This chapter contains sections titled: The Alpha Privative Atheism and Liberal Concepts of God Atheism as an Unpopular Position A Definition of Atheism Motives for Atheism Atheist Values Spiritual Excellences and the Liberal Decalogue Agnosticism The History of Agnosticism Huxley and Russell Pascal's Wager Pascal's Insight Atheism or Non‐Theism?

Explicit atheism is a philosophical position according to which belief in God is irrational, and thus it should be rejected. In this paper, I revisit, extend, and defend against the most telling counter arguments the Kalām Cosmological Argument in order to show that explicit atheism must be deemed as a positively irrational position.

This book challenges the widespread assumption that the ethical life and society must be moral in any objective sense. In his previous works, Marks has rejected both the existence of such a morality and the need to maintain verbal, attitudinal, practical, and institutional remnants of belief in it. This book develops these ideas further, with emphasis on constructing a positive alternative. Calling it “desirism”, Marks illustrates what life and the world would be like if we lived in accordance with our (...) rational desires rather than the dictates of any actual or pretend morality, neither overlaying our desires with moral sanction nor attempting to override them with moral strictures. Hard Atheism and the Ethics of Desire also argues that atheism thereby becomes more plausible than the so-called New Atheism that attempts to give up God and yet retain morality. (shrink)

_Radical Atheism_ presents a profound new reading of the influential French philosopher Jacques Derrida. Against the prevalent notion that there was an ethical or religious "turn" in Derrida's thinking, Hägglund argues that a radical atheism informs Derrida's work from beginning to end. Proceeding from Derrida's insight into the constitution of time, Hägglund demonstrates how Derrida rethinks the condition of identity, ethics, religion, and political emancipation in accordance with the logic of radical atheism. Hägglund challenges other major interpreters of Derrida's work (...) and offers a compelling account of Derrida's thinking on life and death, good and evil, self and other. Furthermore, Hägglund does not only explicate Derrida's position but also develops his arguments, fortifies his logic, and pursues its implications. The result is a groundbreaking deconstruction of the perennial philosophical themes of time and desire as well as pressing contemporary issues of sovereignty and democracy. (shrink)

This article attempts to redress the neglect of Sartre's relationship to Augustine, putting forward a reading of the early Sartre as an atheist who appropriated concepts from Augustinian theology. In particular, it is argued, Sartre owes a debt to the Augustinian doctrine of original sin. Sartre's portrait of human reality in _Being and Nothingness_ is bleak: consciousness is lack; self-knowledge is impossible; and to turn to the human other is to face the imprisonment of an objectifying gaze. But this has (...) recognizable antecedents in Augustine's account of the condition of human fallenness. The article, therefore, demonstrates the significant similarities between Sartre's ontology of human freedom and Augustine's ontology of human sin; and asks whether Sartre's project – as defined in _Existentialism Is a Humanism_ – 'to draw the full conclusions from a _consistently atheistic position_' – results in a vision of the world without God, but not without sin. It is proposed that this opens the possibility for a previously unexplored theological reading of Sartre's early work. (shrink)

The theism-atheism debate is foreign to many Mahāyāna Buddhist thinkers such as the Japanese Zen Master Dōgen. Nevertheless, his philosophy of ‘expression’ is able to shine a new light on the various incarnations of this debate throughout history. This paper will explore a/theism from Dōgen’s philosophical standpoint. Dōgen introduces the notion of ‘expression’ to describe the concomitant vertical and horizontal relationships of the religious project, namely the relationship between the individual and the divine as well as the relationship among a (...) multiplicity of individuals, each of which Dōgen conceives of as an expression of the divine and/or the oneness of the cosmos. Dōgen’s philosophy presupposes the ‘way of emptiness’ and Chengguan’s ‘four dharma worlds’. To Dōgen, the former indicates the conventional nature of predication and signification, while the latter denotes the existential interwovenness of numerous individuals and the divine oneness of the cosmos. Such a philosophy implies that all truth claims and philosophical positions are mere intellectual and discursive constructions that are formulated against a perceived other. Therefore, Dōgen observes laconically that ‘when one side is expressed, the other is obscured’ or, as Dōgen says elsewhere, ‘when expression is expressed, non-expression is not expressed.’ Dōgen’s philosophical framework provides some interesting insights about one or more discourses on atheism: Again, the basic assumption is that all philosophical paradigms, systems, and positions are devoid of an absolute truth value, framed in a specific cultural and historical context which they express, and formulated vis-à-vis a perceived other. In this paper, I will look at Friedrich Nietzsche’s atheism from the perspective of Dōgen’s philosophical standpoint. Concretely, I will present Nietzsche’s position on his own terms, translate his philosophy into Dōgen’s terminology, interpret his philosophy from the standpoint of Dōgen’s philosophical approach, and assess the utility of such an exercise. I believe that such a project enables us to read theism through the eyes of atheism, atheism through the eyes of theism, both through the eyes of Dōgen, and Dōgen through the eyes of the a/theism debate. In this last section, I will introduce the language of Nishida Kitarō who attempted a similar project in his The Logic of Basho and the Religious Worldview. The goal of this project is to determine what atheism denies, what atheism contributes, and why a multi-faceted and multi-cultural engagement of atheism is important today. (shrink)

Atheism: The Basics is a concise and engaging introduction to belief in the non-existence of deities. Atheism has long fascinated people but debate around this controversial position may seem daunting. In this lively and lucid book, Graham Oppy addresses the following important questions: -/- • What does it mean to be an atheist? -/- • What is the difference between atheism, agnosticism, theism and innocence? -/- • How has atheism been distributed over time and place? -/- • What does (...) science tell us about atheism? -/- • Are there good reasons to be an atheist? -/- • Are there good reasons not to be an atheist? -/- • What do we mean by ‘new atheism'? -/- With a glossary of key terms and suggestions for further reading throughout, the book considers key philosophical arguments around atheism, making this an ideal starting point for anyone seeking a full introduction to the arguments between those who hold atheistic beliefs and those who do not. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XXII, Number 1, April 1996, pp. 193-202 Why Hume Wasn't an Atheist: A Reply to Andre BERYL LOGAN In a recent issue of Hume Studies,1 Shane Andre argues that, as Hume's position on theism can be read primarily from Philo's position in the Dialogues Concerning Natural Religion, and since Philo's position in the Dialogues is one of "limited theism," Hume was also a (...) "limited theist" and therefore not an atheist. According to Andre, a "limited theist" is one like Epicurus, "who denied, not that the Gods exist, but that they intervene in human affairs" and, he continues, "...at least in philosophical circles, the term 'atheist' is generally restricted to people who disbelieve any form of theism, and this is the sense in which I propose to enquire whether Hume was an atheist" (142). Andre's claim then is that Hume is not an atheist in this latter sense, but is a limited theist in the former sense. This is shown in "three major objections to standard theism" in the Dialogues: those addressing the Argument from Design and the problem of evil, as well as the lack of debate on whether or not God exists. Philo's criticisms of the Argument from Design amount to the claim that, "not that there is no God, but that, if there is a God," empirical evidence cannot show that God has any of the traditional characteristics of wisdom, power or goodness. The "proper conclusion" of Philo's argument from evil does not concern God's existence, but establishes that God is "limited in some important respect." Philo's "limited theism" is expressed in his ambivalent attitude toward Cleanthes' Argument from Design in Part 12 ("that the cause or causes of order in the universe probably bear some remote analogy to human Beryl Logan is at the Department of Philosophy, Scarborough College, University of Toronto, 1265 Military Trail, Scarborough, Ontario MlC 1A4, Canada, email: logan@lake.'scar.utoronto.ca 194 Beryl Logan intelligence"). In sum, Philo and Cleanthes never debate God's existence, and they accept a limited Deity, therefore they hold positions of limited theism, therefore Philo is not an atheist. While I agree with Andre's conclusion that Hume is not an atheist, I will show in this paper first, that the interpretation which provides his means for arriving at this conclusion is not consistent with the text and faces a number of difficulties, and second, that the sense in which Hume is a limited theist has to do with the limitations of human reason and experience, and not with God's limited nature. My criticisms of Andre's position will be directed at three points in his argument: (1) his claim for Philo's theism based on Philo's lack of scepticism about God's existence; (2) what he regards to be the "proper conclusion" (153) to the problem of evil, as this directly influences his view of Philo's scepticism and the nature of the Deity; and (3) his view that Philo's theism is to be found in his acceptance of the Argument from Design (Philo's limited theism). My arguments will centre upon the "suspense of judgement," and where and how this.mental stance is used by Hume in the arguments of the Dialogues.2 Scepticism about God's Existence Andre claims that the arguments in the Dialogues are directed only to God's nature and do not address God's existence in spite of the fact that Cleanthes concludes his Argument from Design by claiming that the data in the world provide conclusive analogical support for the existence and (human-like) intelligence of the (traditional) Deity.3 Cleanthes' anthropomorphic Argument from Design purports to "prove" that the world has an intelligent divine designer just like machines have intelligent human designers and the only difference between the causes based on the effects is one of degree and not one of kind: the designer of the world is far grander than the designer of a computer because the world is more complex than a computer. I would urge, though, that Philo's scepticism is directed at both aspects of the Argument... (shrink)

Recent iterations of Alvin Plantinga’s “evolutionary argument against naturalism” bear a surprising resemblance to a famous argument in Descartes’s Third Meditation. Both arguments conclude that theists have an epistemic advantage over atheists/naturalists vis-à-vis the question whether or not our cognitive faculties are reliable. In this paper, I show how these arguments bear an even deeper resemblance to each other. After bringing the problem of evil to bear negatively on Descartes’s argument, I argue that, given these similarities, atheists can wield a (...) recent solution to the problem of evil against theism in much the way Plantinga wields the detailsof evolutionary theory against naturalism. I conclude that Plantinga and Descartes give us insufficient reason for thinking theists are in a better epistemic position than atheists and naturalists vis-à-vis the question whether or not our cognitive faculties are reliable. (shrink)

Recent iterations of Alvin Plantinga’s “evolutionary argument against naturalism” bear a surprising resemblance to a famous argument in Descartes’s Third Meditation. Both arguments conclude that theists have an epistemic advantage over atheists/naturalists vis-à-vis the question whether or not our cognitive faculties are reliable. In this paper, I show how these arguments bear an even deeper resemblance to each other. After bringing the problem of evil to bear negatively on Descartes’s argument, I argue that, given these similarities, atheists can wield a (...) recent solution to the problem of evil against theism in much the way Plantinga wields the detailsof evolutionary theory against naturalism. I conclude that Plantinga and Descartes give us insufficient reason for thinking theists are in a better epistemic position than atheists and naturalists vis-à-vis the question whether or not our cognitive faculties are reliable. (shrink)

Denys Turner is a philosopher who holds a chair in Cambridge's Faculty of Divinity. In this erudite and entertaining lecture he explores the conditions for the belief that God does not exist. According to Turner, the first challenge lies in acknowledging the question 'Does God exist?' to be a valid one. Once the question is established, various things follow, each one making it harder to maintain 'atheism' as a credible or interesting position. Turner boxes atheists into a philosophical corner, (...) showing how the belief that something has come of nothing is itself an acknowledgement of God's existence. Enlisting the help of thinkers as diverse as Aquinas, Kant, Wittgenstein, Nicholas Lash and John Milbank, Turner's witty and provocative piece will be of interest to anyone engaged in religious enquiry who has wondered about the nature and status of atheism as a defendable intellectual position in our age. (shrink)

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural (...) philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XXII, Number 1, April 1996, pp. 193-202 Why Hume Wasn't an Atheist: A Reply to Andre BERYL LOGAN In a recent issue of Hume Studies,1 Shane Andre argues that, as Hume's position on theism can be read primarily from Philo's position in the Dialogues Concerning Natural Religion, and since Philo's position in the Dialogues is one of "limited theism," Hume was also a (...) "limited theist" and therefore not an atheist. According to Andre, a "limited theist" is one like Epicurus, "who denied, not that the Gods exist, but that they intervene in human affairs" and, he continues, "...at least in philosophical circles, the term 'atheist' is generally restricted to people who disbelieve any form of theism, and this is the sense in which I propose to enquire whether Hume was an atheist" (142). Andre's claim then is that Hume is not an atheist in this latter sense, but is a limited theist in the former sense. This is shown in "three major objections to standard theism" in the Dialogues: those addressing the Argument from Design and the problem of evil, as well as the lack of debate on whether or not God exists. Philo's criticisms of the Argument from Design amount to the claim that, "not that there is no God, but that, if there is a God," empirical evidence cannot show that God has any of the traditional characteristics of wisdom, power or goodness. The "proper conclusion" of Philo's argument from evil does not concern God's existence, but establishes that God is "limited in some important respect." Philo's "limited theism" is expressed in his ambivalent attitude toward Cleanthes' Argument from Design in Part 12 ("that the cause or causes of order in the universe probably bear some remote analogy to human Beryl Logan is at the Department of Philosophy, Scarborough College, University of Toronto, 1265 Military Trail, Scarborough, Ontario MlC 1A4, Canada, email: logan@lake.'scar.utoronto.ca 194 Beryl Logan intelligence"). In sum, Philo and Cleanthes never debate God's existence, and they accept a limited Deity, therefore they hold positions of limited theism, therefore Philo is not an atheist. While I agree with Andre's conclusion that Hume is not an atheist, I will show in this paper first, that the interpretation which provides his means for arriving at this conclusion is not consistent with the text and faces a number of difficulties, and second, that the sense in which Hume is a limited theist has to do with the limitations of human reason and experience, and not with God's limited nature. My criticisms of Andre's position will be directed at three points in his argument: (1) his claim for Philo's theism based on Philo's lack of scepticism about God's existence; (2) what he regards to be the "proper conclusion" (153) to the problem of evil, as this directly influences his view of Philo's scepticism and the nature of the Deity; and (3) his view that Philo's theism is to be found in his acceptance of the Argument from Design (Philo's limited theism). My arguments will centre upon the "suspense of judgement," and where and how this.mental stance is used by Hume in the arguments of the Dialogues.2 Scepticism about God's Existence Andre claims that the arguments in the Dialogues are directed only to God's nature and do not address God's existence in spite of the fact that Cleanthes concludes his Argument from Design by claiming that the data in the world provide conclusive analogical support for the existence and (human-like) intelligence of the (traditional) Deity.3 Cleanthes' anthropomorphic Argument from Design purports to "prove" that the world has an intelligent divine designer just like machines have intelligent human designers and the only difference between the causes based on the effects is one of degree and not one of kind: the designer of the world is far grander than the designer of a computer because the world is more complex than a computer. I would urge, though, that Philo's scepticism is directed at both aspects of the Argument... (shrink)

An emerging body of research suggests that psychedelic experiences can change users’ religious or metaphysical beliefs. Here I explore issues concerning psychedelic-induced belief change via a critique of some recent arguments by Wayne Glausser. Two scientific studies seem to show that psychedelic experiences can convert atheists to belief in God, but Glausser holds that academic and popular discussions of these studies are misleading. I offer a different analysis of the relevant findings, attempting to preserve the insights of Glausser’s critique while (...) setting the record straight on some important points. For one thing, the studies provide stronger evidence for atheist deconversion than Glausser allows. For another, Glausser’s arguments against the “Metaphysical Belief Theory” of psychedelic therapy involve scientifically dubious claims and inferences. Finally, in evaluating this theory, we ought to focus on its strongest version, which posits belief shifts from metaphysical naturalism to non-naturalism, rather than from atheism to classical monotheism. (shrink)

One of the twentieth century’s most brilliant and unconventional thinkers, Alexandre Kojève was a Russian émigré to France whose lectures on Hegel in the 1930s galvanized a generation of French intellectuals. Although Kojève wrote a great deal, he published very little in his lifetime, and so the ongoing rediscovery of his work continues to present new challenges to philosophy and political theory. Written in 1931 but left unfinished, Atheism is an erudite and open-ended exploration of profound questions of estrangement, death, (...) suicide, and the infinite that demonstrates the range and the provocative power of Kojève’s thought. Ranging across Heidegger, Buddhism, Christianity, German idealism, Russian literature, and mathematics, Kojève advances a novel argument about freedom and authority. He investigates the possibility that there is not any vantage point or source of authority—including philosophy, science, or God—that is outside or beyond politics and the world as we experience it. The question becomes whether atheism—or theism—is even a meaningful position since both affirmation and denial of God’s existence imply a knowledge that seems clearly outside our capacities. Masterfully translated by Jeff Love, this book offers a striking new perspective on Kojève’s work and its implications for theism, atheism, politics, and freedom. (shrink)

Discussion of the role which religious experience can play in warranting theistic belief has received a great deal of attention within contemporary philosophy of religion. By contrast, the relationship between experience and atheistic belief has received relatively little focus. Our aim in this paper is to begin to remedy that neglect. In particular, we focus on the hitherto under-discussed question of whether experiences of God’s absence can provide positive epistemic status for a belief in God’s nonexistence. We argue that there (...) is good reason to accept an epistemic parity between experiences of God’s presence and experiences of God’s absence. (shrink)

Atheists, conservative theists, and religious liberals often read the history of science in ways that support their own position. Atheists expect continual mutual support between science and nonbelief, conservatives emphasize theistic metaphysical foundations for science; and liberals find a historical development toward separate spheres for science and religion. The rise of science was more complicated than anticipated by any of these stories. Atheism and science have usually developed almost independently, with weak connections. Today, the naturalism of modern scientific descriptions (...) of the world is consonant with an atheistic position. But even now, significant tensions between science and atheism remain. (shrink)

This article examines the concept of “The Presumption of Atheism” by Antony Flew. Flew claims that at the beginning of a debate on the existence of God we should adopt a standpoint of atheism and the opus of proof lies on the theists. I question different requirements that Flew puts on the representatives of theism and atheism. In responding, I raise an epistemological issue concerning how strong evidence for a particular belief should be in order for one to hold that (...) belief. I claim that this depends on a subject’s circumstances and on his or her individual conditions. By means of these deliberations I try to reveal how various persons could reasonably demand from a theistic belief a different degree of probability than they do from an atheistic one. This shows, I think, that Flew’s procedure does not have to be rational for others, although it could be in his own case. (shrink)

This paper criticizes the assumption, omnipresent in contemporary philosophy of religion, that a perfectly good and loving God would wish to confer on finite persons free will. An alternative mode of Divine-human relationship is introduced and shown to be as conducive to the realization of value as one involving free will. Certain implications of this result are then revealed, to wit, that the theist's free will defence against the problem of evil is unsuccessful, and what is more, that free will, (...) if it exists, provides positive support for atheism. (shrink)

The aim of this paper is to differentiate between religion and spirituality more strictly, or, specifically, between the religious and spiritual aspects of sport. The text is written in an autoethnographic genre from an ‘outsider’ position, by an author who is not Christian. Religion, including Christianity, represents a connectedness between the natural world and an ontologically different reality and its transcendence towards the sacrum. But spirituality is the centre of the human way of being and a manifestation of personality. (...) So spirituality and spiritual values can and should be an integral part of human movement, including sport, while any religion is not an inherent quality of sport but an external factor that is only accidentally associated with the area of human physical activity. Despite this fact, the argumentation leads toward a conclusion that sport can serve as a tool and means for the realization of Christian values. If the instrumentality of sport means the realization of love as a basic Christian attitude to all people, then this should be a positive outcome not only for religious people, but also for agnostics and even atheists. (shrink)

In this volume, the sixth in Blackwell's Great Debates in Philosophy series, Smart and Haldane discuss the case for and against religious belief. The debate is unusual in beginning with the negative side. After a short jointly authored introduction, there is a fairly extended presentation of the atheist position by Smart. Haldane then offers an equally extended defense of theism. The authors respond to one another in the same order, and the book concludes with a brief co-authored treatment of (...) antirealism, which both reject. The discussion is broad-ranging, in part reflecting the size of the topic. It addresses the existence of God and the problem of evil, along with related issues having to do with God's nature and his involvement with the world: necessary being, eternity versus sempiternity, the relation between divine sovereignty and human freedom, and the possibility of miracles. But there is also discussion of subjects having to do with revealed religion, such as the reliability of scripture, and the roles of faith and reason in the life of the believer. The fact that the book commences with the case for atheism also contributes to its scope, since without a specific version of theism on which to focus, Smart has to aim broadly. The result is that topics that might otherwise have been ignored—moral arguments, and Pascal's wager, to cite two—are at least broached, though not pursued. (shrink)

There is a consensus among scientists that climate change is an existing, growing, and human-made threat to our planet. The topic is a divisive issue worldwide, including among people of faith. Little research has focused on the relationship between (non)religious belief and climate change. Hence, in Studies 1 and 2, the authors explore the impact of religious/non-religious orientations: intrinsic (religion as an end in itself), extrinsic (religion as a means to an end), quest (a journey toward religious understanding), and non-religious (...) orientation (i.e., atheistic) on consumer attitudes toward the environment, focusing on recycling advertisements with (non)religious cues. Further, in Study 3, we examine the underlying causal mechanism of environmental identity and the moderating effect of political views on consumers’ lack of belief in climate change. The results show that religious people are less committed to the environment and climate change and that atheism positively affects recycling and climate change identity. The findings offer practical implications in that advertising campaigns need to be endorsed by religious leaders and channeled within the confines of the religious institutions they represent. (shrink)

The article remarks that, despite what many relativists claim, realism still is an arguable and defendable position. Realism is for sure quite an unpopular stance today, but the standard arguments against it are by no means conclusive. If one asks what difference is made to our knowledge claims if we accept the existence of an extra-conceptual world, the answer is the following: such recognition is likely to undermine the largely diffused anthropocentric stance which identifies reality with our knowledge (...) of it. (shrink)

A few years ago I ran across a statement by Jean-Paul Sartre which seemed to imply that if there is a God, then there can be no human freedom. That thesis struck me as questionable, but at the time I did not pause to examine it. More recently I ran across a similar, more explicit statement by Kurt Baier, and I decided the time to pause had come. My knee-jerk response to Baier – and I confess it was probably nothing (...) more – was, ‘Why can't there be human freedom if there is a God? Indeed, can there be human freedom if there isn't a God ?’ The second of these questions has proved to be the more provocative to me, for the more I have thought about it, the more it has seemed to me that it is the atheist and not the theist who should be on the defensive about libertarianism, i.e. the position that human beings do act, that human actions are not determined, that we are the sole cause of our actions, and that all things remaining the same, we could have done otherwise. Indeed, the more I thought about that question – Can there be human freedom if there is no God? – the more convinced I became that the atheist has no good reason for believing in libertarianism. Note: I am not saying that atheism is logically incompatible with libertarianism. Perhaps it is, but if it is, that is not yet obvious to me. Rather, I am saying that an atheist who believes in libertarianism must believe in it on the basis of faith and must hold this faith in opposition to the only type of evidence that is available to him. Hence, by denying the existence of God, Baier and Sartre do not make room for human freedom; they make belief in human freedom irrational. By contrast, I shall argue, the theist does have a good reason for believing that humans are free. Let's take separate looks at Baier and Sartre; then I shall summarize the substance of my position. (shrink)

William James wrote about varieties of religious experience (See http://etext.virginia.edu/toc/modeng/public/JamVari.html) but I don't know of anyone who has documented the varieties of atheism. Unlike James I don't here attempt to collect data about what atheists say and do, and how they came by their atheism. This is, instead, an analytical paper describing how various sorts of atheistic position can arise in opposition to various sorts of theistic position. Clarity about this could help to make debates about atheism and (...) theism more fruitful. -/- This document attempts to make clear that there are several forms of atheism, of varying ’strength’ in their opposition to theism, and that there are several types of theism to which each type of atheism can be opposed. This means that instead of atheism being just a single viewpoint it covers a multitude of cases, each definable by a type of theism and a type of objection to that form of theism. -/- The document is freely available online here: http://www.cs.bham.ac.uk/research/projects/cogaff/misc/varieties-of-atheism.html. (shrink)

Joaquin Segura. Untitled (fig. 40) . 2007 continent. 1.2 (2011): 117-124. The interview that follows is a dialogue between artist and gallerist with the intent of unearthing the artist’s working strategies for a general public. Joaquin Segura is at once an anomaly in Mexico’s contemporary art scene at the same time as he is one of the most emblematic representatives of a larger shift toward a post-national identity among its youngest generation of artists. If Mexico looks increasingly like a foreclosed (...) home burning to the ground, Segura could likely be the one walking away, charred matchstick between thumb and forefinger and shit-eating grin on his face. His corrosive attacks on institutions, ideologies, and power reflect a deep general distrust of authority, increasingly evident within the work of younger Mexican artists. It is perhaps most directly the result of President Calderon’s deeply unpopular war against the cartels but no doubt equally the product of decades upon decades of rampant corruption and errant policy within Mexico. Brett W Schultz (BWS): A recurring—if not dominant—theme within your current work and investigation explores ideological extremism in reaction to some perceived political and economic disenfranchisement, especially that espoused and practiced by right-wing groups in United States. That's exactly why I thought of you when I was approached to contribute a piece to an issue on the subject of the moraine—taken metaphorically here to signify a certain set of beliefs that have resurfaced within mainstream American culture in the wake of a probably over-exaggerated political sea-change, marked by Obama's election. You're a Mexican artist who now lives and works in Guadalajara, far from the border cities where such concerns would seem more likely to be relevant to a contemporary artist; of course, you're even farther from the culture that birthed this nature of extremism. What interests you so intensely about this movement, if we can call it that? Joaquin Segura (JS): I think there are several seminal points that you touch on in this particular question. There's a very specific set of interests that make me address the socio-political issues I've been dissecting through my practice in the last few years. First of all, I don't really consider myself a 'mexican' artist. As I've made clear in the past, I don't really believe in the notion of 'identity' or the idea of 'nation', which I find totally laughable and heartwarmingly passé. I'm convinced that these are totally outdated models of understanding our differences and similarities, expanding our already immense and irreconcilable cultural abysses instead of bringing them together, thus resulting in their total dispersion among the complex and extremely arbitrary weaving of contemporary social nucleii. Pretty much a frankly bad joke, if I may say so. The fact that I live and work in Mexico is a completely random geographical and temporal factor, which of course affects what I think and what I do, but I've chosen not to be limited by this specific circumstance. In the past, while working abroad, I've taken advantage of this preconception of Mexico—to be more exact, pretty much all of Latin America—as one of the last barbaric bastions of western civilization. Totally amusing, if you ask me about it. I consider my practice to be, among other things, a gonzo strategy of deceit: there are quite a few roles you can adopt in this approach that may actually reveal themselves to be a privileged vantage point. In my experience, the gentle savage is one of the most effective ones to establish my standing position. Thus, I'm a mexican artist if I need it to prove my point. If it's not necessary in a specific circumstance, I'm not. Quite simple, I think. Said in other words, it's just an ace I can play to win a particular match. It has worked so far, at least for me. L: Hey, America… , 2009. R: The Inaugural Address , 2009. I am interested in the nature of power and the rise and fall of totalitarian ideological and political apparatuses nowadays. But I guess, going even further, I'm essentially fascinated by the fissures and contradictions that have made these structures spectacularly crumble to the ground. I do believe extreme ideologies have played a crucial role in the globalization of socio-political crisis. In the end, our world is nothing more than a fading monument to all things gone wrong—the inspiring triumph of failure, in every sense. I see this as an exciting parable. And of course, it is an undeniable fact that the US, through their influence in world economy, international policies and general attitude towards the rest of the planet is the largest structure waiting to collapse. I think we are all secretly awaiting that moment of splendor, even americans. It'll be disastrous and as nasty as it can get, but it will also be liberating and incredibly inspirational. Not just because it’s the US but because it'll prove that absolutely everything is susceptible to fall. And not only that, most importantly, it would confirm that radical change may actually be possible and not just one more of the unfulfilled promises modernity has left us to struggle with on our own. BWS: I want to talk first about two of your works in particular: Hey, America... and The Inaugural Address . I feel like your more recent work has a subtle —or even hidden—sinisterness, but these two works are perfect examples of how brutally confrontational your earlier work has been. When we showed Hey, America... at Mexico City's Zona Maco art fair in 2010, there were at least a couple visitors to our stand who were absolutely ready to punch me in my gringo face for having done so. Certainly the shock value of these works is crucial to their central ideas, but can you tell me more about your intentions and how these works relate to your general oeuvre? JS: So funny. Perhaps we do deserve to be punched in the face. I think that's what I'm sometimes looking for, but I hardly ever get it. I do think of such works as some sort of logical trap, a somewhat perverse ambush waiting for someone to walk into head-on. I think what I tried to do with those two specific works, as well as some other past projects, is just emphasize issues or themes that do disturb or make me uneasy and restless. I consider my essential intention a need to make clear that we do not have to look the other way, ignore or forget. We must address, understand and solve these manifestations of senseless violence and absurdity because if we don't confront them this way, they'll end up consuming us. In other words, I do consider these works as a personal need of coming to terms with the nonsense of the world we all are living in. I don't particularly consider myself to be someone with a clear set of beliefs. Perhaps my only certainty would be that everything is there to be denied, demolished and obliterated—even my supposed unquestionability of that particular 'dogma.' My practice is a reflection of that paradox, and I do think that's how these two pieces relate to a wider body of work. Every democratic system and so-called developed contemporary society is deeply flawed on the inside, and that is because each has swept things under the rug. Of course, there's tolerance, good will and eagerness to make a difference but there's also hatred, pain and fear lingering all around. We must learn to relate to both sides of the spectrum. In a way, I approach the themes behind these particular works in what I think to be a non-biased, somewhat 'neutral' way. I do think there's an encryption process going on in the way I work, some sort of formal refinement of this somewhat outrageous content. A digest of infamy, if we can refer to it that way. It is up to the individual experiencing the work to decide which way these pieces lean. They can easily be seen from both positions and I'm ok with that. If you look closely at these works, there's nothing that establishes an unrelenting position—neither support nor rejection. I don't want my personal political views to directly set an agenda for the spectator as that’s essentially propaganda, which is one of the things I absolutely despise. To sum it up, I strive for the spectator to complete the piece in that sense. The work then becomes a reflection of his or her own contradictions, a playground of the mind. I'm interested in achieving a deadpan and deadlock state in the observer. So, in a way, those visitors threatening to beat the shit out of you unconsciously became that particular issue the work is alluding to. Just blind and senseless reaction to god knows what people feel must be defended, the overwhelming virtue of ambiguity. Beautiful. Perhaps you can also think of my practice as a uber-sophisticated and snobbish version of Punk'd. And you wouldn't be far from what I'm trying to convey. Untitled (Disturbance Scenarios #2) . 2010. BWS: To me, an important transitional marker in the overall trajectory of your work is the series, Disturbance Scenarios , which evokes a similar generalized state of panic, paranoia, and impending doom through its incorporation of sensationalist newspaper headlines, yet also suggests this slyly mysterious meta-narrative via the context in which the newspaper itself is placed. How did you arrive at this series and why did you choose photorealistic painting as the medium for it? JS: I consider this series to be a by-product of the process I follow when making work. I spend an important part of my time just doing research, going through documentation and accumulating visual or historical references for the themes or episodes I'm interested in, in that particular moment. These are, of course, valuable assets that connect among themselves in a mysterious and almost undetectable manner, sometimes a few years between one and the other. I've employed similar production strategies in the past, in ongoing series like Random Moments of Urban Decay , in which I document what I consider to be physical traces of ethnic, religious or ideological violence in the form of text graffiti, invisibly scattered in different cities of the world, mostly in the US. Disturbance Scenarios was started in early 2010, following a particularly intense period of traveling here and there that lasted for most of the year. I've always felt compelled by text, as I find quite intriguing the idea of how words can create equally intense evocations of what I call a mental panorama of uneasiness than those produced by aesthetically-charged imagery; of course, if handled right. I have a close relationship to print media—due both to my academic background and to my attraction to its ubiquity and almost unlimited influence, which in the end, is nothing else but power—so I found myself with a growing archive of newspaper headlines snapshots from cities like Melbourne, Auckland, London, and LA. Going through them, I noticed that they had in common a very specific thematic slant: they were all about some sort of conflict: energy crisis, political unrest, local episodes of domestic violence, you name it. So as you very well put it, I felt they all connected through this feeling of anxiety and anguish and I decided to start thinking of them as a body of work. Basically, I felt an interest in creating what I think of as my personal fragmented prefigurements of the end of civilization. There were few elements on the shots that could give away its actual location, geographically speaking, and I liked that. I find this sensation of vagueness and uncertainty quite alluring. The more subtle, the more perverse. The formal resolution of the series—as photo-realistic painting—is linked to my intention of creating distance between me as the artist and the themes I work with. I rarely execute my own work, and that is more a personal choice as I'm more interested in the ideas I mingle with than in the actual outcome of that process, understood as an "art-object" with certain market value. I did some tests with light-jet prints of those snapshots and I found them devoid of that nightmarish, disturbing indistinctness that I felt was so important for them to be able to project the turmoil I experienced upon encountering them and in conceiving of them as a series. So I thought that photorealistic painting would be an interesting resource to play with, as I hardly had worked with that medium before because of my lenient animosity toward painters and their craft. So they were executed like that and I think it turned out to be just right. Homemade (Napalm #2) . 2010. BWS: Though Disturbance Scenarios remains ongoing, it's an interesting contrast to another series of yours, Homemade, which are these beautifully banal photographs of the ingredients used to make improvised explosives. Whereas Disturbance Scenarios still confronts the viewer aggressively with its visual emphasis on loaded texts, in Homemade , you've dropped the surface-level bravado entirely. They're pieces that require explanation to someone not already versed in the fine art of amateur explosive-making. You weren't known for subtlety in your past work; why this change in direction? JS: I'm personally convinced that these are just two angles of the same conceptual preoccupation. I mentioned before my obsession with the idea of encryption. I'm quite enticed by how these processes of translation can politically and semantically alter and deviate purportedly subversive materials such as the ones these works allude to. I do think subversion is futile. I was really troubled by that thought for some time, but I think now I understand that it's not really that important. What is really significant is to elaborate on these alternate views, to envision and refine possible escape routes. It doesn't really matter if they go nowhere, but that is because nothing really matters. A "mute" artwork is a notion that captivates me. When you look at the works you mention, you know there's something off, but it's not fully clear how and why that is. I rely on that insecurity—on that moment of hesitation. And that can also be achieved through an approach like the one I'm now interested in. Let's just call it a smoke screen, a surrogate ruse to get to the same point: to talk about impotence and defeat in contemporary life. The notion that readily accessible information is actually a weapon is a double-edged fallacy: sure, you can make use of whatever resources you can lay your hands on, but that doesn't set you free because freedom is impossible. Still, that doesn't mean you can't blow up stuff during the process, metaphorically or not. I didn't understand the nature of subtlety before. I used to think that you needed to be loud and manifest anger and unconformity in the most aggressive manner possible. Then I finally realized that you can actually permeate and rarify a battleground—because after all, this is low-intensity war—if you actually aim at silently building up the contradictions and making the symbolic value of ideas and acts clash within themselves. Or perhaps it is that I am just getting old. I guess I used to be an angry kid until recently. Now I think of myself as a disenchanted post-teenager, and of course that reflects in my work and my approach to art-making. Kind of a rite of passage and I laugh at it because, overall, it has been overwhelmingly fun. And that doesn't mean that I'm not ready to stick it in someone or something's face again if I feel like it. BWS: You're now taking the subtlety of the Homemade series even further with your newest series, Definitive Reader For a Botched Revolution , in which you photograph a series of politically-charged books side-on, negating their content entirely—essentially reducing them to purely aesthetic objects in which the subject matter is only revealed in the title of the work. Can you talk about the ideas behind this series? Furthermore, is your recent interest in this idea of the "botched revolution" an indication of a general attitudinal or philosophical shift you've since adopted? JS: This new series of works is the logical outcome of a brief period I went through. Probably the last couple years, in which due to a number of circumstances that don't really have to do with my art-making, I was forced to renegotiate my ideas, my beliefs and practically everything that surrounds me. It was quite distressful and turbulent, but in the end, I think it was also almost epiphanic. I came to terms with myself and now I'm calm and serene. That is, of course, my personal take on it but I mention it because I do think it's important to address this shift you mention. The idea of an artwork as a container for latent revelations enthralls me quite a bit. That's how I see these particular works: art as an incendiary agent. It's up to the artist and the spectator to do whatever they please with it. I think the detachment and almost surgical cleanliness from the Definitive Reader series is also my take at poking fun of the way some art is totally innocuous and uncompromising. These images may be pleasing to the eye, but there's something twisted and rotten within them, well hidden beneath. You'll either see it or not, but without a doubt, it will not cancel its presence. This series is intrinsically linked to Homemade . I'm pretty much horsing around with similar ideas and statements here. And well, yes, I do think any revolution is a botched one. There's nothing too heavy about their own downfall. Decay and breakdown are here and will not go away. Perhaps we must learn to embrace them in one way or another, for our own sake. L: Untitled (T.A.Z.). R: Untitled (United States Marine Guidebook of Essential Subjects) . 2011. BWS: Finally, let's discuss the near future. You've got an upcoming solo show at the Sala de Arte Público Siqueiros [SAPS] in Mexico City this summer. What can we expect from that? What else do you have planned? JS: I'll go and get seafood as soon as I'm done with this interview. It's pretty good here in Guadalajara. That's my top priority at this very moment. About my solo project at SAPS, it's due to open in late July. I'm quite looking forward to it. I'm still closely working with the curator on the general feel for the show but I can say that it'll be more of a revision of past works that have not been shown in Mexico City except for a couple pieces. It definitely won't be a showcase for new projects, although we may include one or two previously unseen works. What you can expect is a rereading of what I've been working on during the past few years. In a way, that's exciting to me because for some reason I don't really care about, I'm not that active in Mexico City even though that's where I lived and work for years. I've hardly shown there after my solo project at Yautepec in February of 2010. It'll be nice to see how it all comes together and I'm more thrilled about it because I totally love the space and I think they're doing an excellent job with their programming and its direction. And in a certain way it feels like going back home. About everything else, I need a period to reflect and fully understand what I've been thinking and working on. I've got a few group shows here and there: New York, San Francisco, and Melbourne are the ones happening soon. I will present my censored project Untitled ( Gringo Loco ) as part of the programming of the Museo de Arte de Zapopan in Guadalajara, two years after being escorted at gunpoint from the installation site by police sent by the extreme right-wing mayor of the city, which I found pretty amusing for an otherwise typical Saturday afternoon. I'm also involved in a couple "curatorial" projects. In my case, "curatorial" means that I help put together stuff I like and I'm interested in. One of them will open in late September of 2011 at Arena Mexico Arte Contemporaneo, and I will work with three of whom I consider to be some of the best artists in a lively and active scene such as the one here in Guadalajara. But most importantly, I've been doing heavy research so there are also a number of projects that I've yet to finalize. That'll be my main focus during the rest of the year, even though I really enjoy procrastination. There'll be time for that later. Or maybe not. We'll see. About Joaquin Segura The action, installation, intervention and photographic work of Joaquin Segura (b. Mexico City, 1980) has been shown in solo and group exhibitions in Mexico, the United States, Europe, and Asia. Some spaces that have featured his work include La Panaderia, Museo de Arte Carrillo Gil, Centro de la Imagen and Ex-Teresa Arte Actual in Mexico City; El Museo del Barrio and apexart, New York, NY; Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain; National Center for Contemporary Art, Moscow, Russia; and Palace Adria in Prague, Czech Republic. In 2008 and 2009, Segura was an artist-in-residence at the International Studio and Curatorial Program, New York, NY and at the 18th Street Arts Center, Santa Monica, CA. He is represented YAUTEPEC in Mexico City and by Arena Mexico Arte Contemporáneo in Guadalajara. Further Reading Joaquin Segura’s website YAUTEPEC artist page for Joaquin Segura Capps, Kriston. “ID-ENTITY: Washington, DC.” ART PAPERS . 2009. (shrink)

This paper defends a rigorous reading of Hume’s critiques of arguments for the existence of God and of the belief in God against interpretations that endorse Humean theism, deism, and fideism. The latter include Donald Livingston’s theist reading, J. C. A. Gaskin’s “attenuated deism” reading, and Edward Kanterian’s “humble fideism” reading. I also examine whether Hume’s rejections of a positive theology commit him to agnosticism or atheism. My innovative challenge to such conclusions maintains that, while elements of both agnosticism and (...) atheism are found in Hume, these denote, respectively, a methodology and an incidental implication of his philosophy. But neither sufficiently captures his constructive vision for a society, individual psychology, and system of knowledge guided by naturalist principles and aims. For this, an alternate conception is needed that describes Hume’s philosophy of religion beyond mere atheism. (shrink)

Some claim that cognitive science of religion (CSR) either completely “explains religion away,” or at the very least calls the epistemic status of religious belief into question. Others claim that religious beliefs are the cognitive outputs of systems that seem highly reliable in other contexts, and thus CSR provides positive epistemic support for religious belief. I argue that (i) CSR does not provide evidence for atheism, but (ii) if one is an atheist, CSR lends “intellectual aid and comfort,” (iii) CSR (...) does not provide evidence for theism, but (iv) if one is a theist, CSR provides qualified support for Reformed Epistemology. (shrink)

Some claim that cognitive science of religion either completely “explains religion away,” or at the very least calls the epistemic status of religious belief into question. Others claim that religious beliefs are the cognitive outputs of systems that seem highly reliable in other contexts, and thus CSR provides positive epistemic support for religious belief. I argue that CSR does not provide evidence for atheism, but if one is an atheist, CSR lends “intellectual aid and comfort,” CSR does not provide evidence (...) for theism, but if one is a theist, CSR provides qualified support for Reformed Epistemology. (shrink)

Philosophical theists argue with great ingenuity and sophistication that there is excellent evidence in support of the existence of the God of western theism. Philosophical atheists argue with equal skill that the evidence is negative. Both sides can't be right. But, this seems to imply that one camp is guilty of serious epistemological error. I explore in this essay a way of understanding good theological evidence that mitigates charges of intellectual error or blindness. According to a position that Rowe (...) calls friendly atheism, the atheist can argue that the relevant evidence supports his or her view, but that theists are rationally justified in believing that God exists in spite of the intense suffering that manifest in this world. I will argue that friendly atheism, and more generally friendly natural theology, when articulated in more detail, and with great care, represents an important metaphilosophical insight about use of evidence in theological contexts. (shrink)

Wilfrid Sellars has been widely—though, I argue, largely mistakenly—criticized for his doctrine of picturing. I claim that a more thorough and accurate exposition of this doctrine shows that it does not suffer from alleged mistakes and, in addition, benefits Sellars’s general position by being the source for an “external” criterion of success for basic empirical truths, by providing a way to incorporate into his position the “mapping” processes of “animal representational systems,” and, finally, by being the philosophical piece (...) in his “functional” account of meaning that allows it to deal with “names.”. (shrink)

From the time of the thinkers of ancient Greece, the question of what can be said about the existence and nature of God has been debated by many philosophers and theologians. In Theism and Atheism: The Eternal Debate, F.F. Centore presents a broad analysis of the major positions that address the question and the thinkers who have contributed to the debate. This is an admirably lucid and thorough examination of the history of natural theology. Covering the material in a thematic (...) rather than in a strictly chronological way, Centore draws out the key positions on topics such as the relationship of science and religion, the problem of evil, Naturalistic and Supernaturalistic theism and the dispute between essence and existence. The proponents of the various positions are considered alongside their most explicit critics. Important thinkers dealt with in this work include Plato, Aristotle, Aquinas, Descartes, Pascal, Kant, Hume, Hegel, Nietzsche, Freud and Darwin. The diversity of exploration also goes beyond the Judeo-Christian tradition to look at Hinduism, Buddhism, Stoicism, Zoroastrianism, Confucianism and Classical Paganism. This work, however, is much more than a survey of the major historical arguments and rebuttals concerning God's existence and nature. Overall, it is a work by a well-established Catholic philosopher who concludes that God's existence and nature are indeed compatible with modern science, human freedom and the existence of evil in the world. (shrink)

Wilfrid Sellars has been widely—though, I argue, largely mistakenly—criticized for his doctrine of picturing. I claim that a more thorough and accurate exposition of this doctrine shows that it does not suffer from alleged mistakes and, in addition, benefits Sellars’s general position by being the source for an “external” criterion of success for basic empirical truths, by providing a way to incorporate into his position the “mapping” processes of “animal representational systems,” and, finally, by being the philosophical piece (...) in his “functional” account of meaning that allows it to deal with “names.”. (shrink)

Wilfrid Sellars has been widely—though, I argue, largely mistakenly—criticized for his doctrine of picturing. I claim that a more thorough and accurate exposition of this doctrine shows that it does not suffer from alleged mistakes and, in addition, benefits Sellars’s general position by being the source for an “external” criterion of success for basic empirical truths, by providing a way to incorporate into his position the “mapping” processes of “animal representational systems,” and, finally, by being the philosophical piece (...) in his “functional” account of meaning that allows it to deal with “names.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume 29, Number 2, November 2003, pp. 267-282 Skepticism and Philo's Atheistic Preference DAVID O'CONNOR [H]owever consistent the world may be... with the idea of... a very powerful, wise, and benevolent Deity... it can never afford us an inference concerning his existence. The consistence is not absolutely denied, only the inference.1 The whole presents nothing but the idea of a blind nature, impregnated by a great vivifying (...) principle, and pouring forth from her lap, without discernment or parental care, her maimed and abortive children. (DNR, 211) The true conclusion is, that the original source of all things is entirely indifferent to all these principles, and has no more regard to good above ill than to heat above cold, or to drought above moisture, or to light above heavy. (DNR, 212) There may four hypotheses be framed concerning the first causes of the universe: that they are endowed with perfect goodness, that they have perfect malice, that they are opposite and have both goodness and malice, that they have neither goodness nor malice.... The fourth... seems by far the most probable. (DNR, 212) David O'Connor is Professor of Philosophy, Seton Hall University, South Orange, New Jersey 07079. e-mail: [email protected] 268 David O'Connor What I have said concerning natural evil will apply to moral, with little or no variation; and we have no more reason to infer, that the rectitude of the supreme Being resembles human rectitude than that his benevolence resembles the human. Nay, it will be thought, that we have still greater cause to exclude from him moral sentiments, such as we feel them; since moral evil, in the opinion of many, is much more predominant above moral good than natural evil above natural good. (DNR, 212) Thus Philo in part 11 of Hume's Dialogues concerning Natural Religion. I In the first of these passages, Philo is denying that the existence of "a very powerful, wise, and benevolent Deity" can justifiably be inferred from the facts of good and evil present to our experience. But power, wisdom, and benevolence are essential qualities of the God of traditional theism, thus Philo is here denying that the existence of such a being can justifiably be inferred from the empirical evidence of good and evil. The other passages show us Philo going further than this, indeed all the way to what seems to be a preference for moral atheism. The term is J. C. A. Gaskin's, and he defines it thus: "[moral atheism] will be [the position of] anyone who denies the existence of any god having moral attributes."2 In the second and third passages specifically, this prima facie preference is absolute ("[t]he whole presents nothing but the idea of a blind nature... without discernment" and "the original source of all things is entirely indifferent," respectively), while it is relative and more cautiously expressed in the fourth passage. And the fifth passage says at least as much as the first and perhaps as much as the second and third. Yet Philo very early in the book declares himself a skeptic on such metaphysical topics as "the origin of worlds" (DNR, 132), "the existence and properties of spirits" (DNR, 135), "the powers and operations of one universal spirit, existing without beginning and without end; omnipotent, omniscient, immutable, infinite" (DNR, 135). The principal reason he gives is the "weakness, blindness, and narrow limits of human reason... even in subjects of common life and practice" (DNR, 131). Considering these limits, surely it is very likely that "we have... got quite beyond the reach of our faculties" (DNR, 135) if and when we turn to such metaphysical topics as those he just listed. On these matters, which "run wide of common life... [t]he mind must remain in suspense... and it is that very suspense or balance, which is the triumph of skepticism" (DNR, 135-6). Hume Studies Philo's Atheistic Preference 269 While the first of the passages I quoted in the beginning clearly squares with this skeptical outlook, and so does at least part of the fifth, it would seem that the rest of the quoted material does not... (shrink)

This essay begins by remarking that the broad understanding of atheism is not a position that theism per se commits one to claiming is unreasonable. The essay then, however, proceeds to present an argument against atheism being reasonable. This constitutes a variant of the fine-tuning version of the Design Argument, and contends that both the universe’s fine-tuning to us, and our fine-tuning to the universe, are better explained by the ‘God hypothesis’ than by a range of alternatives. While admitting (...) that there is no single ‘killer argument’ against atheism, the essay argues that a persuasive, cumulative case for the God hypothesis—with cosmic fine-tuning as its strongest suit—can nevertheless be constructed. (shrink)

In current debates concerning atheism, two positions are considered possible: naturalistic atheism or anti-naturalistic theism. Anti-naturalistic theism is motivated by the failure of naturalism to explain the fundamental nature of reality. We, however, endorse anti-naturalistic atheism by reviving the ‘anthropomorphic critique’, arguing that theism misattributes human traits to the deity. Anti-naturalistic atheism is better suited to refute theists, since it undercuts their appeal to science's inadequacies. We trace the anthropomorphic critique from Hume's Dialogues, through Kant's epistemology, and conclude with its (...) reception in Feuerbach. The anthropomorphic critique is an epistemological – not metaphysical – thesis, hence, it is agnostic about the fundamental nature of reality. Yet it convincingly shows that theism is not a tenable position. In essence, we aim to decouple atheism from naturalism, on the basis of a salient critique in the history of modern philosophy, in order to ameliorate current debates between atheists and theists.Export citation. (shrink)

While Hume has often been held to have been an agnostic or atheist, several contemporary scholars have argued that Hume was a theist. These interpretations depend chiefly on several passages in which Hume allegedly confesses to theism. In this paper, I argue against this position by giving a threshold characterization of theism and using it to show that Hume does not confess. His most important confession does not cross this threshold and the ones that do are often expressive rather (...) than assertive. I then argue that Hume is best interpreted as an atheist. Instead of interpreting Hume as a proto-logical positivist and arguing on the basis of Hume’s theories of meaning and method, I show that textually he appears to align himself with atheism, that his arguments in the Dialogues on Natural Religion support atheism, and that this position is most consistent with Hume’s naturalism. But, I hold that his atheism is soft and therefore distinct from that of his peers like Baron d’Holbach—while Hume really does reject theism, he neither embraces a dogmatically materialist position nor takes up a purely polemical stance towards theism. I conclude by suggesting several ways in which Hume’s atheistic philosophy of religion is relevant to contemporary discussions. (shrink)

A number of influences have combined to make reductionism an unpopular position in recent philosophy of mind and psychology. Davidson’s Principle of the Anomalousness of the Mental, the multiple realizability arguments of Putnam, Fodor, and others, and attempts to characterize supervenience or dependency as the appropriate nonreductive relation to seek between psychological and physical kinds are the most well-known objections. And these have found their mark. Being a psychophysical reductionist nowadays, as Jaegwon Kim aptly puts it, “is a (...) bit like being a logical positivist or a member of the Old Left—an aura of doctrinaire naiveté hangs over such a person”. (shrink)

This chapter contains sections titled: Works cited Additional recommendations by editors.

Philosophical theists argue with great ingenuity and sophistication that there is excellent evidence insupport of the existence of the God of western theism. Philosophical atheists argue with equal skill that theevidence is negative. Both sides can't be right. But, this seems to imply that one camp is guilty of seriousepistemological error. I explore in this essay a way of understanding good theological evidence thatmitigates charges of intellectual error or blindness. According to a position that Rowe calls friendlyatheism, the atheist (...) can argue that the relevant evidence supports his or her view, but that theists arerationally justified in believing that God exists in spite of the intense suffering that manifest in this world. Iwill argue that friendly atheism, and more generally friendly natural theology, when articulated in more detail, and with great care, represents an important metaphilosophical insight about use of evidence in theological contexts. (shrink)

In this important new book, David O'Connor discusses both logical and empirical forms of the problem of inscrutable evil, perennially the most difficult philosophical problem confronting theism. Arguing that both a version of theism and a version of atheism are justified on the evidence in the debate over God and evil, O'Connor concludes that a warranted outcome is a philosophical dètente between those two positions. On the way to that conclusion he develops two arguments from evil, a reformed version of (...) the logical argument and an indirect version of the empirical argument, and deploys both against a central formulation of theism that he describes as orthodox theism. God and Inscrutable Evil makes a valuable contribution to contemporary debates in the philosophy of religion. (shrink)

Atheists often admit that there is no positive evidence for atheism. Many argue that there is nonetheless a prima facie argument, which I will refer to as the ‘teapot argument’. They liken agnosticism to remaining neutral on the existence of a teapot in outer space. The present paper argues that this analogy fails, for the person who denies such a teapot can agree with the person who affirms it regarding every other feature of the world, which is not the case (...) with the atheist vis-a-vis the theist. The atheist is committed to there being an alternative explanation of why the universe exists and is the way it is. Moreover, the analogy relies on assumptions about the prior plausibility of atheism. Hence, the teapot argument fails. (shrink)

In current debates concerning atheism, two positions are considered possible: naturalistic atheism or anti-naturalistic theism. Anti-naturalistic theism is motivated by the failure of naturalism to explain the fundamental nature of reality. We, however, endorse anti-naturalistic atheism by reviving the ‘anthropomorphic critique’, arguing that theism misattributes human traits to the deity. Anti-naturalistic atheism is better suited to refute theists, since it undercuts their appeal to science's inadequacies. We trace the anthropomorphic critique from Hume's Dialogues, through Kant's epistemology, and conclude with its (...) reception in Feuerbach. The anthropomorphic critique is an epistemological – not metaphysical – thesis, hence, it is agnostic about the fundamental nature of reality. Yet it convincingly shows that theism is not a tenable position. In essence, we aim to decouple atheism from naturalism, on the basis of a salient critique in the history of modern philosophy, in order to ameliorate current debates between atheists and theists. (shrink)

A number of influences have combined to make reductionism an unpopular position in recent philosophy of mind and psychology. Davidson’s Principle of the Anomalousness of the Mental, the multiple realizability arguments of Putnam, Fodor, and others, and attempts to characterize supervenience or dependency as the appropriate nonreductive relation to seek between psychological and physical kinds are the most well-known objections. And these have found their mark. Being a psychophysical reductionist nowadays, as Jaegwon Kim aptly puts it, “is a (...) bit like being a logical positivist or a member of the Old Left—an aura of doctrinaire naiveté hangs over such a person”. (shrink)

My essay will take as its point of departure the paragraph from Gershom Scholem’s “Reflections on Jewish Theology,” in which he depicts the modern religious experience as the one of the "void of God" or as "pious atheism". I will first argue that the "void of God" cannot be reduced to atheistic non-belief in the presence of God. Then, I will demonstrate the further development of the Scholemian notion of the ‘pious atheism’ in Derrida, especially in his Lurianic treatment of (...) Angelus Silesius, whose modern mysticism emerges in Derrida’s reading as the ‘almost-atheism’. The interesting feature of this development is that, while for Scholem, the ‘void of God’ is a predominantly negative experience, for Derrida, it becomes an affirmative model of modern – not just Jewish, but more generally, Abrahamic – religiosity which, on the one hand, touches upon atheistic non-belief in the divine presence here and now, yet, on the other, still insists on commemorating the ‘withdrawn God’ through his ‘traces.’ What, therefore, for Scholem, constitutes the ultimate cry of despair, best embodied in Kafka’s work – for Derrida, reveals the more positive face of the modern predicament in which God has absented himself in order to make room for the creaturely reality. And while Scholem envisages redemption as the full restoration of the divine presence – Derrida redefines redemption as the ‘pious’ work of deconstruction to be undertaken in the ‘almost-atheistic’ condition of irreversible separation between God and the world. (shrink)

In a recent article in Sophia, Joshua Cockayne and Jack Warman defend a view they call supra-evidential atheistic fideism. This is the idea that considerations similar to William James’s defence of theistic belief can be used to justify atheistic belief. If an individual evaluates the evidence for atheism and theism as roughly the same, then she can rationally believe in atheism if her passions lean in that direction, provided the belief in atheism is forced, live and momentous. After outlining their (...) defence of atheistic fideism, I offer some friendly amendments to their position. Cockayne and Warman claim that when the existential question of God’s existence is undecided for someone, she is rational to let her passions answer the existential question. This is a version of Rowe’s friendly atheism because it can explain the existence of religious disagreement, even in cases where an atheist and theist give the same assessment of the evidence for God’s existence; they disagree at the passional level, not at the evidential level. I argue for a different version of friendly atheism: a mere passion need not settle the existential question about God when the evidence cannot decide it. For one might be rational in preferring that God not exist if God’s existence would make things worse. For certain individuals, this is reason enough to accept and act as if atheism is true, even if it is not epistemically rational to believe that it’s true. (shrink)

Burgess-Jackson has recently suggested that the debate between theism and atheism can be represented by means of a classical square of opposition. However, in light of the important role that the position of agnosticism plays in Burgess-Jackson’s analysis, it is quite surprising that this position is not represented in the proposed square of opposition. I therefore argue that the square of opposition should be extended to a slightly larger, more complex Aristotelian diagram, viz., a hexagon of opposition. Since (...) this hexagon does represent the position of agnosticism, it arguably yields a more helpful representation of the theism/atheism debate. It would be naïve to presume that Aristotelian diagrams can, by themselves, lead to a comprehensive solution of debates as intricate as that between theism and atheism. Nevertheless, this paper aims to show that these diagrams — especially if they are chosen carefully — have an important methodological role to play, by systematically organizing and clarifying the debate. (shrink)

A recent paper, ‘Hume's Immanent God’, )* by George Nathan, contains an insightful interpretation of Hume's Dialogues Concerning Natural Religion . Insight is no guarantee against error. I shall argue that Nathan's interpretation is mistaken, and then offer my own. Nathan observes that the general tendency in scholarship on D has been to focus on its sceptical side. He proposes to ‘bring out Hume's positive contribution’. Nathan's thesis, briefly, is that D best supports a modestly theistic interpretation according to which (...) God is the ultimate cause of order in the universe. (shrink)

Research in diverse populations has often found that thin media images negatively affect women’s state body image, with many women reporting lower body satisfaction after exposure to pictures of thin models than before exposure. However, there is evidence that theistic affirmations might buffer against the negative effect of media on body image. Furthermore, based on cross-sectional and correlation analyses, religiosity and the Islamic body covering are discussed as protective factors against a negative trait body image. However, there is no experimental (...) research on veiled Muslim women’s state body image. Therefore, the current study experimentally investigated whether the body satisfaction of veiled Muslim women (n = 66) decreased after exposure to thin media images compared to pictures of furniture as a control condition. Christian women (n = 90) and atheist women (n = 74) were included as control groups, and participants were randomly assigned to the two conditions. Prior to the experimental session, participants’ trait body image was assessed using an online questionnaire comprising questions about body satisfaction, thin-ideal internalization, pressure to be thin, and physical appearance comparisons. The results showed that body satisfaction decreased in the experimental condition and not in the control condition, but no significant differences in pre-post changes were found between the three groups. However, in the experimental condition, veiled Muslim women reported a more positive state body image than did Christian women. Moreover, veiled Muslim women had a more positive trait body image than did Christian women and atheist women. Thus, veiled Muslim women reported lower levels of thin-ideal internalization, pressure to be thin, and physical appearance comparisons than did Christian women and atheist women. As the pre-post changes in body satisfaction did not differ between the three groups, veiling might not buffer against the negative effect of thin media images on state body image. Nevertheless, given the more positive trait body image of veiled Muslim women compared to Christian and atheist women, veiling might positively influence body image in the longer term. (shrink)