Search results for 'Sarah Currie' (try it on Scholar)

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  1. Sarah Currie (1992). The Roman Household Jane F. Gardner, Thomas Wiedemann: The Roman Household: A Sourcebook. Pp. Xvii + 210; 14 Illustrations. London and New York: Routledge, 1991. £35 (Paper, £10.99). [REVIEW] The Classical Review 42 (02):389-390.score: 240.0
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  2. Andrew J. Hansen, Ronald P. Neilson, Virginia H. Dale, Curtis H. Flather, Louis R. Iverson, David J. Currie, Sarah Shafer, Rosamonde Cook & Patrick J. Bartlein (2001). Global Change in Forests: Responses of Species, Communities, and Biomes. Bioscience 51 (9):765.score: 240.0
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  3. Andrew J. Hansen, Ronald P. Neilson, Virginia H. Dale, Curtis H. Flather, Louis R. Iverson, David J. Currie, Sarah Shafer, Rosamonde Cook & Patrick J. Bartlein (2001). Global Change in Forests: Responses of Species, Communities, and Biomes Interactions Between Climate Change and Land Use Are Projected to Cause Large Shifts in Biodiversity. Bioscience 51 (9):765-779.score: 240.0
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  4. Mark Currie (2004). Difference. Routledge.score: 60.0
    In the 1970s, the concept of "difference" transformed our understanding of language and our reading of literary texts. Since then it has found application in almost every branch of literary and cultural studies. In this accessible, lively volume, Mark Currie traces the diverse meanings and changing fortunes of the term from a wide geography of sources in philosophy, linguistics, feminism, cultural geography and cultural theory. The author follows the concept from its most widely studied articulations in structuralism and poststructuralism (...)
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  5. Gregory Currie (1995). The Moral Psychology of Fiction. Australasian Journal of Philosophy 73 (2):250 – 259.score: 30.0
    What can we learn from fiction? I argue that we can learn about the consequences of a certain course of action by projecting ourselves, in imagination, into the situation of the fiction's characters.
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  6. Gregory Currie (1985). What is Fiction? Journal of Aesthetics and Art Criticism 43 (4):385-392.score: 30.0
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  7. Gregory Currie (2000). Imagination, Delusion and Hallucinations. In Max Coltheart & Martin Davies (eds.), Pathologies of Belief. Blackwell. 168-183.score: 30.0
  8. Gregory Currie (1995). Image and Mind: Film, Philosophy and Cognitive Science. Cambridge University Press.score: 30.0
    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion over the last twenty years. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general (...)
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  9. Gregory Currie (1991). Photography, Painting and Perception. Journal of Aesthetics and Art Criticism 49 (1):23-29.score: 30.0
  10. Gregory Currie & Ian Ravenscroft (2002). Recreative Minds: Imagination in Philosophy and Psychology. Oxford University Press.score: 30.0
    Recreative Minds develops a philosophical theory of imagination that draws upon the latest work in psychology. This theory illuminates the use of imagination in coming to terms with art, its role in enabling us to live as social beings, and the psychological consequences of disordered imagination. The authors offer a lucid exploration of a fascinating subject.
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  11. Gregory Currie (2002). Imagination as Motivation. Proceedings of the Aristotelian Society 102 (3):201-16.score: 30.0
    What kinds of psychological states motivate us? Beliefs and desires are the obvious candidates. But some aspects of our behaviour suggest another idea. I have in mind the view that imagination can sometimes constitute motivation.
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  12. Gregory Currie (1986). Fictional Truth. Philosophical Studies 50 (2):195 - 212.score: 30.0
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  13. Gregory Currie (1991). Work and Text. Mind 100 (3):325-340.score: 30.0
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  14. Gregory Currie (1999). Visible Traces: Documentary and the Contents of Photographs. Journal of Aesthetics and Art Criticism 57 (3):285-297.score: 30.0
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  15. Gregory Currie & Jon Jureidini (2001). Delusion, Rationality, Empathy. Philosophy, Psychiatry and Psychology 8 (2-3):159-62.score: 30.0
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  16. Catharine Abell & Gregory Currie (1999). Internal and External Pictures. Philosophical Psychology 12 (4):429-445.score: 30.0
    What do pictures and mental images have in common? The contemporary tendency to reject mental picture theories of imagery suggests that the answer is: not much. We show that pictures and visual imagery have something important in common. They both contribute to mental simulations: pictures as inputs and mental images as outputs. But we reject the idea that mental images involve mental pictures, and we use simulation theory to strengthen the anti-pictorialist's case. Along the way we try to account for (...)
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  17. Gregory Currie (1995). Unreliability Refigured: Narrative in Literature and Film. Journal of Aesthetics and Art Criticism 53 (1):19-29.score: 30.0
    Aims to improve an understanding of the theoretical issues in response to the influence of fiction. Four things in narrative unreliability; Relation between narration in literary fictions and film; Comprehension of narrative essentially a matter of intentional inference; Fictions misdescribed; Asymmetry between literature and film; Ambiguity and unreliability; Implied author and narrator.
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  18. Gregory Currie (1997). On Being Fictional. Journal of Aesthetics and Art Criticism 55 (4):425-427.score: 30.0
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  19. Gregory Currie & Kim Sterelny (2000). How to Think About the Modularity of Mind-Reading. Philosophical Quarterly 50 (199):145-160.score: 30.0
  20. Scott Campbell & Greg Currie (2006). Against Beck: In Defence of Risk Analysis. Philosophy of the Social Sciences 36 (2):149-172.score: 30.0
    For more than 10 years, Ulrich Beck has dominated discussion of risk issues in the social sciences. We argue that Beck's criticisms of the theory and practise of risk analysis are groundless. His understanding of what risk is is badly flawed. His attempt to identify risk and risk perception fails. He misunderstands and distorts the use of probability in risk analysis. His comments about the insurance industry show that he does not understand some of the basics of that industry. And (...)
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  21. Gregory Currie (2007). Both Sides of the Story: Explaining Events in a Narrative. [REVIEW] Philosophical Studies 135 (1):49 - 63.score: 30.0
    Our experience of narrative has an internal and an external aspect--the content of the narrative’s representations, and its intentional, communicative aetiology. The interaction of these two things is crucial to understanding how narrative works. I begin by laying out what I think we can reasonably expect from a narrative by way of causal information, and how causality interacts with other attributes we think of as central to narrative. At a certain point this discussion will strike a problem: our judgements about (...)
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  22. Gregory Currie (2010). Narratives and Narrators: A Philosophy of Stories. Oxford University Press.score: 30.0
    This text offers a reflection on the nature and significance of narrative in human communication.
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  23. Gregory Currie & Jon Jureidini (2004). Narrative and Coherence. Mind and Language 19 (4):409–427.score: 30.0
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  24. Gregory Currie (1988). Fictional Names. Australasian Journal of Philosophy 66 (4):471 – 488.score: 30.0
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  25. Gregory Currie (2010). Actual Art, Possible Art, and Art's Definition. Journal of Aesthetics and Art Criticism 68 (3):235-241.score: 30.0
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  26. Gregory Currie & Ian Ravenscroft (1997). Mental Simulation and Motor Imagery. Philosophy of Science 64 (1):161-80.score: 30.0
    Motor imagery typically involves an experience as of moving a body part. Recent studies reveal close parallels between the constraints on motor imagery and those on actual motor performance. How are these parallels to be explained? We advance a simulative theory of motor imagery, modeled on the idea that we predict and explain the decisions of others by simulating their decision-making processes. By proposing that motor imagery is essentially off-line motor action, we explain the tendency of motor imagery to mimic (...)
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  27. G. Currie (2010). Tragedy. Analysis 70 (4):632-638.score: 30.0
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  28. Gregory Currie (1990). Supervenience, Essentialism and Aesthetic Properties. Philosophical Studies 58 (3):243 - 257.score: 30.0
  29. Gregory Currie (2008). Some Ways to Understand People. Philosophical Explorations 11 (3):211 – 218.score: 30.0
    Shaun Gallagher and Dan Hutto claim that those once bitter rivals, simulation theory and theory-theory, are now to be treated as partners in crime. It's true that the debate has become more nuanced, with detailed suggestions abroad as to how these two approaches might peaceably divide the field. And there is common ground between them, at least to the extent that they agree on what needs to be explained. But I see no fatal flaw in what they share. In particular, (...)
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  30. Gregory Currie (2004). Arts and Minds. Oxford University Press.score: 30.0
    Philosophical questions about the arts go naturally with other kinds of questions about them. Art is sometimes said to be an historical concept. But where in our cultural and biological history did art begin? If art is related to play and imagination, do we find any signs of these things in our nonhuman relatives? Sometimes the other questions look like ones the philosopher of art has to answer. Anyone who thinks that interpretation in the arts is an activity that leaves (...)
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  31. Gregory Currie (1995). Visual Imagery as the Simulation of Vision. Mind and Language 10 (1-2):25-44.score: 30.0
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  32. Gregory Currie (1998). Pretence, Pretending, and Metarepresenting. Mind and Language 13 (1):35-55.score: 30.0
  33. Gregory Currie & Nicholas Jones (2006). McGinn on Delusion and Imagination. Philosophical Books 47 (4):306-313.score: 30.0
  34. Gregory Currie (1993). Interpretation and Objectivity. Mind 102 (407):413-428.score: 30.0
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  35. Gregory Currie (1992). McTaggart at the Movies. Philosophy 67 (261):343 - 355.score: 30.0
  36. Gregory Currie (1993). The Long Goodbye: The Imaginary Language of Film. British Journal of Aesthetics 33 (3):207-219.score: 30.0
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  37. Gregory Currie (2006). Narrative Representation of Causes. Journal of Aesthetics and Art Criticism 64 (3):309–316.score: 30.0
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  38. Gregory Currie (1978). Popper's Evolutionary Epistemology: A Critique. Synthese 37 (3):413 - 431.score: 30.0
  39. Gregory Currie (2010). Bergman and the Film Image. Midwest Studies in Philosophy 34 (1):323-339.score: 30.0
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  40. Gregory Currie (1980). Frege on Thoughts. Mind 89 (354):234-248.score: 30.0
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  41. Gregory Currie (1984). Individualism and Global Supervenience. British Journal for the Philosophy of Science 35 (December):345-58.score: 30.0
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  42. Gregory Currie (2004). The Representational Revolution. Journal of Aesthetics and Art Criticism 62 (2):119–128.score: 30.0
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  43. Gregory Currie (1983). I. Interpreting Frege: A Reply to Michael Dummett. Inquiry 26 (3):345 – 359.score: 30.0
    Two claims the present author has made about Frege's philosophy are defended against Michael Dummett's criticisms (The Interpretation of Frege's Philosophy and ?Objectivity and Reality in Lotze and Frege?, this journal, 1982). The claim that Frege was concerned primarily with epistemological problems rather than with the theory of meaning, and the claim (this journal, 1978) that the ascription of Wirklichkeit to Thoughts is evidence of Frege's realism, are clarified and defended. Dummett's own characterization of Frege's realism is considered and rejected.
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  44. Gregory Currie (1982). Frege, Sense and Mathematical Knowledge. Australasian Journal of Philosophy 60 (1):5 – 19.score: 30.0
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  45. Gregory Currie (2007). Framing Narratives. Royal Institute of Philosophy Supplement 82 (60):17-.score: 30.0
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  46. Gregory Currie (2000). Preserving the Traces: An Answer to Noël Carroll. Journal of Aesthetics and Art Criticism 58 (3):306-308.score: 30.0
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  47. Gregory Currie (1984). Frege on Thoughts: A Reply. Mind 93 (370):256-258.score: 30.0
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  48. Gregory Currie (1993). Impersonal Imagining: A Reply to Jerrold Levinson. Philosophical Quarterly 44 (170):79-82.score: 30.0
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  49. Gregory Currie (1981). Ii. The Origin of Frege's Realism. Inquiry 24 (4):448 – 454.score: 30.0
    An explanation of Frege's change from objective idealism to platonism is offered. Frege had originally thought that numbers are transparent to reason, but the character of his Axiom of Courses of Values undermined this view, and led him to think that numbers exist independently of reason. I then use these results to suggest a view of Frege's mathematical epistemology.
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  50. Gregory Currie & Alan Musgrave (eds.) (1985). Popper and the Human Sciences. Distributors for the United States and Canada, Kluwer Academic Publishers.score: 30.0
    ... THIRD WORLD EPISTEMOLOGY L. Jonathan Cohen . Sir Karl Popper's striking hypothesis about a third world of objective knowledge deserves careful scrutiny ...
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