Whitehead's response to the epistemological challenges of Hume and Kant, written in a style devoid of the metaphysical intricacies of his later works, Symbolism makes accessible his theory of perception and his more general insights into the function of symbols in culture and society.

Metaphysicians have not always been sufficiently attentive to the problem of dependence. Those who have paid attention to it have disagreed over what depends on what: do minds depend on brains, or vice versa? accidents on substances? creatures on God? Even less attention, however, has been paid to the question of what dependence actually is; usually, some answer to this question is taken for granted, and consideration is given only to the subsequent questions of which things depend on which. The (...) present paper discusses what dependence is, not for its own sake, but, rather, as a case study concerning the question of form in metaphysical inquiry. Distinguishing logical from metaphysical form, one can say that certain difficulties in twentieth-century theories of dependence can be traced to the error of trying to answer a metaphysical question by making use of logical form instead of metaphysical form. The paper will proceed in three steps. First, it will discuss the leading twentieth-century theory of dependence, point out the difficulties with that theory, and make explicit the presuppositions about form that give rise to those difficulties. Second, the paper will show how those difficulties can be avoided by using a properly metaphysical form to understand dependence. Finally, the paper will reflect on the implications for metaphysical inquiry that can be drawn from the difference between the two approaches. (shrink)

" "Jeremy Kirby addresses a difficulty in Aristotle's metaphysics, namely the possibility that two organisms of the same species might share the same matter.

Develops a theory of culture based on a metaphysics that elaborates on the Platonic and Confucian traditions. In Metaphysics of Goodness, Robert Cummings Neville extends Alfred North Whitehead’s project of cultural studies, which was based on a new metaphysics that Whitehead developed in Adventures of Ideas. Neville’s focus is value or goodness in many modes. The metaphysics treated in this book derive from the Platonic and Confucian traditions, with significant modifications of Whitehead, Peirce, Dewey, Confucius, Xunzi, and Zhou Dunyi. Part (...) one develops a theory of form based on a metaphysics of harmony. Part two elaborates a theory of art based on a metaphysics of beauty. Part three sketches a theory of personhood based on a metaphysics of obligation. Part four discusses civilization in a systematic way based on a metaphysics of flourishing. Throughout the book, Neville elaborates a theory of interpretation that is inspired by Peirce, Dewey, and Xunzi but is not limited to their ideas. While the reasoning of the book is concise, it employs methodologies from many kinds of philosophy, art criticism, ethics, and cultural studies, and sees philosophy as needing to learn from all these disciplines. “Neville’s work is informed by a lifelong engagement with the most important philosophers in history, including Plato, Aristotle, Whitehead, and Dewey. Here, he offers an important argument that there is beauty not only in how people see the world, but also in the world itself.” — Kevin Schilbrack, Appalachian State University. (shrink)

This book is a complete re-thinking of Aristotle's metaphysical theory of material substances. The view of the author is that the 'substances' are the living things, the organisms: chiefly, the animals. There are three main parts to the book: Part I, a treatment of the concepts of substance and nonsubstance in Aristotle's Categories; Part III, which discusses some important features of biological objects as Aristotelian substances, as analysed in Aristotle's biological treatises and the de Anima; and Part V, which (...) attempts to relate the conception of substance as interpreted so far to that of the Metaphysics itself. The main aim of the study is to recreate in modern imagination a vivid, intuitive understanding of Aristotle's concept of material substance: a certain distinctive concept of what an individual material object is. (shrink)

This ambitious work reclassifies and restructures the history of ideas and the philosophy of culture through a wide-ranging and novel use of the idea of the organon. It does so by radically revising standard interpretations and theories of all branches of philosophy, and by providing an intellectual and philosophical foundation for the new organon of the cultural sciences. Furthermore, the seeded idea that saw its growth in the form of this book is the unshakable conviction that the only way (...) by which a new apparatus of philosophy, an organon, could be created is by harking back to the vast sources of imagination, inspiration and mimÄ"sis. This entire study is based on the notion that metaphysics, insofar as it is concerned with the world in its entirety and with human beingâ (TM)s existence and thought, should provide the foundation for the organon of cultural sciences, based on symbolic forms. Given that the colossal amount of information and knowledge of philosophy, arts, humanities, logic, mathematics, social sciences and natural sciences cannot be comprised, analyzed and comprehended per se, it is the organonâ (TM)s objective to extract the main principles, ideas, postulates, theorems and theories of the cultural sciences, and, subsequently, to shape and restructure them as symbolic forms. Since all these principles are grounded on Becomingâ "which is not a stable or fixed entity such as Being, substance or thingâ "the symbolic forms preserve and change, elevate and further the organon of the cultural sciences, via a critical-dialectical process. (shrink)

This book is a re-thinking of Aristotle's metaphysical theory of material substances. The view of the author is that the 'substances' are the living things, the organisms: chiefly, the animals. There are three main parts to the book: Part I, a treatment of the concepts of substance and nonsubstance in Aristotle's Categories; Part III, which discusses some important features of biological objects as Aristotelian substances, as analysed in Aristotle's biological treatises and the de Anima; and Part V, which attempts (...) to relate the conception of substance as interpreted so far to that of the Metaphysics itself. The main aim of the study is to recreate in modern imagination a vivid, intuitive understanding of Aristotle's concept of material substance: a certain distinctive concept of what an individual material object is. (shrink)

This is the first full-length, systematic study of Ernst Cassirer's fourth volume of The Philosophy of Symbolic Forms: The Metaphysics of Symbolic Forms, which was published in the German edition in 1995 and in the American edition in 1996 from Cassirer's Nachlass. Prior to the appearance of this volume it was generally held that Cassirer had little interest in a metaphysics of symbolic forms and had not formulated such. ;This study considers the nature of the basic elements of Cassirer's metaphysics (...) as they appear in this fourth volume and as they are connected to comments in other of his works. It also considers to what extent Cassirer's philosophy of symbolic forms requires a metaphysical grounding in a traditional sense. ;Part I is an analysis of Cassirer's writings of the 1920s concerning his distinction between life and spirit , their dialectical relationship and their connection to the conception of symbolic form. Highly significant is Cassirer's assertion in a fragment from this period that philosophy is not itself a symbolic form. ;Part II is an analysis of Cassirer's writings of the 1940s concerning his conception of three "basis phenomena" --the life-process and the I, action and the Other, and the sphere of work . Of particular importance is Cassirer's final description of the philosophy of symbolic forms as a Socratic philosophy grounded in the basis phenomenon of work. ;The study contains an appendix showing an analytic scheme of the volume and a comprehensive bibliography of Cassirer's works and critical literature relevant to the interpretation of his systematic philosophy. (shrink)

When Aristotle argues at the Metaphysics Z.17, 1041b11–33 that a whole, which is not a heap, contains ‘something else’, i.e. the form, besides the elements, it is not clear whether or not the form is a proper part of the whole. I defend the claim that the form is not a proper part within the context of the relevant passage, since the whole is divided into elements, not into elements and the form. Different divisions determine different (...) senses of ‘part’, and thus the form is not a part in the same sense as the elements are parts. I object to Koslicki’s (2006) interpretation, according to which the form is a proper part along the elements in a single sense of ‘part’, although she insists that the form and the elements belong to different categories. I argue that Koslicki’s reading involves a category mistake, i.e. the conjunction of items that do not belong to the same category (Goldwater 2018). Since for Aristotle parthood presupposes some kind of similarity of parts, the conjunction of form and elements requires treating these items as somehow belonging to the same category, e.g. ‘being’, but no such category exists. (shrink)

This book offers a sympathetic explanation of the origin of the Theory of Forms that is true both to the dialogues and to Plato's place in history. The author's explanation makes the development of Plato's thought part of an intellectual and philosophical history that begins in the pre-Socratic period, extends through Socrates and the Sophists, and continues into the twentieth century. The explanation provides a unified reading of three passages that scholars have long recognized as keys to Plato's thought about (...) the Forms, but which have proved stubbornly resistant to interpretation, both individually and as a group: (i) the intellectual autobiography in the Phaedo; (ii) the discussion of the philosopher and the lover of spectacles in the Republic; and (iii) the discussion of starting points, the Receptacle, and the four kinds of stuff in the Timaeus. The book will be of special interest to scholars of ancient philosophy, it will also be of interest to philosophers in general, graduate students, and advanced undergraduate students. (shrink)

This book -- the first commentary on Ernst Cassirer's Metaphysics of Symbolic Forms -- provides an introduction to the metaphysical views that underlie the philosopher's conceptions of symbolic form and human culture.

A commentary on Ernst Cassirer's "Metaphysics of Symbolic Forms". It offers an introduction to the metaphysical views that underlie the philosopher's conceptions of symbolic form and human culture. It also focuses on the meaning of Cassirer's claim that philosophy is not itself a symbolic form.

Following in the hylomorphic tradition of Aristotle, Thomas Aquinas holds that all material substances are composed of matter and form. Like Aristotle, Aquinas also recognizes two different types of forms that material substances can be said to possess: substantial forms and accidental forms. Of which form or forms, then, are material substances composed? This paper explores two competing models of Aquinas’s ontology of material substances, which diverge on precisely this issue. According to what the author refers to as (...) the “Standard Model,” Aquinas’s view is that a material substance is composed of prime matter and substantial form. According to the “Expanded Model,” Aquinas’s view is that a material substance is composed of prime matter, substantial form, and all of its accidental forms. After outlining the main claims of each of the two competing models and considering two arguments in favor of the Standard Model, the author offers two arguments in favor of the Expanded Model. He argues that, given the way in which Aquinas argues for God’s simplicity in question three of the Prima pars, and the way in which he consistently describes the difference between an essence and a suppositum, or individual substance, throughout his works, there is good reason to believe that Aquinas thinks that the accidental forms of a material substance are included among its metaphysical parts. (shrink)

Forms, Matter and Mind. Three Strands in Plato’s Metaphysics -/- This book offers a new interpretation of Plato’s conception of man and of how it develops in the Corpus. Commonly, Plato’s anthropology is considered to be a version of naïve Orphism with the soul being a heavenly, but fallen, daemon. This is shown to be a misleading over-simplification. An examination of three basic and interrelated strands in Plato’s thought (Forms, Matter and Mind) demonstrates how Plato’s conception of man is an (...) integrated part of his metaphysics and develops with it. Thus, a change can be seen from a fairly unreflecting Socratic beginning via a transcendent soul to a rather sophisticated ‘Aristotelianism’. What is at issue is a non-materialistic, or more precisely, a dualistic view of man that has been discredited in modern times by two preconceptions: a widespread opinion that dualism must mean or involve Cartesianism, which seems untenable, and an equally widespread and, until recently, unshaken belief that man can be exhaustively described in materialistic terms. Both assumptions are questioned today. The present work shows that Plato’s view of man is fundamentally different from Cartesianism and furthermore that he rejects the materialist view as well. Hence, the book shows Plato’s increasing relevance for the current debate on the nature and possibilities of man. (shrink)

This book investigates the thought of two of the most influential philosophers of antiquity, Plato and his predecessor Anaxagoras, with respect to their metaphysical accounts of objects and their properties. The book introduces a fresh perspective on these two thinkers' ideas, displaying the debt of Plato's theory on Anaxagoras's, and principally arguing that their core metaphysical concept is overlap; overlap between properties and things in the world. Initially Plato endorses Anaxagoras's model of constitutional overlap, and subsequently develops qualitative (...) overlap. Overlap is the crux to our understanding of objects participating in Forms in Plato's metaphysics; of Plato's account of relata without relations; of the role of Forms as causes; of the metaphysics of necessity; and of the role of the Great Kinds and of the paradeigma in the development of Plato's thought. Anna Marmodoro argues that Plato is ground-breaking in the history of metaphysics, in different ways from those acknowledged so far, and with respect to more metaphysical questions than had been hitherto appreciated; e.g. Plato's treatment of structure as property; of complexity; and his introduction of the first ever account of metaphysical emergence. In addition to these results, Marmodoro makes Anaxagoras's and Plato's systems philosophically accessible to us, today's philosophers, by applying conceptual tools from analytic metaphysics to the study of ancient metaphysics. In this way, the book brings Anaxagoras's and Plato's ideas to bear on todays' philosophical discussions and opens up new venues of research for current philosophical discussions. (shrink)

In a living body, the substantial form, the essence, and the soul play very similar, but non-identical, metaphysical roles. This article explores the similarities and differences to clarify basic points of Thomistic metaphysics.

although mostly known to specialists nowadays, Kenelm Digby was a remarkable figure on the intellectual scene of the early seventeenth century. He has been described as “one of the most influential natural philosophers” of his time,1 and corresponded with many of the great scholars of his days, including Descartes, and the French pioneer of atomism, Pierre Gassendi. In the later years of his life, Digby, alongside men like Robert Boyle, became one of the founding members of the Royal Society.2Digby authored (...) one major work of philosophy: the Two Treatises of 1644. This work consisted of a long First Treatise on bodies, and a shorter, Second Treatise on the human soul. In the First Treatise, Digby argued... (shrink)

Hegel often says that his "logic" is meant to replace metaphysics. Since Hegel's Science of Logic is so different from a standard logic, most commentators have not treated the portion of that work devoted to logical forms as relevant to this claim. This paper argues that Hegel's discussion of logical forms of judgment and syllogism is meant to be the foundation of his reformation of metaphysics. Implicit in Hegel's discussion of the logical forms is the view that the metaphysical (...) concepts discussed in Books I and II of the Science of Logic supervene on the role of subject and predicate terms in the logical forms discussed in Book III. Hegel thus has an explanation for the nature and significance of metaphysical concepts that resembles Kant's "metaphysical deduction," according to which the categories can be derived from the table of judgments. Though Hegel's metaphysics is often supposed to be influenced by Kant, prevailing interpretations do not show how Hegel's fine-grained treatment of logical forms is relevant to his critical view of metaphysics. The present interpretation provides a model for Hegel's explanation of metaphysical concepts, as well as a new picture of the structure of his Science of Logic that emphasizes the priority of its Doctrine of the Concept. (shrink)

This collection brings together six papers by leading philosophers working within the Aristotelian tradition, covering a number of topics in contemporary ...

Substantial form is a pivotal topic in the Metaphysics. While being is the subject of the entire work, ousiai are the primary cases of being. Among ousiai, individual material things are the ones directly available for examination. Substantial form is the chief determinant of such things. Aristotle assures us, moreover, that an understanding of this type of form will carry us forward, eventually, to an understanding of the formal being which exists totally apart from matter and change--the (...) necessary reality somewhat inadequately discerned by Plato. (shrink)

The present work is an attempt to analyse critically Plato's views on mind and body and more particularly on the mind-body relationship within the wider setting of Plato's metaphysics. We seek to achieve this by a philosophical examination"-of the dialogues on the basis of a generally accepted order. Strictly speaking "soul" ought perhaps to be substituted for "mind" in the above. But it seems to be in terms of "mind" that modern philosophers deal with and refer to the problem that (...) Plato tackled in terms of psyche, and as it is part of the motivation for dealing with Plato's treatment that it is of importance for the modern debate, it has been felt necessary to stress the rough identity* of the problem in the title of the book. Below this superordinate level we try to keep "mind" as a translation typically of nous and "soul" as a translation of psyche. (shrink)

THIS ESSAY ADDRESSES TWO QUESTIONS: Is the search for scientific truth a self-sufficient activity? or Does scientific right reasoning depend upon a form of truth-telling that lies beyond the limits of scientific investigation? Put differently, is there a sense of metaphysics as a form of human culture that is the embodiment of this general sense of truth-telling?

This essay defends a view which is near enough to Putnam's characterization of metaphysical realism for it to be called by the same name. Indeterminacy of reference is conceded, in the sense that there may be multiple reference relations, but it is denied that this implied belief in unknowable noumena. It is enough for metaphysical realism as conceived here, that there be at least one reference relation. The essay also argues against defining truth epistemically. Even a Peircean ideal (...) theory might be false, in a contextual sense of might' stronger than that of the logically possible. (shrink)

ON A GENERAL READING of the Metaphysics and the treatises of the so-called Organon, the types of assertion which Aristotle would allow as genuine predications seem relatively straightforward. According to the Categories, for instance, a species is characteristically predicated of the individuals falling under it, while genera and differentiae are predicated both of the relevant species and their associated individuals. The predicates are, in these instances, universals in a familiar Aristotelian sense. Furthermore, these intra-categorial predications, such as "Socrates is a (...) man" and "white is a color," are not the only instances of categorial acts. Aristotle also admits certain cross-categorial predications as logically well-formed; for example, "Socrates is white" and "Socrates is in the marketplace". These latter predications are at first glance also intelligible enough, though there are in both cases questions yet to be faced about the logical structure and ontological commitments of such ways of speaking. For Aristotle, one metaphysical theme presented even on the face of these linguistic appearances is the possibility that being a substrate for predication counts as a criterion for ontological primacy or, more generally, that being an ultimate substrate for meaningful discourse is grounds for being primarily real. An obvious corollary to this line of thought is the thesis that whatever might be said of or predicated of such primary substrata is ontologically dependent upon them. Just such a criterion seems to be at work in disqualifying universals from their claim to be substance in a significant sense. Therefore, it would be somewhat surprising to find primary substance appearing anywhere as a predicate. (shrink)

Many of the essays have been presented, in early or shorter versions, at various conferences. Annotation copyright by Book News, Inc., Portland, OR.

Prof. Pasnau’s remarkable book offers an exciting integration of medieval and early modern philosophy. It begins, however, in mediis rebus and so downplays the role that a particularly Nominalist tradition plays in explaining the abandonment of substantial form rise of the mechanical philosophy. This paper attempts to sketch some of that role.

It will be useful to consider briefly how the ideas surrounding “form” work in practice. Such ideas rapidly developed to a high stage of sophistication, subtlety, and complexity, but they did not, I believe, stray from the foundations I have tried to indicate for them. Let us consider the example of Wilhelm Worringer, who, like Alois Riegl, found it preferable to discuss ornament rather than images because ornament is a purer expression of form and therefore provides a less (...) encumbered view into form’s spiritual meaning. Concerning interlace ornament of the first millennium in Northern Europe, Worringer wrote that it is “impossible to mistake the restless life contained in this tangle of lines”; it is “the decisive formula for the whole medieval North.” The “need for empathy of this inharmonious people” requires the “uncanny pathos which attaches to the animation of the inorganic”; the “inner disharmony and unclarity of these peoples … could have borne no clearer fruit.”4 Here forms—mostly lines and edges and their relations—are compared to a natural outgrowth, a fruit, and are interpreted in such a way as to permit the characterization of all peoples among whom artifacts with such forms were made and used. The range of formal style becomes coextensive with the range of the deep principles of the worldview of races, nations, and epochs.It is not necessary to follow the ideas of form and expression to quite the hypertrophied consequences Worringer did, although many authors have done so and many more have done so less systematically. The important thing for my purposes is the pattern of inference from form to historical statements and conclusion. 4. Wilhelm Worringer,ion and Empathy: A Contribution to the Psychology of Style, trans. Michael Bullock , p. 77. David Summers is William R. Kenan, Jr. Professor of the History of Art at the University of Virginia. The author of Michelangelo and the Language of Art and The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics , he is currently writing a book to be titled The Defect of Distance: Toward a University History of Art. (shrink)

Grabowski, a self-described Platonic realist, argues against the "standard interpretation" of Plato's Forms as abstract universals in favor of the view that they are concrete particulars. He explains that the mistaken standard interpretation arises from a deeply ingrained habit of reading Plato's texts through the hermeneutical lens of the universals. Universals undoubtedly play a major role in the history of philosophy, though they were not Plato's primary concern in elaborating a theory of the Forms. "It is not that the problem (...) of universals gives rise to the Forms, but that the Forms give rise to the problem of universals" .According to Grabowski, if it can be shown that Plato never expunged the "model of acquaintance" from his theory of knowledge, then, strange as it seems, we can reasonably believe that Plato posited, or should have posited, the Forms as concrete particulars similar to those that exist in the sensible world, albeit bereft of any of the latter's "ontological deficiencies" .Grabowski begins the task by constructing an argument for the "standard interpretation," only to show that this interpretation proves unpersuasive, if for no other reason than the paucity of evidence supporting it in Plato's texts. In chapter 2, Grabowski summarizes. (shrink)

Aristotle's reasoning in Z, 10-11 has three stages. In the first, Aristotle proposes two different definitions for our consideration. The definitions contrast, at least superficially, for one appears to elucidate a whole by reference to its material parts, while the other does not appear to do so. Aristotle then in effect shows that the form of a whole can be taken in three somewhat different ways: We may be concerned with form by itself, or with the essential determinacy (...) which is form-having- its-formal-effect-in-a-milieu; in the latter alternative, the essential determinacy may be so taken as to be particular or as to be typical. In each of the three cases, form as the primary intelligible is the governing factor. On this basis, it is possible to clarify the character of the two definitions originally proposed as suggestive of a difficulty. (shrink)

"Wherein can consist the unity of that, the formula of which we call a definition, as for instance in the case of man, 'two-footed animal'; for let this be the formula of man. Why, then, is this one, and not many, viz. 'animal' and 'two-footed'? This is how the problem is stated. 'Animal' and 'two-footed' do make a unity, and they should, since: "The definition is a single formula and a formula of substance, so that it must be a formula (...) of some one thing; for substance means a 'one' and a 'this', as we maintain." All the same, there is a need to trace the unity of genus and difference back to its origin, and to see just how this unity differs from others. (shrink)

This article presents a new interpretation and critique of some aspects of Aquinas’s metaphysics of relations, with special reference to a theological problem—the relation of God to creatures—that catalyzed Aquinas’s and much medieval thought on the ontology of relations. I will show that Aquinas’s ontologically reductive theory of categorical real relations should equip him to identify certain relations as real relations, which he actually identifies as relations of reason, most notably the relation of God to creatures.