CHAPTER I INTRODUCTION This study will deal with interpreting the moral, social and spiritual views of the famous Spanish theologian and poet, Luis de Leon. ...

This classic remains one of Karl Popper's most wide-ranging and popular works, notable not only for its acute insight into the way scientific knowledge grows, but also for applying those insights to politics and to history.

Kant's Reason develops a novel interpretation of Kant’s conception of reason and its philosophical significance, focusing on two claims. First, it argues that Kant presents a powerful model for understanding the unity of theoretical and practical reason as two manifestations of a unified capacity for theoretical and practical understanding (or “comprehension”). This model allows us to do justice to the deep commonalities between theoretical and practical rationality, without reducing either to the other. In particular, through it, we see why the (...) activities of both theoretical and practical reason are governed by a version of the Principle of Sufficient Reason, while also seeing why reason is essentially autonomous. At the same time, Kant's Reason also reads Kant as presenting us with a compelling picture of the role that reason (as a capacity or power) should play in a systematic approach to foundational philosophical questions. In doing so, it argues for an account of the fundamental norms that apply to rational beings that treats as fundamental neither substantive reasons or values nor merely structural rationality, but instead a robust conception of reason as a power or capacity — namely, the capacity for theoretical and practical understanding. The result is a form of “rational constitutivism” – one which contrasts both with the forms of “reasons fundamentalism” that are currently fashionable and the forms of “agency-first constitutivism” that have dominated much of Kantian metaethics. In this sense, the aim of the book is to vindicate Kant’s insistence that his philosophy represents nothing more or less than reason’s implicit self-understanding coming to explicit and systematic self-consciousness. (shrink)

Dieses Buch ist die erfolgreichste Einführung in die Philosophie der Nachkriegszeit. Ein klassischer Text eines bedeutenden Philosophen dieses Jahrhunderts. Ausgehend von der Strittigkeit der Philosophie werden in 12 Vorträgen Grundlagen und Bedingungen des Philosophierens entfaltet. Im Anhang werden Lektürevorschläge zum eigenen philosophischen Studium gegeben. (Ec).

This seminal contribution to Kant studies, originally published in 1982, was the first to present a thorough survey and evaluation of Kant's theory of mind. Ameriks focuses on Kant's discussion of the Paralogisms in the Critique of Pure Reason, and examines how the themes raised there are treated in the rest of Kant's writings. Ameriks demonstrates that Kant developed a theory of mind that is much more rationalistic and defensible than most interpreters have allowed.

Marx and Engels's Communist Manifesto has become one of the world’s most influential political tracts since its original 1848 publication. Part of the Rethinking the Western Tradition series, this edition of the Manifesto features an extensive introduction by Jeffrey C. Isaac, and essays by Vladimir Tismaneanu, Steven Lukes, Saskia Sassen, and Stephen Eric Bronner, each well known for their writing on questions central to the Manifesto and the history of Marxism. These essays address the Manifesto's historical background, its impact on (...) the development of twentieth-century Communism, its strengths and weaknesses as a form of ethical critique, and its relevance in the post-1989, post-Cold War world. This edition also includes much ancillary material, including the many Prefaces published in the lifetimes of Marx and Engels, and Engels's "Principles of Communism.". (shrink)

On its publication in 1957, _The Poverty of Historicism_ was hailed by Arthur Koestler as 'probably the only book published this year which will outlive the century.' A devastating criticism of fixed and predictable laws in history, Popper dedicated the book to all those 'who fell victim to the fascist and communist belief in Inexorable Laws of Historical Destiny.' Short and beautifully written, it has inspired generations of readers, intellectuals and policy makers. One of the most important books on the (...) social sciences since the Second World War, it is a searing insight into the ideas of this great thinker. (shrink)

Described by the philosopher A.J. Ayer as a work of 'great originality and power', this book revolutionized contemporary thinking on science and knowledge. Ideas such as the now legendary doctrine of 'falsificationism' electrified the scientific community, influencing even working scientists, as well as post-war philosophy. This astonishing work ranks alongside The Open Society and Its Enemies as one of Popper's most enduring books and contains insights and arguments that demand to be read to this day.

Karl Jaspers gehört zu den Ziehvätern der Psychopathologie, einer der Grundlagenwissenschaften der Psychiatrie. In diesem Zusammenhang wird gemeinhin auf sein systematisches Lehrbuch verwiesen, die Allgemeine Psychopathologie von 1913. Die wesentlichen Züge seiner Methodologie und den Gegenstand der neuen Wissenschaft fixierte Jaspers jedoch schon in den hier versammelten Arbeiten, die zwischen 1909 und 1913 erschienen: Seine Kritik am dominanten Reduktionismus und an der damals noch jungen Psychoanalyse sind in diesen Texten bereits gültig formuliert, ebenso - und nicht zuletzt - die (...) Dichotomie zwischen Erklären und Verstehen. Neben der Dissertation “Heimweh und Verbrechen” enthält der vorliegende Band unter anderem den bahnbrechenden und wirkungsvollen Aufsatz “Die phänomenologische Forschungsrichtung in der Psychiatrie” sowie die bis heute kontrovers diskutierte Abhandlung “Kausale und 'verständliche' Zusammenhänge zwischen Schicksal und Psychose bei der Dementia praecox (Schizophrenie)”. Der Kommentar verortet die einzelnen Beiträge sowohl im wissenschaftshistorischen als auch im werkgeschichtlichen Kontext. (Quelle: buchhandel.de). (shrink)

First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

‘If in this book harsh words are spoken about some of the greatest among the intellectual leaders of mankind, my motive is not, I hope, to belittle them. It springs rather from my conviction that, if our civilization is to survive, we must break with the habit of deference to great men.’ - Karl Popper, from the Preface Written in political exile during the Second World War and first published in two volumes in 1945, Karl Popper’s _The Open (...) Society and Its Enemies _is one of the most influential books of all time. Hailed by Bertrand Russell as a ‘vigorous and profound defence of democracy’, its now legendary attack on the philosophies of Plato, Hegel and Marx exposed the dangers inherent in centrally planned political systems and through underground editions become an inspiration to lovers of freedom living under communism in Eastern Europe. Popper’s highly accessible style, his erudite and lucid explanations of the thoughts of great philosophers and the recent resurgence of totalitarian regimes around the world are just three of the reasons for the enduring popularity of _The Open Society and Its Enemies_ and why it demands to be read today and in years to come. (shrink)

This book explores the main stages and key concepts in the development of Kant's critical philosophy, from the early 1760s to the 1790s. Karl Ameriks provides a detailed and concise account of the main ways in which the later critical works provide a plausible defense of the conception of humanity's fundamental end that Kant turned to after reading Rousseau in the 1760s. Separate essays are devoted to each of the three Critiques, as well as to earlier notes and lectures (...) and several of Kant's later writings on history and religion. A final section devotes three chapters to post-Kantian developments in German Romanticism, accounts of tragedy up through Nietzsche, and contemporary philosophy. The theme of an elliptical path is shown to be relevant to these writers as well as to many aspects of Kant's own life and work. The topics of the book include fundamental issues in epistemology and metaphysics, with a new defense of the Amerik's 'moderate' interpretation of transcendental idealism. (shrink)

The Cambridge Companion to German Idealism offers a comprehensive, penetrating, and informative guide to what is regarded as the classical period of German philosophy. Kant, Fichte, Hegel, and Schelling are all discussed in detail, together with a number of their contemporaries, such as Hölderlin and Schleiermacher, whose influence was considerable but whose work is less well known in the English-speaking world. The essays in the volume trace and explore the unifying themes of German Idealism, and discuss their relationship to Romanticism, (...) the Enlightenment, and the culture of seventeenth- and eighteenth-century Europe. The result is an illuminating overview of a rich and complex philosophical movement, and will appeal to a wide range of readers in philosophy, German studies, theology, literature, and the history of ideas. (shrink)

This volume contains a selection of Karl Marx's most important writings, organized thematically under eight headings: methodology, alienation, economics, exploitation, historical materialism, classes, politics, and ideology. Jon Elster provides a brief introduction to each selection to explain its context and its place in Marx's argument. The volume is designed as a companion to Elster's An Introduction to Karl Marx and the thematic structure of each book is the same. But the Reader can also stand on its own and (...) offers the student a substantial and revealingly organized selection of the crucial texts needed to understand and assess Marx's views. (shrink)

In his preface to the English edition, Apel (identified with critical theory) explains that the title of his two-volume German collection connotes both a reconstruction of the process of hermeneutic transformation in recent philosophy and the author's semiotical transformation of transcendental logic. The emphasis here is on the latter with discussions of the a priori nature of language per Wittgenstein, Peirce, and Chomsky, and its implications for a rational foundation for ethics in modern science. Includes a new foreword. Name index (...) only. Annotation copyrighted by Book News, Inc., Portland, OR. (shrink)

Enth.: Pars posterior, secundam editionem et indices continens.

First published in French, Marx's The Poverty of Philosophy (1847) was composed during his years in Brussels, when he was developing his economic views and, through confrontations with the chief leaders of the working-class movement, establishing his intellectual standing. In this classic work, which laid the foundation of ideas later developed in Capital, Marx polemicized against then premier French socialist, Pierre-Joseph Proudhon. Proudhon wanted to unite the best features of such contraries as competition and monopoly. He hoped to save the (...) good features of economic institutions while eliminating the bad. Marx, however, declared that no equilibrium was possible between the antagonisms in any given economic system. Social structures were transient historical forms determined by the productive forces: "The handmill gives you society with the feudal lord; the stream mill, society with the industrial capitalist.". (shrink)

First published in French, Marx's The Poverty of Philosophy (1847) was composed during his years in Brussels, when he was developing his economic views and, through confrontations with the chief leaders of the working-class movement, establishing his intellectual standing. In this classic work, which laid the foundation of ideas later developed in Capital, Marx polemicized against then premier French socialist, Pierre-Joseph Proudhon. Proudhon wanted to unite the best features of such contraries as competition and monopoly. He hoped to save the (...) good features of economic institutions while eliminating the bad. Marx, however, declared that no equilibrium was possible between the antagonisms in any given economic system. Social structures were transient historical forms determined by the productive forces: "The handmill gives you society with the feudal lord; the stream mill, society with the industrial capitalist.". (shrink)

The human voice does not deceive. The one who is speaking is inevitably revealed by the singular sound of her voice, no matter "what" she says. We take this fact for granted—for example, every time someone asks, over the telephone, "Who is speaking?" and receives as a reply the familiar utterance, "It's me." Starting from the given uniqueness of every voice, Cavarero rereads the history of philosophy through its peculiar evasion of this embodied uniqueness. She shows how this history—along with (...) the fields it comprehends, such as linguistics, musicology, political theory, and studies in orality—might be grasped as the "devocalization of Logos," as the invariable privileging of _semantike_ over _phone_, mind over body. Female figures—from the Sirens to the Muses, from Echo to opera singers—provide a crucial counterhistory, one in which the embodied voice triumphs over the immaterial semantic. Reconstructing this counterhistory, Cavarero proposes a "politics of the voice" wherein the ancient bond between Logos and politics is reconfigured, and wherein what matters is not the communicative content of a given discourse, but rather _who_ is speaking. (shrink)

Nicht Themen, Schulen und Epochen, sondern der philosophierende Mensch steht im Zentrum von Jaspers' Philosophiegeschichte. Und dazu zahlen nicht nur Platon und Kant, sondern eben auch Jesus und - aus der auaereuropaischen Philosophie - Buddha und Konfuzius. Dieser interkulturelle Ansatz setzt sich in der Behandlung der Metaphysik fort. So portratiert Jaspers neben Plotin und Spinoza auch Laotse und Nagarjuna. Unter Berucksichtigung der im Jaspers-Nachlass vorliegenden Originalmanuskripte erscheint der Text hier in einer um zahlreiche Abschreibfehler bereinigten Form. Im Stellenkommentar werden samtliche (...) Zitate nachgewiesen; hierauf hatte Jaspers bewusst verzichtet, dies spater aber bedauert. Auaerdem sind im Kommentar ausgewahlte Textpassagen des Manuskripts vermerkt, die Jaspers aus Platzgrunden streichen musste. Das kurze "Foreword for the American Reader", das Jaspers 1960 fur die von Hannah Arendt herausgegebene englische Ubersetzung verfasste, wird hier erstmals im deutschen Original publiziert. (shrink)

Karl Pfeifer attempts to present a coherent view of panentheism that eschews Pickwickian senses of “in” and aligns itself with, and builds upon, familiar diagrammed portrayals of panentheism. The account is accordingly spatial-locative and moreover accepts the proposal of R.T. Mullins that absolute space and time be regarded as attributes of God. In addition, however, it argues that a substantive parthood relation between the world and God is required. Pfeifer’s preferred version of panpsychism, viz. panintentionalism, is thrown into the (...) mix as an optional add-on. On this account, God is conceived of as a “spiritual field” whose nature can be made more intelligible by regarding “God” as having a mass-noun sense in some contexts. Pfeifer closes with the suggestion that we look to topology and mereology for further development of the position outlined in his paper. (shrink)

Nietzsche claimed to be a philosopher of the future, but he was appropriated as a philosopher of Nazism. His work inspired a long study by Martin Heidegger and essays by a host of lesser disciples attached to the Third Reich. In 1935, however, Karl Jaspers set out to "marshall against the National Socialists the world of thought of the man they had proclaimed as their own philosopher." The year after publishing Nietzsche , Jaspers was discharged from his professorship at (...) Heidelberg University by order of the Nazi leadership. Jaspers does not fall into the same trap as idealogues do, citing bits and pieces from Nietzsche's work to reinforce already held opinions. Instead, he openly shows the wide range of Nietzsche's views, including his endorsement of wars and warriors, his prophecies of world struggle and "new masters," and the cruel arrogance of the supermen. Yet Jaspers finds Nietzsche's philosophy to be extraordinary not only because he foresaw all the monstrosities of the twentieth century, but also because he saw through them. "The appearance which Nietzsche's work presents can be expressed figuratively: it is as though a mountain wall had been dynamited the rock, already more or less shaped, conveys the idea of a whole. But the building for the sake of which the dynamiting seems to have been done has not been erected. However, the fact that the work lies about like a heap of ruins does not appear to conceal its spirit from the one who happens to have found the key to the possibilities of construction for him, many fragments fit together. But not unambiguously many functionally suitable pieces are present in numerous, only slightly varied repetitions, others reveal themselves as precious and unique forms, as though each were meant to furnish a cornerstone somewhere or a keystone for an arch." -- Karl Jaspers, from the introduction. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Slipping on Banana Peels, Tumbling into WellsPhilosophy and ComedyPaul A. Kottman (bio)Alenka Zupančič. The Odd One In: On Comedy. Cambridge, MA: MIT P, 2008.[T]he philosopher... is the jest, not only of Thracian handmaids but of the general herd, tumbling into wells and every sort of disaster through his inexperience [hupo apeirias].—Plato, Theaetetus 174cWhy stop philosophy’s most precious intrinsic comedy when it comes to comedy?—Alenka Zupančič, The Odd One (...) In1“Comedy,” writes Alenka Zupančič in The Odd One In, “draws our attention to the fact that something of our life lives on its own as we speak, that is to say, at any moment of our life” [218]. Reelaborating some of Jacques Lacan’s formulations regarding comedy, drive, and desire, Zupančič clarifies that this “something” is the “Real of human desire”— namely, “the incongruence of the reality of desire and drive with all those (also quite factual) outlines that determine our supposedly realistic reality” [218]. This extrapolation from Lacan frames Zupančič’s views on comedy and its subversive character; but it is her unique engagement with G. W. F. Hegel’s remarks on comedy—particularly the sections of the Phenomenology of Spirit in which Hegel tracks the passage from the Comedy of Aristophanes to Christianity—that give a distinctive arc to Zupančič’s highly original and generative approach to comedy and its subversive character. In this review essay, I will draw attention to some of the most original aspects of this critical appropriation of Hegel, while highlighting key elements of the text’s argumentative trajectory. Toward the end of this essay, I will also suggest ways that Hegel’s speculative remarks, which see the comic figure as symptomatic of a community that is not yet conscious of itself as such, might allow us to put into question some of Zupančič’s central claims regarding the subversive nature of both comedy and her own critical intervention.Zupančič’s reflections on comedy—which are not only innovative, but also delightfully readable—merit, in their own right, the attention of anyone interested in the intersection of literature, philosophy, and contemporary culture; but her text is all the more significant in light of the oft-remarked rarity of sustained philosophical reflections on comedy. Although there are a number of books on comedy as a literary genre, philosophical studies of comedy are surprisingly rare.1 Henri Bergson’s Le rire (published in 1900) [End Page 3] is perhaps the most well known. More recently, Simon Critchley has written about laughter, wit, and jokes in On Humour. Perhaps the most comprehensive philosophical account of comedy to date—Agnes Heller’s Immortal Comedy: The Comic Phenomenon in Art, Literature and Life (2005)—was published only three years before The Odd One In.2In contrast to Heller’s work, which offers a philosophical account of a variety of comic works and genres, and unlike these other earlier studies, which deal with the poetics of comedy and related phenomena such as laughter or jokes, Zupančič does not approach comedy as an object of inquiry that might be analyzed by philosophical categories or methods, nor even as a phenomenon that is extrinsic to philosophy. Instead, she sees comedy and philosophy as intrinsic to one another, such that the fate of philosophical activity is tied to the fate of the comical. In assessing Zupančič’s claims, therefore, I will strive less for a summary catalogue of the claims presented in the book than for a reelaboration of what I take to be her most provocative and important assertions regarding what she calls the “critical edge” shared by both philosophy and comedy [Zupančič 9].The Odd One In is the eighth title in the series Short Circuits, edited by Slavoj Žižek, in relation to whose writings Zupančič’s text clearly stands in intellectual and stylistic propinquity. (Žižek himself might be taken as a prime figure in whom comic and philosophical practices, in Zupančič’s sense, coincide.) The book opens and closes with a reminder that we too often mistake the subversive side of comedy for “a consolation... (shrink)

In recent years, several philosophers - including Joshua Gert, Douglas Portmore, and Elizabeth Harman - have argued that there is a sense in which morality itself does not treat moral reasons as consistently overriding.2 My aim in the present essay is to develop and extend this idea from a somewhat different perspective. In doing so, I offer an alternative way of formalizing the idea that morality is modest about the weight of moral reasons in this way, thereby making more explicit (...) the connections between this thesis and similar issues in the epistemic sphere. In addition, I discuss how these ideas can transform our thinking about familiar questions in ethics such as the nature of self-effacement, the significance of reflective endorsement, the weight that moral reasons ought to be given in all things consideration, and the plausibility of “indirect” moral theories. Finally, I show that these ideas are compatible even with pictures of morality – such as Kant’s – on which morality might seem to anything but modest about its own importance. In doing so, I stress that it is possible to see morality as modest about the weight of specifically moral reasons, while also seeing all practical reasons as grounded in morality more indirectly – namely, by seeing morality as determining the weight that both moral and non-moral considerations deserve to have in all things considered deliberation. (shrink)

A number of logicians and philosophers have turned their attention in recent years to the problem of developing a logic of interrogatives. Their work has thrown a great deal of light on the formal properties of questions and question-sentences and has led also to interesting innovations in our understanding of the structures of performatives in general and, for example, in the theory of presuppositions. When, however, we examine the attempts of logicians such as Belnap or Åqvist to specify what, precisely, (...) a question is, or what it is to ask or raise a question, then what we are offered is somewhat less illuminating. Two alternative reductionist accounts seem in particular to have gained most favor: questions are identified either as special sorts of statements, or as special sorts of requests. As we hope will become clear in what follows, neither of these accounts is even nearly adequate; and matters are not improved if questions are identified, by force majeure, as combinations of statements and requests. (shrink)

Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another.

Beginning with an examination of the relationship between Hegel and Goethe, Löwith discusses how Hegel's students, particularly Marx and Kierkegaard, interpreted--or reinterpreted--their master's thought, and proceeds with an in-depth assessment of the other important philosophers, from Feuerbach, Stirner, and Schelling to Nietzsche.