Results for 'pirámide visual'

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  1.  12
    De Ptolomeo a Hering: percepción binocular.Carlos Alberto Cardona Suárez - 2021 - Anales Del Seminario de Historia de la Filosofía 38 (2):267-280.
    Euclid proposed to trace pyramids as artifacts to facilitate the study of visual perception. The artifact assumes that the object seen delimits the base of a pyramid at the apex of which is the perceived eye. The artifact faces a serious difficulty when we notice that visual perception is carried out with two cooperating eyes. The article discusses two attempts to modify the Euclidean artifact to make it work without giving up the central assumptions. These attempts correspond to (...)
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  2.  23
    Search via Recursive Rejection (SRR): Evidence with Normal and Neurological Subjects.Visual Grouping - 1998 - In Richard D. Wright (ed.), Visual Attention. Oxford University Press. pp. 8--389.
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  3.  46
    Should we agree to disagree? Pragmatism and peer disagreement.Susan Dieleman & Steven W. Visual Analogies and Arguments - unknown
    In this paper, I take up the conciliatory-steadfast debate occurring within social epistemology in regards to the phenomenon of peer disagreement. I will argue, because the conciliatory perspective al-lows us to understand argumentation pragmatically—as a method of problem-solving within a community rather than as a method for obtaining the truth—that in most cases, we should not simply agree to disagree.
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  4.  17
    Does Facial Identity and Facial Expression Recognition Involve.Separate Visual Routes - 2011 - In Andy Calder, Gillian Rhodes, Mark Johnson & Jim Haxby (eds.), Oxford Handbook of Face Perception. Oxford University Press.
  5.  4
    Sign-based image criteria for social interaction visual question answering.Anfisa A. Chuganskaya, Alexey K. Kovalev & Aleksandr I. Panov - forthcoming - Logic Journal of the IGPL.
    The multi-modal tasks have started to play a significant role in the research on artificial intelligence. A particular example of that domain is visual–linguistic tasks, such as visual question answering. The progress of modern machine learning systems is determined, among other things, by the data on which these systems are trained. Most modern visual question answering data sets contain limited type questions that can be answered either by directly accessing the image itself or by using external data. (...)
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  6.  5
    Naïve Realism and the Explanatory Role of Visual Phenomenology.Takuya Niikawa - 2016 - Argumenta 2:219-231.
    This paper argues that naïve realism has an epistemic advantage over other rival views. The argument consists of two steps. First, I argue that the phenomenology of veridical visual experience plays an indispensable role in explaining how we can refer to the experience as a justificatory reason for a demonstrative judgment. Second, I argue that only naïve realism can coherently allow a veridical visual experience to be used as a factive reason.
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  7. Curious objects: How visual complexity guides attention and engagement.Zekun Sun & Chaz Firestone - 2021 - Cognitive Science: A Multidisciplinary Journal 45 (4):e12933.
    Some things look more complex than others. For example, a crenulate and richly organized leaf may seem more complex than a plain stone. What is the nature of this experience—and why do we have it in the first place? Here, we explore how object complexity serves as an efficiently extracted visual signal that the object merits further exploration. We algorithmically generated a library of geometric shapes and determined their complexity by computing the cumulative surprisal of their internal skeletons—essentially quantifying (...)
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  8.  4
    The Domains of Aesthetics and Perception Theories: A Review Relevant to Practice-based Doctoral Theses in the Visual Arts.Howard Riley - 2024 - The Journal of Aesthetic Education 58 (2):78-126.
    Every doctoral thesis requires contextualization within its specific discipline's theoretical bases. For a visual arts practice-based thesis, the relevant bases include those of aesthetics and visual perception. This article reviews a Western history of the domain of visual aesthetic theory, addressing both the _analytical_ philosophical efforts to define art and the _continental_ approaches, which construe art as social construction. It then reviews a third, normative stance that foregrounds cognitive value before definition or sociological context—an _aesthetic cognitivist_ position, (...)
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  9.  23
    Your Brain on Comics: A Cognitive Model of Visual Narrative Comprehension.Neil Cohn - 2020 - Topics in Cognitive Science 12 (1):352-386.
    Visual narratives like comics involve a range of complex cognitive operations in order to be understood. The Parallel Interfacing Narrative‐Semantics (PINS) Model integrates an emerging literature showing that comprehension of wordless image sequences balances two representational levels of semantic and narrative structure. The neurocognitive mechanisms that guide these processes are argued to overlap with other domains, such as language and music.
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  10.  82
    What is a visual object? Evidence from target merging in multiple object tracking.Brian J. Scholla - 2001 - Cognition 80 (1-2):159-177.
    The notion that visual attention can operate over visual objects in addition to spatial locations has recently received much empirical support, but there has been relatively little empirical consideration of what can count as an `object' in the ®rst place. We have investi- gated this question in the context of the multiple object tracking paradigm, in which subjects must track a number of independently and unpredictably moving identical items in a ®eld of identical distractors. What types of feature (...)
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  11.  6
    Victorian science & imagery: representation & knowledge in nineteenth-century visual culture.Nancy Rose Marshall (ed.) - 2021 - Pittsburgh, Pa.: University of Pittsburgh Press.
    The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing on (...)
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  12.  81
    Visual perspective taking impairment in children with autistic spectrum disorder.Antonia F. De C. Hamilton, Rachel Brindley & Uta Frith - 2009 - Cognition 113 (1):37-44.
  13.  36
    The memory effect of visual perception of three-dimensional form.Hans Wallach, D. N. O'Connell & Ulric Neisser - 1953 - Journal of Experimental Psychology 45 (5):360.
  14.  30
    Fragile objects: A visual essay.Michael Chapman, Jennifer Philip, Sally Gardner & Paul Komesaroff - 2019 - Journal of Bioethical Inquiry 16 (2):185-189.
    Recognizing the potential hidden artistic contributions of persons with dementia opens new opportunities for interpretation and potential communication. This visual essay explores the authors’ responses to the fragile objects of art produced by a person with severe dementia and examines what may be learned from them.
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  15.  19
    Visual.vs. phonemic contributions to the importance of the initial letter in word identification.Carla J. Posnansky & Keith Rayner - 1978 - Bulletin of the Psychonomic Society 11 (3):188-190.
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  16.  15
    Beyond Compliance Checking: A Situated Approach to Visual Research Ethics.Anthony B. Zwi, Christy E. Newman, Bridget Haire, Katherine Boydell, Jessica R. Botfield & Caroline Lenette - 2018 - Journal of Bioethical Inquiry 15 (2):293-303.
    Visual research methods like photography and digital storytelling are increasingly used in health and social sciences research as participatory approaches that benefit participants, researchers, and audiences. Visual methods involve a number of additional ethical considerations such as using identifiable content and ownership of creative outputs. As such, ethics committees should use different assessment frameworks to consider research protocols with visual methods. Here, we outline the limitations of ethics committees in assessing projects with a visual focus and (...)
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  17.  71
    Resisting Racist Propaganda: Distorted Visual Communication and Epistemic Activism.José Medina - 2018 - Southern Journal of Philosophy 56 (S1):50-75.
    This article explores how racist propaganda works in visual communication and how such propaganda can be resisted. The article analyzes how photography has created new possibilities for the insidious dissemination of racist messages and discusses ways of resisting these visually transmitted propagandistic messages. The two sections of the article focus on examples of racist propaganda in visual culture: in section 1, the focus is on the propagandistic use of photography in the early twentieth century by the pro‐lynching movement; (...)
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  18.  60
    Genetics and personality affect visual perspective in autobiographical memory.Cédric Lemogne, Loretxu Bergouignan, Claudette Boni, Philip Gorwood, Antoine Pélissolo & Philippe Fossati - 2009 - Consciousness and Cognition 18 (3):823-830.
    Major depression is associated with a decrease of 1st person visual perspective in autobiographical memory, even after full remission. This study aimed to examine visual perspective in healthy never-depressed subjects presenting with either genetic or psychological vulnerability for depression. Sixty healthy participants performed the Autobiographical Memory Test with an assessment of visual perspective. Genetic vulnerability was defined by the presence of at least one S or LG allele of the polymorphism of the serotonin-transporter-linked promoter region . Psychological (...)
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  19.  10
    Generations & Geographies in the Visual Arts: Feminist Readings.Griselda Pollock - 1996 - Psychology Press.
    Generations and Geographies brings together a collection of artists, critics and researchers to consider the question of sexual difference and its significance in the production and reception of visual representation by women artists.
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  20.  25
    Visual Versions.Robert Schwartz - 2006 - Bradford.
    These essays by Robert Schwartz on topics in the theory of vision are written from a pragmatic perspective. The issues and arguments will interest both philosophers and psychologists, covering new ground and bridging gaps between these disciplines. Schwartz begins historically, with discussions of problems raised and solutions offered in Bishop Berkeley's writings on vision, presenting Berkeley's views on spatial perception and the qualitative aspects of sensory experience in the context of recent theoretical and empirical work in vision theory. Schwartz then (...)
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  21.  28
    Visual awareness of objects correlates with activity of right occipital cortex.S. Vanni, Antti Revonsuo, J. Saarinen & R. Hari - 1996 - Neuroreport 8:183-186.
  22. An Effective Paradigm for Conditioning Visual Perception in Human Subjects.Peter Davies, Geoffrey Davies, Bennett L. & Spencer - 1982 - Perception 11 (6):663–669.
     
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  23.  78
    A quantum approach to visual consciousness.Nancy J. Woolf & Stuart R. Hameroff - 2001 - Trends in Cognitive Sciences 5 (11):472-478.
    A theoretical approach relying on quantum computation in microtubules within neurons can potentially resolve the enigmatic features of visual consciousness, but raises other questions. For example, how can delicate quantum states, which in the technological realm demand extreme cold and isolation to avoid environmental ‘decoherence’, manage to survive in the warm, wet brain? And if such states could survive within neuronal cell interiors, how could quantum states grow to encompass the whole brain? We present a physiological model for (...) consciousness that can accommodate brain-wide quantum computation according to the Penrose–Hameroff ‘Orch OR’ model. In this view, visual consciousness occurs as a series of several-hundred-millisecond epochs, each comprising ‘crescendo sequences’ of quantum computations occurring at ∼40 Hz. (shrink)
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  24.  4
    Pirámide de luz; pirámide de sombra: Barroco hispano y complejidad radical.Fernando R. de la Flor - 2022 - Pensamiento 78 (300):1203-1230.
    La conciencia de que existe un mundo sublunar y, al mismo tiempo, la de que existe un principio divino en ese mismo mundo, introduce al sistema barroco español (y a sus variadas cohortes de legitimadores) en una modernidad que viene a ser la de una época de radical complejidad. La metáfora de las pirámides, que se puede remontar hasta Nicolás de Cusa, expresa la doble constitución de lo humano y su dificultad extrema para desenvolverse en los mundos de la vida. (...)
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  25.  23
    Interface of Linguistic and Visual Information During Audience Design.Kumiko Fukumura - 2015 - Cognitive Science 39 (6):1419-1433.
    Evidence suggests that speakers can take account of the addressee's needs when referring. However, what representations drive the speaker's audience design has been less clear. This study aims to go beyond previous studies by investigating the interplay between the visual and linguistic context during audience design. Speakers repeated subordinate descriptions given in the prior linguistic context less and used basic-level descriptions more when the addressee did not hear the linguistic context than when s/he did. But crucially, this effect happened (...)
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  26. Tropes, Universals and Visual Phenomenology.Błażej Skrzypulec - 2020 - Theoria 87 (2):435-456.
    Both philosophers of perception and analytic metaphysicians apply the tropes/universals distinction when considering the ontological status of visual properties. One way of arguing in favor of the trope interpretation of visual properties is to claim that the way in which we visually experience properties makes it plausible to characterize them as tropes. In this paper, I argue for a different position, namely that the way in which we visually experience properties provides a serious challenge for the trope interpretation, (...)
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  27.  17
    Visual sensitivity fluctuations during the menstrual cycle under dark and light adaptation.Dena Scher, Mary Pionk & Dean G. Purcell - 1981 - Bulletin of the Psychonomic Society 18 (3):159-160.
  28.  71
    Visual cognition: Where cognition and culture meet.David C. Gooding - 2006 - Philosophy of Science 73 (5):688-698.
    Case studies of diverse scientific fields show how scientists use a range of resources to generate new interpretative models and to establish their plausibility as explanations of a domain. They accomplish this by manipulating imagistic representations in particular ways. I show that scientists in different domains use the same basic transformations. Common features of these transformations indicate that general cognitive strategies of interpretation, simplification, elaboration, and argumentation are at work. Social and historical studies of science emphasize the diversity of local (...)
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  29.  20
    Visual imagery mnemonics: Common vs. bizarre mental images.Paul D. Hauck, Carol C. Walsh & Neal E. A. Kroll - 1976 - Bulletin of the Psychonomic Society 7 (2):160-162.
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  30.  27
    Effective visual field size necessary for vertical reading during Japanese text processing.Naoyuki Osaka & Koichi Oda - 1991 - Bulletin of the Psychonomic Society 29 (4):345-347.
  31.  16
    Visual information processing: A perspective.Michael H. Van Kleeck & Stephen M. Kosslyn - 1993 - In David E. Meyer & Sylvan Kornblum (eds.), Attention and Performance XIV: Synergies in Experimental Psychology, Artificial Intelligence, and Cognitive Neuroscience. MIT Press. pp. 37.
  32.  15
    Visual stability: What is new?P. van Donkelaar & U. Windhorst - 1994 - Behavioral and Brain Sciences 17 (2):280-281.
  33.  18
    Relativity of Visual Communication.Arto Mutanen - 2016 - Santalka: Filosofija, Komunikacija 24 (1):24-35.
    Communication is sharing and conveying information. In visual communication especially visual messages have to be formulated and interpreted. The interpretation is relative to a method of information presentation method which is human construction. This holds also in the case of visual languages. The notions of syntax and semantics for visual languages are not so well founded as they are for natural languages. Visual languages are both syntactically and semantically dense. The density is connected to the (...)
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  34.  44
    Ethical Considerations for Volunteer Recruitment of Visual Prosthesis Trials.Yu Xia & Qiushi Ren - 2013 - Science and Engineering Ethics 19 (3):1099-1106.
    With the development of visual prostheses research from the engineering phase to clinical trials, volunteer recruitment for the early visual prosthesis trials needs to be carefully considered. In this article, we mainly discuss several issues related to volunteer recruitment that had posed serious challenges to the visual prosthesis trials, such as low rates of participants, high expectations and underlying motivations to participate in the visual prosthesis trials as well as the importance of informed consent. When recruiting (...)
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  35.  11
    Creating algorithmic audio-visual narratives through the use of augmented reality prints.Iro Laskari - 2019 - Technoetic Arts 17 (1):25-31.
    This article investigates the hypothesis of creating non-linear audio-visual narratives, through an unanticipated use of traditional print-based games, enriched with videos, via augmented reality (AR) possibilities. A ludic system has been created and presented. Based on a traditional card game, a non-linear cinematic narrative occurs. We attempt to examine the following questions: in which way can we bring together different forms of visual communication, such as graphic design and video? Can the above forms create a complex narrative whole (...)
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  36.  5
    Contesting Views: The Visual Economy of France and Algeria.Edward Welch & Joseph McGonagle - 2013 - Liverpool University Press.
    Over fifty years after Algerian independence from France, Franco-Algerian relationships and the complexities of the colonial legacy remain a key concern for many citizens in both countries. In Contesting Views, Edward Welch and Joseph McGonagle explore the significant role visual culture has had in mitigating this fraught relationship. They trace the circulation of and connections between a diverse range of still and moving images from both sides of the Mediterranean, offering a new understanding of the postcolonial experience in Europe (...)
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  37.  53
    Neural correlates of visual hallucinatory phenomena: The role of attention.Miguel Castelo-Branco - 2005 - Behavioral and Brain Sciences 28 (6):760-761.
    The Perception and Attention Deficit (PAD) model of visual hallucinations is as limited in generality as other models. It does, however, raise an interesting hypothesis on the role of attentional biases among proto-objects. The prediction that neither impaired attention nor impaired sensory activation alone will produce hallucinations should be addressed in future studies by analysing partial correlations between putative causes and hallucinatory effects.
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  38.  20
    Understanding Diverse Effects of Visual Attention with the VAP-Filters Metaphor.MaryLou Cheal - 1997 - Consciousness and Cognition 6 (2-3):348-362.
    The Variable and Permeable Filters metaphor is presented with an explanation of its advantages over other popular metaphors in accounting for attention effects in many different research paradigms. Research from laboratories of the author and others are discussed briefly and shown to result in diverse facilitatory and inhibitory attention effects on visual perception. All of these effects are consistent with the VAP-Filters metaphor.
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  39.  10
    Effect of instructions on visual orientation.N. J. Wade - 1970 - Journal of Experimental Psychology 83 (2p1):331.
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  40.  6
    Mirror Mirror: the visual economy of race in helen oyeyemi’s boy, snow, bird.Jean Wyatt - 2022 - Angelaki 27 (6):83-97.
    Oyeyemi's critique of racism in the United States focuses on the visual binary between whiteness and blackness, which she shows working in multiple ways to warp and distort relationships. In the Whitman family, children are valued (or not valued) according to how their skin color registers on a scale determined by white superiority. Oyeyemi's approach to racism takes the circuitous route of retelling the fairy tale of “Little Snow White,” thus calling into her own narrative a foundational text of (...)
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  41.  93
    The Role of the Visual System in Emotion Perception.Edoardo Zamuner - 2013 - Acta Analytica 28 (2):179-187.
    Looking at a person’s expression is a good way of telling what she feels—what emotions she has. Why is that? Is it because we see her emotion, or is it because we infer her mental state from her expression? My claim is that there is a sense in which we do see the person’s emotion. I first argue that expressions are physical events that carry information about the emotions that produce them. I then examine evidence suggesting that specific brain areas (...)
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  42. Visual versus Verbal: Changing Uses of Imagery in Sixteenth-Century French Verse.Alison Saunders - 1999 - Bulletin of the John Rylands Library 81 (3):269-298.
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  43.  6
    Distrust before first sight? Examining knowledge- and appearance-based effects of trustworthiness on the visual consciousness of faces.Anna Eiserbeck, Alexander Enge, Milena Rabovsky & Rasha Abdel Rahman - 2024 - Consciousness and Cognition 117 (C):103629.
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  44.  22
    History as a Visual Art in the Twelfth-Century Renaissance.Karl F. Morrison - 1990 - Princeton University Press.
    Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text (...)
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  45.  12
    The Visual Halo Effect in Rating Scales for Infants.G. E. Sawyer & E. G. Raybould - 1981 - Educational Studies 7 (1):47-53.
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  46.  17
    Visual acuity at two phases of the menstrual cycle.Dena Scher, Dean G. Purcell & Sam J. Caputo - 1985 - Bulletin of the Psychonomic Society 23 (2):119-121.
  47. Visual-attention shifts-hemifield floodlight or focal flashlight.F. Sergi & B. Breitmeyer - 1986 - Bulletin of the Psychonomic Society 24 (5):326-326.
  48.  34
    The Visual Foucauldian: Institutional Coercion and Surveillance in Frederick Wiseman's Multi-handicapped Documentary Series.Sharon Snyder & David Mitchell - 2003 - Journal of Medical Humanities 24 (3/4):291-308.
    During the mid 1980s, the renowned American documentary filmmaker Fred Wiseman produced a four-part series of films that sought to record the operations of institutions in Talladega, Alabama, devoted to the care and training of people with disabilities. These films—designated as the Multi-handicapped Series—have received much less attention than Wiseman's earlier work, as if films about disability mark a drastic departure from his previous award-winning productions, such as Titicut Follies (1965) and Hospital (1970). The Multi-handicapped Series takes up general categories (...)
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  49.  60
    Visual images, words and dreams.Joshua C. Gregory - 1922 - Mind 31 (123):321-334.
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  50.  26
    Visual perception is underdetermined by stimulation.John W. Gyr - 1980 - Behavioral and Brain Sciences 3 (3):386-386.
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