Stimulating, thought-provoking text by one of the 20th centurys most creative philosophers clearly and discerningly makes accessible such topics as probability, measurement and quantitative language, structure of space, causality and determinism, theoretical laws and concepts and much more. "...the best book available for the intelligent reader who wants to gain some insight into the nature of contemporary philosophy of science."Choice.

The Early Romantics met resistance from artists and academics alike in part because they defied the conventional wisdom that philosophy and the arts must be kept separate. Indeed, as the literary component of Romanticism has been studied and celebrated in recent years, its philosophical aspect has receded from view. This book, by one of the most respected scholars of the Romantic era, offers an explanation of Romanticism that not only restores but enhances understanding of the movement's origins, development, aims, and (...) accomplishments--and of its continuing relevance. Poetry is in fact the general ideal of the Romantics, Frederick Beiser tells us, but only if poetry is understood not just narrowly as poems but more broadly as things made by humans. Seen in this way, poetry becomes a revolutionary ideal that demanded--and still demands--that we transform not only literature and criticism but all the arts and sciences, that we break down the barriers between art and life, so that the world itself becomes "romanticized." Romanticism, in the view Beiser opens to us, does not conform to the contemporary division of labor in our universities and colleges; it requires a multifaceted approach of just the sort outlined in this book. (shrink)

Written with a general audience in mind, On Romantic Love offers a new theory of love as a partially unconscious, sometimes rational and always controllable emotion, while explaining some of the neuroscience underlying our wildest passions.

In his new book, "The Romantic Conception of Life: Science and Philosophy in the Age of Goethe," Robert J. Richards argues that Charles Darwin's true evolutionary roots lie in the German Romantic biology that flourished around the beginning of the nineteenth century. It is argued that Richards is quite wrong in this claim and that Darwin's roots are in the British society within which he was born, educated, and lived.

On the assumption that romantic partners tend to act from a first-person plural perspective, how should the love that binds them be understood? This paper approaches this question by focusing on romantic practical integration, understood as the tendency of romantic partners to integrate their practical perspectives in such a way that allows them to have ‘reasons-for-us’: reasons for action that apply to them as a group, in a collective and non-distributive sense (Westlund Citation2009). After dispelling some reservations about the connection (...) between romantic love and the first-person plural perspective, I argue that the resources offered by one leading account of love, due to Bennett Helm, fall short of accounting for romantic practical integration. Building on Stephen Darwall’s account of romantic love as a ‘second-personal attitude of the heart’, I develop an alternative proposal. The proposed view foregrounds the relational and non-deontic normative character of romantic love, by conceptualizing it as an addressing attitude that intrinsically seeks – but doesn’t demand – reciprocation. On this view, the attitude of romantic love co-involves the addressee of the attitude as a (potential or actual) member of a narratively unified interpersonal community, in light of which putative reasons-for-us may be taken on board or rejected. (shrink)

Nassar distinguishes an understudied philosophical tradition that emerged in Germany in the late 18th and early 19th centuries, traces its development, and argues for its continued significance. She shows how four key thinkers, whom she calls the 'romantic empiricists', developed a distinctive approach to the study of nature, which culminated in an ecological understanding of nature and the human place within it. Nassar contends that the romantic empiricist insights and approaches remain crucial for us today, as we seek to address (...) the environmental crisis.--. (shrink)

Originally published in 1987, Colin Campbell’s classic treatise on the sociology of consumption has become one of the most widely cited texts in sociology, anthropology, cultural studies, and the history of ideas. In the thirty years since its publication, The Romantic Ethic and the Spirit of Modern Consumerism has lost none of its impact. If anything, the growing commodification of society, the increased attention to consumer studies and marketing, and the ever-proliferating range of purchasable goods and services have made Campbell’s (...) rereading of Weber more urgent still. As Campbell uncovers how and why a consumer-oriented society emerged from a Europe that once embodied Weber’s Protestant ethic, he delivers a rich theorization of the modern logics and values structuring consumer behavior. This new edition, featuring an extended Introduction from the author and an Afterword from researcher Karin M. Ekström, makes clear how this foundational work aligns with contemporary theory in cultural sociology, while also serving as major influence on consumer studies. (shrink)

"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who (...) held it and the development of nineteenth-century science. Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory. Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology. (shrink)

This essay presents an ideal for modern Western romantic love.The basic ideas are the following: people want to form a distinctive sort of plural subject with another, what Nozick has called a "We", they want to be loved for properties of certain kinds, and they want this love to establish and sustain a special sort of commitment to them over time.

Previous studies have established that Indians tend to be greater in collectivism and gender role traditionalism than Americans. The purpose of the present study was to examine whether these differences explained further cultural differences in romantic beliefs, traditional mate preferences, and anticipation of future difficulties in marital life. Results revealed that Indians reported greater collectivism than Americans and, in turn, held stronger romantic beliefs. Additionally, Indians' greater collectivism and endorsement of more traditional gender roles in part predicted their preferences for (...) a marital partner possessing traditional characteristics, and fully accounted for their heightened concerns about encountering future difficulties in marital life. These results shed light on the processes underlying cultural differences in relationship attitudes and preferences, and point to culture-specific therapies to enhance marital functioning. (shrink)

Over the last two decades, environmental theorists have repeatedly pronounced the “end” of nature, arguing that the idea of nature is neither plausible nor desirable. This chapter offers an environmental reappraisal of romanticism, in light of these critiques. Its goals are historical and systematic. First, the chapter assesses the validity of the environmentalist critique of the romantic conception of nature by distinguishing different strands within romanticism, and locating an empiricist strand in the natural-scientific work of Johann Wolfgang von Goethe. Second, (...) the chapter considers the systematic significance of Goethe’s “romantic empiricism,” and argues that while an abstract notion of nature is problematic, a concrete conception achieved through the mutually supportive work of observation and reflection is essential for environmental thought. (shrink)

The problem of the impact of traditions of romantic literature on Dostoevsky’s novel ‘The Idiot‘ is examined in the article. The author points out that the attitude of Russian novelist towards the phenomena of the outgoing culture was essentially devoid of dogmatism: the very approach to different cultural trends and styles was always notable for amazing flexibility and diversity. A novel by Charles Nodier, ‘Jean Sbogar‘, is considered as one of the precedent texts. Its motivic repertoire is reproduced in full (...) in the novel by F. Dostoevsky. A comparison of the protagonist of the French novel, Jean Sbogar, which is depicted in two masks, with the main characters of the novel ‘The Idiot‘ Prince Myshkin and Rogozhin, suggests that, starting from a given source, Dostoevsky developed Nodier’s art idea. Russian writer abandoned the principle of a split personality in favor of representation of two heroes that are fighting and, at the same time, there is a mystical connection between them. Comparison between Myshkin and angel-like Lothario and between Rogozhin and the rogue Jean Sbogar once again confirms the idea that in Dostoevsky’s novel there is an introduction of high philosophical symbolism in realism: ‘splitting‘ a romantic image sends a thoughtful reader to the Gospel legend about Christ and the robber. Thus, reading of the images of "The Idiot" through the prism of romantic novels of Charles Nodier detects correlation not only between the plot of the novel and literary tradition, but also between the plot and the Christian symbolism. Someone else’s text not only becomes Dostoevsky’s material for improvisation, but also serves as a secret pointer to the reader and reconstructs his cultural memory. (shrink)

In this article, James Gibson’s influential notion of “perceptual affordances” is applied to the romantic realm. The core idea of Gibson’s view rests on the possible, meaningful actions that the perceptual environment offers the animal. In order to sustain this idea, Gibson posits two additional major characteristics of affordances: (a) affordances are perceived in a direct cognitive manner, and (b) affordances have a unique ontological status that is neither subjective nor objective. While I accept the core idea, I have doubts (...) as to whether the two other characteristics are necessary in other types of affordances, such as social and romantic affordances. The romantic realm offers an abundance of many enticing affordances. In this regard, I discuss phenomena like the availability of a romantic alternative, romantic ambivalence, choosing a romantic partner, sexual fantasies, the road not taken, reciprocity, playing hard to get, cultivating backup mates, romantic affordances in old age and in the digital realm. In light of the abundance and complexity of romantic affordances in our current romantic environment, knowing the nature of these affordances is most useful from both pragmatic and theoretical viewpoints. (shrink)

This chapter focuses on Hegel's important but underappreciated conception of romantic art. The author argues that for Hegel, art is a work of language. Whereas Hegel believes classical art is a work of language that serves as a foundation of society, however, romantic art provides what the author refers to as a supplement.

Romantic Motives explores a topic that has been underemphasized in the historiography of anthropology. Tracking the Romantic strains in the the writings of Rousseau, Herder, Cushing, Sapir, Benedict, Redfield, Mead, Lévi-Strauss, and others, these essays show Romanticism as a permanent and recurrent tendency within the anthropological tradition.

ABSTRACT: Romantic love and its predecessor eros have both been characterized as forms of egoistic love. Part of this claim is concerned specifically with the relation between love and knowledge. Real love, it is claimed, is prior to knowledge and is not motivated by it. Romantic love and eros according to this view are egoistic in that they are motivated by a desire for knowledge. Agapic love characterized by bestowal represents a true form of love unmotivated by selfish desires. I (...) argue that such an emphasis on bestowal at the expense of knowledge or appraisal of the beloved is problematic. The knowledge dimension of romantic love, rather than contributing to selfishness, can be a means of freeing us from egoism when we understand identity in its relational or social form.RÉSUMÉ: L'amour romantique et son prédécesseur, Éros, sont tous deux considérés comme des lormes d'amour égoïste. Une partie de cette prétention concerne spécifiquement le lien entre l'amour et la connaissance : l'amour véritable précède la connaissance et n'est pas motivé par elle. Selon ce point de vue, l'amour romantique et Éros sont égoïstes parce qu'ils sont motivés par le désir de connaître. L'amour agapique d'autre part se caractérise par le don; il représente une forme d'amour véritable que ne motive aucun désir égoïste. Cet accent mis sur le don au détriment de la connaissance ou de l'appreciation de l'être aimé se révèle pourtantproblématique. La connaissance, qui caractérise l'amour romantique, représente un moyen de nous libérer de l'égoïsme au lieu de l'alimenter, lorsque nous acquérons une compréhension de l'identité sous sa lorme relationnelle et sociale. (shrink)

Romantic Organicism attempts to reassess the much maligned and misunderstood notion of organic unity. Following organicism from its crucial radicalisation in German Idealism, it shows how both Coleridge and Wordsworth developed some of their most profound ideas and poetry on its basis. Armstrong shows how the tenets and ideals of organicism - despite much criticism - remain an insistent, if ambivalent, backdrop for much of our current thought, including the work of Derrida amongst others.

Scholars in both digital humanities and media studies have noted an apparent disconnect between computation and the interpretive methods of the humanities. Alan Liu has argued that literary scholars employing digital methods encounter a “meaning problem” due to the difficulty of reconciling algorithmic methods with interpretive ones. Conversely, the media scholar Friedrich Kittler has questioned the adequacy of hermeneutics as a means of studying computers. This paper argues that that this disconnect results from a set of contingent decisions made in (...) both humanistic and mathematical disciplines in the first half of the nineteenth century that delineated, with implications that continue to resonate in the present day, which aspects of human activity would come to be formalized in algorithms and which would not. I begin with a discussion of Nicolas de Condorcet, who attempted, at the height of the 1789 revolution, to turn algebra into a universal language; his work, I argue, exemplifies the form of algorithmic thinking that existed before the Romantic turn. Next, I discuss William Wordsworth’s arguments about the relationship of poetry and science. While Wordsworth is sometimes viewed as a critic of science, I argue that his polemic is specifically targeted at highly politicized projects like Condorcet’s that sought to supplant existing modes of thought with scientific rationality. Finally, I demonstrate the importance of Romantic thought for George Boole, creator of the logic system that would eventually form the basis of digital electronics. The reason Boole was able to succeed where Condorcet had failed, I argue, was that Romantic notions of culture enabled him to reconcile a mechanical view of mathematical reasoning with an organic view of the development of meaning—a dichotomy that remains a key assumption of computer interfaces in the twenty-first century. (shrink)

The Romantic Legend of Sakya Buddha - A Translation of the Chinese Version of the Abhiniskramanasutra. S. Beal. Reprint, Motilal Banarsidass, Delhi 1985. xii + 395 pp. Rs. 90.

America is at war with terrorism. Terrorists must be brought to justice.We hear these phrases together so often that we rarely pause to reflect on the dramatic differences between the demands of war and the demands of justice, differences so deep that the pursuit of one often comes at the expense of the other. In this book, one of the country's most important legal thinkers brings much-needed clarity to the still unfolding debates about how to pursue war and justice in (...) the age of terrorism. George Fletcher also draws on his rare ability to combine insights from history, philosophy, literature, and law to place these debates in a rich cultural context. He seeks to explain why Americans--for so many years cynical about war--have recently found war so appealing. He finds the answer in a revival of Romanticism, a growing desire in the post-Vietnam era to identify with grand causes and to put nations at the center of ideas about glory and guilt.Fletcher opens with unsettling questions about the nature of terrorism, war, and justice, showing how dangerously slippery the concepts can be. He argues that those sympathetic to war are heirs to the ideals of Byron, Fichte, and other Romantics in their belief that nations--not just individuals--must uphold honor and be held accountable for crimes. Fletcher writes that ideas about collective glory and guilt are far more plausible and widespread than liberal individualists typically recognize. But as he traces the implications of the Romantic mindset for debates about war crimes, treason, military tribunals, and genocide, he also shows that losing oneself in a grand cause can all too easily lead to moral catastrophe.A work of extraordinary intellectual power and relevance, the book will change how we think not only about world events, but about the conflicting individualist and collective impulses that tear at all of us. (shrink)

The enslavement of Africans did strike the young, hopeful and radical Romantic poets of nineteenth-century England as the most blatant example of human oppression and the clearest example of humans being deprived of liberty. Although their poetry refers to and draws on the imagery of African slavery, the major poetic figures of the Romantic Movement in England rarely spoke directly against the slave trade and colonial slavery. Thus the issue of slavery, the transatlantic trade, and Britain's role in it, though (...) well established in the nineteenth-century historical context, remained a subject only partially explored by the English Romantic poets, who were, at the time, more preoccupied with British domestic policy and the enslavement of their own nation. (shrink)

Purpose. The purpose of the study is to show the connection of romanticism with the anthropological doctrine that goes back to Hegelianism and Kantianism, and at the same time – with the concepts of the future, structuralism and postmodernism. Theoretical basis. The man is a central figure of the Romantic literary, therefore it makes sense to single out romantic human anthropological doctrine and the image of man associated with a specific historical and cultural era called the "epoch of romanticism"; to (...) show that many romantic philosophical positions remained relevant to the basic foundations of contemporary anthropological research and coincide with it in analytical and critical thinking about a man, a person, his historical and evolutionary fate. Originality. The romantic worldview determined the specifics of anthropological discourse, both logical and illogical, remaining symbols and attaching, as for example, a real historical anecdote, a popular history, a philosophical thought, a myth, a famous literary episode and the arts multiplied by creative inspiration and imagination. This tendency determined the fragmentation of thinking and the scientific image of man as a dual being, nevertheless, presented and described in all the variety of relations with the world and with himself, that allows us to call this area of thought "the romantic human science". Conclusions. Structural analysis of numerous romantic texts allows us to draw the following conclusion: with mythopoetic imagery and anthropological thought about a man, romantic writers introduced the reader to any wisdom, to philosophical understanding of their human essence, to past and modern teachings, in a way processed antique, medieval and enlightening views, in which an important place was given to reflections on the place of man in nature, society, and history. Correlating the well-known statements about a person as a descendant of the "old Adam", "person", "personality", "soul", with the modern idea of historical and social development, about the evolution of the consciousness of a person who revealed himself as an individual in modern times, with scientific and aesthetic views, the writers of the first half of the XIX century gave romantic thought anthropological meaning and, in fact, laid the foundations of historical, social, psychological, cultural and psychoanalytic anthropology. (shrink)

In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.

Asian romantic preference is not wrong because it does not infringe on someone’s moral right. Nor is it unjust in some other way. It is not intrinsically bad because it is neither false nor does it consist of the love of evil or hatred of the good. It is not clear if it is instrumentally bad because it is not clear whether it is good for Asian women and, if it is, whether the good for them is outweighed by the (...) bad for others. People have many preferences when it comes to marriage, dating, and sex. Consider heterosexual men’s preferences for women who are thin, feminine, normal height, symmetrical, and so on. The preference to marry, date, or have sex with Asian women is morally similar to these preferences. (shrink)

In this book, Esposito presents a historiography of organicist and holistic thought through an examination of the work of leading biologists from Britain and America. He shows how this work relates to earlier Romantic tradition and sets it within the wider context of the history and philosophy of the life sciences.

Professor Behler provides a view of the literary work and the artistic process developed in the German Romantic period.

Since economies are dynamic processes driven by creativity, social norms, and emotions as well as rational calculation, why do economists largely study them using static equilibrium models and narrow rationalistic assumptions? Economic activity is as much a function of imagination and social sentiments as of the rational optimisation of given preferences and goods. Richard Bronk argues that economists can best model and explain these creative and social aspects of markets by using new structuring assumptions and metaphors derived from the poetry (...) and philosophy of the Romantics. By bridging the divide between literature and science, and between Romanticism and narrow forms of Rationalism, economists can access grounding assumptions, models, and research methods suitable for comprehending the creativity and social dimensions of economic activity. This is a guide to how economists and other social scientists can broaden their analytical repertoire to encompass the vital role of sentiments, language, and imagination. (shrink)

The Romantic Irony of Semiotics: Friedrich Schlegel and the Crisis of Representation (Approaches to Semiotics [As]).

In this article I argue that the Early German Romantics understand the absolute, or being, to be an infinite whole encompassing all the things of the world and all their causal relations. The Romantics argue that we strive endlessly to know this whole but only acquire an expanding, increasingly systematic body of knowledge about finite things, a system of knowledge which can never be completed. We strive to know the whole, the Romantics claim, because we have an original feeling of (...) it that motivates our striving. I then examine two different Romantic accounts of this feeling. The first, given by Novalis, is that feeling gives us a kind of access to the absolute which logically precedes any conceptualisation. I argue that this account is problematic and that a second account, offered by Friedrich Schlegel, is preferable. On this account, we feel the absolute in that we intuit it aesthetically in certain natural phenomena. This form of intuition is partly cognitive and partly non-cognitive, and therefore it motivates us to strive to convert our intuition into full knowledge. (shrink)

Wisdom, Hegel famously said, only flies at dusk. For many, the evening of the liberal-democratic nation state appears to be descending in a globalizing world. This disturbing prospect invites urgent reflection on which of the potentials of this fading order ought to be carried forward. In this climate of review and reassessment, discussions that had seemed done with re-surface sharpened by fresh purpose. The following paper attempts to put new light on a once vigorous dispute between Habermas and his post-modern (...) critics over how best to weigh-up utopian energies at play in a liberal-democratic present. This was a contest distinguished by its all-or-nothing temper: either democratic Enlightenment with its commitment to rational solidarities or a Romantic enthusiasm for unreconciled particularities. I will argue that the stalemate between these two totalizing descriptions of the emancipatory potentials of modernizing processes needs to be unblocked and the debate put into motion once again. It will be argued that each offers a framework adequate to the description of only certain kinds of cultural needs. Alone, neither offers appropriate recognition of the ambiguous character of the distinctive hopes and expectations embedded in liberal democracies. (shrink)

In this article, the authors examine accounts of heterosexuality in media for children. The authors analyze all the G-rated films grossing $100 million dollars or more between 1990 and 2005 and find two main accounts of heterosexuality. First, heterosexuality is constructed through hetero-romantic love relationships as exceptional, powerful, magical, and transformative. Second, heterosexuality outside of relationships is constructed through portrayals of men gazing desirously at women's bodies. Both of these findings have implications for our understanding of heteronormativity. The first is (...) seemingly at odds with theories that claim that heterosexuality's mundane, assumed, everyday ordinariness lends heteronormativity its power. In fact, the authors suggest heterosexual exceptionalism may extend the pervasiveness of heterosexuality and serve as a means of inviting investment in it. The second offers ways to begin to think about how heteronormativity is gendered and racialized. (shrink)

In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.

I argue that the romantic notion of “understanding better,” as the ideal of interpretation according to Schleiermacher and Schlegel, is not a “meliorative” understanding, retrospectively situating the work in a broader conceptual or historical context and thus surpassing what the original author meant. The qualification “better” is ethical insofar as it indicates a future-oriented task of responding for the authors and contributing to the continued life of their work. What guides interpreters in such an ethical task is benevolence or love, (...) both toward the object of interpretation—the work—and the author of the work. Love is a hermeneutic imperative that has two sides: first, interpretation “augments” the work or brings it to its “second power;” and, second, interpreters need to put themselves in a certain attitude of non-understanding so that the work will not be constricted in pre-established categories and, instead, susceptible to challenge interpreters. (shrink)

contents: -/- 1. the Romantic fragment 2. life would want to die, a little 3. pain itself is the meaning, in Nietzsche 4. martyrs do not underrate the body 5. inwardly, an Actor prepares 5b. brother, bro: it's only you that overhears you 5c. J is like Hamlet / Herzog / Holden Caulfield / Raskolnikov 5d. they take him to a basement and they feed him METH 6. a surface is revealed / the depths are all inferred 6b. my Self (...) is all depth: a long internal vertical 6c. Joyce knows not the inside of ideas 6d. perception of depth is maladaptive 7. by knowing Death, humans are the Woken Ones 8. all as straw, or graphomania 8b. i tend to write thru / tho unless i'm imitating English 9. Finnegans Wake as Literature's endgame 10. Hard Realism: Hemingway, Knausgård 11. the cause of pain, in Buddhism 11b. duḥkha is uh-hukha: the gut's double throb. (shrink)

I examine Beauvoir's moral assessment of Romantic Love in The Second Sex. I first set out Beauvoir's central philosophical assumptions concerning the nature and situations of women, setting the framework for her analysis of the intersubjective dynamic which constitutes the phenomenology of romantic loving. In this process four double-bind paradoxes are generated which can lead, ultimately, to servility in the woman who loves. In a separate analysis, I ask whether it is wrong for a woman to aspire to and/or choose (...) this form of servitude. I distinguish two kinds of considerations: (1) those having to do with the intrinsic moral nature of the commitment or decision, and (2) those based on considerations of harm: first, to the woman who loves; second, to the loved Other; third to the nature of the relationship; and fourth, to society in general. (shrink)

It has been argued that romantic love is an intrinsically moral phenomenon – a phenomenon that is directly connected to morality. The connection is elucidated in terms of reasons for love, and reasons of love. It is said that romantic love is a response to moral reasons – the moral qualities of the beloved. Additionally, the reasons that love produces are also moral in nature. Since romantic love is a response to moral qualities and a source of moral motivation, it (...) is itself moral. This chapter aims to cast doubt on both these claims. By employing the model of emotional rationality it shows that a moralistic fallacy is committed when reasons for love are construed as moral. Reasons of love are also not essentially moral but rather of both moral and nonmoral kinds. Reasons of love are in part determined by cultural narratives and norms pertaining to love. Romantic love is not moral in nature. Morality is extrinsic to love. (shrink)

Nozick provides us with a compelling characterization of romantic love, but, as I argue, he under-describes the phenomenon, for he fails to distinguish it from attitudes that those who are not romantically involved may bear to each other. Frankfurt also offers a compelling characterization of love, but he is sceptical about its application to the case of romantic love. I argue that each account has the resources with which to complete the other. I consider a preliminary synthesis of the two (...) accounts, which I find wanting. The synthesis I then favour relies upon two thoughts: each romantic partner has loving concern for a plural object viz. the two of them, and romantic partners are, in addition, beloved of a plural subject, viz. the two of them. A corollary is that Frankfurt is wrong to think that, whilst self-love is a pure form of love, romantic love is an impure form of love, for romantic love just is a form of self-love. In an appendix, I defend the coherence of the thought that love can have plural relata. (shrink)

In romantic relationships, individual differences are determinant factors for relational quality. Specifically, romantic attachment and difficulties in emotional regulation influence each other and may have predictive potential for the perceived dyadic adjustment level. This paper aims to identify the developmental parallel between behavioral patterns built since childhood and the construction of the emotional regulation skills that characterize them. Our analysis was based on the attachment theory and the concepts of romantic relationship and DA. In this way, we sought to further (...) the understanding of relationship dynamics, beyond the usual focus on a single element and on associative relationships, and by exploring other effects among the different dimensions of relational functioning. In particular, we explored the predictive ability of emotional regulation patterns in discriminating between RA styles, and their impact on the quality of romantic relationships, in the anticipation of dyadic adjustment variations. (shrink)

In many circumstances compromises seem to be of great value to our well-being; compromises can help us avoid disputes and fights and enable us to live peacefully with each other. However, compromises can also require us to surrender some of our values. These two opposing aspects implicit in compromise express the need to be sensitive to external circumstances and in particular to the wishes of other people, and at the same time to be willing to relinquish something of value. So (...) are compromises, and in particular romantic compromises, good or bad for our well-being? McIntyre’s view in general and Aristotle’s distinction between extrinsically and intrinsically valuable activities in particular, are very useful in this regard. Compromises can be characterized as involving dissatisfied acceptance of a gap between a perceived feasible desire and our actual situation. The acceptance of the gap is merely behavioral stemming from unfavorable external circumstances. It is not psychologically accepted, as deep down we are not happy with the compromise, and still yearning for a better solution. Romantic compromises are particularly hard to accept in light of the prominent place of the Romantic Ideology, in which ideal love can overcome all obstacles and hence there is no place for compromises. (shrink)

Romanticism was a philosophical movement concerned with the question of orders—orders of things, of persons, of being. Friedrich von Hardenberg, the Early German Romantic who called himself Novalis, writes that “only [the infinite stone] is firm // it is the dos moi, pu sto [give me a place to stand] of Archimedes” . It is strange to find, among the foundational texts of Early German Romanticism, anything having to do with foundations. The movement has often been characterized as “anti-foundational” and (...) even occasionalist . And yet statements revealing a fascination with figures of intervention, revolution, and .. (shrink)

One of Alfred North Whitehead’s Lowell lectures of 1925 encapsulated a common belief about the relations between science and romanticism. In a chapter on “The romantic reaction” in the published version of the lectures, Whitehead presented science and the romantic spirit as fundamentally at odds (Whitehead 1926, chapter 5). The romantic world view, for Whitehead, had no place for perceptions of nature as an unfeeling law-bound machine. Against the conventional scientific virtues of objectivity, it stressed subjectivity, and against the model (...) of inexorable determinism, it favored one closer to that of an organism, with the potential for growth and change. It is not hard to see the core of truth in Whitehead’s interpretation. When Wordsworth wrote “We murder to dissect,” he was voicing a romantic sensibility that saw the abstraction of science as, at best, scratching the surface of a natural world at once richer and closer to us as human beings than the one handed down by the mechanical .. (shrink)

German Romanticism is commonly associated with nationalism rather than cosmopolitanism. Against this standard picture, I argue that the early German romantic author, Novalis (Georg Philipp Friedrich von Hardenberg, 1772–1801) holds a decidedly cosmopolitan view. Novalis’s essay “Christianity or Europe” has been the subject of much dispute and puzzlement ever since he presented it to the Jena romantic circle in the fall of 1799. On the basis of an account of the philosophical background of Novalis’s romanticism, I show that the image (...) of the Middle Ages sketched in “Christianity or Europe” plays a symbolic role and should not be taken as a literal description of the historical past or as a blueprint for the future. Rather, the romantic picture of medieval Europe serves to evoke poetically the ideal of a cosmopolitan re-unification of humanity. (shrink)

Feminists and gay liberationists condemn romantic love as an inherently sexist and heterosexist institution which requires sexist idealizations and heterosexual desire. I argue that although romantic love in contemporary Western societies often includes sexist idealizations and heterosexual desire, those elements are not necessary constituents of the concept of romantic love. The crucial elements in romantic love are concern, admiration, the desire for reciprocation, and the passion for union, none of which require either sexist idealizations or heterosexual sexual desire.

I defend my earlier nonessenlialist analysis of romantic love as involving concern, the passion for union, the desire for reciprocation, admiration, and idealizalion. No central element unifies the analysis. Though not parts of romantic love, sexual desire and exclusivity enhance and generally accompany it. I argue that my analysis is superior to one with a unifying central element. For by allowing variation and conflict among the elements of romantic love, my analysis better explains its turbulence and voIatility and accommodates both (...) realism and idealism. (shrink)

In the romantic period, there emerged a lot of piano works with colorful creation methods, which brought people infinite enjoyment of beauty and triggered countless discussions. Starting from the Romantic period, this paper analyzes the aesthetic characteristics of piano art, discusses its aesthetic essence, and traces its development source, aiming to deepen the public's cognition of piano art, strengthen the importance of piano art, give play to the influence of art, let aesthetics penetrate into the public and enrich the emotional (...) experience of the public. Guided by the dialectical materialist philosophy of Hegel, who is the master of classical philosophy, this paper analyzes the philosophical basis of his theory of aesthetic study of piano art and its relationship with the musical language and musical works of romantic piano musicians in the 19th century, and draws a conclusion that the artistic aesthetics of romantic piano and the artistic core of classical philosophy are embodied. The piano works of Romanticism "go back to the inner world" are the double presentation of the music language based on emotion theory and the artistic core of classical philosophy. (shrink)

While much has been written on love, the question of how romantic love differs from friendship love has only rarely been addressed. This chapter focuses on shedding some light on this question. I begin by considering goal-oriented approaches to love. These approaches, I argue, have the resources needed to account for the differences between friendship love and romantic love. But purely goal-oriented accounts fail on account of their utilitarian gloss of our loved ones. Even when they circumvent this criticism, they (...) make the mistake of conflating the motivational tendencies of love for its constitutive characteristics. I then turn my attention to David Velleman's account of love as a moral emotion but argue that his view lacks the resources to account for the differences between romantic love and friendship love. I then go on to sketch a socially situated account of love that does better in this respect. I conclude by reflecting on the normativity of love. (shrink)