This is an interesting reinterpretation of masculine and feminine that speaks to contemporary perspectives on to what extent gender is a spectrum, especially when we consider the fates of all the so‐called "masculine" men in Dune. On one level, in Denis Villeneuve's Dune women become empowered, while the men become emasculated. Examining gender in Dune would be incomplete without a look at Baron Harkonnen, who, in both Frank Herbert's book and in David Lynch's 1984 film, is clearly depicted not just (...) as gay, but as embodying a sort of deviant sexuality. So, it appears that the traditional masculine/feminine gender binary is challenged throughout Villeneuve's part one, with many of the male characters embodying a feminized masculinity and with most of the female characters existing within a feminine imaginary to the point that Dune 's society borders on the androgynous. (shrink)

The heroes and villains of the Dune universe live in a world where violent conflict is an inevitable and necessary part of life. In the brutal worlds of the galactic Imperium and the Arrakeen desert wilderness, inquiry, perception, and logic are no longer tools of scientific truth‐seeking, but have become weapons in a war between minds as sharp as the cutting edge of a crysknife. The inquiries of Dune's characters don't follow the logic of scientific discovery but instead (...) the wartime logic of advantage. The conflict between House Atreides and House Harkonnen stretches back to the earliest days of the empire. In most cases, accurate information would still be preferred, but in this case rapidly formed beliefs that enable a timely decision are ultimately more useful than carefully verified knowledge. The grim necessities of kanly force Dune's characters to value the utility of knowledge over its truthfulness. (shrink)

Like philosophy itself, Dune explores everything from politics to art to life to reality, but above all, the novels ponder the mysteries of mind. Voyaging through psychic expanses, Frank Herbert hits upon some of the same insights discovered by indigenous people from the Americas. Many of these ideas are repeated in mainstream American and European philosophical traditions like pragmatism and existential phenomenology. These outlooks share a regard for mind as ecological, which is more or less to say that minds extend (...) beyond the brain into the rest of the body and the surrounding environment. -/- The cross-cultural strands in Dune tie closely to Herbert’s life and interests. An outdoorsman born in the Pacific West, he had an abiding bond with a friend from the Quileute tribe, Howie Hansen. Herbert advocated for aboriginal rights and crafted well-intentioned if slightly stereotypical tales about indigenous characters, partly based on his visits with Northwest tribes. Carl Jung (1875-1961), whose idea of collective consciousness echoes aboriginal views, was among Herbert’s European influences. So was existential phenomenology, especially as developed by Martin Heidegger (1889-1976). The names of characters in one of Herbert’s novels—The Santaroga Barrier—in fact coincide with terms that Heidegger used to articulate how emotionally colored coping with our environment defines our existence. Many indigenous philosophers have treated phenomenology and its American cousin pragmatism in approving ways. Indeed, the ideas of North America’s first inhabitants seem to have been absorbed by pragmatists and even earlier by transcendentalists like Ralph Waldo Emerson (1803-1882) and Henry David Thoreau (1817-1862). -/- These different philosophies all advance a place-based psychology. Anne Waters, herself of mixed tribal heritage, generalizes the mindset of her people this way: “American Indian consciousness, and hence American Indian identity is … interdependent with our land base.” Lee Hester, a Choctaw thinker, adds that practices—not mere beliefs—are most important for native thought. American transcendentalists and pragmatists, as well as European phenomenologists, similarly see hands-on practices and environmental interactions as the core of experience. Extending this a little, they sometimes suggest experience isn’t individual but instead cultural. “Culture” is here understood as interactions within communities that define our worlds and experiences, as when we talk about the “French experience,” “culture” or “world,” or the “experience of parenthood.” This theme also shows up in indigenous thought. -/- Exploring the Dune universe, we find everything from land-based concepts of personal identity, to the idea of sharpening the mind through hands-on training, to collective notions of experience in cooperative tribes or through the genetic memory of central characters. The stories explore fate versus free will in cosmic contexts, introducing views from indigenous thought and the pragmatic philosophy of William James (1842-1910). Different forms of spiritualism mingle to shape minds and cultural mixtures around the globe, and the same occurs in the Dune series. The customs and personalities of characters fuse elements from Buddhism, Christianity, Hinduism, Judaism, Taoism, and especially Islam. The series not only highlights that religion shapes psychology, but also that faith connects to place, especially paralleling Judeo-Christian-Islamic desert faiths. In capturing these points, the Dune novels show that “our values, our lifestyles and even the ways we think and feel have been strongly influenced by our locations in history and geography. The study of the human mind is fundamentally the study of place.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dune(s)Michel Pierssens, co-founder of SubStance (bio)Any great work of art, be it literary or otherwise, is made of intricate enigmas that admit infinite solutions, indifferent to their content, true or false, since no one holds the key (or Occam style razor) to judge, not even its author. In the best of cases, indeed, the author has produced his œuvre precisely to confront the unknown and face the deadly monsters (...) that make the labyrinths worth exploring in the first place. The reader of the work, or watcher of the painting or film, cannot escape the perilous attraction of the cognitive maelstrom he, hesitantly or trustfully, enters at his own risk. Every word or stroke on canvas or chord or instant shutter of the camera or unending gros plan may hide unexpected doors to impossible worlds, each of them possible nonetheless. Love, hate, crime, lust, power, etc.: every facet of human experience can become scary or exciting forces to be faced, for just an instant or for an inconclusive lifelong struggle. Time is possibly the most intractable of those forces as only unconceivable gods can make of it their plaything. Similar to the desert planet of Frank Herbert's Dune, it harbors unpredictable monsters that destroy anything that moves—unless one learns to dance in an equally unpredictable fashion, winning a reprieve only to end up inescapably a fatality, having met the unavoidable fatum.SubStance has been travelling a much populated and cacophonic desert for fifty years, maintaining, despite the times' ubuesque twists and turns, its acrobatic démarche and tracing its empirical path through the intellectual dunes of two or three generations, collecting as it went many stimulating spices that it shared, avoiding its sale to the highest academic bidder. Editing a journal cannot be compared to the creation of a work of art, but it partakes in its aspiration to question the Known and face the Unknown, with the support of an army of minds devoted to the intriguing study of any cognitive coup de dés. [End Page 13]Michel Pierssens Michel Pierssens is co-founder of SubStance, with Sydney Lévy, and co-founder of the journal Histoires littéraires. He is Emeritus Professor of French literature, Université de Montréal.Copyright © 2023 Johns Hopkins University Press and SubStance, Inc.... (shrink)

Spice melange is bound up with the motivations of most of the characters. Some forsake everything to gain profit through spice or to ingest it, losing themselves in the drug's intoxicating premonitions. Hedonism eventually morphed into the ethical theory of utilitarianism, which tells us to maximize the pleasure of everyone affected by our actions. This chapter explores hedonism in the Dune universe. The Baron is meant to be the immediate tangible evil in the universe of Dune. Spice has a (...) profound effect on Paul Atreides, his family, and the whole universe. Dune is a universe driven by the desires of humanity, and maybe hedonism is an appropriate way for some to live. Hedonism is richly represented throughout the Dune universe, and not even Paul is excluded from the spice's tantalizing effects. (shrink)

In God Emperor of Dune, Leto II explains to Moneo why people destroyed thinking machines in the Butlerian Jihad: "Humans had set those machines to usurp our sense of beauty, our necessary selfdom out of which we make living judgments." The Orange Catholic Bible (OCB), the key religious text in the Dune universe, forbids the creation of machines that imitate human thinking: "Thou shalt not make a machine in the likeness of a man's mind." The OCB focuses on human mental (...) abilities – especially computation, reason, and logic – that have a status that machines should not emulate. In Frank Herbert's universe, divine imitation and creation are presented in conflicting ways: on the one hand, they are strictly prohibited, on the other, they are aspirations for key characters. Mentats replace machines by use of hard, cold, logical thinking and reasoning with machine‐like efficiency. (shrink)

My goal in this chapter is to consider the connection between an agent’s moral character and those actions that she is capable of freely performing. Most of these connections hold for all moral agents, but my particular focus will be on the specific case of divine agency. That is, I’m primarily interested in the connection between God’s moral character and His exercise of His free agency. As I will argue, even if an agent’s character determines her choices or actions, that (...) doesn’t threaten the agent’s freedom so long as her character is formed in the right way.1 (Or, perhaps more accurately, so long as it’s not formed in the wrong way. And I do not see how God’s character could be formed in such a way that would undermine the exercise of His agency.) I proceed as follows. First, I explore the relationship between what an agent freely chooses to do and her moral character in general. I then address the relationship between God’s character, His reasons, and His freedom, on the assumptions of Perfect Being Theology.2 In the third section, I turn to the compatibility question, and show how an incompatibilist could agree with everything I say in the first two sections. That is, I argue that the considerations to which I appeal regarding divine freedom do not force the Perfect Being theologian to endorse compatibilism (though they also don’t prove incompatibilism). (shrink)

The standard account of Kantian moral weakness fails to provide a psychologically realistic account of moral improvement. It assumes that moral strength is simply a matter of volitional resolve and weakness is a lack of resolve. This leaves the path to moral improvement unclear. In this paper, I reconstruct an alternative character-based account of Kantian moral weakness and strength. On this account, moral strength is the possession of sympathy and self-knowledge, key practical-epistemic virtues from Kant’s Doctrine of Virtue, and moral (...) weakness is a lack of these virtues. This identifies moral strength with a high degree of development, integrity, or fitness in one’s character, and not merely an ability to somehow try harder. It also resolves an exegetical puzzle concerning the change of heart in Kant’s Religion Within the Boundaries of Mere Reason. (shrink)

Virtues and reasons are two of the most fruitful and important concepts in contemporary moral philosophy. Many writers have commented upon the close connection between virtues and reasons, but no one has done full justice to the complexity of this connection. It is generally recognized that the virtues not only depend upon reasons, but also sometimes provide them. The essays in this volume shed light on precisely how virtues and reasons are related to each other and what can be learned (...) by exploring this relationship. Virtue’s Reasons is divided into three sections, each of them devoted to a general issue regarding the relationship between virtues and reasons. The first section analyzes how the virtues may be related to, or linked with, normative reasons in ways that improve our understanding of what constitutes virtuous character and ethical agency. The second section explores the reasons moral agents have for cultivating the virtues and how the virtues impact moral responsiveness or development. The final section examines how reasons can be employed in understanding the nature of virtue, and how specific virtues, like modesty and practical wisdom, interact with reasons. This book will be of major interest to scholars working on virtue theory, the nature of moral character, and normative ethics. (shrink)

Freud justified his extensive theorizing about dreams by the observation that they were “the royal road” to something much more general: namely, our unconscious mental life. The current preoccupation with the theory of excuse in criminal law scholarship (including my own) can be given a similar justification, for the excuses are the royal road to theories of responsibility generally. The thought is that if we understand why we excuse in certain situations but not others, we will have also gained a (...) much more general insight into the nature of responsibility itself. Nowhere has this thought been more evident than in the century-old focus of criminal law theoreticians on the excuse of insanity, a focus that could not be justified by the importance of the excuse itself.In this paper I wish to isolate two theories of excuse, each of which instantiates its own distinctive theory of responsibility. One is what I shall call the choice theory of excuse, according to which one is excused for the doing of a wrongful action because and only because at the moment of such action's performance, one did not have sufficient capacity or opportunity to make the choice to do otherwise. Such a choice theory of excuse instantiates a more general theory of responsibility, according to which we are responsible for wrongs we freely choose to do, and not responsible for wrongs we lacked the freedom (capacity and opportunity) to avoid doing. The second I shall call the character theory of excuse, according to which one is excused for the doing of a wrongful action because and only because such action is not determined by (or in some other way expressive of) those enduring attributes of ourselves we call our characters. (shrink)

In this article I present a comparative analysis of Schopenhauer’s concept of a human’s intelligible character and Sartre’s concept of a human’s fundamental project. My examination reveals that both Schopenhauer and Sartre posit a groundless, baseless choice of identity which unifies a human’s future conscious states into an integrated whole. I also identify the primary difference between the two accounts: Schopenhauer’s intelligible character is permanent, while Sartre’s theory of fundamental project is capable of being transformed or transcended. Last, I show (...) that the divergence on this point can be explained by the position the two philosophers hold with respect to the relationship of existence to essence. For Schopenhauer’s account, I use The World as Will and Representation, Vol. 1 and Vol. 2, and his Prize Essay on the Freedom of the Will. For the analysis of Sartre, I rely on Being and Nothingness and his biography of French writer Jean Genet, titled Saint Genet. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 697 Excellent as Sullivan's book is, it has raised a host of questions which, though it cannot be fairly expected to discuss them at length, much less to resolve, are at the heart of ongoing reflections about the possibility of salvation outside the visible Church. Such questions concern the concrete ways in which God works in the lives of peoples of different religions, the unique and normative (...) role of Christ in the history of salvation, the function of non-Christian religions as mediations of salvation, and so on. And the debate on these issues rages on among Catholic as well as non-Catholic theologians! One wishes that Sullivan had given a fuller account of this debate which is central in interreligious dialogue. More directly connected with the method and approach of the book itself are the questions of dogmatic development and the hermeneutics of doctrines. To put it more concretely, was Leonard Feeney, with whose ironic fate the book opens and ends, simply expressing the ancient doctrine of the deposit of the faith concerning salvation in the Church in a negative and imperfect fashion? Or was he (and more importantly, popes and official teachers of the faith) wrong in affirming the exclusiveness implicit in the formula extra ecclesiam nulla salus (which apparently they did)? H the latter, then the issues of infallible magisterium and dogmatic ' development ' raise their ugly heads, and one has to come to terms with them. The Catholic University of America Washington, D.C. PETER c. PHAN Character. By JOEL KUPPERMAN. Oxford: Oxford University Press, 1991. Pp. vi + 193. The two theses of J. Kupperman's Character are "that character is of central importance to ethics and that ethical philosophy will have to be restructured once this is understood " (p. 3). The argument has three stages: the first three chapters explicate the notion of character and its relationship to the notions of the self and of responsibility; the next two consider the dominant, rival theories in contemporary ethics; the last two address the topics of value and the place of character in ethics. In two appendices, Kupperman applies the substantive conclusions of the work to the issues of moral psychology and the education of character. A brief review cannot communicate the many nuances of argument and the precise and lucid style that distinguish the book. While certain parts of the argument seem problematic, or at least in 698 BOOK REVIEWS need of further development, the work deserves the attention of professional ethicists and of inquisitive non-professionals. The opening chapter offers the following definition of character: "X's character is X's normal pattern of thought and action, especially with respect to concerns and commitments in matter affecting the hap· piness of others or of X, and most especially in relation to moral choices" (p. 17). In the second chapter, Kupperman considers three views: Enduring Self (ES), No Self (NS), and Constructed Self (CS). The ES appears to be seH-evidently true. But what exactly is the self and where is it to he found? It is difficult to fix the abiding " I " amid or behind the flux of our self-experience. On the other hand, even Hume's skepticism concerning the self presumes that " we know where to look " for it. The " I " is simultaneously obvious and elusive, stable and unstable (p. 40). Thus, both the ES and the NS are problematic, The third option is the Constructive Self, Kupperman holds that, as children, we begin with a "protoseH." The full-fledged self is often the result of orientations, habits, and traits of character developed before one has even begun deliberating about the kind of character one would like to have. Like the self, character is constructed mostly through unreflective choices. But this raises questions about responsibility, which is the focus of the third chapter. If we have not willed to be the sorts of persons we now are, how can we be held responsible for who we are or what we do? Actions do not " flow from character like water from a pipe " (p, 59). Over long periods of time and through a reorganization of large portions of our life, we can... (shrink)

In the present article, the author analyses the interpretation of the phenomenon of Christ by Dostoevsky and Nietzsche. The author uses comparative and hermeneutic methods of historical and philosophical research. Dostoevsky's Christ and Nietzsche's Jesus are interpreted as “conceptual characters” (G. Deleuze), occupying an important place in the philosophical constructions of both thinkers. Stating the epoch-making event of the “death of God” in European culture, they discover the origins of nihilism in Christianity itself and attempt (each in his own (...) way) to recreate the original, pristine Christianity. Reconstruction of the original image of Christ makes it possible to comprehend not only the historical destiny of Christianity and the European portion of humanity, but also the prospects for overcoming the crisis of European and Russian (in the case of Dostoevsky) self-consciousness. It is argued that both interpretations, although far from orthodox Christianity, play the role of a central link in the development of the philosophic thinking of the Russian writer and German philosopher from the critical deposition of European humanism and metaphysics to new projects of human existence in the world. The conceptual images of Dostoevsky's Christ and Nietzsche's Jesus personally embody the spiritual attitudes and models of life that are timeless in nature, and at the same time serve as an expression of the “fundamental metaphysical positions” (M. Heidegger) of existential thinkers. The assertion of the absolute genuineness and beauty of the moral ideal of Christ allows Dostoevsky to return transcendence to the godless world – to substantiate the neo-Christian version of metaphysics, the religious-existential ontology. The “Glad Tidings” of Jesus, his life and death, appear in Nietzsche’s works as a practical elimination of transcendence, the Platonic dualism of the “true” and “visible” worlds. The spiritual attitude of Jesus reveals a direct affinity to Nietzsche's anti-metaphysical “philosophy of becoming”. (shrink)

Stages on Life's Way, the sequel to Either/Or, is an intensely poetic example of Kierkegaard's vision of the three stages, or spheres, of existence: the esthetic, the ethical, and the religious. With characteristic love for mystification, he presents the work as a bundle of documents fallen by chance into the hands of "Hilarius Bookbinder," who prepared them for printing. The book begins with a banquet scene patterned on Plato's Symposium. (George Brandes maintained that "one must recognize with amazement that it (...) holds its own in this comparison.") Next is a discourse by "Judge William" in praise of marriage "in answer to objections." The remainder of the volume, almost two-thirds of the whole, is the diary of a young man, discovered by "Frater Taciturnus," who was deeply in love but felt compelled to break his engagement. The work closes with a letter to the reader from Taciturnus on the three "existence-spheres" represented by the three parts of the book. Stages on Life's Way not only repeats themes, characters, and pseudonymous authors of the earlier works but also goes beyond them and points to further development of central ideas in Concluding Unscientific Postscript. (shrink)

"Who can tell us more about a man's character than his wife? Shakespeare allows Lady Macbeth to explain her husband's character as she understands it, and although she cannot see the "whole" truth, she tells us a great deal about Macbeth...." http://philpapers.org/profile/112741.

This paper examines the claim made by certain virtue epistemologists that intellectual character virtues like fair-mindedness, open-mindedness and intellectual courage merit an important and fundamental role in epistemology. I begin by considering whether these traits merit an important role in the analysis of knowledge. I argue that they do not and that in fact they are unlikely to be of much relevance to any of the traditional problems in epistemology. This presents a serious challenge for virtue epistemology. I go on (...) to examine the work of two other virtue epistemologists in light of this challenge and then sketch an alternative approach that reveals how the intellectual virtues might merit a substantial role in epistemology even if not a role in connection with more traditional epistemological projects. (shrink)

It seems that the Timaeus is independent of the Critias, that the Critias is incomplete, and that the two dialogues are parts of a tetralogy contemplated but not completed by Plato. As Welliver remarks, most commentators have taken these seeming facts to be facts; some have proffered outlines of the supposed tetralogy; some have explained its supposed incompleteness by making Plato old and weary. Welliver believes that the Timaeus-Critias is a complete dramatic work, and most of his book represents an (...) attempt to justify this belief. (shrink)

The article discusses the problem of the possibility of knowing the future, especially the future of social phenomena compared with the future of natural ones. This problem is formulated as a dilemma: the future can be explored or can be only constructed. The idea of constructive character of knowledge of the future is viewed in two possible interpretations.The first one is a special case of the constructivist interpretation of knowledge, according to which different pictures of the future are arbitrarily constructed (...) on the basis of information about the past and current state. The second interpretaion can be presented in the form of a praxeological question: what should be an action in relation to the future, first and foremost to the future of social phenomena - cognitive or creative. It is shown that, in the first case, there is an ability to interpret knowledge of the future from the point of view of epistemological realism, in the second case, both cognitive and creative types of activity as a pragmatic position in relation to the future are necessary and cognitive activity cannot be reduced to creative one. It is also shown that forecaster’s dilemma reflects the problematic nature of forecasting under the conditions of transformation of scientific rationality and point of view of common sense, which is observed in recent decades. (shrink)

This is the first anthology to bring together a selection of the most important contemporary philosophical essays on the nature and moral significance of self-respect. Representing a diversity of views, the essays illustrate the complexity of self-respect and explore its connections to such topics as personhood, dignity, rights, character, autonomy, integrity, identity, shame, justice, oppression and empowerment. The book demonstrates that self-respect is a formidable concern which goes to the very heart of both moral theory and moral life. Contributors: Bernard (...) Boxill, Stephen L. Darwall, John Deigh, Robin S. Dillon, Thomas E. Hill, Jr., Aurel Kolnai, Stephen J. Massey, Diana T. Meyers, Michelle M. Moody-Adams, John Rawls, Gabriele Taylor, Elizabeth Telfer, Laurence L. Thomas. (shrink)

The deceptive strangeness of prescience in Dune is typical of Herbert's ideas. The ancient Babylonians were able to systematically predict astronomical events, but contemporary astrophysicists can forecast distant events beyond the Babylonians’ wildest dreams. Herbert describes the prescience of characters like Paul as a hyperawareness of possibilities and probabilities given certain choices, rather than being able to examine a fixed future. Common sense suggests that prescience should help us live together better. The Prisoner's Dilemma can be interpreted in different (...) ways, but the basic logic is always the same. The Prisoner's Dilemma is an imaginary interaction between “prisoners,” but it actually might make more sense with prescient characters from the Duniverse. Stuart Hampshire argued that self‐knowledge tends to have the opposite effect – that it makes us freer. Prescience is a vastly expanded understanding of possible and probable consequences given information and choices, not the observation of a fixed future. (shrink)

This volume provides the first English translation of all the known correspondence to and from Søren Kierkegaard, including a number of his letters in draft form and papers pertaining to his life and death. These fascinating documents offer new access to the character and lifework of the gifted philosopher, theologian, and psychologist. Kierkegaard speaks often and openly about his desire to correspond, and the resulting desire to write for a greater audience. He consciously recognizes letter-writing as an opportunity to practice (...) composition. Unlike most correspondence, Kierkegaard's letters expressly "do not require a reply"--he insists on this as a principle, while he clearly and earnestly yearns for a response to his efforts. Among his other principles are purposefulness, directness, and the equality of a letter to a visit with a friend. Perhaps more than anything else in print, Kierkegaard's Letters and Documents reveal his love affair with the written word. (shrink)

The characters in a story can function as vehicles that carry the message that the implied author intends to convey to the implied readers as they read the story. Characterisation is, as it were, the artistry the implied author uses to shift the intended reader’s worldview. Whilst there have been many insightful scholarly contributions on Susanna, the use of character focalisation and its possible function have never been explored. It remains open for investigation. This article examines the way in (...) which characters are focalised in Susanna and how their role contributes to the implied reader’s ability to grasp the possible intended message of the story. The article concludes that focalisation offers a useful interpretive angle from which Susanna can be studied.Contribution: The article proves that characterisation and the narrator’s role in the story are not a literary decoration to the text but a well-intended process that aims at inviting participation and decision-making from the implied reader. (shrink)

In what follows, I present only part of a program that consists in developing a version of actualism as an adequate framework for the metaphysics of intentionality. I will try to accommodate in that framework suggestions found in Kripke’s works and some positions developed by Amie Thomasson. What should we change if we accept “fictional entities” in the domain of the actual world? Actualism is the thesis that everything that exists belongs to the domain of the actual world and that (...) there are no possibilia. I shall defend that there are abstract artefacts, like fictional characters, and institutions. My argument could be seen as a version of Moore’s paradox: it is paradoxical to say: “I made it, but I do not believe it exists”. Moreover, there are true sentences about them. I will examine what it means to include abstract artefacts in the domain of the actual world. I favour a use of “exist” that includes beings with no concrete occupation of tri-dimensional space; to exist, it is enough to have been introduced at some moment in history.artefacts, like fictional characters, exist in that sense. I argue that it is important to distinguish two perspectives in order to clarify the kind of knowledge we have of fictional characters. However, their existence presupposes a relation of dependence to a material basis and the mental activities of many people. (shrink)

Contrary to what most interpreters hold, in the "Nicomachean Ethics" Aristotle is not committed to the view that people of established vicious character could never become good. The present paper proves this result (1) by giving a better reading of 1114 a 12-21, a passage which has traditionally been taken to assert that unjust and self-indulgent people are doomed to a lifetime of vice; (2) by showing that when Aristotle refers to self-indulgent people as "incurable", he does not mean that (...) they could never change, but only that they could not change as a result of external influences such as persuasion or punishment; (3) by proving that although Aristotle regards the desires of vicious people as determined by their character, there is room within Aristotelian moral psychology for the possibility that people of corrupt character become motivated to begin a process of moral reform. (shrink)

In recent years, the construct of character has received substantial attention among developmental scientists, but no consensus exists about the content and structure of character, especially among children and early adolescents. In a study of positive development among racially diverse Cub Scouts in the greater Philadelphia area, we assessed the construct and concurrent validity of a new measure of character, the Assessment of Character in Children and Early Adolescents, among 906 Scouts and 775 non-Scout boys and girls. We identified an (...) eight-correlated-factor model as providing the best fit with our data. We further established measurement invariance and explored latent mean differences for ACCEA scores across two Scout groups, non-Scout boys and non-Scout girls. Girls were generally superior than boys on all character attributes. We further examined concurrent validity of ACCEA by correlating the character attributes with youth sense of school competence, intentional self-regulation and parental perception of youth school performance. We discuss implications for future character research and point to the value of the ACCEA measure being used by practitioners in character development programs. (shrink)

In two studies, we predicted and found that inferences about motive and character influence intentionality attributions about foreseeable consequences of action (i.e., side effects). First, we show that inferences about intentionality are greater for good side effects than bad side effects when a target person's character is described positively. In Study 2, we manipulated information about a target person and found that inferences about intentionality were greater when side effects were consistent with a target person's character and motives. Overall, our (...) data cast doubt on the generality of the side-effect effect. We discuss our findings and their implications for future research on intentionality and social perception. (shrink)

Michael Kochin’s radical exploration of rhetoric is built around five fundamental concepts that illuminate how rhetoric functions in the public sphere. To speak persuasively is to bring new things into existence—to create a political movement out of a crowd, or an army out of a mob. _Five Chapters on Rhetoric _explores our path to things through our judgments of character and action. It shows how speech and writing are used to defend the fabric of social life from things or facts. (...) Finally, Kochin shows how the art of rhetoric aids us in clarifying things when we speak to communicate, and helps protect us from their terrible clarity when we speak to maintain our connections to others. Kochin weaves together rhetorical criticism, classical rhetoric, science studies, public relations, and political communication into a compelling overview both of persuasive strategies in contemporary politics and of the nature and scope of rhetorical studies. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:NOTES AND DISCUSSIONS 69 in pre-Socratic scholarship. But he does not do justice to the religious mood which pervades the whole poem (a mood which is set by the prologue which casts the whole work into the form of some kind of religious revelation). The prologue is considerably more than a mere literary device, and the poem is more than logic. Generally, Jaeger9 and Guthrie are surely correct in (...) their judgment that any adequate interpretation of Parmenides' work (as well as that of the other early Greek thinkers) must be willing to take into account its essentially theological character and religious inspirationl~ not always grasped through strict analysis and exegesis. g Theolooy of the Early C-reekPhilosophers, trans. Edward S. Robinson (Oxford, 1947), p. lff, 90ft. agCf. Guthrie's excellent statement: "...Parmenides was at one with Heraclitus in claiming a prophetic or apocalyptic authority for his teaching." And again, the Greeks believed in "an inspiration whereby-the poet is granted deeper insight into the truth than other men" (p. 6). ED. L. MILLER University of Colorado AN UNKNOWN SEVENTEENTH-CENTURY FRENCH TRANSLATION OF SEXTUS EMPIRICUS* I. Introduction Included in a collection of manuscripts and early printed books recently acquired by the Library of the University of California, Los Angeles, from the Paris bookdealer Paul Jammes ~ are three manuscripts attributed to a certain Nicolas de la Toison, Baron de Bussy. Two of the three volumes contain extensive Latin commentaries on the major writings of Aristotle.2 The third is a miscellaneous volume written in three different hands, which contains, among other things, a complete French translation of the extant writings of Sextus Empiricus (c. A.D. 160-210).3 I * I would like to express my thanks to Mr. Richard O'Brien, Western European Bibliographer of the UCLA Library, for his help in numerous ways, who made it possible for me to consult this material during my sojourn in Los Angeles, even before it had been officially catalogued by the Library. I would also like to thank Professors Donald Kalish and Robert Yost of the UCLA Department of Philosophy for their support in making it possible for the collection to be purchased. 1For a brief description of the collection as a whole see Charles B. Schmitt, "Acquisition of Early French Books and Manuscripts", UCLA Librarian, XIX (1966)~25. 2These two manuscripts are bound m red leather with gold tooling. Thear present shelf mark is Collection 968, Box 2. On the spines is written: (1) PHILOSOPHIA.TO.I, and (2) METAPHYSIC ET PHYSICA TO.2. They measure approximately 10 X 14 cm. and each contains about 600fois. At the beginning of Vol. I, in a later hand (19th century?), we read: "Nicolas de la Thoison, baron de Bussy, qui 6crivit ces m6moires, 6tait conseiller laic au Parlement de Bourgogne. Il fur pourru par la r6signation de Pierre Catherine le IV Ddcembre M.DC.XLV et regu le XXIX janvier M.DC.XLVI. I1portait: de queueles dune bands d'or charges en coeur d'une quints feuiUe d'azur--ainsi qu'on le volt dans le Parlement de Bourgogne [Dijon, 1649]de Pierre PaiUot, p. 326." There is also a drawing of the coat-of-arms which has been described. That the de la Toison coat-of-arms is a quintefeuille is verified by Theodore de Renesse, Dictionnaire des figures h$raldiques (Brussels, 1894-1903) III, 461. The passage cited above from the manuscript is directly quoted from Pierre Paillot, Le Parlement de Bouroongne [I], son origins, son $tablissemerit, et son progr~s (Dijon, 1649), p. 326. s A description of this manuscript will be found in the Appendix. 70 HISTORY OF PHILOSOPHY shall here only give a preliminary survey of this third manuscript, pointing out some of the more interesting features and mentioning some problems connected with it which should be investigated further in more detail. As is now well-known the writings of Sextus Empiricus, which form the major extant compendium of ancient skeptical philosophy, had quite a significant impact on sixteenth and seventeenth-eentury thought, after their reintroduction in the sixteenth century. ~ Sextus' works were available in printed Latin editions after 15695 and the Greek text was printed in... (shrink)

The following translation is an extract from the third chapter of Watsuji Tetsurō’s Hidden Japan [埋もれた日本] 1951. The translation is composed of two sections: “Until I met Sōseki” [漱石に逢うまで], and “Sōseki’s Character” [漱石の人物]. The former section discusses Watsuji’s indirect encounters with Natsume, namely, reading Natsume’s work as it was serialized in literary magazines during the Meiji era (1868–1912) and the impression Watsuji formed of Natsume as a teacher at Tokyo First Higher School (Ichikō). The latter section discusses Natsume as Watsuji’s (...) personal acquaintance. Here the focus is on how Watsuji came to know Natsume through participating in the famous Thursday Club [木曜会], which was held at Natsume’s home, Sōseki Sanbō [漱石山房]. The contributions of this translation to the literature are threefold: it i) provides a multidimensional account of Natsume, ii) offers insight into the legendary Thursday Club, and iii) also tells us about Watsuji himself. (shrink)

In “Demonstratives”, David Kaplan introduced a simple and remarkably robust semantics for indexicals. Unfortunately, Kaplan’s semantics is open to a number of apparent counterexamples, many of which involve recording devices. The classic case is the sentence “I am not here now” as recorded and played back on an answering machine. In this essay, I argue that the best way to accommodate these data is to conceive of recording technologies as introducing special, non-basic sorts of contexts, accompanied by non-basic conventions governing (...) the use of indexicals in those contexts. The idea is that recording devices allow us to use indexicals in new and innovative ways to coordinate on objects. And, given sufficient regularity in the use of indexicals on such devices, linguistic conventions will, over time, come to reflect this innovation. I consider several alternatives to this ‘character-shifting’ theory, but none is able to account for the data as well as the present proposal. Many face additional theoretical difficulties as well. I conclude by explaining how the character-shifting theory not only retains many of the virtues of Kaplan’s original semantics, but also coheres with a plausible view on the nature of semantic theorizing more generally. (shrink)