Documediality indicates the allegiance between the constitutive power of documents and the mobilizing power of the media. The chapter proposes to treat documediality as the ending point of a great historical transformation whose previous phases have been capitalism and mediality. Capitalism in the strict sense corresponds to the economic era of production, and to the political era of liberalism. When populism prevails over liberalism, and communication has the upper hand over production, we enter the phase of mediality. Finally, documediality corresponds (...) to a third phase, characterized by recording: that is, by the use of a huge apparatus, namely the Web, which has the essential feature of keeping track of any interaction. This chapter highlights the key features of documediality in comparison to those of capitalism and mediality. (shrink)

Secondo Blondel oggetto dell'estetica in genere e il bello e bello e cio che fa si che un qualsiasi oggetto diventi simbolo di un processo soggettivo perfetto; il bello percio e cio che in qualsiasi oggetto o progetto ricapitola l0intero destino dell'uomo. Tramite la bellezza, infine, acquistano plasticita e aderenza i valori della vita umana nell'ordine della verita e della bonta, in dimensione individuale, sociale e universale. E, come il vero, e l'oggetto proprio dell'intelligenza e il bene della volonta, cosi (...) il bello e l'oggetto proprio della sensibilita. Di conseguenza non e possibile uno sviluppo armonico dell'intelligenza e della volonta che prescinda da una maturazione della sensibilita. In tal senso l'estetica per Blondel, non e altro che un momento o un aspetto dell'educazione integrale dell'uomo. Pero la sensibilita, con la quale e in relazione l'estetica, non e propriamente una facolta, ma cio da cui tutte le facolta emergono e cio in cui tutte in qualche modo convergono; e il bello tiene costantemente in esercizio tale sensibilita di fondo, ritoccando costantemente dal punto di vista formale l'oggetto specifico delle diverse delle diverse facolta e dando cosi vita come ad un movimento di risonanza e di verifica nell'interiorita piu profonda dello spirito. (shrink)

On the basis of a critique of the notion of collective intentionality employed by John Searle to explain social reality, the article argues Searle’s constitutive rule that, for social objects “X counts as Y in C” raises more problems than it solves. Searle was perfectly right to say that Derrida’s formula “there is nothing outside the text” is false. But we can vindicate (and emend) Derrida by saying “ there is nothing social outside the text”: social objects are identified with (...) the inscrbed acts that give rise to them. (shrink)

According to the form of logical pluralism elaborated by Beall and Restall there is more than one relation of logical consequence. Since they take the relation of logical consequence to reside at the very heart of a logical system, different relations of logical consequence yield different logics. In this paper, we are especially interested in understanding what are the consequences of endorsing Beall and Restall’s version of logical pluralism vis-à-vis the normative guidance that logic is taken to provide to reasoners. (...) In particular, the aim of this paper is threefold. First, in Sections 2 and 3, we offer an exegesis of Beall and Restall’s logical pluralism as a thesis of semantic indeterminacy of our concept of logical consequence – i.e. understood as indeterminacy logical pluralism. Second, in Sections 4 and 5, we elaborate and critically scrutinize three models of semantic indeterminacy that we think are fit to capture Beall and Restall’s indeterminacy logical pluralism. Third, in Section 6, following Beall and Restall’s assumption that the notion of logical consequence has normative significance for deductive reasoning, we raise a series of normative problems for indeterminacy logical pluralism. The overall conclusion that we aim to establish is that Beall and Restall’s indeterminate logical pluralism cannot offer an adequate account of the normative guidance that logic is taken to provide us with in ordinary contexts of reasoning. (shrink)

In order to understand the system wherein human resource management practices are determined by the interactions of a complex system of actors, it is necessary to have a conceptual framework of analysis. In this respect, the works of scholars concerning stakeholder theory opened new perspectives in management theory. An organisation is understood as being part of a politico-economic system of stakeholders who interact and influence management practices. Each stakeholder tries to optimise and protect his interests, 61-75). The framework of stakeholder (...) analysis enables escape from a purely instrumental approach to HRM, and avoids reducing our understanding of conflicts within companies to mere antagonism between employees and their employers. It enables us to point out the existence of other stakeholders in the relationship. Notably, it allows for the incorporation into management theory of actors from the sphere of politics as well as their dependent administrations. All these actors are considered to be stakeholders who define the legal framework of firm management and guarantee the application of these laws. (shrink)

Against the consensus that Aristotle in the "Poetics" sets out to give tragedy a role in exercising or improving the mature citizen's moral sensibilities, I argue that his aim is rather to analyse what makes a work of literature successful in its own terms, and in particular how a tragic drama can achieve the effect of suspense. The proper pleasure of tragedy is produced by the plotting and eventual dispelling of the play's suspense. Aristotle claims that poetry 'says what is (...) universal' not in order to suggest that poetry achieves anything of the effect of philosophy, but to explain how in creating his plots the poet takes into consideration what, in general, could be expected to happen. Chapter 4 of the "Poetics" is not a theory of mimesis but an analysis of the lowest common denominator of the pleasure we take in fictions. The inevitability or likelihood by which events in the tragic plot are to be connected has an aesthetic rather than a moral function. Doing away with the irrationality of chance and increasing the human intelligibility of the action is not its point; the point is to furnish the plot with the second half of the formula for successful suspense: that events in the plot should happen 'against expectation because of one another'. The first half of the formula is examined under the rubric of peripety or reversal. The formula as a whole describes the pivotal moment when the pieces of the plot suddenly fit with a configuration that only in retrospect can we see to have been falling into place all along. Pity and fear are the emotions on which Aristotle focusses because they are the emotions engaged by the tightening-towards-release of literary suspense. And the pleasure of catharsis is the pleasure of that release. (shrink)

We recently showed that it is possible to deal withcollections of indistinguishable elementary particles (in thecontext of quantum mechanics) in a set-theoretical framework, byusing hidden variables. We propose in the presentpaper another axiomatics for collections of indiscernibleswithout hidden variables, where hidden predicates are implicitlyassumed. We also discuss the possibility of a quasi-settheoretical picture for quantum theory. Quasi-set theory, basedon Zermelo-Fraenkel set theory, was developed for dealing withcollections of indistinguishable, but, not identical objects.

This paper proposes a novel account of the contents of memory. By drawing on insights from the philosophy of perception, I propose a hybrid account of the contents of memory designed to preserve important aspects of representationalist and relationalist views. The hybrid view I propose also contributes to two ongoing debates in philosophy of memory. First, I argue that, in opposition to eternalist views, the hybrid view offers a less metaphysically-charged solution to the co-temporality problem. Second, I show how the (...) hybrid view conceives of the relationship between episodic memory and other forms of episodic thinking. I conclude by considering some disanalogies between perception and memory and by replying to objections. I argue that, despite there being important differences between memory and perception, those differences do not harm my project. (shrink)

This paper explores the relationship between a prominent version of the relational view of memory and recent work on forms of unsuccessful remembering or memory errors. I argue that unsuccessful remembering poses an important challenge for the relational view. Unsuccessful remembering can be divided into two kinds: misremembering and confabulating. I discuss each of these cases in light of a recent relational account, according to which remembering is characterized by an experiential relation to past events, and I argue that experiential (...) relations do not adequately distinguish between remembering and unsuccessful remembering. This is because there are, on the one hand, cases of remembering that do not instantiate the relevant experiential relations, and, on the other hand, cases of confabulation and misremembering that do instantiate the relevant experiential relations. I conclude by suggesting that any successful relationalist attempt to explain remembering needs to come to grips with unsuccessful remembering. (shrink)

In the 80's Pierangelo Miglioli, starting from motivations in the framework of Abstract Data Types and Program Synthesis, introduced semiconstructive theories, a family of large subsystems of classical theories that guarantee the computability of functions and predicates represented by suitable formulas. In general, the above computability results are guaranteed by algorithms based on a recursive enumeration of the theorems of the whole system. In this paper we present a family of semiconstructive systems, we call uniformly semiconstructive, that provide computational procedures (...) only involving formulas with bounded complexity. We present several examples of uniformly semiconstructive systems containing Harrop theories, induction principles and some well-known predicate intermediate principles. Among these, we give an account of semiconstructive and uniformly semiconstructive systems which lie between Intuitionistic and Classical Arithmetic and we discuss their constructive incompatibility. (shrink)

In the 80's Pierangelo Miglioli, starting from motivations in the framework of Abstract Data Types and Program Synthesis, introduced semiconstructive theories, a family of “large subsystems” of classical theories that guarantee the computability of functions and predicates represented by suitable formulas. In general, the above computability results are guaranteed by algorithms based on a recursive enumeration of the theorems of the whole system. In this paper we present a family of semiconstructive systems, we call uniformly semiconstructive, that provide computational procedures (...) only involving formulas with bounded complexity. We present several examples of uniformly semiconstructive systems containing Harrop theories, induction principles and some well-known predicate intermediate principles. Among these, we give an account of semiconstructive and uniformly semiconstructive systems which lie between Intuitionistic and Classical Arithmetic and we discuss their constructive incompatibility. (shrink)

The debate over the objects of episodic memory has for some time been stalled, with few alternatives to familiar forms of direct and indirect realism being advanced. This paper moves the debate forward by building on insights from the recent psychological literature on memory as a form of episodic hypothetical thought (or mental time travel) and the recent philosophical literature on relationalist and representationalist approaches to perception. The former suggests that an adequate account of the objects of episodic memory will (...) have to be a special case of an account of the objects of episodic hypothetical thought more generally. The latter suggests that an adequate account of the objects of episodic hypothetical thought will have to combine features of direct realism and representationalism. We develop a novel pragmatist-inspired account of the objects of episodic hypothetical thought that has the requisite features. (shrink)

Against the consensus that Aristotle in the "Poetics" sets out to give tragedy a role in exercising or improving the mature citizen's moral sensibilities, I argue that his aim is rather to analyse what makes a work of literature successful in its own terms, and in particular how a tragic drama can achieve the effect of suspense. The proper pleasure of tragedy is produced by the plotting and eventual dispelling of the play's suspense. Aristotle claims that poetry 'says what is (...) universal' not in order to suggest that poetry achieves anything of the effect of philosophy, but to explain how in creating his plots the poet takes into consideration what, in general, could be expected to happen. Chapter 4 of the "Poetics" is not a theory of mimesis but an analysis of the lowest common denominator of the pleasure we take in fictions. The inevitability or likelihood by which events in the tragic plot are to be connected has an aesthetic rather than a moral function. Doing away with the irrationality of chance and increasing the human intelligibility of the action is not its point; the point is to furnish the plot with the second half of the formula for successful suspense: that events in the plot should happen 'against expectation because of one another'. The first half of the formula is examined under the rubric of peripety or reversal. The formula as a whole describes the pivotal moment when the pieces of the plot suddenly fit with a configuration that only in retrospect can we see to have been falling into place all along. Pity and fear are the emotions on which Aristotle focusses because they are the emotions engaged by the tightening-towards-release of literary suspense. And the pleasure of catharsis is the pleasure of that release. (shrink)

Originally understood as memory for the “what”, the “when”, and the “where” of experienced past events, episodic memory has, in recent years, been redefined as a form of past-oriented mental time travel. Following a brief review of empirical research on memory as mental time travel, this introduction provides an overview of the contributions to the special issue, which explore the theoretical implications of that research.

The current dispute between causalists and simulationists in philosophy of memory has led to opposing attempts to characterize the relationship between memory and imagination. In a recent overview of this debate, Perrin and Michaelian have suggested that the dispute over the continuity between memory and imagination boils down to the question of whether a causal connection to a past event is necessary for remembering. By developing an argument based on an analogy to perception, I argue that this dispute should instead (...) be viewed as a dispute about the nature of the attitudes involved in remembering and imagining. The focus on attitudes, rather than on causal connections, suggests a new way of conceiving of the relationship between memory and imagination that has been overlooked in recent philosophy of memory. (shrink)

In the proem that precedes the account of the generation of the world, Timaeus provides very important elements for understanding the discourse he is about to delivery. It is a complex text that displays at least three different levels: dialectical, analogical (or metaphorical) and epistemological. In the dialectical section, Timaeus establishes that the sensible universe is a generated reality and as such has a cause; in the metaphorical section, he indicates the analogical schemes he will use to explain the genesis (...) of the cosmos (technical and biological) and the causes on which it depends. Finally, in the epistemological section he explains the reason why this exposition cannot achieve truth but must be content with likeness. (shrink)

In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality of the (...) singular and exceptional moment, and the problem of exemplarity. The second half of this book contains an essay by Maurizio Ferraris, in which he explores the questions of indication, time and the inscription of the transcendental in the empirical. A work of outstanding philosophy and scholarship, the essay is developed in close proximity to Derrida and in dialogue with figures such as Plato, Aristotle, Plotinus, Kant, Hegel and Heidegger. It thereby provides a useful introduction to the philosophy of one of Italy's most prominent philosophers as well as an excellent complement to Derrida's own ideas. A Taste for the Secret consists of material that has never before appeared in English. It will be of interest to second-year undergraduates, graduate students and academics in philosophy, modern languages, literature, literary theory and the humanities generally. (shrink)

The questions of whether episodic memory is a propositional attitude, and of whether it has propositional content, are central to discussions about how memory represents the world, what mental states should count as memories, and what kind of beings are capable of remembering. Despite its importance to such topics, these questions have not been addressed explicitly in the recent literature in philosophy of memory. In one of the very few pieces dealing with the topic, Fernández (2006) provides a positive answer (...) to the initial questions by arguing that the propositional attitude view of memory, as I will call it, provides a simple account of how memory possesses truth-conditions. A similar suggestion is made by Byrne (2010) when he proposes that perception and episodic memory have the same kind of content, differing only in degree. Against the propositional attitude view, I will argue that episodic memory does not have propositional content, and therefore, that it is not a propositional attitude. My project here is, therefore, mainly critical. I will show that, if empirical work is to inform our philosophical theories of memory in any way, we have good reasons to deny, or at least to be skeptical, of the prospects of the propositional attitude view of episodic memory. (shrink)

The (dis)continuism debate—the debate over whether remembering is a form of imagining—is a prominent one in contemporary philosophy of memory. In recent work, Langland-Hassan (2021) has argued that this debate is best understood as a dispute over whether remembering is a form of constructive imagining. In this paper, I argue that remembering is not a form of constructive imagining because constructive processes in remembering and imagining are constrained, and hence controlled, in different ways at the level of consciousness. More specifically, (...) I argue that remembering and imagining differ in terms of the interventions we can make on the constructive processes as they unfold. If this is correct, then a form of discontinuism is vindicated: remembering and imagining are, on this view, processes of different kinds. (shrink)

In opposition to the natural view that observer perspective memory is bound to be inauthentic, McCarroll argues for the surprising conclusion that memories in which the subject sees himself in the remembered scene are, in many cases, true to the subject’s original experience of the scene. By means of a careful reconstruction of his argument, this paper shows that McCarroll does not succeed in establishing his conclusion. It shows, in fact, that we ought to come to the opposed conclusion that, (...) while it may be possible in principle for observer perspective memory to be authentic, this is unlikely ever to happen in practice. The natural view, in short, is more or less right. (shrink)

This paper develops a theory of perception that reconciles representationalism and relationalism by relying on pragmatist ideas. I call it the pragmatic view of perception. I argue that fully reconciling representationalism and relationalism requires, first, providing a theory in which how we perceive the world involves representations; second, preserving the idea that perception is constitutively shaped by its objects; and third, offering a direct realist account of perception. This constitutes what I call the Hybrid Triad. I discuss how Charles Peirce’s (...) theory of perception can provide a framework for such a view and I devote the rest of the paper to developing my own pragmatic and Peircean theory of perception. In particular, I argue that considering perception as a continuous temporal process, which essentially involves interaction with the environment, allows us to do justice to the Hybrid Triad. I motivate this view by discussing how a pragmatic theory of perception would deal with issues such as the distinction between veridical and non-veridical experiences and the nature of perceptual objects. (shrink)

A partir del contrapeso que Ortega encuentra en la contradictoria vida de Goethe, se atreve con una nueva definición para la biografía como interrelación de tres elementos que se enfrentan: circunstancia, vocación y azar. Con lo que la enmarca en su propuesta filosófica, desde su ontología, como drama, como género literario, con ese matiz de construcción, que pretende ser una propuesta más audaz que la del ser idealista, porque incluye el entorno en el yo. Como una ética del ser que (...) se enmarca, como escribió ya Aranguren, en una metafísica de nuestra vida, que Ortega entiende como quehacer. (shrink)

La autonomía del arte es un punto de partida común para forjar una significación para el arte de vanguardias. Con ella, los manifiestos y estudios críticos apuntan lecturas epistemológicas y sociales, que parten necesariamente de una reflexión desde la ontología, sobre la naturaleza de ese arte. Pero Ortega se queda sólo en lo ontológico para hacer del arte una entidad de naturaleza radicalmente distinta a la realidad del espectador. Porque lo que pretende es hacer orbitar también el arte -con las (...) vanguardias (desde la autoconciencia de autónomas que él les supone)- en torno al eje de su filosofía, como mecanismo de evasión de la realidad radical que es para cada individuo su propia vida. (shrink)

The first studies in Philosophy that studied digital technology did not specify the characteristics of its various technical applications or instruments. They looked at the virtual reality and used the metaphor of immersion to study the set of all technological developments, as had been done before with the novel. Thus, Internet is misunderstood by many experts as virtuality (next to Baudrillard), rather than linking its hypertext system closer to other theories like those proposed by Deleuze and Guattari or Bourriaud.

By the mid-19th century, an increasing number of Japan's political leaders and scholars realized that Japan had to adapt and incorporate some elements of Western-style industrialization into their own political and economic order as the necessary means to remain independent of Western imperialism. The Opium War in China, and later the Euro-American bombardments of the domain capitals in Choshu and Satsuma demonstrated that trying to defend the realm with only an increased emphasis on coastal defense would ultimately fail to keep (...) out the barbarians from the West. Sakuma Shozan, a samurai scholar from Matsushiro, proposed a dichotomous philosophy of 'Eastern ethics, Western science' as the means to strengthen Japan both internally and externally, and allow Japan to maintain its independence. In this paper, I argue that Sakuma's dichotomous approach can be interpreted within a Hegelian dialectical paradigm. After the traditional order of Japan (Eastern ethics as Idea/Thesis) came into contact with the industrializing order of the West (Western science as Nature/Anti-Thesis), Sakuma believed a new order would be created in Japan (Synthesis) that combined an increased knowledge on the Eastern ethics of Neo-Confucianism with the 'new' scientific knowledge of the West. (shrink)

Alethism is the view that successful remembering only requires an accurate representation of a past event. It opposes the truth-and-authenticity view, according to which successful remembering requires both an accurate representation of a past event and an accurate representation of a past experience of that event. Alethism is able to handle problematic cases faced by the truth-and-authenticity view, but it faces an important challenge of its own: If successful remembering only requires accurately representing past events, then how is it possible (...) that our memories are also experienced as originating in past experiences of those events? I call this the puzzle of alethic memory. I argue that alethism can be reconciled with the claim that memories are experienced as originating in past experiences of those events—what I call the experience of first-handedness—if we conceive of the phenomenology of remembering in metacognitive terms. According to the metacognitive approach that I favor, the phenomenology of remembering is partly explained by what memory represents and partly explained by the existence of a metacognitive feeling that accompanies memory representations. I argue that accounting for the feeling of first-handedness in terms of the metacognitive feeling that accompanies memory representations allows us to solve the puzzle of alethic memory. (shrink)