This paper explores the impact of ethical philosophies on developing an authentic leader’s internalized moral perspective. It builds on prior research on moral identity, proposing that ethical philosophies such as deontology, rule utilitarianism, and virtue can be internalized over time to form an authentic leader’s internalized moral identity. The paper argues that while virtues and altruism are discussed in the authentic leadership literature, the relevance of other ethical philosophies to authentic leadership has been largely overlooked. These ethical philosophies embedded (...) in business settings can be internalized and become integral to the content of a leader’s moral identity rather than merely being lenses for moral reasoning. Authentic leaders’ moral identities regulate their moral motivation and actions. In addition, the paper posits that internalized ethical philosophies can be activated by triggering events or changing the domain of moral issues. Authentic leaders with highly internalized moral identities are also encouraged to be morally modest, reflecting on different ethical philosophies when facing new challenges and internalizing them as needed while staying committed to their virtue-centric moral identity. This interdisciplinary paper proposes a framework and presents theoretical propositions to further understand the role of ethical philosophies in shaping an authentic leader’s internalized moral perspective. (shrink)

Becoming Langston Hughes -- Producing authentic Blackness -- Authenticity in the blues poetry -- The ethics of compromise -- Simple goes to Washington: Hughes and the McCarthy committee -- "Speak to me now of compromise" : Hughes and the specter of Booker T. -- Appendix A: Hughes's senate testimony in executive session -- Appendix B: Hughes's public testimony.

The course of German philosophy in the twentieth century is one of the most exciting, diverse and controversial periods in the history of human thought. It is widely studied and its legacy hotly contested. In this outstanding introduction, Julian Young explains and assesses the two dominant traditions in modern German philosophy - critical theory and phenomenology - by examining the following key thinkers and topics: Max Weber's setting the agenda for modern German philosophy: the `rationalization' and `disenchantment' (...) of modernity resulting in 'loss of freedom' and 'loss of meaning'; Horkheimer and Adorno: rationalization and the 'culture industry'; Habermas' defence of Enlightenment rationalization, the 'unfinished project of modernity'; Marcuse: a Freud-based vision of a repression-free utopia; Husserl: overcoming the 'crisis of humanity' through phenomenology; Early Heidegger's existential phenomenology: `authenticity' as loyalty to 'heritage'; Gadamer and `fusion of horizons' ; Arendt: the human condition; Later Heidegger: the re-enchantment of reality. German Philosophy in the Twentieth Century: Weber to Heidegger is essential reading for students of German philosophy, phenomenology, and critical theory, and will also be of interest to students in related fields such as literature, religious studies, and political theory. (shrink)

Merriness and suffering seldom accompany each other. Looking at Samuel Beckett's dramas we find human beings whose suffering is both primordial—simultaneous with their conception—and final, allowing no culmination or relief. The sufferers have become indifferent toward their suffering because of a palpable lack of an alternative. They have grown accustomed to their misery, since their life was never anything but misery. Needless to say, in Beckett this ubiquitous misery and suffering never appear in themselves. The extremities of human calamities presented (...) in various startling ways—Winnie's gradual sinking into the mound in Happy Days perhaps the most baffling—call for a legitimating dose of fitness, vitality, and... (shrink)

Ways of Being Free: Introduction -- War Is Everything's Father: History and Death as Causes of Existential Angst -- Introduction: Causes of Existential Angst -- Change and Changelessness in Midnight's Children -- The Road of Existential Struggle in The Famished Road -- History and the "Nervous Condition" in The English Patient -- Death as a Drive to Meaningful Existence in Midnight's Children -- Becoming Dead-to-the-World in The English Patient -- Ideological Re-appropriation through Death in The Famished Road -- Authenticity (...) -- Authenticity: Introduction -- From Self-Sufficiency to Inoperative Community in The English Patient -- Revolution Revisited in The Famished Road -- From Communalism to the Comic Absurd in Midnight's Children. (shrink)

Personal authenticity is out of fashion amongst analytic philosophers. Yet, Kierkegaard, Nietzsche, Heidegger, Sartre and Camus were clearly preoccupied by its theoretical and practical viability. In this study, Jacob Golomb illuminates the writings of these philosophers in an attempt to explain their particular ethical stance on the subject. This book will prove invaluable reading for students and teachers of philosophy, literature and education and indeed for anyone who has ever empathized with Camus's Meursault, Sartre's Matthieu or Nietzsche's (...) Zarathustra. (shrink)

Gerald Dworkin's influential account of Personal Autonomy offers the following two conditions for autonomy: Authenticity - the condition that one identify with one's beliefs, desires and values after a process of critical reflection, and Procedural Independence - the identification in must not be "influenced in ways which make the process of identification in some way alien to the individual" . I argue in this thesis that there are cases which fulfil both of Dworkin's conditions, yet are clearly not cases (...) of autonomy. Specifically, I argue that we can best assess the adequacy of Dworkin's account of autonomy through literature, because it provides a unique medium for testing his account on the very terms he sets up for himself - ie. that autonomy apply to, and make sense of, persons leading lives of a certain quality. The examination of two novels - Kazuo Ishiguro's The Remains of the Day and Henry James's The Portrait of a Lady - shows that Dworkin's explanation of identification and critical reflection is inadequate for capturing their role in autonomy and that he does not pay enough attention to the role of external factors in preventing or supporting autonomy. As an alternative, I offer the following two conditions for autonomy: critical reflection of a certain kind - radical reflection, and the ability to translate the results of into action - competence. The novels demonstrate that both conditions are dependent upon considerations of the content of one's beliefs, desires, values etc. Certain of these will prevent or hinder the achievement of autonomy because of their content, so autonomy must be understood in relation to substantial considerations, rather than in purely formal terms, as Dworkin argues. (shrink)

The paper interprets Nietzsche’s description of authentic human person.Based on the works of Nietzsche, commentaries and philosophical interpretationsof various authors, authentic human person evolves into a superman by usingthe principles of discipline and mastery of oneself. His authenticity, however,requires persistence, courage and strength to endure many forms of sufferingsand to overcome alienation brought about by his environment. Otherwise,man would become slave of his desires or alien to his own powers, talents andcapacities. Thus, Nietzsche’s thought of superman is an invitation (...) to overcomeoneself, the self that is influenced by the non-self or factors outside one self. Itis only possible by using the will to power. The will to power of man overcomesthe influences of the world’s modernization and industrialization that alienateshim to his true self, and this true self is best expressed by his will to power. Onthis note, the author suggests that the readers must use their potentials to face up to challenges of this new era. Keywords: Philosophy, language and literature, emergence, authentic human person,philosophy of the superman, authenticity, alienation, morality, descriptivedesign, Philippines. (shrink)

The paper interprets Nietzsche’s description of authentic human person.Based on the works of Nietzsche, commentaries and philosophical interpretationsof various authors, authentic human person evolves into a superman by usingthe principles of discipline and mastery of oneself. His authenticity, however,requires persistence, courage and strength to endure many forms of sufferingsand to overcome alienation brought about by his environment. Otherwise,man would become slave of his desires or alien to his own powers, talents andcapacities. Thus, Nietzsche’s thought of superman is an invitation (...) to overcomeoneself, the self that is influenced by the non-self or factors outside one self. Itis only possible by using the will to power. The will to power of man overcomesthe influences of the world’s modernization and industrialization that alienateshim to his true self, and this true self is best expressed by his will to power. Onthis note, the author suggests that the readers must use their potentials to face up to challenges of this new era. Keywords: Philosophy, language and literature, emergence, authentic human person,philosophy of the superman, authenticity, alienation, morality, descriptivedesign, Philippines. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 475-477 [Access article in PDF] A Small Treatise on the Great Virtues: The Uses of Philosophy in Everyday Life, by André Comte-Sponville, trans. Catherine Temerson; x & 352 pp. New York: Metropolitan Books, 2001. Of two minds, I mirror the two sorts of audience this book's twenty-four translations have sought: "students" and "readers" (p. 5), those for whom the scholarly content (...) and apparatus may be of interest and those hopefully many more who wish to become better, to become virtuous. Although "students" will not find sustained engagement with this book rewarding, its bright virtues will raise "readerly" smiles among them.Reasons for Small's great popularity since its 1995 PUF release derive not from essaying eighteen virtues in its eighteen chapters. Its allure is its dance with love's piquant absences, a dance with virtues as "feeble approximations of love" (p. 98). Indeed, chapter 1 teaches that politeness "is not a virtue but a simulacrum that imitates virtue (in adults) and paves the way for it (in children)" (p. 13). And since love, "the alpha and omega of all virtue" (p. 226), is not itself clearly a virtue, then perhaps at most fifteen virtues are treated. For as all readers will pleasurably discover, purity (chapter 14) is really refractions of love's qualities.The virtues are multiply interconnected, not unified as Socrates thought. This idea finds graceful expression, among other places, at the conclusion of "Generosity" (chapter 7). "Combined with courage, it turns out to be heroism. Joined by justice, it becomes equity. Coupled with compassion, it becomes benevolence. In league with mercy, it becomes leniency" (p. 102). And chap-ter 9's mercy? "Because hatred is a sadness, mercy (like the process of mourning, which it resembles and might even require, since to forgive is to bid farewell to our hatred) is on the side of joy. When it is not yet joyous, it is forgiveness; when it already is, it is love" (p. 131). Simone Weil's meditations on God's absence, or "withdrawal," occasion insights into authentic parental love. [End Page 475] God does not fill the world since "were he to do so, there would be only God and no world"; similarly, "more often than one might think, parents withdraw, step back, cede their space to their children, and refrain from exercising all the power at their disposal. Why? Because they love them" (p. 274).Unfortunately, love's flowers, potted in this garden of Adonis (Phaedrus 276b), must contend with "student" scrutiny from without and a suffocating lack of concision from within. This "student's" efforts failed to disentangle ambivalences about the loving ego in the long, concluding love chapter. Organized into three sections—eros, philia, agape—the first has no patience for subtleties of the Symposium's eros. "Have I begged the question?... So be it," since Plato confuses "love—in all its forms—with [ego's] want" (p. 243). Philia "is a different way of [ego's] possessing, of enjoying" (p. 277). Finally, agape, universal and disinterested love, is simply one's genuine conatus, one's true power of existing (pp. 270f). So ego loves three ways—desire, possession, power—but each is about ego. Eros "usually" (p. 262) intermixes with philia: "we are forever hesitating, oscillating, fluctuating between the two affects [desire and joy] and the two truths (Plato's and Spinoza's), between want and capacity, hope and gratitude, passion and action, religion and wisdom, between the love that desires only what it does not have and wants to possess (ero \ s), and the love [philia] that, since it desires only what is, has everything it desires and finds pleasure and joy in it" (p. 253). Nevertheless, philia without excess Platonic eros is about and for ego, not alter. For the friend per se gives ego joy: ego's joy is the definiens of philia (pp. 249ff). Disconcertingly, there are a few contrary formulations of philia as loving "the other for the other's benefit" (p. 262). If "metaphysics is the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Authenticity in Robert Musil’s Man Without QualitiesKelly CobleIHow is a man without qualities even possible? The question, also a translation of the title of a recent essay mining the philosophical sources of Robert Musil's The Man Without Qualities, has been a perennial one. The Austrian novelist's portrayal of an existence without the density of particularity has been an object of interminable conjecture.1 In the search for an interpretive (...) foothold, the bulk of Musil's commentators has identified Ernst Mach's "doctrine of elements," with its implication of the anonymity of perception, as the chief inspiration of Musil's portrait of a dispossessed inner life.2 Against this view Cambridge philosopher G. H. von Wright has asserted that Mach's influence was "incidental and without deeper significance to the content of Musil's later thoughts."3 Von Wright notes that Musil rejected Mach's skeptical and phenomenalist theses in his 1908 dissertation on Mach's theories, defending instead a realist position in the philosophy of physics. Yet another commentator has adduced evidence of Musil's persistent engagement in the sort of act-object analysis of states of consciousness that one would expect from a follower of Franz Brentano.4In the following pages I will show that Musil's literary masterpiece rests on a synthesis of Machian and Brentanist motifs. But the main impetus of Musil's presentation of an interior with substitutable qualities was not one or another claim in the domain of modern epistemology, "realism" versus "idealism," "phenomenology" versus "phenomenalism," but a crisis in moral reflection ensuing from a commitment to the standpoint of value-neutral objectivity. This standpoint gains its [End Page 337] appeal when both of the known pathways to moral certainty—both the conservative-traditional one of allegiance to enduring practices and institutions and the liberal-enlightenment one of deference to the universal requirements of reason—appear as blind alleys, as they did to inhabitants of Central Europe after the turn of the century and especially in the aftermath of the Great War. To exist without qualities is to abandon oneself to the purely theoretical outlook, and so to be unable to construct a narrative rendering the episodes of one's life as parts of a process with cumulativeness and direction. To live "without qualities" is to live the loss of moral narrative. Accordingly, the intent of Musil's literary investigations is both to illuminate the conditions of this loss and to assay the conditions of ethical life regained.IIAccording to Mach's doctrine of elements, the isolable sensations that constitute the ultimate points of psychological analysis are the very elements with which the physical sciences also have to deal, albeit the physical sciences deal with these elements in abstraction from their relations to our sense physiology. The core thesis of the doctrine is thus that the "sensations" isolated in psychological analysis are not mental events, ontologically speaking, but rather points of perfect convergence of the domains of psychology and physics. What psychologists call "sensations," namely "colors, tones, warmths, pressures, spaces, times, and so on," constitute "the actually real elements of the world"—albeit before the world has been banished to a shadowy realm of pure substances beyond the limits of perception.5 The ultimate, irreducible constituents of reality are not unanalyzable substances and subjects but associations and complexes of elements that compose the luminous fabric of experience.Mach's doctrine of elements replaces substance dualism with a brand of monism that analytical philosophers have tagged "ontological phenomenalism." Mach believed that widespread subscription to phenomenalism would have a liberating effect on the sciences, enabling empirical researchers to get on with the business of subjecting relatively permanent, relatively stable complexes of perceptual elements to the mathematical formalism that is the goal of the exact natural sciences.There is a widespread assumption that Mach was a sense-datist—an epistemological "pointillist" who replaced substances with dots of pure sensation that, in their aggregation, compose our perceptions. The [End Page 338] assumption is false. In Mach's view the sensations of which we can possibly be conscious are irreducibly features of wholes: "The single sensation is neither conscious nor unconscious. It... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Authenticity in Robert Musil’s Man Without QualitiesKelly CobleIHow is a man without qualities even possible? The question, also a translation of the title of a recent essay mining the philosophical sources of Robert Musil's The Man Without Qualities, has been a perennial one. The Austrian novelist's portrayal of an existence without the density of particularity has been an object of interminable conjecture.1 In the search for an interpretive (...) foothold, the bulk of Musil's commentators has identified Ernst Mach's "doctrine of elements," with its implication of the anonymity of perception, as the chief inspiration of Musil's portrait of a dispossessed inner life.2 Against this view Cambridge philosopher G. H. von Wright has asserted that Mach's influence was "incidental and without deeper significance to the content of Musil's later thoughts."3 Von Wright notes that Musil rejected Mach's skeptical and phenomenalist theses in his 1908 dissertation on Mach's theories, defending instead a realist position in the philosophy of physics. Yet another commentator has adduced evidence of Musil's persistent engagement in the sort of act-object analysis of states of consciousness that one would expect from a follower of Franz Brentano.4In the following pages I will show that Musil's literary masterpiece rests on a synthesis of Machian and Brentanist motifs. But the main impetus of Musil's presentation of an interior with substitutable qualities was not one or another claim in the domain of modern epistemology, "realism" versus "idealism," "phenomenology" versus "phenomenalism," but a crisis in moral reflection ensuing from a commitment to the standpoint of value-neutral objectivity. This standpoint gains its [End Page 337] appeal when both of the known pathways to moral certainty—both the conservative-traditional one of allegiance to enduring practices and institutions and the liberal-enlightenment one of deference to the universal requirements of reason—appear as blind alleys, as they did to inhabitants of Central Europe after the turn of the century and especially in the aftermath of the Great War. To exist without qualities is to abandon oneself to the purely theoretical outlook, and so to be unable to construct a narrative rendering the episodes of one's life as parts of a process with cumulativeness and direction. To live "without qualities" is to live the loss of moral narrative. Accordingly, the intent of Musil's literary investigations is both to illuminate the conditions of this loss and to assay the conditions of ethical life regained.IIAccording to Mach's doctrine of elements, the isolable sensations that constitute the ultimate points of psychological analysis are the very elements with which the physical sciences also have to deal, albeit the physical sciences deal with these elements in abstraction from their relations to our sense physiology. The core thesis of the doctrine is thus that the "sensations" isolated in psychological analysis are not mental events, ontologically speaking, but rather points of perfect convergence of the domains of psychology and physics. What psychologists call "sensations," namely "colors, tones, warmths, pressures, spaces, times, and so on," constitute "the actually real elements of the world"—albeit before the world has been banished to a shadowy realm of pure substances beyond the limits of perception.5 The ultimate, irreducible constituents of reality are not unanalyzable substances and subjects but associations and complexes of elements that compose the luminous fabric of experience.Mach's doctrine of elements replaces substance dualism with a brand of monism that analytical philosophers have tagged "ontological phenomenalism." Mach believed that widespread subscription to phenomenalism would have a liberating effect on the sciences, enabling empirical researchers to get on with the business of subjecting relatively permanent, relatively stable complexes of perceptual elements to the mathematical formalism that is the goal of the exact natural sciences.There is a widespread assumption that Mach was a sense-datist—an epistemological "pointillist" who replaced substances with dots of pure sensation that, in their aggregation, compose our perceptions. The [End Page 338] assumption is false. In Mach's view the sensations of which we can possibly be conscious are irreducibly features of wholes: "The single sensation is neither conscious nor unconscious. It... (shrink)

The intertwining careers of William Torrey Harris converge in twelve of the Annual Reports of the Board of Directors for St. Louis Public Schools. Harris formulated most of the essential features of these twelve reports as the Superintendent of Schools from 1867 to 1869. These particular reports—which have been acclaimed nationally and internationally—are said to be among the most valuable official publications in American educational literature. They are far different from the descriptive documents originally intended by their author. This (...) study demonstrates that Harris provided an authentic philosophy of education, a set of interrelated philosophical principles and their applications to educational problems. The substance of Harris's philosophy of education is focused upon a broadly based philosophical anthropology in relationship primarily to the purposes, curriculum, and teaching methods in intellectual, moral, and religious education. (shrink)

Purpose of this work is to find the key to understanding the paradox of Descartes’ way of philosophizing during the recourse to the text of "early writings". Realization of the set purpose involves the consistent solving of such tasks: by referring to the research literature, to outline the forms of transition to modern methodology; to explicate the main reasons for philosophy anthropologization by Descartes; to analyze the role of art as the main form of expressing Descartes’ worldview in (...) the "early writings". Theoretical basis. Studies by Descartes experts and the phenomenological tradition. Originality. The analysis of the "early writings" allows to determine the origins of the main doctrine of Descartes’ philosophizing. Its role is manifested in the course of clarifying the main motives of the anthropological approach of the French philosopher. That entails their rootedness in the Copernican-based scientific revolution of the New Age. A prerequisite for the authentic comprehension of the radical change carried out by Descartes is the attention to the paradigmatic significance of art, which is most fully asserted in the "early writings". It is substantiated that the appeal of young Descartes to the experience of art influences his understanding of science, as well as the awareness of human presence in the development of the scientific picture of the world and the distinction of the main components of human nature – mind and will. Conclusions. During the analysis of the contemporary literature devoted to Descartes, there is outlined the tendency to go beyond the notions of naivety and simplicity of his position, one of the manifestations of which is the increased attention to anthropology. The main motives for its actualization are rooted in the scientific revolution of the New Age, which are the form of completion of the radical worldview change initiated by Copernicus. It is about the vision of man as the main component of the universe, attention thereto in the search for the source point and the decisive authority for the world development, reflection of the thinker’s desire to build his own ethical doctrine based on human nature. While comprehending the "early wri-tings", the author focuses on the interpretation by young Descartes of art as a form of expression of truth, which enables the authentic comprehension of human nature. These ideas became the basis for the further work of the thinker, and today they open up new perspectives of exploring the anthropological foundation for later works. (shrink)

Authenticity is a formidable word, a dangerous word, a word whereby fortunes, careers, and reputations can be won or lost. But what has authenticity to do with art? The essays in this book focus on their turbulent relationship ranging across the fields of literature and the visual arts and philosophy, and covering topics as diverse as fictional biography, portraiture, copies and forgeries, war photography, letters as testimony and texts in translation. The reader encounters erasmus, Rousseau, Heidegger, (...) Beckett, Borges, and Houellebecq; engages with subjects as varied as Sir Gawain and the Green Knight, da Vinci's La Belle Ferronniere, and Million Dollar Baby. (shrink)

The aim of this article is twofold: first, to identify and address three central divisions in the field of authentic education that introduce ambiguity and at times inconsistencies within the field of authentic education. These divisions concern a) the relationship between autonomy and authenticity; b) the division between the two basic attitudes towards ‘care’ in the authenticity literature, and; c) the well-worn division between objective and subjective realms of knowledge and identity construction. Addressing these divisions through Charles (...) Taylor's distinction between active and passive aspects of authenticity, I believe, will lead to a better understanding of the main issues involved in conceptualising and applying authenticity-based education. Second, to present what I call The Postconventional Authentic Relation-to-Self as a basis for overcoming and reconciling the above divisions. I shall conclude by providing some examples of the way the perspective envisioned by PARTS can be applied to educational practices. (shrink)

This article will examine how the notion of emotional authenticity is intertwined with the notions of naturalness and artificiality in the context of the recent debates about ‘neuro-enhancement’ and ‘neuro-psychopharmacology.’ In the philosophy of mind, the concept of authenticity plays a key role in the discussion of the emotions. There is a widely held intuition that an artificial means will always lead to an inauthentic result. This article, however, proposes that artificial substances do not necessarily result in (...) inauthentic emotions. The literature provided by the philosophy of mind on this subject usually resorts to thought experiments. On the other hand, the recent literature in applied ethics on ‘enhancement’ provides good reasons to include real world examples. Such case studies reveal that some psychotropic drugs such as antidepressants actually cause people to undergo experiences of authenticity, making them feel ‘like themselves’ for the first time in their lives. Beginning with these accounts, this article suggests three non-naturalist standards for emotions: the authenticity standard, the rationality standard, and the coherence standard. It argues that the authenticity standard is not always the only valid one, but that the other two ways of assessing emotions are also valid, and that they can even have repercussions on the felt authenticity of emotions. In conclusion, it sketches some of the normative implications if not ethical intricacies that accompany the enhancement of emotions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.3 (2003) 108-112 [Access article in PDF] Themes in the Philosophy of Music, by Stephen Davies. New York: Oxford University Press, 2003, 283 pp., hardcover. Over the last few decades, there has been a remarkable output of several books and articles on the philosophy of music. Stephen Davies is one of the leading contributors to this growing literature in the (...) class='Hi'>Philosophy of Music. This important and thought-provoking volume collects fifteen of Davies's essays on various philosophical issues pertaining to music such as ontology, performance, expression, and appreciation. With the exception of two, all of the essays have been published before. There is not enough space here to do justice to all fifteen essays, and thus I focus on those that strike me as most important and where I disagree with Davies.First a word about the book's relevance to aesthetic education and itspotential for use in aesthetic education. Davies's book strikes me as having immense potential for aesthetic education. I can easily see the various essays as being of great value in educating performers, composers, musicologists, and music lovers about various aspects of performance and appreciation especially. Here is a brief list of questions pertinent to aesthetic education that Davies's work raises and addresses: Why is performance on authentic instruments important? What is involved in understanding musical works? Is technical training necessary to appreciate musical works fully? To what degree can the performer create her own interpretation of a work, and how much does the score constrain her?Now on to the essays themselves. The first part of Davies's volume concerns ontology, and the first essay "John Cage's 4'33": Is it Music?" addresses this very famous musical work. Davies argues that 4'33" is not music but rather a theatrical piece about music because it does not exclude anysounds as being ambient noise, as Davies thinks musical works should do. Davies does not deny, however, that this work is an artwork. He thinks instead that the work is not organized sound, as all music must be, for it does not exclude any sonic events during performance as ambient; even sounds made by the performer of this work, claims Davies, are mistakes and not ambient. Thus neither Cage nor the performer organize (select, appropriate) sounds. Davies also suggests that while Cage wants us to have an aesthetic interest in the sonic properties of 4'33," he failed in his intention for we hear the work instead in musico-historical terms.Contrary to Davies's view, one mustwonder if 4'33" just is a theatrical piece about music, not a musical work as such. Unlike theater and theatrical works which are meant to be both seen and heard, Cage's work is only meant to be heard. Davies's view would seem to neglect this important auditory aspect in claiming that the work is just theater not music. Besides, why must all musical works exclude some soundsas ambient, and why might Cage's [End Page 108] work not be an exception to this? Why couldn't 4'33" be a limiting case of music, at one extreme of a range of musical works? As for Davies's claim that any sounds made by the performer who is supposed to be silent are mistakes not ambient noise, one must wonder if Cage intended instead that sounds made by the performer (such as musical tones or coughs) be bracketed by listeners as not part of the work while sounds made by the audience are part of the work, thus undermining the audience-performer distinction. Moreover, against Davies's claim that Cage intended us to have an aesthetic interest in sonic properties, I submit that Cage was Zen-influenced and not committed to such dualisticaesthetic concepts (such as beautiful vs. ugly) or any concepts for that matter, whether musico-historical or not. Instead, Cage intended us to simplylisten, with an open mind and openears, without adhering rigidly to concepts or hearing 4'33" in musico-historical terms, difficult as that may be. Finally, there... (shrink)

This book discusses the philosophy of place and the implications for understanding ourselves authentically. It sets out to investigate this by providing a review of the phenomenological and humanistic views of place as background reading for the chapters that follow. This contributed book offers unique chapters from international scholars on place in relation to individual philosophers such as Nietzsche, Sloterdijk, Foucault, as well as more broad areas of research including Ecology, Ontogenesis, Bioethics and Metaphysics. The book then presents an (...) integration of the arguments of the contributing authors to give a better and fresh insight to the relationship between place and self. This fusion of chapters amplifies each to show how they all have an important contribution to an expanded understanding of place and self. This combination of topics as well as each author's view of place makes this book an important contribution to the literature. The book is intended for philosophers but would also be of interest to a general audience. (shrink)

In this article I elucidate a conception of small worlds, or ‘ontological’ contexts, within the curriculum that stand out and beyond the horizon of technological‐scientific reality, which might be linked with forgotten, marginal ways of being and thinking. As I attempt to demonstrate, it is possible that such ontological worlds apart from technology's ‘Enframing’ effect might inspire the type of meditative thinking in our classrooms that is consistent with Heidegger's notion of authentic worldly dwelling as it appears in the later (...) writings of the 1930s, or the ‘turn’. (shrink)

This paper presents Niketas Stethatos’ use of the definition of philosophy as “knowledge of human and divine things”. The definition, of Stoic origin, was elaborated by the Neoplatonic school of Alexandria together with five other definitions, and was adopted by the Church Fathers. The first part discusses aspects of the definition’s history in ancient, Patristic, and Byzantine literature until the eleventh century, which indicates Stethatos’ uniqueness. The second part presents the definition in his works, with emphasis on its (...) relation to the φυσικὴ θεωρία. Also the extraordinary often and multifaceted appearance of this definition in Stethatos’ works in his controversy with Michael Psellos is investigated. Stethatos, through his elaborated and systematic reference to the definition, propagates the mystical experience as authentic philosophy against the rise of secular philosophy and its tendency to become autonomous. (shrink)

The paper addresses the question of whether authenticity is a conceptual possibility for Dasein given Heidegger’s insistence in Being and Time that Dasein is necessarily fallen into its mode of everydayness and that fallenness is necessarily inauthentic. By exploring the relationship between Dasein and existentials, I reveal a structure of possibility in allexistentials that provides the seeming paradox a resolution. I use the concept of “logical existentialism” to explore what Heidegger may have meant when he talks of existentials and (...) I look at some passages from The History of the Concept of Time to read propensity as the substance of falling. In the process, l address and discard the only two real attempts in the secondary literature to cope with the paradox: that of Hubert Dreyfus and Rudi Visker.L’article se penche sur la question de savoir si l’authenticité est une possibilité conceptuelle du Dasein, étant donnée I’insistance de Heidegger dans Être et Temps à I’effet que le Dasein est nécessairement déchu dans ses modes de quotidienneté, et que la déchéance est nécessairement inauthentique. À travers I’exploration de la relation entre le Dasein et les existantiaux, je révèle une structure de possibilité dans tous les existantiaux qui permet une résolution du paradoxe apparent. J’utilise le concept d’ «existentialisme logique»pour explorer ce que Heidegger voulait sans doute dire par les existantiaux, et je considère certains passages des The History of the Concept of Time pour interpréter la propension comme substance de la déchéance. Ce faisant, j’aborde et rejette les deux seules tentatives de résolution du paradoxe dans la littérature secondaire: celle de Hubert Dreyfus et de Rudi Visker. (shrink)

The paper addresses the question of whether authenticity is a conceptual possibility for Dasein given Heidegger’s insistence in Being and Time that Dasein is necessarily fallen into its mode of everydayness and that fallenness is necessarily inauthentic. By exploring the relationship between Dasein and existentials, I reveal a structure of possibility in allexistentials that provides the seeming paradox a resolution. I use the concept of “logical existentialism” to explore what Heidegger may have meant when he talks of existentials and (...) I look at some passages from The History of the Concept of Time to read propensity as the substance of falling. In the process, l address and discard the only two real attempts in the secondary literature to cope with the paradox: that of Hubert Dreyfus and Rudi Visker.L’article se penche sur la question de savoir si l’authenticité est une possibilité conceptuelle du Dasein, étant donnée I’insistance de Heidegger dans Être et Temps à I’effet que le Dasein est nécessairement déchu dans ses modes de quotidienneté, et que la déchéance est nécessairement inauthentique. À travers I’exploration de la relation entre le Dasein et les existantiaux, je révèle une structure de possibilité dans tous les existantiaux qui permet une résolution du paradoxe apparent. J’utilise le concept d’ «existentialisme logique»pour explorer ce que Heidegger voulait sans doute dire par les existantiaux, et je considère certains passages des The History of the Concept of Time pour interpréter la propension comme substance de la déchéance. Ce faisant, j’aborde et rejette les deux seules tentatives de résolution du paradoxe dans la littérature secondaire: celle de Hubert Dreyfus et de Rudi Visker. (shrink)

In the small but growing literature on the philosophy of country music, the question of how we ought to understand the genre’s notion of authenticity has emerged as one of the central questions. Many country music scholars argue that authenticity claims track attributions of cultural standing or artistic self-expression. However, careful attention to the history of the genre reveals that these claims are simply factually wrong. On the basis of this, we have grounds for dismissing these (...) attributions. Here, I argue for an alternative model of authenticity in which we take claims about the relative authenticity of country music to be evidence of ‘country’ being a dual character concept in the same way that it has been suggested of punk rock and hip-hop. Authentic country music is country music that embodies the core value commitments of the genre. These values form the basis of country artists’ and audiences’ practical identities. Part of country music’s aesthetic practice is that audiences reconnect with, reify, and revise this common practical identity through identification with artists and works that manifest these values. We should then think of authenticity discourse within country music as a kind of game within the genre’s practice of shaping and maintaining this practical identity. (shrink)

It is a commonplace of long standing that one should be “authentic” or—in expressions which may have an approximately similar meaning—that one should be “true to oneself” or that one should “lead a life of one’s own”. Duty and morality aside, this command to be “authentic” leads the prudentially-minded reader to ask, “Why? Why should I be authentic, or true to myself, or lead a life of my own? Will I, of necessity, be horribly unhappy if I am not authentic? (...) Is not an inauthentic, but happy life, at least a conceptual possibility? And, if I can be happy though inauthentic, then why should I strive toward authenticity, especially since the psychological literature on this subject makes much of the considerable pain involved in this process?” It is not self-evidently clear, from the prudential point of view, why authenticity is desirable. (shrink)

Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers (...) alike. The volume is organized into four main sections: I. Art and Improvisation: Theoretical Perspectives II. Art and Improvisation: Aesthetic, Ethical, and Political Perspectives III. Improvisation in Musical Practices IV. Improvisation in the Visual, Narrative, Dramatic, and Interactive Arts Key Features: Treats improvisation not only as a stylistic feature, but also as an aesthetic property of artworks and performances as well as a core element of artistic creativity. Spells out multiple aspects of the concept of improvisation, emphasizing its relevance in understanding the nature of art. Covers improvisation in a wide spectrum of artistic domains, including unexpected ones such as literature, visual arts, games, and cooking. Addresses key questions, like: - How can improvisation be defined and what is its role in different art forms? - Can improvisation be perceived as such, and how can it be aesthetically evaluated? - What is the relationship between improvisation and notions such as action, composition, expressivity, and authenticity? - What is the ethical and political significance of improvisation? (shrink)

The author presents a discussion of existentialistic themes as they are found in sartrean literature and scholarly writings. (staff).

Marking a major new reassessment of Camus' writing, this book investigates the nature and philosophical origins of Camus' thinking on "authenticity" and "the absurd" as these motions are expressed in "The Myth of Sisyphus" and "The Outsider", showing these books to be the product not only of a literary figure, but of a genuine philosopher as well. Moreover, the author provides a complete English-language translation of Camus' "Metaphysique Chretienne et Neoplatonisme" and underlines the importance of this study for the (...) understanding of the early Camus. The book also contains analyses of the influence of St Augustine and Nietzsche on Camus. (shrink)

This article is based on the presupposition that postmodern philosophy has been largely influenced by Nietzsche's writings. The author raises the question of how Nietzsche and postmodern philosophy are interpreted in the contemporary philosophical discourse in Lithuania. The conclusion drawn is that many philosophy critics in Lithuania are interested in Nietzsche's philosophy (Mickevižius, Sodeika, Šerpytytè, Sverdiolas, Baranova) and in the problems of postmodern philosophy (Keršytè, Rubavižius, Žukauskaité, Serpytytè, Šverdiolas, Baranova, Norkus). The article also raises a (...) second crucial question: beyond the critics, are there any truly authentic postmodern thinkers in Lithuania? This article's main hypotheses is that Arvydas Šliogeris' philosophy is the best and perhaps the only example of original Lithuanian postmodern thought; it is based on, and interconnected with, the deeply inherited roots of existential thought in Lithuanian philosophical culture. The arguments for these hypotheses are as follows: first, Šliogeris is the first philosopher in Lithuania who has tried to reason in an interdisciplinary manner, e. g. trying to overcome the modernistic distinction between philosophy and the arts (especially literature, poetry, and the visual arts); secondly, Šliogeris's philosophizing is indispensable to his writings— his texts are examples of an experience of writing as thinking and thinking as writing; thirdly, following Deleuze's presupposition that the philosopher is a creator, one can see this creative aspect in Šliogeris's approach. His texts show how it is possible to synthesize insights from philosophy and poetry. (shrink)

Journal of Human Values, Volume 28, Issue 3, Page 181-199, September 2022. The study addresses the challenging crisis of sustainable consumption. It explores the philosophy of Samkhya, which is based on nature and spirit, also found in Vedantic knowledge, and synthesizes it with the knowledge of spiritual well-being found in modern literature to conceptualize the roles of the direct, mediating and moderated mediation relationships of different Vedantic personality types, spiritual well-being and family structure with consciousness for sustainable consumption (...) and its three dimensions of environment, society and economy. Based on the conceptualized roles, different models have been proposed. (shrink)

This study offers a close reading of China’s Van Goghs, a documentary that tells the personal story of Zhao Xiaoyong, a painter-worker making his living by replicating masterpieces in a Chinese art village. Taking the cinematic representation of Zhao’s pilgrimage as a starting point, this study explores how the meaning of authenticity is negotiated through the interplay between aesthetic value and market value in the global flow of cultural products. Through a cross-disciplinary exchange between film, tourism, urban studies and (...) creative labor studies, this study investigates the on-screen portrayal of places, people and power relations as a means to investigate the spatial, social and political implications of Zhao’s journey. Situating the protagonist’s quest for authenticity in Shenzhen’s transition from a labor-intensive economy to a knowledge-based economy, this study sheds light on the intersection between identity, mobility, and creativity at the time of capitalization, urbanization and globalization. (shrink)

Die Buchreihe Konzepte der Sprach- und Literaturwissenschaft gibt Aufschluss über Prinzipien, Probleme und Verfahrensweisen philologischer Forschung im weitesten Sinne und dient einer Bestimmung des Standorts der Linguistik und Literaturwissenschaft. Die Reihe übergreift Einzelsprachen und Einzelliteraturen. Sie stellt sich in den Dienst der Reflexion und Grundlegung einer allgemeinen Sprach- und Literaturwissenschaft. Die Bände sind zum Teil informierende Einführungen, zum Teil wissenschaftliche Diskussionsbeiträge.

The concept of authenticity plays an important role in how people reason about objects, other people, and themselves. However, despite a great deal of academic interest in this concept, to date, the precise meaning of the term, authenticity, has remained somewhat elusive. This paper reviews the various definitions of authenticity that have been proposed in the literature and identifies areas of convergence. We then outline a novel framework that organizes the existing definitions of authenticity along (...) two key dimensions: describing the type of entity that is evaluated and describing the source of information that is consulted. We argue that this convergence across a number of papers, and more importantly, across a number of domains, reflects significant progress in articulating the meaning of authenticity. We conclude by suggesting new avenues for research in this area, with particular attention toward psychological process. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Genres in Dialogue: Plato and the Construct of PhilosophyAnthony J. CascardiGenres in Dialogue: Plato and the Construct of Philosophy, by Andrea Wilson Nightingale; xiv & 222 pp. Cambridge: Cambridge University Press, 1996, $49.95 paper.That what we call “philosophy” may be a construct, contingent upon its social and historical circumstances and dependent upon its discursive elaboration in texts that have come to be accepted as authoritative, is (...) a possibility that seems increasingly plausible at the end of the twentieth century. To judge from recent debates over the “end of philosophy” there are few outside the discipline proper who would accept the procedures by which philosophy came to legitimize itself as an autonomous discourse. Philosophy as we know it now seems to be one discourse among many others equal to it, and its associated values (e.g., truth, authenticity, virtue) seem hard pressed to maintain their preeminence when faced with claims that there is no scale according to which all values can be ranked. In the tradition of Plato, Descartes, and Kant, however, philosophical values were bound up with the identity of philosophy as an autonomous discourse. Here, the disciplinary identity of philosophy was dependent upon the “purification” of its discourse: the separation of what is “philosophical” from what is not allowed philosophy to conduct its pursuit of wisdom above the flux of contingent events.How should we understand and evaluate twentieth-century claims about the contingency of philosophical discourse? The question may be approached in divergent ways. One, articulated from inside the discipline of philosophy, seeks to press on with the project of Plato, Descartes, and Kant in order to isolate and refine the language that is most transparent to the truth. According to this view, the claim that philosophy is constructed would be mistaken or confused, and in any case not a philosophical claim at all. Another approach, articulated from outside the discipline of philosophy proper, would be to map the discursive construction of philosophy in terms of the “ideological” interests at work in the very process of that construction, keeping in mind that what is “ideological” is always fashioned in some discursive way. While each of these approaches has something to recommend it, each is insufficient. Typically, the project of “purification” fails to reflect sufficiently upon the contingency of the discourse it aims to refine, while the project of ideology-critique typically fails to recognize its own implicit appeal to some notion of truth or authenticity—or, at the very least, of truths pursued in earnest and communicated intelligibly.Andrea Nightingale’s fine book on Plato and the “construct” of philosophy is everywhere responsive to the contingency of philosophical discourse. Nightingale deals with this contingency by inspecting Plato’s strategies through a lens that is at once social, historical, and discursive. Genres in Dialogue is likewise aware of the claims that Plato makes on behalf of the values of “truth” and “authenticity.” But Nightingale’s strategy is to deflect (philosophical?) questions about truth and authenticity in favor of an analysis that focuses on Plato’s [End Page 527] role in the inaugural configuration of what we have come to recognize and accept as philosophical discourse. Rather than concentrate on the later, ideological appropriation of philosophy in the West, Nightingale sets her sights on philosophy’s inaugural moment, when debates about truth and authenticity were first configured in relation to the question of different modes of speech, some of which attempted to assert their primacy over all others. On Nightingale’s very provocative account, philosophy is not something that became contingent with the passage of time; it was from the very start a discursive construct.Nightingale argues that procedures of this construction, evidenced principally in Plato’s dialogues, were unique. While recognizing that the Platonic dialogues were the staging ground for the rivalries between philosophy on the one hand and rhetoric and poetry on the other, her more important claim is that Plato incorporated a panoply of discursive genres into his texts, always in order to parody, subvert, or otherwise challenge their authority, the better to establish the primacy of philosophy as a discursive practice. What philosophy itself is goes largely unanswered by Plato. Instead... (shrink)

Walter Kaufmann's 1956 anthology, Existentialism from Dostoevsky to Sartre, was a landmark in the dissemination of existentialist thought in the English speaking world. Yet despite the popularity of the anthology, Kaufmann's ideas about existentialism have not received the study they deserve. This is true even though Kaufmann made it clear that he had an engaged point of view; that is, a particular story to tell about existentialism and its reception. If we examine the provocative manner that Kaufmann juxtaposed Kierkegaard – (...) the figure he considered to be the first existentialist – with Dostoevsky, Nietzsche and Rilke, we will not only grasp his intentions, we will discover some valuable (and surprising) things about existentialism, its reputation in scholarly literature, and ourselves. (shrink)

Shoot straight from the hip. Tell it like it is. Keep it real. We love these commands, especially in America, because they invoke what we love to believe: that there is an authentic self to which we can be true. But while we mock Tricky Dick and Slick Willie, we are inventing identities on Facebook, paying thousands for plastic surgeries, tuning into news that simply verifies our opinions. This is frontier forthrightness gone dreamy: reality bites, after all, and faith-based initiatives (...) trump reality-based ones, and becoming disillusioned is a downer. In his new book, part memoir, part cultural analysis, Keep It Fake: Inventing an Authentic Life, Eric G. Wilson clarifies this confusion. He draws on neuroscience, psychology, sociology, philosophy, art, film, literature, and his own life to explore the possibility that there's no such thing as unwavering reality. Whether our left brains are shaping the raw data of our right into fabulous stories, or we are so saturated by society's conventions that we're always acting out prefab scripts, we can't help but be phony. But are some fakes more real than others? Are certain lies true? In lively prose—honest, provocative, erudite, witty, wide-ranging (as likely to riff on Bill Murray as to contemplate Plato)—Keep It Fakeanswers these questions, uncovering bracing truths about what it means to be human and helping us turn our necessary lying into artful living. (shrink)

At 252e1 to 253c9 in Plato’s Sophist, the Eleatic Visitor explains why philosophy is a science. Like the art of grammar, philosophical knowledge corresponds to a generic structure of discrete kinds and is acquired by systematic analysis of how these kinds intermingle. In the literature, the Visitor’s science is either understood as an expression of a mature and authentic platonic metaphysics, or as a sophisticated illusion staged to illustrate the seductive lure of sophistic deception. By showing how the (...) Visitor’s account of the science of philosophy is just as comprehensive, phantasmatic and self-concealing as the art of sophistry identified at the dialogue’s outset, this paper argues in favor of the latter view. (shrink)

As identity and authenticity discourses increasingly saturate everyday life, so too have these concepts spread across the humanities and social sciences literatures. Many scholars may be interested in identity and authenticity, but lack knowledge of paradigmatic or disciplinary approaches to these concepts. This volume offers readers insight into social constructionist approaches to identity and authenticity. It focuses on the processes of identification and authentication, rather than on subjective experiences of selfhood. There are no attempts to settle what (...) authentic identities are. On the contrary, contributors demonstrate that neither identities nor their authenticity have a single or fixed meaning. Chapters provide exemplars of contemporary research on identity and authenticity, with significant diversity among them in terms of the identities, cultural milieu, geographic settings, disciplinary traditions, and methodological approaches considered. Contributors introduce readers to a number of established and emerging identity groups from sites around the world, from yogis and punks to fire dancers and social media influencers. Their conceptual work stretches from the micro-analytic to the ethno-national as authors employ a variety of qualitative methods including ethnographic fieldwork, interviewing, and the collection and analysis of naturally-occurring interactions. Several of the chapters look directly at identification and authentication, while others focus on the social and cultural backdrops that structure these practices-what unites them is the adoption of social constructionist sensibilities. This book will appeal to anyone interested in understanding identity and authenticity. (shrink)

Abstract:This study explores the relationship between beauty and intellect, often represented as diametrical opposites, in Chinese and Jewish texts, particularly with reference to Confucian and rabbinic texts. Four discourses concerning the nexus of beauty and intellect are presented: antagonistic, complementary, authentic, and epistemic. In both traditions, although more so in Confucianism, intellect is sometimes elided with moral virtue, adding another element to the discussion. The comparison of this theme in distant traditions seeks to highlight their shared resistance to a single (...) interpretation or a consistent outlook: while Confucian texts tend to embrace a complementary discourse, along the lines of a physiognomic tradition, competing views can be detected. Likewise, the rabbinic tradition inherits the biblical view that "beauty is vain" but still manifests some cases of a complementary discourse. (shrink)

We are living in the era of street art. Since Nick Riggle’s pivotal work on the definition of street art, several philosophers have addressed issues in the philosophy of street art. The goal of this paper is to summarize the literature. I consider the following matters, which have been at the core of philosophical discussions on street art: demarcation, value, illegality, and the ethical foundation of intellectual property (IP) protection. In answering the question ‘What is street art?,’ philosophers (...) have generally resisted skeptical approaches by developing a wide range of real and essentialist definitions of street art (Section 2). When considering street art’s value, I distinguish between aesthetic and non-aesthetic centered accounts. If the former focus on the aesthetic side of our experience of street art, the latter generally place emphasis on its activist nature and political significance (Section 3). In discussing the relationship between street art and illegality, I canvas different takes on the issue. If for some scholars illegality is either a necessary or sufficient condition for street art, philosophers tend to agree that it is neither, while not denying its relevance at the level of identity and authenticity (Section 4). Finally, I consider matters of IP protection of street art. On the one hand, copyright optimists defend the view that current IP legislations may very well have a positive impact on the promotion and preservation of street art. Pessimists, on the other hand, argue that an extension of copyright privileges to works of street art is likely to jeopardize the counter-cultural and rebellious nature of this urban art kind (Section 5). (shrink)

"To explain more is to understand better". This is the mantra by which French philosopher Paul Ricoeur lived and worked, establishing himself as one of the twentieth century's most lucid and broad-ranging critical thinkers. A prisoner of war at 27, Ricoeur was also Dean of Paris X Nanterre during the student disturbances of 1968. In later years he became an outspoken champion of social justice. In work as in life, Ricoeur was committed to the challenges of conflict and the prospect (...) of authentic resolution. Deeply indebted to phenomenology and the hermeneutical tradition of Heidegger and Gadamer, Ricoeur was also an advocate of structural linguistics, of psychoanalysis, and a rare conversant with the Anglo-American analytic tradition. This volume explores how literature and the conflicts of literary-theoretical debate inform Ricoeur's theory of imagination and understanding, and how Ricoeur's unique mode of literary reflection resolves the conflicts of literature's theoretical heyday, presaging a new direction for literary studies. (shrink)

1.—In the early decades of the Eighteenth Century a French Jesuit, one Fr. Jean Hardouin, was engaged in propounding a startling theory concerning the credentials of ancient literature. He declared that nearly all the reputed writings of antiquity, secular and sacred alike, were in fact composed by a monkish group of literary forgers in the Thirteenth and Fourteenth Centuries. The only works he admitted as authentic were the Latin Scriptures, Homer, Herodotus, and a few others of minor import. In (...) defence of this thesis he argued that it was admitted on every hand that some of the reputed writings of antiquity were not authentic. He was but carrying out a more rigorous examination than had ever before been made. The result of this severely critical scrutiny was to strip away most of the picture we had commonly but erroneously accepted of the antique world and to leave behind what was, by comparison, but a skeleton. This skeleton, alone, could be taken as real; our former beliefs were but a systematic imposture. We had, all unknowing, built up an enchanted vision of the ancient world; at a wave of the critic’s hand the enchantment is banished. (shrink)

A CHOICE Outstanding Academic Title 2012! Contemporary picturebooks open up spaces for philosophical dialogues between people of all ages. As works of art, picturebooks offer unique opportunities to explore ideas and to create meaning collaboratively. This book considers censorship of certain well-known picturebooks, challenging the assumptions on which this censorship is based. Through a lively exploration of children's responses to these same picturebooks the authors paint a way of working philosophically based on respectful listening and creative and authentic interactions, rather (...) than scripted lessons. This dialogical process challenges much current practice in education. The authors propose that a courageous and critical practice of listening is central to the facilitation of mutually educative dialogue. This book will be of interest to scholars and students of education studies, philosophy of education, literacy teaching and learning, children's literature, childhood and pedagogy. (shrink)

The acute consciousness of the moral crisis we face today makes us to inquire after the philosophy's opportunities in finding a viable way to overcome seriousworries concerning life, world, and human being. We think that the ethical value of measure and the correlated principle of "golden mean" could enlighten, on a high level, our understanding upon the real needs and purposes to be identified in assuming and cultivating a fitting attitude to an authentic humanness in accordance with the demands (...) of nowadays characteristics of the globalization development. Returning to the measure's integrator meaning that has been acknowledged by the Ancient thinkers of the Western culture, in this essay we try to emphasize the capital significance of the notion at stake, beyond any particularities of temporal and spatial context, like a basic philosophical concept to be explored and activated in its valences of promoting and increasing the quality of life. We pronounce for the necessity of measure's restoration in which, first of all, our moral status in the world has to be grounded. More than ever, weneed to recover the measure as a guide in shaping human deliberations, choices, decisions making, actions into a constructive orbit, into equilibrium and order, security and harmony, into Good and Right, by commitment, respect for and responsibility toward the whole life on Terra. A culture of measure, eventually, is fully worth to be displayed in the framework of the moral philosophy in driving at the human well-being and at the wellness of the total existence, alike. (shrink)

The ideals and realities of field research have shaped the development of behavioural primatology over the latter half of the twentieth century. This paper draws on interviews with primatologists as well as a survey of the scientific literature to examine the idealized notion of the field site as a natural place and the physical environment of the field as a research space. It shows that what became standard field practice emerged in the course of wide ranging debate about the (...) techniques, personal qualities and site conditions best suited to the scientific study of the natural behaviour of apes and monkeys. Although the laboratory was a constant presence in this debate, the export of techniques from the laboratory to the field was limited, due to concerns that experimental manipulation would destroy the naturalness of the behaviour. The paper goes on to demonstrate the central significance given by primatologists to the unique social, historical and ecological circumstances of particular field sites, and to sketch some of the complexities that fieldworkers contend with in trying to realize their ideals. Primatologists seek field sites that answer their questions; but once their studies become long term, they also need to find questions that answer to ever changing conditions at those sites. (shrink)

Long description: Unter welchen Bedingungen kann Authentizität entstehen? Wie wird sie wahrgenommen und warum misst man ihr gegenwärtig so viel Bedeutung bei? Dieser Band fasst mit kritischem Blick die theoretischen Möglichkeiten und Begrenzungen ins Auge, die dem Authentizitäts-Konzept innewohnen. Die Beiträge aus unterschiedlichen geisteswissenschaftlichen Disziplinen bestimmen ”Authentizität“ als ästhetische wie lebenswirkliche Kategorie, die ihre Relevanz gerade aus einer paradoxen Wechselbeziehung zwischen Essenz und Konstruktion, zwischen Wahrhaftigkeit und Performanz bezieht. Somit liefert die theoretische Betrachtung der Authentizität ein sinnfälliges Beschreibungsmuster für die (...) Epistemologie der Postmoderne - und stellt diese zugleich in Frage. (shrink)

This collection features original essays that examine Walter Benjamin¿s and Theodor Adorno¿s essays and correspondence on literature. Taken together, the essays present the view that these two monumental figures of 20th-century philosophy were not simply philosophers who wrote about literature, but that they developed their philosophies in and through their encounters with literature. Benjamin, Adorno, and the Experience of Literature is divided into three thematic sections. The first section contains essays that directly demonstrate the ways (...) in which literature enriched the thinking of Benjamin and Adorno. It explores themes that are recognized to be central to their thinking¿mimesis, the critique of historical progress, and the loss and recovery of experience¿through their readings of literary authors such as Baudelaire, Beckett, and Proust. The second section continues the trajectory of the first by bringing together four essays on Benjamin¿s and Adorno¿s reading of Kafka, whose work helped them develop a distinctive critique of and response to capitalism. The third and final section focuses more intently on the question of what it means to gain authentically critical insight into a literary work. The essays examine Benjamin¿s response to specific figures, including Georg B¿chner, Robert Walser, and Julien Green, whose work he sees as neglected, undigested, or misunderstood. This book offers a unique examination of two pivotal 20th-century philosophers through the lens of their shared experiences with literature. It will appeal to a wide range of scholars across philosophy, literature, and German studies. (shrink)

"Time and the Museum: Literature, Phenomenology, and the Production of Radical Temporality, is the first explicit in-depth study of the nature of museum temporality. It argues as its departure point that the way in which museums have hitherto been understood as temporal in the scholarship - as spaces of death, othering, memory and history - is too simplistic, and has resulted in museum temporality being reduced to a strange heterotopia (Foucault) - something peculiar, and thus black boxed. However, to (...) understand the ways in which museum temporalities and timescapes are produced, and the consequences that these have upon display and visitor response, is crucial, because time is itself a political entity, with ethical consequence. Time and the Museum highlights something we all experience in some way - time - as a key ethical and political feature of the museum space. Utilizing the fields of literature and phenomenology, the book examines how time is experienced and performed in the public areas of three museum spaces within Oxford - the Ashmolean, Pitt Rivers, and Oxford University Museum of Natural History. Using concepts such as shape, structure, form, presence, absence, authenticity and aura, the book argues for a reconsideration of museum time as something with radical potential and political weight. It will appeal to academics and post"--. (shrink)