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First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This chapter explores Lyotard’s aesthetics in relation to the artist Yves Klein. Through the different activities of philosophy and art, Lyotard and Klein both explore the nature of sensibilité through an investigation of matter. Both paradoxically conclude that matter is in a sense immaterial. Lyotard understands matter as that part of an artwork which is diverse, unstable, and evanescent: in music, this corresponds to nuance and timbre, and in painting, to colour. Following Kant’s aesthetics, Lyotard interprets matter as that (...) which defies conceptual grasp or rational calculation. From the point of view of the concept, then, matter appears as immaterial – it is nothing at all. Klein develops his meditation on matter firstly through his monochrome “propositions,” calling attention to pure colour (in particular, blue), which he theorises as stabilisations of energy. Beyond this, Klein invents “immaterial” works, such as the famous Void exhibition (an empty room in a gallery), and his Zones of Immaterial Pictorial Sensibility. Klein understands these immaterial works as presenting matter in its “prime state,” as energy diffused in space. This chapter develops the confluences between Lyotard’s and Klein’s reflections on “immaterial matter,” and seeks to show how the results achieved in each area of activity (philosophy and art) can contribute to the other. Lyotard’s aesthetic theory provides the basis for a new interpretation of Klein which provides an alternative to his common reception as a Conceptual artist. Klein’s work, on the other hand, not only acts as a profound example of Lyotard’s theory, but functions as a corrective to Lyotard’s emphasis on the negative and privative nature of sensitivity to matter by demonstrating the creative and life-affirmative potential of such sensitivity. (shrink)

Working from the post-Workerist tradition, this essay re-specifies the phenomenon of immaterial labor. Immaterial labor is not simply a mode of work relevant to the information-based global economy. Instead, immaterial labor is inherent to the human condition: human beings materialize realities through the immaterial means of communication. This ontological approach to immaterial labor enables us to rethink the radical project: rather than trying to “change the world,” we are now called to create alternative realities (...) that resist the subjugation of our immaterial laboring. Since we are all immaterial laborers, we all have a stake in revolutionizing our realities. This essay provides a preliminary sketch of this political philosophy. (shrink)

In _The Immaterial_,_ _French social philosopher André Gorz argues, in his finely-tuned and polemical style, that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy. In this, the last full-length theoretical work Gorz completed before his death, he argues instead for the (...) creation of a true knowledge economy. This economy would be based on zero-cost exchange and pooled resources, and knowledge would be treated as humanity’s common property. Currently, in order to exploit knowledge and turn it into capital, the capitalist enterprise privatizes specialized knowledge and claims ownership through private licenses and copyright. But as Gorz shows, the traditional foundations of such capitalist economics have begun to crumble because of the immaterial nature of this new form of product, which makes it almost impossible to measure in monetary terms. The knowledge economy, Gorz declares, _is_ the crisis of capitalism. Thought-provoking and divisive, _The Immaterial _is the perfect book for our time, as we begin to reimagine the structures of our economic system in order to rebuild and move forward. “It is to Gorz... that readers should turn for a compelling combination of sharp analysis, well-wrought polemic, and suggestions for the future.”—_Red Pepper_ “A great figure of the intellectual Left.”—Nicolas Sarkozy “Gorz’s intelligence strikes you at the very first glance: it is one of the nimblest, acutest intelligences I know.”—Jean-Paul Sartre. (shrink)

Contemporary art can seem chaotic: it may be made of toilet paper, candies you can eat, or meat that is thrown out after each exhibition. Some works fill a room with obsessively fabricated objects, while others purport to include only concepts, thoughts, or language. Immaterial argues that, despite these unruly appearances, making rules is a key part of what many contemporary artists do when they make their works, and these rules can explain disparate developments in installation art, conceptual art, (...) time-based media art, and participatory art. -/- Sherri Irvin shows how rules are now an artistic medium: they are part of the work's structure and shape what it expresses. Rules are meaningful in themselves and help to activate the meanings of non-art materials and found objects, so audiences need to know about the rules to get the most out of their art experiences. Loss of information about the rules, like loss of a chunk of marble, can seriously damage the work, and preserving rules as well as objects is reshaping how museums maintain their collections. Where rules collide with real-world circumstances, they may be broken maliciously, mistakenly, or for good reasons, threatening the work's meanings and sometimes its very existence. -/- Should we celebrate the prominence of rules in contemporary art? Irvin argues that, while rules aren't always used well, they can be used to create distinctive meanings and provide powerful immersive experiences not achievable through any other means. (shrink)

Marx developed a sophisticated theory of labour under capitalism’s expanding reproduction but wrote little specifically on immaterial labour. This paper reflects on how to build from Marx’s writings a more comprehensive theory of immaterial labour. Integral to this theorisation is bringing in young Marx’s writings on alienation and human nature, and praxis read as the ‘point of knowledge is to change the world’. Integrating the young and mature work into a single perspective that highlights the actively causal (...) dimension of human creativity and knowledge for the making of history critically adds to and thereby transforms the naturalism and structural determinism of orthodox readings of Marx’s Marxism. We relate this theorisation specifically to the project of liberating academic labour from the shackles of its neoliberal containment by making ‘knowledge socialism’. (shrink)

The early modern Catharine Cockburn wrote on a wide range of philosophical issues and recent years have seen an increasing interest in her work. This paper explores her thesis that immaterial substance need not think. Drawing on existing scholarship, I explore the origin of this thesis in Cockburn and show how she applies it in a novel way to space. This thesis provides a particularly useful entry point into Cockburn's philosophy, as it emphasises the importance of her metaphysics (...) and connects with many of her further philosophical views. This paper shows that it is rewarding to consider Cockburn's philosophical views as a holistic system. (shrink)

The author offers a comprehensive interpretation of Aquinas's claim that the human intellect is immaterial and assessment of his arguments on behalf of this claim, also positioning Aquinas's thought alongside recent work in hylomorphic metaphysics and philosophy of mind.

One hundred years ago, Frederick Taylor and the pioneers of scientific management went into battle on US factory-floors. Armed with stopwatches and clipboards, they were fighting a war over measure. A century on and capitalist production has spread far beyond the factory walls and the confines of 'national economies'. Although capitalism increasingly seems to rely on 'cognitive' and 'immaterial' forms of labour and social cooperation, the war over measure continues. Armies of economists, statisticians, management-scientists, information-specialists, accountants and others are (...) engaged in a struggle to connect heterogeneous concrete human activities on the basis of equal quantities of human labour in the abstract – that is, to link work and capitalist value. In this paper, we discuss contemporary capital's attempt to impose the 'law of value' through its measuring of immaterial labour. Using the example of higher education in the UK – a 'frontline' of capitalist development – as our case-study, we explain how measuring takes places on various 'self-similar' levels of social organisation. We suggest that such processes are both diachronic and synchronic: socially-necessary labour-times of 'immaterial doings' are emerging and being driven down at the same time as heterogeneous concrete activities are being made commensurable. Alongside more overt attacks on academic freedom, it is in this way that neoliberalism appears on campus. (shrink)

James Ross developed a simple and powerful argument for the immateriality of the intellect, an argument rooted in the Aristotelian-Scholastic tradition while drawing on ideas from analytic philosophers Saul Kripke, W. V. Quine, and Nelson Goodman. This paper provides a detailed exposition and defense of the argument, filling out aspects that Ross left sketchy. In particular, it elucidates the argument’s relationship to its Aristotelian-Scholastic and analytic antecedents, and to Kripke’s work especially; and it responds to objections or potential objections (...) to be found in the work of contemporary writers like Peter Dillard, Robert Pasnau, Brian Leftow, and Paul Churchland. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:AQUINAS ON THE IMMATERIALITY OF THE INTELLECT DAVID RUEL FOSTER Seton Hall University South Orange, New Jersey I. A Controversial Question? HE QUESTION of the immateriailiity of the intelloot s,an important part of the wider question about the nau11e of the soul. The axgiumen'ts for the immaiteriality of rthe intellect a11e particularly important to Thomas's thought because they undergil1d his argument for the incorruptibility of the soul; the incorruptibiility (...) of the soul, in turn, leads towards the dootrine of the immortaility of the soruJ, a tenet of faith which Thoma.s wants to explain and deifend.1 This article will present Thomas's two most prominent arguments for the immateriality of the intieliteot and critique the first iin light of rthe seoond.2 Whether,the principle of int~Uectual ilife must, by the very 1.Arguments for the immateriality of the intellect do not necessarily appear in articles on the incorruptibility of the soul but are always presupposed by them in Thomas. For example, in Summa theologiae I, q. 75, a. 6, "Whether the human soul is incorruptible?" (" Utrum anima humana sit corruptibilis "), Thomas supports the crucial premise in his argument by referring to the,arguments for the immateriality of the intellect in articles 2 and 5 (" Utrum anima humana sit aliquid subsistens? "; "Utrum anima sit composita ex materia et forma?" Summa theologiae I, q. 75, aa. 2 and 5). 2 Five important instances of the arguments are as follows: In Sententias II, d. 19, q. 1, a. l; Summa contra gentiles II, chapters 49-50; Summa theologiae I, q. 75, aa. 2 and 5; Quaestiones Dis-putatae De anima a. 14; Oompendium theologiae, De fide, chapters 79 and 84. This chronological ordering is based on Weisheipl's catalogue in Friar Thomas D'A.quino, pp. 355-406; and Eschmann's, A Catalogue of St. Thomas's Work, in Gilson's, The Christian Philosophy of St. Thomas Aquinas, pp. 381-439. The dating of the Compendium theologiae is the most problematic. 415 416 DAVID RUEL FOSTER natUJ.1e of its.act, be immaterial is a particularly controrverted question today. Many corutempo~ary thinkers helie¥e that human understanding can be ex:pfained in strictly physical terms. ':Chis was not the case in Thomas's day, and it is important to takie notre of this. Thomas W1as noit foroed by any opponent to sharpen his arguments for the imma.teriality of the inteHect. The major Islamic philosophers, ailithough they disagreed among themselves about aspects of the inbe1iJiect's nature (e.g., the plaice and ro[e of the agent intellect)' md agree thait the intellectual soul was immaterial. Plato and Aristotle, according.to Thomas, agreed on this f.undamental point. In fact, although there were post-Socratic materialists,3 Thoma;s usuru1Jy goes ha;ek to the Pre-Socratics in order rto give an example of someone who taJUght that the inte!IJiectual :act. depends entirely on physicrul principles. Perhaps it is better to s1ay that, because the doctrine of runiversal hylomorphism was so widely accepted in his time, Thomas was not challenged regarding the incorporeality of the intellect. Many of Thoma:s's contemporaries, foililowing the tewching of Awoobroin, held that the intellectuaJ. souil was composed of spiritua.l matter.and the appropriate form,4 hut this was not in opposition to Thomas's arguments for the immateriality of the intellect. II. The Two Most Prominent Arguments A. Type I The first argument (hereaf·ter caUed Type 1) proceeds from the intellect's potential to know all corporeal things. It is justifiably described as Thomas's preferred argument,5 for s For example, the Epicureans. 4 J. Weisheipl, "Albertus Magnus and Universal Hylomorphism: Avicebron," in Albert the priam rationem formalem, which is :to grasp the essence of the obj,oot. Then Thom!lis draws his conclusion " therefore,... the inte!llecrbuaJ soul itse[f is an absolute form." The conclusion that the irntellect's mode of being is immaterial, a " form without matter," follows from the premises: majorr premise, the objeclt is,in the knower in an ahso1uite way, i.e., without matter; minor premise, the object is received in the knower.ruooording to rthe mode of he... (shrink)

I first offer a broad taxonomy of models of divine omnipresence in the Christian tradition, both past and present. I then examine the recent model proposed by Hud Hudson (2009, 2014) and Alexander Pruss (2013)—ubiquitous entension—and flag a worry with their account that stems from predominant analyses of the concept of ‘material object’. I then attempt to show that ubiquitous entension has a rich Latin medieval precedent in the work of Augusine and Anselm. I argue that the model of (...) omnipresence explicated by Augustine and Anselm has the resources to avoid the noted worry by offering an alternative account of the divide between the immaterial and the material. I conclude by considering a few alternative analyses of ‘material object’ that make conceptual room for a contemporary Christian theist to follow suite in thinking that at least some immaterial entities are literally spatially located when relating to the denizens of spacetime. (shrink)

abstract: In Kephalaia Gnostika, the third part of his great trilogy on the ascetic and contemplative life, the early Christian desert monk Evagrios of Pontus made a statement that resonates with the story told by the Buddha in the Aggañña Sutta. Evagrios declared that there had been a time when evil did not exist, and from this premise, he extrapolated that there will come a time when evil will not exist anymore. Both Evagrios and the Buddha, it seems, were essentially (...) optimistic in their teaching, convinced that despite being subject to a "fall," human beings have agency and can work toward establishing virtue in their lives and experiencing the fruits of this labor. In order to do this, a sophisticated understanding of how the mind works is key, and the two teachers, within the lineaments of the thought worlds of their respective backgrounds, explore what contemplation and meditation offer to this end. They also discuss other qualities that contribute to the development of a "gentle warrior," a character recognizable in both traditions and notable for the level to which they have erased subjectivity and their dedication to the achievement of good outcomes. Evidence can be found in both Buddhist and Christian writings of the recognition of correlations between the structure of the cosmos and spiritual or religious experience. (shrink)

One hundred years ago, Frederick Taylor and the pioneers of scientific management went into battle on US factory-floors. Armed with stopwatches and clipboards, they were fighting a war over measure. A century on and capitalist production has spread far beyond the factory walls and the confines of 'national economies'. Although capitalism increasingly seems to rely on 'cognitive' and 'immaterial' forms of labour and social cooperation, the war over measure continues. Armies of economists, statisticians, management-scientists, information-specialists, accountants and others are (...) engaged in a struggle to connect heterogeneous concrete human activities on the basis of equal quantities of human labour in the abstract – that is, to link work and capitalist value. In this paper, we discuss contemporary capital's attempt to impose the 'law of value' through its measuring of immaterial labour. Using the example of higher education in the UK – a 'frontline' of capitalist development – as our case-study, we explain how measuring takes places on various 'self-similar' levels of social organisation. We suggest that such processes are both diachronic and synchronic: socially-necessary labour-times of 'immaterial doings' are emerging and being driven down at the same time as heterogeneous concrete activities are being made commensurable. Alongside more overt attacks on academic freedom, it is in this way that neoliberalism appears on campus. (shrink)

In keeping with the focus of this special section, we concentrate initially on some of the problems of autonomist Marxist concepts such as `immaterial labour', `affective labour' and `precarity' for understanding work in the cultural industries. We then briefly review some relevant media theory (John Thompson's notion of mediated quasi-interaction) and some key recent sociological research on cultural labour (especially work by Andrew Ross and Laura Grindstaff, the latter drawing on Hochschild's concept of emotional labour), which we (...) believe may be more useful than autonomist concepts in developing empirically informed critique. The main body of the article then consists of an ethnographic account of working on one particular television programme, an account that aims to build on these theoretical debates. We analyse how the power to provide exposure or not to individuals in the talent show genre in contemporary television (a feature that derives from the symbolic power of producers to make texts that are then circulated to massive numbers of people) and disputes between commissioners and independent producers about how best to go about doing so (an organizational issue) are registered in the form of stress, anxiety and sometimes poor working relations among project teams of young television researchers (a matter of working conditions and experiences). We especially focus on how additional pressures are borne by these workers because of the requirements to undertake emotional labour, involving the handling of strong emotions on the part of talent show contributors, and to maintain good working relations in short-term project work, requirements generated by the need to ensure future employment. Ultimately, then, we support the view that creative work is `precarious' — but we go beyond the generalizations involved in concepts such as immaterial labour and affective labour to show the specific ways in which precariousness is registered and negotiated in the lives of young workers in one industry. (shrink)

The Classical art of memory is analyzed as a form of mental writing. The ancient authors of works on the art of memory often likened their art to a sort of writing, and a careful analysis of the methods of formation of _agent images_ — the signs of the art of memory — shows that it very closely parallels the methods of sign formation in logophonetic writing systems. Thus the Classical art of memory can be viewed as an immaterial (...) writing system. (shrink)

The Classical art of memory is analyzed as a form of mental writing. The ancient authors of works on the art of memory often likened their art to a sort of writing, and a careful analysis of the methods of formation ofagent images— the signs of the art of memory — shows that it very closely parallels the methods of sign formation in logophonetic writing systems (such as ancient Egyptian or Chinese). Thus the Classical art of memory can be viewed (...) as an immaterial (and personalized) writing system. (shrink)

The last decade has seen the dawn of a technological development towards a wireless-networked world. Various mobile interfaces have started to appear like laptop computer, PDA, mobile phone, Blueberry. The zenith of this development is the full distribution of computation and networks into every aspect of our life. Everything will become an interface, from a cup to a shirt. Wireless networks and multifarious interfaces will blend invisibly into our everyday life and environment. This emerging infrastructure and its significant impact on (...) our life provide new conditions for artistic practice. What kind of artworks and art forms are emerging from this situation? How does this technological development reflect on artistic practice? The ideas from the late 1960s and early 1970s art theory about immateriality seem to be a promising starting point. They are relevant to contemporary artists working with digital technologies. These artists are employing a new set of forms and media, which are increasingly immaterial. The nature of art and objects, how we relate to and read them, has changed. This paper is an investigation into immateriality versus materiality mainly focusing on mobile art. It looks at the situation from the viewpoint of an artist a maker and thinker of things and objects. The text is divided into four sections. The first section introduces few cases, which have been concerned about immateriality in art from the recent 40 years of art history. The second section talks about artistic practices, which focus on mobile art and mobile technologies. The third section is about transformation of objects, and the text ends with an assumption about the role of the artist. (shrink)

“Maqamat as-Sufiyya” is a small theoretical works of Shihab ad-Din as-Suhrawardi (ab. 1154-1191), the founder of the Philosophy of Illumination. It contains practical instructions and theoretical reflections and proofs. As-Suhrawardi especially notes terminology used by philosophers and terminology used by sufis in “Maqamat as-Sufiyya”.

In post-Fordist economies, the nature of laboring activities can no longer be subsumed under a Taylorized model of labor, and the service sector now constitutes a larger share of the market. For Maurizio Lazzarato, Michael Hardt, Antonio Negri, and other theorists in the post-Marxist tradition, labor has changed from a commodity-producing activity to one that does not produce a material object. For these authors, this new type of labor is immaterial labor and entails communicative acts as well as added (...) worker agency. This paper reflects on this new paradigm of labor by examining the paid practices of care defined as the activities performed by individuals who have a mandate to help another adult accomplish the tasks of self-care. Because care workers take care of other bodies, care labor exemplifies an embodied practice. I make use of the corporeality of care to put forward the notion of thin and thick embodiment in order to examine critically the meaning of immaterial labor and to support my claim that immaterial labor, as conceptualized by Hardt and Negri, erases both the materiality and relationality of care labor. Furthermore, typifying care labor as immaterial only serves to maintain its marginalized status.Care Assistant. Required to work within a private residential center to assist nursing staff. Experience desirable, qualifications an advantage, but caring and understanding more important than either. Must have good English to understand instructions and be co-operative to work in a friendly team environment (Toynbee 2007, 220). (shrink)

This article presents a critical theory of the medium of ‘normative’ prose. Relying on the work of critics of poet's prose and the philosophy of Badiou and Nancy, it commences by defining prose ostensibly as the immaterial and thus invisible dianoia or discursive other to the radically material poeisis. The essay then attempts to trace a brief history of critical attention paid to prose to uphold and further develop this thesis. Using the poeticized prose of Ron Silliman's Tjanting (...) as an exemplary, contemporary text the remainder of the article delineates the three elements of prosaic immateriality. The first is the predominance of the role of deixis in prose as the very act of referring to reference itself devoid of actual referents in the world, the moment of the predominance of prose as normative according to Godzich and Kittay. The second is the attempt by automatized prose discourse to occlude its alterity and the role of poetic alienation in revealing this automatization as a political/ideological construct. This is traced back to the formalism of Shklovsky and then reconsidered in the Language poetics of Ron Silliman's own theorization of the New Sentence as that which resists automatized syllogistic cohesion. Thirdly, the paper looks at the significant incursions in the field by one of the key contemporary thinkers, Giorgio Agamben. Analysing Agamben's theory of prose as the collapse of poetic semiotic singularity into semantic generality, I finish with a consideration of how Silliman's work resists this very gesture in an attempt to create a permanently materialized prose that resists being relegated to dianoia or the prose of generalized connections. (shrink)

This lecture argues that new optical experiences created by the lens and what we now call the virtual image were the foundation alike of ‘high’ science, associated at this historical moment with the telescope, and popular spectacle. They precipitated and renewed an enquiry into the nature and status of the image as the technologies of the phantasmagoria, the kaleidoscope and the diorama penetrated deep into the poets' worlds and words. The projected image, without a correspondence in reality, was a troubling (...) aspect of this modern technology, provoking new understandings of materiality and immateriality. Colour, reflection and refraction became central concerns as a corollary of the debate. Some poets assimilated this imagery into their work, albeit skeptically. Others violently resisted it. The lecture looks closely at image-making in poetic language, and argues that there were both ontological and political stakes in this enquiry. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Moses Maimonides: The Man and His WorksAlfred L. IvryHerbert A. Davidson. Moses Maimonides: The Man and His Works. New York: Oxford University Press, 2005. Pp. x + 567. Cloth, $45.00Herbert Davidson is a scholar of exceptional brilliance whose previous studies of medieval Jewish and Islamic philosophy have been widely acclaimed. In the present work, he ventures beyond philosophical argument to encompass an analysis of every aspect of (...) the life and work of one of the most celebrated—and controversial—figures in Jewish history, Moses Maimonides (1138–1204). In so doing, Davidson discloses a formidable knowledge of Talmud and rabbinic literature, as well as of the history, science, astronomy, medicine and philosophy of Maimonides' day. Davidson offers elegant descriptions and often challenging evaluations of Maimonides' life, education, and work: the rabbinic oeuvre, philosophical and medical treatises, and miscellaneous epistles.Maimonides' accomplishments do not include a number of works commonly but mistakenly attributed to him, in Davidson's opinion. He offers persuasive reasons (though admittedly not always conclusive proof) for rejecting Maimonidean authorship of a "Treatise on Logic," and the Epistles "In Opposition to Astrology" and "On Religious Persecution." Davidson's rejection of the last named epistle abets his interpretation of the early period of Maimonides' life, according to which he was not compelled to convert or to dissimulate a faith in Islam, as many think. [End Page 484]It is a cardinal principle for Davidson, though he does not identify the term as such, that Maimonides never practiced dissimulation in any significant way, or as Davidson sees it, that he did not lie. Davidson's Maimonides, for all the personal failings he notes, is a figure of immense rectitude and religious sincerity, to be taken at his word.Davidson comes, then, to defend Maimonides against his past and present critics who see esoteric and heretical teachings lurking behind Maimonides' protestations of orthodox belief. Davidson is no simple apologist for Maimonides, however, and does not hesitate to identify places in Maimonides' writings where the Master nodded. Such places abound for Davidson in Maimonides' philosophical masterpiece (as it is commonly thought), the Guide for the Perplexed, raising the strong suspicion that Davidson hardly regards it as such (creation arguments apart). He is much more taken with Maimonides' rabbinic acumen and achievements than with his philosophical work, arguing that Maimonides did not, when writing the Guide, have the time and concentration he possessed when composing the Commentary on the Mishnah and the Mishneh Torah.Davidson is assured by the strong and traditional affirmations of faith expressed in Maimonides' rabbinic writings that he maintained the same beliefs in his philosophy. The reconciliation of faith and reason is a theme that runs through all of Maimonides' writings. For Davidson this issues in a religious philosophy both radical and conservative: radical in that the Jewish God assumes an Aristotelian mien; conservative in that a "measure of personality" (365) is expressed through the act of creation and the performance of other miracles, notably the revelation at Sinai, prophecy, and resurrection. Problematic as he acknowledges the latter notion is for Maimonides, Davidson yet believes he held it.This is typical of Davidson's iconoclastic posture towards much of contemporary Maimonidean scholarship. Davidson does not believe Maimonides knew all that much philosophy and was not as careful with his writing as he claimed; that he did not have a first-hand knowledge of Aristotle, using Avicenna mostly instead; that his vaunted secret "Accounts of Creation and of the Chariot" were thinly disguised common notions of medieval physics and metaphysics; and that his entire claim to secret or esoteric teachings has none of the significance scholars in the past or present have given it.Here Davidson's bête noir is Leo Strauss, whom he regards as projecting his own dissimulating tactics upon Maimonides, turning him into an atheist (400). Davidson sees Shlomo Pines, adopting Strauss' methodology, as foisting an agnostic posture upon Maimonides. Davidson does not consider a Deistic alternative, probably assuming it incompatible with a creator God. Yet Maimonides' God functions dispassionately in His governance of the world, not knowing individuals directly, and offering them only a collective immaterial immortality.Maimonides exempts Moses and... (shrink)

This article introduces a special section concerned with precariousness and cultural work. Its aim is to bring into dialogue three bodies of ideas — the work of the autonomous Marxist `Italian laboratory'; activist writings about precariousness and precarity; and the emerging empirical scholarship concerned with the distinctive features of cultural work, at a moment when artists, designers and (new) media workers have taken centre stage as a supposed `creative class' of model entrepreneurs. The article is divided into (...) three sections. It starts by introducing the ideas of the autonomous Marxist tradition, highlighting arguments about the autonomy of labour, informational capitalism and the `factory without walls', as well as key concepts such as multitude and immaterial labour. The impact of these ideas and of Operaismo politics more generally on the precarity movement is then considered in the second section, discussing some of the issues that have animated debate both within and outside this movement, which has often treated cultural workers as exemplifying the experiences of a new `precariat'. In the third and final section we turn to the empirical literature about cultural work, pointing to its main features before bringing it into debate with the ideas already discussed. Several points of overlap and critique are elaborated — focusing in particular on issues of affect, temporality, subjectivity and solidarity. (shrink)

Marx conceives of labor as form-giving activity. This is criticized for presupposing a "productivist" model of labor which regards work that creates a material product — craft or industrial work — as the paradigm for all work (Habermas, Benton, Arendt). Many traditional kinds of work do not seem to fit this picture, and new "immaterial" forms of labor (computer work, service work, etc.) have developed in postindus trial society which, it is argued, necessitate (...) a fundamental revision of Marx's approach (Hardt and Negri). Marx's theory, however, must be understood in the context of Hegel's philosophy. In that light, the view that Marx has a "productivist" model of labor is mistaken. The concept of "immaterial" labor is unsound, and Marx's ideas continue to provide an illuminating framework for understanding work in modern society. (shrink)

As part of the Historical Materialism research stream on immaterial labour, cognitive capitalism and the general intellect, begun in issue 15.1, this articles explores the importance of the expression 'general intellect', proposed by Marx in the Grundrisse, for an analysis of linguistic and intellectual work in contemporary capitalism. It links the notion of general intellect to the crisis of the law of value, the political significance of mass intellectuality, and the definition of democracy in a world where knowledge (...) is a productive force in its own right. (shrink)

Catharine Trotter Cockburn’s metaphysics dissolves the necessary relationship between immateriality, immortality and thought. While in her youth this leads her to admit the possibility of thinking matter, in her mature work, it allows her to conceive space as non-thinking immaterial substance that links non-thinking material substance and thinking immaterial substance. To ground this conception of space, she draws on the thesis of the great chain of being. However, the possibility of thinking matter is not consistent with the (...) hierarchy of beings, because within this frame matter occupies the lowest place. My aim is to evaluate whether there is any alternative within Trotter's philosophy to solve this contradiction. -/- La metafísica de Catharine Trotter Cockburn disuelve la relación necesaria entre inmaterialidad, inmortalidad y pensamiento. Mientras que en su juventud esto la lleva a admitir la posibilidad de la materia pensante, en su madurez le permite concebir al espacio como sustancia inmaterial no pensante que oficia como eslabón entre la sustancia material no pensante y la sustancia inmaterial pensante. Para ello, apela también a la tesis de la gran cadena del ser. Sin embargo, la posibilidad de la materia pensante no es consistente con la tesis de la jerarquía de seres, porque en ella la materia ocupa el lugar más bajo. Me propongo estudiar si existe alguna alternativa dentro de la filosofía de Trotter que permita resolver esta contradicción. (shrink)

Working from a realist Thomistic epistemology, Ashley asserts that we must begin our search for wisdom in the natural sciences; only then, he believes, can we ensure that our claims about immaterial and invisible things are rooted in reliable experience of the material. Any attempt to share wisdom, he insists, must derive from a context that is both interdisciplinary and intercultural. Ashley offers an ambitious analysis and synthesis of major historical contributions to the unification of knowledge, including non-Western traditions. (...) Beginning with the question "Metaphysics: Nonsense or Wisdom?" Ashley moves from a critical examination of the foundations of modern science to quantum physics and the Big Bang; from Aristotle's theory of being and change, through Aquinas's five ways, to a critical analysis of modern and postmodern thought. Ashley is able to interweave the approaches of the great philosophers by demonstrating their contributions to philosophical thought in a concrete, specific manner. In the process, he accounts for a contemporary culture overwhelmed by the fragmentation of data and thirsting for an utterly transcendent yet personal God. "This is an impressive, well-researched book, of great value. It offers the wider philosophical community a point of entrance, by a proponent of a certain type of Thomism, into a domain that all philosophers think they already understand. The result is the creation of a 'big picture' of human knowledge." -- _Mark Johnson, Marquette University_. (shrink)

In a spirit of collegial support, this paper argues that Beckett and Hager’s theoretical justification and empirical exemplifications do not do full justice to the complexity of group or team learning. We firstly reaffirm our support for the theoretical argument Becket and Hager make, though expressing some reservations about Complexity Theory, to explain the taken-for-granted assumptions that learning by an individual is the paradigm case of learning and that context plays a minimal role in this process. Drawing on our joint (...) and separate work, we demonstrate that Becket and Hager’s argument is less radical than it may initially seem because it is predicated on: (i) cognitive-bounded rather than “distributed” or “extended” conception of mind; (ii) material rather than a “immaterial” conception of activity; and (iii) co-present rather than a “fractional” or “connective” conception of ontology. Despite making this critique, we conclude by making the case that we are adding further substance to Becket and Hager’s overarching argument and, in doing so, encouraging them to be more radical about how they conceptualise the complexity of learning. (shrink)

By reconstructing the connections between different artistic forms, such as Art Sociologique, cybernetic, media and digital art, the paper addresses of how the concept of interactivity has evolved in relation to the development of aesthetic paradigms. Firstly, the paper problematizes the concept of interactive art, by discussing connections and differences with media and digital art. Secondly, the paper shows how Flussers’ concept of participatory media, influenced by the artistic work of Fred Forest, together with the theoretical perspective developed by (...) members of the “Group for an Aesthetics of Communication”, contributed to the development of new perspectives in interactive art. Thirdly, the paper shows how theoretical perspectives such as “Relational aesthetics” and the “Aesthetics of Communication” constituted the basis for the successive reflection on the potentialities of virtuality and immateriality from an artistic perspective. By drawing on such premises, the paper addresses the issue of the meta-operational processes involved in the use of Text-to-Image technologies (TTI), discussing the level of interactivity and the creative processes involved in its use. Finally, the paper problematizes the features of interactivity that characterize emerging forms of art made possible by virtual devices. (shrink)

This bold and original work of philosophy presents an exciting new picture of concrete reality. Peter Unger provocatively breaks with what he terms the conservatism of present-day philosophy, and returns to central themes from Descartes, Locke, Berkeley, Hume and Russell. Wiping the slate clean, Unger works, from the ground up, to formulate a new metaphysic capable of accommodating our distinctly human perspective. He proposes a world with inherently powerful particulars of two basic sorts: one mental but not physical, the (...) other physical but not mental. Whether of one sort or the other, each individual possesses powers for determining his or her own course, as well as powers for interaction with other individuals. It is only a purely mental particular--an immaterial soul, like yourself--that is ever fit for real choosing, or for conscious experiencing. Rigorously reasoning that the only satisfactory metaphysic is one that situates the physical alongside the non-physical, Unger carefully explains the genesis of, and continual interaction of, the two sides of our deeply dualistic world. Written in an accessible and entertaining style, while advancing philosophical scholarship, All the Power in the World takes readers on a philosophical journey into the nature of reality. In this riveting intellectual adventure, Unger reveals the need for an entirely novel approach to the nature of physical reality--and shows how this approach can lead to wholly unexpected possibilities, including disembodied human existence for billions of years. All the Power in the World returns philosophy to its most ambitious roots in its fearless attempt to answer profoundly difficult human questions about ourselves and our world. (shrink)

The question of the moral status of infanticide in the case of normal human infants is very important, both theoretically and practically. Its theoretical importance lies in the fact that intuitions differ very greatly on this moral question, so that one needs to search for arguments in support of fundamental moral principles that can provide the ground for a sound and comprehensive account of the morality of killing. Its practical significance, on the other hand, lies in its connection with the (...) very important, and closely related ethical question of whether it is morally permissible to kill severely defective infants. A variety of arguments have been offered in support of the view that all human infants have a right to life. One familiar argument, for example, claims that all humans have immaterial, rational souls, and that this is what gives something a right to life. A second important argument is that human infants have a future like ours, and that it is this that gives something a right to life. A third argument is that human infants, even though it appears that they have not acquired the capacities for thought and rationality, will come to have those capacities, and it is these potentialities that give them a right to life Philosophers working in ethics, however, have set out objections to these and other arguments, so the focus of this article will be to consider what conclusions seem most plausible in the light of those arguments and objections to them. (shrink)

Drawing from cross-cultural work on creativity undertaken within philosophical psychology, as well as contemporary commentaries on the philosophy of the Zhuangzi, this article motivates a conception of creativity that emphasizes spontaneity and adaptivity—rather than novelty or originality—engendered by embracing you 遊 (“wandering”). It argues that this approach to creativity can enable us to understand certain forms of religious experiences, especially those related to grief and bereavement, as creative in a sense that is compatible with both: i) views that emphasize (...) the capacity of religious experiences to connect us with something supernatural, immaterial, or non-physical and, ii) views that emphasize the capacity of religious experiences to connect us with something natural, material, or physical. Additionally, it elaborates how these reflections might pave the way for further cross-cultural inquiries—empirical and otherwise—into the nature and value of religious experience. (shrink)

This essay aims to continue to develop the thesis that the welter of political-economic, social, technological, and subjective transformations that characterized the final decades of the 20th century and the first decades of the 21st necessitate a re-thinking of the relationship between social criticism and the critique of political economy. Herein the focus is directed towards the critique of reification and industrial rationalization as developed in the works of Georg Lukács and Cornelius Castoriadis. Drawing on recent phenomenological and psychological analyses (...) of work within contemporary capitalism, I argue for both the historical obsolescence of the critique of reification as it has been traditionally understood and, consequently, the need for novel conceptual responses to the pressing needs of our time. (shrink)

Benefiting from recent work in neuroscience, this paper rebuts a pair of neuroscience-based arguments for the non-existence of free will. Well-known neuroscientific experiments that have often been cited in support of skepticism about free will are critically examined. Various problems are identified with attempts to use their findings to support the claim that free will is an illusion. It is argued on scientific grounds that certain assumptions made in these skeptical arguments are unjustified—namely, assumptions about the times at which (...) decisions are made and the times at which the point of no re­turn for the making of a decision is reached. It is argued as well that alleged findings about decisions of the kind featured in these experiments—arbitrary decisions made in the absence of conscious reasoning about what to do—fail to support certain crucial claims about non-arbitrary decisions made after careful deliberation. The paper also examines a fallback position for skeptics about free will. Some scientific skeptics about free will contend that free will, by definition, depends on the existence of immaterial souls. Survey-style studies that bring free will down to earth are brought to bear on this contention. (shrink)

This work makes the revisionist claim that "the theory of mind in the Critique [of Pure Reason] is much more traditional and rationalistic than it at first appears, but that it is also more defensible than is generally recognized". Specifically, Ameriks aims to show that "Kant can be seen as wanting, above all else, to put... into a respectable form" the "core of the rationalist commitment" "to the idea that we have a special kind of identity that can withstand (...) all the kinds of change that ordinarily spell the end of ordinary objects". But, first, Ameriks's account of the "core of the rationalist commitment" is maddeningly vague and unstable--indeed, Ameriks's conception of rationalism is so ill-defined that at one point skepticism about the external world is treated as a part of rationalism rather than as the very much undesired consequence of certain Cartesian premises which Kant thought it to be!--and the discussion is damagingly ahistorical. Ameriks does emphasize the developmental dimension within Kant's own work, ranging over the whole of Kant's published corpus and mining the various lecture courses on metaphysics which have now been gathered together as volume 28 of the Berlin edition of Kants gesammelte Schriften. But his picture of rationalism itself and its characteristic arguments is undifferentiated and undocumented, and this leads to the misconception that Kant thought that some theoretical defense of rationalist theses could still be maintained while what are merely some possible arguments in their behalf were criticized; but some review of Leibniz, Wolff, Baumgarten and Meier would surely have shown that Kant was criticizing all of the chief arguments for the rationalist conception of the soul known to him, and attention to Kant's own claim for the completeness of his presentation of these natural and inevitable illusions of human reason could have suggested only that Kant himself thought that these were all the theoretical arguments for a rationalist philosophy of mind there could be. Second, it is questionable whether Ameriks's view really revises our standard reading of Kant's conclusions at all. The gist of Ameriks's argument is that in spite of Kant's specific criticism of the paralogistic arguments of pure psychology, Kant retained a favorable attitude toward the theoretical and not just practical postulation of such properties as immateriality and transcendental freedom at the noumenal level--but this turns out to mean little more than that Kant accepted his own transcendental idealism. This is hardly revolutionary, and the interest of the point is far from strengthened by Ameriks's own conclusion that transcendental idealism cannot be fully proved. (shrink)

The more that industrial work is directed at consumption, the more it becomes service and communication, the more it mechanically imitates feminine modes of knowledge. Capital becomes, with the aid of the State, the only legitimate predator. Man is bound up a becoming-woman. Women overwork to give this becoming life. They produce an ever more precise individualisation, a sophisticated multitude of immaterial properties.

By examining selected works by Stephen Gaukroger, Alfred North Whitehead, Lynn White, Jr., Benjamin Farrington, and Paul Gans, the author discusses the formation of Western culture and the intellectual tools and the social conditions that contributed (and still contribute) to its being. He concludes that a metaphysics and a realistic epistemology—based on an ancient Greek confidence in the human intellect, in its ability to reason to truths that acknowledge the immaterial character of human intellection—is required for the West to (...) retain its identity and develop its own culture. (shrink)

How an abstract immaterial being is connected to a physical thing has been viewed variously by western philosophers who considered the issue prior to their Muslim counterparts.Muslim theologians and philosophers, however, developed the related discussions which became heated following the translation of logical books and essays throughout the Translation Era.The focus of this article, besides clarifying the ideas raised by Muslim philosophers in this regard,is to shed light on Mulla Sadra's opinion and its influence on the later philosophers, Abd-ul-Razzaq (...) Lahiji in particular.To explain his opinion,Mulla Sadra primarily brings a proof to establish the unity of the soul,and to prove this,he has refuted the reasons used by the opposing philosophers through negation and affirmation.Using negation,he comments on why there can't be a unity of soul, and then refers to his opponent's inability to distinguish between specific unity and generic unity considering the latter equal to vegetable,animal and human spirits.Soul and body,Mulla Sadra reiterates,are attached to each other in two ways; in one way,soul is attached to body and yet it is contingent on itself and not on the person's being; in the other way,soul is attached to body while the person's potentialities are actualized; this second type of attachment relates to obtaining existential virtues.It must be noted that Mulla Sadra's belief in these two types of attachment results from his belief in the trans-substantial motion in which soul is also involved.Mulla Sadra works out a solution to the question of relation between soul and body and their effects on one another by proposing the mediation of a veiled spirit, since the soul which belongs to a world of pure light does not involve itself directly in the affairs of the dark body. The veiled spirit is as subtle as the non-material soul and as corporeal as it needs in connectionwith body.This view has been argued by Allameh Tabatabii who thinks corporeal qualities and ontological status must be kept separated and not be mixed.Lahiji,on the other hand, seems to have accepted Mulla Sadra's idea looking at it as a philosophical question,not a medical case. He,like Mulla Sadra, while considering unity for soul, thinks of it as having properties such as sensation imagination estimation intellection. According to Lahiji,the unity of soul and body is like the unity of matter and form; however,unlike natural forms,it does not subsist in matter and interestingly,this notion resembles Neo-Platonist views. (shrink)

The Chiasm of the Visible and the Imaginary.Sketches for a Phenomenological Approach to PhotographyIn the digital age today, photographic images appear more and more through a virtual space; their appearance takes place more and more throughan “immaterial medium”. This renders the status of a photographic image more ambiguous, if not more enigmatic. Is a photograph merely a journalistic tool?Is photographic activity primarily mimetic which is meant to fulfill the function of unconcealment of the truth of the given state of (...) things in the world? Or thistruth function can only be fulfilled by the assistance of the viewer’s gaze and the viewing subject’s narrative which is deployed not only according to whatis visible and present, but also according to what is invisible and absent on the surface of the photograph itself? If such is the case, doesn’t a photographalso comprise a hermeneutical and even deconstructive dimension? On the other hand, photography is more and more considered as a kind of artwork inits own right as it can awaken pleasure, imagination and emotion: in short, a photograph is a work which exhibits an affective intentionality. What is therelation between the representational, artistic, affective and critical functions of a photograph? Is there any tension between these functions? This articleattempts to answer some of these problems from a phenomenological approach.Il chiasma del visibile e dell’immaginario.Lineamenti di un approccio fenomenologico alla fotografiaOggi, nell’era digitale, le immagini fotografiche ci vengono incontro sempre più spesso attraverso un medium immateriale. Lo statuto ontologico diun’immagine fotografica diviene così sempre più ambiguo, se non propriamente enigmatico. Una foto è un semplice strumento d’informazione ? L’attivitàfotografi ca è prioritariamente mimetica? La sua funzione principale è quella di rivelare la verità di un certo stato di cose nel mondo? Oppure questa funzionedi veridizione ha bisogno, per realizzarsi, del contributo dello sguardo del soggetto che contempla la fotografia, dell’apporto di un discorso che investe non solo ciò che è visibile e presente, ma anche ciò che è invisibile e assente dalla superficie fotografica? La fotografia, in altri termini, non comporta sempre una dimensione ermeneutica o decostruttiva ? D’altra parte, la fotografia viene sempre più considerata come un’opera d’arte in senso pieno, come un’opera che si fa portatrice di un’intenzionalità affettiva, capace di risvegliare la nostra immaginazione e le nostre emozioni. Quale rapporto sussiste tra le diverse funzioni che una fotografia può svolgere, ad esempio quella rappresentativa, quella artistica, quella affettiva, quella critica? L’articolo cerca di rispondere ad alcuni di questi problemi a partire dall’approccio fenomenologico di Merleau-Ponty. (shrink)

Unlike similar works, Xingxue Cushu 性學觕述 by the Italian Jesuit missionary Giulio Aleni sought to deliver the Christian doctrine into China by introducing Western medicine. The conflict between the Christian concept of the soul and the traditional psychic concept in China made the task difficult. Scholasticism rejects the idea that an individual’s soul may be physically divided or localized, whereas the Chinese tradition largely assumes the contrary and regards the heart as the center of one’s psychic powers or vitality. Aleni (...) addressed this conflict by reducing the mind to the function of the brain for sensitive memory. Chinese physicians accepted Aleni’s concept of brain-related memory. However, his claim of an immaterial soul was ignored, and the Western connection between brain and memory was misinterpreted and subjected to Chinese cardiocentrism; thus, the physically centered psychic concept that underlies Chinese philosophy persisted. (shrink)

Holes are a good example of the sort of entity that down-to-earth philosophers would be inclined to expel from their ontological inventory. In this work we argue instead in favor of their existence and explore the consequences of this liberality—odd as they might appear. We examine the ontology of holes, their geometry, their part-whole relations, their identity and their causal role, the ways we perceive them. We distinguish three basic kinds of holes: blind hollows, perforating tunnels, and internal cavities, (...) treating these uniformly as immaterial bodies. We develop a morphology of holes, focusing on the way a hole can be filled, and then look at the main properties of the resulting conceptual framework: holes are parasitic upon the surfaces of their hosts; holes can move, fuse into each other, split; they can be born, develop, and die. Finally, we examine how some morphological features of holes are represented in perception, including the conditions whereby we have the impression that we see, feel, or even hear a hole. The book has over 150 pictures and is completed by a formal appendix, a section with puzzles and exercises, and a extensive annotated bibliography. (shrink)

One of the most popular accounts of the teleological argument for the existence of God is the analogical account that is the center of Hume’s knocker criticisms. Since Hume’s age, many theist scholars have attempted to propose convincing responses. Motahari is one of the rigorous thinkers who tackled the challenges which Hume posed. The purpose of this paper is to address Hume’s criticisms and assess Motahari’s rejoinders to them. It will be argued that Motahari’s responses do not seem successful. Although (...) Motahari has tried to refute Hume’s criticisms in some of his works, he implicitly endorsed Hume’s assessment of the analogical account of the teleological argument in other works, and came ultimately close to the Hume’s view. As Hume believed that the argument from design is not a successful philosophical argument to prove God’s existence that the theist contend, Motahari also admits at the end that this argument alone cannot prove God’s existence and emphasizes that the argument from design cannot prove God of Abraham’s religions, that is a person with necessary being, who is immaterial and eternal, is omniscient, omnipotent, perfectly good, and the creator of the universe. Motahari ultimately believed in deficiency of the argument from design too, and assessed it as an argument with limited functions for God’s existence. (shrink)

Explaining Attitudes offers an important challenge to the dominant conception of belief found in the work of such philosophers as Dretske and Fodor. According to this dominant view beliefs, if they exist at all, are constituted by states of the brain. Lynne Rudder Baker rejects this view and replaces it with a quite different approach - practical realism. Seen from the perspective of practical realism, any argument that interprets beliefs as either brain states or states of immaterial souls (...) is a 'non-starter'. Practical realism takes beliefs to be states of the whole persons, rather like states of health. What a person believes is determined by what a person would do, say and think in various circumstances. Thus beliefs and other attitudes are interwoven into an integrated, commonsensical conception of reality. (shrink)

This book explores the core categories of communism and capital in conjunction with a wealth of contemporary and historical political concepts and movements - from the lumpenproletariat and anarchism, to Italian autonomia and Antonia Negri, immaterial labour and the refusal of work. Drawing on literary figures such as Kafka and Beckett, Deleuze, Marx and Politics develops a politics that breaks with the dominant frameworks of post-Marxism and one-dimensional models of resistance toward a concern with the inventions, styles and (...) knowledges that emerge through minority engagement with social flows and networks. (shrink)

We propose a new conceptualization of pain by incorporating advancements made by phenomenologists and cognitive scientists. The biomedical understanding of pain is problematic as it inaccurately endorses a linear relationship between noxious stimuli and pain, and is often dualist or reductionist. From a Cartesian dualist perspective, pain occurs in an immaterial mind. From a reductionist perspective, pain is often considered to be “in the brain.” The biopsychosocial conceptualization of pain has been adopted to combat these problematic views. However, when (...) considering pain research advancements, paired with the work of phenomenologists’ and cognitive scientists’ advanced understanding of perception, the biopsychosocial model is inadequate in many ways. The boundaries between the biological, psychological, and social are artificial, and the model is often applied in a fragmented manner. The model has a limited theoretical foundation, resulting in the perpetuation of dualistic and reductionist beliefs. A new framework may serve to better understand and treat pain. In this paper, we conceptualize pain as a 5E process, arguing that it is: Embodied, Embedded, Enacted, Emotive, and Extended. This perspective is applied using back pain as an exemplar and we explore potential clinical applications. With enactivism at the core of this approach, pain does not reside in a mysterious immaterial mind, nor is it an entity to be found in the blood, brain, or other bodily tissues. Instead, pain is a relational and emergent process of sense-making through a lived body that is inseparable from the world that we shape and that shapes us. (shrink)