Plato: Philosophical Method, Misc

Plato’s character Socrates is clearly a sophisticated logician. Why then does he fall, at times, into the most elementary fallacies? It is, I propose, because the end goal for Plato is not the mere acquisition of superior understanding but instead a well-lived life, a life lived in harmony with oneself. For such an end, accurate opinions are necessary but not sufficient: what we crucially need is a method, a procedure for ridding ourselves of those opinions that are false. Now learning (...) a method is a very different business from learning a set of ideas. It requires not just study but practice, and practice is precisely what Plato’s dialogues, thanks to the layer of irony between author and protagonist, make possible. If we have a predisposition for detecting and are interested in resolving conflicts within a set of beliefs—if, that is, we instinctively posit logical consistency as a desideratum in life—then we stand to learn, when we read the dialogues, not only what to think but also, and far more importantly, how to think. (shrink)

This is a study of sophía from the passage 20d-21a in Plato’s Apology. There, Socrates tries to understand what kind of wisdom he would have, since the Oracle of Delphi stated that no one would be wiser than him. An investigation of historical aspects was made to understand the trial of Socrates and conviction, also a mapping of sophía’s main uses through the corpus platonicum was built, as well an overview of the usage of this concept by others greek authors. (...) In addition, a side of the figure of Socrates that has been given little attention was perceived, becoming important to explain the influence of magical thinking on his philosophy and his relationship with shamanism. (shrink)

This reading of Plato's Ion shows that the philosophic action mimed and engendered by the dialogue thoroughly reverses its (and Plato's) often supposed philosophical point, revealing that poetry is just as defensible as philosophy, and only in the same way. It is by Plato's indirections we find true directions out: the war between philosophy and poetry is a hoax on Plato's part, and a mistake on the part of his literalist readers. The dilemma around which the dialogue moves is false, (...) and would have been recognized as such by Plato's contemporaries. Further, it is intrinsically related to a false, but popular, view of language. So the way out of the false dilemma of the dialogue is the way out of the war between philosophy and poetry, and also makes one see what is false about the view of language which makes such war plausible. (shrink)

When we speak of philosophy and therapy, or of philosophy as therapy, the usual intent is to suggest that ‘philosophizing’ is or should be a way to clarify the mind or purify the soul. While there may be little point in arguing with psychoses or deeply-embedded neuroses our more ordinary misjudgements, biases and obsessions may be alleviated, at least, by trying to ‘see things clearly and to see them whole’, by carefully identifying premises and seeing what they – rationally – (...) support, and by seeking to eliminate the residual influence of premises that we have long since, rationally, dismissed. I don't intend to argue with this account – though of course it may be as well to remember that ‘philosophizing’ may have more dangerous effects. It is not obvious that philosophical argument will always help us ‘see things straight’, and the Athenian democracy was not altogether wrong to think that some of Socrates' followers or pupils learnt quite the wrong things from him. (shrink)

This essay discusses Socrates’ use of hypothetical choices as an early version of what was to become in the twentieth century the discipline of decision theory as expressed by one of its prominent proponents, F. P. Ramsey. Socrates’ use of hypothetical choices and thought experiments in the dialogues is a way of reassuring himself of an interlocutor’s philosophical potential. For example, to assess just how far Alcibiades is willing to go to attain his goal of being a great Athenian leader, (...) we employ Ramsey’s concept of Mathematical Expectation. Mathematical Expectation operates on the assumption that it is not enough to measure probability; we must also measure our belief to apportion our belief to the probability. In other words, it illustrates how strongly or to what degree a person holds a particular belief. If a person’s belief in X lacks enough doubts to cancel the belief out, the probability of his acting on this belief is higher than if his belief in X was plagued by a greater number of doubts. (shrink)

A review of John Beversluis' "Cross-Examining Socrates: A Defense of the Interlocutors in Plato's Early Dialogues".

This 1995 book takes as its starting point Plato's incorporation of specific genres of poetry and rhetoric into his dialogues. The author argues that Plato's 'dialogues' with traditional genres are part and parcel of his effort to define 'philosophy'. Before Plato, 'philosophy' designated 'intellectual cultivation' in the broadest sense. When Plato appropriated the term for his own intellectual project, he created a new and specialised discipline. In order to define and legitimise 'philosophy', Plato had to match it against genres of (...) discourse that had authority and currency in democratic Athens. By incorporating the text or discourse of another genre, Plato 'defines' his new brand of wisdom in opposition to traditional modes of thinking and speaking. By targeting individual genres of discourse Plato marks the boundaries of 'philosophy' as a discursive and as a social practice. (shrink)

This full-length study of Plato's dialogue Phaedrus, now in paperback, is written in the belief that such concerted scrutiny of a single dialogue is an important part of the project of understanding Plato so far as possible 'from the inside' - of gaining a feel for the man's philosophy. The focus of this account is on how the resources both of persuasive myth and of formal argument, for all that Plato sets them in strong contrast, nevertheless complement and reinforce each (...) other in his philosophy. Not only is the dialogue in its formal structure a dovetail of myth and argument, but the philosophic life that it praises is also shaped by an acknowledgement of the limitations of argument and the importance of mythical understanding. By means of this correlation of form and content Plato invites his readers, through the very act of reading, to take a first step along the path of the philosophical life. (shrink)

In my previous paper I endeavoured to illustrate the different ways in which Plato used poetry for philosophical purposes, and it now remains to attempt a final appraisal of the success or failure of Plato considered specifically as a poetic philosopher. But before I embark on what will prove a somewhat complicated task it is necessary for me to refer briefly to certain theories concerning Plato's use of myth, since they vitally affect the philosophical significance of his poetic method—and it (...) is this philosophical significance which is our principal problem in any final evaluation. (shrink)

This paper argues that the concepts of writing and authorship in Plato are associated with monologism and absence rather than presence. The Phaedrus objects to writing precisely insofar as it creates that unre sponsive figure in the field of discursive which we have subsequently called the 'author'. The dialectical preference for question-and-answer is designed to resist anything resembling an author from entering the field of knowledge: the Socratic method resists monologism on epistemological and ethical grounds. However, the Platonic dialogues are (...) split in their signature between a Socrates who speaks and a Socrates who writes. As the Platonic oeuvre increases, so it moves from graphic representation of the oral methods of Socrates to the status of a writing in its own terms. The Phaedrus is a crucial statement in this cultural tran sition. So, far from simply condemning writing, the dialogue accepts Plato's growth as an author of written compositions and his growing sense of himself as an author. What tradition has registered as 'the Socratic problem' can be reviewed according to this competition between the orality of the master and the writerly practices of his pupil. Between dialogism and monologism, speech and writing, absence and presence, Socrates and Plato, the concept of the author is generated. The Plato of the Phaedrus wants to grasp, to theorize, this new figure emerg ing on the chirographic horizons, one whom he would recognize less in Socrates, 'Homer' or Pythagoras than in the mirror of his own text. (shrink)

This paper concerns the role of examples (paradeigmata) as propaedeutic to philosophical inquiry, in light of the methodological digression of Plato’s Statesman. Consistent with scholarship on Aristotle’s view of example, scholars of Plato’s work have privileged the logic of example over their rhetorical appeal to the soul of the learner. Following a small but significant trend in recent rhetorical scholarship that emphasizes the affective nature of examples, this essay assesses the psychagogic potential of paradeigmata, following the discussion of example in (...) Plato’s Statesman. I argue that, by creating an expectation for finding similarities, the use of examples in philosophical pedagogy cultivates in the soul of the learner a desire to discern the intelligible principles the ground experiential knowledge. Thus, examples not only serve as practice at the dialectician’s method of abstraction, but also cultivate a dialectical ethos, characterized by the desire to know the logoi of all things. (shrink)

In this essay, it is first argued that there are several important motivations for considering as wholly legitimate the question concerning the presence of Socrates in Plato’s work. After sketching how reason in Plato’s dialogues is generally portrayed as embedded in the soul as a whole, I then apply these insights in arguing that this relation between character and thinking should inform our understanding of Plato’s Socrates as well. Socrates is present in the texts because reason, according to Plato, is (...) dependent on both dialogue and character. This is not to say, however, that the character of Socrates is philosophy incarnate, or that the reader is supposed to ‘become’ Socrates; rather, Socrates constitutes an irreducible element in philosophy, and correspondingly, the reader comes to relate to philosophy by relating to the Socrates of the dialogues. Finally, I illustrate the thesis, and its fecundity, by focusing on an issue in the Phaedrus. (shrink)

Inverting the sequence of the traditional terms, in Otherwise than Being or Beyond Essence Levinas redefines philosophy as the “wisdom of love”. Through an intertwining of Platonic motifs and Levinasian inspirations, the essay argues for a mutually regulated interplay of mythos and logos as a way to regain a sense of wisdom that remains respectful of the elements of otherness in reality-in particular, respectful of the otherness of the Third who, for Levinas, constitutes the ground for politics. That is, the (...) interplay of mythos and logos results into a mytho-logy in which the logos directing the mythos is the voice of the other which imposes not only the preservation, but also the institutionalization of the differences, alterities and incommensurabilities that constitute reality. The consequence of this differently negotiated notion of wisdom is a reconfiguration of philosophy in terms of a mythological politics of bodily, economic testimony in the service of the Third. (shrink)

The review argues that Plato makes a valid distinction between inferior hypothetical and superior unhypothetical methods. Given the distinction, the book confuses the hypothetical for unhypothetical dialectic.

What does it take to settle an argument or debate, for the classical Greek philosophers, and how does this compare with our modern ideas about resolving disputes? Plato and Aristotle are not quite what they been reputed to be.

Plato is mistaken on both sides of his distinction between Socrates and the Sophists. He imagines the Sophists to have a formless power that cannot be resisted. This exaltation of the power of persuasion needs to be seen as motivating excessive fears in various modern debates. Pragmatic approaches can lessen our fear.

‘Scaffolded learning’ describes a cluster of instructional techniques designed to move students from a novice position toward greater understanding, such that they become independent learners. Our Socratic Model of Scaffolded Learning includes two phases not normally included in discussions of scaffolded learning, the preparatory and problematizing phases. Our article will illuminate this blind spot by arguing that these crucial preliminary elements ought to be considered an integral part of a scaffolding model. If instructors are cognizant of the starting position of (...) students, then students are more likely to develop a proper sense of autonomy. We turn, then, to examples from Socrates, the archetypal teacher, that cast light on the importance of preparation and problematizing for the student. Finally, we address the concern that integrating these preliminary elements into scaffolded learning would unnecessarily complicate a useful and effective pedagogical method. Ultimately, if it is effective and autonomous learners we wish to cultivate in the classroom, then something like SMSL must include preliminary elements that calibrate the instructor’s approach to the members of the class. After all, the unexamined student is not worth teaching. (shrink)

While Euthyphro and Apology are widely taught, they do not offer a complete picture of the variety of ways in which Socrates interacts with his interlocutors in Plato’s dialogues. Perhaps the most important point we wish to bring home is that most, if not all, of Socrates’ discussions are carefully calibrated according to a certain social awareness. Through careful analysis of sections of the dialogues, we argue that aspects of discussions between Socrates and his interlocutors should serve as lessons for (...) students and instructors. Students should see that learning to philosophize is a matter of skill development, Instructors should see that one ought to be cognizant of students’ abilities, as well as other relevant information. The upshot of paying attention to Socrates’ interactions is to augment instructors’ and students’ understanding, facilitating the cultivation and development of philosophical skills. (shrink)

This is part of a two-paper project to show in detail in ways that have not been attempted before that, in the Symposium, Plato uses the language and metaphors of the Eleusinian Mysteries as a template for the ascent to the Form of Beauty; and also to explain why he might have chosen to do so. The standard accounts of the Eleusinian Mysteries come from sources that have themselves been influenced by Plato and hence are unsuitable to demonstrating the extent (...) of his exploitation of the Mysteries. This first paper offers a reconstruction of what can be known about the Eleusian Mysteries with the help of Pre-Platonic sources, by looking at material culture, archaeological remains, and pre-Platonic literature. (shrink)

This book is a rereading of Plato's early dialogues from the point of view of the characters with whom Socrates engages in debate. Socrates' interlocutors are generally acknowledged to play important dialectical and dramatic roles, but no previous book has focused mainly on them. Existing studies are thoroughly dismissive of the interlocutors and reduce them to the status of mere mouthpieces for views which are hopelessly confused or demonstrably false. This book takes interlocutors seriously and treats them as genuine intellectual (...) opponents whose views are often more defensible than commentators have standardly thought. The author's purpose is not to summarise their positions or the arguments of the dialogues in which they appear, much less to produce a series of biographical sketches, but to investigate the phenomenology of philosophical disputation as it manifests itself in the early dialogues. (shrink)

Despite increasing interest in the figure of Socrates and in love in ancient Greece, no recent monograph studies these topics in all four of Plato's dialogues on love and friendship. This book provides important new insights into these subjects by examining Plato's characterization of Socrates in Symposium, Phaedrus, Lysis and the often neglected Alcibiades I. It focuses on the specific ways in which the philosopher searches for wisdom together with his young interlocutors, using an art that is 'erotic', not in (...) a narrowly sexual sense, but because it shares characteristics attributed to the daimon Eros in Symposium. In all four dialogues, Socrates' art enables him, like Eros, to search for the beauty and wisdom he recognizes that he lacks and to help others seek these same objects of erôs. Belfiore examines the dialogues as both philosophical and dramatic works, and considers many connections with Greek culture, including poetry and theater. (shrink)

This book attempts to bridge the gulf that still exists between 'literary' and 'philosophical' interpreters of Plato by looking at his use of characterization. Characterization is intrinsic to dramatic form and a concern with human character in an ethical sense pervades the dialogues on the discursive level. Form and content are further reciprocally related through Plato's discursive preoccupation with literary characterization. Two opening chapters examine the methodological issues involved in reading Plato 'as drama' and a set of questions surrounding Greek (...) 'character' words, including ancient Greek views about the influence of dramatic character on an audience. The figure of Sokrates qua Platonic 'hero' also receives preliminary discussion. The remaining chapters offer close readings of select dialogues, chosen to show the wide range of ways in which Plato uses his characters, with special emphasis on the kaleidoscopic figure of Sokrates and on Plato's own relationship to his 'dramatic' hero. (shrink)

How does Plato view his philosophical antecedents? Plato and his Predecessors considers how Plato represents his philosophical predecessors in a late quartet of dialogues: the Theaetetus, the Sophist, the Politicus and the Philebus. Why is it that the sophist Protagoras, or the monist Parmenides, or the advocate of flux, Heraclitus, are so important in these dialogues? And why are they represented as such shadowy figures, barely present at their own refutations? The explanation, the author argues, is a complex one involving (...) both the reflective relation between Plato's dramatic technique and his philosophical purposes, and the very nature of his late philosophical views. For in these encounters with his predecessors we see Plato develop a new account of the principles of reason, against those who would deny them, and forge a fresh view of the best life - the life of the philosopher. (shrink)

This paper argues that a well known passage from Plato’s Meno exemplifies how to employ scaffolded learning in the philosophy classroom. It explores scaffolded learning by fully defining it, explaining it, and gesturing at some ways in which scaffolding has been implemented. We then offer our own model of scaffolded learning in terms of four phases and eight stages, and explicate our model using a well known example from Plato’s Meno as an exemplar. We believe that any practical concerns one (...) might have against the employment of scaffolded learning in the philosophy classroom ought not serve as an impediment to adopting our model. (shrink)

The motifs of love and seduction in the Phaedrus are not about sexual love but about philosophy, and particularly about two different approaches to philosophy, one engaged and emotionally, even poetically, involved and one cold, rational and detached. Socrates' palinode speech in the Phaedrus contrasts the lover of beauty whose philosophical sensitivities enable the wings to grow and intellectual vision to occur, with the cool rational character of the non-lover who has no place for love of beauty and cares only (...) for utility and reason. When Socrates took the part of the non-lover, and denigrated the value of love in philosophical enquiry, in his first speech that attacked love as a distorting factor, and praised reason devoid of emotion, he had been seduced by a calculating and over-rational love of "speeches" which is the dominant character of Phaedrus, cool lover of reason with no emotional intelligence. (shrink)

The paper argues that everyday ethical expertise requires an openness to an experience of self-doubt very different from that involved in becoming expert in other skills—namely, an experience of profound vulnerability to the Other similar to that which Emmanuel Levinas has described. Since the experience bears a striking resemblance to that of undergoing cross-examination by Socrates as depicted in Plato’s early dialogues, I illustrate it through a close reading of the Euthyphro, arguing that Euthyphro’s vaunted “expertise” conceals a reluctance to (...) submit himself to the basic process of self-redefinition that results from learning the limits of one’s knowledge. I show how the dialogue itself models the disruptive experience of selfquestioning that leads to moral maturity, providing further evidence that expertise has an important non-cognitive element, as well as casting doubt on the ethical value of seeking “definitions” of the virtues. (shrink)

This study of the Platonic prescription for ignorance reveals the author to be both an excellent writer and a sensitive reader of Plato. The Plato he reads is rather close to Socrates; the late dialogues, concerned as they are with the "development of a more capacious ontology," are for the most part left out of account.--R. P.

Since Peter Geach coined the phrase in 1966 there has been much discussion among scholars of the "Socratic fallacy." No consensus presently exists on whether Socrates commits the "Socratic fallacy"; almost all scholars agree, however, that the "Socratic fallacy" is a bad thing and that Socrates has good reason to avoid it. I think that this consensus of scholars is mistaken. I think that what Geach has labeled a fallacy is no fallacy at all, but a perfectly innocent consequence of (...) Platonic epistemology. The "Socratic fallacy" arises from the "Priority of Definition" principle (PD). Plato is committed to (PD) in the "Meno." The "Meno" also contains a famous discussion of the difference between episteme and doxa (97a ff.). If we understand what Plato meant by episteme we can see that he must be committed to (PD); but we can also see that (PD) has none of the harmful consequences Geach attributes to it. Geach's view is indebted to Wittgenstein's philosophy of language. (PD) is implausible on this reading of the verb "to know," but not on Plato's. Plato claims that a demand for an explanation is appropriate wherever a claim to knowledge is made. Plato links the concept of episteme explicitly with the concept of logos; the connection between the terms may have been analytic. It does not follow from the Platonic conception of knowledge, as Geach argues, that it is "no use" using examples to establish general definitions. All that follows is that one cannot know that an alleged example of a term T is a genuine example until one has a general account of what it is to be T. Without the stronger conclusion, Geach cannot establish that the "Socratic fallacy" is a fallacy. (shrink)

There are grounds for taking Plato's agenda of searching for definitions to be ironic, and he points toward good arguments for being wary of trust in definitions.

The Being of the Beautiful collects Plato’s three dialogues, the Theaetetus, Sophist, and Statesmen, in which Socrates formulates his conception of philosophy while preparing for trial.