pt. 1: lecture 1. The Hindu vision of life ; lecture 2. Thucydides and the Peloponnesian war ; lecture 3. Law and rule in Sophocles' Antigone ; lecture 4. Socrates and socratic quest ; lecture 5. Plato, idealism and power : part 1 ; lecture 6. Plato, idealism and power : part 2 ; lecture 7. Aristotle's critique of Plato's Republic ; lecture 8. Machiavelli's theory of power and politics -- pt. 2: lecture 9. Rousseau's theory of human nature and (...) society ; lecture 10. Marx's critique of capitalism and solution of communism ; lecture 11. Freud's theory of human nature and civilization ; lecture 12. Thoreau's theory of civil disobedience ; lecture 13. Dostoevsky's grand inquisitor ; lecture 14. The idea of anarchism and the example of Emma Goldman ; lecture 15. Hitler's use of power ; lecture 16. Gandhi's use of power. (shrink)

Refinements in Darwin’s theory of the origin of a moral sense create a framework equipped to organize and integrate contemporary theory and research on morality. Morality originated in deferential, cooperative, and altruistic ‘‘social instincts,’’ or decision-making strategies, that enabled early humans to maximize their gains from social living and resolve their conflicts of interest in adaptive ways. Moral judgments, moral norms, and conscience originated from strategic interactions among members of groups who experienced confluences and conflicts of interest. Moral argumentation buttressed (...) by moral reasoning is equipped to generate universal and impartial moral standards. Moral beliefs and standards are products of automatic and controlled information-processing and decision making mechanisms. To understand how people make moral decisions, we must understand how early evolved mechanisms in the old brain and recently evolved mechanisms in the new brain are activated and how they interact. Understanding what a sense of morality is for helps us understand what it is. (shrink)

In focusing on the systematic deduction of the categories from a principle, Schulting takes up anew the controversial project of the eminent German Kant scholar Klaus Reich, whose monograph “The Completeness of Kant's Table of Judgments” made the case that the logical functions of judgement can all be derived from the objective unity of apperception and can be shown to link up with one another systematically. -/- Common opinion among Kantians today has it that Kant did not mean to derive (...) the functions of judgement, and accordingly the categories, from the principle of apperception. Schulting challenges this standard view and aims to resuscitate the main motivation behind Reich’s project. He argues, in agreement with Reich’s main thesis about the derivability of the functions of judgement, that Kant indeed does mean to derive, in full a priori fashion, the categories from the principle of apperception. -/- Schulting also shows that, given the general assumptions of the Critical philosophy, Kant's derivation is successful and that absent an account of the derivation of the categories from apperception, the B-Deduction cannot really be understood. -/- New edition. First published 2012 as „Kant’s Deduction and Apperception. Explaining the Categories" (Palgrave Macmillan). (shrink)

The call for 'sustainable degrowth' has recently turned into a focal point of critical social and ecological debate, as well as a framework for diverse strands of activism. So far, little is known about the motives, attitudes and practices of grassroots activists within the degrowth spectrum. This article presents results of a survey conducted at the 2014 International Degrowth Conference, revealing both the presence of a widely shared basic consensus among respondents and their broad division into five distinguishable sub-currents. A (...) cluster analysis shows that degrowth provides a framework for a diversity of critical and transformational approaches. We identify and describe five such currents: eco-radical sufficiency-oriented critics of civilisation; moderate immanent reformers; a transitory group of voluntarist-pacifist idealists; the modernist rationalist Left; and the alternative practical Left. (shrink)

Richly informed by readings of Heidegger, Derrida, and Blanchot, the author argues that the notion of responsibility at the heart of Levinas's notion of ethics is intimately dependent upon his account of death.

In lieu of an abstract, here is a brief excerpt of the content:The Birth of The Birth of TragedyDennis SweetIntroductionNietzsche’s first book, The Birth of Tragedy, is ostensibly an account of the psychological motives behind the creation and modifications of Greek drama, but it is really much more than this. It is the author’s first attempt to understand the dynamic processes of human creativity in general—a concern that would occupy him throughout his career. When we look at his own estimation (...) of the value of his first book, however, we see that he maintained something of a love-hate relationship to it. In the second edition, published in 1886, Nietzsche included a prefatory “Attempt at a Self-Criticism,” in which he castigates the style of his first literary effort:[T]oday I find it an impossible book: I consider it badly written, ponderous, embarrassing, image-mad and image-confused, sentimental, in places saccharine to the point of effeminacy, uneven in tempo, without the will to logical cleanliness... disdainful of proof, mistrustful even of the “propriety” of proof... an arrogant and rhapsodic book.... 1Yet Nietzsche was convinced that the book, despite its stylistic flaws, did indeed have its merits. In Ecce Homo he evaluated the positive value of The Birth of Tragedy in the following way:The two decisive innovations of the book are, first, its understanding of the Dionysian phenomenon among the Greeks: for the first time, a psychological analysis of this phenomenon is offered, and it is considered as one root of the whole of Greek art. Secondly, there is the understanding of Socratism; Socrates is recognized for the first time as an instrument of Greek disintegration, as a typical decadent. “Rationality” [End Page 345] against instinct. “Rationality” at any price as a dangerous force that undermines life. 2Since its appearance in 1872 The Birth of Tragedy has been the object of both intensely negative and strongly positive assessments among classical scholars. Either it is dismissed out of hand as a piece of unscholarly romanticism, or it is praised as a unique contribution to the study of Greek art and life, a book of seminal importance for modern classical scholarship. 3 Among those who judge the book to be valuable and original, most follow the author in regarding the “two decisive innovations” spoken of in the above quotation as the heart of the book’s value and originality. Yet few of Nietzsche’s advocates have gone on to show clearly how or in what sense these innovative insights are innovative and insightful.To understand the significance and to appreciate the originality of The Birth of Tragedy it is important to see it against the background of some of the established theories of art and tragedy which preceded it. I shall begin, therefore, by characterizing, in broad strokes, two such theories that emerged in the eighteenth century; then I shall consider how the theory of tragedy that Nietzsche offers in his first book grew out of his dissatisfaction with these earlier views. Finally I shall show how the “two decisive innovations” expressed in The Birth of Tragedy developed during the years preceding the book’s publication. [End Page 346]The Theoretical BackgroundDuring the middle decades of the eighteenth century there emerged a keen interest in providing a theoretical account of the beauty expressed in the works of classical Greek art in general and in the literary achievements of the Attic tragedians in particular. Among German writers the person most responsible for bringing about this interest was the art historian, Johann Joachim Winckelmann. According to Winckelmann, the dominant characteristics of beauty found in ancient Greek works of art are expressed in terms of their “noble simplicity and quiet grandeur [edle Einfalt und stille Grösse].” 4 The ideal qualities of harmony and composure characteristic of classical Greek sculpture reflect and embody the serene and happy world-view of the Greek artists and of classical Greek culture in general. The two best examples of this character are found in the famous “Apollo Belvedere” statue and in the equally well-known statue depicting the Trojan priest Laocoön and his sons’ being devoured by twin serpents—an example of “classical” art that would be utilized by... (shrink)

_ Source: _Volume 48, Issue 2, pp 155 - 174 What does it mean to say “Yes” to life? What does it mean to affirm life? What does it mean to _not_ be nihilistic? One possible answer is the appropriation of finitude. But Klossowski argues that this amounts to a “voluntarist” fatalism. Though Klossowski draws attention to the temptation of “voluntarist” fatalism on the part of Nietzsche and readers of Nietzsche, he himself is tempted by redemption, i.e., by being redeemed (...) from the weight of responsibility. Using the very “logic” of Klossowski’s own reading of the eternal return, Blanchot will call this possibility of redemption into question. Blanchot’s reading of Nietzsche’s eternal return draws attention to that moment when death as possibility _turns into_ death as impossibility. This _weakening_ of the negative brings, according to Blanchot, _not_ redemption from the burden of responsibility, but infinite responsibility. (shrink)

In January 1641 Marin Mersenne forwarded to René Descartes a set of objections to the latter’s Meditations that Mersenne had solicited from “an Englishman.” This, along with some optical papers that Descartes may not have known were from the same person, was apparently his first philosophical encounter with Thomas Hobbes. The surviving correspondence and the Meditations’s third set of “Objections and Replies” show that the antipathy between these two otherwise excellent minds was virtually instantaneous. The irony has often been remarked (...) that these men, who were both engaged in constructing a system of mechanical science and whose views were so similar on many major issues, should have become such bitter opponents. (shrink)

As interpreted by Pattee, von Neumann’s Theory of Self-Reproducing Automata has proved to be a useful tool for understanding some of the difficulties and paradoxes of molecular biosemiotics. But is its utility limited to molecular systems or is it more generally applicable within biosemiotics? One way of answering that question is to look at the Theory as a model for one particular high-level biosemiotic activity, human language. If the model is not useful for language, then it certainly cannot be generally (...) useful to biosemiotics. Beginning with the Universal Turing Machine and continuing with von Neumann’s Theory and Pattee’s interpretation, the properties of universality, programmability, underspecification, complementarity of description/construction, and open-ended evolutionary potential are shown to be usefully applicable to language, thus opening a new line of inquiry in biosemiotics. (shrink)

Biological, cognitive, and learning explanations of altruism, selfishness, and self-control can be integrated in terms of adaptive strategies. The key to understanding why humans and other animals sometimes resist temptation and sacrifice their immediate interests for the sake of others lies in mapping the design of the evolved mental mechanisms that give rise to the decisions in question.

Those who invoke the word self-deception to represent one phenomenon often argue that those who use it to represent another are misusing the construct. Better to recognize that self-deception is a fuzzy concept that may be used to represent a variety of mental processes and states, and to direct our energy toward distinguishing empirically among its forms and functions.

In this paper, I explain why for Kant self-consciousness is intimately related to objectivity, how this intimacy translates to real objects, what it means to make judgements about objects, and what idealism has got to do with all of this.

This timely book, offering hope for the future during a time of environmental challenges and misinformation, stresses the importance of understanding science in order to see the world and ourselves in a truer light. Original.

This paper focuses on two challenges that Transition Design poses for design educators: teaching appropriate skill sets and promoting professional identities. University-based degree programs in design are expected to prepare graduates for professional careers providing students with the skill sets and the habits of minds required to secure jobs in a commercial, market driven milieu. We must ask: Are these actually the skills and habits we should be teaching in order to promote Transition Design? The second challenge involves working through (...) the implications of localism. Inherent in Transition Design is the belief that it involves a type of social engagement that frames projects within the context of long-term visions tailored to specific places and experiences. In contrast, design curricula at most universities have a cosmopolitan flavor often at odds with an appreciation of local situations and values. So the question emerges: how can we educate people to recognize what it means to be local and to be stakeholders in the environmental and social well-being of a place. I argue that Transition Design will ultimately force us to examine what it means to act locally in order to contribute to the stewardship of place and community. (shrink)

It is a recurring idea in the history of political philosophy that concepts and doctrines of private law are illuminative of public law and political philosophy. Central among these are contract and the trust. In this paper, I consider the prospects of a third: estoppel. The public law context in which estoppel is most commonly invoked is criminal law, and there especially in the service of understanding the defenses of entrapment and what I call officially induced mistake of law. My (...) question is how well it serves this role – how well the structure of the self-disentitlement that provides the rationales for the defences of entrapment and OIML on the non-exculpatory approach to each is articulated on the model of state estoppel, as I call it. I will argue that it fares well, and so that estoppel merits inclusion on the list of concepts and doctrines of private law that are illuminative of public law and political philosophy. In conclusion I will ask what the moral-expressive content of its deployment in that context is, and argue that, while the doctrines of contract and trust work as means to articulate claims about the basis and limit of political authority, the claim that some cases of state self-disentitlement can be modelled on estoppel represents a commitment to some core principles of the rule of law. (shrink)

I have been trying to understand the moral aspect of human nature for several decades. Several years ago, after publishing The Origins of Morality, an editor from Oxford Press suggested that I write up the theory and research I reviewed in this academic book in a manner that would be accessible to people with relatively little background knowledge in the area. A few years later, I launched this project, which ended up in this book. In it, I trace the grown (...) of my understanding of morality. (shrink)

In this paper, changes in the status and nature of one case from the Family Court of England and Wales will be discussed. The changes cover two aspects of the case. Firstly, the shift from a civil action – a standard family court case concerning the break-up of a relationship and its effect on the children born from the relationship – to a quasi-criminal case in which contempt of court plays the central role; this will be discussed from a Greimasian (...) perspective. Secondly, the case is accompanied by types of silence – from the textual silence of private proceedings in the Family Court to the conversational silence in the form of one of the protagonists’ right of silence. (shrink)

A wide-ranging attempt to develop a theory of ethical life from a hermeneutic understanding of language.

I have two aims. I want to show first that a proper understanding and use of irony can enrich the aesthetic imagination and, second, that Søren Kierkegaard's description of irony rather than Richard Rorty's better explains how irony enriches the aesthetic imagination. The paper's central claim is that aesthetic imagination springs from experiencing the necessary tension between appearances and reality and that irony, correctly employed, accentuates in our thinking the imagination required to keep this tension in our representations, thereby enabling (...) the aesthetic imagination to grow.Immanuel Kant claims that the aesthetic judgment is an act of the imagination, not of the understanding: In order to distinguish... (shrink)

The intention of this article is investigate ways in which the image and metaphor of the garden open productive avenues for thinking the being of nature. The primary focus of this investigation is found in two instances in which gardens play significant roles in presenting, even if only tacitly, an image of nature: Homer’s Odyssey and Plato’s reference to the “Gardens of Adonis” in Phaedrus.