This chapter contains sections titled: Alejandro Korn (1860‐1936) Alejandro Octavio Deústua (1849‐1945) Enrique Molina (1871‐1964) José Gaos (1900‐69) and José Ortega y Gasset (1883‐1955) Leopoldo Zea (1912‐2004) Samuel Ramos (1897‐1959) Francisco Romero (1891‐1962) Concluding Remarks References Further Reading.

In a short piece written most likely in the 1690s and given the title by Loemker of “On Wisdom,” Leibniz says the following: “...we see that happiness, pleasure, love, perfection, being, power, freedom, harmony, order, and beauty are all tied to each other, a truth which is rightly perceived by few.”1 Why is this? That is, why or how are these concepts tied to each other? And, why have so few understood this relation? Historians of philosophy are familiar (...) class='Hi'>with the fact that both Spinoza and Leibniz place strong emphasis on the notion of power in giving their accounts of the human passions. But, while many scholars have explicated the relation between power and the passions (especially in Spinoza’s philosophy), there has been considerably less attention given to the nature of perfection and its relation to both power and the passions.2 Consider the following passages from Spinoza and Leibniz in which these two thinkers seem to bring together the issue of perfection and passion. In Ethics IIIp11s, Spinoza says the following: We see, then, that the Mind can undergo great changes, and pass now to a greater, now to a lesser perfection. These passions, indeed, explain to us the affects of Joy and Sadness. By Joy, therefore, I shall understand in what follows that passion by which the Mind passes to a greater perfection. And by Sadness, that passion by which it passes to a lesser perfection. The affect of Joy which is related to the Mind and Body at once I call Pleasure or Cheerfulness, and that of Sadness, Pain or Melancholy.3 And, in the Monadology §49, Leibniz says this: “The creature is said to act externally insofar as it is perfect, and to be acted upon [patir] by another, insofar as it is imperfect.”4 In other words, for Spinoza, the primitive passions of joy and sadness are cases in which a being’s perfection is increasing or decreasing, while, for Leibniz, any passion, it would.. (shrink)

Contrary to most interpretations of the transcendental deduction that take it to depend upon the ideas of personal identity, the “ownership” of mental states, or the ontological unity of the mind, the author argues that Kant’s principal concern is to show how the objective reality of a complex representation is consistent with the spontaneity of the mind. The short answer to this question is that objective reality is consistent with spontaneity precisely because the categories are universal and (...) necessary. Ultimately, as Dickerson emphasizes—and this is the novel claim of the book—the problem addressed within the B-deduction ought to be seen as the representationalist parallel to the semantic question of what it is to understand a complex sign or the question of the unity of a proposition. (shrink)

This paper analyzes Leibniz's notorious 'vinculum substantiale', or 'substantial bond', as it appears in his correspondence with the Jesuit philosopher and theologian, Bartholomew Des Bosses. It is shown that, while Leibniz employs the vinculum to address a problem relating to the unity of corporeal substance, it ultimately violates other key principles in his philosophy.

I shall proceed in the following way. In parts II and III of this paper, I shall discuss the strengths and weaknesses of the interpretation put forward by Robert Merrihew Adams in his recent book, and I shall expand upon this account, discussing a crucial but hitherto unexamined aspect of the relation between dominant and subordinate monads, reconstructed from Leibniz's letters to Des Bosses and his essays of 1714, _Principles of Nature and Grace and Monadology. In part IV of (...) this paper, I shall examine various difficulties that arise both for my interpretation and, more generally, for Leibniz's account of the relation of domination and subordination. (edited). (shrink)

Gottfried Wilhelm Leibniz (1646–1716) was one of the great thinkers of the seventeenth and eighteenth centuries and is known as the last “universal genius”. He made deep and important contributions to the fields of metaphysics, epistemology, logic, philosophy of religion, as well as mathematics, physics, geology, jurisprudence, and history. Even the eighteenth century French atheist and materialist Denis Diderot, whose views could not have stood in greater opposition to those of Leibniz, could not help being awed by his achievement, (...) writing in his Encyclopedia, “Perhaps never has a man read as much, studied as much, meditated more, and written more than Leibniz… What he has composed on the world, God, nature, and the soul is of the most sublime eloquence. If his ideas had been expressed with the flair of Plato, the philosopher of Leipzig would cede nothing to the philosopher of Athens.” (Vol. 9, p. 379) Indeed, Diderot's mood was almost despairing in a remark from another piece, which also has a great deal of truth in it: “When one compares the talents one has with those of a Leibniz, one is tempted to throw away one's books and go die quietly in the dark of some forgotten corner.” More than a century later, Gottlob Frege, who fortunately did not cast his books away in despair, expressed similar admiration, declaring that “in his writings, Leibniz threw out such a profusion of seeds of ideas that in this respect he is virtually in a class of his own.” (“Boole's logical Calculus and the Concept script” in Posthumous Writings , p. 9) The aim of this entry is primarily to introduce Leibniz's life and summarize and explicate his views in the realms of metaphysics, epistemology, philosophical theology, and natural philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.3 (2001) 440-442 [Access article in PDF] Reinhard Lauth. Descartes ' Konzeption des Systems der Philosophie. Stuttgart (Bad Cannstatt): Frommann-Holzboog, 1998. Pp. x + 227 pp. Cloth, DM 64.00. Reinhard Lauth's Descartes ' Konzeption des Systems der Philosophie is an interesting addition to the literature on Descartes. Written by a renowned scholar of German Idealism, it does not represent an attempt to (...) respond to scholars of Descartes, to take part in the debate regarding aspects of Descartes's philosophy, nor to explain the role of Descartes's thought in the tumultuous seventeenth century, but rather to explain to scholars of German Idealism why Descartes should be considered the first and one of the greatest transcendental philosophers. It is no accident that in the index we find close to 50 references each to Kant and Fichte, while Descartes's important "rationalist" comrades, Spinoza and Leibniz, receive half as much attention; nor is it an accident that the first and last philosopher mentioned in the book is Fichte.Lauth's book is in the tradition of Gueroult's monumental Descartes selon l ' ordre des raisons (Paris, 1968, 2nd edition) and, as the title indicates, the subject of the book is Descartes's philosophy as a system, not as a collection of independent theses about various philosophical problems. However, unlike Gueroult, who concentrated on an [End Page 440] analysis of the Meditations, Lauth draws extensively on the Rules for the Direction of the Mind, Discourse on Method, Meditations, and Descartes's correspondence. That Descartes viewed philosophy as ideally constituting a system of human knowledge should not come as news to anyone who recalls Descartes's claim in the Preface to the Principles of Philosophy that all of philosophy is like a tree whose roots are metaphysics, trunk physics, and branches medicine, mechanics, and morals, or his claim in the Preface to the Meditations that there is a clear order of argumentation or reasons and that his goal is to lay bare the foundations of philosophy. How exactly Descartes's philosophy is to constitute a system is the trickier question that is Lauth's concern.According to Lauth, the order of reasons that one finds expressed in Descartes's first philosophy is not simply a series of biographical events, filling a psychological need in Descartes (cf. Alquié, La Découverte métaphysique de l ' homme chez Descartes [Paris, 1966]), but rather the "systematic path of the cogito itself" (X). And Lauth attempts to show that there is something inexorable in the way that conclusions about the world from the point of view of the thinking subject are made and follow from one another. This takes him along the well-known path of the Meditations: from the existence of the self, to the nature of the self, to the existence and nature of God, to the external world, and finally to the relation of mind and body. And here two interesting observations on Lauth's part should be singled out. First, Lauth does an admirable job in intimating the tension regarding the places of the thinking subject and God as the supreme principles in Descartes's system. On the one hand, it would seem that the thinking subject should be the highest principle in Descartes's philosophy insofar as its existence is the first thing known; but, according to Lauth, it cannot be the highest principle because it does not contain the principle of its own existence (76). On the other hand, if we claim that God is the highest principle then we must recognize that a system following from this principle must fail insofar as genuine knowledge of God surpasses the bounds of our finite, human knowledge (99-100). Second, in claiming that Descartes was a "transcendental philosopher," Lauth reminds us of the extent to which Descartes is concerned with the bounds of human knowledge as determinable from the thinking subject itself.While this work contains many useful insights—especially for those scholars of German Idealism who are looking for new ways of reflecting on their subject—it has... (shrink)

Leibniz's correspondence with Des Bosses presents students of his thought with a problem. It contains some of Leibniz's longest and most detailed discussions of the nature of substance while at the same time introducing two concepts into Leibniz's metaphysics that continually baffle commentators: scientia visionis and the vinculum substantiale. The aim of this paper is to explicate the relationship between scientia visionis, or God's knowledge by vision, and the vinculum substantiale, or the substantial bond, and to show how (...) these concepts are used by Leibniz in the correspondence with Des Bosses to account for the unity and reality of corporal substances. In my view, the vinculum substantiale and scientia visionis do not represent rival strategies, as they have been recently portrayed in the literature; rather, they work together. But scientia visionis, when applied to questions of ontology, gives us a rather vacuous kind of reality, while the vinculum substantiale represents a much more significant, albeit problematic, account of the nature of substance. (shrink)

Notiones sunt Entium, aut Respectuum. Entia sunt Res aut Modi. Res sunt substantiae aut phaenomenae. Substantiae sunt vel simplices vel compositae. Substantia simplex est Monas; Monas autem est vel primitiva Deus, a quo omnia; vel derivativa. Et ha[e]c vel perceptiva tantum, vel etiam sensitiva; et haec vel sensitiva tantum vel etiam intellectiva quae et spiritus appellatur. Rursus Monas vel est Anima corporis vel est separata; haec vel creata (ut plerique volunt etsi ego an creata sint monades corporis complures dubito) vel (...) increata Deus. Substantia composita est quae Unum reale. Huc enim ponere necesse est aut statuere solas Monades esse res; composita autem esse mera phaenomena. Phaenomena sunt aggregata ex substantiis, quae de certo modo exhibent[iii] percipienti, atque ita inter substantiarum [aggregata] a nobis considerantur.[iv] Uti per nostram cogitationem phenomena ex substantiis oriuntur, ita per Divinam Cogitationem oriuntur ex substantiis simplicibus composita, posito in Deo praeter intellectum accedere voluntatem, ut fiat ex multis unum; nam si tantum multa simul consideraret, phaenomena ex iis seu aggregata faceret, uti cum deus novit iridem aut eius proprietates. At cum inde debet oriri [seu] resultare novum Ens, oportet ut accedat divina voluntas. Porro hujus novi Entis partes non sunt Monades, sed sunt ejus fundamenta, uti puncta non sunt partes lineae. Hoc novum Ens constat ex materia et forma. Materia est ortum totale ex viribus passivis omnium Monadum; et Forma est ortum totale ex entelechiis primitivis omnium Monadum. Et hoc ortum cum non sit Modus sed aliquid absolutum[,] posset conservari a Deo destructis monadibus, et vicissim ipso destructo possent conservari Monades. Atque hoc est substantia corporea, quae est in perpetuu fluxu quam . Porro modificationes sunt accidentia quae ex accidentibus Monadum oriuntur.. (shrink)

One of the more interesting topics debated by Leibniz and Locke and one that has received comparatively little critical commentary is the nature of essences and the classification of the natural world.1 This topic, moreover, is of tremendous importance, occupying a position at the intersection of the metaphysics of individual beings, modality, epistemology, and philosophy of language. And, while it goes back to Plato, who wondered if we could cut nature at its joints, as Nicholas Jolley has pointed out, (...) the debate between Leibniz and Locke has very clear similarities to the topic that has dominated the philosophy of language from the 1970s on: namely, the challenge mounted by Kripke, Kaplan, Putnam, and others against Russellian and Fregean descriptivist accounts of meaning. Yet, this topic is also, as Jolley writes, one of the “most elusive” in the debate between Leibniz and Locke.2 The purpose of this paper is to examine in detail Leibniz’s critique of Locke’s distinction between real and nominal essences. In doing so, I hope to show certain virtues in Leibniz’s account of metaphysics and philosophy of language that usually escape notice. While I wish to provide a general account of Leibniz’s disagreement with Locke, I also plan to focus on the nature of species and natural kinds. In my opinion, those who have treated this topic have not paid sufficient attention to Leibniz’s claims that “Essence is fundamentally nothing but the possibility of the thing under consideration” and “essences are everlasting because they only concern. (shrink)

This paper addresses D. C. Williams’s question, “How can Leibniz know that he is a member of the actual world and not merely a possible monad on the shelf of essence?” A variety of answers are considered. Ultimately, it is argued that no particular perception of a state of affairs in the world can warrant knowledge of one’s actuality, nor can the awareness of any property within oneself; rather, it is the nature of experience itself, with the flow of (...) perceptions, that guarantees our actuality. A consequence of this view is that no non-actual individuals can truly be said to experience their worlds, nor can they ask the question if they are actual or not. (shrink)

With entries written by leading scholars in the field of Modern Philosophy, this Companion is an accessible and authoritative reference guide to Leibniz's life, work and legacy. The book includes extended biographical sketches, and an up-to-date fully comprehensive bibliography. Gathering all these resources in one place, the book is an extremely valuable tool for those interested in Leibniz and the era in which he wrote"--Back cover.

The connection between Spinoza and Nietzsche has often been remarked upon in the literature on the two thinkers.1 Not surprisingly, Nietzsche himself first noticed the similarity between his (earlier) thought and the thought of Spinoza, remarking to Overbeck in an oft-quoted postcard, “I have a precursor, and what a precursor!” He goes on to say, “Not only is his over-all tendency like mine – making knowledge the most powerful affect – but in five main points of his doctrine I (...) recognize myself; this most unusual and loneliest thinker is closest to me in precisely these matters: he denies the freedom of the will, teleology, the moral world order, the unegoistic, and evil. Even though the divergences are admittedly tremendous, they are due more to the difference in time, culture, and science.”2 One aspect of his own thought that Nietzsche does not list here, however, is his “doctrine” of “becoming who one is.” Is this an example of a point at which Spinoza and Nietzsche’s views separate? In this paper, I should like to consider whether or not Spinoza could plausibly be understood to have had a similar view; that is, I should like to examine whether or not the process for Spinoza of achieving happiness and beatitude can be seen principally as an instance of “becoming who one is.” There are, of course, some obvious and notorious difficulties in trying to understand what Nietzsche meant by the phrase “to become who one is.” After all, Nietzsche seems to deny both the existence of the self (as substance) and being in general, saying that there is only becoming. What, then, might this phrase mean? As this paper concerns principally the philosophy of Spinoza, I do not want to get too bogged down in the difficulties involved in interpreting Nietzsche; rather, I wish to follow without further argument the.. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Individuation und Einzelnsein: Nietzsche, Leibniz, AristotelesBrandon C. LookPaola-Ludovika Coriando. Individuation und Einzelnsein: Nietzsche, Leibniz, Aristoteles. Frankfurt: Klostermann, 2003. Pp. ix. + 318. €28,00.What is a singular thing? Is there a first or last principle that allows us to call something an individual or one? What is the relation between the particular and the universal? Does the being of a particular mean the separation from the universal, or, on (...) the contrary, is the universal a post facto aggregation of individual subjects? What constitutes the individuality of man? This book, based on a lecture course given at the University of Freiburg, addresses these difficult questions and their answers by Nietzsche, Leibniz, and Aristotle.The author claims to limit the discussion to these philosophers because their philosophies represent distinct stations in the development of the question of individuation and the nature of individuality and, at the same time, because their different positions are both explicitly and implicitly related to each other (15). Coriando begins her discussion with Nietzsche, a philosopher one might not have linked at all to the "problem of individuation" per se, and moves backward in time to Leibniz and finally to Aristotle. The point of this order of presentation, the reader is told, is to trace back the essentials of the question of individuation to its origin: Aristotle (16). This strategy is largely successful.Nietzsche's primary concern, of course, is with the nature of the individual, or more particularly, the individual Mensch, and how he is distinguished from or distinguishes himself from the rest of the world. The answer, for Nietzsche, is to be found in his concept of the "will to power," which provides what Coriando calls his "ontological principle of individuation": the inherent drive for perspectival self-affirmation and self-increase (131). There is also, however, an "ethical principle of individuation": the attitude of a person vis-à-vis the eternal recurrence of the same. In accepting and letting go of the entirety of the world and its eternal recurrence, one "becomes who one is," and one can know one's individuality.Whereas Nietzsche tries to approach the problem of individuation independently of the entire western tradition of metaphysics, Leibniz is squarely within this tradition. Indeed, [End Page 121] in his first philosophical work, the Metaphysical Disputation on the Principle of Individuation, the sixteen-year-old Leibniz throws himself into a scholastic fray, carving out a strongly nominalist position. Leibniz's belief that only genuine individuals exist would, of course, stay with him throughout his career; the problem will be, as Coriando nicely shows, to give a precise account of the nature of individual substance. Coriando focuses on two works in her discussion, On the Correction of Metaphysics and the Concept of Substance and, to a much greater extent, the Monadology. The view that she extracts from these works should not be surprising. The principle of individuation, for Leibniz, rests in the active force of a monad and in the particular representation of the rest of the world from the monad's own point of view. Put this way, there is an interesting commonality with Nietzsche at work here.A similar commonality is shown with the thought of Aristotle. Here the principal concern is to explicate Aristotle's conception of ousia in De anima and MetaphysicsZ, H, and Q. Naturally, this leads into an account of how matter can be living and a further explication of Aristotle's energeia and entelecheia. In the end, it becomes clear that the set of concepts—energeia, conatus, will to power—are all, if not equivalent, at least performing largely the same role in guaranteeing the being of individuals. What has become "lost" in Aristotle's philosophy, however, is a notion like the perspectivalism present in Leibniz and Nietzsche, something that Coriando does not discuss at any length.This book offers a broad perspective on the question of individuation, and the choice of Nietzsche, Leibniz, and Aristotle allows Coriando to highlight interesting answers to this metaphysical problem. I do have two small quibbles. First, the problem of individuation, or the desire for a principium individuationis is so much a problem associated with medieval philosophy that... (shrink)

In his Between Two Worlds: A Reading of Descartes’s Meditations, John Carriero presents a sustained and sensitive interpretation of this seminal work of modern philosophy. The two worlds of the title are the worlds of Scholastic philosophy on the one side, and of the mechanical philosophy on the other, and it is Carriero’s argument that the Meditations are most helpfully understood against the background of Thomistic Scholasticism. In particular, Carriero shows that there is a deep difference between (...) St. Thomas and Descartes, first, concerning philosophical theology and the nature and possibility of our cognition of the divine essence, and second, concerning the nature of human cognition. What Carriero is ultimately trying to argue against is a picture of Descartes according to which he is fundamentally engaged in an anti-skeptical project and at the same time responsible for a crass and superficial form of dualism.While the book is organized simply, with one chapter devoted to each of the Descartes’s six Meditations, it is philosophically very rich and will reward careful study. Indeed, it is rare for a book to be devoted to such a close reading of a single text at this high level. Certainly, there are many “Introductions” for undergraduates, but few works written for advanced graduate students and professional philosophers cover a text so closely and so subtly. Carriero’s book demonstrates the virtues of this kind of text-immanent. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Transcendental Proof of RealismBrandon C. LookKenneth R. Westphal. Kant’s Transcendental Proof of Realism. New York: Cambridge University Press, 2004. Pp. x + 299. Cloth, $80.00.Westphal's book is a rich and exciting contribution to the field of Kant studies. Its claims run counter to much contemporary discussion of Kant's theoretical philosophy and indeed challenge some of Kant's fundamental doctrines, but the arguments are very compelling and therefore (...) likely to force us to rethink both the Critique of Pure Reason [CPR] and Kant's relevance to contemporary epistemology.The central point of this work is that, if we follow Kant's injunction to engage in reflection on our cognitive capacities, then we will be led not to Kantian transcendental idealism but to an unqualified realism about objects and events in space and time. The book's first three chapters are devoted to analyzing Kant's methodology and the much-overlooked idea of transcendental affinity. Westphal focuses on the Kantian duty of engaging in "transcendental reflection," which is "the action through which I make the comparison of representations in general with the cognitive power in which they are situated, and through which I distinguish whether they are to be compared with one another as belonging to pure understanding or to sensible intuition" (CPR, A 261/B 317). And he adds to this the more general methodological obligation of "epistemic reflection," or the duty to determine precisely our cognitive capacities and incapacities. If, then, we reflect on our representations, their origins in sensibility and the understanding, and on our powers to know things of ourselves and the world in general, then certain puzzles arise—puzzles that were confronted by Kant (and Hume and Hegel) but that have not received the attention they have deserved. Chief among these puzzles is our ability to identify single objects and events and track them in space through time. But, as Westphal is keen to point out, identifying any particular over time requires that we be able to re-identify that particular. Now, while this puzzle is addressed by Kant in the Transcendental Deduction and Analogies of Experience, it is important to see that there is a material condition necessary for the possibility of self-conscious experience of the world that is not fleshed out in great detail by Kant and seems to be completely overlooked in the literature on Kant, namely, "the presupposition of diversity in nature" and the homogeneity of its objects among themselves (CPR, A 657/B 685). In other words, the fact that we are able to associate our various sensations with each other at all (and thereby identify and re-identify objects) is due to their "transcendental affinity." And it is Westphal's contention that "on Kant's own principles, the transcendental affinity of the manifold of sensory intuition can only be reconstructed, but not constructed, by intellectual syntheses of the understanding" (91). Therefore, pace Kant, who held that only his transcendental idealism could explain the possibility of experience, Westphal argues that transcendental idealism runs afoul of many of Kant's own arguments and observations in the Transcendental Aesthetic and Transcendental Analytic and, more important, that transcendental affinity provides grounds for "realism sans phrase" (the author's phrase) about objects and events in space and time, and for the view that our mental states are determined by external objects. As Westphal puts it in his conclusion: "Kant's analysis of transcendental affinity is in fact a transcendental argument for mental content externalism" (266). [End Page 665]The second part of Westphal's argument revolves around a detailed examination of Kant's theses about transeunt causality and the nature of matter as expressed not only in the Critique of Pure Reason, but also in the Metaphysical Foundations of Natural Science and the Opus postumum. Roughly the problem is this: in order to have an adequately grounded metaphysics of nature, Kant needs not only the results of the Analogies of Experience, the transcendental causal thesis that every event has a cause, but also the metaphysical causal thesis that every physical event has an external physical cause. But, according to Westphal, in the Metaphysical Foundations... (shrink)

This paper addresses D. C. Williams’s question, “How can Leibniz know that he is a member of the actual world and not merely a possible monad on the shelf of essence?” A variety of answers are considered. Ultimately, it is argued that no particular perception of a state of affairs in the world can warrant knowledge of one’s actuality, nor can the awareness of any property within oneself; rather, it is the nature of experience itself, with the flow of (...) perceptions, that guarantees our actuality. A consequence of this view is that no non-actual individuals can truly be said to experience their worlds, nor can they ask the question if they are actual or not. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.3 (2002) 399-400 [Access article in PDF] Book Review Radical Enlightenment: Philosophy and the Making of Modernity, 1650-1750 Jonathan I. Israel. Radical Enlightenment: Philosophy and the Making of Modernity, 1650-1750. Oxford: Oxford University Press, 2001. Pp. xx + 810. Cloth, $45.00. Jonathan Israel's goal in this excellent book is to show that we cannot fully understand the high Enlightenment—the age (...) of the philosophes and the French Revolution—without looking at the work and influence of that "most unusual and loneliest thinker" (to borrow a phrase from a later admirer): Spinoza. Israel gives us a detailed and nuanced account of the history of ideas in early modern Europe, focusing especially on the generations before Voltaire and Rousseau. Not only does Israel describe the general struggle between Enlightenment ideas and the status quo ante, he also discusses in depth the tensions between "mainstream" Enlightenment and its "radical" wing. More precisely and importantly, Israel argues that the high Enlightenment ought to be seen as the outcome of "a four-way conflict between Newtonians, neo-Cartesians, Leibnitio-Wolffians, and radicals" (715), a conflict that took place across Europe and whose dust had essentially settled by 1740. Thus, Israel is arguing against the view that the French philosophes were the dominant force in the intellectual world that led to the Revolution, against the view that Newton and Locke played a dominant role throughout Europe, and against the view that there were several distinct enlightenments with different national characters.What is meant by the term "radical Enlightenment"? According to Israel, radical Enlightenment comprises several views and tendencies in the realms of science, theology, and politics: in scientific matters, it embraces naturalism, mechanism, and materialism; in theological matters, it denies a moral order to the universe, a providential god, the Judeo-Christian(-Islamic) account of creation, miracles, and reward and punishment in an afterlife, and is critical of the idea of the divine inspiration of religious texts; in political matters, it unequivocally supports republicanism, even democracy; and, in all matters, it argues for the necessity of toleration and the "freedom to philosophize." For those who know Spinoza's philosophy, this ought to sound familiar.Israel's book is divided into five parts. In the first, he sketches the general intellectual milieu of early seventeenth-century Western Europe. The second part describes Spinoza and his circle and the philosophy of the Ethics and Tractatus Theologico-Politicus. In Parts III and IV, Israel discusses the immediate reactions to Spinozism, the varieties of radical Enlightenment made possible by Spinoza, and the "intellectual counter-offensive" to naturalism, materialism, atheism, and republicanism. Part V concerns the "clandestine progress" of Spinozism and radical ideas in different countries after the banning and censorship of so many radical works, and, in a brief epilogue, Israel argues that it is Rousseau who effectively reconciled mainstream Enlightenment thought with its radical relative. This is a lot of territory to cover, and Israel covers it admirably, offering illuminating discussions of other key figures of the time: Leibniz, Malebranche, Bossuet, Locke, Bayle, Wolff, Vico, Diderot, and La Mettrie. Another strength of Israel's book is, however, the extent to which he portrays thinkers (some radicals, some reactionaries) and works that are less familiar to most working in the field today. We learn not only about such figures as Bredenburg, Fontenelle, Le Clerc, Leenhof, and Boulainvilliers, but also, in a charming but unfortunately short chapter, about Spinozistic novels from the eighteenth century.As someone trained in a philosophy department to work on the history of philosophy, I felt uneasy in one respect with this book. While Israel emphasizes the battles between philosophies and ideas, he does not concern himself so much with the process of doing philosophy. That is, if there is a failing in this book, it is that we are presented with descriptions of philosophical views without always being given an adequate account of why such views were held by individual thinkers or how the theses of the radical Enlightenment, say, are related to each... (shrink)

Roger Ariew begins this book with the following sensible claim: “A philosophical system cannot be studied adequately apart from the intellectual context in which it is situated”. His book, naturally enough, attempts to demonstrate the way in which Descartes responded to and affected the philosophical world of late Scholasticism. The ten chapters themselves are all previously, or soon to be, published essays, unified by the view that our knowledge of late Scholasticism is deeply imperfect and that our resulting picture (...) of Descartes is also imperfect. Each chapter provides an example of how, with a proper understanding of Scholastic philosophy, we arrive at a slightly different and more refined picture of Descartes. Indeed, Ariew’s work is the product of an admirably broad and detailed knowledge of the works of the major thinkers of the sixteenth and seventeenth centuries; Toletus, Suarez, Eustachius, Basso, Clavius, Dupleix, Mersenne, Arnauld, and many others are the actors in this drama of the rise of Cartesianism. (shrink)

This is an excellent book and an important contribution to the field. Cover and O’Leary-Hawthorne show themselves to be not only at home in the philosophical tradition and hence able to situate Leibniz’s metaphysics within a context of scholastic and modern thought, but also adept at doing metaphysics with a historical figure serving as the springboard for further reflection. By arguing with and sometimes for Leibniz, they explicate his philosophy.

In this book, Pierre Keller addresses some of the most difficult issues in Kant scholarship and provides us with an interesting and new interpretation of Kant’s doctrine of self-consciousness and its relation to the Critical project. In the process of doing so, he skillfully steers between the now treacherous reefs of rival interpretations of Kant. Just as the Critique of Pure Reason is difficult because Kant has so many opponents on so many different issues, so Keller’s book is difficult (...) and demanding because he is trying to give us an interpretation of self-consciousness, while at the same time arguing against the major figures in Kant scholarship on a variety of issues. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Transcendental Proof of RealismBrandon C. LookKenneth R. Westphal. Kant’s Transcendental Proof of Realism. New York: Cambridge University Press, 2004. Pp. x + 299. Cloth, $80.00.Westphal's book is a rich and exciting contribution to the field of Kant studies. Its claims run counter to much contemporary discussion of Kant's theoretical philosophy and indeed challenge some of Kant's fundamental doctrines, but the arguments are very compelling and therefore (...) likely to force us to rethink both the Critique of Pure Reason [CPR] and Kant's relevance to contemporary epistemology.The central point of this work is that, if we follow Kant's injunction to engage in reflection on our cognitive capacities, then we will be led not to Kantian transcendental idealism but to an unqualified realism about objects and events in space and time. The book's first three chapters are devoted to analyzing Kant's methodology and the much-overlooked idea of transcendental affinity. Westphal focuses on the Kantian duty of engaging in "transcendental reflection," which is "the action through which I make the comparison of representations in general with the cognitive power in which they are situated, and through which I distinguish whether they are to be compared with one another as belonging to pure understanding or to sensible intuition" (CPR, A 261/B 317). And he adds to this the more general methodological obligation of "epistemic reflection," or the duty to determine precisely our cognitive capacities and incapacities. If, then, we reflect on our representations, their origins in sensibility and the understanding, and on our powers to know things of ourselves and the world in general, then certain puzzles arise—puzzles that were confronted by Kant (and Hume and Hegel) but that have not received the attention they have deserved. Chief among these puzzles is our ability to identify single objects and events and track them in space through time. But, as Westphal is keen to point out, identifying any particular over time requires that we be able to re-identify that particular. Now, while this puzzle is addressed by Kant in the Transcendental Deduction and Analogies of Experience, it is important to see that there is a material condition necessary for the possibility of self-conscious experience of the world that is not fleshed out in great detail by Kant and seems to be completely overlooked in the literature on Kant, namely, "the presupposition of diversity in nature" and the homogeneity of its objects among themselves (CPR, A 657/B 685). In other words, the fact that we are able to associate our various sensations with each other at all (and thereby identify and re-identify objects) is due to their "transcendental affinity." And it is Westphal's contention that "on Kant's own principles, the transcendental affinity of the manifold of sensory intuition can only be reconstructed, but not constructed, by intellectual syntheses of the understanding" (91). Therefore, pace Kant, who held that only his transcendental idealism could explain the possibility of experience, Westphal argues that transcendental idealism runs afoul of many of Kant's own arguments and observations in the Transcendental Aesthetic and Transcendental Analytic and, more important, that transcendental affinity provides grounds for "realism sans phrase" (the author's phrase) about objects and events in space and time, and for the view that our mental states are determined by external objects. As Westphal puts it in his conclusion: "Kant's analysis of transcendental affinity is in fact a transcendental argument for mental content externalism" (266). [End Page 665]The second part of Westphal's argument revolves around a detailed examination of Kant's theses about transeunt causality and the nature of matter as expressed not only in the Critique of Pure Reason, but also in the Metaphysical Foundations of Natural Science and the Opus postumum. Roughly the problem is this: in order to have an adequately grounded metaphysics of nature, Kant needs not only the results of the Analogies of Experience, the transcendental causal thesis that every event has a cause, but also the metaphysical causal thesis that every physical event has an external physical cause. But, according to Westphal, in the Metaphysical Foundations... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Moral Motivation and the Development of Francis Hutcheson’s PhilosophyJohn D. BishopHutcheson was an able philosopher, but philosophical analysis was not his only purpose in writing about morals. 1 Throughout his life his writings aimed at promoting virtue; his changing philosophical views often had to conform, if he could make them, to that rhetorical end. But a mind which understands philosophical argument cannot always control the conclusions at which it (...) arrives. The result for Hutcheson was often tension in his thought—which in the end produced a farrago when he tried to create a system of moral philosophy.Throughout his writing career, Hutcheson’s views on the problem of moral motivation were a combination of change and development against a background of certain constant views. A close examination of his views on moral motivation throws light on the development of his thought, including his growing Stoicism, and some of the changes he made to the moral sense theory.The phrase “moral motivation” can refer to either of two issues. On the one hand there is the question of what motivates virtuous actions, and the usual answer for Hutcheson is benevolence. Because they are approved by the moral sense, actions motivated by benevolence are morally good or virtuous (terms which I will use interchangeably). Hutcheson in his late writings calls such actions “formally good” to distinguish them from actions which do in fact promote the greatest happiness, or the natural good, of others; these latter actions are “materially good.” 2 On the other hand there is [End Page 277] the question of how our knowledge of the virtuousness of certain actions can motivate and how in particular such knowledge can motivate morally good actions. For Hutcheson we know which actions are morally good because we have a moral sense, but how this knowledge motivates morally good actions is a question Hutcheson made several attempts to answer. This second question, how the moral sense can motivate morally good actions, is the focus of this paper. The development of Hutcheson’s idea of benevolence will be commented on briefly, but first we need to look at some of the unchanging aspects of Hutcheson’s thought and purposes to provide background to the issue of motivation.Virtuous actions are the result of virtuous character. Hutcheson maintained this from his earliest publications (Reflections, par. 5) to his posthumous System. 3 A virtuous character cannot be directly chosen, even if we wanted to, because we cannot choose to have benevolent desires: “[N]either benevolence nor any other affection or desire can be directly raised by volition” (Inquiry, IV, 139; revised from first edition).But virtue can be cultivated:... virtue, itself, or good dispositions of mind, are not directly taught, or produced by instruction; they must be originally planted in our nature by its great Author, and afterwards strengthened and confirmed by our own cultivation.(Inquiry, IV, 271. Changed from I, 253, with reference to cultivation added; cf. also Introduction, 13, 25, 38, 39, 58–59, etc.)We can cultivate virtue in ourselves; and through writing, teaching, conversation, and social interaction, we can cultivate it in others. 4 At the start of his career, when announcing in Reflections the purpose of his writing on [End Page 278] moral theory, Hutcheson regrets that the moral systems common in his day are not conducive to promoting virtue: they are written, he says, by moralists who are “sour and morose in their deportment;... easily put out of humour...; dejected with common calamities, and insolent upon any prosperous change in fortune” (Reflections, par. 4). He promises that his forthcoming Inquiry will not have this fault. In the preface to the Essay he complains about the writings of the ethical egoists because “many [people] have been discouraged from all attempts of cultivating kind generous affections in themselves, by a previous notion that there are no such affections in nature...” (I, v; III, v). Throughout all the rest of his writings on morality Hutcheson advocates both the private and communal cultivation of virtue, and at the same time he contributes to that cultivation.The other constant which dominates the moral motivation issue is Hutcheson’s rejection of egoism. Benevolence is a... (shrink)

The treatment of personal identity in Hume's Treatise displays a shift that is both interesting as an object lesson in the weakness of a particular sort of empirical project, and important for what it teaches about investigating moral life. By examining Hume's change in method and project, I show that theoretical epistemology and practical moral philosophy come together in Hume's account of the passions, and that out of this convergence arises an account of the way interpersonal relations structure our (...) very sense and idea of self. This account of self provides an explanation of moral motivation and the social elements of moral judgment that is naturalistic without being reductive. ;In his turn from the understanding in Book I to the passions in Book II, Hume moves from examining the isolated individual elements of his own mind to investigating the way our mind works as we interact with other persons. Instead of considering the components of thought atomistically, as if each constituent of thought has a nature independent of and unaffected by its relation to other constituents of thought, he considers the network of thought and passion that makes up mental life, developing a picture of the self that is dependent upon the whole of experience, rather than just individual impressions and ideas, considered separately. ;Hume's recovery of the self in the account of the passions shows how the personal identity problem is not just a metaphysical problem concerning the possibility of a substantial self beneath our perceptions, but is a moral problem: it concerns how we assess ourselves and others as moral agents, in interaction with each other. More than just an adjustment to fit the topic of the passions, Hume's change in method indicates an evolution in the kinds of questions he is pursuing. As he turns away from a piecemeal examination of individual elements of his thought to an examination of how persons function in passional life, his inquiry into the source of our idea of self evolves into an investigation of self-awareness and its development through the passions and social experience. (shrink)

According to the standard analysis, humor theories can be classified into three neatly identifiable groups:incongruity, superiority, and relief theories. Incongruity theory is the leading approach and includes historical figures such as Immanuel Kant, Søren Kierkegaard, and perhaps has its origins in comments made by Aristotle in the Rhetoric. Primarily focusing on the object of humor, this school sees humor as a response to an incongruity, a term broadly used to include ambiguity, logical impossibility, irrelevance, and inappropriateness. The (...) paradigmatic Superiority theorist is Thomas Hobbes, who said that humor arises from a “sudden glory” felt when we recognize our supremacy over others. Plato and Aristotle are generally considered superiority theorists, who emphasize the aggressive feelings that fuel humor. The third group, Relief theory, is typically associated with Sigmund Freud and Herbert Spencer, who saw humor as fundamentally a way to release or save energy generated by repression. In addition, this article will explore a fourth group of theories of humor: play theory. Play theorists are not so much listing necessary conditions for something’s counting as humor, as they are asking us to look at humor as an extension of animal play. (shrink)

Kant’s Prolegomena is a piece of philosophical advertising: it exists to convince the open-minded “future teacher” of metaphysics that the true critical philosophy — i.e., the Critique — provides the only viable solution to the problem of metaphysics (i.e. its failure to make any genuine progress). To be effective, a piece of advertising needs to know its audience. This chapter argues that Kant takes his reader to have some default sympathies for the common-sense challenge to metaphysics originating from Thomas (...) Reid and his followers; this fact in turn explains his rhetorical strategies in the Prolegomena, particularly regarding the presentation of the problem of metaphysics. The chapter draws attention to the importance of Shaftesbury, who, with a nod to Horace, had argued for the deployment of humour to disarm fraudulent claims to epistemic and moral authority. Kant looks to Horace himself to poke fun at the common-sense challenge to metaphysics, and from there to indicate the general shape of the particular argumentative strategies of the Critique — that project that alone, in his view, can promise some kind of future for metaphysics. (shrink)

Humour in the Zhuangzi is used to question the priority that human beings bestow upon language and thought, revealing both its limitations and its possibilities. Hierarchies and conventions are overturned and both the sense and senselessness of language are celebrated. Humour also opens up a world in which a plethora of perspectives is acknowledged and the purpose of purposelessness is underscored. Encouraging us to take laughter seriously also allows us to view the seeming gravity of the human condition (...) class='Hi'>with increased levity. (shrink)

Medical professionals seem to interpret their uses of humor very differently from those outside the medical profession. Nurses and physicians argue that humor is necessary for them to do their jobs well. Many (potential) patients are horrified that they could one day be the butt of their physician’s jokes. The purpose of this paper is to encourage the respectful use of humor in clinical prac-tice, so as to support its importance in medical practice, while simultaneously protecting against (...) its potential abuse. I begin by examining two extremes of supporting or chastising the use of medical humor. I look at these views through the lenses of popular theories of humor to help explain their theoretical bases. In this second section, I explain the emotional aspect of humor as an embodied and embedded transformation of the world. This clarifies the role that humor plays in our daily lives, as well as why the ethical or unethical nature of its use is dependent on context. Third, I address the potential problems in the relationship between humor and clinical sympathy, and how this further affects the relationship between medical professionals and their patients. I conclude by arguing that humor can conflict with clinical sympathy, but this need not be the case. If medical professionals actively engage with clinical sympathy and focus on using humor in a way that is respectful towards their patients, then humor can continue to be a positive force in their lives while still providing the best care for their patients. (shrink)

Successful jokes involve incongruities, but not any incongruity will do—not, for example, one as blatantly bare as an explicit instance of the form p.~p. Substitution in such is no secure generator of fun; and stand-up comedians would be lucky to escape with their lives, if—at the Glasgow Empire on a Saturday night—they delivered one-liners such as “She came from Dungeness and not from Dungeness.” Build-up context, alcohol level, and delivery skills—and it is not impossible that any line, even the (...) p.~p instance, could secure some laughs; but laughs alone need indicate no joke. At a level virtually platitudinous, jokes require an incongruity—a tension—between expectations typically aroused by initial words and resultant sabotaging revelations. We could, no doubt, be a species that laughed at every expressed contradiction, yet one for which banana skins, sexual spasms, and implied inconsistencies raised no flicker. Which particular sayings generate incongruities and not mere laughter is no empirical matter, but one of logic, logic taken sufficiently widely to include semantics and pragmatics. These incongruities, with the masking, the movement and unmasking—the teasing, stripping, and exposed sabotage—are to be found within many philosophical paradoxes as well as within jokes. Laying bare the jokes’ mechanisms can help to resolve such paradoxes. Joking matter itself need be no joking matter; and as jokes and paradoxes rely upon veiled incongruities, an all-seeing god would see no joke and meet no paradox. (shrink)

For more than fifty years, Sterling M. McMurrin served as one of the preeminent intellectual voices of the LDS community. From his beginnings as an Institute of Religion instructor to U.S. Commissioner of Education, and from a professor of philosophy to U.S. Envoy to Iran, he showed by example how personal and institutional morality can be defended.In a series of candid discussions with Jack Newell, McMurrin reveals his ability to reconcile freedom and conscience. In a spirit of repartee (...) and friendship, writes Boyer Jarvis in the foreword, Newell probes, challenges, and constantly draws McMurrin out as he... reflects upon his wide-ranging ideas and experiences. Rich in insight and humor, this remarkable dialogue captures the sweep and depth of McMurrin's thoughts as Newell engages him in discussing his approaches to philosophy, education, and religion.Among the qualities that characterized McMurrin's life and mind, explains Newell, perhaps the most notable is the freedom with which he has spoken his views on both the sacred and the profane. His intellectual integrity -- coupled as it almost always is with his humane instincts and innate fairness -- has simultaneously confounded and earned the respect of critics. (shrink)

Clowns seem suspect when it comes to respect. The combination of clowning and people with dementia may seem especially suspicious. In this argument, I take potential concerns about clowning in dementia care as an opportunity to explore the meaning of a respectful approach of people with dementia. Our word ‘respect’ is derived from the Latin respiciō, meaning ‘looking back’ or ‘seeing again’, as well as ‘looking after’ or ‘having regard’ for someone or something. I build upon this (...) double meaning of respiciō by examining how simultaneously we look to and after people with dementia. I do so empirically by studying how miMakkus clowns in their practice learn to look with new eyes to people and things around them. I call this clown’s view and differentiate it from the predominant way of observing people in dementia care. I argue that respiciō comes in two guises, each of which merges specific forms of looking to and looking after the other. By making conventional, solidified ways of seeing the other fluid again, clowns remind us of the value that comes with a veiled way of paying respect to people with dementia. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Laughing at Nothing: Humor as a Response to NihilismWill SlocombeLaughing at Nothing: Humor as a Response to Nihilism, by John Marmysz. 209 pp. Albany: SUNY Press, 2003; $54.50 cloth, $17.95 paper.Nihilism has become a (relatively) more popular theme in academia in recent years. Aside from the revival of standby texts such as Goudsblom's Nihilism and Culture and Rosen's Nihilism, there has been a glut of books (...) in areas as diverse as economics (Ritzer's The Globalization of Nothing), theology (Cunningham's Genealogy of Nihilism), and theory (Clemen's The Romanticism of Contemporary Theory). John Marmysz's contribution, Laughing at Nothing, is a refreshing change inasmuch as he invites us to laugh at nihilism and, in effect, to laugh with him at much of the scholarly work on nihilism. Primarily philosophical in tone, Laughing at Nothing is an academic treatise on nihilism and humor, an exploration of contemporary American culture, and a plea for understanding in a hostile environment.Marmysz is determined, as few others are, to see a positive potential in nihilism. Although he never uncovers a "positive" nihilism, he is willing to accept the idea that nihilism may be a valuable cultural concept. In his introduction, he stresses the fact that most critics of nihilism "underplay the constructive and positive role of nihilism in both individual and collective human history" (p. 10). This book attempts to undermine such trite interpretations of nihilism; evident from his observation that, "too often scholars proceed to draw conclusions about nihilism itself on the basis of philosophies that are, in fact, very poor models" (p. 11). This is an important point, and one to which I will return.All exegeses on nihilism must include a history of the concept to orient the reader within the given intellectual milieu, and Marmysz's is no exception. Moving comfortably from late eighteenth-century debates between Friedrich Jacobi and Johann Fichte to contemporary theories by Michael Gillespie, Cornel West, Yukio Mishima, and Karen Carr, Laughing at Nothing guides the reader through the intricacies of the arguments in three brisk chapters without [End Page 449] ever sacrificing clarity. This is no mean feat given the task that Marmysz has taken upon himself: to summarize more than 200 years of history and avoid the pitfalls of saying that nihilism is an aspect of modernity is a significant achievement (and one for which I am grateful).For most readers, however, the most important part of Laughing at Nothing will be Marmysz's own definition of nihilism, which is essentially thwarted idealism: "The full impact of the problem of nihilism strikes only when an individual passionately desires ultimate meaning, value, and purpose, but believes those things to be out of reach" (pp. 84-85). There are thus two elements to a nihilistic worldview: an idealized desire for a better world coupled with a belief that this can never be realized—"the real world is denigrated in comparison to the ideal, and the ideal is believed to be hopelessly out of reach" (p. 85). This, for Marmysz, is the basis of a "nihilistic incongruity," upon which the solution—humor—is founded.After Marmysz's treatment of a history of nihilism, it is unsurprising that his discussion of humor is as accomplished, skilfully navigating theories of Kant, Freud, Bergson, and Morreall. Marmysz's treatment of "incongruous" humor is impressive, basing itself on the idea that "humor allows us to confront incongruities and, instead of being overwhelmed by them, to understand them in an unusual and original fashion" (p. 152). For this reason, humor creates "the capacity to make incongruities unthreatening and to interpret them in a manner that produces amusement" (p. 153). This is, of course, critical to avoid the potential problems of nihilistic incongruity. Through an analysis of jokes, and the application of different theories about humor, Marmysz demonstrates that the "solution" to nihilism is disarmingly simple: we must learn to laugh at ourselves. Marmysz writes: "Nihilism reminds us that humans are not gods, and that despite all our accomplishments and wonders of civilization, humans cannot alter the fact that they only possess a finite amount of mastery and control over their own destinies... (shrink)

This research looks into absurdity focusing on its etymology as well as its relationship with the concepts "sense" and "meaning", looks into the concepts of "context" and "decontextualization" so as to understand the nature of absurd decontextualization. Considering the different meanings of absurdity in literature, philosophy and humour, this research is also meant to provide a breakdown of the architecture of nonsense.

“ A man orders a whole pizza pie for himself and is asked whether he would like it cut into eight or four slices. He responds, ‘Four, I’m on a diet ”’ (Noël Carroll) -/- While not hilarious --so funny that it induces chortling punctuated with outrageous vomiting--this little gem is amusing. We recognize that something has gone wrong. On a first reading it might not compute, something doesn’t quite make sense. Then, aha! , we understand the hapless dieter (...) has misapplied general rules of thumb, mental short-cuts, or heuristics, that we were also initially committed to and that would usually be good enough to rely upon— fewer slices equals fewer calories; diets require fewer calories, etc—but in this particular case they fail, and the feeling of mirth is our reward for making this discovery. We don’t say all of that after a punchline, of course, but that’s what is happening according to the Humor as Error-Detection Theory : our sense of humor can sense our errors. This chapter will focus on the overlap and benefits of a humorous and philosophical attitude toward the world and our place in it. The historian of philosophy Will Durant tells us that genuine philosophy begins when one learns to doubt; we can say something similar with humor--trust me. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A New Look at the Prime MoverDavid BradshawThe last twenty years have seen a notable shift in scholarly views on the Prime Mover. Once widely dismissed as a relic of Aristotle's early Platonism, the Prime Mover is coming increasingly to be seen as a key—perhaps the key—to Aristotle's mature metaphysics and philosophy of mind. Perhaps the best example of the revisionist view is Jonathan Lear's Aristotle: The Desire (...) to Understand. Lear describes Aristotle's position as a form of "objective idealism." It is idealism because Aristotle believes that the fundamental nature of reality conforms to the mind, rather than vice versa; it is objective because the mind to which reality conforms is not that of any particular thinking being, but the divine mind—that is, in a sense, mind itself. "Objects must conform to knowledge, but that does not in the least reveal them to be constituted by any contribution from us... Since, for Aristotle, there is nothing distinctively human about the mind to which objects are conforming, there is no basis for saying that the essences we contemplate are mere appearances."1 Although it may seem strange to think of Aristotle as an idealist, Lear makes a plausible case for his interpretation based on the relevant texts (primarily De Anima III.4 and Metaphysics XII.6-10), and he successfully integrates it into his treatment of other important themes in Aristotle's philosophy.Attempts such as Lear's to tease out the significance of divine thinking are not the only new development afoot. Whereas Lear seems to accept the traditional view that the Prime Mover is a final but not an efficient cause, others such as Thomas de Koninck and Sarah Broadie have challenged that view.2 They have successfully shown, in my opinion, that Aristotle's position requires [End Page 1] that the Prime Mover be in some fashion an efficient cause. But they have not successfully elucidated the nature of this causality, nor have they explained how it is related to the theme rightly given prominence by Lear, the creative character of divine thought.My purpose here is to bring these two strands together—to use an interpretation of divine thinking much like Lear's to illuminate Aristotle's otherwise vexing and obscure remarks about the Prime Mover's causality. Rather than follow the time-honored route of commenting upon the commentators, I will examine the whole issue afresh, working in roughly the order dictated by Aristotle's text. My hope is to present a comprehensive interpretation of the Prime Mover that is more compelling than any yet offered by either the revisionists or their critics.1. Activity and Actuality in Metaphysics XIIMetaphysics XII.6 begins with a terse argument for the existence of a first unmoved mover. In the course of this argument Aristotle drops some important clues about the nature of the Prime Mover and its relation to the cosmos.The argument runs as follows: (1) Time cannot come into being or pass away, for that would involve the paradox of a moment before time or a moment after time. (2) Given Aristotle's own definition of time as "the number of motion in respect of before and after," or any other definition linking time inseparably to motion, motion also cannot come into being or pass away, and so must be continuous. (3) There must be a mover to cause this continuous motion. (4) The mover cannot merely be something capable of causing the motion, but must actively do so (, 1071b17). (5) Even for the mover to act continually is not sufficient if its substance includes potency or is potency (, 1071b18), for then the mover could possibly not be, and so could not guarantee an eternal motion. (6) Therefore the very substance of the mover must be actuality (, 1071b20). In the next sentence Aristotle goes on to speak as if there might be more than one mover, noting that "these substances must be without matter, for they must be eternal, if anything is eternal" (1071b20-22). After this nothing more is said about the possibility of more than one mover until chapter XII.8.There is an... (shrink)

So fearfully and wonderfully are we made, so infinitely subtle is the spiritual part of our being, so difficult is it to trace with accuracy the effect of diseased intellect upon human action, that I may appeal to all who hear me, whether there are any causes more difficult, or which, indeed, so often confound the learning of the judges themselves, as when insanity, or the the effects and consequences of insanity, become the subjects of legal consideration and (...) judgment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Scottish Philosophy after the Enlightenment by Gordon GrahamDeborah BoyleGRAHAM, Gordon. Scottish Philosophy after the Enlightenment. Edinburgh: Edinburgh University Press, 2022. xvii + 254 pp. Cloth, $110.00Histories of Scottish philosophy typically focus on the school of "common sense" from the eighteenth century, beginning with Francis Hutcheson and ending with Dugald Stewart. As Gordon Graham notes in the preface to this volume, nineteenth-century Scottish (...) class='Hi'>philosophy is "an area of the history of philosophy that has generally gone almost entirely unexplored." His collection of eleven standalone essays (only one of which has been previously published) argues that something recognizable as "Scottish philosophy" continued into the nineteenth century—although Graham thinks it ended, then, too—and suggests conceptions of Scottish philosophy that go beyond the old trope of "common sense."Unusually for a work in the history of philosophy, the first chapter is autobiographical. Graham recalls that as an undergraduate studying moral philosophy at St. Andrews in 1968, the only Scottish philosopher he was assigned to read was Hume, whose work was taught in the ahistorical manner that dominated philosophy at that time, and that upon his appointment to the Regius Chair of Moral Philosophy at Aberdeen in 1995 he found little appreciation for the university's most famous former professor, Thomas Reid. Thus began Graham's establishment of the Reid Project at the University of Aberdeen (later the Centre for the Study of Scottish Philosophy and now the Institute for the Study of Scottish Philosophy), the founding of the Journal of Scottish Philosophy, and his editorship of several book series on Scottish philosophy. The story of Graham's scholarship over the years is really the story of the recovery of the history of Scottish philosophy after its near-total neglect in the twentieth century.Graham seems wary of the contextualist turn that historians of philosophy have embraced since around the 1980s, which he likens to "antiquarianism," but at the same time he notes that our current philosophical interests are "not an infallible or even an especially reliable guide to what is intellectually significant" from the past. His solution is to look for intellectual "trajectories" in the history of philosophy—although not with the Whiggish view that these culminate in the present—and to locate particular figures within those trajectories. Thus he is especially interested in identifying the various themes—not just "common sense"— [End Page 551] that can unite the work of different philosophers born and working in Scotland in order to provide a more expansive account of Scottish philosophy.Scottish Philosophy after the Enlightenment provides a close look at the lives and work of major figures of this period, with a chapter devoted to each: William Hamilton (chapter 2), James Frederick Ferrier (chapter 3), Alexander Bain (chapter 4), Thomas Carlyle (chapter 5), Alexander Campbell Fraser (chapter 9), and Andrew Seth Pringle-Pattison (chapter 10). Although Graham argues that Pringle-Pattison's work marks the culmination and end of distinctively Scottish philosophy, he devotes the final chapter to the work of twentieth-century philosopher John McMurray on the grounds that McMurray's conception of human agency is rooted in Scottish debates from the previous two centuries over realism and idealism (chapter 11). Along the way, the book helpfully introduces other thinkers currently much less well known, such as Edward Caird, Henry Calderwood, Henry Jones, James Hutchison Stirling, John Tulloch, and John Veitch.Instead of thinking of Scottish philosophy as simply equivalent to common sense philosophy, Graham offers various alternative conceptions of Scottish philosophy, characterized as various "trajectories" that can be seen as originating in the eighteenth century and developing through the nineteenth: as a concern with realism and idealism that developed in the nineteenth century into responses (whether critical or favorable) to Hegelianism (chapter 6); as a prolonged conversation about the relationship between science and philosophy and the possibility of progress in the scientific study of the mind (chapter 7); and as the continuation of eighteenth-century post-Humean Scottish philosophers' aim of defending theism, even in the face of Darwin's findings (chapters 8 and 9). Presenting Scottish philosophy through these different lenses is highly illuminating and makes a persuasive case for the need for further... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Sick with PassionAlfred LouchOpera: Desire, Disease, Death, by Linda and Michael Hutcheon; xvi & 294 pp. Lincoln: University of Nebraska Press, 1996, $40.00.IDriving east from the Auvergne you may chance upon La Chaise-Dieu, a charming village where a very acceptable cafe confronts the fortress-like Abbatiale de St Robert across the village square. The church itself is an imposing monument to the ephemeral glory of the Avignon Pope (...) Clement VI, but its most extraordinary feature is a fresco in the aisle to the left of the choir. Called the Danse Macabre, it depicts death as a sequence of skeletons, each of which beckons, pleads with, consoles, or compels its many victims—young and old, rich and poor, exalted or mean—toward their inevitable end. At times the skeleton’s posture is sinister and threatening, at others, as with children, it seems to turn away, as if to shield them from its fearful aspect. The skeletons seem to catch the movement of a single dancer as they select one partner after another, taking the life of each in a graceful though ghastly movement.The fresco depicts the Black Death—art inspired by disease and contagion. But even if you were as innocent of history as the typical American tourists you would confront in the fresco the undeniable image of death, and the caprice of its visitation, a thought contrasting strangely with the enduring granite of the church. Your experience may be enriched by history and lead you to moralize on the contrast [End Page 155] between the pomp and grandeur of the papal builder and the fresco’s depiction of the vanity of human wishes. But it would be a jarring note if some know-it-all in the company of viewers were to lecture for all to hear on the transmission and symptoms of pasteurella pestis. That is another story, and an interesting one, but not here and now.And so it is, if not so abrasively, with a recent book by Linda and Michael Hutcheon on desire, disease, and death in opera. They hope to shed new light, by combining literary analysis and the medical theory of disease and contagion, on the themes and purposes of opera, or certain operas anyway. Somehow the passages on mycobacterium tuberculosis, treponema pallidum, and vibrio cholerae, together with graphic descriptions of the symptoms caused by these micro-organisms, and an accompanying photograph of syphilitic gummæ seem intrusive, just as talk about the etiology and the pathology of the plague strikes a discordant note as we look upon the Danse Macabre in wonder and fear. The Hutcheons, a husband and wife team who practice, respectively, medicine and literary criticism, tell the reader they are opera lovers. I hope their affection is not prompted only by infection.But why shouldn’t medicine and its history be relevant to literary, artistic, or musical creation? Think here of a question Wittgenstein asks in Zettel (paragraph 610): “Why should there not be a psychological regularity to which no physiological regularity corresponds? If this upsets our concept of causality then it is high time it was upset.” He did not mean to say that it would not be surprising if someone talked and acted and looked like a person but turned out to have an empty skull. But he did mean surely that talk about human projects and emotions is complete as it stands; what is going on in the neurons and what busy microbes are doing are other stories. Literature is about human projects, the skill or clumsiness with which they are pursued, the responses to success and failure, achievement and frustration. Opera, which, ever since someone had the idea of putting story to song, raided literary invention for its subject matter, is the same. Heroes and villains may of course be expected to be vulnerable to the various vicissitudes of life. Diseases may lay them low, as well as passing trains. But disease enters their stories to delay or frustrate or put period to their projects, not as new characters on the stage. If you read about the death of Ivan Illych and come away dissatisfied because Tolstoy failed to identify the... (shrink)

Almost all people want their existence to continue all the time. In the past, this desire was getting satisfied with the faith of religions regarding the immortality of the spirit. In the modern era, the interest and faith in religion have diminished and consequently, the soul immortality has been looked upon with suspicion. Previously, death meant the transition to the other world; now death is interpreted as the end of a person's existence. Modern humans, who have (...) doubts, fears, and anxieties about the continuation of their existence after death, have difficulty in accepting the fact of death; they try to deny and fight it. However, the effort to remove death from life puts the fear and worry of death in the center of life, which leads to the confrontation with very different results than originally intended. The theme of this study is how modern individuals look at death, what ways they apply to get it out of their lives, by what tools they struggle against it and what the consequences of these efforts are. (shrink)

In a precarious occupation, martial arts instructors must be inspiring and build a shared philosophy. Drawing on Taijiquan and Capoeira, which have their philosophical or epistemological roots in Asia and Africa, this article explores core concepts that feature in students’ enculturation. These concepts are grounded in epistemologies contrasting with Papineau’s work on popular and elite sport, Knowing the Score. More specifically, the philosophical approach used builds upon Papineau’s chapters on focus, cheating and racism, although these martial practices (...) are not grounded in the Judeo-Christian Western epistemologies underlying Papineau’s thinking. Indeed, one of the attractions for Western Capoeira and Taijiquan students is precisely their “strange” or exotic philosophical concepts driving specific pedagogical practices. Ethnographic fieldwork in Britain and written and oral accounts of embodied expertise are used to explore the practical uses of these non-Western epistemologies by teachers to build shared cultures for their students. Specifically, we examine the concepts of axé (life force) and malicia (artful trickery) in Capoeira, noting its contrast to Western ideas of energy and fair play. We then examine Taijiquan and the concepts of song (鬆 or “letting go”) and ting (听 or “focused listening”), considering the movement skill of systematic relaxation and the focus on specific components of human anatomy and body technique among adults unlearning embodied tension built throughout their lives. We close with considerations for projects examining the diverse, alternative southern, non-Western, and potentially decolonial and subaltern epistemologies in such martial activities. (shrink)

What does it mean to be responsible for structural injustice? According to Iris Marion Young, the ongoing and socially embedded character of structural injustice imposes a future-oriented obligation to work with others toward creating remedial, institutional change. Young explains, ‘Political responsibility seeks less to reckon debts than to bring about results’ (Young, 2003, p. 13). This paper conceptually develops how the goal of remediation bears on responsibility in relation to structural injustice. Does the attribution of responsibility in this context (...) call upon individuals to simply do anything in efforts to affect progressive change? If not, then to what extent are these attributions of responsibility action guiding? On what basis do they direct agents to effectively intervene on relevant conditions and processes rather than act in ways that exacerbate the injustice? I explore the role of etiological explanation in the attribution and acceptance of corrective responsibility, which refers to diagnosis of the operative causation of unjust outcomes. After probing tensions within prominent models of corrective responsibility, I offer my own model attempting to resolve those issues. I argue the forward-looking nature of the call to participate in remedying social problems includes a demand for agents to do so in a way that is itself responsible. I theorize a framework of taking responsibility responsibly. This framework accounts for the moral difference between a conscientiously formulated program of remedial action and a quixotic exercise in reckless delusion. (shrink)

In this interview with Jean Grondin, Gadamer discusses the meaning ‘linguisticality’ and acknowledges his intellectual debt to Heidegger, Augustine, Vico and classical Greek philosophy. Heidegger’s influence on Gadamer can be seen in Gadamer’s awareness of pernicious ontological effects of the Latinization of European language, his awareness of the centrality of technology to the understanding of contemporary philosophical problems and the idea that ‘language speaks’. From Augustine, Gadamer derived his theory of the word as that which cannot be known (...) and brought under control; from Vico the idea that language is rhetorical; and from classical philosophy the Aristotelian idea of phronesis and the Platonic idea that the idea of beauty is inseparable from the idea of the good. Gadamer concludes the interview with a discussion of the need for humanity to overcome its present fascination with technology. (shrink)

Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided (...) into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard's groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy. (shrink)

This book is an account of the philosophical movement named Lebensphilosophie, which flourished at the end of the 19th and the beginning of the 20th century. There many philosophers who participated in the movement, but this book concentrates on the three most important: Friedrich Nietzsche, Wilhelm Dilthey and Georg Simmel. The movement was called Lebensphilosophie—literally, philosophy of life—because its main interest was not life as a biological phenomenon but life as it is lived by human beings. They regarded human (...) life and experience as the fundamental reality, the basis of all knowledge and value, and disputed the relevance of any supernatural realm transcending human experience. The purpose of life was therefore life itself. Lebensphilosophie was the first modern philosophical movement in the Western tradition. It was “modern” in the sense that it was entirely humanist and secular, deriving all values from a non-religious perspective. Nietzsche, Dilthey and Simmel were either atheists or agnostics; they denied the relevance of any transcendent reality or being for human life. They abjured the traditional Christian concern with salvation and immortality. They also disputed the existence of natural law, teleology or a providential order; human beings created their own values and they did not conform to any made by nature. In anticipation of later existentialism, the Lebensphilosophen maintained that human beings are the makers of their own fate. Contrary to pessimism, they affirmed the great value of life while still acknowledging its frequent tragedy. The Lebensphilosophen were champions of an individualist ethics, which maintained that the highest good for a human being was self-realization, the development of a persons’s unique individuality. Their ethics was neither utilitarian nor de-ontological: it was not utilitarian because it did not regard the highest good as pleasure; self-realization could be a very unpleasant experience; and it was not de-ontological because it grounded moral norms upon the facts of human development and experience. The Lebensphilosophen were major advocates of historicism. They believed that human experience is formed by history, and that its horizons and limits are historical. Just as it was impossible to transcend human experience, so it was impossible to transcend history. All values and norms were therefore historical. In attempting to describe historical experience, the Lebensphilosophen developed the discipline of hermeneutics. They refused to accept mechanical explanation as a paradigm of explanation. This book attempts to describe and analyze the fundamental aspects of Lebensphilosophie by looking in detail at the views of its three leading figures. It examines their ethics, their religious background, their responses to pessimism and relativism, and their contributions to hermeneutics and historicism. (shrink)

ABSTRACT Hope is a complex social-psychological phenomenon. It combines cognitive and affective dimensions, and it is temporally extended, drawing upon the past in order to orient the present toward the future. In conversation with various texts, ranging from Ernst Bloch to Cornel West to Patrick Shade, the article offers a multidimensional account of hope, arguing that it is integral to human action and possibility.

From its carnival origins to its current status as a global phenomenon, pro wrestling has a unique presence in popular culture. Part sport and part theatre, the impressive antics of its larger-than-life characters have captured the imaginations of generations of fans, and prompted endless speculation about behind-the-scenes machinations. -/- Philosophy Smackdown is a study of pro wrestling as distinctive as pro wrestling itself: it is the first philosophical look at this major cultural spectacle. Philosopher and fan Douglas Edwards takes (...) both philosophy and pro wrestling to parts unknown. With liveliness, humor and insight, he shows that pro wrestling is fertile ground for reflection on fundamental human issues, such as reality, freedom, identity, morality, justice, and meaning. He explores these through pivotal events in pro wrestling, from the eighties heyday of Hulkamania to the recent emergence of AEW. -/- Philosophy Smackdown is a read that will delight philosophers and pro wrestling fans alike. It’s time to ask yourself: Whatcha gonna do when Philosophy Smackdown runs wild on you? (shrink)

When beer starts to flow, philosophical discussions naturally follow. _Philosophy on Tap_ takes pub philosophy to the next level, pairing 48 of life's greatest philosophical questions with 48 of the world's best beers. Features a unique presentation of philosophical puzzles, paradoxes, and debates by considering 48 of life's biggest questions in the context of 48 distinctive beers from around the world Provides a highly engaging and sociable approach to the classic philosophical problems as well as a unique look (...) at the conundrums that directly affect the beer drinker Combines a philosopher's insights with thematic humor and trivia to explore issues such as free will, God's existence, the nature of the soul, time travel, the aesthetics of taste, the role of beer in the good life, and the infamous "beer goggles" paradox For beer drinkers who enjoy philosophy, philosophers who enjoy beer, and anyone who has ever pondered the meaning of life over a pint of ale. (shrink)

This is a reply to Cees Maris. He wrote two articles in Dutch purporting to be a dialogue with Mogobe Ramose. The two articles have subsequently been compressed into one and published in the South African Journal of Philosophy. Mogobe’s reply is directed at all three articles, meaning the two published in Dutch together with the one published in English. The core of the argument is the meaning of ubu-ntu against ubuntu. The former is a philosophical concept (...) and the latter is the everyday language usage presupposing but not explicitly manifesting awareness of its reliance upon ubu-ntu. In elaborating upon his criticism of some of the writings of Mogobe on “ubuntu”, Maris appeals to other writers to support his position. Mogobe dismisses all this on the ground that neither Maris nor his supporters actually address and challenge the philosophical exposition of ubu-ntu in the various writings of Mogobe. Maris and his supporters have at best looked at Ramose but have not seen him. The result is that there never was “a dialogue” with Ramose, except the imaginary one by Maris. (shrink)

The frontispiece of Hobbes's Leviathan is justly renowned as a powerful visual advertisement for his political philosophy. Consequently, its rich imagery has been the subject of extensive scholarly commentary. Surprisingly, then, its gendered dimensions have received relatively limited attention. This essay explores this neglected facet of the frontispiece. I argue that the image initially appears to present a hypermasculine sovereign. However, upon closer inspection, and considered alongside Hobbes's economic theory, it yields to a reading of the sovereign as (...) an ambiguously gendered figure. Reading the frontispiece through the prism of gender and the economy reveals not a static image of unwavering male power but rather one of an equivocally-sexed creature teeming with life, contradictions, and complexities worthy of continued examination. (shrink)