Von welchen Annahmen muss eine Ästhetik ausgehen, die nicht hinter der Komplexität der Kunst zurückbleiben will? Einerseits davon, dass Künstler erst wird, wem es gelingt, die ungewöhnliche Kraft aufzubringen oder die eigentümliche Fähigkeit zu entwickeln, alles zu bejahen, was ihn trifft und berührt, was er erleidet, was ihn schmerzt, reizt und verwundet. Es gibt nichts, was der Künstler von seiner Liebe ausschliessen könnte, wenn sich in seiner uneingeschränkten Bejahung eines Aussen eine aktive Zuwendung, Teilnahme und Sorge ausdrückt, die man Liebe (...) nennen kann. Das gilt noch für das Unerträgliche und das Unannehmbare, das Unfassbare, von dem man denken könnte, dass das Subjekt es verwerfen muss oder dass es dieses sogar traumatisiert. Der Künstler ist in diesem Sinn ein radikal promiskuitives Subjekt, nicht ein gegebenes empirisches und psychologisches Individuum, das eine Voraussetzung für die Erzeugung von Kunst bildet. (shrink)

One of the consequences of the public outcry over the 1929 St Valentine’s Day massacre was the establishment of a Scientific Crime Detection Laboratory at Northwestern University. The photogenic ‘Lie Detector Man’, Leonarde Keeler, was the laboratory’s poster boy, and his instrument the jewel in the crown of forensic science. The press often depicted Keeler gazing at a female suspect attached to his ‘sweat box’, a galvanometer electrode in her hand, a sphygmomanometer cuff on her arm and a rubber pneumograph (...) tube strapped across her breasts. Keeler’s fascination with the deceptive charms of the female body was one he shared with his fellow lie detector pioneers, all of whom met their wives – and in William Marston’s case, his mistress too – through their engagement with the instrument. Marston employed his own ‘Love Meter’, as the press dubbed it, to prove that ‘brunettes react far more violently to amatory stimuli than blondes’. In this article, I draw on the psychoanalytic concepts of fantasy and pleasure to argue that the female body played a pivotal role in establishing the lie detector’s reputation as an infallible and benign mechanical technology of truth. (shrink)

In recent developments in Artificial Intelligence and especially in robotics we can observe a tendency towards building intelligent artefacts that are meant to be social, to have ‘human social’ characteristics like emotions, the ability to conduct dialogue, to learn, to develop personality, character traits, and social competencies. Care, entertainment, pet and educational robots are conceptualised as friendly, understanding partners and credible assistants which communicate ‘naturally’ with users, show emotions and support them in everyday life. Social robots are often designed to (...) interact physically, affectively and socially with humans in order to learn from them. To achieve this goal, roboticists often model the human‐robot interaction on early caregiver‐infant interactions. In this paper I want to analyse prominent visions of these ‘socio‐emotional’ machines as well as early prototypes and commercial products with regard to the human‐machine interface. By means of this I will ask how feminist critiques of technology could be applied to the field of social robotics in which concepts like sociality or emotion are crucial elements while, at the same time, these concepts play an important role in feminist critiques of technology. (shrink)

ArgumentEvery new level achieved by technology attracted the attention of physiologists and turned their thoughts in a new direction; they often unwittingly modeled life processes in the image of contemporary engineering achievements.–This article reinterprets the debate between orthodox followers of the Pavlovian reflex theory and Soviet “cybernetic physiologists” in the 1950s and 60s as a clash of opposing man-machine metaphors. While both sides accused each other of “mechanistic,” reductionist methodology, they did not see anything “mechanistic” about their own central (...) metaphors: the telephone switchboard metaphor for nervous activity, and the analogies between the human body and a servomechanism and between the human brain and a computer. I argue that the scientific utility of machine analogies was closely intertwined with their philosophical and political meanings and that new interpretations of these metaphors emerged as a result of political conflicts and a realignment of forces within the scientific community and in society at large. I suggest that the constant travel of man-machine analogies back and forth between physiology and technology has blurred the traditional categories of the “mechanistic” and the “organic” in Soviet neurophysiology, as perhaps in the history of physiology in general. (shrink)

This introductory chapter provides an overview of the content discussed in the subsequent chapters of the book. Machine or artificial intelligence (AI), might well have the ability to understand, modify, and improve its own source code, carrying it by great leaps into domains of ability that unaided flesh can never hope to reach. AI uses engineered electronic or photonic neural nets operating a million times faster. Uploading need not imply a world of bloated grubs lying in the dark with (...) their brains wired to spreadsheets and simulated worlds. The initial goal of uploaders would be to emulate and enhance the brain, and that requires rich connections to external reality. The artificial system is not merely simulating but actually emulating or replicating the relevant functioning of a human brain. The book shows enthusiasm about the prospects of machine intelligence and mind uploading, and expresses skepticism or concern. (shrink)

The essay below is excerpted from my forthcoming book, At Any Cost—A Guide to The Transhumanist Wager and the Ideas of Zoltan Istvan. It is an examination of, Jethro Knights, the iconoclastic and highly controversial protagonist of Zoltan’s philosophical novel, who views himself as already having partially transcended his human origins and conducts himself as though he is a highly evolved machine intelligence, possessed of a moral system an A.I. would likely adopt, according to Jethro’s vision of the post-human (...) future he is fighting to bring about. (shrink)

Singularity has been a concern of the developers of cybernetics and artificial intelligence (AI) since the pioneering writings of such thinkers as Norbert Weiner. Yet many accept the inevitability of systems of AI surpassing human control and are optimistic that machine intelligence will harmonize human life with our environment. This essay examines this optimism against a reading of two poets: Richard Brautigan and Friedrich Hölderlin. Through these readings, it will attempt to show that the eclipse of nature by human (...) beings can be used to examine the eclipse of the human being by machine intelligence. Thus, what is missing in machine intelligence is a dimension related to the experience of pain and joy that reconnect us to reflect on what has been severed or lost in the movement of humanity through history. This demonstrates that the very categories of optimism and pessimism concerning the future of AI points to the value of life, one that can never be encoded into our machines. (shrink)

Sex robots are already a reality: in this provocative text, Maurizio Balistreri explores the fascinating world of future sex, exploring the ethical questions raised by the existence of a sex robot industry.

Enthusiasm over technology is found among men. Or, at least, that is the impression we get from the main body of earlier research, which leaves us with an understanding of men as computer enthusiasts, while women are more reluctant and ‘rational’ in their relation to the computer. In this paper I will argue that women do in fact enjoy working with computers. The empirical material is from a study of a group of students taking a computer course. We will meet (...) women who enjoy working with computers, and explore how they express their pleasure in relation to the computer. Contrary to earlier claims that ‘computing is incompatible with being a girl’, we will find that many of the 21 women in this study are not afraid to articulate their pleasure in computing. (shrink)

In recent years, there has been a growing phenomenon of what we like to call technological love, that is, the search for love through the potential of technology, that has resulted in new ways to experience falling in love and sexuality. Many of the online platforms are based on the premise that love is the most important, with social networks and chats reaching their peak because of this, in such a way that they were extrapolated to (...) TV shows or contests like “Love on Top” or “Adam and Eve”. In contrast, news emerges that affirm that an absolute sexual revolution will take place in the coming decades, in which sexual partners may be exchanged for robots or neuronal stimulation programs for personal satisfaction. In this sense, this essay seeks first to reflect on the current situation in which personal relationships are found, and secondly, to deepen the hypothesis of another sexuality, concluding with a reflection on the most radical possibility that will be the annulment of sexuality as an experience of love, that is, becoming a mere robotization of sexuality. In view of this possibility, a sexual revolution will take shape as a phenomenon that cancels the intimacy that characterizes the human. (shrink)

Machine generated contents note: ContentsIntroduction: A Change of Heart1. What's behind Animal Advocacy? -- 2. The Love of a Dog: Of Pets and Puppy Mills, Mixed-Breeds and Shelters -- 3. The Animal on Your Plate: Farmers, Vegans, and Locavores -- 4. Where the Wild Things Ought to Be: Sanctuaries, Zoos, and Exotic Pets -- 5. From Object to Subject: Animals in Scientific Research -- 6. Clothing Ourselves in Stories of Love: Affect and Animal AdvocacyConclusion: Trouble in the (...) PackAcknowledgments -- Notes -- Bibliography -- Index. (shrink)

Experience machines, popularized in print by Robert Nozick and on the screen by the Wachowskis’ film The Matrix, provide highly or perfectly realistic experiences that are more pleasant and less painful than those generated in real life.1 The recent surge in virtual reality and neuro-prosthetic technologies is making the creation of real-world experience machines seem inevitable and perhaps imminent.2 Given the likelihood of the near-future availability of such machines, it behooves ethicists to consider the moral status of their potential uses. (...) In this chapter, we investigate the use of experience machines in palliative and end-of-life care situations. We pair up various kinds of experience machines with patients in a range of conditions, to illuminate the moral problems and benefits of using experience machines in this way. We argue that the use of Nozickian experience machines to treat patients in most conditions would be morally problematic, most notably for the negative effects on patients’ characters and real-world relationships. Informed by this initial moral analysis, we describe an experience machine that is more closely related to a virtual reality game, and argue that it can avoid the moral problems encountered by Nozickian experience machines. In fact, we argue that this new kind of experience machine could improve some patients’ characters and relationships with real-world people. We conclude that some kinds of experience machines could benefit many patients, especially those in extreme pain and those not in the position to meaningfully interact with their loved ones in reality. We also note that certain kinds of experience machines could be useful for religious people, for whom the range of palliative and end-of-life care options is often thought to be relatively narrow. (shrink)

The Bombe machine was a key device in the cryptanalysis of the ciphers created by the machine system widely employed by the Axis powers during the Second World War – Enigma. The Bombe machine was initially designed in Britain by scientists in primary cryptanalysis agency, the Government Code and Cypher School at Bletchley Park. The machines were then mass produced by the British Tabulating Machine Company in Britain, and by the National Cash Register Company in the (...) United States of America. The design, development and mass production of the machine was a fraught process dependent on support from scientists and bureaucrats within the agency, but more importantly the agency was only moved to mechanise, and subsequently professionalise, this key function in its operations when met with a series of major crises. The result was an unplanned ad hoc process of designing, building and operating the machines. This was representative of the wider process of mechanisation within Bletchley Park, one of the most important and renowned technological centres to emerge in Britain during the Second World War. (shrink)

There is a popular conception among many Zeitgeist watchers, especially in places like the US, Western Europe and Australia, of the urbanized East as existing somehow further into the future. As William Gibson once stated: `The future is here; it just isn't equally distributed yet.' This kind of cultural fetishism extends to not only technolust, but the practices that new gadgets and electronics encourage. The specific phenomenon explored in this article is that of virtual girlfriends and boyfriends: whether in the (...) form of avatars or automated SMS text messages. This particularly Japanese `craze', if we can call it that, fascinates and appals people who still hold P2P romance IRL in high-esteem. It seems like an insult to the intrinsically human and humanist discourse of courtship; and indeed it is. How does this perspective change, however, if we consider `love' as a technology? That is, as both a code with its own algorithmic parameters, and a discourse that also challenges the hyper-rational assumptions of the `merely machinic'. Extending the argument articulated in my book, Love and Other Technologies, this article asks how the emergence of virtual dating and other techno-inflected treatments of romance are working to undo our jealously held notions of intimacy and identity. It concludes that all sex can be considered cybersex, given the communication flows that occur both before, during and after the act. For, as we continue to enframe the discourse of intimacy via new and mobile media, we find it increasingly difficult to deny that intensified inter-subjectivity is always already a matter of technics. Indeed, what Heidegger says of modern technology can effectively be applied to modern love: that it embodies an `unreasonable demand' of nature (and thus has the capacity to reveal something essential about the posthuman condition). (shrink)

On the stupidity of oysters -- Divining creaturely love -- Horsing around: the marriage blanc of Nietzsche, Andreas-Salomø, and Røe -- Groping for an opening: Rilke between animal and angel -- Electric caresses:Rilke, Balthus, and Mitsou -- Between perfection and temptation: Musil, Claudine, and Veronica -- The biological travesty -- "The creature whom we love": Proust and jealousy -- The love tone: capture and captivation -- "The soft word that comes deceiving": Fournival's bestiary of love -- (...) The cuckold and the cockatrice: Fourier and Hazlitt -- The animal bride and horny toads -- Unsettled being: Ovid's metamorphoses -- Fickle metaphysics -- Nymphomania and faunication -- Senseless arabesques: Wendy and Lucy -- The goat in the machine (a reprise) -- On cetaceous maidens -- Animal magnetism and alternative currents (or Tesla and the white dove). (shrink)

Mechanisms that help people in their lives have existed for centuries, and every year they become not only more and more complex and perfect, but also smarter. It is impossible to imagine modern production without smart machines, but today, with the advent of robotic android robots, their participation in our private lives and, consequently, their influence on us, becomes much more obvious. After all, the robots that are increasingly taking root in our lives today, are no longer perceived by us (...) simply as mechanisms, we endow them with human properties of character and often experience different emotions in relation to them. The appearance of a robot capable of experiencing emotions can be considered a qualitatively new step in the life of a person with robots. With such robots, it will be possible to be friends with them, to look for support from them. It is expected that they will be able to brighten up the loneliness of a variety of people, including disabled people, lonely old people, to help in caring for the sick and at the same time entertain them with communication. Speaking about the relationship with robots, it is difficult not to mention such an important aspect of human communication as sex, which, on the one hand, is not only a need, as in all living beings, but also the highest form of human love and intimacy, and on the other - can exist and be satisfied completely separate from love. It is this duality of human nature that has contributed to the transformation of sex and the human body into a commodity and the development of prostitution, pornography and the use of sexual images in advertising. The emergence of android robots can radically change our lives, including the most intimate areas of life. The development of the artificial intelligence sex industry opens up a whole new era of human-machine interaction. When smart machines become not only comfortable and entertaining, but literally enter our flesh, become our interlocutors, friends and lovers who share our feelings and interests, what will be the consequences of this unprecedented intimacy between man and machine? (shrink)

Individuals with a balanced time perspective, which includes good thoughts about the past, awareness of present constraints and adaptive planning for a positive future, are more likely to report optimal wellbeing. However, people who have had traumas such as adverse childhood experiences (ACEs) are likely to have less balanced time perspectives and lower overall wellbeing when compared to those with fewer or no ACEs. Time perspective can be improved viatime-travel narrativesthat support people in feeling connected to a wise and loving (...) future version of themselves, an approach that has until now only been provided in counseling contexts. Our team used an iterative inclusive design process to shape a scalable time-travel narrative tool – a responsive and progressive web application calledTime Machine.Among other functionalities, Time Machine allowed people to record and listen to messages as if they were from and to their past and future selves. Using pre-planned as well aspost-hocanalyses, we analyzed quantitative and qualitative data from 96 paid design partners (participants) who were taken through a 26-day pilot study of the technology. Among other effects, the results revealed: (1) high engagement throughout the design process, (2) improvements in self-reported time perspective and overall wellbeing scores that were greater for those using Time Machine during an optional-use period, (3) twice as much improvement in overall wellbeing scores for design partners with high ACEs (16%) versus low ACEs (8%), and (4) feelings of unconditional love apparently mediating the relationship between scores on time perspective and overall wellbeing measures. We discuss the limitations of these results as well as implications for the future role of spiritually informed scalable time-travel narrative technologies in healthcare and wellness. (shrink)

According to the 2020 docudrama, The Social Dilemma, our very addiction to “social media” has, today, become encapsulated in the tensions between its facilitation as a mode of interpersonal communication and as an insidious conduit for machine learning, surveillance capitalism and manipulation. Amidst a variety of interviewees – many of whom are former employees of social media companies – the documentary finishes on a unanimous conclusion: something must change. By using the docudrama as a pertinent example of our “social (...) media malaise,” and while remaining aware of the problems and unethical practices encompassing international digital/social media companies, this paper will argue that we continually refrain from the very question(ing) that would call these companies to account: what does the algorithm desire? In approaching this question, this article will draw from Lacan’s ‘hysterical’ position in accordance with Robert Pfaller’s notion of interpassivity. Together, these concepts will be used to provide a psychoanalytic account of how our subjectivization in social media renders an unconscious endorsement that both frames our awareness of the dilemmas encompassing social media, while also positing an inherent limitation that may offer a possible path out of its impeding affects. This subjective ambivalence – delegated yet reluctantly disavowed – offers an opportunity to realign discussions on the lost object of desire (objet a) and its reproduction in social media algorithms. In so doing, the case will be made that an account of interpassivity can help lay bare the hysterical significance underscoring our digital subjectivization. (shrink)

As we await the increasingly likely advent of genuinely intelligent artificial systems, a fair amount of consideration has been given to how we humans will interact with them. Less consideration has been given to how—indeed if—we humans will love them. What would human-AI romantic relationships look like? What do such relationships tell us about the nature of love? This chapter explores these questions via consideration of several works of science fiction, focusing especially on the Black Mirror episode “Be (...) Right Back” and the Spike Jonze's movie *Her*. As I suggest, there may well be cases where it is both possible and appropriate for a human to fall in love with a machine. (shrink)

I begin, as I shall end, with fictions.In a well-known tale, The Sandman, Hoffmann has a student, Nathaniel, fall in love with a beautiful doll, Olympia, whom he has spied upon as she sits at a window across the street from his lodgings. We are meant to suppose that Nathaniel mistakes an automaton for a human being. The mistake is the result of an elaborate but obscure deception on the part of the doll's designer, Professor Spalanzani. Nathaniel is disabused (...) quite by accident when he over-hears a quarrel between Spalanzani, who made Olympia's clockwork, and the sinister Coppelius, who contributed the eyes. (shrink)

This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.

We live in layers of mixed realities with continuous conflicts, negotiation and becoming. I find it interesting to look at our situation as a continuous struggle in the fusion of virtual/actual presences, and machine/human. However, we seem to be far from understanding these relationships. Maybe the problem lies in the questions themselves, promoting unidirectional preconceptions. By reversing the questions, we might be able to identify something that has been missing in previous discussions: Can we talk about disconnection to further (...) discuss connection? Can we talk about distancing to further discuss the process of becoming? Can we talk about love impossible, to further discuss love? This paradoxical journey would maintain us in the continuum of struggle and massive doubts, and encounter deep aspects of human being. In this article, I examine the Korean cultural psyche called han in the context of a paradoxical state of consciousness and the story of love impossible, and argue that han is a driving force of transformative ritual in human consciousness. Beyond cultural boundaries, this article also positions han in a microscopic view of contemporary life. han underlies paradoxical human relationships with objects, and with my virtual puppets, in the context of distance, disconnection and love impossible. (shrink)

The more recent computer developments cause us to take a new look at human intelligence. The prevailing occidental view of human intelligence represents a very one-sided, logocentric approach, so that it is becoming more urgent to look for a more complete view. In this way, specific strengths of so-called human information processing are becoming particularly evident in a new way. To provide a general substantiation for this view, some elements of a phenomenological model for a dialectical coherence of human expressions (...) of life are briefly outlined. The starting point is the everyday experience of constantly being confronted with contradictory situations. A model of polar, or dualistic, dialectic is proposed, which attempts to systematically establish the contradictions and contingencies of human life in theoretical structures. It is assumed that formal logic fails to work — strictly speaking — when applied to real situations of human interaction. Instead, definite negations are supposed to be involved. In this way, four polarities, pairs of concepts which are mutually dependent on each other and negate each other definitely, are presented: process and structure, the individual and general (societal), acting and imagining, subject-subject-relation and subject-object-relation (love and work). The latter gives rise to the dialectic of emotion and cognition, which plays a decisive role in a comparison of human and computer-“intelligence”.To cope with the specific human strengths, which are expressed through these polarities, self-learning computers would have to be able to act and to love like human beings and to grow up in a society like people. Furthermore, the learning process would have to implement the process-structure-dialectic with its aspects of finality. In spite of the recent breath-taking achievements of computers, one can not imagine how computers would ever achieve this. Computers are, however, thought of, by virtue of their complexity, being qualitatively different from machines. But human abilities still represent a new level of complexity: the level of dialectic. (shrink)

Machine generated contents note: Introduction: love after Aristotle; 1. Enjoyment: a medieval history; 2. Narcissus after Aristotle: love and ethics in Le Roman de la Rose; 3. Metamorphoses of pleasure in the fourteenth century Dit Amoureux; 4. Love's knowledge: fabliau, allegory, and fourteenth-century anti-intellectualism; 5. On human happiness: Dante, Chaucer, and the felicity of friendship; Coda: Chaucer's philosophical women.

The paper begins by challenging a received view of Descartes as preoccupied with scepticism and setting out entirely on his own to build up everything from scratch. In reality, his procedure in the Meditations presupposes trust in the mind’s reliable powers of rational intuition. God, the source of those powers, is never fully eclipsed by the darkness of doubt. The second section establishes some common links between the approach taken by Descartes in the Meditations and the ‘faith seeking understanding’ tradition. (...) So far from insisting on the autonomy and independence of human inquiry, Descartes sees the meditator as finding freedom in spontaneous submission to both the natural light of reason and also the supernatural light of faith. The approach to God which lies at the heart of the Meditations in some ways resembles a direct cognitive encounter as much as a formal demonstrative proof. The paper’s final section deals with Descartes’ ‘incarnational’ theodicy of the passions. Lacking the clarity and transparency of intellectual perceptions, the passions can often lead to confusion and error. Nevertheless they are part of the (divinely bestowed) endowment of our human nature, which is not a pure intellect plugged into a machine, but a genuine psycho-physical unity. The passions can serve as valued auxiliaries of reason in the search for goodness and truth. (shrink)

This study aims to grasp the two distinct artworks one is from the literary field: Penal Colony, written by F. Kafka and the other one is from painting: The Large Glass, designed by M. Duchamp. This text tries to unravel the similarities betwe- en these artworks in terms of two main significations around “The Officer” from Penal Colony and “The Bachelors” from The Large Glass. Because of their vital role on the re-production of status-quo, this text asserts that there is (...) a similarity between them in the name of being part of the dispositions of body and desire. First of all, the text focuses on Penal Colony, especially on “The Officer” in or- der to observe his obsession towards the order that ruled by former and the late officer of colony. Deleuze & Guattari conceptualize it as “abstract-machines” and it refers to a contingent state of being which is produced as an obligatory entity. Besides, The Officers’ application via a “labeling machine” on inmates creates a framewok of a dispositif in Foucauldian terminology. Secondly, it is emphasized that The Bachelors from the Large Glass for his context, due to its reference for the concept of desire and a metaphorical connotation for desire as “cocoa”. The Large Glass is also turn around the dispositif in a different way: love. It is stated that criticizing the love to nowhere which belongs to The Bachelors and it can be found that there is an abstract-machine again in back of this practice and it converts The Bachelors’ energeia to make an apparatus possible and operative. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:134 When the woman saw that the fruit of the tree was good for food and pleasing to the eye, and also desirable for gaining wisdom, she took some and ate it —­Genesis 3:6 Abstract Aesthetics has emerged as an important battleground in the moral quest for a lower carbon society. Especially in the case of proposed wind farms (an environmentally benign technology in terms of low carbon emissions), (...) opponents frequently refer to the unsightly machines creating negative landscape impacts and ruining the view. This essay seeks to reflect on the particular ways in which visual aesthetics are framed and mobilized in this moral debate. Exploring the dividing lines between pictoral and more-­ than-­ representational approaches I ask if the moral dilemmas in our landscape decisions (e.g. individual rights to beauty or collective duties toward future generations) are obscured by physical or visual realms. The largely invisible nature of wind, electricity and climate change, set within the physical and tangible nature of landscapes and turbines, challenges us to experience the aesthetics of landscapes-­ with-­ machines through more creative and engaging means that are not limited to visibility, nor deaf to morality. SIN, DUTY, AND THE AESTHETICS OF NATURE As the first act of sin in the bible, Eve’s consumption of a visually aesthetic fruit led to humans being banned from the Garden of Eden. Looking at the above sentence more closely, we could even argue that “good for food” is not a positive condition (e.g. tasty, nourishing), but Justice in the Eye of the Beholder? ‘Looking’ Beyond the Visual Aesthetics of Wind Machines in a Post-­Productivist Landscape DAN VAN DER HORST Dan van der Horst / Justice in the Eye of the Beholder? 135 rather the absence of a negative (e.g. inedible), whilst “also desirable” may sound like the hunger for wisdom was only a secondary, additional attraction. The sentence thus draws attention to the key role of aesthetics in the making of a moral decision; would Eve have eaten the forbidden fruit if it was not “pleasing for the eye”? Aesthetic judgments may be informed by a range of factors, but as this bible quote illustrates, morality is key among them. Associations between right and wrong on the one side and beauty or ugliness on the other, are not exactly rare in written history, be they religious, literary or scholastic works. As a marked contribution to the latter, Immanuel Kant has paid particularly close attention to the links between aesthetics and morality, arguing amongst others that any universal agreement in judgments of the sublime must rest on an appeal to moral feelings.1 But universality is not the only logical link between aesthetic judgementandmorality.Peoplecanfeelasenseof‘duty’tofindcertainthings beautiful e.g. because that is the aesthetic judgment of the group they aspire to belong to.2 Whilst this sense of duty can refer to social conditioning and group belonging, it also has resonance for landscape aesthetics at a time of anthropogenic climate change (a universal threat) when we must “learn to love the low carbon landscape.”3 This presents a point of departure from the debate on the moral obligation of preserving aesthetically pleasing landscapes (as we tend to do through legal designations, e.g. national parks), an ethical logic which leads, to use the words of Holmes Rolston, “from beauty to duty.”4 Moreover a posi­ tive aesthetical appreciation of a landscape because it accommodates low carbon technologies, would potentially require an inverse ethical logic, i.e. from duty to beauty.5 Notwithstanding the clear conceptual links between moral and aesthetic judgment, in everyday life it may be far less clear what kind of moral issues may underpin particular expressions of aesthetic sensibility. This can be particularly problematic for the deployment of environmental technologies (i.e. technologies pursued to reduce pollution ) that have significant landscape footprints. That is where we can find universal moral claims demanding environmental action for the common good rubbing up against aesthetic landscape judgments in places where such developments are proposed. This produces an unsatisfactory situation in which the deployment of clean technologies ENVIRONMENT, SPACE, PLACE / VOLUME 10 / ISSUE 1 / 2018 136 is delayed, tensions within local communities may increase... (shrink)

In his travels, and in his accompanying readings, he had come to the conclusion that the essential secret of life was harmony. . . . And he proceeded to put his philosophy into practice by forcing order into the established world, translating the mystic word harmony into the practical word organisation.1 Harmony becomes organization. And Gerald dedicates himself to work, to feverish, totally absorbing work, inspired with an almost religious exaltation in his fight with matter. The world is split in (...) two: on one side matter , on the other side his own isolated will. He wants to create on earth a perfect machine, "an activity of pure order, pure mechanical repetition"; a man of the twentieth century with no nostalgia for the superannuated ideals of Christianity or democracy, he wishes to found his eternity, his infinity, in the machine. So inchoate and mysterious is the imaginative world Lawrence creates for Women in Love that we find no difficulty in reading Gerald Crich as an allegorical figure in certain chapters and as a quite human, even fluid personality in others. As Gudrun's frenzied lover, as Birkin's elusive beloved, he seems a substantially different person from the Gerald Crich who is a ruthless god of the machine; yet as his cultural role demands extinction , so does his private emotional life, his confusion of the individual will with that of the cosmos, demand death—death by perfect cold. He is Lawrence's only tragic figure, a remarkable creation on a remarkable novel, and though it is a commonplace thing to say that Birkin represents Lawrence, it seems equally likely that Gerald Crich represents Lawrence—in his deepest, most aggrieved, most nihilist soul. · 1. All quotations from Women in Love are taken from the Modern Library edition. Joyce Carol Oates' works include the novels Childhood, Son of the Morning, and a collection of short stories, Night-Side. “Lawrence’s Götterdämmerung” is part of a larger work exploring tragedy and comedy. Her contributions to Critical Inquiry include "Jocoserious Joyce" , and "The Picture of Dorian Gray: Wilde's Parable about the Fall". (shrink)

From prehistoric stone tools, to machines, to computers, things have traveled a long road along with human beings. Changing with the times, places, and methods of their production, emerging from diverse histories, and enveloped in multiple layers of meaning, things embody ideas, emotions, and symbols of which we are often unaware. The meaning of "thing" is richer than that of "object," which is something that is manipulated with indifference or according to impersonal technical procedures. Things also differ from merchandise, objects (...) that can be sold or exchanged or seen as status symbols. Things, in the philosophical sense, are nodes of relationships with the life of others, chains of continuity among generations, bridges that connect individual and collective histories, junctions between human civilizations and nature. Things incite us to listen to reality, to make them part of ourselves, giving fresh life to an otherwise suffocating interiority. Things also reveal the hidden aspect of a "subject" in its most secret and least explored side. Things are the repositories of ideas, emotions, and symbols whose meaning we often do not understand. In an unexpected but coherent journey that includes the visions of classic philosophers from Aristotle to Husserl and from Hegel to Heidegger, along with the analysis of works of art, Bodei addresses issues such as fetishism, the memory of things, the emergence of department stores, consumerism, nostalgia for the past, the self-portraits of Rembrandt and Dutch still-lifes of the seventeenth century. The more we are able to recover objects in their wealth of meanings and integrate them into our mental and emotional horizons, he argues, the broader and deeper our world becomes. (shrink)

A.I.: Artificial Intelligence tells the story of a robot boy who has been engineered to love his human owner. He is abandoned by his owner and pursues a tragic quest to become a real boy so that he can be loved by her again. This chapter explores the philosophical, psychological, and scientific questions that are asked by A.I. It starts with A.I.’s representation of artificial intelligence and then covers the consciousness of robots, which is closely linked to ethical concerns (...) about the treatment of AIs in the film. There is a discussion about how A.I.’s interpretation of artificial love relates to scientific work on emotion, and the chapter also examines connections between the technology portrayed in A.I. and current research on robotics. (shrink)

Iris murdoch claims that the ethical significance of truth links the goodness of good literature with moral goodness. Her philosophical formulations of this claim evoke the pervasive model of truth as correspondence between mental representations and a mind-Independent reality. This paper criticises these formulations and attempts to revise them in the light of murdoch's literary explorations of the moral force of truth, Especially in "the sacred and profane love machine".

Olimpia, Hadaly, Rachael, Faustine, Samantha, Albertine…. All loving machines, like we say "washing machines" or "answering machines," machines that you may love and that have the potential of loving you back. All fictitious, of course. As emotions are starting to make their way into computing—think of the pervasive use of emoticons, or more interestingly, of IBM's Watson which, in its text-analysis tool, attempts to give an idea of what it calls "personality insights" of the writer and the "emotions and (...) communication style of the text". Think also of what is called "Affective Computing", a research area in its infancy that has focused so far on detection of... (shrink)

Machine generated contents note: ch. 1 The Cry of Rachel -- Maritain's 1942 Marquette Aquinas Lecture -- Maritain's The Person and the Common Good -- Camus's The Plague -- ch. 2 Joy -- Being as the Good and the Eruption of Willing -- Being and Philosophical Psychology -- An Ordinary Knowledge of God and Metaphysics -- Metaphysics as Implicit Knowledge -- Being and the Intellectual Emotions -- ch. 3 Quandoque Evils -- Aquinas's Rationale for the Corruptible Order -- The (...) Corruptible Order and Quandoque Evils -- Bracketing Quandoque Evils between Goods -- A Caveat in Understanding the Subject of the Consequent Good -- The Effect of Human Providence upon the Frequency of Quandoque Evils -- ch. 4 Natural Corruptions -- Death as a Natural Corruption -- Natural Corruption as Nondefinitive -- Ambiguity of "Praeter Intentionem" and "Per Accidens" -- God and the Evil of Punishment (Poena) -- Other Interpretations -- Abraham and Isaac -- Conclusion -- ch. 5 Preliminaries to Aquinas and the Contemporary Discussion -- C.G. III, 71: "If Evil Exists, God Exists" -- William Rowe on Cosmological Reasoning -- De Ver. X, 12, ad 10m: "If not God from Justice, then God from Some Other Effect" -- Summary of Aquinas on the Existence of Evil -- A Strategy -- ch. 6 The Thomist and the Contemporary Discussion: Personalist Theodicies -- Marilyn McCord Adams and "Horrendous Evils" -- William Hasker: Personal Satisfaction and World Approval -- John Hick: Creation as a Gymnasium for the Development of Our Virtues -- David Ray Griffin and the Denial of Genuine Evils -- The Brothers Karamazov -- Thomistic "Natural Desires" of the Human Person -- ch. 7 The Thomist and the Contemporary Discussion: Cosmological Theodicies -- Diogenes Allen and Suffering as an Experience of God -- David Hume and Dialogues concerning Natural Religion, X and XI -- William Rowe and "Pointless Evils" -- J. L. Mackie and Further Objections to a Cosmological Theodicy -- Mackie's Fourth Criticism and Aquinas on the Causality of Human Choices -- Aquinas and Plantinga -- The Avoidance of Determinism -- The Avoidance of Divine Culpability -- A Thomistic Free Will Defense? -- Richard Swinburne: Nature as a Necessary Display Case for Our Knowledge of Good and Evil -- Bruce Reichenbach: Developing Plantinga and Swinburne -- ch. 8 Conclusion and Comparison to Brian Davies and Eleonore Stump -- Brian Davies's Apophatic Treatment of the Evil Problem -- Eleonore Stump and the Love of God -- The Consolation of Rachel. (shrink)

Machine generated contents note: Foreword by Parker J. Palmer vii Preface xi Acknowledgments xvii The Authors xxi PART ONE Theoretical and Practical Background 1 1 Transformation and Renewal in Higher Education 3 2 Current Research on Contemplative Practice 21 3 Contemplative Pedagogy in Practice: Two Experiences 39 4 Teacher Preparation and Classroom Challenges 67 PART TWO A Guide to Contemplative Practices 87 Introduction to the Practices 89 5 Mindfulness 95 6 Contemplative Approaches to Reading and Writing 110 7 Contemplative (...) Senses: Deep Listening and Beholding 137 8 Contemplative Movement 159 9 Compassion and Loving Kindness 174 10 Guest Speakers, Field Trips, and Retreats 189 11 Conclusion 198 Afterword by Arthur Zajonc 205 References 207 Index 217 . (shrink)

Machine generated contents note: 1. Spoken, intended and problematic divorce in Hanafi Fiqh; 2. Between person and property - slavery in Qudūrī's Mukhtasar; 3. Pig, purity and permission in Mālikī slaughter; 4. Islamic and other perspectives on evil; 5. The language of love in the Qur'ān; 6. Virtue and limits in the ethics of friendship 7. Drinking and drunkenness in Ibn Rushd.

Machine generated contents note: 1 A Plea for a New History of Philosophy in India -- 2 Towards a Field Theory of Indian Philosophy: -- Suggestions for a New Way of Looking at Indian Philosophy -- II -- 3 Indian Philosophy in the First Millennium A.D.: -- Fact and Fiction -- 4 Where are the Vedas in the First Millennium AD.? -- 5 Vedinta in the First Millennium A.D.: The Case Study -- of a Retrospective Illusion Imposed by th (...) Historiography -- of Indian Philosophy -- III -- 6 Prltftyasamutpada-Does it Say Anything New? -- 7 ilow Anekantika is Anekanta? Some Reflections on the -- Jain Theory of Anekfntavada -- IV -- 8 MTmamsa before JaiminT: Some Problems in the -- Interpretation of Rule in the Indian Tradition -- 9 The MTmamsaka versus Yajfiika: Some Further Problem in -- the Interpretation of Sruti in the Indian Tradition -- 10 Syena yaga: The Achilles Heel of Sruti in Indian Tradition -- 11 Is the Doctrine of Arthavada Compatible with the -- Idea of Srut? -- V -- 12 The Myth of the Prasthana TrayF -- 13 Is "Tattvam asi" The Same Type of Identity Statement as -- "The Morning Star is the Evening Star"? -- 14 Can the Analysis of Adhyasa ever Lead to an -- Advaitic Conclusion? -- 15 Was Acarya Samkara Responsible for the Disappearance -- of Buddhist Philosophy from India? -- VI -- 16 Is Nyaya Realist or Idealist? -- 17 Can Navya Nyaya Analysis Make a Distinction -- between Sense and Reference? -- VII -- 18 Did the GopTs Really Love Krsna?: Some Reflections -- on Bhakti as a Purusartha in the Indian Tradition -- 19 The Vamasrama Syndrome of Indian Sociology -- 20 'Shock-proof, 'Evidence-proof, 'Argument-proof -- World of Sampradayika Scholarship of Indian Philosophy -- 21 Nyaya; Realist or Idealist: Is the Debate Ended, the -- Argument Completed? -- Appendix. (shrink)

From dogs to gods, the science of understanding mysterious minds--including your own. Nothing seems more real than the minds of other people. When you consider what your boss is thinking or whether your spouse is happy, you are admitting them into the "mind club." It's easy to assume other humans can think and feel, but what about a cow, a computer, a corporation? What kinds of mind do they have? Daniel M. Wegner and Kurt Gray are award-winning psychologists who have (...) discovered that minds--while incredibly important--are a matter of perception. Their research opens a trove of new findings, with insights into human behavior that are fascinating, frightening and funny. The Mind Club explains why we love some animals and eat others, why people debate the existence of God so intensely, how good people can be so cruel, and why robots make such poor lovers. By investigating the mind perception of extraordinary targets--animals, machines, comatose people, god--Wegner and Gray explain what it means to have a mind, and why it matters so much. Fusing cutting-edge research and personal anecdotes, The Mind Club explores the moral dimensions of mind perception with wit and compassion, revealing the surprisingly simple basis for what compels us to love and hate, to harm and to protect. (shrink)

In her Discourse on Happiness, Émilie du Châtelet argues susceptibility to illusion is one of the five ‘great machines of happiness,’ and that ‘we owe most of our pleasures to illusions’. However, many who read the Discourse find this aspect of her view puzzling and in tension with her claims that we must always seek truth and obey reason. To understand better her claims in the Discourse on Happiness, this article explores Du Châtelet's discussions of illusions in her Foundations of (...) Physics, On Liberty, and the Dissertation on the Nature and Propagation of Fire. I distinguish four types of illusions that Du Châtelet posits and clarify the ways in which these relate to her views on happiness and love in the Discourse and argue that she avoids deceptive or perpetual illusions of happiness through the use of the principle of sufficient reason. (shrink)