Essays on Greek philosophy and literature from Homer and Hesiod to Aristotle. In Logoi and Muthoi, William Wians builds on his earlier volume Logos and Muthos, highlighting the richness and complexity of these terms that were once set firmly in opposition to one another as reason versus myth or rationality versus irrationality. It was once common to think of intellectual history representing a straightforward progression from mythology to rationality. These volumes, however, demonstrate the value of taking the (...) two together, opening up and analyzing a range of interactions, reactions, tensions, and ambiguities arising between literary and philosophical forms of discourse, including philosophical themes in works not ordinarily considered in the canon of Greek philosophical texts. This new volume considers such topics as the pre-philosophical origins of Anaximander’s calendar, the philosophical significance of public performance and claims of poetic inspiration, and the complex role of mythic figures (including perhaps Socrates) in Plato. Taken together, the essays offer new approaches to familiar texts and open up new possibilities for understanding the roles and relationships between muthos and logos in ancient Greek thought. “This is a stellar effort. The essays are all of extremely high quality and interest. The scholarship is rigorous and the content is innovative. The conception of the book is highly original, well-grounded, and well-thought-out. William Wians’s work as a scholar and as an editor has been consistently first-rate, and with this volume he has surpassed himself.” — Rose M. Cherubin, George Mason University. (shrink)

This book offers a new interpretation of the Phaedo, arguing that the central issue of the dialogue is the relation between logos and the defining activity of the soul, which is gathering the multiplicity of phenomena into the intelligible wholes of experience in accord with logos.

These essays reveal a dynamic range of interactions, reactions, tensions, and ambiguities, showing how Greek literary creations impacted and provided the ...

Religions, ideologies try to give a complete vision of the world a vision containing both its origin, explanation and a “normative kit”: a collection of precepts and rules, which should regulate human activities and behavior. Their synergetic meaning is clear: if embraced by all they allow for development of strong synergetic effects on the social macro scales. These in turn may lead to creation of order and beauty, of intellectual, spiritual and moral development within men and in society. In this (...) consist the elements of their natural—i.e. not explicitly reasoned out—wisdom. However, as they contain also some elements of harmful consequences—at least if they are literally accepted and in a fundamentalist manner practiced—they cannot be universally accepted. But—rejecting them we lose also the important sourcesof natural—or should we say instinctive—wisdom.Could the solution of this contradiction, of this one of the basic human sources of suffering be looked for in the modern science of complexity?Synergetics and the sciences of complex systems in general offer a solid scientific base for a meta-philosophical, universalist intellectual framework. Its offspring the social synergetics offers concrete propositions of optimized social structures. Optimized in the sense of espousing the main synergetic effects with being at the same time free of the negative “side effects” happening when religions or ideologies are the source of synergism.Finally a connection is discussed between the presented ideas and the concept of “love of wisdom”. The term “love of wisdom” may be understood as striving not only to possess a “sound and serene judgment regarding the conduct of life” but also a practical ability to act according to that judgment.This ability may be also expressed using the information-thermodynamic concepts of synergetics. Indeed without the ever continuing negentropy transformation neither survival of a complex system like man or society nor its continuing development—uncovering of all his “hidden potentials” is possible.To assure maximization of this transformation process creation of strong synergetic effects—of reinforcement, of positive feedback—between all human beings—i.e. not excluding any nations, any social groups, and any individuals—are necessary. Acting towards local and global realization of such a structure everywhere on our planet constitutes the essence of social wisdom.Removing all obstacles towards this goal—obstacles existing on the intellectual, emotional and spiritual level—should be one of the most important tasks of various institutions, of state structures, of purified from mythical elements ideologies, of man oriented sciences and above all of the modern universalism.Thus striving towards its realization is an expression of the love of wisdom. Of wisdom once based on the elements of mythos and now regained in the full light of Logos. (shrink)

The tradition of Western philosophy has been tracing out the significations of logos and centered around logos. This in fact has given birth to many significant results. Through its logical structuring of empirical reality it has made possible critical understanding transcending the past and progressive creation of the future. But this Logology or Logocentrism has eventually also led to its self-destruction and to the brink of absolute nihilism.Along the history, logos has been interpreted in various ways. (...) The history implies that at least in the cosmic, theological and ideological frameworks logos used to be seen as extralinguistic substance; whereas starting from the scientific mode of thinking logos has been seen more as intralinguistic substance . This ends up in the political perspective in which logos is without substance: mere effects of the play of texts and discourse.While the latter appears like a predicament, the fact is that it can also be taken as a moment of liberation, a liberation from the keen yet stifling Western paradigm of logos apophanticos which has animated all kinds of “positivistic” mode of thinking; a liberation from the so-called Metaphysics of Presence, hence an openness towards the Absence, the ambiguity, the indefinability or the elusiveness of reality ; an openness towards the richness and complexity of human experience; hence an openness for mutual interogative and transformative dialogues among different semiotic systems, traditions and language games, which would also empower and incorporate non-Western as well as non-scientific mode of thinking into global discourse.Perhaps wisdom lies in the courage to recognize the fact that ultimately reality or the so-called Being is not a substance, but rather, fleeting relations, ever-changing networks, or elusive flux. Wisdom ultimately might mean an ability to come to terms with insecurity, an ability to see through the “absence”. (shrink)

Former students of Francis MacDonald Cornford report that the distinguished Cambridge historian was fond of what he called his “parable of the coins.” The point of the parable’s instruction was that words, especially philosophers’ words, are like coins in that they retain their “shape” or visual appearance over decades and even centuries while their “purchasing power” or meaning may be shifting drastically. The image of a coin with an enduring shape but a varying purchasing power is especially appropriate for the (...) semantic career of one of the most important of Greek philosophical words, psyche, traditionally rendered “soul.” Visually, psyche retained its shape from the earliest Greek literature known to us, which is of course Homer, down to the age of the koine spoken in the time of Christ and later used to record the gospels. That was a period of a thousand years of varied and often intense philosophical and religious exploration and development; in those centuries, the meaning of psyche, unlike its shape, was far from static. (shrink)

In the Renaissance there was a kind of linguistic-pictorial osmosis, in which mythological configurations derived from antique literature, the poetic metaphoric of Neoplatonism, semi-fantastic and semi-realistic visions and a visible penchant for decorative rhetoric intertwined with elements of rational thought, the cult of nature, traditional reference to higher authority and practical as well as theoretical acceptance of pictorial symbolic. This language was employed to explore philosophical, ethical, and even natural categories related to issues like the beginnings of the world (...) and nature, death, transience, vanity, temperance, virtue, harmony, vita activa and contemplativa—categories in which the people of the era strove to describe youth, maturity, old age and death. In this specific language writing about a truth, idea or moral principle primarily involved presenting it as a picture, a concrete, sensually embraceable form, thing or person. Thus, if it was necessary, logos followed imago, which was genetically precedent and most important in the cognitive sense. (shrink)

Aristotle’s concept of justice as an areté of logos is pinpointed in his main ideas. It serves as an introduction to the part of Pico’s philosophy. One of the main goals of his activity was to unify the ideas of Plato and Aristotle. The category of pax philosophica can be seen then as a test for the practical realisation of these ideas. Finally there are questions important for today’s man in the context of his present and future life. (...) The most important, however, is the question of justice, which inevitably sends us to the question of logos as it is understood today. (shrink)

The following examines Hannah Arendt’s interpretations of Greek thought, specifically her phenomenological reading of Homer and Socrates as proto-phenomenological thinkers of objectivity, plurality, and logos. Drawing inspiration from these thinkers, Arendt finds the means of preserving and actualizing plurality as the existential truthfulness that emerges from the conflict in speaking and acting with others. She does this by contrasting how, after the trial and death of Socrates, thinking became professional philosophy and shifted its focus from the reciprocal interdependence (...) of thinking, speaking, and acting well in the polis and towards a reflection on truth, unity, and necessity that takes its start from an ontological order that is either prior to or beyond the world of appearances. Engaging with the literature, this article examines and assesses Arendt’s claims and focuses on the themes of plurality, conflict, and speaking, as set out in her interpretations of Homer and Socrates. (shrink)

Taking his cue from Jane Tylus in her additional box within the entry TO TRANSLATE, in which she discusses Leonardo Bruni's emphasis on writerly style in translating the canonical philosophers of ancient Greece and Rome, and with reference to his own experience of translating the Dictionary of Untranslatables, the author draws together several disparate reflections on Jean Paulhan and translation. The article's working hypothesis is that, with untranslatability, the literary plays a pivotal role in between philosophical and historical considerations. The (...) author looks in particular at three of the entries he translated: LOGOS, COMMONPLACE and HOMONYM. Paulhan's various formulations and hard-won insights in different contexts are, the author proposes, so many ‘allegories of translation’, or, more appropriately, ‘allegories of untranslatability’. (shrink)

One implication of Godel’s Proof is that, as Barry Barnes has observed, “For people to operate...rationally they need to have internalized some non-rational commitment to rationality”. In which case “The customary Enlightenment formula, according to which the process of demagification of the world leads necessarily from mythos to logos, seems . . .” Gadamer suggests, “. . . to be a modern prejudice”, or myth. Yet some myths are more useful than others, and therefore it may be on pragmatic (...) grounds that, following Nietzsche’s characterization of “. . . logic and the categories of reason as means to . . . useful falsification . . .” we may wish to resist the abandonment of reason that many take to be the corollary of its deconstruction. (shrink)

Judaism was a mythical, strongly tribal religion with anthropomorphic God in which the leading element was the concept of a covenant between God and the exceptional “chosen people.” Such views produced a strong emphasis on tribal unity and attitude of election and moral superiority vis-à-vis the rest of humanity. Philo must have felt inadequacy of the ancient Judaism and its limitations to compete for the minds of Hellenes with their universalistic philosophical thought. Philo represented a trend in Jewish ideology which (...) attempted, in confrontation with the Greek culture, to assert itself as a valid cosmic view to support the existence of a community. He attempted to reevaluate Hebrew ideology found in the scriptures adopting Greek metaphysical, ethical, and religious doctrines to Judaism.The focus of this article is on Philo’s introduction of the Greek concept of Logos, in the modified version of Xenocrates into Judaism. Philo developed this concept further and transformed from a metaphysical entity into an extension of a divine and transcendental anthropomorphic being and mediator between God and men. Thus Philo produced a synthesis of both Hebrew and Greek traditions developing concepts that were used for future Hellenistic interpretation of messianic Hebrew thought by providing foundations for Christianity. (shrink)

In this essay, we examine certain key aspects of Nietzsche’s contribution to the ongoing debate concerning the nature and status of philosophical wisdom. We argue that, for Nietzsche, philosophical wisdom is tantamount to a “disruptive wisdom” which is expressed in a “permanent critique of ourselves” and our entire mode of existence. Philosophical wisdom, so construed, is not a matter of finding “metaphysical comfort” in consoling theories, images, or ideas; nor is it a matter of offering consolation for frustration and suffering. (...) Instead, it is about disrupting or rupturing those prevailing “human, all too human” myths and illusions that perpetuate human frustration and suffering—especially the myths and illusions associated with what Nietzsche terms the “hitherto reigning ascetic ideal” in the West. By disturbing our “dogmatic slumber” in common-place beliefs and values, Nietzsche’s “untimely” atopic philosophers of “disruptive wisdom” evoke the promise of alternate forms of humanity: new ways of valuing the earth and our life on it, new paradigms for a way of life to be achieved in the future. Disruptive philosophers and the wisdom they impart, help liberate and inspire us to experiment with new ways of thinking and valuing, all of which contribute, as Nietzsche sees it, to the reconstituting and “fashioning of the self” as a transformed “second nature”. (shrink)

Inverting the sequence of the traditional terms, in Otherwise than Being or Beyond Essence Levinas redefines philosophy as the “wisdom of love”. Through an intertwining of Platonic motifs and Levinasian inspirations, the essay argues for a mutually regulated interplay of mythos and logos as a way to regain a sense of wisdom that remains respectful of the elements of otherness in reality-in particular, respectful of the otherness of the Third who, for Levinas, constitutes the ground for politics. That (...) is, the interplay of mythos and logos results into a mytho-logy in which the logos directing the mythos is the voice of the other which imposes not only the preservation, but also the institutionalization of the differences, alterities and incommensurabilities that constitute reality. The consequence of this differently negotiated notion of wisdom is a reconfiguration of philosophy in terms of a mythological politics of bodily, economic testimony in the service of the Third. (shrink)

“The concept of Logos at Heraclitus. The analyze of B1 fragment”. “Logos” is the most important word in the Heraclitus’ philosophy. One can tell, that Heraclitusis the philosopher of logos. The way of interpretation of this notion influences the comprehention of all work of the Greek thinker.The word appears eleven times in the following fragments : B 1, B 2, B 31, B 39, B 45, B 50, B 72, B 87, B 108, B 115 [numeration (...) of Diels-Kranz]. Logos contains several notions, and it can not be reduced to one, as for exemple reason, speach, fire or god. The analyse of B1, where the logos apperas for the first time, shows the complexity of this term. (shrink)

In a wholesale destructive or deconstructive critique of Western philosophical tradition, it is precisely this ethnocentric-phonocentric view of language that Jacques Derrida has chosen for his target. In Derrida’s critique, Hegel appears as one of the powerful enactors of that tradition yet peculiarly on the verge of turning away from it as “the last philosopher of the book and the first thinker of writing.”13 As Derrida sees it, phonocentrism in its philosophical dimension is also “logocentrism: the metaphysics of phonetic writing” (...) . Derrida makes it quite clear that such logocentrism is related to Western thinking and to Western thinking alone. Gayatri Chakravorty Spivak points this out in the translator’s preface to Of Grammatology: “Almost by a reverse ethnocentrism, Derrida insists that logocentrism is a property of the West…. Although something of the Chinese prejudice of the West is discussed in Part I, the East is never seriously studied or deconstructed in the Derridean text” . As a matter of fact, not only is the East never seriously deconstructed but Derrida even sees in the nonphonetic Chinese writing “the testimony of a powerful movement of civilization developing outside of all logocentrism” . When he looks within the Western tradition for a breakthrough, he finds it in nothing other than the poetics of Ezra Pound and his mentor, Ernest Fenollosa, who built a graphic poetics on what is certainly a peculiar reading of Chinese ideograms:This is the meaning of the work of Fenellosa [sic] whose influence upon Ezra Pound and his poetics is well-known: this irreducibly graphic poetics was, with that of Mallarmé, the first break in the most entrenched Western tradition. The fascination that the Chinese ideogram exercised on Pound’s writing may thus be given all its historical significance. [P. 92]Since Chinese is a living language with a system of nonphonetic script that functions very differently from that of any Western language, it naturally holds a fascination for those in the West who, weary of the Western tradition, try to find an alternative model on the other side of the world, in the Orient. This is how the so-called Chinese prejudice came into being at the end of the seventeenth and during the eighteenth centuries, when some philosophers in the West, notably Gottfried Wilhelm Leibniz, saw “in the recently discovered Chinese script a model of the philosophical language thus removed from history” and believed that “what liberates Chinese script from the voice is also that which, arbitrarily and by the artifice of invention, wrenches it from history and gives it to philosophy” . In other words, what Leibniz and others saw in the Chinese language was what they desired and projected there, “a sort of European hallucination,” as Derrida rightly terms it. “And the hallucination translated less an ignorance than a misunderstanding. It was not disturbed by the knowledge of Chinese script, limited but real, which was then available” . Zhang Longxi is on the faculty of the Department of English Language and Literature at Peking University. He is the author of A Critical Introduction to Twentieth-Century Theories of Literature and is currently studying comparative literature at Harvard University. (shrink)

In this paper I will attempt to show that the next step in acting methodology is to move from psychological cognition to meditative thinking—Logos, giving examples of how that Logos becomes word and is then revealed in the text, play or story—Mythos.

Cet article est consacré au problème du rapport entre l’entrelacement des genres (συμπλοκὴ τῶν εἰδῶν) et le logos dans le Sophiste. Après avoir brièvement présenté le problème, je discute, dans la première partie, différentes solutions proposées par les commentateurs. Je cherche à montrer qu’aucune de ces solutions n’est pleinement satisfaisante. Dans la deuxième partie, je propose une nouvelle solution au problème de la συμπλοκὴ τῶν εἰδῶν fondée sur une distinction entre deux types de logos, le logos dialectique (...) et le logos doxique. Dans la troisième partie, je cherche à justifier textuellement cette solution en recourant à la fois au texte du Sophiste lui-même et à la dernière partie du Théétète. Dans ma conclusion, je suggère que la distinction entre logos dialectique et logos doxique correspond à une différence qui traverse toute l’œuvre de Platon, à savoir la différence entre connaissance et opinion. / This paper deals with the problem of the συμπλοκὴ τῶν εἰδῶν in the Sophist. In the first part, after a brief presentation of this problem, I discuss different solutions which have been proposed in the recent literature. I try to show that none of them is entirely satisfying. In the second part, I propose and explain a new solution based on a distinction between two types of logos : dialectical logos and doxastic logos. In the third part, I try to justify this solution on the basis of some passages of the Sophist and of the final part of the Theaetetus. To conclude, I suggest that the distinction between dialectical logos and doxasticlogos matches the difference between knowledge and belief made by Plato in his dialogues. (shrink)

La perspectiva simult nea de filosof a y literatura, permite valorar qu grado de conocimiento hay en la ficci n, c mo se construyen subjetividad y texto, mundo y lenguaje. Muestra las posibilidades, te ricas y pr cticas, de la relaci n interna entre diferentes espacios argumentativos, entre actividades que poseen una vertiente creativa y, a la vez, una importante faceta reflexiva.

La perspectiva simult nea de filosof a y literatura, permite valorar qu grado de conocimiento hay en la ficci n, c mo se construyen subjetividad y texto, mundo y lenguaje. Muestra las posibilidades, te ricas y pr cticas, de la relaci n interna entre diferentes espacios argumentativos, entre actividades que poseen una vertiente creativa y, a la vez, una importante faceta reflexiva.

This paper explores the contribution that a Husserlian inspired phenomenology can make to environmental philosophy. In particular I argue that Husserl’s phenomenological critique of naturalism liberates thinking from its metaphysical naïveté thereby opening thought to a new conception of nature, while his theory of intentionality can be adapted to provide new directions for developing an account of axiological rationality which is open to claim that there is goodness and value within non-human nature. Such a form of rationality, based in (...) the dialectic of empty and filled intentions, would begin to provide a discourse in which the goodness and value of non-human nature could be registered, expressed, and articulated in a rational manner. The result will be an experiential grounding for environmental ethics. (shrink)

In the introduction to her book, Praxis und Logos bei Aristoteles, Friederike Rese rightfully bemoans a common prejudice within the secondary literature that mistakenly attempts to identify Plato, the so-called ‘idealist’, as the philosopher of λόγος and Aristotle, the so-called ‘realist’, as the philosopher of πρᾶξις. This traditional distinction between the philosophical life devoted to the pursuit of λόγος and the political life devoted to the pursuit of πρᾶξις as mutually exclusive forms of human activity also manifests itself (...) as a double tendency within Aristotelian scholarship: either to situate the theoretical philosophy above the practical philosophy, or to simply invert the hierarchy by emphasizing the practical over and against the theoretical. Both tendencies in their false play of oppositions generally fail to consider the comprehensive unity of both λόγος and πρᾶξις within Aristotle’s philosophy as a whole. By bringing into question some of these highly problematic divisions separating Aristotle’s theoretical philosophy from his practical philosophy, Rese aims to rehabilitate and recover the genuine transformation of λόγος within Aristotle in order to ultimately reveal its primordial unity with πρᾶξις. Rese’s aim is nothing less than to restore to Aristotle his rightful claim as the philosopher of λόγος: “If it was Aristotle who first described λόγος as the action of both reason and speech, then Aristotle was also the first who gave the concept of πρᾶξις its status as a philosophical term”. What really distinguishes Rese’s work from other works regarding the subject is the ingenuity of her central thesis, which focuses on the capacity of λόγος as a form of reason and speech to be responsible for both the determinacy and indeterminacy of human life and action. As a form of reason, λόγος establishes limits between determined and undetermined possibilities of action insofar as every determination of πρᾶξις must necessarily take into account those undetermined possibilities produced by λόγος. Rese’s thesis incorporates the principle of non-contradiction in Aristotle’s Metaphysics by designating λόγος as the limit of reason that orients a human being towards opposing possibilities of action. As a form of speech or saying, λόγος literally functions as the actualization of Aristotle’s principle of non-contradiction: “The same thing cannot at the same time both belong and not belong to the same object and in the same respect”. Every saying and deliberating of something is at the same time a delimitation of something from something else. Therefore, saying something is merely the performative aspect of deliberation which externalizes itself in the moment of decision determining the action. Because λόγος can produce a multiplicity of possibilities for any given action, the capacity of λόγος to exclusively determine an action separates human life from the indeterminacy of animal life. “While the possession of λόγος distinguishes the human being from all other life-forms, the activity of λόγος is also the actualization of life by arriving at the determining relation that characterizes the human being”. (shrink)

This paper tries to discuss some of the theories concerning the relation between literature and knowledge. On the one hand, most of the time, philosophers donot believe in the force of literature to generate knowledge. On the other, litterateurs are more optimistic, considering that there is a specific kind of knowledge that literature (sometimes they emphasize: only literature) is able to deliver. These are the two antagonistic theories I have to arbitrate in this paper. In my (...) opinion, literature is an ally of science and philosophy and it can provide a large amount of knowledge about some aspects of reality that cannot be put into concepts. Some examples like dreams and love regarded both by philosophers and writers try to demonstrate that sometimes only literature can conquer some territories of the human mind and sensibility. At the end, the paper asserts, along with Peter Swirski, that interdisciplinarity is a compulsory condition if we want to take advantage from the whole knowledge that sciences, as well as arts, among which literature is to be mentioned, can offer us. The conclusion is borrowed from Milan Kundera’s Art of the Novel: Knowledge is the literature’s only morality. (shrink)

In this essay, I will show one way in which Ricoeur utilizes Aristotle’s discussions in Rhetoric and Poetics; I will take my point of departure from his hermeneutic theory of metaphor. Here, he reverses the Aristotelian intention by blending the domains of discourse we call mythos and logos in a way which suggests that the latter is subsumed by the former. While one can argue that the two are co-emergent processes, Ricoeur’s formulation undermines one side of the dialectic between (...) them. (shrink)

Late in his life, Hans-Georg Gadamer was asked to explain what the universal aspect of hermeneutics consisted in, and he replied, enigmatically, “in the _verbum interius_.” Gadamer devoted a pivotal section of his magnum opus, _Truth and Method_, to this Augustinian concept, and subsequently pointed to it as a kind of passkey to his thought. It remains, however, both in its origins and its interpretations, a mysterious concept. From out of its layered history, it remains a provocation to thought, expressing (...) something about the relation of language and understanding that has yet to be fully worked out. The scholastic idea of a word that is fully formed in the mind but not articulated served Augustine as an analogy for the procession of the Trinity, and served Thomas Aquinas as an analogy for the procession between divine ideas and human thought. Gadamer turned the analogy on its head by using the verbum interius to explain the obscure relation between language and human understanding. His learned interpretation of the idea of the inner word through Neoplatonism, Lutheranism, idealism, and historicism may seem nearly as complex as the medieval source texts he consulted and construed in his exegesis, but the profoundity of his insights are unquestioned. In unpacking Gadamer's interpretive feat, John Arthos provides an overview of the philosophy of the logos out of which the _verbum interius_ emerged. He summarizes the development of the _verbum _in ancient and medieval doctrine, traces its path through German thought, and explains its relevance to modern hermeneutic theory. His work unfolds in two parts, as an expansive intellectual history and as a close analysis and commentary on source texts on the inner word, from Augustine to Gadamer. As such, this book serves as an indispensable guide and reference for hermeneutics and the intellectual traditions out of which it arose, as well as an original theoretical statement in its own right. “Consummately researched, lucidly written, and persuasively argued throughout, __The Inner Word_ _succeeds brilliantly in bringing to light this neglected but pivotal matter in Gadamer’s work. Arthos is learned in the best ‘humanist’ way, for he succeeds in creating something new of his own that will speak eloquently to all of us.” —_Walter Jost, University of Virginia_ “Gadamer suggests that the Christian idea of incarnation is a key to his hermeneutics, but does not explain his position in a detailed or systematic manner. Arthos brings his considerable knowledge of hermeneutics and rhetoric to bear on Gadamer's insight, recounting the rich intellectual history to which Gadamer gestures, and providing an extended and detailed exegesis of this pivotal point in the third part of _Truth and Method_. Gadamer's account of 'linguisticality,' Arthos explains, can best be understood through his use of a complex metaphor—the ‘inner word.’ Arthos matches his erudition with clear and clean prose, and his account exemplifies, rather than just describes, Gadamer's hermeneutical philosophy. Any scholar interested in Gadamer's philosophy should have this book on his or her shelf.” —_Francis J. Mootz III, William S. Boyd Professor of Law, William S. Boyd School of Law_ “Arthos's strength lies for me in his careful reading of the sources. He effectively commands the literature on the subject. This work shows in a sophisticated way the legacy of trinitarian theology for philosophical hermeneutics. The very complex task of illuminating the phenomenon of the _verbum interius _and indicating its centrality for philosophical hermeneutics is accomplished by John Arthos with great sensitivity to the subject matter.” —_Andrzej Wiercinski, The International Institute for Hermeneutics_. (shrink)

Judaism was a mythical, strongly tribal religion with anthropomorphic God in which the leading element was the concept of a covenant between God and the exceptional “chosen people.” Such views produced a strong emphasis on tribal unity and attitude of election and moral superiority vis-à-vis the rest of humanity. Philo must have felt inadequacy of the ancient Judaism and its limitations to compete for the minds of Hellenes with their universalistic philosophical thought. Philo represented a trend in Jewish ideology which (...) attempted, in confrontation with the Greek culture, to assert itself as a valid cosmic view to support the existence of a community. He attempted to reevaluate Hebrew ideology found in the scriptures adopting Greek metaphysical, ethical, and religious doctrines to Judaism.The focus of this article is on Philo’s introduction of the Greek concept of Logos, in the modified version of Xenocrates into Judaism. Philo developed this concept further and transformed from a metaphysical entity into an extension of a divine and transcendental anthropomorphic being and mediator between God and men. Thus Philo produced a synthesis of both Hebrew and Greek traditions developing concepts that were used for future Hellenistic interpretation of messianic Hebrew thought by providing foundations for Christianity. (shrink)

Important to the essays here is the possibility of using logos without the negative, restricting and violent aspects of logos. In this respect I speak about affirmation and about tragic awareness rather than about the tragic itself or tragic conflict, as I read texts of a literary democracy that is already here, texts by Don DeLillo, Tomas Transtromer, John Ashbery and Thanasis Valtinos, or see arrangements by Lo Snofall. Indeed it is all about arrangements, about knowing how to (...) affirm and doing it rather than using language and its codes in order to transcribe, however accurate this might be. Arrangements say yes, since they do not raise any absolute boundaries. The arrangement is a logos without logos: it is a cosmos, where affirming is a tragically aware cosmetics. Cosmos is neither the world nor any ordering or embellishment of this world, but an openness as the incalculable accumulation of arrangements that say yes in their awareness that they do not amount to an ontology. (shrink)

This paper brings Lyotard into connection with the discussions of Socrates in REPUBLIC concerning general libidinal economy and its relation to the logos in human beings. Since desire is always the desire to be amoral -- not to recognize the person as subject, but rather recognizing it as a market for the capital gain of desire, it is to be suspected that desire within the subject is the cause of so-called differends between subjects. This is what Republic is about.

Mediated by a hermeneutic/semiotic reading of symbols, searching out and finding some similitudes between mythical constructions concerning the genesisof the world and scientific hypotheses can be considered fruitful from at least two viewpoints, since: (a) it allows the validation of a truth which is difficult to prove through other means, that early humans had intuitive-cognitive resources much more profound than appearances seem to allow; (b) it enables the utilization of some of the suggestions offered by the mythic language in the (...) scientific language context. Using such correspondences, the author proposes the integrative model of a structurally named "Cluster Universe" or the functionally named "Pulsatory expansion", able to solve some major difficulties of the cosmological thinking. (shrink)

The aim of this paper is to explain the Kantian concept of philosophy according to which philosophy can be understood as the narrow door to the teaching of wisdom. This discussion is guided by the question about the relation between logos and mythos. The thesis is that the awareness of the limits of logos, the scientific approach to the world, can be regarded as a presupposition for a proper understanding of mythos, the articulation of wisdom, which (...) expresses the unity of contradictory elements of life. Philosophy has the function of mediating between reason and wisdom by making explicit the limits of scientific explanation. This opens a field of unrestricted and therefore not scientifically explicable thoughts: the sphere of ideas that are accessible in Ethics and Aesthetics. (shrink)

La recente pubblicazione delle note di corso Recherches sur l’usage littéraire du langage sono una conferma del ruolo giocato dal linguaggio poetico in Merleau-Ponty in quell’ambizioso e incompiuto progetto perseguito dal 1951 Sur la phénoménologie du langage. La convinzione che il linguaggio sia la questione cruciale per la fenomenologia avvicina le ricerche di Merleau-Ponty a quelle che Ricoeur svilupperà negli anni Settanta: è nella parola, nel discorso pronunciato, che avviene non solo il rapporto tra soggetti, ma anche quello con le (...) cose. Per entrambi i filosofi la Lebenswelt è una sorta di terra promessa della fenomenologia; un mondo che ci è dato cogliere soltanto in modo mediato. E a rappresentare una forma di mediazione esemplare è la figura retorica della metafora, negazione di ogni tentazione di presa diretta, di trasparenza del linguaggio stesso: nella parola metaforica, non riducibile alla dimensione nominale, viene delineata una ontologia “indiretta” o “abbozzata”. Tecnica stilistica da Merleau-Ponty, a differenza di Ricoeur, più praticata che teorizzata, la metafora poetica, o viva, realizza lo snodo tra pre-categoriale e categoriale, tra mondo sensibile e mondo dell’espressione, tra logos muto e logos pronunciato. Riprendendo l’analogia individuata da Valéry tra danza e linguaggio letterario, Merleau-Ponty traccia una teoria della figura come espressione degli ordini di senso percepiti che può trasfigurare il linguaggio ordinario; teoria molto vicina a quella ricoeuriana di “figurazione” che nel mondo della vita si radica per poi tornarvi.La publication récente des notes du cours Recherches sur l’usage littéraire du langage confirment le rôle joué par le langage poétique chez Merleau-Ponty dans le projet ambitieux et inachevé qu’il engage à partir de 1951 dans l’essai Sur la phénoménologie du langage. La conviction que le langage est la question cruciale pour la phénoménologie rapproche les recherches de Merleau-Ponty de celles que Ricoeur développera dans les années 1970 : c’est dans les mots, dans le discours prononcé, qu’advient non seulement les relations entre sujets, mais aussi nos rapports avec les choses. Pour les deux philosophes, la Lebenswelt est une sorte de terre promise pour la phénoménologie ; un monde qu’on ne peut saisir que de manière indirecte. Et c’est la figure de la métaphore qui représente une forme de médiation exemplaire, comme négation de toute tentative de prise directe, de transparence du langage lui-même. Dans l’expression métaphorique, non réductible à la dimension nominale, une ontologie « indirecte » ou « ébauchée » est esquissée. Technique stylistique chez Merleau-Ponty, plus pratiquée que théorisée à la différence de Ricoeur, la métaphore poétique, ou vivante, réalise la jonction entre le précatégorial et le catégorial, entre le monde sensible et le monde de l’expression, entre logos muet et logos proféré. Reprenant l’analogie de Valéry entre danse et langage littéraire, Merleau-Ponty trace une théorie de la figure comme expression des ordres de la perception qui peut transfigurer le langage ordinaire ; une théorie très proche de celle de Ricoeur de la « figuration » qui, enracinée dans le monde de la vie, y retourne ensuite.The recent publication of the lecture notes Research on the Literary Use of Language confirms the role played by poetic language in Merleau-Ponty’s ambitious and unfinished project that began in his 1951 essay “On the Phenomenology of Language.” The conviction that language is the crucial question for phenomenology in Merleau-Ponty’s work nears the research Paul Ricoeur would develop in the 1970’s: it is in words, in expressed discourse, that we encounter not only relations among subjects, but also our relation to things. For the two philosophers, the Lebenswelt is a sort of promised land for phenomenology, a world that we can grasp only indirectly. And, it is the figure of the metaphor that represents an exemplary form of mediation, as a negation of every attempt toward a direct grasp, of the transparency of language in itself. In the metaphorical expression, which is not reducible to a nominal dimension, an “indirect” or “outlined” ontology is sketched out. In the stylistic technique of Merleau-Ponty, more practiced than theoretical unlike Ricoeur, the poetic or living metaphor constitutes a junction between the pre-categorical and the categorical, between the sensible world and the world of expression, between silent logos and pronounced logos. Referring to Valery’s analogy between dance and literary language, Merleau-Ponty traces a theory of the figure as expression in the orders of perception that can transfigure ordinary language, a theory very similar to that of Ricoeur’s “figuration” which, rooted in the world of life, subsequently returns to it. (shrink)

Listening Music Listening to an art of music’s work! Something important happens to us. Why? Because our soul is touched and moved at its deepest levels. In contact with music, a spiritual tumult invades our entire being; and we are revealed to ourselves in a new and previously unknown way. Face to face with the harmonious sounds – giving music the status of an artistic “text” – we find opportunities – maybe the best possible – to unfold our unique capacity (...) to participate in, understand and even interpret life’s expanse. We put ourselves in the state of better self-knowledge and comprehension, by that hermeneutic polarity of “proximity and detachment” – according to Paul Ricoeur 2 . When we listen to music, each of us gives ourselves the chance to live the “absolute moment” – meaning, “at the same time, self-denial and self-mediation”. Everything that tears one away from anything restores the whole of totality of ‘being’, the subject installs himself in the profundity of “meaning’s continuity” 3 . In listening to music, the human being experiences universal communication, reaching the root of the major ethical truth of life – some of the “Logos of Life”, the center-concept in Phenomenology of Life elaborated by AnnaTeresa Tymieniecka 4 . “Two plans”: the “first” and the “second” – using Nicolai Hartmann’s aesthetical terms – are working together, in the accomplishment of musical art within the intuition and comprehension process to create a unitary view of this complex phenomenon. Through contact with an audio-sensitive matter, the listener deciphers a spiritual content molded into an artistic form. This content, its sense, and the force by which a musical work preserves and increases its identity over time are revealed through examination of the “relation between these plans”, through analysis of the whole musical experience in their “pure inner, autonomous connection” 5 . So we can speak about the relation between the material elements of the structure of musical language and what is “unreal” behind the spiritual elements of the plan. Hence, a question comes into profile: What is the reason for music’s life? What is its genesis, development, strength; actually, its undoubted value throughout its evolution over the millennia? We maintain that the ethos constitutes its great existence; the ethos – “rather than the eidos”, speaking in terms of Anna-Teresa Tymieniecka , which assures even the “ontic-ontological” differentiation . In discussion is the intimate relation between manifestation, external phenomenally, and intelligibility, internal foundation, essence. Beyond the empirical domain, that of the organized sounds in melody, harmony, and rhythm, let us examine the substratum of interiority within which a plenitude of ethical values makes their home. Consequently, we set up a new concept: the meloethics 7 - a complex philosophical construct, a structural-dynamical unity of the components : ‘mélos’ / ‘ ’ = song, melody; by extension: music; and ‘èthiké’ / ‘ ’ = moral, which belongs to ethics; herein, the system of moral values. (shrink)

Littérature et philosophie entretiennent des rapports évidents, du fait que certains philosophes sont poètes, comme Lucrèce, ou écrivains, comme Montaigne. On examine deux cas, Martha Nussbaum, qui soutient que la littérature, en particulier le roman, peut induire des analyses morales bien supérieures à celles des philosophes, et Maria Zambrano, philosophe et poète, qui soutient que c'est le même Logos qui est à l'oeuvre dans les deux domaines. Par le style, et par le souci conjoint de la signification, la poésie (...) a un sens philosophique. L'histoire de la pensée ne peut pas négliger le rôle eminent de la poésie philosophique à travers l'histoire : Chateaubriand, Paul Valéry, Paul Claudel ont accompli une œuvre littéraire d'une grande portée philosophique. Literature and philosophy keep obvious relationships since a few philosophers are poets too, such as Lucretius, or writers, as Montaigne. Here we examine two cases: on the one hand that of Martha Nussbaum, who supports that only literature, in particular the novel, can lead to moral analyses much superior to those of the philosophers, and, on the other hand, that of Maria Zambrano, both a philosopher and a poet, who supports that it is the same Logos which is at stake in both fields. By the style, and through the joint concern of meaning, the poetry has a philosophical meaning. The history of thought cannot neglect the prominent part played by philosophical poetry throughout history: Chateaubriand, Paul Valéry, Paul Claudel carried out a literary work of a long lasting philosophical range. (shrink)

Exoteric dossier : the literary Agamben -- Projection : there is language -- Logos, thinking thought -- Poiesis, thinking through making -- Modernity, productive anti-poiesis -- Logopoiesis, thinking tautology -- Enjambment, the turn of verse -- Caesura, the space of thought.

Alexej Remizov is usually regarded by literary critics as a Symbolist rather than a Futurist writer. However, I would posit that Remizov similarly to the Futurists viewed language as “logos,” bozhestvennii glagol. According to the mystical interpretation of the famous words “At the beginning there was Word and the Word was with God and the Word was God”, when God was creating the world he named the objects, and these abstract names became a force for the appearance of an (...) object in physical reality. In the light of these words, The Medieval mystical and magical philosophers claimed that one could restore the divine language of Creation, possess the ability to create objects anew, and thereby become Creator himself. One can argue that a major goal of Remizov was similar to that of hisMedieval predecessors: to reveal the mystical power of language in order to create, not to describe reality. The paper analyzes three chapters from Alexej Remizov’s Rossiya v pis’menah, a book which can be read as a manifesto of Remizov’s attitude toward language and reality, and discuss possible sourcesthat might have influenced Remizov in his attitude towards language. (shrink)

Alexej Remizov is usually regarded by literary critics as a Symbolist rather than a Futurist writer. However, I would posit that Remizov similarly to the Futurists viewed language as “logos,” bozhestvennii glagol. According to the mystical interpretation of the famous words “At the beginning there was Word and the Word was with God and the Word was God”, when God was creating the world he named the objects, and these abstract names became a force for the appearance of an (...) object in physical reality. In the light of these words, The Medieval mystical and magical philosophers claimed that one could restore the divine language of Creation, possess the ability to create objects anew, and thereby become Creator himself. One can argue that a major goal of Remizov was similar to that of hisMedieval predecessors: to reveal the mystical power of language in order to create, not to describe reality. The paper analyzes three chapters from Alexej Remizov’s Rossiya v pis’menah, a book which can be read as a manifesto of Remizov’s attitude toward language and reality, and discuss possible sourcesthat might have influenced Remizov in his attitude towards language. (shrink)

Alexej Remizov is usually regarded by literary critics as a Symbolist rather than a Futurist writer. However, I would posit that Remizov similarly to the Futurists viewed language as “logos,” bozhestvennii glagol. According to the mystical interpretation of the famous words “At the beginning there was Word and the Word was with God and the Word was God”, when God was creating the world he named the objects, and these abstract names became a force for the appearance of an (...) object in physical reality. In the light of these words, The Medieval mystical and magical philosophers claimed that one could restore the divine language of Creation, possess the ability to create objects anew, and thereby become Creator himself. One can argue that a major goal of Remizov was similar to that of hisMedieval predecessors: to reveal the mystical power of language in order to create, not to describe reality. The paper analyzes three chapters from Alexej Remizov’s Rossiya v pis’menah, a book which can be read as a manifesto of Remizov’s attitude toward language and reality, and discuss possible sourcesthat might have influenced Remizov in his attitude towards language. (shrink)

Alexej Remizov is usually regarded by literary critics as a Symbolist rather than a Futurist writer. However, I would posit that Remizov similarly to the Futurists viewed language as “logos,” bozhestvennii glagol. According to the mystical interpretation of the famous words “At the beginning there was Word and the Word was with God and the Word was God”, when God was creating the world he named the objects, and these abstract names became a force for the appearance of an (...) object in physical reality. In the light of these words, The Medieval mystical and magical philosophers claimed that one could restore the divine language of Creation, possess the ability to create objects anew, and thereby become Creator himself. One can argue that a major goal of Remizov was similar to that of hisMedieval predecessors: to reveal the mystical power of language in order to create, not to describe reality. The paper analyzes three chapters from Alexej Remizov’s Rossiya v pis’menah, a book which can be read as a manifesto of Remizov’s attitude toward language and reality, and discuss possible sourcesthat might have influenced Remizov in his attitude towards language. (shrink)

With the publication of Being and Time and Truth and Method philosophical hermeneutics seems to have become the official philosophy of history, with exclusive rights on the questions arising from the fact-of-having-a-past. From now on the epistemological approach of the German historical school, reaching a peak in Dilthey’s thought, is unanimously recognized as definitively overcome, aufheben, by the ontological interrogation of hermeneutics. But, with the same unanimity, it is also recognized that the reasons behind this overcoming and their validity (...) are not readily apparent. For, as it has been shown in the literature, Heidegger’s critique of Dilthey proves to be partial and lacunar, whereas Gadamer’s is straightforwardly ambiguous. Our paper assumes as its first task a re-evaluation of these critiques and of the hypotheses proposed in the literature with regard to what could be the problem with Dilthey’s epistemology. In this sense the paper argues that the problem resides in that the fundamental concepts on which it is based are bound to miss the peculiarity of history by idealizing it and masking the power relations inhabiting it. As a second task, our paper proposes an investigation of whether philosophical hermeneutics itself manages torise to the expectations through which Dilthey’s thought is evaluated. As it will become manifest, the answer to this question is in the negative. That is why, in the end, we will defend the necessity of a post-historicist and post-hermeneutic philosophy of history. (shrink)

Philosophy has often appropriated the reflexive element of literature disembodying the sensible idea from the text, thus exercising a coercive violence against literature, reduced to a simple epiphenomenon of a meta-literary discourse. Philosophy tends to appropriate the sensitive content of literature as a raw material to be integrated into a broader conceptual framework dissolving, in fact, the tensional truth implicit in the novelistic structure as Lukács put it. Literary experience cannot be reduced to a mere (...) conceptual structure, to a pure speculative form, but must be investigated as a possibility of grasping sensible ideas embodied in the literary space, following a path indicated by Merleau-Ponty. Sensible ideas as literary ideas are given thanks to the textual space as a deforming filter that allows them to be manifested as a singular incarnation, without ever exhausting them in a full manifestation. Literature allows to unsettle the prereflexive dimension thanks to an operative intentionality thus revealing those particular ideas incorporated into the sensible. Two works by Paul Valéry, La soirée avec M. Teste and L’introduction à la méthode de Léonard de Vinci will be examined to test the emergence, flexibility and irradiation of literary ideas in the writing space. In this way we will try to show the narrative modalities of elaboration of an implicit philosophy in literature as the embodiment of sensible ideas in the literary space and, in this way, as the manifestation of an aesthetic logos. (shrink)

Among other modalities of arts” approach, phenomenological apparatus offers us a fruitful one in the endeavour to disclose part of the rich and in-depthmeanings that art in general unfolds through its products. Here, we are especially interested in phenomenology as a style of philosophizing and as a method of analysis, able to open new dimensions to the process of interpretation and comprehension the peculiar living of man in relation with arts. There are some paradigms that have been acknowledged by phenomenologists (...) within the topics of dwelling upon the fullness of artistic logos in its potential of life experiencing, finally. In this essay we try to point out part of phenomenology”s opportunities to scrutinize, in an appropriate way, art as a significant creative phenomenon; and thus to reveal much more about an ideal essence communicating a fundamental order of beingness to which man has access. (shrink)

The present book explores a variety of fundamental questions that all of us secretly share. Its twenty-one chapters, written by some of the world’s leading Melville and Conrad scholars, indicate possible directions of comparativist insight into the continuity and transformations of western existentialist thought between the 19th and 20th centuries. The existential philosophy of participation—so mistrustful of analytical categories—is epitomized by the lives and oeuvres of Melville and Conrad. Born in the immediacy of experience, this philosophy finds its (...) expression in uncertain tropes and faith-based actions; rather than muffle the horror vacui with words, it plunges head first into liminality, where logos dissolves into a “positive nothing.” Unlike analytical philosophers, both Melville and Conrad refrain from talking about reality: they expose those who would listen to a first-hand experience of participation in an interpretive act. Employing literary tropes to denude the essence of the human condition, they allow their readers to transgress the limitations of language. Mistrustful of language, they accept the necessity of discourse which, to make sense, must be actively reshaped, endlessly questioned, and constantly revised. And if uncertainty is the only certainty available to us, our lowly human condition also necessitates compassion: an existential cure against the liquid, capricious reality we are afforded. (shrink)

What draws us to the beauty of a peacock, the flight of an eagle, or the song of a nightingale? Why are birds so significant in our lives and our sense of the world? And what do our ways of thinking about and experiencing birds tell us about ourselves? Birdscapes is a unique meditation on the variety of human responses to birds, from antiquity to today, and from casual observers to the globe-trotting "twitchers" who sometimes risk life, limb, and marriages (...) simply to add new species to their "life lists." Drawing extensively on literature, history, philosophy, and science, Jeremy Mynott puts his own experiences as a birdwatcher in a rich cultural context. His sources range from the familiar--Thoreau, Keats, Darwin, and Audubon--to the unexpected--Benjamin Franklin, Giacomo Puccini, Oscar Wilde, and Monty Python. Just as unusual are the extensive illustrations, which explore our perceptions and representations of birds through images such as national emblems, women's hats, professional sports logos, and a Christmas biscuit tin, as well as classics of bird art. Each chapter takes up a new theme--from rarity, beauty, and sound to conservation, naming, and symbolism--and is set in a new place, as Mynott travels from his "home patch" in Suffolk, England, to his "away patch" in New York City's Central Park, as well as to Russia, Australia, and Greece. Conversational, playful, and witty, Birdscapes gently leads us to reflect on large questions about our relation to birds and the natural world. It encourages birders to see their pursuits in a broader human context--and it shows nonbirders what they may be missing. (shrink)

What draws us to the beauty of a peacock, the flight of an eagle, or the song of a nightingale? Why are birds so significant in our lives and our sense of the world? And what do our ways of thinking about and experiencing birds tell us about ourselves? Birdscapes is a unique meditation on the variety of human responses to birds, from antiquity to today, and from casual observers to the globe-trotting "twitchers" who sometimes risk life, limb, and marriages (...) simply to add new species to their "life lists." Drawing extensively on literature, history, philosophy, and science, Jeremy Mynott puts his own experiences as a birdwatcher in a rich cultural context. His sources range from the familiar--Thoreau, Keats, Darwin, and Audubon--to the unexpected--Benjamin Franklin, Giacomo Puccini, Oscar Wilde, and Monty Python. Just as unusual are the extensive illustrations, which explore our perceptions and representations of birds through images such as national emblems, women's hats, professional sports logos, and a Christmas biscuit tin, as well as classics of bird art. Each chapter takes up a new theme--from rarity, beauty, and sound to conservation, naming, and symbolism--and is set in a new place, as Mynott travels from his "home patch" in Suffolk, England, to his "away patch" in New York City's Central Park, as well as to Russia, Australia, and Greece. Conversational, playful, and witty, Birdscapes gently leads us to reflect on large questions about our relation to birds and the natural world. It encourages birders to see their pursuits in a broader human context--and it shows nonbirders what they may be missing. (shrink)

Ours is an age full of desires but impoverished in its understanding of where those desires lead—an age that claims mastery over the world but also claims to find the world as a whole absurd or unintelligible. In The Vision of the Soul, James Matthew Wilson seeks to conserve the great insights of the western tradition by giving us a new account of them responsive to modern discontents. The western— or Christian Platonist—tradition, he argues, tells us that man is an (...) intellectual animal, born to pursue the good, to know the true, and to contemplate all things in beauty. Wilson begins by reconceiving the intellectual conservatism born of Edmund Burke’s jeremiad against the French Revolution as an effort to preserve the West’s vision of man and the cosmos as ordered by and to beauty. After defining the achievement of that vision and its tradition, Wilson offers an extended study of the nature of beauty and the role of the fine arts in shaping a culture but above all in opening the human intellect to the perception of the form of reality. Through close studies of Theodor W. Adorno and Jacques Maritain, he recovers the classical vision of beauty as a revelation of truth and being. Finally, he revisits the ancient distinction between reason and story-telling, between mythos and logos, in order to rejoin the two. Story-telling is foundational to the forms of the fine arts, but it is no less foundational to human reason. Human life in turn constitutes a specific kind of form—a story form. The ancient conception of human life as a pilgrimage to beauty itself is one that we can fully embrace only if we see the essential correlation between reason and story and the essential convertibility of truth, goodness and beauty in beauty. By turns a study in fundamental ontology, aesthetics, and political philosophy, Wilson’s book invites its readers to a renewal of the West’s intellectual tradition. (shrink)

This book investigates silence as a normal, ubiquitous and indispensable element of political thinking, theory, and language. It explores the diverse dimensions in which silences mould the different core features of the political-by summoning-up finality, by contributing to rendering support for communities or withholding it, by processing consent or dissent, by the manner in which it secures continuities or generates ruptures, and by its role in shaping national time, public memory and collective identity. Not least, silence is a highly flexible (...) power resource, both enabling and constraining major social practices, traditions, and currents. The emphasis of this study is primarily on the concealed, unintentional, and unrecognized ways through which silence pervades socio-political life, departing from the typical focus on intentional silencing and the dominance of logos. Instead, silence adopts the guises of the unspeakable, the ineffable, the inarticulable, and the unconceptualizable. En route, silence is juxtaposed with stillness, absence contrasted with lack, agency set against undetected conventions, and the veiled paired with the wondrous. Drawing extensively from historical, philosophical, anthropological, psychoanalytical, theological, linguistic, and literary viewpoints, the book demonstrates the common threads that connect silences to those different disciplines, alongside the features that pull them asunder. In extracting and decoding their political implications, it explores both academic literature and colloquial, everyday discourse. Selected case-studies elaborating the overall analysis include topics such as Buddhist nondualism, Locke's tacit consent, the submerging of historical narratives, state neutrality, Pinter's miscommunications and menace, and the separate ways ideologies integrate silence into their beliefs. (shrink)

Criticism; civilization, Arab; literature and society; culture; study and teaching; culture in literature.