Results for 'Films for the Humanities'

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  1. An Introduction to Philosophy.Isaiah Berlin, Inc Bbc Worldwide Americas & Films for the Humanities - 1997 - Films for the Humanities & Sciences Distributed Under License From Bbc Worldwide Americas.
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  2. Bryan Magee Talks to Sidney Morgenbesser About the American Pragmatists.Bryan Magee, Sidney Morgenbesser, Inc Bbc Education & Training, Films for the Humanities & B. B. C. Worldwide Americas - 1987 - Films for the Humanities & Sciences.
     
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  3. Philosophy and Literature.Iris Murdoch, Bryan Magee, Inc Bbc Worldwide Americas & Films for the Humanities - 1997 - Films for the Humanities & Sciences Distributed Under License From Bbc Worldwide Americas.
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  4. Bryan Magee Talks to Bernard Williams About Descartes.Bryan Magee, Bernard Arthur Owen Williams, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences.
  5. Bryan Magee Talks to Geoffrey Warnock About Kant.Bryan Magee, G. J. Warnock, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences.
     
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  6. Bryan Magee Talks to Michael Ayers About Locke and Berkeley.Bryan Magee, Michael Ayers, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences.
     
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  7. Bryan Magee Talks to Anthony Kenny About Medieval Philosophy.Bryan Magee, Anthony John Patrick Kenny, Inc Bbc Education & Training, B. B. C. Worldwide Americas & Films for the Humanities - 1987 - Films for the Humanities & Sciences [Distributor].
  8. Applying the Lessons of Ancient Greece Martha C. Nussbaum.Bill D. Moyers, Martha Craven Nussbaum, Public Affairs Television & Films for the Humanities - 1989 - Films for the Humanities & Sciences.
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  9. The Two Philosophies of Wittgenstein.Tony Tyley, Janet Hoenig, Bryan Magee, Inc Films for the Humanities & B. B. C. Education & Training - 1997 - Films for the Humanities & Sciences.
     
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  10. Marcuse and the Frankfurt School.Martin L. Bell, Bryan Magee, Janet Hoenig, Inc Films for the Humanities & B. B. C. Worldwide Americas - 1997 - Films for the Humanities & Sciences.
     
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  11. Paul Riceour.Jonathan Rée, Ltd Wall to Wall Television, Channel Four Britain) & Films for the Humanities - 1998 - Films for the Humanities & Sciences.
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  12. Confucianism.Bill D. Moyers, Huston Smith, N. Public Affairs Television, Wnet York & Films for the Humanities - 1996 - Films for the Humanities.
     
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  13.  1
    “Great Ideas of Philosophy” (DVD Series), Films for the Humanities & Sciences. [REVIEW]James Soto - 2007 - Teaching Philosophy 30 (1):119-120.
  14.  1
    Film review: Films Media Group, Films for the Humanities and Sciences, Medical ethics and issues anthology: the news hour with Jim Lehrer, Cambridge Educational: Princeton, New Jersey, 2007, 179 minutes: 9781421367866, US$299.95. [REVIEW]Clair Kaplan - 2010 - Nursing Ethics 17 (3):413-415.
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  15.  2
    Film review: In response to the prevalence of technology and multimedia sources of information in nursing academia and continuing education for nurses, Nursing Ethics is opening the traditional book review section of the journal to occasional review of material from other media, including film. Films for the Humanities and Sciences, The right to femininity: fighting female circumcision in Africa today, Films Media Group, Cambridge Educational: Princeton, New Jersey, 2005, 46 minutes: VHS 9781421313610, DVD 9781421324099, VHS or DVD $149.95, DVD + 3-year streaming $224.93, 3-year streaming $149.95. [REVIEW]C. Kaplan - 2010 - Nursing Ethics 17 (1):146-147.
  16.  5
    Film history for the anthropocene: the ecological archive of German cinema.Seth Peabody - 2023 - Rochester, New York: Camden House.
    From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have (...)
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  17.  7
    Unstoppable: A critical reflection on the socio-economic embeddedness of technology and the implications for the human agenda.Anita L. Cloete - 2019 - HTS Theological Studies 75 (2):8.
    The overall aim of the article is to unpack some of the layers of motivation that inform and shape the relationship between technology and education. This aim is motivated by the need for a more nuanced perspective on the complex relationship between technology and education. The discussion of technology and education would be utilised as springboard to provide a platform for elaborating on the complex nature of technology as medium, its broader impact on society and the kind of life it (...)
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  18.  4
    The Human Sciences after the Decade of the Brain.Jon Leefmann & Elisabeth Hildt (eds.) - 2017 - London, Vereinigtes Königreich: Elsevier Academic Press.
    The Human Sciences after the Decade of the Brain brings together exciting new works that address today’s key challenges for a mutual interaction between cognitive neuroscience and the social sciences and humanities. Taking up the methodological and conceptual problems of choosing a neuroscience approach to disciplines such as philosophy, history, ethics and education, the book deepens discussions on a range of epistemological, historical, and sociological questions about the "neuro-turn" in the new millennium. The book’s three sections focus on (i) (...)
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  19.  3
    The Human Chameleon: Zelig, Nietzsche and the Banality of Evil.Nidesh Lawtoo - 2021 - Film-Philosophy 25 (3):272-295.
    This article revisits the case of Woody Allen’s mockumentary Zelig via Friedrich Nietzsche’s diagnostic of mimicry in The Gay Science. It argues that the case of the “human chameleon” remains contemporary for both philosophical and political reasons. On the philosophical side, I argue that the case of Zelig challenges an autonomous conception of the subject based on rational self-sufficiency by proposing a relational conception of the subject open to mimetic influences that will have to await the discovery of mirror neurons (...)
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  20.  19
    A Prospective Framework for the Design of Ideal Artificial Moral Agents: Insights from the Science of Heroism in Humans.Travis J. Wiltshire - 2015 - Minds and Machines 25 (1):57-71.
    The growing field of machine morality has becoming increasingly concerned with how to develop artificial moral agents. However, there is little consensus on what constitutes an ideal moral agent let alone an artificial one. Leveraging a recent account of heroism in humans, the aim of this paper is to provide a prospective framework for conceptualizing, and in turn designing ideal artificial moral agents, namely those that would be considered heroic robots. First, an overview of what it means to be an (...)
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  21.  1
    The humane economy: how innovators and enlightened consumers are transforming the lives of animals.Wayne Pacelle - 2016 - New York, NY: William Morrow, an imprint of HarperCollins Publishers.
    From the leader of the nation's most powerful animal-protection organization comes a frontline account of how conscience and creativity are driving a revolution in American business that is changing forever how we treat animals and create wealth. Wayne Pacelle of the Humane Society of the United States reveals how entrepreneurs, Fortune 500 CEOs, world-class scientists, philanthropists, and a new class of political leaders are driving the burgeoning, unstoppable growth of the "humane economy." Every business grounded on animal exploitation, Pacelle argues, (...)
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  22.  4
    Contrasting Medical Technology with Deprivation and Social Vulnerability. Lessons for the Ethical Debate on Cloning and Organ Transplantation Through the Film Never Let Me Go.Solveig Lena Hansen & Sabine Wöhlke - 2016 - NanoEthics 10 (3):245-256.
    In the film Never Let Me Go, clones are forced to donate their organs anonymously. As a work of fiction, this film can be regarded as a negotiation of limited agency, since the clones are depicted as vulnerable individuals. Thereby, it evokes a confrontation with underprivileged positions in technocratic societies, encouraging the audience to take the perspective of the marginalised. The clones are situated in ‘privileged deprivation’; from the audience’s point of view, they are unable to evolve into autonomous agents—but (...)
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  23.  5
    Toward the search for the perfect blade runner: a large-scale, international assessment of a test that screens for “humanness sensitivity”.Robert Epstein, Maria Bordyug, Ya-Han Chen, Yijing Chen, Anna Ginther, Gina Kirkish & Holly Stead - forthcoming - AI and Society:1-21.
    We introduce a construct called “humanness sensitivity,” which we define as the ability to recognize uniquely human characteristics. To evaluate the construct, we used a “concurrent study design” to conduct an internet-based study with a convenience sample of 42,063 people from 88 countries.We sought to determine to what extent people could identify subtle characteristics of human behavior, thinking, emotions, and social relationships which currently distinguish humans from non-human entities such as bots. Many people were surprisingly poor at this task, even (...)
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  24.  14
    Parables for the Virtual: Movement, Affect, Sensation.Brian Massumi - 2002 - Durham: Duke University Press.
    Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In _Parables for the Virtual_ Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing (...)
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  25.  7
    Legal theory and the humanities.Maksymilian Del Mar & Peter Goodrich (eds.) - 2014 - Burlington, VT: Ashgate.
    The papers selected for this volume offer a panorama of problems and methods at the intersection of legal theory and the humanities. The issues addressed include the role of the emotions and the imagination in legal reasoning, and the protection of the diversity of voices and perspective in the name of community. The articles balance renewed calls to humanise legal theory with those that analyse and explore the relevance of specific domains of the humanities - such as literature, (...)
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  26.  39
    Horror Films and the Argument from Reactive Attitudes.Scott Woodcock - 2013 - Ethical Theory and Moral Practice 16 (2):309-324.
    Are horror films immoral? Gianluca Di Muzio argues that horror films of a certain kind are immoral because they undermine the reactive attitudes that are responsible for human agents being disposed to respond compassionately to instances of victimization. I begin with this argument as one instance of what I call the Argument from Reactive Attitudes (ARA), and I argue that Di Muzio’s attempt to identify what is morally suspect about horror films must be revised to provide the (...)
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  27.  6
    The search for meaning in film and television: disenchantment at the turn of the millennium.Marcus Maloney - 2015 - New York, NY: Palgrave-Macmillan.
    This fascinating study explores the difficulties faced by modern Westerners in their search for a meaningful life. It sheds light on this enduring cultural dilemma through a close reading of four popular film and television narratives: Pixar's animated feature film, Toy Story; Christopher Nolan's Batman Begins and The Dark Knight; the television romantic comedy, Sex and the City; and, finally, the mobster drama, The Sopranos. The readings are guided by a number of inter-related questions. First, in what ways do these (...)
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  28.  12
    Digital hermeneutics for the new age of cinema.Stacey O. Irwin - 2023 - AI and Society 38 (6):2207-2215.
    Philosophical and technoculture studies surrounding the existential understanding of the human–technology–world experience have seen a slow but steady increase that makes a turn to material hermeneutics in the second decade of the twenty-first century (Ihde in Postphenomenology: essays in the postmodern context. Northwestern University Press, Evanston, 1993; Capurro in AI Soc 25(1):35–42, 2010; Romele in Digital hermeneutics: philosophical investigations in new media and technologies. Routledge, Abingdon, 2020; among others). This renewed focus makes sense because human–technology–world experiences need to be interpreted. (...)
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  29.  2
    Business and/as/of the Humanities.Christopher Michaelson - 2010 - Journal of Business Ethics Education 7:201-212.
    In their prevailing conceptions, business is interested, whereas the humanities provoke disinterested attention in value for its own sake. Applying Danto’s and/as/of structure to Freeman’s documentary film, Leadership and Theater, this paper outlines the business of the humanities (economic value), depicts the value of the humanities to business ethics education (ethical value), and asks how cultivating an attitude of business as a humanity (aesthetic value) might influence our students’ views of business and business ethics. Regarding business disinterestedly (...)
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  30.  4
    Progress and Values in the Humanities: Comparing Culture and Science.Volney Gay - 2009 - Columbia University Press.
    Money and support tend to flow in the direction of economics, science, and other academic departments that demonstrate measurable "progress." The humanities, on the other hand, offer more abstract and uncertain outcomes. A humanist's objects of study are more obscure in certain ways than pathogens and cells. Consequently, it seems as if the humanities never truly progress. Is this a fair assessment? By comparing objects of science, such as the brain, the galaxy, the amoeba, and the quark, with (...)
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  31.  66
    The Tannhäuser Gate. Architecture in science fiction films of the second half of the 20th and the beginning of the 21st century as a component of utopian and dystopian projections of the future.Cezary Wąs - 2018 - Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego 49 (3):83-109.
    The Tannhäuser Gate. Architecture in science fiction films of the second half of the 20th and the beginning of the 21st century as a component of utopian and dystopian projections of the future. -/- The films of science fiction genre from the second half of the 20th and early 21st century contained many visions of the future, which were at the same time a reflection on the achievements and deficiencies of modern times. In 1960s, cinematographic works were dominated (...)
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  32.  13
    The Colour of Film-Philosophy.William Brown - 2023 - Film-Philosophy 27 (2):197-221.
    This article draws upon the work of Sylvia Wynter and W.E.B. Du Bois in order to propose that film-philosophy has historically not paid due attention to race. Drawing upon the former’s concept of “the sociogenic principle”, as well as the latter’s theories of “the colour line” and “double-consciousness”, the article argues that modernity has been constructed coterminously with whiteness, as well as a “photographic/cinematographic” logic whereby Blackness is cast into a “negative” realm. That is, while modernity might be white, more (...)
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  33. Petition to Include Cephalopods as “Animals” Deserving of Humane Treatment under the Public Health Service Policy on Humane Care and Use of Laboratory Animals.New England Anti-Vivisection Society, American Anti-Vivisection Society, The Physicians Committee for Responsible Medicine, The Humane Society of the United States, Humane Society Legislative Fund, Jennifer Jacquet, Becca Franks, Judit Pungor, Jennifer Mather, Peter Godfrey-Smith, Lori Marino, Greg Barord, Carl Safina, Heather Browning & Walter Veit - forthcoming - Harvard Law School Animal Law and Policy Clinic:1–30.
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  34.  2
    The human comedy of Antoine Doinel: from Honoré de Balzac to François Truffaut1.Aner Preminger - 2004 - The European Legacy 9 (2):173-193.
    The focus of this paper is the intertextual relationship between the work of François Truffaut and that of Honoré de Balzac. It explores Balzac's influence on the shaping of Truffaut's voice and argues that Balzac's Human Comedy served Truffaut as a model for some of his cinematic innovations. This applies to Truffaut's total oeuvre, but particularly to his series of autobiographical films, “The Adventures of Antoine Doinel”: The 400 Blows (Les Quatre Cents Coups, 1959), Antoine and Colette, Love at (...)
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  35.  11
    Beyond the Fence: A Farmed Animal Rights Manifesto for Film.Stephen Marcus Finn - 2022 - Journal of Animal Ethics 12 (1):63-75.
    Film has not always been kind to farmed animals, maltreatment ranging from horrendous cruelty to anthropomorphization and training under duress. Admittedly, many fine documentaries have been made on maltreatment, but many of these tend to see farmed animals as a mass, with deindividuation leading to a psychic numbing in those watching. In contrast, narrative films on this theme generally have the farmed animal protagonists as human-like in being able to converse in the language of the people around them and (...)
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  36. Ethical Issues in Psychological Research on AIDS.American Psychological Association Committee for the Protection of Human Participants in Research - forthcoming - IRB: Ethics & Human Research.
     
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  37.  10
    Embodied Simulation. Its Bearing on Aesthetic Experience and the Dialogue Between Neuroscience and the Humanities.Vittorio Gallese - 2019 - Gestalt Theory 41 (2):113-127.
    Summary Embodied simulation, a basic functional mechanism of our brain, and its neural underpinnings are discussed and connected to intersubjectivity and the reception of human cultural artefacts, like visual arts and film. Embodied simulation provides a unified account of both non-verbal and verbal aspects of interpersonal relations that likely play an important role in shaping not only the self and his/her relation to others, but also shared cultural practices. Embodied simulation sheds new light on aesthetic experience and is proposed as (...)
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  38.  7
    Plastic scraps: biodegradable mulch films and the aesthetics of ‘good farming’ in US specialty crop production.Katherine Dentzman & Jessica R. Goldberger - 2020 - Agriculture and Human Values 37 (1):83-96.
    Agriculture is a serious contributor to pollution and other environmental harms, making it an important site of action for the development of environmentally friendly products and practices. However, farmer adoption of such options is varied and dependent on a wide range of factors including the visual appeal of sustainable farming. Recent studies have shown that negative aesthetics related to more environmentally friendly ways of farming can delay or prevent adoption of such practices. Drawing on the concepts of good farming, cultural (...)
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  39.  7
    The philosophy of war films.David LaRocca (ed.) - 2014 - Lexington: University Press of Kentucky.
    Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic (...)
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  40.  9
    The Use of Deep Learning and VR Technology in Film and Television Production From the Perspective of Audience Psychology.Yangfan Tong, Weiran Cao, Qian Sun & Dong Chen - 2021 - Frontiers in Psychology 12.
    As the development of artificial intelligence technology, the deep-learning -based Virtual Reality technology, and DL technology are applied in human-computer interaction, and their impacts on modern film and TV works production and audience psychology are analyzed. In film and TV production, audiences have a higher demand for the verisimilitude and immersion of the works, especially in film production. Based on this, a 2D image recognition system for human body motions and a 3D recognition system for human body motions based on (...)
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  41.  9
    Thinking in constellations: Walter Benjamin in the humanities.Nassima Sahraoui & Caroline Sauter (eds.) - 2018 - Newcastle upon Tyne, UK: Cambridge Scholars Press.
    With his powerful thought image of the constellation, Walter Benjamin provides a method for the core practices of the Humanities: reading, writing, and thinking. This collection of provocative essays demonstrates how thinking in constellations with Walter Benjamin leads us towards a new understanding of the critical task of the Humanities today: it goes beyond disciplinary boundaries and challenges assumptions of linearity, coherence, and progression inherent in our scholarly praxis. The volume brings some of the most articulate young voices (...)
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  42.  3
    Where is the place for the thinking viewer in the cinema?Laura D'Olimpio - unknown
    Much of the current philosophy of film literature follows Walter Benjamin’s optimistic account and sees film as a vehicle for screening philosophical thought experiments, and offering new perspectives on issues that have relevance to everyday life. If these kinds of films allow for philosophical thinking, then they are like other so-called ‘high’ artworks in that they encourage social, political and economic critique of social norms. Yet, most popular films that are digested in large quantities are not of a (...)
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  43.  3
    Onward, Christian penguins: Wildlife film and the image of scientific authority.Rebecca Wexler - 2008 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 39 (3):273-279.
    Within US media reactions to March of the penguins, animal images became an arena for displaced conflicts of human interest. This paper examines an intermediary step through which the film became a medium for social disagreement: conflict over control of the cultural authority to interpret animal images. I analyze claims to the cultural honorific of science made within disputes over readings of the film as evidence for intelligent design . I argue that published refutations of this reading were largely misguided (...)
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  44.  21
    Oedipal androids: desire and the human in the third millennium.Kate McGowan - 2006 - Technoetic Arts 4 (1):39-54.
    Concerned to make certain a difference between the human and its machinic simulation, two films released at the start of the new millennium put the trope of the Oedipal at the heart of their action. In doing so, both succeed in establishing the real of the human within its terms. However, by taking the Oedipal as the figure of this difference, both films also unleash a set of possibilities for being human in the new millennium that may not (...)
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  45. Rooting for the Fascists in James Cameron’s Avatar.John Marmysz - 2012 - Film and Philosophy 16:101-120.
    Conservative critics have united in attacking James Cameron’s newest blockbuster Avatar for its “liberal” political message. But underneath all of the manifest liberalism of Avatar there is also a latent message. In his valorization of the organic, primal, interconnectedness of Na’vi culture and his denigration of the mechanical, modern, disconnectedness of human culture, Cameron runs very close to advocating a form of fascism. -/- In this paper I describe the overarching philosophical perspective of fascism, and then I draw on the (...)
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  46.  14
    Business and/as/of the Humanities.Christopher Michaelson - 2010 - Journal of Business Ethics Education 7:201-212.
    In their prevailing conceptions, business is interested, whereas the humanities provoke disinterested attention in value for its own sake. Applying Danto’s and/as/of structure to Freeman’s documentary film, Leadership and Theater, this paper outlines the business of the humanities (economic value), depicts the value of the humanities to business ethics education (ethical value), and asks how cultivating an attitude of business as a humanity (aesthetic value) might influence our students’ views of business and business ethics. Regarding business disinterestedly (...)
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  47.  15
    Film, observation and the mind.Bonnie Evans & Janet Harbord - 2024 - History of the Human Sciences 37 (2):3-11.
    This special issue considers the significance of film to the establishment and development of scientific approaches to the mind. Bonnie Evans explores how the origins of film technologies in 1895 in France encouraged a series of innovative collaborations, influencing both psychological theorisation, and new filming techniques. Jeremy Blatter explains how Harvard psychologist Hugo Münsterberg created early films specifically designed to engage audiences using psychological tactics. Scott Curtis’ article examines how Yale psychologist Arnold Gesell was able to extract scientific data (...)
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  48.  2
    A Computational Model of Human Colour Vision for Film Restoration.Alessandro Rizzi, Luca Armellin, Beatrice Sarti & Alice Plutino - 2022 - Gestalt Theory 44 (1-2):175-182.
    Even today, film restoration is a challenge, because it involves multidisciplinary competences: from analogue film inspection and conservation to digitisation and image enhancement. In this context, thanks to the high manageability of digital files, the film restoration workflow often follows a digitisation step, which presents many approximations and issues that are often ignored. In this work, we propose an alternative approach to the issues commonly encountered in film restoration aiming at restoring the original colour appearance, through models of human colour (...)
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  49.  8
    Science fiction and human enhancement: radical life-extension in the movie ‘In Time’ (2011).Johann A. R. Roduit, Tobias Eichinger & Walter Glannon - 2018 - Medicine, Health Care and Philosophy 21 (3):287-293.
    The ethics of human enhancement has been a hotly debated topic in the last 15 years. In this debate, some advocate examining science fiction stories to elucidate the ethical issues regarding the current phenomenon of human enhancement. Stories from science fiction seem well suited to analyze biomedical advances, providing some possible case studies. Of particular interest is the work of screenwriter Andrew Niccol (Gattaca, S1m0ne, In Time, and Good Kill), which often focuses on ethical questions raised by the use of (...)
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  50.  14
    In the Absence of Adults: Generations and Formation in Hunt for the Wilderpeople.Peter Lilja & Johan Dahlbeck - 2019 - Journal of Philosophy of Education 53 (2):407-424.
    Taika Waititi's recent film ‘Hunt for the Wilderpeople’ (2016) portrays the coming‐of‐age of a young boy, Ricky, in a world with few recognisably responsible adults. While the film does not engage explicitly with formal education, it raises several questions central for understanding education as formation, highlighting the generational aspects of educational relations and pointing to the importance of an adult world taking responsibility for the formation and upbringing of the younger generation. Departing from a discussion on the role of formation (...)
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