Frederick F. Schmitt offers a new account of Hume's epistemology in A Treatise of Human Nature, which alternately manifests scepticism, empiricism, and naturalism. Critics have emphasised one of these positions over the others, but Schmitt argues that they can be reconciled by tracing them to an underlying epistemology of knowledge and probability.

When historians of philosophy turn to the work of distinguished philosopher Frederick L. Will, Pragmatism and Realism will be an important part of the ...

In a recent article Humphreys has developed an intriguing proposal for making sense of emergence. The crucial notion for this purpose is what he calls "fusion" and his paradigm for it is quantum nonseparability. In what follows, we will develop this position in more detail, and then discuss its ramifications and limitations. Its ramifications are quite radical; its limitations are substantial. An alternative approach to emergence that involves quantum physics is then proposed.

This paper provides a new solution to the epistemic paradox of belief-instability, a problem of rational choice which has recently received considerable attention (versions of the problem have been discussed by — among others — Tyler Burge, Earl Conee, and Roy Sorensen). The problem involves an ideally rational agent who has good reason to believe the truth of something of the form:[Ap] p if and only if it is not the case that I accept or believe p.

In this paper I argue against the usual interpretation of\nMeinong's argument for nonexistent objects, an\ninterpretation according to which Meinong imported\nnonexistent objects like "the golden mountain" to account\ndirectly for the truth of statements like the golden\nmountain is golden'. I claim instead (using evidence from\nMeinong's "On Assumptions") that his argument really\ninvolves an ineliminable appeal to the notion of pretense.\nThis appeal nearly convinced Meinong at one stage that he\ncould do without nonexistent objects. The reason, I argue,\nwhy he nonetheless embraced an ontology of nonexistents (...) has\nto do with the phenomenology of representation, and not\nwith semantics. (shrink)

Brentano famously changed his mind about intentionality between the 1874 and 1911 editions of Psychology from an Empirical Standpoint (PES). The 1911 edition repudiates the 1874 view that to think about something is to stand in a relation to something that is within in the mind, and holds instead that intentionality is only like a relation (it is ‘quasi-relational’). Despite this, Brentano still insists that mental activity involves ‘the reference to something as an object’, much as he did in the (...) 1874 edition of PES. The question is what Brentano might have meant by this, given that he rejects a relational account of intentionality. The present paper suggests an answer. It draws on recent work on pretence theory to provide a model of Brentano’s notion of the quasi-relational nature of mental phenomena, as well as of the notion of mental reference to an object, and argues that the model helps to explain why Brentano might have been able discern a clear continuity between the views of the 1874 and 1911 editions of PES, despite the differences. (shrink)

In his 'Why We Need A-Intensions', Frank Jackson argues that "representational content [is] how things are represented to be by a sentence in the communicative role it possesses in virtue of what it means," a type of content Jackson takes to be broadly descriptive. I think Jackson overstates his case. Even if we agree that such representational properties play a crucial reference-fixing role, it is much harder to argue the case for a crucial communicative role. I articulate my doubts about (...) Jackson's views on this point by contrasting them with the views of John Stuart Mill, usually regarded as an early believer in something like a direct reference account of content for names, but someone who, on my reading, teaches us a salutary lesson about the importance of separating the question of how reference is determined from the question of how we succeed in communicating. (shrink)

Two notions of evidence are focused on in this essay, Carnap's positive-relevance notion of evidence (1962, pp. 462 ff.), and Achinstein's notion of potential evidence (1978; and 1983, pp. 322–350). Achinstein creates several interesting examples in his attempt to find faults in Carnap's notion of evidence; his motive, ultimately, is to impel us towards potential evidence. The purpose of this essay is to show that positive relevance is significantly more promising than potential evidence with respect to capturing the scientific sense (...) of the term evidence. This is accomplished by finding faults in the notion of potential evidence, and by defending positive relevance against Achinstein's examples. (shrink)

Mill is a detractor of the view that proper names have meanings, defending in its place the view that names are nothing more than (meaningless) marks. Because of this, Mill is often regarded as someone who anticipated the theory of direct reference for names: the view that the only contribution a name makes to propositions expressed through its use is the name's referent. In this paper I argue that the association is unfair. With some gentle interpretation, Mill can be portrayed (...) as someone who is a Millian in the sense he most cares about (names are meaningless marks) but a descriptivist in so far as he takes the determinants of reference to be properties in the possession of speakers. I contend that this view is not only one that Mill comes close to holding, but, in light of the reasons that (nearly) led him to such a view, one that is worth taking seriously on its own terms. (shrink)

Through a series of provocative conversations, Frederick Luis Aldama and Herbert Lindenberger, who have written widely on literature, film, music, and art, locate a place for the discomforting and the often painfully unpleasant within aesthetics. The conversational format allows them to travel informally across many centuries and many art forms. They have much to tell one another about the arts since the advent of modernism soon after 1900—the nontonal music, for example, of the Second Vienna School, the chance-directed music (...) and dance of John Cage and Merce Cunningham, the in-your-faceness of such diverse visual artists as Francis Bacon, Pablo Picasso, Willem de Kooning, Egon Schiele, Otto Dix, and Damien Hirst. They demonstrate as well a long tradition of discomforting art stretching back many centuries, for example, in the Last Judgments of innumerable Renaissance painters, in Goya’s so-called “black” paintings, in Wagner’s Tristan chord, and in the subtexts of Shakespearean works such as King Lear and Othello. This book is addressed at once to scholars of literature, art history, musicology, and cinema. Although its conversational format eschews the standard conventions of scholarly argument, it provides original insights both into particular art forms and into individual works within these forms. Among other matters, it demonstrates how recent work in neuroscience may provide insights in the ways that consumers process difficult and discomforting works of art. The book also contributes to current aesthetic theory by charting the dialogue that goes on—especially in aesthetically challenging works—between creator, artifact, and consumer. (shrink)

E. M. Wood, one of the main figures of political Marxism, is interviewed by Frédérick-Guillaume Dufour and Jonathan Martineau and discusses the different directions of her work. The main questions she is asked concern : her relationship to Marx ; her specific approach to history and how it differs from other Marx-inspired types of analysis ; the situation of contemporary capitalism ; the dead ends of intellectual debates in recent years and the challenges of the current political situation.

This book approaches Hegel from the standpoint of what we might call the question of knowledge. Hegel, of course, had no "theory of knowledge" in the narrow and abstract sense in which it has come to be understood since Locke and Kant. "The examination of knowledge," he holds, "can only be carried out by an act of knowledge," and "to seek to know before we know is as absurd as the wise resolution of Scholasticus, not to venture into the water (...) until he had learned to swim. " * While Hegel wrote no treatise exclusively devoted to epistemology, his entire philosophy is nonetheless a many-faceted theory of truth, and thus our title - Beyond Epistemology - is meant to suggest a return to the classical meaning and relation of the terms episteme and logos. I had originally planned to include a lengthy introduction for these essays, setting out Hegel's general view of philosophic truth. But as the papers came in, it became clear that I had chosen my contributors too well; indeed, they have all but put me out of business. In any case, it gives me great pleasure to have been able to gather this symposium of outstanding Hegel scholars, to provide for them a forum on a common theme of great importance, and especially, thanks to Arnold Miller, to have Hegel himself among them. Frederick G. Weiss Charlottesville, Va. • The Logic of Hegel, trans. from the Etu;yclopaedta by William Wallace. 2nd ed. (shrink)

Three new books concerning the philosophy of Hegel are scheduled to appear before the end of this year. Holt, Rinehart & Winston will publish New Studies in Hegel's Philosophy, a collection of 15 essays by Hegel scholars throughout the world, edited by Warren Steinkraus of the State University of New York at Oswego. Professor Steinkraus reports that all but two of the essays will be in print for the first time. The two exceptions are translations of articles made especially for (...) the volume. * * * The proceedings of the Wofford Symposium will be published by Martinus Nijhoff under the title Hegel and the Philosophy of Religion. The volume is edited by Darrel E. Christensen of Wofford College. * * * Presently in the press also at Martinus Nijhoff is Hegel's Critique of Aristotle's Philosophy of Mind, by Frederick G. Weiss of the Florida State University. The book includes an extensive introductory essay by G.R.G. Mure. (shrink)

The Executive Council pro tem of the HSA, organized during a business session of the Wofford Symposium at Spartanburg, S. C. last November, met et Vanderbilt University the following March and drafted a constitution for the Society. The members of this Council were Darrel E. Christensen of Wofford College, Robert L. Perkins of the University of South Alabama, Frederick G. Weiss, George L. Kline, Warren E. Steinkraus, Donald P. Verene, and Otho M. Adkins. Shortly thereafter the constitution was adopted (...) and an election was held. Professors Christensen, Steinkraus, Perkins, and Verene were elected President, Vice-President, Secretary, and Treasurer of the Society. * * * PURPOSE * * * The purpose of the HSA, as specified by Article II of the constitution, is "to promote the study of the philosophy of Hegel, its place within the history of thought, its relation to social, political, and cultural movements since his time, and its relevance to contemporary issues and fields of knowledge. In addition to the study of the thought and significance of Hegel, the Society has as its purpose the furtherance of original philosophical thought which has its basis in the philosophy of Hegel or which treats issues in the style, manner, or method of Hegel.". (shrink)

Psychological birth is not a single event but occurs again and again throughout one's life. A new psychological structure is bom in each developmental transformation of a person's existence. But what about "biological birth" or what we will call the bodily birth of the infant? Does this involve psychological development? It is not taken up in this way by developmental psychology, which usually begins with the newborn infant Some psychologists have even argued that when an infant leaves the mother's uterus, (...) he is bom biologically but not yet psychologically. In the following paper we will take this view as problematic and address to it a description of the birth process based on the perceptive observations of Frederick Leboyer. Appropriating some of Kegan's notions regarding psychological development,' we will reflect upon the . phenomenon of being bom psychologically. In other words, we will investigate whether and in what sense being bom can be seen as a phenomenon involving psychological development. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XXI, Number 2, November 1995, pp. 315-332 Robertson, Hume, and the Balance of Power FREDERICK G. WHELAN William Robertson, like his Scottish Enlightenment colleague David Hume, practiced a kind of philosophic history which, although it appears to consist mainly of narratives of political and military events, is also designed to teach moral and political lessons of general significance and utility. The principal theme of Hume's (...) History of England, for example, is the growth of legal and constitutional government in connection with the emergence of modern society; Hume's narrative implicitly justifies both such a government and the moderate politics on which it depends. A theme of comparable importance in Robertson's History of Charles V (1769) is the emergence of a balance of power and thence a relatively stable international system among European states in the early sixteenth century, when the policy of balance first clearly appeared. As he declares in his Preface: The political principles and maxims then established still continue to operate. The ideas concerning the balance of power, then introduced or rendered general, still influence the councils of nations. (R 307)1 Robertson both describes the relevant policy decisions (especially the alliance between the traditional enemies, England and France, to counter the threat posed by Charles Vs unprecedentedly large empire) and justifies such policies as reasonable and beneficial.2 Frederick G. Whelan is at the Political Science Department, University of Pittsburgh, Pittsburgh PA 15260 USA. 316 Frederick G. Whelan In treating this theme, Robertson was taking up a topic that was of interest to Hume as well. Hume refers on a number of occasions to the sixteenth century balance of power in his History chapters on the reign of Henry VIII (1759),3 especially in the portion extending through the 1520s, and he treats the topic more systematically in his earlier essay "Of the Balance of Power" (1752).4 Hume like Robertson defends balance of power policies in general, and Hume certainly (Robertson probably) had a more particular reason for doing so: to justify contemporary British (Whig) foreign policy (and several wars), which since the reign of Louis XIV had aimed at maintaining a European counterbalance to France.5 Hume's and Robertson's favorable descriptions of the sixteenth century anti-Habsburg policy provide a useful background for defending the eighteenth century anti-Bourbon policy.6 Indeed, both Hume and Robertson probably exaggerated the prevalence of the balance of power, at least as a conscious policy, in the early sixteenth century; although they were no doubt correct in noting that something like the modern state system first began to take shape at that time, they seem to have projected the eighteenth century emphasis on balance backwards in time as a way of legitimizing it.7 Robertson sums up the fifty year period he covers by observing that the similar stage of development of the states of Europe at that time, together with the policy of balance, permitted the preservation of a fairly stable system of independent states that has lasted until the present: But the advantages possessed by one state were counterbalanced by circumstances favourable to others; and thus prevented any from attaining such superiority as might have been fatal to all. The nations of Europe in that age, as in the present, were like one great family.... There was not among them that wide diversity of character and of genius which, in almost every period of history, hath exalted the Europeans above the inhabitants of the other quarters of the globe, and seems to have destined the one to rule and the others to obey. (R 704) Hume's concern with contemporary policy, and with France, is more conspicuous: Europe has now, for above a century, remained on the defensive against the greatest force that ever, perhaps, was formed by the civil or political combination of mankind. And such is the influence of the maxim here treated of, that tho' that ambitious nation, in the five last general wars, have been victorious in four, and unsuccessful only in one, they have not much enlarged their dominions, nor acquired a total ascendant over EUROPE.... In the last three of these general Hume... (shrink)

This paper begins with a puzzle about certain temporal expressions: phrases like ‘Jones as he was ten years ago’ and ‘the Jones of ten years ago’. There are reasons to take these as substantival, to be interpreted as terms for temporal parts. But it seems that the same reifying strategy would also force us to countenance a host of less attractive posits, among them fictional counterparts of real things (to correspond to such phrases as ‘Garrison as he was in the (...) movie JFK') and much more. I argue that there is a better way: we need only the idea of pretense or make‐believe to make sense of claims embedding such phrases, leaving us with no reason, so far, to accept an ontology of temporal parts. (shrink)

The London Institution, established in the City of London in 1807, was devoted, as its full title proclaimed, to the 'advancement of Literature and the Diffusion of Useful Knowledge'. With its extensive lecture programme, splendid reference library, reading rooms, laboratory and other amenities, it provided for its members a scientific and cultural centre, modelled on the highly successful and fashionable Royal Institution in London's West End. Among its scientific activities, chemistry long maintained a leading role, in terms of both the (...) sheer volume and variety of its presentations, and the high standing of its lecturers; they included Faraday, Playfair, Hofmann, Roscoe, Odling, Norman Lockyer, Meldola, and Sir William Ramsay, as well as other visiting lecturers, specially selected for their ability to present their subject in an interesting and attractive fashion to a wider lay public. The laboratory of the Institution, although limited in size and facilities, was the scene of instruction in practical chemistry, and between 1863 and 1884 attained the reputation of a significant centre of chemical research during the successive tenure of the professorship in chemistry by J. A. Wanklyn and H. E. Armstrong. Their publications, appearing under the device 'From the Laboratory of the London Institution', were a frequent feature of the leading chemical periodicals. Thus, within its many-sided activities, the Institution promoted significantly the public appreciation of the function of chemistry, as a contributor both to pure knowledge, and to technical and economic progress. It achieved this in an environment of influential City merchants, manufacturers and financiers and doubtless led to beneficient, if unrecorded, consequences. It was only towards the close of the nineteenth century, when the universities had become increasingly concerned with the systematic study of the discipline, that chemistry lost its direct impact in the London Institution, but continued to maintain a presence within its cultural framework. (shrink)

In Romantic theories of art and literature, the notion of mimesis—defined as art’s reflection of the external world—became introspective and self-reflexive as poets and artists sought to represent the act of creativity itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. Burwick explores the mimetic concepts of "art for art's sake," "Idem et Alter," and (...) "palingenesis of mind as art" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friederich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Staël. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including ekphrasis in the work of Thomas De Quincey, mirrored images in the poems of Samuel Taylor Coleridge and William Wordsworth, and the twice-told tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic. (shrink)

In Romantic theories of art and literature, the notion of mimesis—defined as art’s reflection of the external world—became introspective and self-reflexive as poets and artists sought to represent the act of creativity itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. Burwick explores the mimetic concepts of "art for art's sake," "Idem et Alter," and (...) "palingenesis of mind as art" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friederich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Staël. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including ekphrasis in the work of Thomas De Quincey, mirrored images in the poems of Samuel Taylor Coleridge and William Wordsworth, and the twice-told tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic. (shrink)

The question of the role of theory in the determination of reference of theoretical terms continues to be a controversial one. In the present paper I assess a number of responses to this question (including variations on David Lewis’s appeal to Ramsification), before describing an alternative, epistemically oriented account of the reference-determination of such terms. The paper concludes by discussing some implications of the account for our understanding of both realism and such competitors of realism as constructive empiricism.

This moral philosophy text with readings embraces Socrates' observation that ethics is "no small matter, but how we ought to live." How ought we to live? This hard question captures the full range of moral inquiry from traditional moral theory to contemporary moral issues, such as abortion, capital punishment, and war. But there is much more to moral philosophy: How should we be as people? When should we forgive? Are we capable of morality? What about non-western ethics? And most distressing (...) of all, why be moral in the first place? These and other challenging questions show the profundity and inescapable importance of moral philosophy for a life worth living. Life's Hardest Questions combines lively and informative introductory discussions with classic and contemporary writings in moral philosophy. (shrink)

I argue that Norman's thesis works in sofaras one is prepared to be lax about the alleged congruency between “ecological” and “dorsal,” and unconcerned by the results of recent studies showing that grasping movements are subject to the same geometric distortion illusions as perceptual judgements.