the paranoiac-critical activity of abolishing the mutual exclusivity of two or more different systems (i.e., the organization of related elements into complex wholes, methods, procedures, techniques, etc.). To illustrate this, an analysis of ‘No. 6’ from Noumenist poet Jason Johnson’s Hymns from Purgatory is undertaken. As they develop, refine or adopt their own philosophies of art, today’s artists and tomorrow’s are challenged to reckon with the ideas put forward in this article. (shrink)

This two-part article examines whether Sartre's final interviews, recorded in L'Espoir maintenant [ Hope Now ], indicate a final turn to belief through an overview of his engagement with the idea of God throughout his career. In Part 1 we examine Sartre's early atheism, but note the pervasive nature of secularised Christian metaphors and concepts in his religion of letters and the centrality of man's desire to be God in Being and Nothingness . His theoretical writings seek to refute the (...) idea of God, but in doing so God is paradoxically both absent and present. In Part 2 we assess his anti-theism and consider his final encounter with theism in L'Espoir maintenant, arguing that it is part of Sartre's long-term engagement with the idea of God. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Women in TibetRae Erin DachilleWomen in Tibet. Edited by Janet Gyatso and Hanna Havnevik. New York: Columbia University Press, 2005. 436 pp.Empowerment, transcendence, and the performance of identity are common themes in the study of gender and religion across cultures. As these themes are elucidated across cultures and in different historical moments, they are troubled by a persistent refusal of gender as a category of enduring symbolic (...) and real meaning by both historical and contemporary cultural actors. In the cases of Tibetan and Buddhist studies, the approach to womanhood as a category is repeatedly subsumed by concerns with religious or ethnic and political identity. This trend has forced many scholars to appeal to the symbolic realm of the iconic female or the construction of womanhood from sparse individual accounts as representative of an artificial subcultural entity. In response to the impasse created by these methods, the editors of Women in Tibet have chosen an approach that seeks to level the field. In doing so, they have produced a work that combines textual and anthropological projects aimed at recovering the specificities of lived womanhood across a range of historical moments. Allying themselves with a historical versus a feminist agenda, they succeed in laying the groundwork for a new approach to the study of womanhood.This approach surveys the vast artillery of historically embedded social dynamics available for Tibetan women to emulate, embody, or resist. In the diversity of their selections, Gyatso and Havnevik intentionally leave room for the possibility that women continue to perform as historical actors in spite of as well as because of their association with womanhood and the disempowering social and religious stereotypes attached to it. In leaving this issue open-ended, the editors sustain the tension between approaches that locate "specifically female" elements within traditions and those that posit the category of womanhood to be subservient to other cultural categories and phenomena. Exploring the participation of women in lineages as diverse as the oracular described by Hildegard Diemberger, the medical addressed by Tashi Tsering, and the imperial aristocratic presented by Helga Uebach, the essays in this volume represent an oscillation in the perceived relevance of femaleness. Inconsistency in the priority of the category of womanhood in historical interpretation reflects fluctuating attitudes on the part of Tibetans themselves as well as of European and American scholars as interpreters of the region's religious, social, and political realities.Asceticism in particular has been a highly charged site for the exploration of these themes in both Buddhist and Christian studies, along with determining the specific nature of female monasticism. As an instance of the deliberate embrace of a social category thriving upon the confluence of the ideal and the marginal, asceticism provides a lens for considering the ways in which women exploited opportunities to survive and excel spiritually and socially, often in spite [End Page 172] of female embodiment. Several of the authors in this volume address the tension between the socially sanctioned spaces for female asceticism within the nunnery or hermitage and the identities that individuals and communities of female ascetics strive to inhabit. Kurtis Schaeffer, for example, presents the tensions operating within acts of ascetic self-clarification in the autobiography of the medieval Tibetan hermitess Orgyan Chokyi. This account provides a rare glimpse of a historical woman defining her marginality and femaleness in relationship to Buddhist notions of suffering. Schaeffer reminds the reader that even from the hermetically sealed space of the cave, social, geographic, and historical elements play a fundamental role in constructing an individual's narrative identity and conditioning the terms of her self-realization.Charlene Makley's astute observations on the identity of nuns in contemporary Amdo taps into the various power dynamics at play in the social construction of nuns as parasitic, marginal, and dispensable members of the Labrang community. These acts of identification occur in the enduring and influential discursive field of gossip centered upon the "inappropriate otherness" of female monastics and their rumored failure to perfectly embody what Makley, following Charles Keyes, terms the "third gender" of celibate monasticism. Makley uncovers the powerful signifiers of the body of the nun in this geographical and historical context as... (shrink)

The precise position to be assigned to the Categories in the Aristotelian system has always been somewhat of a puzzle. On the one hand, they seem to be worked into the warp of its texture, as in the classification of change, and Aristotle can argue from the premiss that they constitute an exhaustive division of the kinds of Being . On the other hand, both in the completed scheme of his logic and in his constructive metaphysic they retire into the (...) background, giving place to other notions, such as causation, change, actuality and potentiality. Investigation has, moreover, been hampered, especially in Germany, by attempts to correlate them with the Kantian Categories, with which they have obvious points of contact. But Kant's formal a priori concepts by which the mind makes for itself a world, to use Mr. Bosanquet's phrase, imply an attitude to knowledge and reality so utterly opposed to the Aristotelian that the comparison has tended to confusion rather than elucidation. Scholars now realize better that the Aristotelian Categories can only be understood in connexion with the problems of Aristotle's own age. (shrink)

“Morality is relative to culture” is a descriptive claim; many people in many different cultures have different moral beliefs. When one adopts moral relativism, however, the claim accrues a normative dimension, in that what follows from relativity is the flattening out of rightness, of one moral belief being better than another regardless of culture. But in practice, humans rarely, if ever, actually behave as if certain things or beliefs are not better than others, as evidenced in everything from foreign policy (...) to religion to consumption choices. This leads to a problem of consistency: either the relativist does not act in accordance with her beliefs or her beliefs are different from what she espouses. Or so a.. (shrink)

Reason, religion, and public culture have been of significant interest recently, with critics reevaluating modernity's conception of secularism and calling for a “postsecular” public discourse. Simultaneously, one sees rising religious fundamentalisms and a growing style of antirationalism in public debate. These conditions make a reconceptualization of public reason necessary. The main goals of this article are to establish agnostic public reason as the conceptual guide and normative ethic for public debate in liberal democracies by considering the secular/religious reason boundary explicitly (...) and to argue that this ethic of public reason requires a commitment to reason giving and a particular epistemic attitude but that it does not, nor should it, take precedence over first-order judgments. An ethics of citizenship based on the process of reason giving with the appropriate epistemic stance might be one step toward rectifying the problem of an increasing separation between enclave publics, even if, by design, it cannot solve fundamental disagreement. (shrink)

These two articles examine whether Sartre's final interviews, recorded in L'Espoir maintenant ( Hope Now ) indicate a final turn to God and religious belief through an overview of his engagement with the idea of God throughout his career. Part 1, published in Sartre Studies International 19, no. 1, examined Sartre's early atheism, but noted the pervasive nature of secularised Christian metaphors and concepts in his religion of letters and also the centrality of mankind's desire to be God in L'Etre (...) et le néant ( Being and Nothingness ). Sartre's theoretical writings sought to refute the idea of God, but in doing so, made God paradoxically both absent and present. Part 2 considers Sartre's anti-theism and its implications for his involvement with the idea of God before examining in detail his final encounter with theism as outlined in L'Espoir maintenant , arguing that it is part of Sartre's long-term engagement with the divine, but refuting the idea that he became a theist at the end of his life. (shrink)

This essay investigates Gadamer's hermeneutic theory and its application to theatre. Attention to Gadamer's views of theatre and performative interpretation provides a foundation to theorize a more sustainable canon. Classics that constitute a sustainable canon operate within a tradition through a community of interpretation that continually returns to interpret them anew. This structure also describes the theatrical repertoire. Several of Gadamer's central themes find easy analogues on stage: play, the history of effect (Wirkungsgeschichte), the participation of an audience in the (...) fusion of horizons, and art's making present continuity the past. Gadamer provides a framework for understanding the work of interpretation of a dramatic text as a shared participatory event. In particular, Gadamer's hermeneutic theory can make sense of the how performance history makes discoveries that "sticks" to a script, particularly as when and how it enters and influences the canon. Gadamer's hermeneutics help to interpret how innovative performance choices and stage spectacle are part of a play's meaning; these interpretive interventions in drama's reception history are significant and not simply ornamentation to some "truth of the play" accessed only via the reenactment of the original compositional context. Occasional reparative interpretations of the canon, in turn, help to sustain the community. (shrink)

The crisis of modern reason culminates in Nietzsche's proclamation of nihilism. Drawing upon Nietzsche, postmodernists suggest that reason itself is defective, while “premodernists” argue we can regain our balance by returning to premodern rationalism. Peter Berkowitz suggests, however, that Nietzsche is a contradictory thinker who fails in his attempt to combine ancient rationalism with modern voluntarism. Postmodernism thus rests upon a defective foundation. Berkowitz's critique of postmodernism is telling, but he does not recognize dangerous millenarian elements in Nietzsche's thought. Moreover, (...) the concept of ancient reason he holds up as an alternative is underdeveloped and undifferentiated. (shrink)

This overview of Sartre's theater within the context of the symposium focuses on the inherent ambiguities of his theory and practice. His plays, as committed literature, are not always successful in their pedagogical intention of changing the minds of his audiences. On the one hand, he seeks to provide universal situations with which everyone can collectively identify, and on the other he wishes to convince them of the value of freedom and confront them with problems and conflicts they must resolve (...) for themselves. These spectators then exercise that freedom by taking ideological viewpoints that are in conflict with those of the plays. Moreover, the plays are often complex and ambiguous, and set far from a contemporary French context, thus demanding a certain sophistication of interpretation. Sartre's skill as a dramatist is to write plays that engage the public in debates about the key questions of the day, even though, because of his open approach, he does not always succeed in changing their minds. (shrink)

Before the establishment in the early 1800s of France's Sûreté Nationale and England's Scotland Yard, the detection of crimes was generally regarded as supernatural work, but the rise of modern science allowed mere mortals to systematize and categorize events—and thus to solve crimes. Reducing the amount of crime, however, did not reduce the fear of crime, which actually grew in the late-nineteenth century as the result of globalization and media sensationalism. Literary detectives offered an imaginary cure for an imaginary disease. (...) Sherlock Holmes, the most famous literary detective, retained many of the characteristics that earlier ages had attributed to superhuman “detectives”; a wondrous and a social being, he nonetheless was able to reassure an anxious public that even the most heinous crimes could be solved. His ability to calm the fears of the globalizing Victorian era was an early version of what later became a proliferation of imaginary characters serving similar public functions. (shrink)

Before the establishment in the early 1800s of France's Sûreté Nationale and England's Scotland Yard, the detection of crimes was generally regarded as supernatural work, but the rise of modern science allowed mere mortals to systematize and categorize events—and thus to solve crimes. Reducing the amount of crime, however, did not reduce the fear of crime, which actually grew in the late-nineteenth century as the result of globalization and media sensationalism. Literary detectives offered an imaginary cure for an imaginary disease. (...) Sherlock Holmes, the most famous literary detective, retained many of the characteristics that earlier ages had attributed to superhuman “detectives”; a wondrous and a social being, he nonetheless was able to reassure an anxious public that even the most heinous crimes could be solved. His ability to calm the fears of the globalizing Victorian era was an early version of what later became a proliferation of imaginary characters serving similar public functions. (shrink)

In The Stillborn God, Mark Lilla argues that political theology invariably leads to apocalyptic politics, and that we can avoid this fate only by maintaining a “Great Separation” between politics and religion, such as the one that Hobbes initiated, but which was overturned by Rousseau and German liberal theology—leading to Nazism. We argue that Hobbes never established such a divide; political theology is far more diverse than Lilla suggests; and liberal German political theology was not a significant source of Nazism. (...) Moreover, liberalism is itself a political theology, suggesting that religion and politics should not, and perhaps cannot, be divided—although they may be reconciled. (shrink)

There have been many readings of Mead's work, and this paper proposes yet another: Mead, theorist of the social act. It is argued that Mead's core theory of the social act has been neglected, and that without this theory, the concept of taking the attitude of the other is inexplicable and the contemporary relevance of the concept of the significant symbol is obfuscated. The paper traces the development of the social act out of Dewey's theory of the act. According to (...) Mead, Dewey's theory does not sufficiently account for consciousness. Grappling with this problematic leads Mead to several key ideas, which culminate in his theory of the social act. The social act and taking the attitude of the other are then illustrated by the analysis of a game of football. The interpretation presented has two novel aspects: first, symbolisation arises not simply through self taking the attitude of the other, but through the pairing of this attitude with the complementary attitude in self; second, self is able to take the attitude of the other to the extent that self has in actuality or in imagination previously been in the social position of the other. From this standpoint the key issue is how the attitude of self and other become integrated. New directions for empirical research, aimed at advancing this question are outlined. Finally, the paper shows how the social act can contribute to our contemporary concerns about the nature of the symbolic. (shrink)

Encourages Christian teenage girls to explore and discover Truth.

The so-called "Theology of Aristotle" is a translation of the Enneads of Plotinus, the most important representative of late ancient Platonism. It was produced in the 9th century CE within the circle of al-Kindī, one of the most important groups for the early reception of Greek thought in Arabic. In part because the "Theology" was erroneously transmitted under Aristotle's authorship, it became the single most important conduit by which Neoplatonism reached the Islamic world. It is referred to by such thinkers (...) as al-Fārābī, in an attempt to demonstrate the agreement between Platonism and Aristotelianism, Avicenna, who wrote a set of comments on the text, and later on thinkers of Safavid Persia including Mullā Ṣadrā. Yet the "Theology" is not just a translation. It may in fact more accurately be described as a creative paraphrase, which takes frequent liberties with the source text and even includes whole paragraphs' worth of new material. Adamson's book offers a philosophical interpretation of the changes introduced in the Arabic version. It is argued that these changes were in part intended to show the relevance of Plotinus' thought for contemporary Islamic culture, for instance by connecting the Neoplatonist theory of the First Principle to theological disputes within Islam over the status of God's attributes. At the same time the paraphrase reflects a tendency to harmonize the various strands of Greek thought, so that a critique by Plotinus of Aristotle's theory of the soul is subtly changed into a defense of Aristotle's theory against a possible misinterpretation. The upshot, or so Adamson argues, is that the "Theology" needs to be read as an original philosophical work in its own right, and understood within the context of the ʿAbbāsid era. (shrink)

“Every practice is a mode of thought, already in the act. To dance: a thinking in movement. To paint: a thinking through color. To perceive in the everyday: a thinking of the world’s varied ways of affording itself.” —from _Thought in the Act _Combining philosophy and aesthetics, _Thought in the Act_ is a unique exploration of creative practice as a form of thinking. Challenging the common opposition between the conceptual and the aesthetic, Erin Manning and Brian Massumi “think through” (...) a wide range of creative practices in the process of their making, revealing how thinking and artfulness are intimately, creatively, and inseparably intertwined. They rediscover this intertwining at the heart of everyday perception and investigate its potential for new forms of activism at the crossroads of politics and art. Emerging from active collaborations, the book analyzes the experiential work of the architects and conceptual artists Arakawa and Gins, the improvisational choreographic techniques of William Forsythe, the recent painting practice of Bracha Ettinger, as well as autistic writers’ self-descriptions of their perceptual world and the experimental event making of the SenseLab collective. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. _Thought in the Act_ enacts a collaborative mode of thinking in the act at the intersection of art, philosophy, and politics. (shrink)

Avicenna's notorious claim that God knows particulars only 'in a universal way' is argued to have its roots in Aristotelian epistemology, and especially in the "Posterior Analytics". According to Avicenna and Aristotle as understood by Avicenna, there is in fact no such thing as 'knowledge' of particulars, at least not as such. Rather, a particular can only be known by subsuming it under a universal. Thus Avicenna turns out to be committed to a much more surprising epistemological thesis: even humans (...) know particulars only in a universal way. (shrink)