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The book also includes a chronological table of significant events, select bibliography, succinct explanatory notes, and an index--all of which supply ... |
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This paper presents a new response to the colour similarity argument, an argument that many people take to pose the greatest threat to colour physicalism. The colour similarity argument assumes that if colour physicalism is true, then colour similarities should be scrutable under standard physical descriptions of surface reflectance properties such as their spectral reflectance curves. Given this assumption, our evident failure to find such similarities at the reducing level seemingly proves fatal to colour physicalism. I argue that we should (...) |
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(Tye 2006) presents us with the following scenario: John and Jane are both stan- dard human visual perceivers (according to the Ishihara test or the Farnsworth test, for example) viewing the same surface of Munsell chip 527 in standard conditions of visual observation. The surface of the chip looks “true blue” to John (i.e., it looks blue not tinged with any other colour to John), and blue tinged with green to Jane.1 Tye then in effect poses a multiple choice question. |
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1. The “puzzle” Physical objects are coloured: roses are red, violets are blue, and so forth. In particular, physical objects have fine-grained shades of colour: a certain chip, we can suppose, is true blue (unique, or pure blue). The following sort of scenario is commonplace. The chip looks true blue to John; in the same (ordinary) viewing conditions it looks (slightly) greenish-blue to Jane. Both John and Jane are “normal” perceivers. Now, nothing can be both true blue and greenish-blue; since (...) |
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The target article is an attempt to make some progress on the problem of color realism. Are objects colored? And what is the nature of the color properties? We defend the view that physical objects (for instance, tomatoes, radishes, and rubies) are colored, and that colors are physical properties, specifically types of reflectance. This is probably a minority opinion, at least among color scientists. Textbooks frequently claim that physical objects are not colored, and that the colors are "subjective" or "in (...) |
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Our reply is in three parts. The first part concerns some foundational issues in the debate about color realism. The second part addresses the many objections to the version of physicalism about color ("productance physicalism") defended in the target article. The third part discusses the leading alternative approaches and theories endorsed by the commentators. |
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According to color realism, object colors are mind-independent properties that cover surfaces or permeate volumes of objects. In recent years, some color scientists and a growing number of philosophers have opposed this view on the grounds that realism about color cannot accommodate the apparent unitary/binary structure of the hues. For example, Larry Hardin asserts, the unitary-binary structure of the colors as we experience them corresponds to no known physical structure lying outside nervous systems that is causally involved in the perception (...) |
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The Dangerous Book for Boys Abstract: Seventeenth and eighteenth century discussions of the senses are often thought to contain a profound truth: some perceptible properties are secondary qualities, dispositions to produce certain sorts of experiences in perceivers. In particular, colors are secondary qualities: for example, an object is green iff it is disposed to look green to standard perceivers in standard conditions. After rebutting Boghossian and Velleman’s argument that a certain kind of secondary quality theory is viciously circular, we discuss (...) |
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This volume presents twenty-two uncollected philosophical essays by Sir Peter Strawson, one of the leading philosophers of the second half of the twentieth century. The essays (two of them previously unpublished) are drawn from seven decades of work, from 1949 to 2003. They span the broad range of Strawson's work: metaphysics, epistemology, philosophical logic, philosophy of language, ethical theory, and history of philosophy, along with metaphilosophical reflections and intellectual autobiography. |
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Color provides an instance of a general puzzle about how to reconcile the picture of the world given to us by our ordinary experience with the picture of the world given to us by our best theoretical accounts. The Red and the Real offers a new approach to such longstanding philosophical puzzles about what colors are and how they fit into nature. It is responsive to a broad range of constraints --- both the ordinary constraints of color experience and the (...) |
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J.L. Mackie insists that ordinary evaluative thought presents itself as a matter of sensitivity to aspects of the world. And this phenomenological thesis seems correct. When one or another variety of philosophical non-cognitivism claims to capture the truth about what the experience of value is like, or (in a familiar surrogate for phenomenology) about what we mean by our evaluative language, the claim is never based on careful attention to the lived character of evaluative thought or discourse. The idea is, (...) |
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Real Materialism is a collection of highly original essays on a set of related topics in philosophy of mind and metaphysics: consciousness and the mind-body problem; our knowledge of the world; the nature of the self or subject; free will and moral responsibility; the nature of thought and intentionality; causation and David Hume. No categories |
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Most men and nearly all women have non-defective colour vision, as measured by standard colour tests such as those of Ishihara and Farns- worth. But people vary, according to gender, race and age in their per- formance in matching experiments. For example, when subjects are shown a screen, one half of which is lit by a mixture of red and green lights and the other by yellow or orange light, and they are asked to ad- just the mixture of lights (...) |
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Cohen, Hardin, and McLaughlin (2006) complain that my solution to the puzzle of true blue (Tye 2006) depends upon my assuming that 'all variation in colour experience among standard perceivers in standard circumstances is at the level of fine-grained hues (4)'. That assumption, they say, is false: 'there is in fact variation in colour experience among. |
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A chip looks true blue to John and greenish blue to Jane. On the face of it, at least one of the two perceivers has an inaccurate colour experience; for the chip cannot be both true blue and greenish blue. But John and Jane are “normal” perceivers, and there is no privileged class of normal perceivers (Block 1999). This is the puzzle of true blue (Tye. |
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Real Materialism is a collection of highly original essays on a set of related topics in philosophy of mind and metaphysics: consciousness and the mind-body problem; our knowledge of the world; the nature of the self or subject; free will and moral responsibility; the nature of thought and intentionality; causation and David Hume. |
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THIS PAPER ARGUES FOR THE CLAIM THAT ALTHOUGH COLOUR WORDS LIKE 'RED' ARE, ESSENTIALLY, 'PHENOMENAL-QUALITY' WORDS—I.E., WORDS FOR PROPERTIES WHOSE WHOLE AND ESSENTIAL NATURE CAN BE AND IS FULLY REVEALED IN SENSORY EXPERIENCE, GIVEN ONLY THE QUALITATIVE CHARACTER THAT THAT EXPERIENCE HAS—STILL 'RED' CANNOT BE SUPPOSED TO BE A WORD THAT PICKS OUT OR DENOTES ANY PARTICULAR PHENOMENAL QUALITY. THE ARGUMENT RESTS ESSENTIALLY ON THE SUPPOSITION, OFTEN DISCUSSED UNDER THE HEADING OF THE 'COLOR-SPECTRUM INVERSION ARGUMENT', THAT TWO PEOPLE COULD POSSIBLY (...) |
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I am grateful to Michael Tye for his discussion of my book, and to the editor for offering me the opportunity to respond to Tye's criticisms of my account of the phenomenal character of perceptual experience—especially since this prompted reflections that led me to see a way of removing one unattractive feature of the account. |
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The words “content” and “character” in my title refer to the representational content and phenomenal character of color experiences. So my topic concerns the nature of our experience of color. But I will, of course, be talking about colors as well as color experience. Let me set the stage by mentioning some things, some more controversial than others, that I will be taking for granted. I assume, to begin with, that objects in the world have colors, and have them independently (...) |
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This book investigates the subjective and objective representations of the world, developing analogies between secondary qualities and indexical thoughts and arguing that subjective representations are ineliminable. Throughout, McGinn brings together historical and contemporary discussions to illuminate old problems in a novel way. |
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What is color? What is color vision? Most philosophers answer by reference to humans: to human color qualia, or to the environmental properties or "quality spaces" perceived by humans. It is argued, with reference to empirical findings concerning comparative color vision and the evolution of color vision, that all such attempts are mistaken. An adequate definition of color vision must eschew reference to its outputs in the human cognition and refer only to inputs: color vision consists in the use of (...) |
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Annotation In this book Mr. Mackie selects for critical discussion six related topic which are prominent in John Locke's Essay concerning Human Understanding: ... |
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One of the cornerstone books of Western philosophy, Critique of Pure Reason is Kant's seminal treatise, where he seeks to define the nature of reason itself and builds his own unique system of philosophical thought with an approach known as transcendental idealism. He argues that human knowledge is limited by the capacity for perception and attempts a logical designation of two varieties of knowledge: a posteriori, the knowledge acquired through experience; and a priori, knowledge not derived through experience. This accurate (...) |
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Colors are sensible qualities. They are qualities that objects are perceived to have. Thus, when Norm, a normal perceiver, perceives a blue bead, the bead is perceived have a certain quality, perceived blueness. `Quality', here, is no mere synonym for property; rather, a quality is a kind of property a qualitative, as opposed to quan• titative, property. (The quantitative is a way of contrasting with the qualitative perhaps not the only way.). |
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Larry Hardin has been the most steadfast and influential critic of physicalist theories of color over the last 20 years. In their modern form these theories originated with the work of Smart and Armstrong in the 1960s and 1970s1 and Hardin appropriately concentrated on their views in his initial critique of physicalism.2 In his most recent contribution to this project3 he attacks Michael Tye’s recent attempts to defend and extend color physicalism.4 Like Byrne and Hilbert5, Tye identifies color with the (...) |
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This textbook on vision reflects the integrated computational approach of modern research scientists, combining psychological, computational and neuroscientific perspectives. |
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This book defends the radical thesis that no physical object has any of the colours we experience it as having. |
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These volumes will serve as useful resources for anyone interested in philosophy of color perception or color science. |
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"This admirable volume of readings is the first of a pair: the editors are to be applauded for placing the philosophy of color exactly where it should go, in ... |
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In the Garden of Eden, we had unmediated contact with the world. We were directly acquainted with objects in the world and with their properties. Objects were simply presented to us without causal mediation, and properties were revealed to us in their true intrinsic glory. |
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In The Subjective View,' I defended (unoriginally) a dispositional theory of color and drew out some consequences of that theory. The dispositional theory (DT) maintains, roughly speaking, that for an object to instantiate a color property is for it to have a disposition to cause experiences as of an object having that property in normal perceivers in normal conditions. This theory has notable merits in capturing (assuming one wants them captured) the subjectivity and relativity of ascriptions of color, while allowing (...) |
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Color relationalism is the view that colors are constituted in terms of relations between subjects and objects. The most historically important form of color relationalism is the classic dispositionalist view according to which, for example red is the disposition to look red to standard observers in standard conditions (mutatis mutandis for other colors).1 However, it has become increasingly apparent in recent years that a commitment to the relationality of colors bears interest that goes beyond dispositionalism (Cohen, 2004; Matthen, 1999, 2001, (...) |
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