Contemporary Perspectives on the History of Philosophy was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The authors of the 27 appears in Volume 8, Midwest Studies in Philosophy,have established reputations as historians of philosophy, but their vantage point, here, is from "contemporary perspectives" - they use contemporary analytic skills to examine problems and issues considered by past philosophers. (...) The papers, arranged in historical order, fall into six groups: ancient philosophy (the Pythagoreans, Plato, and Aristotle); the seventeenth-century rationalists (Descartes, Leibniz and Spinoza); the empiricists (Locke, Berkeley, and Hume); Kant; the nineteenth century (Hegel, Schopenhauer, and Mill); and, in conclusion, an essay on Wittgenstein's Tractatus and two broad, retrospective papers entitled "Old Analyses of the Physical World and new Philosophies of Language" and "Moral Crisis and the History of Ethics.". (shrink)

Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to (...) discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century. (shrink)

Identitet učitelja inoga jezika nedovoljno je istražen koncept na području Republike Hrvatske. Stoga se u ovome radu navedeni koncept ponajprije teorijski razmatra, a potom se prikazuju rezultati istraživanja profesionalnog identiteta učitelja francuskoga jezika u RH. U istraživačkome dijelu rada razmatramo mijenjaju li učitelji francuskog jezika svoj profesionalni identitet ili ne mijenjaju, a ako mijenjaju, u kojoj je to mjeri i koji su razlozi tomu. Rezultati su pokazali kako učitelji svoj učiteljski identitet najčešće mijenjaju sudjelujući na lokalnim stručnim usavršavanjima, a najmanje (...) sudjelovanjem u organiziranim e-tečajevima. Glavnim razlogom za sudjelovanje u aktivnostima stručnoga usavršavanja pokazao se njihov unutarnji poticaj, dok su se glavnim razlogom za nesudjelovanjem pokazali financijski čimbenici. Dulje radno iskustvo, članstvo u Hrvatskoj udruzi profesora francuskoga jezika i obvezni status jezika pokazali su se faktorima koji statistički značajno pozitivno utječu na osjećaj pripadnosti zajednici učitelja francuskoga jezika u Republici Hrvatskoj. The identity of foreign language teachers is an under-researched concept in Croatia. This paper thus focuses on this concept foremost from a theoretical position, followed by a description of the results of research into the professional identity of French teachers in Croatia. The research considers whether French teachers change their professional identity or not, and if they do, to which extent and for what reasons. The results show that teachers most often change their teaching identity by participating in local professional training courses, and least often by participating in organised e-courses. The main reason for participating in professional training activities proved to be internal motivation, while the main reason for not participating proved to be financial factors. A longer work history, membership in the Croatian Association of French Language Teachers, and status as a compulsory language proved to be statistically significant factors influencing feelings of belonging to the community of French teachers in Croatia. (shrink)

French thinkers have revolutionized European thought about knowledge, religion, politics, and society. Delivering a comprehensive history of thought in France from the Middle Ages to the present, this book follows themes and developments of thought across the centuries. It provides readers with studies of both systematic thinkers and those who operate less systematically, through essays or fragments, and places them all in their many contexts. Informed by up-to-date research, these accessible chapters are written by prominent experts in their (...) fields who investigate key concepts in non-technical language. Chapters feature treatments of specific thinkers as individuals including Voltaire, Rousseau, Descartes and Derrida, but also more general movements and schools of thought from humanism to liberalism, via the Enlightenment, Romanticism, Marxism, and feminism. Furthermore, the influence of gender, race, empire and slavery are investigated to offer a broad and fulfilling account of French thought throughout the ages. (shrink)

At any time, basic assumptions about language have a direct effect on the writing of history. The structure of language is related to the structure of knowledge and thus to the definition of historical reality, while linguistic competence gives insights into the relation of ideas and action. Within the framework of these ideas, and drawing on recent work in linguistic theory, including that of the French structuralists. Professor Struever studies the major shift in attitudes toward (...) class='Hi'>language and history which the Renaissance represents. One of the essential innovations of Renaissance Humanism is the substitution of rhetoric for dialectic as the dominant language discipline; rhetoric gives the Humanists their cohesion as a lay intellectual elite, as well as the force and direction of their thought. The author accepts the current trend in classical studies, the rehabilitation of the Sophists which finds its source in Nietzsche and includes the work of Rostagni, Untersteiner, and Buccellato, to reinstate rhetoric as the historical vehicle of Sophistic insight. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

This article examines the history of cybernetics in France, and the history of French cybernetics in the context of the emergent field of the history of cybernetics. Drawing upon an unfamiliar group of intellectuals and sources, I discuss the way in which French cybernetics was not primarily the hyper-philosophical strain we have come to associate with names such as Derrida and Lévi-Strauss, but an approach to thinking through political and social problems that some on the (...) left would even deign to call pragmatic. In particular, I follow a group of intellectuals known as the Groupe des dix, who, in the aftermath of the tumult of May ‘68, formed an interdisciplinary think tank to try to work out how to bridge the gap between science and society. In order to facilitate conversations between politicians, philosophers, biologists, and sociologists (to name just a few of the represented disciplines), the Groupe reached for a language that was supposed to be truly omnidisciplinary: that of cybernetics. And they did so in a country where cybernetics was not properly represented as a laboratory science. On this last point, this paper makes an addition to the history of cybernetics by offering a portrait not of cybernetics in action, but of cybernetics in vulgarization. Not that the Groupe would not make their own stamp on politics: Several of them still hold significant power in adjudicating the role of science and technology in the public sphere in the French state. (shrink)

The book represents a historical overview of the way the topic of gesture and sign language has been treated in the 18th century French philosophy. The texts treated are grouped into several categories based on the view they present of deafness and gesture. While some of those texts obviously view deafness and sign language in negative terms, i.e. as deficiency, others present deafness essentially as difference, i.e. as a set of competences that might provide some insights into (...) how spoken language works. One of the arguments of the book is that these two views of deafness and sign language still represent two dominant paradigms present in the current debates on the issue. The aim of the book, therefore, is not only to provide a historical overview but to trace what might be called a "history of the present". (shrink)

Linguistics, Anthropology and Philosophy in the French Enlightenment treats the development of linguistic thought from Descartes to Degerando as both a part of and a determining factor in the emergence of modern consciousness. Through his careful analyses of works by the most influential thinkers of the time, author Ulrich Ricken demonstrates that the central significance of language in the philosophy of the enlightenment is how it reflected and acted upon contemporary understanding of humanity as a whole. Although primarily (...) focused on French thought between 1650 and 1800, the author discusses contemporary developments in England, Germany and Italy and covers an unusually broad range of writers and ideas, including Leibniz, Wolff, Herder and Humboldt. This study places the history of language philosophy within the broader context of the history of ideas, aesthetics and historical anthropology and will be of interest to scholars working in these disciplines. (shrink)

L’article étudie comment les idées de la France des Lumières et de la France révolutionnaire ont contribué au changement de la langue sociopolitique russe, comment elles ont interféré avec le processus littéraire du romantisme en Russie et ont finalement contribué au changement du paradigme intellectuel en Russie dans la deuxième moitié du XIXe siècle. L’histoire des concepts de citoyen, de société, d’opposition politique est retracée de la deuxième moitié du XVIIIe siècle – à travers des documents officiels (Instructions, par Catherine (...) II), des textes littéraires (A. Radichtchev) – jusqu’au premier tiers du XIXe siècle – à travers les écrits politiques des décembristes. En conclusion, il est soutenu que l’échec du républicanisme des décembristes inspiré par la France des Lumières a orienté, dans la deuxième moitié du XIXe siècle, la pensée russe vers la problématique de la diversité humaine et de la nationalisation de l’Empire. Les principes universels du siècle des Lumières sont remplacés par l’intérêt porté à la diversité humaine de l’Empire russe, ce qui nécessitera, à son tour, l’élaboration d’un langage spécifique et de ses concepts. Cependant, ce tournant serait une conséquence du processus de réception des idées et des concepts de la France des Lumières et aurait été accéléré par la Révolution française. (shrink)

A wide-ranging history of the intellectual developments that produced the modern idea of the algorithm. Bringing together the histories of mathematics, computer science, and linguistic thought, Language and the Rise of the Algorithm reveals how recent developments in artificial intelligence are reopening an issue that troubled mathematicians long before the computer age. How do you draw the line between computational rules and the complexities of making systems comprehensible to people? Here Jeffrey M. Binder offers a compelling tour of (...) four visions of universal computation that addressed this issue in very different ways: G. W. Leibniz's calculus ratiocinator; a universal algebra scheme Nicolas de Condorcet designed during the French Revolution; George Boole's nineteenth-century logic system; and the early programming language ALGOL, whose name is short for algorithmic language. These episodes show that symbolic computation has repeatedly become entangled in debates about the nature of communication. To what extent can meaning be controlled by individuals, like the values of a and b in algebra, and to what extent is meaning inevitably social? By attending to this long-neglected question, we come to see that the modern idea of the algorithm is implicated in a long history of attempts to maintain a disciplinary boundary separating technical knowledge from the languages people speak day to day. Machine learning, in its increasing dependence on words, now places this boundary in jeopardy, making its stakes all the more urgent to understand. The idea of the algorithm is a levee holding back the social complexity of language, and it is about to break. This book is about the flood that inspired its construction. (shrink)

The importance of history has been powerfully reaffirmed in recent years by the appearance of major new authors, pathbreaking works, and fresh interpretations of historical events, trends, and methods. Responding to these developments, Roger Chartier engages several of the most influential writers of cultural history whose works have spread far beyond academic audiences to become part of contemporary cultural argument. Challenging the assertion that history is no more than a "fiction-making operation" Chartier examines the relationships between (...) class='Hi'>history and fiction and proposes new foundations for establishing history as a specific kind of knowledge. Michel de Certeau's description of Michel Foucault's writings as "on the edge of the cliff," provides Chartier with an image he finds appropriate not only for Foucault but for many other recent historians--including de Certeau. Exploring the relationships between discursive practices and nondiscursive practices, Chartier examines the "heterology" of de Certeau pursues the "chimera of origin" and the causes of the French Revolution in Foucault's work and raises four pertinent questions for the metahistory of Hayden White. He follows the work of Louis Marin into the distinctions between interpreting a painting and interpreting a text. And a trio of essays treats the historical sociology of Norbert Elias and his work on power and civility. Throughout, Chartier keeps his focus on historians who have stressed the relations between the products of discourse and social practices. (shrink)

French culture is unique in that philosophy has played a significant role from the early-modern period onwards, intimately associated with political, religious, and literary debates, as well as with epistemological and scientific ones. While Latin was the language of learning there was a universal philosophical literature, but with the rise of vernacular literatures things changed and a distinctive national form of philosophy arose in France. This Very Short Introduction covers French philosophy from its origins in the sixteenth (...) century up to the present, analysing it within its social, political, and cultural context. Beginning with psychology and epistemology, Stephen Gaukroger and Knox Peden then move onto the emergence of radical philosophy in the eighteenth century, before considering post-revolutionary philosophy in the nineteenth century, philosophy in the world wars, the radical thought of the 1960s, and finally French philosophy today. Throughout, they explore the dilemma sustained by the markedly national conception of French philosophy, and its history of speaking out on matters of universal concern. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. -- Provided by publisher. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reframing Baudelaire: Literary History, Biography, Postcolonial Theory, and Vernacular LanguagesFrançoise Lionnet* (bio)In A Room of One’s Own, Virginia Woolf quips: “History is too much about wars; biography too much about great men;” literary history, she might have added, is too much about sons murdering their fathers. Canonical readings of the canon have often insisted on the vaguely Freudian (if not biblical) model of literary creation susceptible (...) both to “anxieties of influence” and to creative revisions imposed by strong misreadings. Criticism has followed the same reactive pattern in order to clear new ground for further research: the debate between “traditionalists” and proponents of “cultural studies” all but repeats this familiar and combative dialectic. Between formalist and sociopolitical readings, French texts have been mined by many different critical trends; but the perspectives that do not fit neatly into one or the other of these agonistic moves tend to be left out. Dominick LaCapra has suggested that “one issue for readers today is whether a different, ‘noncanonical’ reading of the canon, which resists symbolic resolutions as well as narrowly formalistic interpretations, may be one force in reopening texts to the[ir] broader sociopolitical effects” [731].In the case of Baudelaire, the way to do this “noncanonical” reading might well be to go back to a discursive field which includes biography and oral histories, and to resist the temptation either to eulogize the innovations of the poet of modernity or to denounce the patent racism of his images. The challenge today is to return to the scene of writing and the conditions of production of the early poetry—in other words, to look at the text from outside of conventional literary, critical or cultural history, to reclaim it for our side, that of a more global francophonie. To do so might mean to map out once again the contested terrain of culturally and politically sensitive readings such as the ones Christopher Miller and Gayatri Spivak claim to do. Their readings, however, do not take into account the residual cultural element of the poetry, that is, the vernacular language it appropriates. This language is all but buried beneath the emergent theoretical practices of postcolonial criticism and its vaguely nationalist agendas. 1 Critics have tended to look for [End Page 63] symbolic resolutions and to settle cultural scores at the expense of historical and geographical specificity, despite claims to the contrary.The facts of Baudelaire’s youthful travels in the Indian Ocean have remained relatively obscure. While doing research in the islands of Mauritius and Réunion on two separate occasions during the past few years, I came across written documents and watercolors that helped me reconstruct the historical and visual contexts that appear to have been Baudelaire’s in 1841. By re-examining the criticisms that have been lodged against the exoticizing rhetoric of his poetry, I want to foreground the links between the Creole culture with which Baudelaire became familiar and the now canonical texts he produced. These links can allow us to bypass the sterile opposition between “literary studies” and “cultural studies” or between aesthetics and politics; they demonstrate the urgency of re-visioning the canon not just from the perspectives of its margins, but as an important source of muted cultural knowledge. The questions with which I begin, then, are the following: where did Baudelaire actually go on his travels in 1841? and why does this matter to the field of French studies?Il faut en finir avec la légende de l’Inde parcourue par Baudelaire. Elle était séduisante, Gautier l’a adoptée, Banville ne l’a pas négligée.... Mais la vérité vraie est que Baudelaire, embarqué malgré lui, brûla la politesse à l’Inde.... Peut-être Baudelaire abandonnait-il complaisamment au commun public ces bruits de longues pérégrinations en pays fabuleux, parce qu’il en tirait, avec des couleurs de mystère, l’air de revenir de loin. Dans tous les cas, il ne nous parlait jamais de ces voyages. A peine, à son retour, nous dit-il quelques mots d’une station dans l’île Maurice ou l’île Bourbon. 2[It is time to put a stop to... (shrink)

Jean-Claude Milner’s Le sage trompeur (2013), a controversial recent piece of French Spinoza literature, remains regrettably understudied in the English-speaking world. Adopting Leo Strauss’ esoteric reading method, Milner alleges that Spinoza dissimulates his genuine analysis of the causes of the persecution and survival of the Jewish people within a brief “manifesto” found at the end of the Tractatus Theologico-Politicus (TTP), Chapter 3. According to Milner, Spinoza holds that the Jewish people themselves are responsible for the hatred of the Jewish (...) people, and that the engine of their longevity is the hatred they engender. Additionally, claims Milner, Spinoza covertly insinuates that the solution to this persistent state of hatred consists in the mass apostasy of the Jewish people under the leadership of a Sabbatai Zevi-like figure. This article presents the Milner–Spinoza controversy to the English-speaking public along with the larger context of French-language scholarship on Spinoza’s relation to Judaism. While refuting Milner’s reading of Spinoza, I simultaneously clarify relevant elements of Spinoza’s discussions of Judaism in the TTP, such as Spinoza’s examination of Jewish identity and the nature of divine election, Spinoza’s understanding of the causes of national hatred, and Spinoza’s appeals to Portuguese, Spanish, Chinese, and Turkish political history. (shrink)

The latest volume in the Cambridge Histories of Philosophy series, The Cambridge History of Philosophy in the Nineteenth Century brings together twenty-nine leading experts in the field and covers the years 1790-1870. Their twenty-seven chapters provide a comprehensive survey of the period, organizing the material topically. After a brief editor's introduction, it begins with three chapters surveying the background of nineteenth century philosophy: followed by two on logic and mathematics, two on nature and natural science, five on mind and (...) language, including psychology, the human sciences and aesthetics, four on ethics, three on religion, seven on society, including chapters on the French Revolution, the decline of natural right, political economy, and social discontent, and three on history, dealing with historical method, speculative theories of history and the history of philosophy. The essays are framed by an editor's introduction and a bibliography. (shrink)

This book traces the translation history of German philosophy, with long and well-justified layovers in Paris, proposing an innovative translation strategy toward addressing the long-standing difficulties in its translation. The volume discusses the context around why German philosophy, whose profundity is often understood to lie in German's iconic polysemous vocabulary, has been so difficult to translate. To best grapple with its complexity, Hawkins outlines a strategy of "differential translation," which involves translating conceptually dense German terms with multiple different terms (...) in the target text, rather than the conventional standard of selecting one term and using it consistently. The book explores how this strategy, which runs counter to the expectation of readers and translators, has played out in debates across both the French-language and English-language translation landscapes, with well-known translators such as Adam Phillips and Joan Stambaugh boldly in favor and others such as Jean Laplanche polemically against it. The book encourages researchers and translators to continue to question norms in translation practice and write translations that do justice to the multifarious meanings in Germanic vocabulary. This book will be of interest to researchers interested in the German language, translation studies, philosophy, and intellectual history. (shrink)

This collection presents a sort of counter-history or counter-genealogy of the globalization of French thought from the point of view of scholars working in the UK. While the dominating discourse would attribute the US as the source of that globalization, particularly through the 1966 conference on the Languages of Criticism and the Sciences of Man at Johns Hopkins University, this volume of essays serves as a reminder that the UK has also been a principal motor of that globalization. (...) The essays take into account how French thought and literary theory have institutionally taken shape in the UK from the 70s to today, highlight aspects of French thought that have been of particular pertinence or importance for scholars there, and outline how researchers in the UK today are bringing French thought further in terms of teaching and research in this twenty-first century. In short, this volume traces how the country has been behind the reception and development of French thought in Anglophone worlds from the late 70s to the present. (shrink)

This essay adopts a semiotic perspective focused on practices of communication, movement, and translation to examine the global impact of A. J. Greimas and his oeuvre. The linguist and semiotician’s lecture trips abroad, the number and provenance of international students in his Paris seminar, and the chronology and linguistic geography of translations of his work help describe, gauge, and explain the dissemination and development of his ideas throughout the world. His project has engendered distinctive appropriations and at times productive institutional (...) structures in a number of cultural and linguistic contexts, notably Romance, Anglo-American, Germanic, Russian, Lithuanian, and Chinese. The broader historical relations between France and other lands, and the extent of each society’s use of the French language have conditioned, fostered, or impeded responses to his proposals. The conclusion’s discussion of the relative importance of personal contacts, socio-historical context, and the sociolinguistic and pedagogical status of French for his international reception aims to contribute to general methodological debates in the history of science and ideas and in transnational history. (shrink)

In the early 1760s, the entry dedicated to the term “social” in Diderot's Encyclopédie claimed that it was “un mot nouvellement introduit dans la langue.” Strictly speaking, this description was inaccurate: “social” had already appeared (though very sporadically) in seventeenth-century French texts. But the essence of the Encyclopédie's argument was correct: “social” had been so marginal in French up until the mid-eighteenth century that its wide deployment in enlightened discourse from the 1740s onward could be treated as a (...) new appearance. The article main argument is that “social's” new appearance in the mid-1740s was of considerable intellectual importance. To support this argument, the article is divided into three parts. The first outlines the general premises of the research into the word “social” and its significance. By placing this research within the ongoing investigation of the semantic field around “société” in enlightened philosophy, the article claims that such an investigation is much more than an etymological exercise. The special epistemological status of “social” in enlightened philosophy makes an understanding of the reasons for its rapid domination of French philosophical discourse a most rewarding project from the perspective of intellectual history. The second part of the article provides empirical evidence for the argument that “social” had been all but completely absent from French intellectual discourse before the mid-eighteenth century. It is of course harder to ascertain the absence of a word before a given point in time than to confirm its presence, but many different indications substantiate the essence of the Encyclopédie's claim. These indications also allow one to follow “social's” discursive rise after about 1745 and to speculate about the identity of the author(s) responsible for it. All evidence lead to two philosophes, the article claims: Diderot and Rousseau. Finally, the third part of the article presents an argument about the reasons for “social's” rapid naturalization in French enlightened thought and discusses what the philosophes tried so intensively to do, achieve, or express with “social.” Possible answers to this question lead to a reevaluation of mid-eighteenth century enlightened thought in general and contemporary philosophes in particular. Most importantly, such answers allow us to reflect on how we write and think about the intellectual achievements of the mid-eighteenth century, and in what way we, too, still inhabit the mental universe the philosophes helped to create. ☆ I would like to thank Keith Michael Baker for his encouragement and helpful criticism of a previous draft of this article. (shrink)

Bestial banter -- Homo risus : making light of animal language -- Warming savage hearts and heating eloquent tongues -- From savage orators to savage languages -- French levity -- English energy.

Etymologies are often entertaining, but it is not always obvious what they mean. Take the case of Old Frankish *sal, meaning a single-roomed dwelling. The word was taken over by speakers of Vulgar Latin as sala, and by 1100 CE it had become a word of Anglo-Norman French, since in The Song of Roland it crops up as sale, meaning the living area of a castle. Some time later, it wandered into Italian. Renaissance architects wanted to make a new (...) word for the increasingly grandiose spaces they were designing, so they added an augmentative suffix, producing salone. In the seventeenth century, French translations of Italian works on architecture reproduced the new term, only dropping the final e so as to keep the masculine gender of the Italian. French salon came into English in the early eighteenth century, initially as a word for a large and lofty room; but as French speakers applied it more and more to social functions occurring in such spaces, English speakers did so too. Then came a fork: a phonological adaptation produced saloon, which drifted off as a fully naturalized word of English toward hotels, carriages, bars, and cars; but salon persisted nonetheless. By retaining the stress pattern and marginally nasal final vowel of its source language, the doublet has remained in use as a xenism—a word of English understood to be not English, but understood in English all the same.How many such words are there? Hundreds, maybe thousands. Coupé, du jour, fuselage, pizza, paparazzi, sauerkraut, Zeitgeist—all signal their foreignness either by nonstandard pronunciation of written consonants (s, g, j, z), the presence of foreign diacritics, or irregular tonic stress. These are the kinds of loanwords that Scholar calls “émigrés,” but he gives us not thousands or hundreds or even a dozen of them: his chapters deal only with four: à la mode, ennui, naïveté, and caprice. The histories of these words do not really teach us any more about the cultural, social, and political relations between England and France than do saloon and salon, which is not much at all, or any other set of loanwords that retain phonetic or orthographic signs of foreignness. Scholar nonetheless does his level best to put his favored four at the heart of early modern English culture. Lengthy accounts of a play by Dryden, a famous work of Schiller's, an essay by Raymond Williams, Caribbean notions of creolization, and a John le Carré novel, learned though they all may be, do not really make the argument more persuasive, or even clear. By the end of this beautifully produced and floridly written book, the reader (or at least this reader) is not quite sure what it was really about. The very title of Émigrés repurposes a xenism which in regular usage is associated with high social status (we never talk of émigré workers, for example), thus exhibiting what I suppose the whole field ought to demonstrate: the ways in which new, hard, or nonnative words are always used to establish pecking orders between speakers, between their interlocutors and between their worlds. In Bourdieusian terms: not to make distinctions, but to create distinction. (shrink)

Historians of science have only just begun to sample the wealth of different approaches to the study of animal behavior undertaken in the twentieth century. To date, more attention has been given to Lorenzian ethology and American behaviorism than to other work and traditions, but different approaches are equally worthy of the historian's attention, reflecting not only the broader range of questions that could be asked about animal behavior and the "animal mind" but also the different contexts in which these (...) questions were important. One such approach is that represented by the work of the French zoologist Louis Boutan (1859-1934). This paper explores the intellectual and cultural history of Boutan's work on animal language and the animal mind, and contextualizes the place of animal behavior studies within late-nineteenth- and early-twentieth-century French biology. I explore the ways in which Boutan addressed the philosophical issue of whether language was necessary for abstract thought and show how he shifted from the idea that animals were endowed with a purely affective language to the notion that of they were capable of "rudimentary" reasoning. I argue that the scientific and broader socio-cultural contexts in which Boutan operated played a role in this transition. Then I show how Boutan's linguistic and psychological experiments with a gibbon and children provide insights into his conception of "naturalness." Although Boutan reared his gibbon at home and studied it in the controlled environment of his laboratory, he continued to identify its behavior as "natural." I specifically demonstrate the importance of the milieu of the French Third Republic in shaping Boutan's understanding not only of animal intelligence and child education, but also his definition of nature. Finally, I argue that Boutan's studies on the primate mind provide us with a lens through which we can examine the co-invention of animal and child psychology in early-twentieth-century France. (shrink)

My argument is that poststructuralist and postmodernist theory carries on and intensifies the main lines of a characteristically modern tradition of aesthetics whose most important point of reference is not French structuralism – as the term, ‘poststructuralism’, implies – but the tradition of 18th-century German romanticism and idealism that culminated in the work of Heidegger during the Weimar period in Germany between the world wars and afterward. What characterizes this modernist tradition of aesthetics is its valorization of language (...) as a mode of being possessed of an ‘ontological’ status. I place the term ‘ontology’ in quotes in order to highlight the distinction between ‘metaphysics’, with its Aristotelian and neo-Platonic connotations of a ‘chain of being’, and the more modern term ‘ontology’, which was coined in the 17th century and which became widely used during the 18th century by Leibnizian philosophers Christian Wolff and Alexander Baumgarten ; the latter, not incidentally, also helped to establish modern usage of the term ‘aesthetics’. ‘Metaphysics’ and ‘ontology’ have their roots, respectively, in those two most major currents of our western heritage, the Graeco-Roman and Judaeo-Christian. These currents, although inextricably linked to one another in innumerable ways, have nonetheless been engaged, as Nietzsche put it, ‘in a fearful struggle on earth for thousands of years’ that has been obscured by Heidegger’s and Derrida’s accounts of the history of western philosophy. Such accounts have projected what is basically a romanticist critique of Enlightenment values and thought on to a totalizing account of the history of Western thought since Plato. My purpose in emphasizing the distinction between metaphysics and ontology is to provide a conceptual framework within which our understanding of the development of modern aesthetics, and the concept of language that informed that development, can be related to the larger philosophical issues at hand. Literary theorists in the United States, by endorsing Heidegger’s and Derrida’s self-serving accounts of their writings as assaults on the entire history of Western philosophy, and by failing to judge them critically as outgrowths of that history, have not only obscured these developments. They have also sustained the central tenet of American literary theory since the 1960s: that there is such a thing as a ‘Western philosophical tradition’ on the ‘other’ side of which, through an endless series of linguistic coinages and ‘erasures’, we may maneuver ourselves. My claim is that to the extent that there is such an other side, we are already on it, and that we fundamentally misunderstand our situation if we regard it as ‘other’ to the Western philosophical tradition. Key Words: Derrida • Heidegger • language • ontology • theory. (shrink)

Incredible originality of thought in areas as vast as phenomenology, religion, hermeneutics, psychoanalysis, intersubjectivity, language, Marxism, and structuralism has made Paul Ricoeur one of the philosophical giants of the twentieth century. The way in which Ricoeur approaches these themes makes his works relevant to the reader today: he writes with honesty and depth of insight into the core of a problem, and his ability to mark for future thought the very path of philosophical inquiry is nearly unmatched. In (...) class='Hi'>History and Truth, Ricoeur investigates the antinomy between history and truth, or between historicity and meaning. He argues that history has meaning insofar as it approaches universality and system but no meaning insofar as this universality violates the singularity of individuals' lives. Imposing unity upon truth, or unifying the diversity of knowledge and opinion, creates a singular and universal history but destroys historicity and subjectivity. Allowing for singularities in history promotes a multiplicity of truths over a single, unique truth and thereby annihilates system. This volume and the other new editions of Ricoeur's texts published by Northwestern University Press have joined the canon of contemporary continental philosophy and continue to contribute to emergent discussions in the twenty-first century. Book jacket. (shrink)

My argument is that poststructuralist and postmodernist theory carries on and intensifies the main lines of a characteristically modern tradition of aesthetics whose most important point of reference is not French structuralism – as the term, ‘poststructuralism’, implies – but the tradition of 18th-century German romanticism and idealism that culminated in the work of Heidegger during the Weimar period in Germany between the world wars and afterward. What characterizes this modernist tradition of aesthetics is its valorization of language (...) as a mode of being possessed of an ‘ontological’ status. I place the term ‘ontology’ in quotes in order to highlight the distinction between ‘metaphysics’, with its Aristotelian and neo-Platonic connotations of a ‘chain of being’, and the more modern term ‘ontology’, which was coined in the 17th century and which became widely used during the 18th century by Leibnizian philosophers Christian Wolff and Alexander Baumgarten; the latter, not incidentally, also helped to establish modern usage of the term ‘aesthetics’. ‘Metaphysics’ and ‘ontology’ have their roots, respectively, in those two most major currents of our western heritage, the Graeco-Roman and Judaeo-Christian. These currents, although inextricably linked to one another in innumerable ways, have nonetheless been engaged, as Nietzsche put it, ‘in a fearful struggle on earth for thousands of years’ that has been obscured by Heidegger’s and Derrida’s accounts of the history of western philosophy. Such accounts have projected what is basically a romanticist critique of Enlightenment values and thought on to a totalizing account of the history of Western thought since Plato. My purpose in emphasizing the distinction between metaphysics and ontology is to provide a conceptual framework within which our understanding of the development of modern aesthetics, and the concept of language that informed that development, can be related to the larger philosophical issues at hand. Literary theorists in the United States, by endorsing Heidegger’s and Derrida’s self-serving accounts of their writings as assaults on the entire history of Western philosophy, and by failing to judge them critically as outgrowths of that history, have not only obscured these developments. They have also sustained the central tenet of American literary theory since the 1960s: that there is such a thing as a ‘Western philosophical tradition’ on the ‘other’ side of which, through an endless series of linguistic coinages and ‘erasures’, we may maneuver ourselves. My claim is that to the extent that there is such an other side, we are already on it, and that we fundamentally misunderstand our situation if we regard it as ‘other’ to the Western philosophical tradition. (shrink)

The history of science can be approached in several different ways. It may be studied, as in the classification once favoured in the long-established Department of History and Philosophy of Science at University College London, by considering separately the history of individual sciences: physics, chemistry, biology, etc.—Partington's monumental History of chemistry is a good example of the cross-section of history of science obtained by considering a single discipline. This approach is understandable when history of (...) science is the work of retired specialists in a particular science. On the other hand, many of those who have approached the history of science from a training in general history have tended to favour a study of a particular period as an alternative to an orientation by subject. This is particularly valuable before the nineteenth century, when subject boundaries were not so tightly drawn as some of the old science historians tended to assume. A third possibility is area studies, usually the history of science within a particular country. Sometimes this is done unconsciously, as when historians claim that they are dealing with a general theme, such as science and religion or scientific institutions, but do so with special reference to their own country. French historians of ‘the Enlightenment’ often study French authors exclusively. Language as much as country is a limiting factor here. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Logics of Failed Revolt: French Theory After May ‘68Ronald ShustermanLogics of Failed Revolt: French Theory After May ‘68, by Peter Starr; xi & 232 pp. Stanford: Stanford University Press, 1995, $45.00 cloth, $14.95 paper.Failed revolt? For many people, current French theory is more a revolt of failed logic. Anyone yearning for a definitive refutation of these threatening foreign trends will get no satisfaction from Peter (...) Starr’s volume. His concept of the “logics of failed revolts” involves the obsession of revolutionaries with what they see as the inevitable return of the past. Starr proposes to examine the explanations given for the failure of revolutionary action “in representative texts by Jacques Lacan, Roland Barthes, Julia Kristeva, Hélène Cixous, Jacques Derrida, and others” (p. 2). The “revolution” in question is the May 1968 uprising.George Orwell, as a defender of proper usage and an explorer of politics and the English language, always insisted that the title of his Nineteen Eighty-Four be written out in full; the informality of the abbreviation “May ‘68” is emblematic of the spirit of the events of that year: May ‘68 was supposed to be a liberation from useless tradition and constraint. That the movement was seen as a failure is the first premise of Starr’s argument; what he proposes to analyze is the theorization of the failure. Starr sees three “scenarios”: “the logic of specular doubling” is where “revolutionary action is doomed to repetition because revolutionaries inevitably construct themselves as mirror images of their rivals” (p. 2). There is also a “logic of structural repetition” and a “logic of recuperation” in which revolutionary actions actually reinforce established structures of power (pp. 2–3). Starr goes on to argue that “these logics served as argumentative pretexts, allowing Barthes, Kristeva, Cixous, and others to construct the existing political field as an impasse in order to justify significant displacements of political energies (including a politicization of the literary text)” (p. 7). This seems like a fancy way of saying that these thinkers used theory to find a decent way out of direct political commitment. Indeed, once one has understood and granted the point, there really is not much else in Starr’s book but fancy ways of repeating it.Starr tries to delineate a specific “theoretical moment” (p. 4) beginning in 1965 and ending in 1977, but it is difficult to be so definitive about the limits of a period when one is writing only twenty years later. This lack of temporal distance leads to certain debatable assertions. For example, Starr claims that tier-mondisme—France’s obsession with models taken from the Third World—“never recovered” from certain fatal “blows” (p. 4). Yet there is no actual evidence given for this claim. The problem with this kind of history is that it either makes concrete statements which are easy to contest, or it ends up vacuous: Starr sees in his period “a play of continuity and discontinuity” (p. 7). Who could deny such an assertion? All periods involve both continuity and discontinuity (except perhaps the period of the sinking of Atlantis...). Starr [End Page 191] mentions works on specific French thinkers by other theorists (such as Culler) and points out that his “aim has been to bridge the gap between such studies on the one hand and the work of historians and sociologists on the other” (pp. 10–11). The question is whether such an interdisciplinary project is feasible or even desirable. The theorists do not really care about the genealogy of the theory; the historians do not need to know if the theory is right. To take one example, Starr gives us statistics of the evolution of university enrollment in France (p. 113) a few pages after discussing Lacan’s “phallic comedy” (p. 104). How many readers are going to be equipped for, or interested in, a study which combines sociological statistics, political theory, general history, psychoanalytic principles, and feminist criticism?I was convinced by Starr’s basic argument that French thinkers were obsessed by this vision of the inevitable failure of revolt. Nevertheless, the point is both belabored and often tenuous. There are times when Starr’s... (shrink)

'The Aestheticization of History and the Butterfly Effect: Visual Arts Series' introduces the audience to philosophical concepts that broach the beginning of the history of Western thought in Plato and Aristotle to that of more modern thought in the theoretician Jacques Rancière in which the main conceptual framework of this anthology is predicated. The introduction is mainly concerned with Rancière's concept of the distribution of the sensible, which is the arrangement of things accessible to our senses, what we (...) experience in real-time and space- compartmentalization and categorization of all things. These things do not just involve tangible items, but audible speech, written language, and visibilities. Rancière's theory of the regimes of art is undertaken as the unfolding of the distribution. Such is evoked in the various genres of visual art forms, from two-dimensional paintings to three-dimensional sculptures and architectures. Understanding the aesthetic regime of art is crucial for grasping how art performs time travel. One way of understanding this phenomenon is in terms of embodied philosophy imbued vis-à-vis art forms, which are subsequently challenged by contemporary artists. The contributing essays examine these reiterations, reevaluations-performances. Aesthetics is a term deriving from the 18th-century European Enlightenment. It is here that aesthetics as the study of beauty is probed for its political potential after the failure of the French Revolution. Many major thinkers during this period signed on to the aesthetic moment, recognizing that Reason in its present state failed to develop humankind beyond barbarism. J.E.B. Stuart's statue is part of an equestrian theme that approximates the Western canon of power and class in the pursuit of domination. But such power and domination will be dethroned in the restaging of history and the redistribution of said canon. This reimagining of the form not only alters perception but constitutes a new narrative. (shrink)

Cosmo-nationalism interrogates the rise of national philosophies and their impact on cosmopolitanism and nationalism. -/- The idea of national philosophy carries in it a strange contradiction. We talk about 'German philosophy' or 'American philosophy'. But philosophy has always pictured itself to be the project of universality. It presents itself as something that takes place outside or beyond the national – detachable from language, culture and history. -/- So why do we assign nationalities to philosophies? Building on Jacques Derrida's (...) unpublished seminars on philosophical nationalism, Oisín Keohane claims that national philosophies are a variant of some form of cosmo-nationalism: a strain of nationalism that uses, rather than opposes, ideas in cosmopolitanism to advance the aims of one nation. -/- Key Features Opens up new exciting areas of exploration between nationalism and cosmopolitanism through the concept of the cosmo-national Examines Derrida’s unpublished seminars on philosophical nationalism, showing him to be much more interested in the intersection of philosophy and the social sciences than previously thought Explores three cases: German Philosophy through Kant and Fichte, French Philosophy through Tocqueville and American Philosophy through Emerson. (shrink)

Focusing on the history of prehistoric archaeology in the 20th century, this papers shows (1) that statistical multidimensional analyses were carried out by a new kind of actors who challenged the previous common language shared by prehistorians. This fundamental change was important, considering that (2) language is a fundamental point for the epistemology of archaeology. However, a comparison of multidimensional analyses applications over time shall make clear that (3) the differences are mostly a generational matter: the transmission (...) processes between them will be addressed. (shrink)

Playing with Truth is the first comprehensive work on Pascal to be devoted to his use in the Pens'ees of key terms depicting its central subject--the human condition. Generally acknowledged as one of the greatest masterpieces of seventeenth-century France, the Pens'ees is an unfinished work which has both inspired and perplexed readers in succeeding centuries. In this study Nicholas Hammond explores such fundamental notions as language and order, proceeding with a detailed analysis of the words inconstance, ennui, inqui'etude, bonheur, (...) f'elicit'e, and justice. In the process, he gives an in-depth account of many important critical controversies of the day, as well as offering a novel and provocative insight into the persuasive purpose of the Pens'ees. (shrink)

Rarely is the problem of the diversity of languages taken into account whenever population groups are formed into States. When the problem does come up, it is later, in a primarily political context which tries to find political solutions, such as we may presently see them in Canada or in Belgium for instance. These solutions are few and they deal with situations that may contain a host of nuances.Certain countries have chosen a vehicular language while keeping their local languages: (...) the common language in the USSR is the language of one of its republics. In Senegal it is French, which is of a totally foreign origin but has the advantage of avoiding the rivalry existing among the native languages, and it also has a place within the international community. Other countries have accepted as official languages the different languages spoken within its borders. Thus Switzerland is officially tri-lingual (French, German, Italian), giving legal status to what somewhere else may simply be an accepted fact. Many Alsatians speak three languages (Alsatian, French, German). As far as it concerns countries with a strong linguistic heterogeneity, whether it be their history or their size making for a centralizing policy, they have adopted, with the resulting neglect of all others, the language or the idiom of the region which was politically or culturally the dominant one at the time of their unification. Pekinese has been extended to all of China, Florentine to Italy, Hindi to India. Some original combinations can be found: in Israel Jewish immigrants who came from more than seventy different countries, have again taken up the nation's old cultural and religious language, which had been out of use for two thousand years, and have placed it on equal footing with Arabic spoken by the local population, while English is being used for international relations. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Object of French Studies GebrauchkunstRichard Klein (bio)If I may say something about the title—it points to the possibility that we are discussing the nature and future of French studies at the precise moment that France is about to disappear. There are those who believe that on January 1, 1999, when the euro becomes the common currency of the European Union, France will become a province of (...) Germany. Effectively real sovereignty will pass from Paris to Frankfurt.Already there are those at Cornell, for example, who think that we, in the French section, should seek to merge with the German department. I support the move (which isn’t going to happen), if only as a permanent reminder to avoid the fetishism of French. In today’s world, French is a question more than an answer to any question. French studies should be open even to the possibility that, these days, to speak French, it is becoming more and more necessary to speak German. The opposite has been true for a long time, as the French smugly know all too well—having for centuries lent their language of refinement and savoir-vivre to the Huns. The imminence of the conjuncture should remind us, too, that French studies is itself situated within the history of French—is transformed in its possibilities and embodiments by that history and by what is happening now, as we say, historically. Finally, the point here is to recall that the question of French studies has a history, that it is not merely being invented at this moment, but also reactivated as an object of discussion and debate.In fact, the current debate has been going on for some time. In 1993–94 the issue was addressed at two national conferences: a two-part symposium was organized by the Committee for the Future of French Studies at the University of Pennsylvania and the University of Wisconsin; another was held at New York University organized by the Association for French Cultural Studies and the Institute of French Studies. Summer institutes at Dartmouth and Northwestern have dealt with the issue. There is a large and growing bibliography. I cite some of the most prominent recent articles—to judge by how frequently they are cited in others I have read:—Emily Apter, “Comparative Exile: Competing Margins in the History of Comparative Literature.”—Lawrence Kritzman, “Identity Crises: France, Culture, and the Idea of the Nation.—Marie-Pierre Le Hir, “French Cultural Studies in the United States.”—Sandy Petrey, “French Studies/Cultural Studies: Reciprocal Invigoration or Mutual Destruction?”—Kristen Ross, Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture (often cited as the best example we have of what French studies might be).—Kristen Ross, “World Literature and Cultural Studies.”—Thomas Pavel, “Les études culturelles: Une nouvelle discipline?” Many questions have been raised in these articles about the possibility and necessity of doing French studies. There are those here who take it for granted that one can identify something French, can locate whatever it is that may be said to participate in a specifically French identity. Some, like Pavel, see French studies (and a fortiori so-called cultural [End Page 5] studies) as an excuse for doing n’importe quoi; it defies definition and merely authorizes more confusion and incoherence. Others, like Kritzman, have a more optimistic notion of how one could define French studies without abandoning some notion of the specificity and uniqueness, the irreducible identity of what is called French.Some critics, like Ross and Le Hir, tend to see French studies as inevitably serving to dissolve any particularism associated with French. What is called French culture has been irretrievably pluralized by the effects of decolonization, by the multiplication of francophonies and by their insertion into an Americanized system of globalization. Kids in suburbs of Paris and Cairo wear American baseball hats turned around and grow up eating McDonald’s. Where is the French in that? The object of French studies may be nothing but France’s assimilationist tendency to colonize others, to claim a universal mission, even as it is transformed by its own failed colonial history and by the very diversity it aims to... (shrink)

Denommer, c'est appeler les etres et les choses par le nom qui leur a ete institue dans et par la langue. Assurant l'intercomprehension entre les locuteurs, la denomination constitue une propriete fondamentale du lexique et des terminologies. Si epistemologiquement, la denomination fait partie integrante des appareils conceptuel et methodologique de la Linguistique et de la Terminologie, dans l'une et l'autre discipline elle connait une situation paradoxale. D'une part elle souffre d'un deficit important de conceptualisation; de l'autre elle se revele etre (...) un puissant moteur pour la description semantique et referentielle du lexique et des terminologies. L'objet du present ouvrage est de proposer un reexamen systematique et explicite de cette notion et de lui assurer un positionnement valide dans l'appareil theorique de la Linguistique. Refusant une caracterisation monolithique, l'analyse opte pour une conception modulaire, articulee sur les differents parametres combinables et superposables qui definissent cette propriete: ontologiques, sociolinguistiques, juridiques et linguistiques. L'objectif de ce travail est egalement heuristique: envisager la denomination comme un levier en vue du reexamen du concept de polysemie, qui lui est consubstantiellement lie. Appliquee aux modeles categoriels et non categoriels, la denomination permet de distinguer entre emplois relevant effectivement d'une polysemie lexicale de ceux procedant d'effet impartis aux instanciations de vocables. (shrink)

** Named a Best Book of 2007 by Ready Steady Book, an independent book review website, working in association with The Book Depository, which is devoted to reviewing the best books in literary fiction, poetry, history and philosophy. "An invaluable guide to new literary territory, Taylor is equally good in discussing writers whom the reader already knows." -- Raphael Rubenstein, Rain Taxi "The paths that John Taylor invites us to walk in this book are inviting ones: fifty-five luminous essays (...) devoted to the broad avenues and the seductive byways of contemporary writing in France. John Taylor is opinionated but his opinions are rigorously argued ones. He strikes a canny and productive balance among a variety of competing concerns: the will to instruct his readers, the desire to share with them some very real pleasures, the imperative to interpret critically, and so forth. What emerges here is the image of a rare reader, one who is always willing to engage literature on its own terms, and that of a literature that is mobile, ambitious, provocative and deeply invested in the process of becoming. -- Warren Motte, Review of Contemporary Fiction "In this great introduction to some 50 French writers and poets little known outside of France, Taylor (The Presence of Things Past; The World As It Is), winner of the Three Oaks Prize for Fiction, invites his readers on an interesting journey."--Library Journal "Here it is under one cover: a deeply informed, delightful, and provocative stroll' through the literature of postwar France. From the chroniques of Cingria to the mythologies of Barthes, John Taylor introduces us to the prose and poetry of dozens of French authors, many of them regrettably never translated into English. Taylor is a skillful and witty guide, able to locate a writer between the traditions of Catullus and Pavese or to identify a style borrowing equally from Hlderlin and Hemingway. Working across every genre from autobiography to poetry to fiction to travelogue to the essay, these French authors, well known and obscure, have plumbed the quintessential French problem' of subjectivity. Tired of the culture wars? The language-lyric debate? The post-game analysis of post-structuralism? I suggest you dive into any one of John Taylor's Paths' for a reminder of the astonishing breadth and depth and complexity of which literature is capable."--Erica Funkhouser, author, Pursuit "Here we have vast erudition revealed in graceful, arresting sentences, writing that provides confidence and pleasure. John Taylor's writing strongly evokes Henry James' writing about French literature in his own day. Like James, Taylor is both generous and astute, never relinquishing admiration for the intricate process of analysis, analysis that he does so penetratingly and eloquently. However brilliant Taylor's observations, behind them rests a deep esteem for the writer, for his or her work, and for the tradition from which it comes. This is critical writing that is satisfying at every single level."--Richard Goodman, author, French Dirt: The Story of a Garden in the South of France "As they stroll through forgotten quartiers of Paris, wander in memory through the fields of a Norman childhood, reflect on a poem's resemblance to the salt marshes of the Breton coast, mourn the death of a beloved young wife, or look for answers in questions to which the only answers are more questions--France's most celebrated and, in some cases, still uncelebrated contemporary writers are exquisitely captured by John Taylor in a prose both limpid and lapidary and through a host of finely wrought essays, each a small jewel of critical insight, poetic sensitivity, and meticulous interpretation. Like a message in a bottle cast up on the shore, this work offers the English-speaking reader an original and poetic way to understand, appreciate, and love French. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nature and Nurture in French Ethnography and Anthropology, 1859-1914Martin StaumThe adaptability of non-European peoples to "civilization" was a critical issue deriving from the perennial nature-nurture question that haunted debates in the human sciences in late nineteenth-century France.1 The emerging scholarly disciplines of anthropology and ethnography helped provide a scientific veneer that bolstered existing cultural prejudices concerning the innate limitations or retarded development of non-Europeans. Certainly there were many (...) other pragmatic reasons for imperial expansion, and racists did not automatically become imperialists. But if, as Edward Said contended, imperialism "depends upon the idea of having an empire," there is no doubt that many ethnographers and anthropologists helped legitimate the idea.2 Their debates retain a resonance in our twenty-first century postcolonial world struggling with questions of identity, integration, and cultural diversity.Relying on reports from travelers, missionaries, or colonial officials, human scientists from across the political and religious spectrum justified European superiority. Although a few journalists and philosophers outside the scholarly societies represented a minority anti-imperialist counter-current, the remarkable pervasiveness of hierarchical thinking affected both socially radical anthropologists and more conservative ethnographers.3 While ethnographers proclaimed universal fraternity, they conceded that physical differences affected [End Page 475] intellect and character. The later attack on hereditarianism by Durkheimian sociologists and isolated anthropologists with the catalyst of the Dreyfus Affair is all the more striking.4 As George Stocking has argued concerning a British Victorian thinker, the cultural differences between Europeans and non-Europeans became so entangled with biological issues that there was "difficulty conceptualizing them except in terms of 'race.' "5The two most notable anthropological scholarly societies of the late nineteenth century, both founded in 1859, were the Société d'ethnographie orientale et américaine and the Société d'anthropologie de Paris. Historians have justifiably noted their mutual aversion and have contrasted their differences over scientific method, politics, and religion.6 The ethnographers, inspired by a student of Japanese language and Asian religion, Léon de Rosny (1837-1914), were largely linguists and specialists in Asian texts and pre-Columbian codices that represented partly civilized peoples. Rosny invented the term "ambiantisme" for a philosophy that ostensibly privileged the cultural milieu rather than inborn human nature.7 The society membership varied between 115 in 1864 and 470 in 1878, though it declined to 165 by 1903.8 As a group, compared to the anthropologists, they were more politically conservative, more socially elite, and more inclined toward conventional religion, with its belief in the unity of the species. Their "science of destiny" stressed human freedom and unalterably opposed philosophical materialism.9 [End Page 476]The anthropologists, headed by physician and anatomist Paul Broca (1824-80) consisted of a hard core of like-minded medically trained colleagues. The anthropologists' membership peaked around 500 both in 1885 and 1905, though, they, too declined to 165 by 1914.10 Historians have analyzed the nature-nurture issue more subtly for the anthropologists.11 While the Society almost always expressed interest in both physical and cultural spheres, they privileged the study of crania as an index to the intellectual and moral characteristics of "races." The more extreme hereditarians thought that the nature of allegedly inferior "races" precluded perfectibility. Armand de Quatrefages (1810-92), professor of anthropology at the Muséum national d'histoire naturelle and pioneer of the so-called Muséum school, in his later years cast doubt on whether physical indicators actually demonstrated human superiority. However, the Muséum school did not generally renounce racial hierarchy, though they believed that environmental influences formed and continued to shape human varieties.12 In addition, philosophical materialists, militant atheists, and politically radical thinkers dominated the society in the generation after Broca's death. Almost all were neo-Lamarckians who leavened the idea of a fixed human nature with the possibility of adaptation to a milieu and transmissible acquired characteristics.13 The medical physiologist Charles Richet reported that "heredity and milieu are not antagonistic, but synergistic."14 However, many accounts underplay the differential application of neo-Lamarckianism. In this "racial evolutionist paradigm" already noticed by Laurent Mucchielli, even the Muséum school found only civilized people adaptable... (shrink)

However widely--and differently--Jacques Derrida may be viewed as a "foundational" French thinker, the most basic questions concerning his work still remain unanswered: Is Derrida a friend of reason, or philosophy, or rather the most radical of skeptics? Are language-related themes--writing, semiosis--his central concern, or does he really write about something else? And does his thought form a system of its own, or does it primarily consist of commentaries on individual texts? This book seeks to address these questions by (...) returning to what it claims is essential history: the development of Derrida's core thought through his engagement with Husserlian phenomenology. Joshua Kates recasts what has come to be known as the Derrida/Husserl debate, by approaching Derrida's thought historically, through its development. Based on this developmental work, Essential History culminates by offering discrete interpretations of Derrida's two book-length 1967 texts, interpretations that elucidate the until now largely opaque relation of Derrida's interest in language to his focus on philosophical concerns. A fundamental reinterpretation of Derrida's project and the works for which he is best known, Kates's study fashions a new manner of working with the French thinker that respects the radical singularity of his thought as well as the often different aims of those he reads. Such a view is in fact "essential" if Derrida studies are to remain a vital field of scholarly inquiry, and if the humanities, more generally, are to have access to a replenishing source of living theoretical concerns. (shrink)

Montaigne chooses to write the Essays in French, the vulgar language, rather than in Latin, the language of the learned. He uses only the words that areheard in the streets, markets, and taverns of France. And he speaks about the body and the sexual in a manner that goes beyond the limits of propriety. The language of the Essays perfectly reflects Montaigne’s philosophical project, the re-ordering of philosophy to the lowest rather than the highest, to the (...) ordinary rather than the extraordinary. By bringing the private into the public, he frees the private from shame and creates the new, modern public space, i.e., society. The invention of the essay is the invention of society. (shrink)

Montaigne chooses to write the Essays in French, the vulgar language, rather than in Latin, the language of the learned. He uses only the words that areheard in the streets, markets, and taverns of France. And he speaks about the body and the sexual in a manner that goes beyond the limits of propriety. The language of the Essays perfectly reflects Montaigne’s philosophical project, the re-ordering of philosophy to the lowest rather than the highest, to the (...) ordinary rather than the extraordinary. By bringing the private into the public, he frees the private from shame and creates the new, modern public space, i.e., society. The invention of the essay is the invention of society. (shrink)

This collection of essays constitutes the first history of modern Japanese aesthetics in any language. It introduces readers through lucid and readable translations to works on the philosophy of art written by major Japanese thinkers from the late nineteenth century to the present. Selected from a variety of sources (monographs, journals, catalogues), the essays cover topics related to the study of beauty in art and nature. The translations are organized into four parts. The first, "The Introduction of Aesthetics," (...) traces the formation of notions of "beauty," "culture," and "art" in Japan. It includes discussion of the creation of the museum in Japan and the frenetic efforts of Nishi Amane, Okakura Tenshin, Ernest Fenollosa, and Mori Ogai to introduce German, British, and French aesthetic thought to the Japanese. This is followed by three sections that examine the transformation of the aesthetic field into an academic discipline that flourished at three major Japanese universities. "Aesthetics at Waseda University" begins with an essay on the spiritualism and idealism of Onishi Hajime and continues with essays on the impact of German Lebensphilosophie ("philosophy of life") on Shimamura Hogetsu and Takayama Chogyu, and work by the major Waseda aesthetician of the twentieth century, Aizu Yaichi. Thinkers of the Tokyo School adopted a "scientific" method in the study of art theory. Part 3, "Aesthetics at the University of Tokyo," focuses on the ideas of Otsuka Yasuji (holder of the world’s first Chair of Aesthetics), Onishi Yoshinori, Watsuji Tetsuro, Abe Jiro, Takeuchi Toshio, and Imamichi Tomonobu. The section concludes with a look at the contemporary philosopher Sakabe Megumi. The last section, "Aesthetics at the University of Kyoto," includes essays on Nakagawa Shigeki and Fukada Yasukazu, pioneers in the field of aesthetics, and on the philosophy of art of the "Kyoto School," which was deeply inspired by the thought of Nishida Kitaro. Finally the work of Kuki Shuzo, an influential teacher of Western philosophy at the University of Kyoto, is examined. A History of Modern Japanese Aesthetics is a companion volume to Modern Japanese Aesthetics: A Reader (UH Press, 1999). (shrink)

In this paper, I discuss the Agrégation de Philosophie—the French national examination that certifies philosophy teachers for both lycée and university instruction—in terms of the role it has played in the intellectual formation of all French philosophers and, as a corollary, its impact on developments in 20th-century French philosophy. Following a recounting of the history and structure of the examination, I discuss how the examination reveals that a thorough grounding in the history of philosophy, especially (...) pre-1800 philosophy, is a necessary condition for employment as an instructor of philosophy. After discussing the connections between the examination and the teaching activities of the Sorbonne’s Department of Philosophy, I analyze the content of the exam, showing how it offers important insights into the French philosophical tradition and how it differs from the English language and German philosophical traditions. I conclude by examining in detail the appearances of Comte, Plotinus, and Nietzsche on the examination, showing how their appearances correlate with publication trends as well as the careers of influential philosophers. (shrink)