It will be useful to consider briefly how the ideas surrounding “form” work in practice. Such ideas rapidly developed to a high stage of sophistication, subtlety, and complexity, but they did not, I believe, stray from the foundations I have tried to indicate for them. Let us consider the example of Wilhelm Worringer, who, like Alois Riegl, found it preferable to discuss ornament rather than images because ornament is a purer expression of form and therefore provides a less encumbered view (...) into form’s spiritual meaning. Concerning interlace ornament of the first millennium in Northern Europe, Worringer wrote that it is “impossible to mistake the restless life contained in this tangle of lines”; it is “the decisive formula for the whole medieval North.” The “need for empathy of this inharmonious people” requires the “uncanny pathos which attaches to the animation of the inorganic”; the “inner disharmony and unclarity of these peoples … could have borne no clearer fruit.”4 Here forms—mostly lines and edges and their relations—are compared to a natural outgrowth, a fruit, and are interpreted in such a way as to permit the characterization of all peoples among whom artifacts with such forms were made and used. The range of formal style becomes coextensive with the range of the deep principles of the worldview of races, nations, and epochs.It is not necessary to follow the ideas of form and expression to quite the hypertrophied consequences Worringer did, although many authors have done so and many more have done so less systematically. The important thing for my purposes is the pattern of inference from form to historical statements and conclusion. 4. Wilhelm Worringer,ion and Empathy: A Contribution to the Psychology of Style, trans. Michael Bullock , p. 77. David Summers is William R. Kenan, Jr. Professor of the History of Art at the University of Virginia. The author of Michelangelo and the Language of Art and The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics , he is currently writing a book to be titled The Defect of Distance: Toward a University History of Art. (shrink)

The Unknowable offers the first sustained study of a nineteenth-century movement in British philosophy: metaphysical agnosticism. The book is appropriately titl.

is it possible to have a first-person experience of our own agency? In nineteenth-century France, this question was subject to intense philosophical debate. The two figures primarily associated with each side of the debate were Maine de Biran and Charles Renouvier. Biran developed powerful objections to Hume's arguments that purported to prove the impossibility of the experience of one's inner causal force. These objections were the match that lit this philosophical fire, and formed the foundation of the philosophy (...) of the French spiritualist school; a school that included Félix Ravaisson, Jules Lachelier, Émile Boutroux, and Henri Bergson.1... (shrink)

W. J. Mander presents a history of metaphysics in nineteenth-century Britain. He traces the story of the development and interplay of three great schools of thought, the agnostics, the empiricists, and the idealists, and their different responses to the idea of an ultimate but unknowable way that things really are in themselves.

This book describes the political-philosophical controversies in nineteenth-century France and Mexico. Frausto argues that these controversial spaces and times integrate humanities, sciences, and technologies. The power of the metaphysical artifact is a democratic metaphor to transcend disciplinary boundaries and welcome different perspectives.

A sequel to Nineteenth Century Studies, this book is a series of well-documented studies of several Victorian religious liberals--among them Tennyson, John Morley, and Francis Newman. Willey's theme is the religious disillusionment suffered by Victorian intellectuals; he sees as its cause the application of the techniques of historical scholarship to religion. Since the book is largely biographical, there is little consideration of the issues involved on their own accounts; but as a gallery of intellectual portraits, it is first-rate--sympathetic, (...) sensitive, perceptive.--A. C. P. (shrink)

_Hegel and Schelling in Early Nineteenth-Century France_ is a two-volume work that documents the French reception of G. W. F. Hegel and F. W. J. Schelling from 1801 to 1848. It shows that the story of the "French Hegel" didn't begin with Wahl and Kojève by giving readers a solid understanding of the various ways in which German Idealism impacted nineteenth-century French philosophy, as well as providing the first ever English-language translations of excerpts from the most (...) important philosophical texts of the era. Inside volume one, readers will find a number of interpretative frameworks to help them get to grips with this neglected field in the history of ideas. In addition to excerpted translations and a narrative of Hegel’s and Schelling’s fate in France during the early nineteenth century, this volume includes an introduction on transnational reception history, as well as an analytical catalogue of the translations of their work produced in French at this time, of the publications which appropriated or interrogated their philosophical legacy, and of the journals, institutional structures and other mechanisms of dissemination that brought Hegel’s and Schelling’s philosophy into France. The book thus details the ways in which French philosophers of the period took up the debates and concepts of German Idealism, transformed them or rejected them. In this way, it aims to contribute to a reversal of the serious neglect of early nineteenth-century French thought in English-language scholarship and, in so doing, goes beyond a nation-based narrative of the history of philosophy. (shrink)

This collection of 16 trenchant and informative essays chosen from the quarterly Journal of World History attempts to capture and expound the universal rather than the purely national significance of various realms of human endeavor in the nineteenth century. The method of selection reveals the editors' predilection for a primarily historical perspective; consequently the articles are arranged according to five important branches of human achievement: political and social trends, the evolution of science and technology, religious developments, the profile (...) of artistic expression, and philosophy. The volume is useful for quick general orientation; the essays by Mario Praz on the Victorian mood, R. R. Palmer on the impact of the French Revolution and Henri Gouhier on Comte's philosophy of history are especially well written.—S. P. S. (shrink)

If there is an age in which philosophy seemed to experience a demise it is the nineteenth century, and yet this was not due to a lack of philosophy nor to the fact that there prevailed an attitude of estrangement from philosophy. Rather, what appeared to be a de-emphasis was merely a replacement of writings by "philosophers" with those by the natural scientist and the humanist. Tatarkiewicz divides his period into three phases distinguishing the era with their peculiar (...) disciplines: 1830-60 marked by positivism, empiricism, naturalism, and dialectical materialism; 1860-80 in which the minimalistic philosophy of positivism reached full bloom; 1880-1900 dominated by minimalism, positivism, scientism and in addition the appearance of opposing doctrines. Although such familiar names as Comte, Mill, Marx, Engels, Spencer, Brentano and Nietzsche find their way into Tatarkiewicz’ book, of greater significance is the manifold of less familiar figures who play a determining role in this period of philosophy. Yet it is not the author’s intent to expound individual doctrines in reference to anything but philosophical currents of the day. Tatarkiewicz focuses on times not men. A very good summary is presented at the end of the book mapping out the social, economic, political, geographic, and religious climate prevalent in the nineteenth century, thus concluding a helpful survey of a period that has been somewhat neglected in the history of philosophy.—K.R.M. (shrink)

Metrology is a discipline of expunging impurities. The mid-nineteenth century French physicist Henri-Victor Regnault created a whole new way of doing experiments, attempting to produce standards physically by the "direct method." His immodest ambition to control all disturbing parameters represents a relict in the physical sciences of Romantic hopes for an all-embracing, artistic and aesthetic approach to nature, expressed in the absolute, eternal determination of nature's constants and their numerical relationships. The novelist Gustave Flaubert, whose rejection of (...) class='Hi'>metaphysics, love for finest detail, concern for impartial treatment of the human psyche, and perfectionism, made him Regnault's literary complement, likewise hoped for this utopian union of science and art. There is a romantic and a modern ring to their ideals which were not to be achieved by optimism, but by introducing systematic doubt, by thoroughly studying impurities and expunging them. Nature did not speak clearly, but hid behind a multitude of disturbing effects—revealed only by the experimenter's or writer's voluntary restraint and self-denial, a disinterestedness Regnault and Flaubert celebrated as the highest and holiest morality. For them, attention to secondary matters became primary, because they expected them to lead the way to the grail. (shrink)

This is a translation of another volume of the monumental history of philosophy published in the 1930s by Bréhier. The bibliography is brought up to date by the translator with help from Wesley Piersol. Bréhier writes history of philosophy in the broad sense, showing the social, literary, and political forms taken by philosophical trends of the period. Many of the writings treated in this volume will be unknown to students trained in the Anglo-American tradition. There are only fifteen pages on (...) Scottish realism and British utilitarianism, and a page or so each on Kierkegaard and Emerson. In the substantial chapters on Fichte, Schelling, Hegel, and the trends in German thought following Hegel, one can find summaries of the positions of such philosophers as von Humboldt, Schleiermacher, Herbart, Feuerbach, Stirner, and others. There is a rich section of over a hundred pages on French social philosophy: Fourier, Saint-Simon, Comte, and Proudhon. Early work of Engels and Marx is mentioned, but fuller treatment belongs to the next volume. A chapter on Italian idealism is also included. This period saw the flowering of vast constructive systems. A sense of history and development transformed philosophical problems, and faith in the rational, reflective initiative of human wills was replaced by faith in a mysterious historical force, an immanent law which makes sport of efforts to resist it. The difference in substance is reflected in differences of style. The clarity and naturalness with which eighteenth-century men of action wrote for a general educated public was replaced by constraint, effort, conventionality, and above all, a prophetic and apocalyptic tone in the works of this time.--M. B. M. (shrink)

Since psychiatry remains a descriptive discipline, it is essential for its practitioners to understand how the language of psychiatry came to be formed. This important book, written by a psychiatrist-historian, traces the genesis of the descriptive categories of psychopathology and examines their interaction with the psychological and philosophical context within which they arose. The author explores particularly the language and ideas that have characterised descriptive psychopathology from the mid-nineteenth century to the present day. He presents a masterful survey (...) of the history of the main psychiatric symptoms, from the metaphysics of classical antiquity to the operational criteria of today. Tracing the evolution of concepts such as memory, consciousness, will and personality, and of symptoms ranging from catalepsy and aboulia to anxiety and self-harm, this book provides fascinating insights into the subjective nature of mental illness, and into the ideas of British, Continental and American authorities who sought to clarify and define it. (shrink)

In this paper, I outline valuable insights that current theorists working in urban environmental ethics can gain from the analysis of nineteenth century urban contexts. Specifically, I argue that an analysis of urban areas during this time reveals two sets of competing metaphysical commitments that, when accepted, shift both the design of urban environments and our relationship with the natural world in these contexts. While one set of metaphysical commitments could help inform current projects in urban environmental ethics, (...) the second “de-animalized” or “cleansed” commitments that influenced the structure of post-nineteenth century urban areas could potentially harm projects in urban environmental ethics. Thus we need to be particularly careful when choosing a metaphysical base for our current urban environmental ethics, as, depending on your specific project, implicitly accepting certain commitments could inadvertently work against the overall goals of the project. (shrink)

This work is an examination of the metaphysical presuppositions involved in the science of organic form. Taking the dichotomy of structuralism versus functionalism in nineteenth century biology as the central subject of my study, I explore a network of unquestioned premises and isolate areas where empirical research programs and underlying metaphysical commitments both inform and hinder each other. ;I begin with the Cuvier-Geoffroy debate of 1830--a debate that clearly articulates the tensions between structuralist and functionalist approaches to organic (...) form. On the side of functionalism, I am led to confront the rich concept of teleological causality. The concept of teleology, frequently taken to be semantically univocal, in fact unfolds into a cluster of related notions. I begin to demarcate significant differences between "intentional," "heuristic," "cosmic," and "organismic" teleology. On the side of structuralism, I set out to unearth the presuppositions of materialist versus idealist conceptions of structure--showing where naturalists have been both liberated and enslaved by their respective metaphysical commitments. With the basic divisions between structuralist and functionalist drawn, I set out to trace the dichotomy through the paradigm shift from fixism to transformism. ;In Darwin's system the structural/functional tensions become synthesized into complementary principles of causality. Here I explore the underlying presuppositional shifts which enabled Darwin to harmonize the previously intractable oppositions. These shifts include: rethinking teleology without "design," rethinking the archetype as real progenitor, and adopting a pluralistic perspective regarding causal mechanisms. ;The relative success of Darwin's appropriation of structuralism and functionalism leads to a discussion of the dichotomous character of the central subject itself. I argue that at the root of the dichotomous characterization of structure and function lies an impoverished understanding of teleology. I then offer "organicist" teleology as a powerful alternative to the French-Anglo tradition of "intentional" teleology. Presupposing the alternative teleology forms a challenge to the way in which French-Anglo naturalists have understood structural and functional relations. Together with Darwin's causal pluralism, a richer notion of teleology provides a different set of metaphysical assumptions and leads to an alternative model for empirical research programs. (shrink)

As the author shows, intellectual history is very different from the history of philosophy; but one wonders if the two kinds of history matter to each other. The author's complete lack of philosophical concerns may, of course, be a virtue, but it is also restrictive and self-defeating. Nevertheless, the book may well stand as the authoritative treatment of the history of Comte's positivism—an idea which, Simon declares at the outset, had little to recommend it but which did manage to have (...) a history. The book is written with great attention to detail and contains a long, well-assembled and very valuable bibliography. The chapters on Mill and other English thinkers are particularly interesting, and will probably settle some old disputes about the impact of positivism in nineteenth-century England.—C. D. (shrink)

My thesis is that there is an aesthetic dimension of nature that is metaphysically significant, qualitatively pluralistic, and artistically creative, and that this accounts for the sensuous complexity of experience, as well as the possibility of discovering new qualitative features about the world and expressing them in novel forms, as exemplified in art. I call the philosophy that endorses the reality of this dimension Transcendentalist Aesthetics. The term "Transcendentalist" recalls the philosophy of New England Transcendentalism with its core in Ralph (...) Waldo Emerson, and which influenced the philosophical writings of Charles S. Peirce and the art of the nineteenth-century American landscape painters of the Hudson River School and Luminism. The primary overall goal is to present and argue for a Transcendentalist Aesthetics by making use of the philosophy of Emerson and Peirce, together with the writings and landscapes of the painters. More specifically, Emerson's claims about nature and art and the painters' representations of nature provide various poetic observations of nature that provide an empirical starting point concerning the rich aesthetic complexity of the world. This complexity finds a theoretical ground in Peirce's metaphysical cosmology, which presents a rationally coherent account of the greater structures and processes of the universe while possessing important aesthetic consequences for lived experience and art. The landscape paintings also have a role in that they are expressive of the Transcendentalist philosophy itself, serve as case studies for theoretical interpretation, and are concrete evidence that new qualitative features about the world may be discovered and realized in novel artistic ways. (shrink)

This survey of the history of Protestant thought in the nineteenth century is founded upon two major methodological principles. The first is the hard-nosed avoidance of the national history approach. In spite of the continuity in certain nations of specific theological traditions there is another sense in which the varying efforts of Protest theology struggled to answer the same questions. Welch chose to ignore, as far as possible, national boundaries and concentrate on what can usefully be called the (...) "Victorian era" historically or in theological parlance the period "between Schleiermacher and Ritschl." By ignoring national boundaries and linguistic divisions Welch is able to discuss Feuerbach, Emerson, Comte, Mill, Carlyle, and the Arnolds in one chapter. This brings us to the second methodological point: Welch has included a number of figures in his survey who are not academic theologians but rather literary men or philosophers, as Coleridge, Emerson, Hegel, the Arnolds, Comte, Mill, Carlyle, etc. What might be a surprise here is the inclusion of the literary types. This work, when complete will compare favorably on the period covered with E. Hirsch’s Geschichte der Neuern [[sic]] Evangelischen Theologie, in Zusammenhang mit der Algemeinen [[sic]] Bewegnungen [[sic]] des Europaischen [[sic]] Denkens. The present book can be supplemented by the author’s God and Incarnation in Midnineteenth [[sic]] Century German Theology in "A Library of Protestant Thought" which contains vital readings of Thomasius, Dorner, and Biedermann. Three points, briefly, in criticism. The treatment of Hegel’s notion of spirit in relation to religion is not quite right. Also, the treatment of Kierkegaard as a right-wing Hegelian is quite surprising after Löwith’s placing of him in the left-wing group in From Hegel to Nietzsche, pp. 110-115. Then too, one questions whether Kierkegaard should be dubbed a "theological conservative".—R. L. P. (shrink)

As indicated by the title, this book contains seven very scholarly essays on Jewish life and thought in the 19th century. Of particular interest to philosophers is Prof. Emil L. Fackenheim's essay, "Samuel Hirsch and Hegel: A Study of Hirsch's Religionsphilosophie der Juden." In this essay, Fackenheim's masterful knowledge of Hegel is clearly visible. The thirty page essay contains a profound awareness of the theological problems inherent in Hegel's philosophy of religion as well as an awareness of how these (...) problems were explicitly engendered by Hegel's metaphysics. As an introduction to some of Hegel's basic themes, Fackenheim has provided an invaluable, if, unfortunately, all too brief, introduction.—D. J. B. (shrink)

This is the first full assessment of British philosophy in the 19th century. Specially written essays by leading experts explore the work of the key thinkers of this remarkable period in intellectual history, covering logic and scientific method, metaphysics, religion, positivism, the impact of Darwin, and ethical, social, and political theory.

This paper traces the historical roots of the “mad scientist,” a concept that has powerfully shaped the public image of science up to today, by investigating the representations of chemists in nineteenth-century Western literature. I argue that the creation of this literary figure was the strongest of four critical literary responses to the emergence of modern science in general and of chemistry in particular. The role of chemistry in this story is crucial because early nineteenth-century chemistry (...) both exemplified modern experimental laboratory research and induced, due to its rapid growth, a ramification and fragmentation of knowledge that undermined former ideals of the unity of knowledge under the umbrella of metaphysics and religion. Because most writers considered contemporary chemistry an offspring of “wrong alchemy,” all four responses drew on the medieval literary figure of the “mad alchemist” to portray chemists. Whereas early writers considered the quest for scientific knowledge to be altogether in vain, later writers pointed out the narrow-minded goals and views specifically of chemistry. A third response moved that criticism to a metaphysical and religious level, by relating chemistry to materialism, nihilism, atheism and hubris. The fourth response, the “mad scientist,” elaborated on the hubris theme by attaching moral perversion to the “mad alchemist.”. (shrink)

The late nineteenth century was not only a time in which religious faith was questioned in light of increasing claims of natural science. It is more accurate to see the familiar Victorian crisis of faith as but one aspect of a larger historical phenomenon, one in which the methods of both religion and science came under scrutiny. Among several examinations of the status of scientific knowledge in the waning decades of the century, the treatment of the subject (...) by the German theologian Wilhelm Herrmann and philosopher Hans Vaihinger rejected its objective nature and denied that either scientists or theologians had access to the truth of nature. Although this stance regarding the nature of science, religion, and their relationship was limited to intellectuals in German society at the time, it foreshadowed developments in our own day in which the traditional search for truth has been problematized. (shrink)

Most historians explains changes in conceptions of the epistemic virtues and vices in terms of social and historical developments. I argue that such approaches, valuable as they are, neglect the fact that certain changes also reflect changes in metaphysical sensibilities. Certain epistemic virtues and vices are defined relative to an estimate of our epistemic situation that is, in turn, defined by a broader vision or picture of the nature of reality. I defend this claim by charting changing conceptions of the (...) virtue of epistemic humility in 19th century intellectual culture - specifically the scientific naturalists. (shrink)

To see nationalism as a cultural artifact is to argue against attempts at essentializing it. Anderson claims that nationalism can be better understood as obliquely analogous to such categories as religion and kinship. Membership in a nation draws on the vocabulary of filiation whereby one comes to understand oneself in relation to ancestors long gone and generations yet to be born. In addressing pasts and futures, nationalism resituates identity with reference to death, one’s own as well as others’. Herein lies (...) nationalism’s affective appeal, that which makes it possible to sacrifice oneself for the “motherland.” It lends to the accident of birth the sense of continuity and converts mortality into something that is meant for as much as it is realized by one. By placing one in a certain relationship to death and generativity, nationalist discourse therefore frames the arbitrariness of existence. “It is the magic of nationalism to turn chance into destiny”.However, while nationalism tends to mine the idioms of kinship and religion, the historical conditions of its emergence undermine the logic and stability of these inherited categories. Thus Anderson defines nations as “imagined communities.” Built on the rubble of traditional polities, the nation invokes a radically secular subjectivity that sets it apart from its predecessors. Dynastic states presumed power and privilege as functions of the purity of bloodlines guaranteed by a divine order. Colonial states as dynastic states in drag replicate the obsession with hierarchy by reorganizing social and epistemological categories according to a metaphysics of race and progress. By contrast, the nation envisions a more egalitarian community. “Regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship”. It thus reveals the mutability of all sorts of hierarchies. Rather than take power for granted as natural and inherited, nationalism asks about “rights” and thereby opens up the problem of representation: who has the right to speak for whom and under what circumstances? Vincente L. Rafael is assistant professor in the department of communication, University of California, San Diego. He is the author of Contracting Colonialism: Translation and Christian Conversion in Tagalog Society under Early Spanish Rule. (shrink)

Why have poets played such an important role for contemporary philosophers? How can poetry link philosophy and political theory? How do formal considerations intersect with philosophical approaches? These essays seek to establish a dialogue between poetry and philosophy. Each essay contributes to our understanding of the relationships between theory and lived experience while providing new insight into important poets such as Charles Baudelaire, Stéphane Mallarmé, Victor Hugo, and others. The broad range of metaphysical, phenomenological, aesthetic, and ethical approaches announce important (...) new paths for a reinvigorated study of lyric poetry in the decades to come. (shrink)

This book offers a thorough account of Thomas Reid's philosophy, focussing on his expressionist aesthetics, then traces his influence in nineteenth-century ...

Some central issues of fin-de-siècle Hungarian philosophy and intellectual tradition can be retrieved from the writings of József Eötvös and his mid-nineteenth century contemporaries. An ambiguous attitude towards metaphysics, emphasis on sociological issues as well as a regional perspective are apparent in his texts prior to the emergence of the great fin-de-siècle generation of Hungarian intellectuals. They survived the Habsburg Empire thanks to the post-Monarchical literary tradition and Péter Esterházy’s works; they provided an adequate vocabulary for the (...) Central European experience following the Soviet Era. (shrink)

The author of this study declares as his purpose "to demonstrate the continuity and identity of projects between ‘traditional philosophy’ and existentialism," as against the view commonly held that existentialism constitutes "a radical break from traditional philosophy." The "radical break" in modern philosophy occurred, according to the author, when Kant reoriented philosophy to man, giving rise to the man-centered, human-life-centered deliberations of Hegel, Kierkegaard, Nietzsche, Husserl, Heidegger, Sartre, and others in this line of descent. It is true, Solomon admits, that (...) "most of the writings of the authors we shall study are concerned with metaphysics rather than ethics," but their ontologies entail "very definite conceptions of man." The last three of the book’s seven chapters deal with Husserl, Heidegger, and the main French existentialists ; this choice "necessitated neglect of some excellent philosophers who might have been included." Each chapter is a monograph of extensive proportions, the one on French existentialists running to about 55,000 words. The pages are double-columned, and the type small. It is hard to keep in mind, in the forest of illuminating and well-integrated detail, the book’s stated purpose of showing that existentialism is continuous with traditional philosophy. Nevertheless, as an intelligible account of how existentialist thought evolved, the book requires one to admit at the end that the story has been told, and well told, in the idiom of traditional philosophy.—W. G. (shrink)

Thirteen studies provide a good introduction to some of the leading theorists of the period in question. Despite multiple authorship this book is even in its style and penetration of subject-matter. While the historical authors are frequently allowed to speak for themselves, the present authors have not failed to generalize and evaluate in the interest of clarity. There are 58 pages of notes. --J. E. M.

Some central issues offin-de-siècle Hungarian philosophy and intellectual tradition can be retrieved from the writings of József Eötvös and his mid-nineteenth century contemporaries. An ambiguous attitude towards metaphysics, emphasis on sociological issues as well as a regional perspective are apparent in his texts prior to the emergence of the great fin-de-siècle generation of Hungarian intellectuals. They survived the Habsburg Empire thanks to the post-Monarchical literary tradition and Péter Esterházy's works; they provided an adequate vocabulary for the Central (...) European experience following the Soviet Era. (shrink)

The article provides proof that the concept of time articulated in Russian philosophy of the nineteenth century was very close to the understanding of time in the philosophy of Henri Bergson. This explains the close attention of Russian culture to the philosophical system of the French thinker at the beginning of the twentieth century. It also allows us to hypothesize about the possible influence of the ideas of Russian philosophers of the late nineteenth century on (...) Bergson. Bergson’s most original idea is the recognition of the metaphysical primacy of the subjective, inner time of the human in relation to physical time. In physical time, only the moment of the present has real existence; in internal time, designated by Bergson as duration, all moments of the past are preserved as real, and this is expressed by memory. Internal time turns out to be the spiritual Absolute from which the entire material world originates. A very similar metaphysical concept is presented in Pyotr Chaadaev’s Philosophical Letters. According to Chaadaev, each person is directly involved in the spiritual Absolute, which has the characteristic of integral time. In this time, all moments are in unity, and there is no division into the past, present, and future; this division arises only in the time intrinsic to the material reality that originates from the spiritual Absolute. In the religious teaching of Leo Tolstoy, personality is defined as the appearance of God within the limits of material existence, so a person is simultaneously involved in the earthly physical time and absolute time, which manifests itself through memory. The article concludes that Bergson’s ideas determined the most important features of Russian avant-garde culture of the twentieth century; in particular, thanks to them, the opposite trends of Russian thought were brought to unity: metaphysics of pan-unity and personalism. (shrink)

F. H. Bradley was the foremost philosopher of the British Idealist school, which came to prominence in the second half of the nineteenth century. Bradley, who was a life fellow of Merton College, Oxford, was influenced by Hegel, and also reacted against utilitarianism. He was recognised during his lifetime as one of the greatest intellectuals of his generation and was the first philosopher to receive the Order of Merit, in 1924. His work is considered to have been important (...) to the formation of analytic philosophy. In metaphysics, he rejected pluralism and realism, and believed that English philosophy needed to deal systematically with first principles. This work, first published in 1893, is divided into two parts: 'Appearance' deals with exposing the contradictions that Bradley believed are hidden in our everyday conceptions of the world; and in 'Reality', he builds his positive account of reality and considers possible objections to it. (shrink)

Analytic philosophy is difficult to define since it is not so much a specific doctrine as a loose concatenation of approaches to problems. As well as having strong ties to scientism -the notion that only the methods of the natural sciences give rise to knowledge -it also has humanistic ties to the great thinkers and philosophical problems of the past. Moreover, no single feature characterizes the activities of analytic philosophers. Undaunted by these difficulties, Avrum Stroll investigates the "family resemblances" between (...) that impressive breed of thinkers known as analytic philosophers. In so doing, he grapples with the point and purpose of doing philosophy: What is philosophy? What are its tasks? What kind of information, illumination, and understanding is it supposed to provide if it is not one of the natural sciences? Imbued with clarity, liveliness, and philosophical sophistication, Stroll´s book presents a synoptic picture of the main developments in logic, philosophy of language, epistemology, and metaphysics in the past century. It does this by concentrating on the individual thinkers whose ideas have been most influential. Major themes in Twentieth-Century Analytic Philosophy include: · the innovation of mathematical logic by Gottlob Frege at the close of the nineteenth century and its independent development by Bertrand Russell; · the impact of advancements in science on the world of philosophy and its importance for understanding such doctrines as logical positivism, philosophy of language, philosophy of mind, and eliminative materialism; · the refusal by such thinkers as Wittgenstein, Moore, and Austin to treat logic as an ideal language superior to natural languages; and · a conjecture about which, if any, of the philosophers discussed in the book will enter the pantheon of philosophical gods. Along the way, Stroll also covers the theories of Rudolf Carnap, W. V. O. Quine, Gilbert Ryle, J. L. Austin, Hilary Putnam, Saul Kripke, John Searle, Ruth Marcus, and Patricia and Paul Churchland. Stroll´s approach to his subject treats the critical movements in analytic philosophy in terms of the philosophers who defined them. The notoriously complex realm of analytic philosophy emerges less as an abstract enterprise than as a domain of personalities and their competing methods and arguments. The book´s inventive presentations of complex logical doctrines relate them to the traditional problems of philosophy, seeking the continuity between them rather than polemical distinctions so as to bring the true differences of their respective achievements into sharper focus. (shrink)

The Metaphysical Society was founded in 1869 at the instigation of James Knowles (editor of the Contemporary Review and then of the Nineteenth Century) with a view to 'collect, arrange, and diffuse Knowledge (whether objective or subjective) of mental and moral phenomena' (first resolution of the society in April 1869). The Society was a private dining and debate club that gathered together a latter-day clerisy. Building on the tradition of the Cambridge Apostles, they elected talented members from across (...) the Victorian intellectual spectrum: Bishops, one Cardinal, philosophers, men of science, literary figures, and politicians. The Society included in its 62 members prominent figures such as T. H. Huxley, William Gladstone, Walter Bagehot, Henry Edward Manning, John Ruskin, and Alfred Lord Tennyson. (shrink)

Building on the seminal work of Kit Fine in the 1980s, Leon Horsten here develops a new theory of arbitrary entities. He connects this theory to issues and debates in metaphysics, logic, and contemporary philosophy of mathematics, investigating the relation between specific and arbitrary objects and between specific and arbitrary systems of objects. His book shows how this innovative theory is highly applicable to problems in the philosophy of arithmetic, and explores in particular how arbitrary objects can engage with (...) the nineteenth-century concept of variable mathematical quantities, how they are relevant for debates around mathematical structuralism, and how they can help our understanding of the concept of random variables in statistics. This fully worked through theory will open up new avenues within philosophy of mathematics, bringing in the work of other philosophers such as Saul Kripke, and providing new insights into the development of the foundations of mathematics from the eighteenth century to the present day. (shrink)

The eleventh-century philosopher and physician Abu Ali ibn Sina was known in the West by his Latinized name Avicenna. An analysis of the sources and evolution of Avicenna's metaphysics, this book focuses on the answers he and his predecessors gave to two fundamental pairs of questions: what is the soul and how does it cause the body; and what is God and how does He cause the world? To respond to these challenges, Avicenna invented new concepts and distinctions (...) and reinterpreted old ones. The author concludes that Avicenna's innovations are a turning point in the history of metaphysics. Avicenna's metaphysics is the culmination of a period of synthesis during which philosophers fused together a Neoplatonic project with a Peripatetic project. Avicenna also stands at the beginning of a period during which philosophers sought to integrate the Arabic version of the earlier synthesis with Islamic doctrinal theology. Avicenna's metaphysics significantly influenced European scholastic thought, but it had an even more profound impact on Islamic intellectual history—the philosophical problems and opportunities associated with the Avicennian synthesis continued to be debated up to the end of the nineteenth century. (shrink)

The eleventh-century philosopher and physician Abu Ali ibn Sina (d. A.D. 1037) was known in the West by his Latinized name Avicenna. An analysis of the sources and evolution of Avicenna's metaphysics, this book focuses on the answers he and his predecessors gave to two fundamental pairs of questions: what is the soul and how does it cause the body; and what is God and how does He cause the world? To respond to these challenges, Avicenna invented new (...) concepts and distinctions and reinterpreted old ones. The author concludes that Avicenna's innovations are a turning point in the history of metaphysics. Avicenna's metaphysics is the culmination of a period of synthesis during which philosophers fused together a Neoplatonic project (reconciling Plato with Aristotle) with a Peripatetic project (reconciling Aristotle with himself). Avicenna also stands at the beginning of a period during which philosophers sought to integrate the Arabic version of the earlier synthesis with Islamic doctrinal theology (kalam). Avicenna's metaphysics significantly influenced European scholastic thought, but it had an even more profound impact on Islamic intellectual history--the philosophical problems and opportunities associated with the Avicennian synthesis continued to be debated up to the end of the nineteenth century. (shrink)

According to a common philosophical intuition, the deep nature of things is hidden from us, and the world as we know it through perception and science is somehow shallow and lacking in reality. For all we knwo, the intuition goes, we could be living in a cave facing shadows, in a dream or even in a computer simulation, This “intuition of unreality” clashes with a strong, but perhaps more naive, intuition to the effect that the world as we know it (...) seems perfectly real. Shadows, dreams, or informational structures appear too unreal to be identical to the world as we know it! This clash between the two intuitions forms the basis of the "problem of reality." At the turn of the nineteenth century psychiatrists encountered patients they referred to as “metaphysician doubters” who constantly questioned the reality of the world. This essay draws on the study of these patients to reject, and indeed diagnose, the intuition of unreality and recent metaphysical doctrines drawing on it, such as structuralism, digitalism, and virtual realism. (shrink)

According to a common philosophical intuition, the deep nature of things is hidden from us, and the world as we know it through perception and science is, just like a dream, shadows, or a computer simulation, somehow shallow and lacking in reality. This “intuition of unreality” clashes with a strong, but perhaps more naive, intuition to the effect that the world as we know it seems perfectly real. Shadows, dreams, or informational structures appear too unreal to be identical to the (...) world as we know it! This clash between the two intuitions forms the basis of the “problem of reality.” In the late nineteenth century psychiatrists encountered patients they referred to as “metaphysician doubters” who constantly questioned the reality of the world. This essay draws on studies of these patients in order to reject, and indeed diagnose, the intuition of unreality and recent metaphysical doctrines drawing on it, such as structuralism, digitalism, and virtual realism. (shrink)

There has been for some years a feeling in the philosophical world in this country that we have had enough of the unproductive working of the treadmill of linguistics and of the new logic and that Metaphysics is at least not criminal, and even justifiable; notable justifications of Metaphysics are Professor Emmet's The Nature of Metaphysical Thinking and Professor Barnes” The Philosophical Predicament . But what is Metaphysics about? That, it seems to me, is a question which (...) has to be looked into far more carefully than it has been, before we can think of justifying Metaphysics . “About the Whole” would appear to be the answer which no would-be metaphysician can avoid, however frightened he may be of being sent into a concentration camp by his Ayerian colleagues for giving it. What is this Whole and how is it to be got? Judging at least by most nineteenth-century metaphysics, it would seem that the Whole is some kind of totality , comparable, save in respect of comprehensiveness, to the totality say which Physics deals with, and that it is got by reflecting on the nature of any knowing and/or on all the branches of knowledge and their relations to each other; Metaphysics, we should conclude, is a synthesis or construct both crowning, and confirmed by, knowledge. (shrink)

The renaissance in Hegel scholarship over the past two decades has largely ignored or marginalized the metaphysical dimension of his thought, perhaps most vigorously when considering his social and political philosophy. Many scholars have consistently maintained that Hegel’s political philosophy must be reconstructed without the metaphysical structure that Hegel saw as his crowning philosophical achievement. This book brings together twelve original essays that explore the relation between Hegel’s metaphysics and his political, social, and practical philosophy. The essays seek to (...) explore what normative insights and positions can be obtained from examining Hegel’s distinctive view of the metaphysical dimensions of political philosophy. His ideas about the good, the universal, freedom, rationality, objectivity, self-determination, and self-development can be seen in a new context and with renewed understanding once their relation to his metaphysical project is considered. _Hegel’s Metaphysics and the Philosophy of Politics_ will be of great interest to scholars of Hegelian philosophy, German Idealism, nineteenth-century philosophy, political philosophy, and political theory. (shrink)

This is the first book in a series entitled Routledge Studies in Nineteenth-Century Philosophy. Its author is well-known in studies of the Scottish Enlightenment; in fact, Davie could be called the dean of such studies. His previous books are The Democratic Intellect: Scotland and her Universities in the Nineteenth Century; The Crisis of the Democratic Intellect; and two volumes of essays on the Scottish Enlightenment. The text of the present book was written in 1953 but was (...) never published until now and was awarded a D. Litt. degree at the University of Edinburgh, which helps explain some things about its style. (shrink)