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  1. Understanding the Chinese Mind: The Philosophical Roots.Robert E. Allinson (ed.) - 1989 - Oxford University Press.
    These essays represent an attempt to understand the Chinese mind through its philosophy. The first volume of its kind, the collection demonstrates how Chinese philosophy can be understood in light of techniques and categories taken from Western philosophy. Eight philosophers, each of whom is a recognized authority in Western philosophy as well as in some area of Chinese philosophy, contribute chapters from perspectives that indicate the uniqueness of the Chinese way of thinking in categories adapted from Western philosophy. The book (...)
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  2. The Chan Interpretations of Wang Wei's Poetry: A Critical Review – by Jingqing Yang.Kyle David Anderson - 2009 - Journal of Chinese Philosophy 36 (1):180-183.
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  3. The Chan Interpretations of Wang Wei's Poetry: A Critical Review – by Yang Jingqing.Kyle David Anderson - 2008 - Journal of Chinese Philosophy 35 (3):540-543.
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  4. In Quest of Harmony: Plato and Confucius on Poetry.Zong-qi Cai - 1999 - Philosophy East and West 49 (3):317-345.
    How Plato and Confucius formulate their views on poetry in light of their overriding concerns with harmony is examined here. Both acknowledge the educational value of poetry in similar terms and set up similar moral-aesthetic standards. Both rank poetry lower than other objects of learning because they find poetic harmony to be less significant than intellectual or moral harmonies. But both take note of the transforming aesthetic experience afforded by poetry in certain circumstances, and identify this experience of the attainment (...)
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  5. Creativity and Taoism: A Study of Chinese Philosophy, Art, & Poetry.Chung-Yuan Chang - 1963 - Wildwood House.
  6. Kant's Aesthetics and the East.Chang Chung-Yuan - 1976 - Journal of Chinese Philosophy 3 (4):399-411.
  7. Aesthetic Commonalities in the Ethics of Daoism and Stoicism.Earle J. Coleman - 2002 - Journal of Chinese Philosophy 29 (3):385–395.
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  8. The Beautiful, the Ugly, and the Tao.Earle J. Coleman - 1991 - Journal of Chinese Philosophy 18 (2):213-226.
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  9. On the Concept of Art.Eliot Deutsch - 1976 - Journal of Chinese Philosophy 3 (4):373-397.
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  10. A Philosophical Perspective of Contemporary Chinese Conceptual Art.John Zijiang Ding - 1998 - Journal of Chinese Philosophy 26 (4):445-468.
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  11. Theme and Tradition in Aesthetics.James J. Fletcher - 1980 - Journal of Chinese Philosophy 7 (1):37-43.
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  12. Philosophical Reflection and Visual Art in Traditional China.Stephen J. Goldberg - 2009 - In David Edward Jones & Ellen R. Klein (eds.), Asian Texts, Asian Contexts: Encounters with Asian Philosophies and Religions. State University of New York Press.
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  13. Eifring, Halvor, Ed., Love and Emotions in Traditional Chinese Literature.Paul R. Goldin - 2010 - Dao: A Journal of Comparative Philosophy 9 (2):237-240.
  14. Fine Aphorisms, Proverbs & Philosophical Quotes.Yoji K. Gondor (ed.) - 2014 - Sintesi Point Publishing.
    This is a small collection of proverbs with some philoshopical content. I also included here are some of my favorite philosophical quotes. The quotes were collected during many years from my personal reading. I am sure that the reader will identify and enjoy proverbs and some quotes that are new and unique to this publication. A printed copy available at amazon.com .
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  15. Chinese Poetry and Symbolism.Paul Groarke - 1998 - Journal of Chinese Philosophy 26 (4):489-512.
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  16. The Concept of Beauty in Contemporary Chinese Aesthetics.Siu-Chi Huang - 1976 - Journal of Chinese Philosophy 3 (4):413-431.
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  17. Musical Art in Early Confucian Philosophy.Siu-Chi Huang - 1963 - Philosophy East and West 13 (1):49-60.
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  18. Aesthetic Structures in Civilizational Analysis.Vytautas Kavolis - 1977 - Journal of Chinese Philosophy 4 (1):63-72.
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  19. On David Wieck's "Aesthetic Symbols".Donald Keene - 1969 - Philosophy East and West 19 (3):343-344.
  20. Confucius's Aesthetic Concept of Noble Man: Beyond Moralism.Ha Poong Kim - 2006 - Asian Philosophy 16 (2):111 – 121.
    The prevailing interpretation of ren (humanness) in the Analects is ethical. One consequence of this interpretation is the one-dimensional image of the Confucian junzi (noble man) as a rigid moralist, a fastidious observer of li (ritual). But there are numerous passages in the Analects that resist such a one-sided representation of the junzi, especially Confucius's remarks related to the (Book of) Songs and music. My basic thesis is that Confucius's concept of junji is aesthetic. This is implied by his notion (...)
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  21. Confucian Moral Cultivation : Some Parallels with Musical Training.Karyn L. Lai - 2003 - In Kim Chong Chong, Sor-Hoon Tan & C. L. Ten (eds.), The Moral Circle and the Self: Chinese and Western Approaches. Open Court.
  22. Observance of Forms: An Aesthetic Analysis of Analects 6.25.Tae-Seung Lim - 2012 - Dao: A Journal of Comparative Philosophy 11 (2):147-162.
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  23. Chinese Philosophy and the Suggestion of a Matriarchal Aesthetics.Eva K. W. Man - 1996 - Journal of Chinese Philosophy 23 (4):453-466.
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  24. Placing Artworks—Placing Ourselves.Joseph Margolis - 2004 - Journal of Chinese Philosophy 31 (1):1–16.
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  25. Taoist Philosophy and its Influence on Tang Naturalist Poetry.Masato Mitsuda - 1988 - Journal of Chinese Philosophy 15 (2):199-215.
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  26. Neo-Confucianism and Wen-Jen Aesthetic Theory.David E. Mungello - 1969 - Philosophy East and West 19 (4):367-383.
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  27. On David Wieck's "Aesthetic Symbols".Winfield E. Nagley - 1969 - Philosophy East and West 19 (3):345-348.
  28. Generativities: Western Philosophy, Chinese Painting, and the Yijing.Eric S. Nelson - 2013 - Orbis Idearum 1 (1):97–104.
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  29. The Undifferentiated Aesthetic Continuum.F. S. C. Northrop - 1964 - Philosophy East and West 14 (1):67-71.
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  30. Sense of Beauty and Beauty.Hsiao P'ing - 1975 - Contemporary Chinese Thought 6 (3):137-170.
    The debate on the problems in aesthetics now is focused on the most basic question, the question of whether beauty is subjective or objective. More than a year of debate has shown that idealism still has great influence. The reason for this is that, on the one hand, idealist aesthetics offers explanations, which although fictitious, are capable of misleading people; and on the other hand, mechanical materialist aesthetics provides only mechanical and vulgar explanations of the problems in aesthetics, and it (...)
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  31. The Taoist Vision. A Study of T'ao Yuan-Ming's Nature Poetry.Angela Jung Palandri - 1988 - Journal of Chinese Philosophy 15 (2):97-121.
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  32. Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China – by Eugene Y. Wang.An-yi Pan - 2008 - Journal of Chinese Philosophy 35 (1):182–185.
  33. Truth, Beauty, and the Social Function of Art.Tom Rockmore - 2004 - Journal of Chinese Philosophy 31 (1):17–32.
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  34. Dewey and Taoism: Teleology and Art.Crispin Sartwell - 2009 - Journal of Aesthetic Education 43 (1):pp. 30-40.
  35. Confucius and Country Music.Crispin Sartwell - 1993 - Philosophy East and West 43 (2):243-254.
  36. Unless There Are Hills and Valleys in One's Breast: On the Inward Life of Chinese Landscape Painting.Ben-Ami Scharfstein - 1976 - Journal of Chinese Philosophy 3 (4):317-354.
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  37. Is the Tao of Chinese Aesthetics Like a Western Theory of Art? Some Issues in Comparative Aesthetics.Richard Sclafani - 1977 - Journal of Chinese Philosophy 4 (1):49-62.
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  38. Aesthetic Enjoyment.R. K. Sen - 1968 - Philosophy East and West 18 (4):338-339.
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  39. Confucian Ethics of the Axial Age: A Reconstruction Under the Aspect of the Breakthrough Toward Postconventional Thinking by Heiner Roetz.Kwong-Loi Shun - 1995 - Journal of Chinese Philosophy 22 (3):351-362.
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  40. Pragmatist Aesthetics and Confucianism.Richard Shusterman - 2009 - Journal of Aesthetic Education 43 (1):pp. 18-29.
  41. Experience as Art.Sor-Hoon Tan - 1999 - Asian Philosophy 9 (2):107 – 122.
    Chinese philosophy views experience as intrinsically aesthetic. This world view could be elucidated through a consideration of John Dewey's aesthetics and features of Chinese art. Dewey's philosophy of art starts with an understanding of experience as 'live processes' of living creatures interacting with their environment. Such processes are autopoietic in being self-sustaining, ever-changing, capable of increasing complexity, capable of generating novelty, direction and progress on its own. Its autopoietic character is a precondition of the aesthetic in the process of experience. (...)
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  42. Taoist Cultural Reality: The Harmony of Aesthetic Order.Kirill O. Thompson - 1990 - Journal of Chinese Philosophy 17 (2):175-185.
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  43. Jiang, Wenye 江文也, a Discourse on Confucius's Music 孔子的樂論. Translated From 上代支那正樂考—孔子の音樂論 by Y Ang Rubin 楊儒賓.Huaiyu Wang - 2010 - Dao: A Journal of Comparative Philosophy 9 (1):115-119.
    Jiang, Wenye 江文也, A Discourse on Confucius’s Music 孔子的樂論. Translated from 上代支那正樂考—孔子の音樂論 by Y ang Rubin 楊儒賓 Content Type Journal Article DOI 10.1007/s11712-009-9148-3 Authors Huaiyu Wang, Georgia College & State University Department of History, Geography, and Philosophy Campus Box 47 Milledgeville GA 31061 USA Journal Dao Online ISSN 1569-7274 Print ISSN 1540-3009 Journal Volume Volume 9 Journal Issue Volume 9, Number 1.
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  44. Art as Sedimentation.Keping Wang - 2010 - Journal of Chinese Philosophy 37 (1):131-138.
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  45. Mozi Versus Xunzi on Music.Keping Wang - 2009 - Journal of Chinese Philosophy 36 (4):653-665.
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  46. An Exegetic Study of the So-Called Proposition of Confucian Aesthetics.Yi Wang & Xiaowei Fu - 2008 - Journal of Aesthetic Education 42 (1):80-89.
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  47. Aesthetics and Morality in Kant and Confucius. A Second Step.Christian Helmut Wenzel - 2010 - In Stephen Palmquist (ed.), Cultivating Personhood. Kant and Asian Philosophy. Walter de Gruyter. pp. 321-332.
    In the framework of his transcendental philosophy, Kant strictly separates morality from aesthetics. The pleasure in the good and the pleasure in the beautiful are two different kinds of pleasure (Arten des Wohlgefallens). As a consequence, a moral act as such cannot be beautiful. It is only in a second step that Kant indicates possible connections, in his comments on aesthetic ideas, symbolism, the sensus communis, and education in general. In Confucius on the other hand we do not find such (...)
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  48. Beauty in Kant and Confucius: A First Step.Christian Helmut Wenzel - 2006 - Journal of Chinese Philosophy 33 (1):95–107.
  49. Aesthetic Symbols.David Wieck - 1969 - Philosophy East and West 19 (3):327-342.
  50. Stones From Other Mountains: Chinese Painting Studies in Postwar America – Edited and Introduced by Jason C. Kuo.Kuang-Ming Wu - 2011 - Journal of Chinese Philosophy 38 (3):499-501.
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