Perceptual experience supports the assignment of confidences in belief – doxastic confidences. To explain this fact, many philosophers appeal to Perceptual Indeterminacy, which holds that perceptual content can be more or less determinate. Others instead appeal to Perceptual Confidence, which says that perceptual experience supports doxastic confidences because it assigns confidences too. Morrison argues that a primary reason to favour Perceptual Confidence is that it is uniquely capable of accounting for bell-shaped doxastic confidence (...) distributions; we call this the bell curve objection to Perceptual Indeterminacy. Here we show that two recent defences of Perceptual Indeterminacy, due to Nanay and Raleigh and Vindrola, fail to adequately address the bell curve objection. But we also argue that all is not lost for proponents of Perceptual Indeterminacy. They can counter the bell curve objection by embracing a third view, which we call Perceptual Noise. (shrink)

In this paper I offer a novel analysis of Quine's indeterminacy puzzle and an unorthodox approach to its resolution. It is argued that the ultimate roots of indeterminacy lie not in behaviorism per se, but rather in Quine's commitment to a fundamental assumption about the nature of perceptual input, namely, the assumption that sensory information is strictly extensional. Calling this assumption the 'principle of input extensionalism' (PIE) I first demonstrate the fundamental role that it plays in generating (...) Quine's argument for the indeterminacy of translation. It is then argued that a tacit acceptance of PIE is prevalent among contemporary theories of cognition and representation, making Quine's puzzle a living challenge for cognitive science and the philosophy of mind. A standard way of responding to the challenge consists of the idea that the indeterminacy generated at the perceptual level is canceled out courtesy of the contribution of higher cognitive processes. However, I argue that such a top-down solution leaves much to be desired. As an alternative, I offer a bottom-up solution, which consists of a systematic rejection of PIE in favor of an intensional view of perceptual input rooted in contemporary action-based theories of perception, and in particular in the notion of perceptual invariants. (shrink)

I identify three aspects to the puzzle of the speckled hen: A general puzzle, an epistemic puzzle, and a puzzle for the representationalist. These puzzles rely on an underlying “pictorialist” assumption, that we visually perceive general, determinable properties only in virtue of determinate properties or more specific, local features of our visual experience. This assumption is mistaken: Visual perception frequently starts from a position of uncertainty, and is routinely able to acquire information about general properties in the absence of more (...) specific information. Acknowledging that visual indeterminacy is structured this way resolves all three puzzles of the speckled hen. (shrink)

ABSTRACT Issues concerning the putative perception/cognition divide are not only age-old, but also resurface in contemporary discussions in various forms. In this paper, I connect a relatively new debate concerning perceptual confidence to the perception/cognition divide. The term ‘perceptual confidence’ is quite common in the empirical literature, but there is an unsettled question about it, namely: are confidence assignments perceptual or post-perceptual? John Morrison in two recent papers puts forward the claim that confidence arises already at (...) the level of perception. In this paper, I first argue that Morrison’s case is unconvincing, and then develop one picture on perceptual precision with the notion of ‘matching profile’ and ‘supervaluation’ : 481–495.), highlighting the fact that this is a vagueness account, which is similar to but importantly different from indeterminacy accounts : 156–184.). With this model in hand, there can be rich resources with which to draw a theoretical line between perception and cognition. (shrink)

This paper discusses a counterexample to the thesis that visual experience is cognitively impenetrable. My central claim is that sometimes visual experience is influenced by the perceiver’s beliefs, rendering her experience’s representational content indeterminate. After discussing other examples of cognitive penetrability, I focus on a certain kind of visual experience— that is, an experience that occurs under radically nonstandard conditions—and show that it may have indeterminate content, particularly with respect to low-level properties such as colors and shapes. I then explain (...) how this indeterminacy depends on the perceiver’s beliefs or thoughts. Finally, I attempt to generalize the case and show how other sorts of visual experiences can also be penetrated by beliefs and, hence, be indeterminate. (shrink)

An important class of teleological theories cannot explain the representational content of visual states because they fail to address the relationship between the world, projected retinal stimuli, and perception. A different approach for achieving a naturalized theory of visual content is offered that rejects the traditional internalism/externalism debate in favor of what is termed “empirical externalism.” This position maintains that, while teleological considerations can underwrite a broad understanding of representation, the content of visual representation can only be determined empirically according (...) to accumulated past experience. A corollary is that a longstanding problem concerning the indeterminacy of visual content is dissolved. (shrink)

Theories of phenomenal intentionality have been claimed to resolve certain worries about the indeterminacy of mental content that rival, externalist theories face. Thus far, however, such claims have been largely programmatic. This paper aims to improve on prior arguments in favor of phenomenal intentionality by using attention and Gestalt principles as specific examples of factors that influence the phenomenal character of perceptual experience in ways that thereby help determine perceptual content. Some reasons are then offered for rejecting (...) an alternative interpretation of these examples, according to which the phenomenal effects of attention and Gestalt principles play no role in the determination of perceptual content. (shrink)

Contents: Introduction. NATURALIZED EPISTEMOLOGY. Ton DERKSEN: Naturalistic Epistemology, Murder and Suicide? But what about the Promises! Christopher HOOKWAY: Naturalism and Rationality. Mia GOSSELIN: Quine's Hypothetical Theory of Language Learning. A Comparison of Different Conceptual Schemes of Their Logic. THE NATURE OF PERCEPTUAL KNOWLEDGE. Jaap van BRAKEL: Quine and Innate Similarity Spaces. Dirk KOPPELBERG: Quine and Davidson on the Structure of Empirical Knowledge. Eva PICARDI: Empathy and Charity. ONTOLOGY. Sandra LAUGIER: Quine: Indeterminacy, ‘Robust Realism', and Truth. Roger VERGAUWEN: Quine (...) and Putnam on Conceptual Relativity and Reference: Theft or Honest Toil? Igor DOUVEN: Empiricist Semantics and Indeterminism of Reference. Lieven DECOCK: Domestic Ontology and Ideology. Paul GOCHET: Canonical Notation, Predication and Ontology. About the Authors. (shrink)

Indeterminate art invokes a perceptual dilemma in which apparently detailed and vivid images resist identification. We used event-related fMRI to study visual perception of representational, indeterminate and abstract paintings. We hypothesized increased activation along a gradient of posterior-to-anterior ventral visual areas with increased object resolution, and postulated that object resolution would be associated with visual imagery. Behaviorally, subjects were faster to recognize familiar objects in representational than in both indeterminate and abstract paintings. We found activation within a distributed cortical (...) network that includes visual, parietal, limbic and prefrontal regions. Representational paintings, which depict scenes cluttered with familiar objects, evoked stronger activation than indeterminate and abstract paintings in higher-tier visual areas. Perception of scrambled paintings was associated with imagery-related activation in the precuneus and prefrontal cortex. Finally, representational paintings evoked stronger activation than indeterminate paintings in the temporoparietal junction. Our results suggest that perception of familiar content in art works is mediated by object recognition, memory recall and mental imagery, cognitive processes that evoke activation within a distributed cortical network. (shrink)

Representationalists who hold that phenomenal character can be explained in terms of representational content currently cannot explain counter-examples that involve indeterminate perceptual content, such as in the case of objects seen blurrily by someone with poor eyesight, or objects seen vaguely in misty conditions. But this problem can be resolved via provision of a more sophisticated double content (DC) view, according to which the representational content of perception is structured in two nested levels. I start by outlining the DC (...) view via consideration of four closely related cases of perceptual imprecision. Then, after a demonstration that the DC view can also explain imprecise photographic content, inadequacies in the more standard single content (SC) view are demonstrated. The results are then generalized so as to apply to the content of any kinds of non-conventional representation. The paper continues with evidence that a DC account provides a moderate rather than extreme realist account of perception, and it concludes with an initial analysis of the failure of nomic covariance accounts of information in indeterminacy cases. (shrink)

The american philosopher william james has been accused of being both a positivist and a romantic intuitionist. in the present paper, i wish to defend james from both charges. first, an analysis of the james texts will indicate that: 1) he refuses to distinguish clearly sensation, percept and concept; 2) he recognizes the ontological status of concepts; and, 3) he uses the word "perceptual" in two different ways. this two-fold use of the word has been the source of much (...) difficulty and forces us to deal, secondly, with the issue of james' opinion of language. he is often thought of as a romanticist, as someone who believed that life was beyond all language. we shall try to show that this view also is wrong, and that there exist two different views of language in his texts. (shrink)

This paper re-addresses Quine's indeterminacy of translation/inscrutability of reference thesis, as a problem for cognitive theories of content. In contradistinction with Quine's behavioristic semantics, theories of meaning, or content, in the cognitivist tradition endorse intentional realism, and are prone to be unsympathetic to Quine's thesis. Yet, despite this fundamental difference, I argue that they are just as vulnerable to the indeterminacy. I then argue that the vulnerability is rooted in a theoretical commitment tacitly shared with Quine, namely, the (...) commitment to the view that the perceptual input to the cognitive system is extensional - differentiating objects, but not the aspects (or, properties) they manifest. Thus, input extensionalism, and not behaviorism, is what forces the indeterminacy. I conclude by suggesting that the solution to Quine's indeterminacy problem hinges on the elaboration of an intensional theory of perceptual input, and of content in general. (shrink)

Alva Noë understands what he calls “perceptual presence” as the experience of whole, voluminous objects being ‘right there’, present for us in their entirety, even though not each and every part of them impinges directly on our senses at any given time. How is it possible that we perceptually experience voluminous objects as voluminous directly and apparently effortlessly, with no need of inferring their three-dimensionality from experience of the part of them that is directly stimulating our sense organs? For (...) Noë, this is the ‘problem of perceptual presence’. In this paper, I integrate Noë’s view by articulating a different view of what perceptual presence at a more basic level amounts to. This new account of perceptual presence which, I believe, can clarify and make an enactive account of presence richer. The view I suggest revolves around the idea, developed especially by Merleau-Ponty and Kelly, that perceptual experience is in an important sense indeterminate. Indeterminacy, I argue, is key if we want to understand perceptual presence and the ‘problem’ Noë solves. (shrink)

Many philosophers have held that perceptual experience is fundamentally a matter of perceivers being in particular representational states. Such states are said to have representational content, i.e. accuracy or veridicality conditions, capturing the way that things, according to that experience, appear to be. In this thesis I argue that the case against representationalism — the view that perceptual experience is fundamentally and irreducibly representational — that is set out in Charles Travis’s ‘The Silence of the Senses’ (2004) constitutes (...) a powerful, but much misunderstood and neglected argument against this prevailing philosophical orthodoxy. -/- In chapter 2, I present an interpretation of Travis’s arguments that poses a dilemma for the representationalist concerning the indeterminacy and availability of perceptual content. Chapters 3 and 4 evaluate a variety of arguments in favour of such content based upon the nature of appearances, or ‘looks’, including those by Byrne (2009), Siegel (2010) and Schellenberg (2011b), each of which I find to be problematic. Finally, chapters 5 and 6 examine the relationship between representational content and phenomenal character, i.e. what perceptual experience is subjectively like, outlining some potential responses to Travis’s anti-representationalism. These include the external individuation of content and self-knowledge, and the operation of perceptual discriminatory capacities (the latter of which does not necessarily favour a representationalist account of experience). -/- I conclude that Travis’s arguments establish substantive constraints upon the nature and role of perceptual content. Moreover, I argue that the debate centres less upon the existence of such content than its explanatory role, particularly in relation to phenomenal character and the contents of other mental states: belief, intention, thought, knowledge, and so on. This in turn highlights the need for representationalists to better clarify the role of the contents their theories posit, and why such theories constitute a better explanation of the relevant phenomena than the corresponding non-representational view.. (shrink)

The central thesis (CT) that this paper upholds is that a picture depicts an object by generating in those who view the picture a visual experience of that object. I begin by presenting a brief sketch of intentionalism, the theory of perception in terms of which I propose to account for pictorial experience. I then discuss Richard Wollheim’s twofoldness thesis and explain why it should be rejected. Next, I show that the socalled unique phenomenology of pictorial experience is simply an (...) instance of perceptual indeterminacy. Lastly, I discuss a phenomenon associated with pictures that could be considered a problem for CT, and account for it by invoking the thesis that visual experience is cognitively penetrable. (shrink)

When a jazz, rock, or hip-hop drummer strikes certain notes in each measure slightly late, instead of hearing the degree to which those notes are late, we typically hear the effects of those variations; namely, a groove, the "feel" of a rhythm. Slight variations of pitch function similarly. In this essay, I argue that certain analytic theorists go astray due to their preoccupation with the variations themselves. By invoking Maurice Merleau- Ponty's insights into subtle visual perceptions, and his notion of (...) perceptual indeterminacy, I avoid an account of musical subtlety suggested by Daniel Dennett that is too coarse-grained, as well as the bleak conclusion that certain musical subtleties are ineffable, Diana Raffman's view. I conclude that elements of music that are perceived ambiguously can perform a positive function in such aesthetic experiences: they can mediate or foster emergent qualities; moreover, they must be perceived in this way to do so. (shrink)

In this paper, I credit Quine with having implicitly held a view I had long urged on him: externalism. Quine was the first fully to recognize that all there is to meaning is what we learn or absorb from observed usage. This entails the possibility of indeterminacy, thus destroying the myth of meanings. It also entails a powerful form of externalism. There is, of course, a counter-current in Quine's work of the mid century: the idea of stimulus meaning. Attractive (...) as this choice of empirical base is compared to such options as sense data, appearances, and percepts, it has serious difficulties. In general, an externalism which ties the contents of observation sentences and perceptual beliefs directly to the sorts of situations that usually make them true is superior to those forms of empiricism which introduce intermediaries between word and object. (shrink)

In Mind and World, John McDowell provided an influential account of how perceptual experience makes knowledge of the world possible. He recommended a view he called “conceptualism”, according to which concepts are intimately involved in perception and there is no non‐conceptual content. In response to criticisms of this view (especially those from Charles Travis), McDowell has more recently proposed a revised account that distinguishes between two kinds of representation: the passive non‐propositional contents of perceptual experience – what he (...) now calls “intuitional content” – and the propositional contents of judgment – what he now calls “discursive content.” In this paper, I criticize McDowell's account of intuitional content. I argue that he equivocates between two different notions of intuitional content. These views propose different, and incompatible, ways of understanding how a perceiver makes a judgment based on perceptual experience. This is because these two views result from an underlying indeterminacy as to what, if anything, McDowell now means by “conceptual” when he makes claims that intuitional content is conceptual. (shrink)

Philosophers debate whether all, some or none of the represcntational content of our sensory experience is conccptual, but the technical term "concept" has different uses. It is commonly linked more or less closely with the notions of judgdment and reasoning, but that leaves open the possibility that these terms share a systematic ambiguity or indeterminacy. Donald Davidson, however, holds an unequivocal and consistent, if paradoxical view that there are strictly speaking no psychological states with representational or intentional content except (...) the propositional attitudes of language users, since thc source or fundamental bearer of intentionality is the employed sentence. Accordingly he claims that what has content in ordinary sense experience is not sensation, but propositional belief caused, but not justified, by sensation. John McDowell, sharing some ofDavidson's premises,holds a less paradoxical, but (l will argue) equivocal and incoherent view that post-infantile human sensory expcrience must have content in so far as it is what grounds perceptual belief but that this content is itself conceptual or propositional, dependent on language and culture. Reasons are givcn in the present article for rejecting both views, and their common premises. It is argued that perceptual or sensory states have intentional content which is no more conceptual or propositional than the world is. Recognition that perceptual content and conceptual content are, in a certain unsurprising way incommensurable allows for a more realistic understanding of the relationship between Language and the world as we experience it. (shrink)

Sensory perceptions represent things in the outside world. This mundane fact raises a major problem for naturalistic theories of content: the ‘distality problem’. In a previous paper for this journal, I presented a solution to this problem which makes central appeal to constancy mechanisms. Justin Garson, also in this journal, recently criticized my solution and suggested a Dretskean alternative to it. Here, I defend my proposal by arguing, first, that Garson's criticisms ultimately miss the mark, and secondly, that his Dretskean (...) alternative is not viable, because it faces two fundamental problems: the empirical problem and the problem of changing response functions. (shrink)

Mental imagery is an important topic in classical and modern philosophy, as it is central to the study of knowledge; since subjects can recall features of perceptual experiences in different ways and times, even modifying their structure, in this brief essay we will focus on non-perceptive mental images and to this purpose we will analyse, on the one hand, the nature of perceptive mental images ; on the other hand, NPMI generation according to different strategic conditions and retrieval modalities (...) and, so, their structural relationships with PMI. Thus, we will clarify what NPMI amounts to and, to this purpose, we will address the issue of epistemic correlation and semantic reference. As regards the former, we will adopt the notion of ‘belief’, both to describe which attitude supports the use of an NPMI and to account for its relationship with a PMI. As regards the latter, we will talk about weak ontology between an NPMI and the world, to conceive ‘the way in which’ mental imagery, despite the absence of a sensorial modification, refers to physical objects. As the subject’s mental contents determine, but do not constrain, what NPMI is like, we will deal with the ‘involvement’ of prior knowledge and the notion of meaningful space to underline that its generation is always the result of a wide process which involves perceptive visual information already processed and stored together with further mental contents. So, though some Authors consider mental imagery to be a ‘percept-like’ image and, somehow, espouse the theory of reactivation, we will pose a challenge to this theory – i.e. to what we call mental imagery standard framework – describing an NPMI in terms of configurational setting and indeterminacy. Consequently, we will propose a non-linear dynamic framework of mental imagery generation , according to which an NPMI is not reducible to a mere recalling of figural features of a perceptive image. (shrink)

Among the exciting prospects raised by advocates of predictive processing [PP] is the offer of a systematic description of our neural activity suitable for drawing explanatory bridges to the structure of conscious experience. Yet the gulf to cross seems wide. For, as critics of PP have argued, our visual experience certainly doesn’t seem probabilistic.While Clark proposes a means to make PP compatible with the experience of a determinate world, I argue that we should not rush to do so. Two notions (...) of determinacy are conflated in the claim that perception is determinate: ‘univocality’ and ‘full detail’. The former, as Clark argues, is only to be expected in any PP agent that models its world for the purpose of acting on it. But as Husserl argued, and as perceptual psychology has borne out, we significantly overestimate the degree of detail with which we perceive a univocal world.This second form of indeterminacy is due not to the probabilistic nature of PP’s model, but rather to its hierarchical structure, with increasingly coarse-grained representations as we move further from the sensory periphery. A PP system may, or may not, deliver a univocal hypothesis at each of these levels. An action-oriented PP system would only be expected to do so only at the level needed for successful action guidance. A naïve reporter’s overestimation of the degree of determinate detail in their visual experience can thereby be accounted for with a more gradual version of the ‘refrigerator light’ effect: we experience determinate details just to the degree that they’re needed – immediately as they’re needed. (shrink)

This is a critical notice of Mario Gómez-Torrente's novel account of demonstrative reference presented in chapter 2 of the recently published book Roads to Reference. After presenting the main tenets of his view, I go on to critically examine a couple of its features. In section 2, I assess Gómez-Torrente’s assumption that demonstrative thought based on perception is less likely to succumb to indeterminacy than the others. I show that this aspect of his view invites unwelcome consequences regarding the (...) transparency of thought. I do however suggest that this problem could be overcome by individuating perceptual intentions dynamically. In section 3, I express a distinct worry regarding a case, introduced en passant by Gómez-Torrente, that involves successful demonstrative reference regardless of its utterer's conflicting intentions, a result that seems to contradict his general theory. Instead of conceiving the case as exceptional, I use it to motivate the necessity of distinguishing between a subject’s referential intentions and a subject’s merely collateral beliefs about the target of his utterance. (shrink)

It is well known that the unpredictable speech production brought on by stress from the task at hand has a significant negative impact on the performance of speech processing algorithms. Speech therapy benefits from being able to detect stress in speech. Speech processing performance suffers noticeably when perceptually produced stress causes variations in speech production. Using the acoustic speech signal to objectively characterize speaker stress is one method for assessing production variances brought on by stress. Real-world complexity and ambiguity make (...) it difficult for decision-makers to express their conclusions with clarity in their speech. In particular, the Neutrosophic speech algorithm is used to encode the language variables because they cannot be computed directly. Neutrosophic sets are used to manage indeterminacy in a practical situation. Existing algorithms are used except for stress on Neutrosophic speech recognition. The creation of algorithms that calculate, categorize, or differentiate between different stress circumstances. Understanding stress and developing strategies to combat its effects on speech recognition and human-computer interaction system are the goals of this recognition. (shrink)

I reconstruct the notion of significance [_Sinnhaftigkeit_] in the later Husserl, with attention to his conceptions of judgment and transcendental logic. My analysis is motivated by the idea that an account of significance can help to connect analytic, Anglo-American conceptions of meaning as a precise, law-governed phenomenon investigated via linguistic analysis and Continental European conceptions of meaning in a broader “existential” sense. I argue that Husserl’s later work points to a transcendental-logical conception of a founding level of _significance_ [_Sinnhaftigkeit_] prior (...) to language, and that this conception meets characteristically analytic demands for precision and governance by logical constraints. At the same time, since it is based in descriptions of perceptual intentionality at the level of essential possibility, it leaves room for an account of meaning as a partially undetermined phenomenon of lived experience, and not just of our language and concepts, and thereby meets the characteristically Continental demand to take at face value meaning’s vagueness and indeterminacy in everyday human life. (shrink)

The filling-in process proposed as a cover up for the existence of the blind spot has some conceptual similarities to blindsight. The perceptual operation of a hypothetical mechanism responsible for filling in represents a logical paradox. The apparent indeterminacy of the percept in the optic-disc region can be tested experimentally by viewing the grating test pattern below.

The intentionality of virtually all thought that is distinctive of human beings is linguistically based and constitutively normative. As Robert Brandom claims in Making It Explicit, this normativity is best understood as having roots in social practice. But Brandom is wrong to insist that all intentionality is normative (thus denying intentionality to nonhuman, nonlinguistic animals). For even the simple social practices that ground the most primate norms presuppose robust nonnormative intentionality. Furthermore, Brandom’s appeal to perception to supplement his informal semantics (...) with a view to avoiding complete indeterminacy of linguistic meaning is either ineffective or arbitrary and unjustified unless perceptual states are recognized as having nonnormative intentional contents that go way beyond the mere differential responsiveness which he allows them. (shrink)

Visual modules can be viewed as expressions of a marked analytic attitude in the study of vision. In vision psychology, this attitude is accompanied by hypotheses that characterize how visual modules are thought to operate in perceptual processes. Our thesis here is that there are what we call “intrinsic reasons” for the presence of such hypotheses in a vision theory, that is, reasons of a deductive kind, which are imposed by the partiality of the basic terms in the definition (...) of a module, and by peculiar characteristics of those terms. Specifically, we discuss three hypotheses of functional attributes: successive stages in the action of modules, residual indeterminacy of their effects, and the role of prior constraints. For each of the three, we indicate its occurrence in perceptual psychology, explain corresponding intrinsic reasons, and illustrate such reasons with examples. (shrink)

Exploring intentionality from an externalist perspective, I distinguish three kinds of intentionality in the case of seeing, which I call transparent, translucent, and opaque respectively. I then extend the distinction from seeing to knowing, and then to believing. Having explicated the three-fold distinction, I then critically explore some important consequences that follow from granting that (i) there are transparent and translucent intentional states and (ii) these intentional states are mental states. These consequences include: first, that existential opacity is neither the (...) mark of intentionality nor of the mental; second, that Sellars has not shown that all intentionality is non-relational; third, that a key Quinean argument for semantic indeterminacy rests on a false premise; fourth, that perceptual experience is intentional on Alston’s Theory of Appearing; fifth, that either some mental causation is more than internal physiological causation or some mental states are epiphenomenal. (shrink)

Summary By introducing the concept of “invariants”, Koffka endowed perceptual psychology with a flexible theoretical tool, which is suitable for representing vision situations in which a definite part of the stimulus pattern is relevant but not sufficient to determine a corresponding part of the perceived scene. He characterised his “invariance principle” as a principle conclusively breaking free from the “old constancy hypothesis”, which rigidly surmised point-to-point relations between stimulus and perceptual properties. In this paper, we explain the basic (...) terms and assumptions implicit in Koffka’s concept, by representing them in a set-theoretic framework. Then, we highlight various aspects and implications of the concept in terms of answers to six separate questions: forms of invariants, heuristic paths to them, what is invariant in an invariant, roots of conditional indeterminacy, variability vs. indeterminacy, and overcoming of the indeterminacy. Lastly, we illustrate the lasting value and theoretical power of the concept, by showing that Koffka’s insights relating to it do occur in modern perceptual psychology and by highlighting its role in a model of perceptual transparency. (shrink)

The notion of stimulus meaning, a key notion for Quine's Indeterminacy of Translation thesis, has undergone an essentiaJ change fi'om the beginning of the nineties. Then, this essay offers an expository work oj this change (its origin and motivations) and its final result. Th~ main aim of this essay is to show the validity of the reasons that forced Quine to modify his stimulus meaning notion and the failure of its substitutes (global stimulus, stimulus range, and perceptual similarity) (...) to solue the problems they were thought to give an account of. Moreover, these new notions make the Indeterminacy Thesis, mainly the Inscrutability of Reference Thesis, face new problems and, if I'm right, unsolvable ones. (shrink)

Exploring intentionality from an externalist perspective, I distinguish three kinds of intentionality in the case of seeing, which I call transparent, translucent, and opaque respectively. I then extend the distinction from seeing to knowing, and then to believing. Having explicated the three-fold distinction, I then critically explore some important consequences that follow from granting that (i) there are transparent and translucent intentional states and (ii) these intentional states are mental states. These consequences include: first, that existential opacity is neither the (...) mark of intentionality nor of the mental; second, that Sellars has not shown that all intentionality is non-relational; third, that a key Quinean argument for semantic indeterminacy rests on a false premise; fourth, that perceptual experience is intentional on Alston’s Theory of Appearing; fifth, that either some mental causation is more than internal physiological causation or some mental states are epiphenomenal. (shrink)

This chapter contains sections titled: Skeptical Doubts Perfect Determinacy? A Terse Coda: Skepticism Contrasted with Relativism.

The Indeterminacy of Translation and Radical Interpretation The indeterminacy of translation is the thesis that translation, meaning, and reference are all indeterminate: there are always alternative translations of a sentence and a term, and nothing objective in the world can decide which translation is the right one. This is a skeptical conclusion because what it … Continue reading The Indeterminacy of Translation and Radical Interpretation →.

This paper explores quantum indeterminacy, as it is operative in the failure of value‐definiteness for quantum observables. It first addresses questions about its existence, its nature, and its relations to extant quantum interpretations. Then, it provides a critical discussions of the main accounts of quantum indeterminacy.

In Calosi and Wilson (Phil Studies 2019/2018), we argue that on many interpretations of quantum mechanics (QM), there is quantum mechanical indeterminacy (QMI), and that a determinable-based account of metaphysical indeterminacy (MI), as per Wilson 2013 and 2016, properly accommodates the full range of cases of QMI. Here we argue that this approach is superior to other treatments of QMI on offer, both realistic and deflationary, in providing the basis for an intelligible explanation of the interference patterns in (...) the double-slit experiment. We start with a brief overview of the motivations for QMI and for a determinable-based account of MI (§1). We then apply a developed 'glutty' implementation of determinable-based QMI to the superposition-based QMI present in the double-slit experiment, and positively compare the associated explanation of double-slit interference with that available on a metaphysical supervaluationist account of QMI (§2). We then present and respond to objections, due to Glick (2017) and Torza (2017), either to QMI (§3) or to our specific account of QMI (§4); in these sections we also positively compare our treatment of double-slit interference to that available on Glick's deflationary treatment of QMI. We conclude with some dialectical observations (§5). (shrink)

Indeterminacy in its various forms has been the focus of a great deal of philosophical attention in recent years. Much of this discussion has focused on the status of vague predicates such as ‘tall’, ‘bald’, and ‘heap’. It is determinately the case that a seven-foot person is tall and that a five-foot person is not tall. However, it seems difficult to pick out any determinate height at which someone becomes tall. How best to account for this phenomenon is, of (...) course, a controversial matter. For example, some (such as Sorensen (2001) and Williamson (2002)) maintain that there is a precise height at which someone becomes tall and such apparent cases of indeterminacy merely reflects our ignorance of this fact. Others maintain that there is some genuine – and not merely epistemic – indeterminacy present is such cases and offer various accounts of how best to account for it. Supervaluationists (such as Keefe (2008)), for example, claim that the indeterminacy with respect to vague terms lies in their not having a single definite extension. Rather, each term is associated with a range of possible precise extensions or precisifications such that it is semantically unsettled which is the correct extension. One precisification of ‘tall’ might allow that anyone over five feet ten inches is tall, whereas another would only allow those over six foot to qualify; but no precisification will take someone who is five foot to be tall, and someone who is seven foot will count as tall on all precisifications. Thus – while someone who is seven foot will be determinately tall and someone who is five foot determinately not so – it will be indeterminate whether someone who stands at five foot eleven inches is tall. -/- Yet, it is important to stress that putative cases of indeterminacy are not limited to vague predicates of this kind. Philosophers have invoked indeterminacy in discussions of topics as diverse as moral responsibility (Bernstein (forthcoming)), identity over time (Williams (2014)), and the status of the future (Barnes and Cameron (2009)). In this paper, we focus on two areas where discussion of various kinds of indeterminacy has been commonplace: physics and fiction. We propose a new model for understanding indeterminacy across these domains and argue that it has some notable advantages when compared to earlier accounts. Treating physics and fiction cases univocally also indicates an interesting connection between indeterminacy in these two areas. (shrink)

One might suppose that Everettian quantum mechanics (EQM) is inhospitable to metaphysial indeterminacy (MI), given that, as A. Wilson (2020) puts it, "the central idea of EQM is to replace indeterminacy with multiplicity" (77). But as Wilson goes on to suggest, the popular decoherence-based understanding of EQM (henceforth: DEQM) appears to admit of indeterminacy in both world number and world nature, where the latter indeterminacy---our focus here---is plausibly metaphysical. After a brief presentation of DEQM (S1), we (...) bolster the case for there being MI in world nature in DEQM (S2). The remainder of the paper is devoted to a comparative assessment of the two main approaches to MI for purposes of accommodating this MI---namely, a metaphysical supervaluationist approach (as per Barnes and Williams 2011) and a determinable-based approach (as per Wilson 2013 and Calosi and Wilson 2018 and 2021). We briefly describe each approach (S3), then offer arguments in favour of a determinable-based approach to world nature MI in DEQM (S4). (shrink)

Recently, the thesis that experience is fundamentally a matter of representing the world as being a certain way has been questioned by austere relationalists. I defend this thesis by developing a view of perceptual content that avoids their objections. I will argue that on a relational understanding of perceptual content, the fundamental insights of austere relationalism do not compete with perceptual experience being representational. As it will show that most objections to the thesis that experience has content (...) apply only to accounts of perceptual content on which perceptual relations to the world play no explanatory role. With austere relationalists, I will argue that perceptual experience is fundamentally relational. But against austere relationalists, I will argue that it is fundamentally both relational and representational. (shrink)

A number of analytical philosophers have recently endorsed the view that the world itself is indeterminate in some respect. Intriguingly, ideas similar to the view are expressed by thinkers from Chinese Madhyamaka Buddhism, which may shed light on the current discussion of worldly indeterminacy. Using as a basis Chinese Madhyamaka thought, together with Jessica Wilson’s account of indeterminacy, I develop an ontological conception of indeterminacy, termed ontic indeterminacy, which centres on two complementary ideas—conclusive indeterminability and provisional (...) determinability. I show that OI is well-equipped to tackle several issues of worldly indeterminacy. My overarching aim is to present a viable and sustainable perspective on the subject of indeterminacy to enrich analytical philosophers’ insights into the intricate nature of reality. (shrink)

Indeterminacy is metaphysical (or worldly) if it has its source in the way the world is (rather than how it is represented or known). There are two questions we could ask about indeterminacy. First: does it exist? Second: is indeterminacy derivative? I focus on the second question. Specifically, I argue that (at least some) metaphysical indeterminacy can be derivative, where this roughly means that facts about indeterminacy are metaphysically grounded in facts about what is determinate.

Suppose that you're certain that a certain sentence, e.g. "Frida is tall", lacks a determinate truth value. What cognitive attitude should you take towards it—reject it, suspend judgment, or what else? We show that, by adopting a seemingly plausible principle connecting credence in A and Determinately A, we can prove a very implausible answer to this question: i.e., all indeterminate claims should be assigned credence zero. The result is striking similar to so-called triviality results in the literature on modals and (...) conditionals. (shrink)

This paper presents and discusses design studio outcomes developed in response to a studio brief linked to the Fun Palace Futures initiative of the Royal British Institute of British Architects (RIBA) in honour of architect Cedric Price and artist Joan Littlewood. The studio brief was collaboratively developed by the authors. Its core question was: How could the thoughts that guided the development and design of the Fun Palace – a project that was never built but is still today cited as (...) a model for thinking flexible and open architecture – be re-interpreted and renewed for the future? This line of thinking guided the initial and experimental research phase, during which students developed an understanding of what indeterminacy is or could be. The paper shows that through the translation of some of the essential principles of the Fun Palace project into pedagogical instruments, students were enabled to approach the questions of indeterminacy in an open and innovative manner. The paper argues that the use of a variety of media, which often went far beyond the conventional architectural pallet, and the introduction of media shifts were crucial in assisting the students in developing their own tools for creating a new kind of open and flexible architecture. The paper presents this pedagogic approach. We show that the conditions of indeterminacy, uncertainty, chance and change, hold potential for framing the design and creation of a new kind of dynamic architecture, and for initiating experimental architectural thinking in a design studio setting. (shrink)

Perceptual experiences are not immediately responsive to reasons. You see a stick submerged in a glass of water as bent no matter how much you know about light refraction. Due to this isolation from reasons, perception is traditionally considered outside the scope of epistemic evaluability as justified or unjustified. Is perception really as independent from reasons as visual illusions make it out to be? I argue no, drawing on psychological evidence from perceptual learning. The flexibility of perceptual (...) learning is a way of responding to new epistemic reasons. The resulting perceptual experiences are epistemically evaluable as justified or unjustified. (shrink)

This paper focuses on the debate over two central claims regarding cinematic narration: the claim that there are implicit cinematic narrators and the thesis that when we watch movies, we imagine seeing the events and characters in the film fiction. I examine what a consideration of the indeterminate nature of fictional narration, that is, what is specified by the fiction about how we come to imagine the story events, can contribute to the debate on these issues. It is argued that (...) consideration of fictional indeterminacy can be used to show that positing an implicit cinematic narrator is not only unnecessary, but is also incompatible with appreciating the film fiction. While the opposite result is reached regarding the claim about imagined seeing: considerations of indeterminacy suggest that we can suppose, without absurdities, that audiences at the movies sometimes engage in imagined seeing. (shrink)

It has frequently been suggested that quantum mechanics may provide a genuine case of ontic vagueness or metaphysical indeterminacy. However, discussions of quantum theory in the vagueness literature are often cursory and, as I shall argue, have in some respects been misguided. Hitherto much of the debate over ontic vagueness and quantum theory has centered on the “indeterminate identity” construal of ontic vagueness, and whether the quantum phenomenon of entanglement produces particles whose identity is indeterminate. I argue that this (...) way of framing the debate is mistaken. A more thorough examination of quantum theory and the phenomenon of entanglement reveals that quantum mechanics is best interpreted as supporting what I call the “vague property” construal of ontic vagueness, where vague properties are understood in terms of determinable properties without the corresponding determinates. (shrink)

Prior to the twentieth century, theories of knowledge were inherently perceptual. Since then, developments in logic, statis- tics, and programming languages have inspired amodal theories that rest on principles fundamentally different from those underlying perception. In addition, perceptual approaches have become widely viewed as untenable because they are assumed to implement record- ing systems, not conceptual systems. A perceptual theory of knowledge is developed here in the context of current cognitive science and neuroscience. During perceptual experience, (...) association areas in the brain capture bottom-up patterns of activation in sensory-motor areas. Later, in a top-down manner, association areas partially reactivate sensory-motor areas to implement perceptual symbols. The stor- age and reactivation of perceptual symbols operates at the level of perceptual components – not at the level of holistic perceptual expe- riences. Through the use of selective attention, schematic representations of perceptual components are extracted from experience and stored in memory (e.g., individual memories of green, purr, hot). As memories of the same component become organized around a com- mon frame, they implement a simulator that produces limitless simulations of the component (e.g., simulations of purr). Not only do such simulators develop for aspects of sensory experience, they also develop for aspects of proprioception (e.g., lift, run) and introspec- tion (e.g., compare, memory, happy, hungry). Once established, these simulators implement a basic conceptual system that represents types, supports categorization, and produces categorical inferences. These simulators further support productivity, propositions, and ab- stract concepts, thereby implementing a fully functional conceptual system. Productivity results from integrating simulators combinato- rially and recursively to produce complex simulations. Propositions result from binding simulators to perceived individuals to represent type-token relations. Abstract concepts are grounded in complex simulations of combined physical and introspective events. Thus, a per- ceptual theory of knowledge can implement a fully functional conceptual system while avoiding problems associated with amodal sym- bol systems. Implications for cognition, neuroscience, evolution, development, and artificial intelligence are explored. (shrink)