This study examines the work ethic characteristics of Protestant, Catholic, and Muslim people who are living in the US. People originally from Turkey were targeted under the Muslim group. Since a significant number of people selected “none” as their religious affiliation in the survey, this group has also been included in the final analysis. Eight hundred and three people (313 Protestants, 180 “none”, 96 Muslims, 86 Catholics, and 128 other) participated in this questionnaire study. The analyses revealed that Muslim Turks (...) reported greater scores on four of the five Protestant work ethic (PWE) characteristics. Protestants scored higher than Catholics on all characteristics, but there was no significant difference. (shrink)

The building of the transcontinental railroad in the US Central West in the late 1860s greatly improved access to this region and led to the expansion of scientific field work. The relationships between science and the railroad spanned a diverse spectrum, ranging from its practical advantages to more complex interactions such as the transformation of nature along railway corridors and the reciprocal exchange of favours between scientists and railway companies. The dominance of science along the railroad in the second half (...) of the nineteenth century continued into the early twentieth century, with a gradual shift to automobile travel beginning in the 1910s. By stimulating and shaping field research both on and off the railway corridor, the laying of iron tracks across the continent helped guide US science, just as it influenced so many other aspects of US life. (shrink)

"The enterprise initiative is probably the most significant political and cultural influence to have affected Western and Eastern Europe in the last decade. In this book, academics from a range of disciplines debate Mary Douglas's distinctive Grid Group cultural theory and examine how it allows us to analyse the complex relation between the culture of enterprise and its institutions. Mary Douglas, Britain's leading cultural anthropologist, contributes several chapters."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.

In this short article, my aim is to introduce readers to some debates about religious freedom and constitutional law in the United States. I highlight a few of the enduring questions debated by political philosophers and legal scholars. For example, does the Constitution require special religious exemptions for citizens whose religious convictions put them at odds with otherwise neutral and legitimate state pol- icy? Should the Constitution be interpreted as supporting a strict secularism or a multicultural egalitarian liberal position? What (...) are the limits to religious freedom? To illustrate how these and related questions are debated I consider some recent work on religious freedom jurisprudence in the United States. (shrink)

Leon Craig begins his study of the Republic by wondering whether his study is "truly novel". By the end of his study, Craig assures us that his interpretation of the Republic "is a novel one". The interpretive method by which he arrives at this novel interpretation is, however, he admits, not so novel. This method--drawn from the work of Leo Strauss--takes into special account the dramatic form of the Platonic dialogue, the requirements of esoteric writing, and "the law of logographic (...) necessity". However, it is clear from even a cursory reading of Craig's book that the way in which he applies, and even understands, this method is more "idiosyncratic" than he acknowledges. (shrink)

"Ever Since This World Began" from Love Dog (Penny-Ante Editions, 2013) by Masha Tupitsyn continent. The audio-essay you've recorded yourself reading for continent. , “Ever Since the World Began,” is a compelling entrance into your new multi-media book, Love Dog (Success and Failure) , because it speaks to the very form of the book itself: vacillating and finding the long way around the question of love by using different genres and media. In your discussion of the face, one of the (...) themes of Love Dog , I think there is something to be said about the surfaces media create and how you constantly manipulate them in your work. This seems important for thinking also about your book LACONIA: 1,200 Tweets on Film ; a book on film written in tweets, interposing already three sets of expectations and pushing the boundaries of each medium's faciality, it's surface tension. In Love Dog , is there another kind of facial interaction? Perhaps the discursive faces of approaching love as topic and love as method? If so, how did/do these intersect for you, do/did they drive the creation of this book? MASHA TUPITSYN With LACONIA and Love Dog , I wanted to pay homage to the work modernism has done on subjective time and chronological time by carrying that experiment over into the digital economy. Because LACONIA is a time-based work of cultural criticism that employs the aphorism to look at 21 st century American culture, it is also an archival work of cultural mourning and memory. And in Love Dog , which is also a work about mourning as it relates to love, I wanted to think with all my senses, and to reflect that in the writing itself by using a multi-media form. LACONIA tackled the sound bite and the promotional image--the everyday language of consumer culture--which often wants to communicate ideological agendas through the repetition of a single image or reductive phrase. I had always been interested in the approaches of artists like Barbara Kruger and Jenny Holzer and essayistic, typographical filmmakers, like Chris Marker and Godard. In both cases, I felt it was important to try to compose a book in which deep—critical—thinking happens in so-called immediate, informal, and disposable contexts. That is, in places where you are either not supposed to be serious or are not required to take things seriously. To me the most intervention is needed in every day instances of culture and representation. In order to do that, I had to utilize and interrogate the very structures I was critiquing. In other words, the writing had to materialize in that live, digital, public space. It couldn’t simply happen at home on a piece of paper or in a word document on my computer that no one could see until it was finished. It had to unfold in real time, amidst everything else. And it had to literally be surrounded by the cultural landscape I wanted to assess. In both LACONIA and Love Dog , I wanted to know how and if we can get away from what we cannot get away from? From which there is no respite. Given this, I don’t think hypertexts can really be called hypertexts anymore. Hypertexts are simply the world today. This is not only the way we read the world now. It is the way the world reads. Likewise, interfaciality, as you put it, works on a number of levels for me, both on and off the page. There is my relation to epistemological and phenomenological surfaces—the screen, the body, the face, the voice, gender; the official story. Then there is the way this dovetails formally, and to which the digital adds yet another dimension. It’s also where sound comes into Love Dog (giving the book a sound; giving tonality to the book’s ideas and feelings). As Anne Carson pointed out in her essay “The Gender of Sound,” the two are connected, and of course so are love and gender. In “Ever Since This World Began,” I wanted to think about the phenomenology of the voice, which is why I visualize the sonic in the book and why in my writing about faces, I look at the tonal aspects (the things a face voices and a voice faces) of a face. This was standard to do when images and faces were “silent” in the silent era. Those images/faces were extraordinarily audible. The greatest screen face, to me, is still Falconetti’s in Dreyer’s The Passion of Joan of Arc . We can hear her face—even though there is no actual sound on screen of her speaking. The internet is a similarly “silent” space where actual voices are lacking. So intertextuality goes with interfaciality. I’ve also talked a lot about how categorization worked when it came to the reception of my first book, Beauty Talk & Monsters . How despite the fact that Beauty Talk is a text that crisscrosses form and content in a variety of ways, not pinpointing its exact genre—choosing one genre over another—only made things worse. Fiction was the category people were most adverse to me using, even though of course there is a lot of fiction in the book. Part of how fiction works in Beauty Talk is in the reader not knowing exactly where the fiction resides. In Godard’s 1967 film, Weekend , for example, everything matters. Everything is political, whether it’s real or imaginary, film or reality. In Weekend , life is not a game and neither is the game a game. The game is really life. Either everything is important or nothing is. But many people want clear answers and demarcations so that they can decide what is important and what is not important. My use of the “I,” subjective criticism, made everything “real” in Beauty Talk . But fiction is in the construction. It is in the blending. This is why I perforate the movie screen and connect the onscreen and the offscreen; the official story and the backstory. Although I don’t think there is a difference between onscreen and offscreen anymore. Nor is there a dialectic. It’s all screen all the time now. Non-fiction, on the other hand, was more tolerated as a moniker. Unlike Love Dog , Beauty Talk wasn’t explicitly or tangibly (what is tangible is a question in all these books) working with digital forms or within this digital economy, so some people resisted the book’s hypertextuality or intertextuality because they couldn’t see its other forms, if that makes sense. It was a problem of invisibility; of how to make something appear (this is where Nietzsche, big presence in Love Dog , comes in—the nature of appearances). Something people don’t necessarily want to see. Some readers couldn’t see the way forms were interfacing in that book. On the surface, Beauty Talk was simply a text about media culture—the domination of entertainment as a mode of being and knowing—and most readers could only see that one side of the book. But as Godard puts it in Wim Wenders’ documentary about the future of cinema, Room 666 , “Films are made, images are made, when there’s no one looking. That’s what the invisible is, that which we don’t see. That’s what the incredible is, that which we don’t see. And cinema shows you that which we don’t see, the incredible.” We are living in the aftermath of narrative and temporal collapse, which means we don’t read or feel in the same way. I began to use digital forms in my writing because I don’t see us as traditional book people anymore. I would add that power also resides in the invisible, in the things we make invisible by making them visible. Or it did for a long time. The new face of power is quickly becoming so-called transparency, which is even more corrupt because even though we now live in a behind-the-scenes culture, and see and know how the mechanisms of power and corruption operate, we still don't change. The world still doesn't change. Finally, another important thing that Godard says in Room 666 that relates to Love Dog is: “I’m here in front of the camera, and yet in my body and in my head, I’m behind it. My world is the imaginary and the imaginary is a journey between forwards and backwards.” This idea of visible/invisible, foresight and hindsight , backwards and forwards is an important dialectic in relation to time and the idea of the destinal. This is why I wanted Love Dog to travel, literally, figuratively, and discursively. You have to be open to not knowing. To epistemological, geographical, chronological, and emotional aporias. In Love Dog my story is both visible and invisible to me. Sometimes I could see where I was going. Other times I was completely in the dark existentially. Truth procedure, which love is, as bell hooks and Badiou tell us, requires expedition and openness to possibility. Unless you want a story you already know, but that is not truth procedure. So I tried to create this backwards and forwards journey in the book—this sense of travel and motion, hope and doubt—by jumping between forms, media, time; traveling to different places, texts, and emotional registers. The book’s “Time-Jump series,” which mostly takes the form of music—songs—but also a series of “green” videos that I shot, is the most obvious tribute to this idea of subjective and chronological time. continent. Your work aligns with writers that play with the form of their language, or have assumed the role of performance artist at some point: Kathy Acker, Chris Kraus, Avital Ronell, and Anne Carson to name a few representing varied approaches that show up in Love Dog . At the risk of ossifying the work, or missing the point—as these experimental modes of writing stack-up in piles of published works, do they approach a genre? MASHA As I noted in my book Life As We Show It , in Chelsea Girls the poet Eileen Myles points out, “You can’t get money without a category.” More importantly, you can’t get a category—or respect, rank—without a clear genre. This makes genre and gender an obvious pair. The two words are even linked etymologically and both genre and gender concern taxonomies of legitimacy—of sorting through what and who is valuable. So the words share common prejudices. The things one does not want to read is often synonymous with who one doesn't want to read about. Therefore a break-up of or with genre is maybe the genre or anti-genre that could be said to link these writers. Avital Ronell breaks up with philosophical tradition and modes of inquiry. Like Nietzsche, she revaluates methods of evaluation, testing out things you are not supposed to use philosophy to test (and, by the same token, testing philosophy in ways it’s not supposed to be tested), like drugs and stupidity—where philosophy fails and we fail philosophy. And Chris Kraus does something similar in her experimental fiction, using different forms to put female subjectivity “to the test,” so to speak. All these female writers and thinkers have tried to destabilize the systems that have been set up in (and against) writing. Thus missing the mark with genre, even intentionally, means that we have missed the point in some sense as writers and thinkers. And that to me is a good thing, however difficult. We’ve started at the wrong point and gone somewhere else instead. We’ve acknowledged that writing and thinking are also about failure, and that failure is always embedded in the act of writing and in our reasons for writing. So that missing the point is also the point. Derrida insisted: “We must invent a name for those ‘critical’ inventions which belong to literature while deforming its limits.” But how can you give something that resists and deforms, a name? Wouldn’t the name also be deformed? Isn't this why the aforementioned writers get hyphenated descriptors like ficto-criticism? Do we need a proper name to be able to read something carefully? I don’t think so. I don’t need it as a reader. I’ve always taken a work on its own terms. But for most people, if you don’t have an address, people don’t know how to find you. A lot of time, they won’t even know how to look. And in some cases, they’ll think you’re not even worth finding. You are not on the map because you have to literally make the map in order to exist. In her essay, “The Gender of Sound” Carson asks, “Why is female sound bad to hear?” I think for the same reason something uncategorizable (pedagogically, creatively, racially, and sexually)—Other—is hard to read. *For an audio recording of Florida , read by Masha Tupitsyn click here . continent. : We're also curious to hear know how you see the significance of 'performance' (and why the label sticks to the shoes of these authors like toilet paper) in describing this kind of writing work? MASHA I think I responded to the parenthetical portion of this question in my previous answer. As far as how performance relates to Love Dog , in Acker’s Don Quixote , which is another big presence in the book, she writes, “there is no other reality than anthropomorphism.” In Don Quixote , the dog is human and the human is dog. Which brings us to the title of Love Dog and the totemic function of the dog in the book: giving human things animal characteristics and animal things human characteristics. Rather than investing all our human love ideals into dogs, which we do constantly as a culture of dog lovers, I wanted to put the dog into love. It is the difference between the consumption of love as a patriarchal institution or status position and the essence of a type of radical and liberatory relation that would benefit humans in their bonds with other humans. So the dog in Love Dog is not simply the book’s cover or performative affect, so to speak. Love has always needed the dog, which is why the dog is the very embodiment of belief in love . Recall Argos The Great Dog and Odysseus. Argos is the only one who remembers and recognizes the ragged and old Odysseus even after his 20-year absence. So love is the high ideal and the dog, both common and dependable, is the bridge between the sacred and the profane. The dog is the house of love. And because Love Dog is a digital project, it seemed impossible to think about the post-human, technology, the virtual, or difference (which Badiou says is essential to love in In Praise of Love ) without thinking about animal-being and being-animal. Instead of simply “performing” these ideas and characteristics as literary affects, I’m interested in being-becoming. Which means the book’s tropes, leitmotifs, series, and even its titles are in service of that truth procedure. In other words, I actually want to live this way, not just write this way. And, more importantly, I want to live this way not just think this way. So Love Dog became both my totem animal and my autobiographical animal. This made the book organic, anthropomorphic—beyond literary. See the trailer to Masha Tupitsyn's new book available now from Penny Ante Editions. (shrink)

Resumen En este trabajo analizo una actividad de imagen que participa directamente en la construcción de la identidad de individuos y grupos bilingües, pero que no ha sido identificada como tal hasta ahora, aunque el fenómeno a través del cual se realiza - la alternancia de lenguas en la interacción comunicativa entre dichos miembros de la comunidad bilingüe - cuenta ya con numerosos estudios. La comunidad bilingüe en que me enfoco es la de los hispanounidenses: los hispanos que residen en (...) los Estados Unidos y usan en su comunicación diaria tanto el español como el inglés. Después de presentar unos datos acerca de la demografía hispanounidense y sobre el uso de los dos idiomas entre los miembros de dicha comunidad, reinterpreto testimonios de los usuarios y ejemplos de alternancia de lenguas recogidos en trabajos sociolingüísticos previos como actividades de imagen social en dos niveles diferentes: el macronivel de la interacción comunicativa global y el micronivel de ciertos actos de habla concretos dentro de dicha interacción. En el macronivel, se trata de una actividad de imagen de afiliación intragrupal y, simultáneamente, de autonomía extragrupal; mientras que en el micronivel se trata de efectos de cortesía atenuadora o intensificadora dirigidos a la imagen del interlocutor, o de ataques a la imagen del mismo, cuando no forma parte de la comunidad. (shrink)

Citizenship regimes are institutionalized systems of formal and informal norms that define access to membership, as well as associated rights and duties. This paper studies illegalized migration as one of the major tests to assess whether citizenship regimes are fair institutions, based on a historical analysis of legislation meant to reduce illegalized migration in the United States between 1995 and 2022. We build our empirical research starting from a simple observation: despite the great number of bills introduced to reduce illegalized (...) migration to the US, most of such initiatives fail to become law. In fact, 93.5% of all immigration initiatives did not even pass the chamber of Congress in which they were originally presented. Such a high rate of failure shows that these proposals are motivated by electoral aspirations, rather than coming from a genuine wish to help migrants or grant them citizenship. Furthermore, there is also an economic interest that justifies the maintenance of low-cost disposable immigrant labor, with no right to citizenship. Our analysis is an example of how state regulation processes seem to work to formalize, rather than alleviate or eradicate, the precarious legal statuses of illegalized migrants. We conclude that a globalized phenomenon such as citizenship requires going beyond merely institutional and formal conceptions. We need to rethink the institutional notion of citizenship, as a merely status held under the authority of a state and consider it from a cosmopolitan perspective and a multilateral basis. But as long as citizenship remains under the responsibility of states, illegalized migrants will continue to experience precarious citizenship. (shrink)

This review essay takes stock of the state of the field and speculates on its future. I highlight three themes. First, as the field has expanded, theorists come to migration from different methodological stances. While liberalism, broadly construed, continues to be the dominant framework, theorists increasingly find resources in feminist thought and philosophy of race. Second, normative theorists now engage much more deeply with the empirical literature, in some cases combining fieldwork and normative theory. This has led to a shift (...) from broad questions about the morality and legitimacy of border controls to more specific issues such as the ethics of refugee camps and repatriation, the realities of immigration enforcement and surveillance regimes, and the role of race and racialization in immigration policy, as well as challenges specific to particular geographical regions. Third, migration raises broader issues of political theory, challenging us to reimagine political and social boundaries for a mobile world. (shrink)

Purpose The purpose of this study is to examine public perceptions and attitudes toward using artificial intelligence (AI) in the US criminal justice system. Design/methodology/approach The authors took a quantitative approach and administered an online survey using the Amazon Mechanical Turk platform. The instrument was developed by integrating prior literature to create multiple scales for measuring public perceptions and attitudes. Findings The findings suggest that despite the various attempts, there are still significant perceptions of sociodemographic bias in the criminal justice (...) system and technology alone cannot alleviate them. However, AI can assist judges in making fairer and more objective decisions by using triangulation – offering additional data points to offset individual biases. Social implications Other scholars can build upon the findings and extend the work to shed more light on some problems of growing concern for society – bias and inequality in criminal sentencing. AI can be a valuable tool to assist judges in the decision-making process by offering diverse viewpoints. Furthermore, the authors bridge the gap between the fields of technology and criminal justice and demonstrate how the two can be successfully integrated for the benefit of society. Originality/value To the best of the authors’ knowledge, this is among the first studies to examine a complex societal problem like the introduction of technology in a high-stakes environment – the US criminal justice system. Understanding how AI is perceived by society is necessary to develop more transparent and unbiased algorithms for assisting judges in making fair and equitable sentencing decisions. In addition, the authors developed and validated a new scale that can be used to further examine this novel approach to criminal sentencing in the future. (shrink)

Originally created by the international peasant movement La Vía Campesina, the concept of “food sovereignty” is being used with increasing frequency by agrifood activists and others in the Global North. Using the analytical lens of framing, I explore the effects of this diffusion on the transformative potential of food sovereignty. US agrifood initiatives have recently been the subject of criticism for their lack of transformative potential, whether because they offer market-based solutions rather than demanding political ones or because they fail (...) to adequately address existing social injustice. In this paper, I consider how food sovereignty measures up to this critique both as it was originally framed by Vía Campesina and as it is being reframed for the US context. First I briefly compare food sovereignty to community food security (CFS), which was developed more explicitly for the North American context and has been criticized for its lack of transformative potential. I then explore how the potential of food sovereignty has been affected as it is reframed to resonate with US audiences through an examination of its use on the web sites of US-based organizations. I find that, while some reframing of the concept to highlight consumer choice does seem to be occurring, it remains a primarily political concept. It may not, however, be fulfilling its potential for addressing social injustice in the US agrifood system because it tends to be used either in reference to international issues or, when applied to the US context, treated as a rough synonym for local control. I conclude that, if advocates can successfully guide the reframing process, food sovereignty could serve as a valuable counter-hegemonic vision to complement the more pragmatic and locally-grounded work of CFS advocates. (shrink)

This paper examines the drive for consensus from the perspective of the good government framework for federal advisory commissions in the United States. Specifically, the paper examines the Federal Advisory Committee Act (FACA) – the statute, its regulations, and case law. It shows that the FACA was intended to be an antidote to abuses in consensus‐making processes, including the failure to fully include competing views on commissions. The index of suspicion in the FACA scheme rises when a group work product (...) – including a consensus report – is to be the basis of recommendations to federal officials. Once FACA's requirements regarding committee composition are satisfied, the index of suspicion drops and FACA is indifferent to consensus‐making; but the conditions for informed, meaningful participation apply to members who dissent from, as well as those who participate in, consensus. In negotiated rulemaking, the push for consensus and closure creates unacceptable tension with the good government goals of openness and accountability. Proponents of consensus‐only bioethics commissions can learn from FACA‐related legislative, agency, and judicial insights that consensus‐seeking is not always desired by government officials; is rarely cost free; and that diversity and dissent enhance openness, accountability, and fairness. The burden of proof is therefore on proponents of a consensus‐only standard for bioethics commissions to demonstrate that a drive for consensus furthers sound decision‐making by government officials more than it sets back openness and accountability to a diverse public. (shrink)

In the traditional sense, a work of art creates an illustration of the outside world, or of a certain text or doctrine. Sometimes it is considered that such an illustration is not literal, but is an interpretation of what is visible, or an interpretation of a certain literary or ideological message. It can also be assumed that a work of art creates its own visual world, a separate story or a separate philosophical statement. The Parc de La Villette represents the (...) last of these possibilities: it is a philosophical statement that develops the premises derived from poststructuralist philosophies and the philosophy of deconstruction. The uniqueness of its being status, however, is that it does so not only at the level of the theoretical assumptions, but also through its functioning as an active philosophical work. This means that a park is a happening philosophy. Its activity, however, does not refer only to the present tense, but is also an attempt to penetrate the future, all otherness and impossibility. This kind of activity assumes that the work, in a sense, does not yet fully exist, but is also still produced in the processes of its interpretation. The theoretical foundations of the park included texts by Bernard Tschumi, in which he questioned traditional ways of creating a work of architecture, postulating in return the use of a long series of negations, which were comparable to the crisis of metaphysics characteristic of contemporary philosophy. It is therefore no coincidence that the publication containing Tschumi’s theoretical text on Parc de La Villette was accompanied by an essay by Jacques Derrida developing some of the architect’s concepts. The next step in integrating philosophy into the process of park design was a series of discussions between Peter Eisenman and Derrida, who completely moved the creation of the park into the world of thoughts, without accentuating the need for their realization in the material reality. The main topic of these discussions was the problem of the chôra, which was taken up by later commentators and used to interpret the park as a work in which the philosophy of the beginning is manifested relating to issues of politics, morality and religion. The park was therefore interpreted as a space of invention within the scope of creating new rules of functioning of the community and democracy. Thinking about the political future may, however, exceed the horizon of ordinary expectations. Although philosophical thought is always connected with contemporary problems and metaphysics sometimes intertwines with current politics, yet at the same time the customs of philosophy also include crossing horizons and thinking about absolute otherness and impossibility. Initially, the chôra, différance, Absolute Otherness (tout autre) and the Impossibile were concepts of pure philosophy of atheistic character, but with the further development of the discussion, more and more theological motifs began to emerge. One of the reasons for this phenomenon was the fact that radical negations of all being, which were contemplated in contemporary philosophy (by Heidegger and Derrida, among others), had previously been manifested in negative and apophatic theologies (by Master Eckhart, among others). Also the category of the “Other”, taken from Emmanuel Levinas, was clearly connected with the thought about God. A further reason for connecting the chôra with the theological thought was the interest in the philosophy of deconstruction expressed by some theologians. Caputo in particular managed to persuade Derrida to participate in discussions on the current status of religion. In the late period of Derrida’s writing, further statements on religious topics appeared. All these reasons led to posing a question about the identity of the chôra and God. Although there were no satisfactory conclusions on this issue, the discussion was also important to create an interpretation of the park as a place of worship. The chôra, representing, according to Plato, the preoriginal emptiness is the place of every beginning, but it turns out that it is not neutral to the being created in it. The chôra deposits itself in every being as an irremovable beginning that interferes with its stability. The chôra, therefore, forces us into a palintropical movement, but it also turns out to be a pure compulsion, an erring necessity and a fundamental force from which, in the human perception, motifs useful to the individual and to the community are extracted. All definitions of this force, including its anthropomorphisation, are formulated in such a way that they allow for building private and collective morality upon them. Such definitions are changed depending on variable political situations. It is difficult to determine whether in the processes of changes in the formulation of “God’s names” any essential value is retained, which is not subject to change. The current definitions of the chôra (God?), which can be found, for example, in the philosophy of Caputo, stress that she is a combination of various and contradictory forces. This characteristic inherits much of Plato’s concept, reminds us of Master Eckhart’s views on Gottheit and, at the same time, is not unfamiliar to Tschumi, whose essays were an apologia of contradictions. The current concept of chôra, transferred into the sphere of politics, is the praise of social diversity and the protection of the difference from the forces of order. In the Parc de La Villette, the future community and democracy were elevated as a system of safe existence of individuals in all their singularity. The park is a temple of a future community in which individual beings have nothing in common. (shrink)

We write as Australian youth work educators. We consider some of the ethical challenges involved in teaching youth work ‘in a warm climate’, situated in the diaspora of English youth work but where youth work also has a uniquely Australian character, placing us in an ethically liminal space in our teaching between an understanding of youth work that is robustly defended as being both ‘good’ and ‘true’, and what we do, which is different from this, and has its own character (...) and strengths. We situate this in the policy history of youth work in Australia, particularly in the ‘neoliberal turn’ that this has taken in the last four decades which has created ethical challenges for us, just as it has for those elsewhere. Two guiding questions shape this paper. The first is, given our differences, what challenges do we face in maintaining connections with ‘good’ youth work and its value base as traditionally defined and defended in England, and relatedly, given that policy and funding regimes in the UK seem to be aligning more with an Australian model, is there anything that the youth work community in the UK can learn from the Australian experience? (shrink)

Biotechnology now makes it possible to enhance human traits as well as treat illnesses and disorders. What it has neglected to establish, however, is a clear line between these two functions, a distinction between what counts as treatment or therapy and what counts as enhancement. The bulk of the literature on enhancements focuses on the ethics of enhancements, not on the criteria that qualify a procedure as an enhancement . While the ethical questions regarding the desirability of enhancements are certainly (...) worthy of consideration, so is the issue of what constitutes an enhancement versus a form of treatment or therapy. Scholars have debated the issue of whether a distinction between therapy and enhancement exists, but the placement of that distinction has not yet been sufficiently addressed . Much like the field of bioethics itself, my study of this issue is a work in progress, so this paper will ask and explore questions relevant to this topic without providing answers to all of them. Nonetheless, they are important questions to ask with important implications for the future of bioethics. This paper will describe the line between enhancement and therapy, map the terrain and define the terms. It will also investigate where the line is at present, and where and how it has been set by legislation and private companies. It will then illustrate the issues, using two examples, to demonstrate the difficulties and complexities involved. Finally, it will explore the implications of the line for society’s financial as well as physical interests, and for healthcare access in the United States. It will conclude by considering the open question of how a company, a government, and a just society should go about setting the line. I hope that asking the questions and exploring their complexities will help draw attention to and prompt serious consideration of the placement of the line between therapy and enhancement. (shrink)

Working in and around the ‘chain of command’: power relations among nursing staff in an urban nursing homeBy most accounts, the discipline of nursing enjoys considerable hegemony in US nursing homes. Not surprisingly, the ethos of this setting is influenced, in large part, by nursing’s value system. This ethos powerfully impacts both the residents who live in nursing homes and the staff who work there. Using ethnographic methods, this project explored power relations among nursing assistants and nurses in an (...) urban nursing home in the United States. Factors contributing to tensions among nursing staff were the stigma attached to nursing homes and those who work in them, as well as the long history of class conflict and power struggles within the discipline of nursing. The latter struggles, in turn, reflected nursing’s quest for professional status in the face of medicine’s hegemony over health‐care. Ultimately, these factors coalesced to produce a local work environment characterized by conflict — and by aides’ resistance to nurses’ domination. (shrink)

This paper examines the drive for consensus from the perspective of the good government framework for federal advisory commissions in the United States. Specifically, the paper examines the Federal Advisory Committee Act (FACA) – the statute, its regulations, and case law. It shows that the FACA was intended to be an antidote to abuses in consensus‐making processes, including the failure to fully include competing views on commissions. The index of suspicion in the FACA scheme rises when a group work product (...) – including a consensus report – is to be the basis of recommendations to federal officials. Once FACA's requirements regarding committee composition are satisfied, the index of suspicion drops and FACA is indifferent to consensus‐making; but the conditions for informed, meaningful participation apply to members who dissent from, as well as those who participate in, consensus. In negotiated rulemaking, the push for consensus and closure creates unacceptable tension with the good government goals of openness and accountability. Proponents of consensus‐only bioethics commissions can learn from FACA‐related legislative, agency, and judicial insights that consensus‐seeking is not always desired by government officials; is rarely cost free; and that diversity and dissent enhance openness, accountability, and fairness. The burden of proof is therefore on proponents of a consensus‐only standard for bioethics commissions to demonstrate that a drive for consensus furthers sound decision‐making by government officials more than it sets back openness and accountability to a diverse public. (shrink)

A wide variety of forms of domination hasresulted in a highly heterogeneous health riskcategory, ``the vulnerable.'''' The study of healthinequities sheds light on forces thatgenerate, sustain, and alter vulnerabilities toillness, injury, suffering and death. Thispaper analyzes the case of a high-risk teenfrom a Boston ghetto that illuminatesintersections between ``race'''' and class in theconstruction of vulnerability in the US.Exploration of his ``wounds'''' helps specify howlarge-scale social and cultural forces becomeembodied as individual experience of disparatehealth risk. The case demonstrates that healthinequities would (...) not occur if resources –employment, income, wealth, education, housing,profiling in the legal system, and health care– were more justly managed in keeping withstandards outlined in the Universal Declarationof Human Rights. Professional responses to the``wounds of vulnerability'''' may reveal importantaspects of who we are and what our work asscholars, practitioners, and advocates mustbecome. (shrink)

My paper focuses on the theme of visibility by teasing out some paradoxes of invisibility. In the ordinary social world, what is said to be invisible is generally what is here, right before our eyes, but to which we pay no attention. Care is invisible because it goes on without us seeing it. By suddenly making visible what is ordinarily invisible, the COVID pandemic has been a strange pedagogical moment, making visible the people who take care of “us”, and revealing (...) our entire society’s ignorance of what allows it to live—whether in the context of everyday life or in the urgency of the risk of death. The grammar of care has thus imposed itself on everyone, because care is never so visible as in those situations where a form of life is shaken. Care work has been revealed as invisible work that keeps everyone going. “Invisible” does not refer to a difficulty in perceiving but rather a refusal to see. A refusal to see something that is not hidden, but which we do not see precisely because it is right before our eyes. Invisibility is thus denial, in both the social and the theoretical realms, especially when care work is envisioned in the terms of the further invisibilization of care work when it is done for the benefit of women as in the “care drain” from poor to rich countries. The asymmetry in the relations between North and South is part of the invisibility of what sustains societies. The invisible chains of care reveal the extent to which the question of service is the fundamental question of social invisibility. (shrink)

The Centered Mind offers a new view of the nature and causal determinants of both reflective thinking and, more generally, the stream of consciousness. Peter Carruthers argues that conscious thought is always sensory-based, relying on the resources of the working-memory system. This system enables sensory images to be sustained and manipulated through attentional signals directed at midlevel sensory areas of the brain. When abstract conceptual representations are bound into these images, we consciously experience ourselves as making judgments or arriving (...) at decisions. However, our amodal propositional attitudes are never actually among the contents of this stream of conscious reflection. Our beliefs, goals, and decisions are only ever active in the background of consciousness, working behind the scenes. They are never themselves conscious.Drawing on extensive knowledge of the scientific literature on working memory and related topics, Carruthers challenges the central assumptions of many philosophers. In addition to arguing that non-sensory propositional attitudes are never conscious, he also shows that they are never under direct intentional control. Written with his usual clarity and directness, The Centered Mind will be essential reading for all philosophers and cognitive scientists interested in the nature of human thought processes. (shrink)

This paper argues that professionals who make boundary-related decisions should be guided by relationship-based practice. In our roles as service users and professionals, drawing from our lived experiences of professional relationships, we argue we need to move away from distance-based practice. This includes understanding the boundary stories and narratives that exist for all of us – including the people we support, other professionals, as well as the organisations and systems within which we work. When we are dealing with professional boundary (...) issues, we should centre relationship-building skills that are central to many other aspects of our work. Skills that foster relationships at all levels – between professionals, service users, and services – need to be revalued. Our final recommendation is to create, develop, and foster safer spaces within and outside of organisations, as well as inter-professionally, for the discussion and exploration of boundary-related issues and practice. We are interested in hearing from those with experiences of being marginalised by boundaries so that they can inform a reshaping of our collective ideas around boundary related practices. To foster relationship-based practices in organisations, we have outlined several recommendations here; however, we recognize that these do not go far enough, and that collective action is needed to inform systemic change. (shrink)

Through an analysis of policy texts, population statistics and a targeted sample from the popular press, this paper both furthers knowledge about changing meanings of working motherhood in the contemporary US, and proposes a refinement to existing conceptual work relating to how wage-work and care-work are combined. I focus analysis on recent US social policy which grants new rights and protections for women seeking to combine lactation and wage-work (the Patient Protection and Affordable Care Act of 2011). I critique (...) this policy through Bernise Hausman’s work on the politics of motherhood, arguing that it represents a form of work-life integration that is particularly burdensome for working mothers. I further argue that maternal practice as well as well as expectations of working motherhood in the contemporary US are being reshaped around the demands of neoliberalism, producing what I term ‘neoliberal motherhood’. I assert that this policy represents a way of combining wage-work and care-work that is not captured within existing feminist theory, and suggest that a re-working of theory in this area is needed in order to address cases in which embodied care-work is enfolded within the time and space of wage-work. (shrink)

I criticize Carpendale and Lewis's attempt to produce a Wittgensteinian theory, as an alternative to work in the “theory of mind” tradition, not because I disagree with it as theory, but because Wittgenstein would be critical of any attempt to make such a use of his work. Theories are concerned with discovering rules, principles, of lawful regularities hidden behind appearances. Wittgenstein's whole latter philosophy is inimical to such an aim. His concern is not with theories but with descriptions—which can be (...) explanatory, but in a relational or orientational rather than a causal fashion. Below, I give some initial examples to show what Wittgensteinian investigations in developmental psychology might look like. (shrink)

This essay addresses what is at the foundation of the US’s seemingly inherent “resistance” to racial justice and hence to Martin Luther King Jr.’s dream. This resistance is rooted in a moral imaginary corrupted by an epistemological gaze defined by whiteness and informed by anti-Blackness. For religious scholars, this means that we must adopt a preferential option for the knowledge and voices of those who historically have been granted little or no epistemic authority within our disciplines.

This paper examines the planning, execution, and closure of the US–Korea Cooperative Ecological Survey project in the Korean Demilitarized Zone in the 1960s. In this period, the U.S. National Academy of Sciences initiated bilateral scientific cooperation between the NAS and similar organizations in developing countries along the line of the developmental turn of U.S. foreign assistance. Working closely with the NAS, U.S. conservationists used this scheme to introduce nature conservation practices and the discipline of ecosystem ecology to developing countries. (...) In this context, by way of the NAS’s Pacific Science Board, two countries’ biologists initiated the preliminary cooperative project in the DMZ in 1966. Korean and U.S. scientists soon began to realize that their collaboration was marked by dissonance. The U.S. side attributed the cooperation failure to Korean culture while the Korean side criticized the unequal structure of their cooperation. Joining the global historiography of Cold War scientific collaboration, this paper pays particular attention to the intermediaries of the collaborative project and their rivalry. It argues that political struggles revolving around the position of go-betweens – as what I call knowledge brokers – on the recipient side provoked contestation between American and Korean scientists. The contention between the two sides played out in the collaboration coming to an end, albeit partially. Throughout this analysis, this study suggests paying more serious attention to the politics of scientific exchange among actors on the recipient side as an outset from which to analyze the heterogeneity of the Korean side without losing sight of their active role in the building process of American hegemony. (shrink)

We discuss in this paper the question of the scope of the principle of tolerance about languages promoted in Carnap's The Logical Syntax of Language and the nature of the analogy between it and the rudimentary conventionalism purportedly exhibited in the work of Poincaré and Hilbert. We take it more or less for granted that Poincaré and Hilbert do argue for conventionalism. We begin by sketching Coffa's historical account, which suggests that tolerance be interpreted as a conventionalism that allows us (...) complete freedom to select whatever language we wish—an interpretation that generalizes the conventionalism promoted by Poincaré and Hilbert which allows us complete freedom to select whatever axiom system we wish for geometry. We argue that such an interpretation saddles Carnap with a theory of meaning that has unhappy consequences, a theory we believe he did not hold. We suggest that the principle of linguistic tolerance in fact has a more limited scope; but within that scope the analogy between tolerance and geometric conventionalism is quite tight. (shrink)

This paper shows that there is one and the same break in the artistic creative process of Robert Smithson and in the philosophical creative process of Gilles Deleuze and Félix Guattari. For Smithson it takes place between Site-Nonsite works and Earthworks . For Deleuze and Guattari it happens in the transition from Difference and Repetition to Anti- Oedipus . Smithson's break marks his abandoning of the institution in favour of an art of direct intervention, the Earthworks confronting one of the (...) most pressing political concerns of his time, the destruction of the earth. Deleuze and Guattari's break happens as they take us from a conceptual mapping of structures to a material machinery of production that allows thought to engage with real political processes. (shrink)

Marx’s analysis, supplemented by that of Engels, of the US Civil War is as instructive, if not more, as any of their writings to illustrate their ‘materialist conception of history’. Because the American experience figured significantly in the young Marx’s path to communist conclusions, the outbreak of the War in 1861 obligated him to devote his full attention to its course. His application of their method allowed him to see more accurately the course of the War than his partner. Also, (...) he was able to see what President Abraham Lincoln had to do, that is, to convert the War from one to end secession to one to overthrow slavery, before the President himself. Despite its contradictory outcome, Marx’s expectation that the War would put the US working class on terra firma for the first time was justified. (shrink)

Drawing on data obtained from fieldwork within comparable establishments in these two countries, as well as from national sources, this integrated and detailed analysis of the components of firms' human resources systems in the US and Japan examines the relationship between company practices and national economic institutions.

This paper explores the problem of racial privilege in US American feminist thought. Drawing on Gayatri Spivak’s analysis of ethics, particularly her ideas of epistemic discontinuity and teleopoietic reading, I argue that a specific kind of ethical openness can help feminist social-political philosophy better negotiate the legacy of white privilege. Spivak’s work calls for a reconsideration and reworking of the subject who theorizes. Her analysis of ethics suggests that racially privileged feminists must be able to confront their own complicity in (...) order to engage in political critique less likely to recreate historical patterns of racial domination and exclusion. (shrink)

Social justice has been a central normative component of U.S. social welfare and social work for over a century, although the meaning and implications of the term have often been ambiguous. A major source of this ambiguity lies in the conflict between universalist views of social justice and those which focus on achieving justice for specific groups. This conflict has been masked by several long-standing assumptions about the relationship between social justice and multiculturalism – assumptions which have been challenged by (...) recent developments. The assumption that the pursuit of social justice requires the creation of a more egalitarian society has been challenged by the new political-economic realities of globalization. The assumption that the maintenance of individual rights complements the pursuit of social equality has been challenged by racially-based attacks on social welfare benefits and civil rights. Most significantly, the assumption that a socially just society is one in which different groups share a compatible vision of social justice has been challenged by the realities of multiculturalism. This paper explores the evolution of four themes regarding the relationship between social justice and multiculturalism during the past century and discusses their implications for the contemporary demographic and cultural context of the U.S. These themes are: the relationship of cultural diversity to the nation’s values and goals; the contradiction between coerced cultural assimilation and coerced physical and social segregation; the relationship between individual and group identity and rights; and the linkage between “Americanization” and the equal application of justice. (shrink)

I have argued that insofar as sociological research seeks to elicit information from individuals directly (rather than by the use of documents, etc.), it necessarily involves the formation of a social relationship between investigator and subject(s) which may in time modify either party. I have concentrated on the effects of the research relationship on the investigator, effects which I claim are denied and systematically eliminated by being processed through a methodology which attempts to create a formal hiatus between the researcher (...) and his facts, and to present the facts in such a way as to be readily communicable and verifiable by the professional community. One important area of investigation is thus that of how the research results are achieved or constructed, and in particular, an investigation of the variety of ways in which research situations can affect investigators. This area is beginning to be explored, but is frequently obscured by the methodological orthodoxy which denies its existence. To see the matter in this way, however, is to continue to be dominated by this orthodoxy even whilst challenging it, for it is to continue seeing the problem in terms of a better understanding of researcher interference. The question I am trying to pose is, what can the researcher learn, not in the sense of what he can extract in his predefined terms from the research situation, but in the sense of what the subjects have to tell him. That this is a highly problematic question is indicated by the history of the methodological tradition which has attempted to answer it - the hermeneutic or verstehen tradition embodied by Dilthey and Collingwood, which influenced Max Weber heavily, and through him most of sociology to a greater or lesser extent. My account of the research methods used in “participant observation” in recent times indicates that usually only lip service is paid to verstehen. Weber's own attitude toward it is also instructive. Whilst regarding the possibility of understanding as well as explanation as an asset unique to social science, he regarded an account based solely on verstehen as only “a peculiarly plausible hypothesis” which required causal verification before it could be accepted. Verstehen, in other words, was a source of insight but such insights had to be checked against the facts. The trouble is, as we have seen, that “facts” represent a particular construction put upon certain features of social relationships. It provides an ethnocentricity based not simply on the researcher's interests, theories and problem definitions (though these are important), but on his methodology, which translates everything into a digestible (and, ideally, quantifiable) and mutually comparable language. As has recently been realised, this poses considerable difficulties when the societies in question are not in important respects amenable to “factualisation” - for example when magic and religion play a large part in them. The recent debate on understanding other societies and the role of rationality in doing so, has exposed just that feature of verstehen that Weber's treatment buried: that is, that in order for societies to be fully understood, an acceptance of their terms is necessary; a translation of these terms into the language of social licence distorts and truncates understanding, more drastically for some social phenomena than others. On the other hand, if this is not done, it is hard to see what systematic basis of comparison there will remain. The situation that I have described is however more complex than this, for the researchers in my illustrations have had experiences and learned things which are not always the result of total conversion, but rather the impact of a new way of thought and life upon their own. On this basis, they have gained insights which they have found it impossible to incorporate into the accepted framework of “research.” The status of these insights and their potential for future inclusion in normal research seems to me to present great difficulties. Basically there are two possibilities: either to make what counts as “research,” “data,” and so on, more flexible, and/or to develop the scrutiny of the experiences and insights in question to such a point as to be able to incorporate them into the public and verifiable research process. The dangers of the first alternative are subjectivism and loss of verifiability, and of the second vulgarisation and distortion. But a few examples will serve to illustrate the difficulty entailed in clearly discerning the way ahead. Evans-Pritchard's attitude towards Zande magic is completely ambiguous. He admits to adopting it for periods to enable communication, but drops it as soon as communication stops. His analysis is an outstanding example of its incorporation into social science with the minimum of distortion and the maximum of sensitivity. On ideals in which he continued to believe outside Zande society - as he evidently did not believe in magic - such as God, good and evil and courage, he is extremely reserved, though he does claim to have learned from the Azande, i.e., either he was able to incorporate without change what they taught him into his own frame of reference, or they stimulated him to broaden it. Castaneda seems to have had even more difficulty. He was certainly stimulated and helped to solve personal problems both within and by expanding his own terms, but he also finally accepted that he could not see the new world Don Juan was showing him without abandoning his own terms. What hope there is in this area would seem to lie in the painstaking reanalysis of their experiences by such workers as Evans-Pritchard and Castaneda. In the meantime, I hope I shall not be taken to be arguing for the inclusion of every passing emotion of the researcher into his report. It is one thing to argue that the use of a methodology which necessarily excludes such experiences as irrelevant is systematically misleading; it is another, having admitted them, to go beyond treating them as a problem and to attempt to capitalise on them. It is notable that within the literary and artistic tradition to which I have alluded we can recognise and sometimes agree upon those writers who have made of their experiences and knowledge of the world something worthwhile, and confer on them the title of “artist;” yet the state of literary criticism is, if anything, even more anarchic than that of sociology, and is very far from providing us with criteria to decide how best to proceed. Indeed, even worse, these are hints that sociology may be expected by some to provide an answer to these questions. (shrink)

Peter Berger established himself in the sociological profession in large part through his functional interpretations of religion and its ostensible demise in relation to the empirical bent of modern intellectual thought. Yet, in his ef–fort to expand the scope of empiricism such that it might address nontrivial concerns, Berger found himself attempting to understand the “substance” of religiori—that is, the conviction that there exists an “other” which confronts us unconditionally and consequently forms the basis of all issues concerning value and (...) meaning. Berger's writings deserve critical attention in that they disclose both the problems and the promises of utilizing empirical methods for the task of rehabilitating, rather than debunking, humanity's religious propensities. (shrink)

The study aims to analyze the importance of analogy in the writings of the Czech theologian, philosopher and educational reformer John Amos Comenius. Analogy is clearly invaluable for Comenius as it plays a key role in the introduction of a third, particularly reliable method – syncrisis that allows us to see an image of something invisible (uncreated) on visible (created) things. For Comenius, this method became an integral supplement to analysis and synthesis, with all three forming the basis of all (...) his studies. Syncrisis is principally applied to theological matters, for instance to the study of man, the living image of God that reflects the creator. The analogy of the micro- and macrocosm that Comenius uses is integral to both his epistemology and metaphysics. If a man (the microcosm) attains self-knowledge, he is able to know other humans, the entire material world (the macrocosm), and also his very archetype – God. For Comenius though, man is not only a microcosm but also a little God (mikrotheos), a faithful imprint of God's perfection. Man, created as the culmination of the material world, becomes God's partner in maintaining and completing the entire universe. Human creativity, analogous to God's creative power, plays a decisive role in the creation of other worlds – the World of Human Artifice, the Moral World and the Spiritual World. Ultimately, the collaboration of man and God is an inherent prerequisite to the culmination of creation – the last world, the Eternal World. (shrink)

The article analyzes the features of poetic reflection in the work of A. Krymsky in the relation "man-nature". Coverage of this problem in the conditions of postmodern philosophical discourse requires appropriate embeddedness in the national and cultural experience. Moreover, the poetry of A. Krymsky manifests the deep experiences of the Ukrainian man's ties with the natural world, which includes the actualization of the inner nature of man. The author seeks to "write out" the laws of the "moral constitution" according to (...) which a person is worthy of his purpose of being in nature "has the right" to love according to the vocation of his convictions, his needs and inclinations. On the one hand, the author seems to call us to abide by these "laws", but, on the other hand, his thoughts divert from such categoricalness into the space of "identity" and confessional repentance. As follows from the above, the dignity of a person consists in the awakening and strengthening of an independent, responsible, formed on the path of enriching the inner life of a spiritual personality and the search for a free egress. And in this, in fact, the highest value of the relevance of postmodern self-communication in the interpretation of the poetic work of A. Krymsky is developed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MIMESIS AND SCAPEGOATING IN THE WORKS OF HOBBES, ROUSSEAU, AND KANT Wolfgang Palaver Universität Innsbruck i: "ntellectual fashion in our academic world forces us towards -originality. Searching for mimetic desire or traces of scape-goating in literature or philosophical texts gets therefore some applause because it has not been done before. It has become fashionable in the humanities to have your own special French intellectual to be innovative and conquer (...) new fields. For many ofus Girard's mimetic theory might be of some help to better our standings in originality. But what seems to be an easy game at first sight has its disadvantages, too. Applying mimetic theory gets at least as much criticism as it earns applause. What is praised as an original contribution by some might atthe same time be debased as something quite idiosyncratic by many others. I still remember the reaction of a quite reputable political scientist from Berkeley to a paper of Girard given at a little seminar at Stanford, in which he reflected on the origin of human culture in the scapegoat mechanism. The political scientist welcomed the paper in a friendly way, asking us, however, ifby taking Girard's thesis for granted one might not as well be allowed to say that culture is based on jellybeans. This strange joke is in a way a typical reaction to the mimetic theory ifwe remember how often people do not understand at all why it is of any importance to deal with mimetic desire and scapegoating. Mimetic theory seems to be either one of those fashions which are caused by the necessity to be original or a strange obsession of a small sect following a Wolfgang Palaver127 guru who at least understood that you just have to insist on some bizarre ideas long enough to get some recognition in the end. My paper will try to show that such a critique ofthe mimetic theory is definitely wrong. Whatever major work in political philosophy I read I often came across exactlythose questionsthat are addressed by the mimetic theory. I think the collaboration of some scholars in mimetic theory would allow it to write a history of political philosophy by focusing on mimesis and scapegoating without excluding any ofthe major authors. I will try to do this today by the examples ofHobbes, Rousseau and Kant. In a first step I will show you how these three founding fathers of modern political philosophy were all concerned with mimetic desire. The rise ofthe modem world forced them to view human beings as mimetic competitors. In a second, more difficult step I will focus on traces of the scapegoat mechanism in the works ofthese three authors. Although scapegoating is less visible than mimetic desire it is nevertheless possible to see how this relates to the violent origin of human culture. A third part will address the differences between Girard's view on mimetic desire and scapegoating and the comparable views taken by Hobbes, Rousseau, and Kant. These differences are caused by the respective relationships to the biblical revelation. Whereas Girard's theory emphasizes the importance of the Bible to understand mimesis and scapegoating, Hobbes, Rousseau, and Kant are representatives of the modern neglect of the biblical revelation. A comparison ofthese three authors with an Augustinian perspective helps to understand the way, in which they differ from Girard's mimetic theory. 1. Mimesis in the works of Hobbes, Rousseau, and Kant A. Hobbes Hobbes's anthropology describes human beings as genuinely mimetic (Achterhuis 23f; Palaver 1991, 40-45). In Hobbes's early treatise The Elements ofLaw Natural andPolitic this is most explicitly visible. Human beings desire according to the other by always comparing themselves with one another. "All joy and grief of mind" consists "in a contention for precedence to them with whom they compare themselves" (Hobbes 1994, 163f; see also 50-60; 1991, 119). Human life with all its passions is paralleled in this book to a race, which has "no other goal...but being foremost" (Hobbes 1994, 59). It is a race in which "Continually to be out-gone is misery. Continually to out-go the next before is felicity. 128 Mimesis and Scapegoating in Hobbes, Rousseau, & Kant And... (shrink)

The Wind Will Carry Us (1999) opens with a series of long takes of a car winding steadily down a road in the Iranian countryside. In other words, it opens with a sequence which, to anybody who knows Kiarostami's work, will be immediately recognizable as typical of it: Life and Nothing More (1992) returns repeatedly to such sequences, and ends with one; such sequences turn up in Through the Olive Trees (1994) and Taste of Cherry (1997); the protagonist of Where (...) is the Friend's Home? (1987) is too young to drive, but we see him from a distance meandering in a similar pattern on more than one occasion (and sequences of the same type return in Certified Copy (2010)). As with the other sequences, the opening of The .. (shrink)

Tsvetan Todorov, in his book Us and Them. French Thinking on Human Diversity, asked the following question: “How does one, how should one relate to those who do not belong to the same community as we do?” This question has been posed somewhat differently by intellectuals of the Americas anxious to develop paradigms of identity that will contribute to the successful construction of a society whose aim is to integrate heterogeneous ethnic groups: “How does one, how should one relate to (...) those who are members of our new society but who live either on its margins or who are frequently considered as different?” The mixed-race (métissage) approach, applied to the Latin Americas situation, was in part a response to this question. Here the “us” did not designate metropolitan Europeans engaged in thinking about the “others,” that is to say non-Europeans, but Latin Americans thinking about relations among various dominant groups and the varying “others” within their own society, since the “others” were part of “us.” The meaning of “us” is equally problematic when applied to North America. “What happens when words like ‘community’ and ‘us’ cease to have the clear and immediate meaning that Todorov seems to ascribe to them?” Sherry Simon recently asked. Although offering a general critique of the monological conception of culture and identity – a critique based on Bakhtin's work on polyphony and dialogism, on James Snead's investigation of the hybrid nature of several texts belonging to the European canon (such as The Odyssey and The Divine Comedy), and on the studies of Angelo Ara and Claudio Magris in regard to the heterogeneity of Trieste – she nevertheless begins her essay on a personal note, describing life in the multicultural city of Montreal, where “many children come out of mixed or immigrant marriages, some going to French schools, some to English,” and who can not “define themselves as products of a single culture” (pp. 15-16). Although I agree with Sherry Simon that the “us” of culture is never a given (it should be mentioned that Todorov himself writes that we must “give up basing our thinking on such a distinction” [between us and them] p. 421), it is essential here to emphasize the special ambiguity of the conception of “us” in the ex-colonies of the New World, where the “collision of cultures” implied not only, on the one hand, a confrontation among Spanish, Portuguese, British, and French colonists, but also between the colonists and the African slaves as well as with the immigrants who arrived after independence. Todorov's conception of nationhood (p. 422) as “a more or less perfect (although never total) coincidence of a State and a culture” - which he toned down a bit by adding that a culture is often identified with a particular region, a group of countries, or even a stratum of the population (pp. 424-425) - is even less applicable to the new societies of America than it is to Europe. Not only are we talking about hybrid societies (and what society isn't, to some degree?), but of societies conceived as hybrid, either multicultural (Canada) or mixed-race (Latin America). If, as Ernest Renan insisted at the end of the XIXth century, the idea of the modern nation is based on a conscious disregard for our diverse ethnic origins, the concepts of identity of the societies of the New World have often been based on an explicit symbolization of their heterogeneity. (shrink)