"One of the major works in the development of contemporary criticism and philosophy." -- J. Hillis Miller, Yale University Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960s, forever changed the face of European and American criticism. The ideas in De la grammatologie sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty (...) years later, the immense influence of Derrida's work is still igniting controversy, thanks in part to Gayatri Spivak's translation, which captures the richness and complexity of the original. This corrected edition adds a new index of the critics and philosophers cited in the text and makes one of contemporary criticism's most indispensable works even more accessible and usable. (shrink)

____Specters of Marx__ is a major new book from the renowned French philosopher Jacques Derrida. It represents his first important statement on Marx and his definitive entry into social and political philosophy. "Specter" is the first noun one reads in _The Manifesto of_ _the Communist Party._ But that's just the beginning. Once you start to notice them, there is no counting all the ghosts, spirits, specters and spooks that crowd Marx's text. If they are to count for something, however, (...) one must question the spectropoetics that Marx allowed to invade his discourse. In ____Specters of Marx,__ Derrida undertakes this task within the context of a critique of the new dogmatism and "new world order" that have proclaimed the death of Marxism and of Marx. (shrink)

A penetrating analysis of our technical civilization and of the effect of an increasingly standardized culture on the future of man.

"I shall speak of ghost, of flame, and of ashes." These are the first words of Jacques Derrida's lecture on Heidegger. It is again a question of Nazism--of what remains to be thought through of Nazism in general and of Heidegger's Nazism in particular. It is also "politics of spirit" which at the time people thought--they still want to today--to oppose to the inhuman. "Derrida's ruminations should intrigue anyone interested in Post-Structuralism. . . . . This study of Heidegger (...) is a fine example of how Derrida can make readers of philosophical texts notice difficult problems in almost imperceptible details of those texts."--David Hoy, London Review of Books "Will a more important book on Heidegger appear in our time? No, not unless Derrida continues to think and write in his spirit. . . . Let there be no mistake: this is not merely a brilliant book on Heidegger, it is thinking in the grand style."--David Farrell Krell, Research in Phenomenology "The analysis of Heidegger is brilliant, provocative, elusive."--Peter C. Hodgson, Religious Studies Review. (shrink)

Presenting with moving insight the relations between man, as a person and as an individual, and the society of which he is a part, Maritain's treatment of a lasting topic speaks to this generation as well as those to come. Maritain employs the personalism rooted in Aquinas's doctrine to distinguish between social philosophy centered in the dignity of the human person and that centered in the primacy of the individual and the private good.

In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality of the (...) singular and exceptional moment, and the problem of exemplarity. The second half of this book contains an essay by Maurizio Ferraris, in which he explores the questions of indication, time and the inscription of the transcendental in the empirical. A work of outstanding philosophy and scholarship, the essay is developed in close proximity to Derrida and in dialogue with figures such as Plato, Aristotle, Plotinus, Kant, Hegel and Heidegger. It thereby provides a useful introduction to the philosophy of one of Italy's most prominent philosophers as well as an excellent complement to Derrida's own ideas. A Taste for the Secret consists of material that has never before appeared in English. It will be of interest to second-year undergraduates, graduate students and academics in philosophy, modern languages, literature, literary theory and the humanities generally. (shrink)

Argues that Hannah Arendt's two major philosophical works, The Human Condition and The Life of the Mind, reveal not a dependency upon Heidegger, but rather a constant and increasing ironic debate with him.

APARTHEID—may that remain the name from now on, the unique appellation for the ultimate racism in the world, the last of many.May it thus remain, but may a day come when it will only be for the memory of man.A memory in advance: that, perhaps, is the time given for this exhibition. At once urgent and untimely, it exposes itself and takes a chance with time, it wagers and affirms beyond the wager. Without counting on any present moment, it offers (...) only a foresight in painting, very close to silence, and the rearview vision of a future for which apartheid will be the name of something finally abolished. Confined and abandoned then to this silence of memory, the name will resonate all by itself. Reduced to the state of a term in disuse. The thing it names today will no longer be.But hasn’t apartheid always been the archival record of the unnameable?The exhibition, therefore, is not a presentation. Nothing is delivered here in the present, nothing that would be presentable—only, in tomorrow’s rearview mirror, the late, ultimate racism, the last of many. Jacques Derrida, professor of philosophy at the Ecole des hauts etudes en sciences socials in Paris, is the author of, among other works, Of Grammatology, Writing and Difference, Margins of Philosophy, and Dissemination. His most recent contribution to Critical Inquiry, “The Linguistic Circle of Geneva,” appeared in the Summer 1982 issue. Peggy Kamuf teaches French at Miami University, Ohio. She is the author of Fiction of Feminine Desire. (shrink)

" De quoi demain sera-t-il fait? " interroge Victor Hugo. Un philosophe, une historienne répondent au long d'un dialogue serré, exigeant. Pourquoi ont-ils choisi de faire ce livre ensemble? En raison d'une longue amitié, au nom d'une histoire commune, en vertu de la qualité d'un débat qui n'a jamais cessé entre eux depuis qu'à la fin des années soixante la jeune étudiante découvrit l'importance de ce penseur de quinze ans son aîné qui, avec d'autres, réveillait l'esprit critique de toute une (...) génération. Si les points de vue sont différents, l'héritage intellectuel est commun. Et c'est cet héritage qu'ils s'attachent à inventorier avant de circonscrire des enjeux majeurs de notre temps : comment penser la différence dans l'universel? La famille a-t-elle encore un avenir? La liberté se réduira-t-elle demain pour l'homme à l'intelligibilité des contraintes qui pèsent sur lui, ou le désir et l'imprévisible auront-ils encore leur place? Que nous dit la souffrance des animaux que nous massacrons? La page de la révolution est-elle définitivement tournée après l'échec du communisme? Est-il envisageable d'en finir une fois pour toutes avec la peine de mort? Quelles seront demain les formes nouvelles de l'antisémitisme et comment les combattre? L'échange s'achève sur un éloge de la psychanalyse, référence commune tout au long du dialogue. (shrink)

Deux textes composent cet adieu : l'hommage prononcé par Derrida aux obsèques d'Emmanuel Levinas suivi d'une lecture de Levinas à partir de la notion d'accueil et l'élaboration "subjugante" du concept d'accueil.

Among the main reactions to scepticism, fallibilism is certainly the most popular nowadays. However, fallibilism faces a very strong and well-known objection. It has to grant that concessive knowledge attributions—assertions of the form “I know that p but it might be that not p”—can be true. Yet, these assertions plainly sound incoherent. Fallibilists have proposed to explain this incoherence pragmatically. The main proponents of this approach appeal to Gricean implicatures (Rysiew in Noûs 35(4):477514, 2001; Dougherty and Rysiew in Philos Phenomenol (...) Res 78(1):123132, 2009; Dougherty and Rysiew in Synthese 181(3):395403, 2011). Very recently, some philosophers have observed that fallibilists can also explain this apparent incoherence pragmatically if they embrace a (context-sensitive) certainty norm for assertion (Petersen in Synthese 196(11):4691–4710, 2019; Beddor in Philos Impr 20(8), 2020; Vollet in Dialectica 74:3, 2020). In this paper, I argue for the superiority of this latter explanation over its older rivals. (shrink)

The First American edition of a British best-seller In The Principle of Duty.

This collection takes its point of departure from Walter Benjamin's concept of the historical constellation, a concept which puts "contemporary" as well as "Romanticism" in play as period designations and critical paradigms. The book regards Romanticism as a thought experiment that poses questions for our own "now" time.

It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? _Releasing the Image_ understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much (...) to phenomenology—the work of Husserl, Heidegger, and Merleau-Ponty—and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology. (shrink)

L'auteur de cet essai tente de circonscrire l'aventure philosophique de la "quête de la vérité", en s'inspirant des recherches les plus récentes de l'épistémologie et de la logique, essayant de trouver dans la praxis des pierres d'achoppement pour un discours au moins tendanciellement vrai. Dans la confusion politique et culturelle de ce siècle, des vérités multiples prétendent avoir droit à l'expression. On parle d'intelligence digitalisée et artificielle, de désinformation, d'infox, d'intox, de propagande, de mensonges, de vérités alternatives. Ça caquète et (...) ça rugit de toutes parts, voulant soutenir la véracité par la force ou la répétition. Surtout dans ce qui se vante comme l'extrême conquête de notre civilisation occidentale, la démocratie, les harangues et les verbiages sont souvent vides de contenus, des baudruches regorgeant de promesses vaines et de captations factices. De gros intérêts financiers ou des déformations idéologiques se cachent derrière un discours qui se prétend précis et neutre. Il n'est pas étonnant de voir maint citoyen perdu dans cette cacophonie ambiante, de le voir découragé devant son manque d'information fiable et d'action cohérente. Pourtant les choses qu'il vit et qu'il sent sont dures et réelles. Elles ont des angles qui parfois font mal. La vérité existe... quelque part et de quelque façon."--Page 4 of cover. (shrink)

This paper provides a systematic exposition of what Wittgenstein took to be the fundamental error committed by James George Frazer, author of the classic anthropological work The Golden Bough, in his account of ritual practices. By construing those rituals in scientific or rationalistic terms, as aimed at the production of certain effects, Frazer ignores, according to Wittgenstein, their expressive and symbolic dimension. It is, moreover, an error to try to explain the powerful emotions evoked even today by traditions such as (...) fire festivals (which may once have involved human sacrifice) by searching for their causal origins in history or prehistory; the disquieting nature of such practices needs to be understood by attending to the inner meaning they already have in our human lives. Certain important general lessons are drawn about the necessarily limited power of scientific and causal explanations when it comes to alleviating many of our fundamental perplexities not just in the area of anthropology but in philosophy as well.1. (shrink)

Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.

In my paper, I dispute Christian Hengstermann’s analysis of More’s philosophical system as a form of panentheistic panpsychism in which matter is alive by virtue of being the last emanation from God. I show that, in his mature period, More explicitly rejected such an emanationist doctrine and attributed the non-mechanical powers of matter to an outside immaterial principle, the Spirit of Nature. Ultimately, this leads to a system in which divine space, the Spirit of Nature and the spirit of God (...) are representations of various aspects of the divine essence, as it is at work in the world. On the other hand, matter is not part of this triadic structure and can only be said to be alive at the cost of a rather counterintuitive redefinition of the notion of “life”. (shrink)

This paper outlines a phenomenological approach for describing physiological reactions occurring immediately after vital threats. This exemplified by data taken from previous studies relative to chemical intoxications of rats by a neurotoxical drug. The survival rate of the animals and the variations of their cerebral acetylcholinesterese activity are both reported as a function of the drug concentration, and with respect to their age. The collecting of the results may be described as the cusp, a bifurcation set of Thom's Catastrophe Theory.The (...) young animals react by a vital burst which modifies the shape of the cusp. A new fold or pocket takes place, changing it to the butterfly bifurcation set. This pocket supports the survival attractor concept, which appears reactional, transitory and variable in its intensity. (shrink)

Reading you, I very quickly realized that you had no serious objections to make to me, as I will try to demonstrate in a moment. So I began to have the following suspicion: what if you had only pretended to find something to reproach me with in order to prolong the experience over several issues of this distinguished journal? That way, the three of us could fill the space of another twenty or so pages. My suspicion arose since you obviously (...) agree with me on this one point, at least: apartheid, the more it’s talked about, the better.But who will do the talking? And how? These are the questions.Because talking about it is not enough. On such a grave subject, one must be serious and not say just anything. Well, you, alas, are not always as serious as the tone of your paper might lead one to think. In your impatient desire to dispense a history lesson, you sometimes say just anything. The effect you produce is quite determined, but in order to arrive at it, you are willing to put forward any kind of countertruth, especially when, in your haste to object, you project into my text whatever will make your job easier. This is a very familiar scenario, as I will try to demonstrate as briefly as possible. Jacques Derrida, Directeur d’Etudes at the Ecole des Hautes Etudes en Sciences Sociales in Paris, is the author of, among other works, Of Grammatology, Writing and Difference, Margins of Philosophy, and Dissemination. His most recent contribution to Critical Inquiry, “Racism’s Last Word,” appeared in the Autumn 1985 issue. Peggy Kamuf teaches French at Miami University, Ohio. She is the author o Fictions of Feminine Desire. (shrink)

J. Tréheux, Νέα ανάγνωση τοΰ ευρετηρίου τοΰ Γυμνασίου της Δήλου. σ. 583-590 Μετά άπό διόρθωση ορισμένων σφαλμάτων ερμηνείας (π. χ. άστατα στ. 143 που σημαίνει δπως πάντα οχι ζυγισμένα) καί τήν στίξη τοΰ κυριώτερου ευρετηρίου τοΰ Γυμνασίου της Δήλου, ID 1417 (α. 156/5), Α, Ι, στ. 118-154, ό συγγραφέας προτείνει ένα νέο σχήμα γιά τή διαδρομή των διαχειριστών καί νέες ονομασίες γιά τίς εγκαταστάσεις τοΰ κτιρίου. Ή αίθουσα C πρέπει νά ήταν τό αποδυτήριο, ή αίθουσα G τό εξέαριο, ή αϊθουσα (...) Β ή σφαιρήστρια, ή αίθουσα F ή / τό επιστάσιο. Ουσιαστική παρατήρηση γιά τή διατύπωση τοΰ στ. 1 18, «δεξιάς είσιόντων είς τό περίστωιον», πού μέχρι σήμερα είχε παρανοηθεί. (shrink)