This chapter contains sections titled: What is a Miracle? Hume's Challenge Price's Argument The Case of the Church Choir Acknowledging Miracles Arguments for and Against Conclusion Works cited.

The rise in popularity in recent times of dystopian fiction is reflective of contemporary anxieties about law: the inhumanity of judicial-coercive machinery; the influence of corporate power; the lack of democratic imagination despite the desperate need for political reform; and the threat of order imposed through violence and victimisation. These dystopian texts often tell fear-inducing stories of law’s failure to protect; or of law’s unsuccessful struggle against unbridled power; or even sometimes of law’s ‘bastardised’ reconstruction. Indeed comics, with their (...) visual and narrative intricacies, thrive on dystopia as a key vehicle for contributing to collective notions of fear and trembling about the future. Yet, at the same time, these texts also contain within them the blueprints for hope—the idea that with transformation, heroic intervention, and/or faith in ‘justice’, the law will ultimately prevail. Law’s ability to be transformed is thus simultaneously portrayed as society’s downfall, AND as the key to enlivening humanity. This article attempts to understand this schismatic role of law as presented in the recent dystopian comic book series From Above by Australian creator Craig Bruyn. In this series set in futuristic Melbourne, where law has given way to an unaccountable corporate rule, the social divide is made manifest by the absence of ‘order’, ‘law’ and ‘justice’ in certain segments of society, and yet hope in law’s return is ever-present. The paper will interrogate expectations of law and justice that is mediated through the complex interaction of fear and hope, and contextualise this within current contemporary anxieties. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.4 (2001) 592-594 [Access article in PDF] John Earman. Hume's Abject Failure: The Argument Against Miracles. New York: Oxford University Press, 2000. Pp. xi + 217. Cloth, $39.95. Paper, $21.95. As his uncompromising title announces, John Earman considers Hume's famous account of miracles in the Enquiry Concerning Human Understanding to be an "abject failure." More than this, the author judges (...) class='Hi'>Hume's well-known arguments to have failed in multiple ways. As he states in the opening paragraph: "It is not simply that Hume's [End Page 592] essay does not achieve its goals, but that his goals are ambiguous and confused." Hume's deliberations on this topic, Earman further contends, are unoriginal, and where original, insubstantial. Further, the logic of the position expressed in the essay "reveals the weakness and poverty of Hume's own account of induction and probabilistic reasoning." Finally, "the essay represents the kind of overreaching that gives philosophy a bad name." While there are occasional hints in the book that the author is himself not completely immune to this latter tendency, for the most part these bluntly stated objections to the famous essay are well supported. This book is a comprehensive and persuasive demolition of Hume's much vaunted claims about the credibility of miracle reports, and it issues a serious challenge to standard readings.Hume's Abject Failure is divided into two parts, the first of which takes the form of an analysis and critique of Hume's arguments. This eighty-page section is followed by another hundred pages of primary materials, mostly eighteenth-century, which address issues related to Hume's essay. It is clear from the format of the book that Earman intends to take seriously the intellectual context in which Hume's arguments first appeared. This a most welcome development. Many treatments of Hume's "Of Miracles" tend to be profoundly ahistorical. What becomes immediately apparent from a consideration of this context is the startling unoriginality of Hume's chief argument. The principle that uniform experience overrides testimony to the occurrence of a miracle was aired long before Hume claimed it as his own, although it can be conceded that in Hume's hands it took on a particularly persuasive form.More importantly, however, this is an argument which does not work. Earman claims that Hume would have been aware of this had he availed himself of the developing science of probability, and in particular Thomas Bayes's pioneering attempts to quantify degrees of belief and credibility. Hume's probabilistic arguments, even on the most charitable interpretation, simply fail the test of a Bayesian analysis, and a number of Earman's chapters forcefully demonstrate this. Having exposed the dubious nature of the argument based on competing testimony, Earman goes on to makes good his claim about the inadequacy of Hume's view of induction, showing how it would rule out not merely miracle testimony, but many empirical claims of the kind typically made in the sciences.It is perhaps a little unfair to charge Hume with having articulated a flawed argument the limitations of which only become obvious with the application of a sophisticated calculus unavailable to him. There is no evidence that Hume ever read Bayes. Earman points out that Richard Price, in his 1767 critique of the argument, drew Hume's attention to the possibility of a Bayesian approach, but Hume was apparently reluctant to incorporate quantification into subsequent editions of the Essay. Whether this amounts to a major failing on Hume's part is debatable. It is also worth noting that at times Earman seems to blur the contemporary distinction between "internal" and "external evidences" (miracles were instances of the latter). This distinction is important for understanding why Hume did not adopt the subjective notions of "miracle" of Locke and the Newtonians, and also why in section two of the Essay he deploys the 'contrary miracles' argument. There is also the puzzle as to how so acute a philosophical mind as Hume's could in this instance have... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:David Hume and the Probability of Miracles Barry Gower 1. Introduction Oflate there have been published several discussions ofDavid Hume's famous essay "Of Miracles" which attempt to make precise the reasoning it contains. This, it turns out, requires the use of certain mathematical rules and theorems of the probability calculus which were unknown to Hume or, indeed, to anyone else when the essay was first published. (...) It is suggested, in particular, that the claims he made can best be understood in the light of a theorem of the probability calculus which we now name after a celebrated eighteenth century probabilist, Thomas Bayes. However, the so-called "Bayesian" interpretation of the argument against miracles misrepresents Hume's reasoning in that the manner in which he expressed his thinking does not fit such an interpretation. Moreover, this error needs to be rectified, not just because it involves a mistaken view about the past but, more importantly, because it obscures the legacy of a different mode of thinking evident in Hume's writing about probabilistic inference which deserves to be recovered. Our thinkingisimpoverishedifcertain presumptions aboutprobability become so entrenched that we have great difficulty in seeing them as anything other than obvious. By imputing them to Hume we overlook their contestability and so lose an opportunity to recapture an alternative way of understanding probabilistic reasoning. As is well known, the argument against miracles, though not published until 1748, had been worked out some twelve or thirteen years earlier during Hume's stay at the Jesuit college of La Fleche, where he wrote most of A Treatise of Human Nature. A chapter entitled "Reasonings concerning Miracles" had been written but, at the last moment, it was suppressed for fear that such an explicit attack on religion would give offence and thus deflect attention from the book's main philosophical aim which was to put an end to controversy. On the other hand, Thomas Bayes's famous memoir on probability was not published until 1764, andit is unlikely that Hume knew ofits existence until Richard Price mentionedit, though without identifyingits author, in an elaborate mathematical footnote to a dissertation containing remarks on the probability of miracles, published in 1767. Had Hume taken the trouble to follow up this reference, he would almost certainly Volume XVI Number 1 17 BARRY GOWER have been either baffled by its mathematics or discouraged by its lack of practical advice. That, at least, seems to have been the reaction of Hume's contemporaries, for apart from Price none of them seems to have paid any attention to the memoir. Even today, when anyone with the slightest acquaintance with probability can recite a version of Bayes's theorem, it is hard to follow the reasoning of the memoir and to appreciate the significance of the ideas it contains. As an historian of statistics has recently said, "Bayes's contemporaries were stymied by the work, and modern readers unwilling to devote many hours to it are likely to gain only a superficial understanding ofit." One paradoxical feature of attributing Bayesianism to Hume concerns the role of Richard Price. His dissertation, which had, it seems, been written some years before it was published — perhaps in the early 1750's — is sharply critical of Hume's argument against miracles. Yet it was Price himself who was responsible for the posthumous publication of Bayes's memoir, and his introduction and commentary clearly express approval of its methods and conclusions. We are, then, faced with the suggestion that Hume, not having heard of Bayes, was applying Bayesian ideas about "inverse" inference to miraculous events, whereas Price, who was not only familiar with but also endorsed Bayes's ideas, preferred a quite different approach to reasoning about miracles and about the credibility of testimony generally. Can Hume really be described as a "better intuitive Bayesian" than Price? Before embracing such aparadoxical conclusion we should consider whether it is really justified by what Hume said about the probability ofmiracles. First, though, some attention needs to be paid to a way ofthinking about probable arguments which does not conform to convention, and which implies a non-Bayesian interpretation of the question about miracles. 2. Jakob Bernoulli and the Combination... (shrink)

Rorty finds that my own appropriation of Spinoza toward a re-conception of ideology critique falls short, however, by (a) failing to “take Spinoza’s mind-body identity seriously” and by (b) advocating a “battle of ideas” rather than an enlargement of perspective. She presents an illuminating analysis of how, according to Spinoza, dichotomies serve as blunt provisional tools that become counterproductive once understanding is reached. She suggests that I preserve certain distinctions to the detriment of my own liberation project, such as the (...) distinction between the truth of an idea and its persuasive force. As part of criticism (a), she admonishes me for neglecting the importance of material conditions, and with criticism (b) she suggests that the imagery of battle misconstrues the project of becoming rational and the power of truth. Below I will try to show that we do not disagree about either the importance of material conditions for a project of political transformation or the identity of mind and body in substance. We do disagree, however, about the character of ideology critique. I will offer an example, in an attempt to demonstrate why it is neither a distortion of Spinoza nor strategically counterproductive to understand the project of thinking as an effort of what I call “resistant reconstruction” within the attribute of thought. (shrink)

This paper examines the vagaries of war and peace discourse which seek to legitimise the notion of brutality over the principle of morality. In recognition of the limitlessness of brutality the just war tradition was developed to take account of the reasons for going to war and of the conduct of war. Nevertheless, the just war solution can invoke a mode of binary thinking dictating the imperative of brutality over morality during a conflict situation. Feminist scholars argue that traditional just (...) war theory is inadequate to the task to which it is directed. The political theorist Laura Sjoberg is one such scholar who attempts to reformulate just war theory from a feminist perspective. I assess the contribution made by Sjoberg as it relates to the gendered impact of war on women arguing that Sjoberg’s reformulation of just war theory fails to deliver a sufficient rejoinder to the problem of gendered violence in war. (shrink)

It is argued that Hume’s definition of miracle stands in need of revision because it fails to be inclusive of acts of supernatural intervention in the world which are non-law-violating. Potential revisions of the definition, due to Paul Dietl and Christopher Hughes are considered and found to be inadequate, and a new definition is put forward; a miracle is "an intended outcome of an intervention in the natural world by a supernatural agent." An objection to this definition (...) is anticipated and a distinction is made between miracles and magic in order to address the objection. (shrink)

Alongside concerns for animal welfare, concerns for land, water, and climate are undermining established food identities in many parts of the world. In Aotearoa New Zealand, agrifood relations are bound tightly into national identities and the materialities of export dependence on dairying and agriculture more widely. Dairy/ing identities have been central to national development projects and the politics that underpin them for much of New Zealand’s history. They are central to an intransigent agrifood political ontology. For the last decade, however, (...) they have been challenged by the identity politics of ethical food consumption. This paper explores the ensuing contests and asks how they are reshaping agrifood identities. We draw on interviews with 15 participants in Aotearoa New Zealand who have made dietary transitions that reduce or exclude dairy products. Our aim is not to identify a new post-dairying identity or claim a reconfigured national identity, but to examine the collision of production-consumption values in the context of a dominant place-based food identity. We ask how participants navigate contradictory commitments to becoming ‘good environmental citizens’ whilst remaining ‘good national citizens’. The paper offers insights for examining similar struggles elsewhere and the potential to shift agrifood relations and undermine entrenched political ontologies through ethical food consumption values. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:What Hume Actually Said About Miracles Robert J. Fogelin Two things are commonly said about Hume's treatment ofmiracles in the first part of Section X of the Enquiry Concerning Human Understanding: I.Hume did not put forward an a priori argument intended to show that miracles are not possible. II.Hume did put forward an a priori argument intended to show that testimony, however strong, could never (...) make it reasonable to believe that a miracle had occurred. In a recent article in this journal, Dorothy Coleman calls this the "traditional interpretation," and, since this characterization strikes me as correct, I shall call it that too. Antony Flew stands virtually alone in challenging the traditional interpretation, arguing, in particular, that Hume did not even attempt to provide an a priori argument showing that testimony can never establish the existence of a miracle. On FIeW1S reading, Hume's argument was intended to do no more than place a "check" on arguments put forward to establish the existence of miracles on the basis oftestimony. Along with others, however, Flew accepts the first partofthe traditional interpretation, namely, that whatever Hume was up to, he was certainly not trying to produce a proof showing that miracles cannot exist. He endorses the first part of the traditional interpretation in these words: What [Hume] is trying to demonstrate a priori in Part I is: not that, as amatter offact, miracles do nothappen; but that, from the very nature of the concept — 'from the very nature of the fact' — there must be a conflict of evidence required to show that they do. In opposition to these united voices, I will argue that this consensus on the first part of the traditional interpretation is unfounded, for there are clear texts — at the very heart ofHume's discussion — that go dead against it. Volume XVI Number 1 81 ROBERT J. FOGELIN Two passages, which occur in the same paragraph, are particularly relevant to this discussion: Passage I. A miracle is a violation of the laws of nature; and as a firm and unalterable experience has established these laws, the proofagainst a miracle, from the very nature of the fact, is as entire as any argument from experience can possibly be imagined. (E 114, emphasis added) Passage II. There must...bea uniform experience against every miraculous event, otherwise the event would not merit that appellation. And as a uniform experience amounts to a proof, there is here a direct andfullproof, from the nature ofthe fact, against the existence ofany miracle; nor can such aproofbe destroyed, or the miracle rendered credible, but by an opposite proof, which is superior. (E 115, emphasis added in final clause) The clause nor such a proof be destroyed, or miracle rendered credible in Passage II is crucial for our purposes, for it simultaneously expresses two claims which, for clarity's sake, I will state separately. First, when Hume speaks??such a proof, he is referring to the direct and full proof, from the nature ofthe fact, against the existence ofany miracle mentioned in the first part of the same sentence. Thus, one thing that Hume is saying is this: Ci: Nor can such a proof(against the existence ofany miracle) be destroyed, but by an opposite proof which is superior. He is also making the following claim: C2: Nor can such a miracle be rendered credible, but by an opposite proof which is superior. Having sorted things out, it is now possible — using only direct quotations from the immediate text — to show that, contrary to the traditional interpretation, Hume does present an a priori argument against the existence ofmiracles. Argument One 1. there is here a direct and full proof, from the nature ofthe fact, against the existence ofany miracle; nor can such a proof be destroyed... but by an opposite proof, which is superior. (E 115, from Passage II) 82Hume Studies WHAT HUME ACTUALLY SAID ABOUT MIRACLES 2.the proofagainst a miracle, from the very nature ofthe fact, is as entire as any argument from experience can possibly be imagined. (E 114, emphasis added, from Passage I) Therefore: 3.there is... a direct andfullproof, from the nature ofthe fact, against the existence ofany miracle... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:39 HUME'S JUSTICE AS A COLLECTIVE GOOD David Hume would probably regard his 'system of morals' as the most important part of his treatise of human nature. Yet his moral theory, particularly his theory of justice, continues to baffle commentators. Many have found it difficult to follow his line of reasoning to the conclusions that it is an artificial virtue to obey the rules of justice, and (...) that such rules command our respect even though we do not have any natural tendencies to respect them. The most troubling claim seems to be the claim that justice is ultimately based on self-interest, the motive that, on the surface at least, tends to induce people to ignore justice, particularly justice of the kind Hume is talking about. Jonathan Harrison, for instance, goes through a series of examples in an attempt to get close to Hume's meaning. In this paper I wish to argue that by justice Hume has in mind something very much like what modern economists call collective good. In the economic theory of public finance, which was born in the late Fifties, a distinction is made between collective goods and private goods. I wish to argue that this distinction can be employed to elucidate the nature of Hume's concept of justice, as well as to pinpoint the source of the moral force making justice a virtue rather than just a matter of prudence. I Most goods (and services) bought and sold in any economy have the following characteristics. First, as one person purchases (and consumes) a quantity of a particular good, there is less of it available for others to consume (that is, before more is produced). If the market is cleared (i.e. all that is produced is bought and sold), the total production or supply (X_, say) is the sum of individual purchases (X =X +X + etc.). 40 Second, the benefit of consumption is confined largely to the person who consumes the good. The overall benefit is said to be divisible among consumers. Third, the cost of production is also divisible and can be calculated for each unit of the good (which is not to say that such calculation can be easily or accurately carried out). Goods such as bread and butter, shoes and ships and sealing wax, cabbages, and so on, are of this nature. There are also certain goods and services which do not have these characteristics. John Stuart Mill was actually the first to notice the fact that a good such as a lighthouse, once provided, confers benefits equally on all "consumers" (i.e. ships that navigate by it). Unlike the goods in the class above, the amount of service generated by a lighthouse does not diminish as more of it is "consumed." The total X available is actually what is available for each and every consumer, so that X =X =X = etc. Once available, the benefit is not confined to any one user: to make it available to one user is to make it available to other users. The overall benefit is not divisible among consumers. Finally, it is often meaningless to speak of units of the good, hence meaningless to speak of cost per unit. Costs are also not divisible. In this class of goods we can include, in addition to the lighthouse, national defense, clean air, pleasant surroundings, etc. In the economic literature of public finance, these goods are referred to as 2 collective goods (and those above, private goods). The nature of collective goods poses a number of problems. One is that it is difficult to extract payments from consumers, once the good has been provided. Since it is difficult, if not impossible, to exclude those who refuse to pay from consuming the good or service, it is unrealistic to expect any payments, or full payments. This being so, no private entrepreneur would be willing to produce collective goods. Generally, 41 they will not be provided unless there is some collective effort, hence the name collective goods. The second problem, as economists see it, is to work out the optimum level of production. This turns out to be theoretically simple, assuming that potential consumers truly reveal their... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:192 HUME'S REFUTATION OF — WOLLASTON? Recently while rereading Book III of Hume's Treatise I was struck by an anomaly in the text that I had never noticed before. It consists in the juxtaposition of two arguments Hume offers regarding the source of the moral qualities of our actions. At first I dismissed Hume's arrangement of these arguments as being of little consequence — one (...) of them appears in a footnote — but the more I thought about the juxtaposition the more it intrigued and puzzled me. Expecting that it must have been noted by other readers I checked through the literature to find some discussion of it. Since after a long search I have failed to uncover anything, and believing the point, which relates to Hume's central view concerning morality, to be of some interest, I have decided to write this brief paper. Two passages from § 1, entitled "Moral Distinctions not deriv'd from Reason," of Part I, Book III, are involved. Hume begins the section by arguing that, because of the limited scope of its capacities, reason cannot distinguish between right and wrong or, as he puts it, between virtue and vice, and therefore that it is a mistake to speak of actions as being reasonable or unreasonable. Since Hume's views on this question are well-known and since they are not directly relevant to the point of my paper, I shall not pursue them further, but turn directly to the issue at hand. After having stated his argument at the beginning of § 1 and reached the conclusion that "actions may be laudable or blameable, but they cannot be reasonable or unreasonable," Hume turns to answer an objection that might be made against him by a rationalist ethicist. He writes: 193 But perhaps it may be said, that tho' no will or action can be immediately contradictory to reason, yet we may find such a contradiction in some of the attendants of the action, that is, in its causes or effects (T 459). Pursuing this objection, Hume first considers the causes of our actions. He acknowledges that we can be led astray in what we do in two ways; by making mistakes of fact, first, about the nature of some object we desire (e.g., thinking some fruit delicious when it really is not) and, second, about the means we should employ to gain the object (e.g., attempting to pluck the fruit when it is beyond our reach). Although these errors cause us to act in ways that may be termed unreasonable in a "figurative and improper way of speaking" (T 459), they cannot be the source of any immorality in what we do because they are committed involuntarily and innocently. A person who falls into such errors and acts on them is "more to be lamented than blam'd" (T 459). To conclude his answer to the rationalistic objection he has raised, Hume turns next to the issue of whether the immorality of our actions can be explained in terms of the unreasonableness of any of their effects. In a memorable passage he denies that the fact that false judgments are the effects of our actions can be the source of immorality in what we do. As to those judgments which are the effects of our actions, and which, when false, give occasion to pronounce the actions contrary to truth and reason; we may observe, that our actions never cause any judgment, either true or false, in ourselves, and that 'tis only on others they have such an influence. 'Tis certain, that an action, on many occasions, may give rise to false conclusions in others; and that a 194 person, who thro' a window sees any lewd behaviour of mine with my neighbour's wife, may be so simple as to imagine she is certainly my own. In this respect my action resembles somewhat a lye or falshood; only with this difference, which is material, that I perform not the action with any intention of giving rise to a false judgment in another, but merely to satisfy my lust and passion. It causes, however, a mistake and false judgment by accident; and the falshood... (shrink)

A transdisciplinary exploration of the work of Kenneth Burke and posthumanist rhetorics. In considering questions of power and persuasion as well as of ethics, responsibility, the contributors to this volume imagine the contradictions among Burke's writings and posthumanism as opportunities for knowledge making"--Provided by publisher.

This book is a collection of specifically commissioned articles on the key continental European philosophical movements since 1914. It shows how each of these bodies of thought has been shaped by their responses to the horrors set in train by World War I, and considers whether we are yet ‘post-post-war’. The outbreak of World War I in August 1914,set in chain a series of crises and re-configurations, which have continued to shape the world for a century: industrialized slaughter, the end (...) of colonialism and European empires, the rise of the USA, economic crises, fascism, Soviet Marxism, the gulags and the Shoah. Nearly all of the major movements in European thinking were forged in, or shaped by, attempts to come to terms with the global trauma of the World Wars. This is the first book to describe the development of these movements after World War I, and as such promises to be of interest to philosophers and historians of philosophy around the world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:121. HUME'S Of Scepticism with regard to reason: A STUDY IN CONTRASTING THEMES.* This paper attempts to describe the complex dialectical interplay among the contrasting rational, sceptical and naturalist elements which appear in Section I, Part IV of Book I of Hume's Treatise of Human Nature. At the same time we shall try to show that, contrary to Hume's own evaluation of that section, it (...) is the sceptical element, in which the unreliability of reason is supposedly demonstrated, as opposed to the naturalist element, in which its unreliability is supposed to remain hidden from us, that deserves to triumph. With these two goals in mind and in order to make it easier for the reader to follow the inevitable twists and turns of the dialectic, we have divided the paper into two three-sectioned parts. The first part bears the title "Reason and Scepticism", while the second part bears the title "Naturalism". The first section of Part I is concerned with proving that Hume's attempted reduction of all knowledge to probability is frustrated by his failure to explain how we can make mistakes in simple operations with small numbers. If so, the first phase of his sceptical assault against reason fails to dislodge her from her throne. If the second section is right, the second stage of the sceptical assault fares no better. For Hume's attempted reduction of all probabilities to zero is shown to rely on an unsatisfactory formula for calculating the probabilities in question. In the third section an effort is made to show that the attempted reduction of the second section, i_f it had been a success instead of a failure, would have destroyed reason but left scepticism intact. *I should like to thank Howard Sobel for his penetrating and unsparing criticism of an earlier version of this paper. 122. Hume's conviction, on the other hand, that the flawed reduction in question is unflawed and destroys both leads to a prolonged discussion, initiated in the first section of Part II, of his naturalism. Indeed, this theme dominates the rest of the paper. Thus it deserves a part to itself. If we are correct in the first section of Part II, Hume's naturalism is best interpreted as a doctrine of instincts relying for its doctrinal status upon a failure to accept the conclusion of the sceptical argument directed against reason. But, as we try to bring out in the second section, the specific psychological inability with which Hume could in the final analysis give substance to this failure of acceptance is left without any causal foundation. Finally, in the third section that inability is seen to run afoul of reason as Hume himself understands it. And note is taken of the fact that reason so understood and the sceptical argument directed against reason that Hume adopts for his own both commit him willy-nilly to rejecting for good or ill one standard definition of knowledge. Reason and Scepticism Nowhere are the rational elements in Hume's philosophy more in evidence, ironically enough, than in Section I, Part IV of Book I of the Treatise entitled Of Scepticism with regard to reason. For it is there we are told in the very first paragraph that in all demonstrative sciences the rules are certain and infallible. Our reason, moreover, must be consider ' d as a kind of cause, of which truth is the natural effect. (T180) In other words, reason, left to its own devices, would produce truth and, presumably, only truth. Anyone who steadfastly adheres to such principles will reject out of hand one kind of scepticism with regard 123. to reason. That is the kind which results from the alleged discovery that reason, left to its own devices, compels us to embrace one or more contradictions, an obvious form of 2 falsity. It is a kind of scepticism which Bayle cultivated so assiduously. And yet, despite the influence which Bayle 's writings exerted upon Hume, they never convinced him of the viability of this kind of scepticism. On the contrary, apart from some wavering in the Enquiry, he was as adamant as any Leibnizian rationalist that right reason3 ing leads only... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:121. HUME'S Of Scepticism with regard to reason: A STUDY IN CONTRASTING THEMES.* This paper attempts to describe the complex dialectical interplay among the contrasting rational, sceptical and naturalist elements which appear in Section I, Part IV of Book I of Hume's Treatise of Human Nature. At the same time we shall try to show that, contrary to Hume's own evaluation of that section, it (...) is the sceptical element, in which the unreliability of reason is supposedly demonstrated, as opposed to the naturalist element, in which its unreliability is supposed to remain hidden from us, that deserves to triumph. With these two goals in mind and in order to make it easier for the reader to follow the inevitable twists and turns of the dialectic, we have divided the paper into two three-sectioned parts. The first part bears the title "Reason and Scepticism", while the second part bears the title "Naturalism". The first section of Part I is concerned with proving that Hume's attempted reduction of all knowledge to probability is frustrated by his failure to explain how we can make mistakes in simple operations with small numbers. If so, the first phase of his sceptical assault against reason fails to dislodge her from her throne. If the second section is right, the second stage of the sceptical assault fares no better. For Hume's attempted reduction of all probabilities to zero is shown to rely on an unsatisfactory formula for calculating the probabilities in question. In the third section an effort is made to show that the attempted reduction of the second section, i_f it had been a success instead of a failure, would have destroyed reason but left scepticism intact. *I should like to thank Howard Sobel for his penetrating and unsparing criticism of an earlier version of this paper. 122. Hume's conviction, on the other hand, that the flawed reduction in question is unflawed and destroys both leads to a prolonged discussion, initiated in the first section of Part II, of his naturalism. Indeed, this theme dominates the rest of the paper. Thus it deserves a part to itself. If we are correct in the first section of Part II, Hume's naturalism is best interpreted as a doctrine of instincts relying for its doctrinal status upon a failure to accept the conclusion of the sceptical argument directed against reason. But, as we try to bring out in the second section, the specific psychological inability with which Hume could in the final analysis give substance to this failure of acceptance is left without any causal foundation. Finally, in the third section that inability is seen to run afoul of reason as Hume himself understands it. And note is taken of the fact that reason so understood and the sceptical argument directed against reason that Hume adopts for his own both commit him willy-nilly to rejecting for good or ill one standard definition of knowledge. Reason and Scepticism Nowhere are the rational elements in Hume's philosophy more in evidence, ironically enough, than in Section I, Part IV of Book I of the Treatise entitled Of Scepticism with regard to reason. For it is there we are told in the very first paragraph that in all demonstrative sciences the rules are certain and infallible. Our reason, moreover, must be consider ' d as a kind of cause, of which truth is the natural effect. (T180) In other words, reason, left to its own devices, would produce truth and, presumably, only truth. Anyone who steadfastly adheres to such principles will reject out of hand one kind of scepticism with regard 123. to reason. That is the kind which results from the alleged discovery that reason, left to its own devices, compels us to embrace one or more contradictions, an obvious form of 2 falsity. It is a kind of scepticism which Bayle cultivated so assiduously. And yet, despite the influence which Bayle 's writings exerted upon Hume, they never convinced him of the viability of this kind of scepticism. On the contrary, apart from some wavering in the Enquiry, he was as adamant as any Leibnizian rationalist that right reason3 ing leads only... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Testimony of Sense: Empiricism and the Essay from Hume to Hazlitt by Tim MilnesMargaret WatkinsTim Milnes. The Testimony of Sense: Empiricism and the Essay from Hume to Hazlitt. Oxford: Oxford University Press, 2019. Pp. viii + 278. Hardback. ISBN: 9780198812739. $91.00.In his brief autobiography, “My Own Life,” Hume reports that “almost all [his] life has been spent in literary pursuits and occupations” (E-MOL: xxxi). (...) This is one of at least ten places in this brief work in which he associates himself with “letters” or “literature”—as compared to at most four associations with philosophy. The moral to be inferred is not that Hume considered himself not to be a philosopher. Rather, he conceived of philosophy as a kind of literature. The Treatise was itself a “literary attempt.” Indeed, opposition between the “literary” and “philosophical” aspects of a text would have been foreign to Hume and his contemporaries—a notion for a later age, despite his occasional loose distinction between the relevant genres, as in his list of writings “historical, philosophical, or literary” in “My Own Life” (E-MOL: xxxvi).Yet despite Hume’s own understanding of the continuity between philosophy and literature, broadly conceived, it is still common for contemporary philosophers to ignore literary questions in their examination of Hume’s work, or to presume that one can easily distinguish the “philosophical” parts from the “literary” ones. Tim Milnes’s The Testimony of Sense is therefore a welcome addition to the Hume literature (pun intended). With a particular focus on the essay—a genre of great importance to Hume—Milnes contributes to the small set of engagements with Hume from the disciplinary perspective of English literature. With training in both philosophy and literature, as well as established expertise on Romanticism and its own essays, Milnes is well-qualified for the task. The Testimony of Sense includes sustained engagement with Hume’s contemporaries and successors, but for the purposes of this review, I engage the book primarily as a Hume scholar for Hume scholars.Milnes’s story plays out in three acts. The first establishes the need for public trust created by a skeptical crisis, itself a product of Hume’s criticism of the epistemic program of thinkers in the Cartesian and Lockean traditions. The second explains how the essays of the long eighteenth century constitute a response to that need in various ways. The third reveals in detail how the Romantic essayists, particularly William Hazlitt and Charles Lamb, both respond to and deviate from the “neoclassical” essayists, typified by Hume and Samuel Johnson.The first chapter, “Self and Intersubjectivity,” lays the groundwork by articulating how Hume, Adam Smith, Thomas Reid, and Dugald Stewart identify the need for what we now call intersubjectivity. Milnes describes the common thread as a kind of “natural transcendentalism.” In what sense are these thinkers properly understood as [End Page 175] transcendentalists? The central idea seems to be that all posit things other than reason as “conditions of meaningful thought” (72). For Hume, it is the social, linguistic experience of a community of virtuous judges. The intricate relations between self and other essential to such a community get “internalized within the specular drama of the impartial spectator” (72) in Smith’s writing, which itself takes part in the drama through his “halting, qualified syntax” that mimics “everyday speech” (44). Reid posits a “prescience” of trust, which grounds our reliance on both human testimony and the uniformity of nature, itself undergirded by the design of a benevolent God. Stewart, who posits axiomatic truths that help constitute the “stamina of intellect,” goes furthest, actually calling these truths transcendental (55). This chapter also puts these eighteenth-century thinkers in conversation with twentieth-century theorists, including Habermas, Davidson, and Rorty.Chapter 2, “The Subject of Trust,” deepens the analysis by situating these “natural transcendentalisms” in the broader enlightenment context. In contrast to Descartes, Bacon, and Locke, who were suspicious of our reliance on the opinions of others, the eighteenth-century thinkers understand trust as prior to reason in various ways—though not prior to solidarity. The particulars in each case depend on their responses to skepticism and their accounts of the relation between... (shrink)

This vital study offers a new interpretation of Hume's famous "Of Miracles," which notoriously argues against the possibility of miracles. By situating Hume's popular argument in the context of the 18th century debate on miracles, Earman shows Hume's argument to be largely unoriginal and chiefly without merit where it is original. Yet Earman constructively conceives how progress can be made on the issues that Hume's essay so provocatively posed about the ability of eyewitness testimony to (...) establish the credibility of marvelous and miraculous events. (shrink)

This paper attempts to draw on management theory and practice and, more specifically, on know-how from the study of teamwork, to seek insights into enhancing the effectiveness of hospital ethics committees and clinical ethics committees (CECs), with the aim of contributing to heath-care organizations’ effective and efficient decision-making and operation. Based on an analysis of the obstacles that stand in the way of ethics committees’ (ECs’) efficient functioning, five specific conditions for EC success are brought forth. A couple of (...) practical tools for their attainment are proposed. The article suggests that the construction of those committees, as well as the working procedures that may render them effective, should be flexible and made adaptable to the specific assignment or case, which is dealt with by that committee, at the time; and that the optimal set of procedures to adopt, throughout the working sessions of ECs, are those which will gear the committee with the means to contribute to the eventual materializing and finalization of a quality and practical set of decisions; for the benefit of patients, their families, health-care organizations and the community, alike. (shrink)

Several times each month, usually on a Thursday morning, I join one or more of my physician colleagues on teaching rounds. Most weeks these are traditional rounds, where an attending physician leads a group of medical students, residents, and clinical fellows from bed to bed reviewing charts, examining patients, and planning daily procedures. As a medical ethicist, my role is to discuss some of the ethical issues that are embedded in these decisions about medical care and help students to hone (...) the skills required to manage these issues successfully in the context of ongoing care.Although the clinical setting varies, questions of patient management are always at the center of teaching rounds. Since my training is in philosophy, and not in medicine or nursing, there have been occasions when this focus on patient care has prompted me to reflect upon my role as a medical ethicist in these contexts. Lacking even the most basic medical training, and having been remarkably fortunate in having had limited personal experiences as a patient, what can I possibly contribute to the training of physicians?I suspect that at some time or another most teachers, but perhaps especially those trained in the humanities, have moments when they question the usefulness of their teaching. In my case, by introducing perspectives from the humanities on teaching rounds, my hope is to add some balance to the often narrow focus on the ordering of diagnostic tests, scheduling of procedures, obtaining of patient consent, and other practical matters. I often stress, for example, how the patients with whom students and residents interact are not mere patients, but persons with lives outside the hospital that can be made profoundly better or worse as a result of the brief time they are seen in the hospital. I draw attention to the …. (shrink)

continent. 2.1 (2012): 22–28. Jeroen Mettes burst onto the Dutch poetry scene twice. First, in 2005, when he became a strong presence on the nascent Dutch poetry blogosphere overnight as he embarked on his critical project Dichtersalfabet (Poet’s Alphabet). And again in 2011, when to great critical acclaim (and some bafflement) his complete writings were published – almost five years after his far too early death. 2005 was the year in which Dutch poetry blogging exploded. That year saw the foundation (...) of the influential, polemical, and populistically inclined weblog De Contrabas (The Double Bass), which became a strong force for internet poetry in Dutch in the years to follow. In the summer of that year, a lively debate raged in the aftermath of Bas Belleman’s article “ Doet poëzie er nu eindelijk toe ?” (“Does poetry finally matter now?”), on a blog specifically devoted to this question. Up to that point, the poetical debate in the Netherlands had largely been confined to literary reviews (which were often subsidized), having become mostly marginalized in more mainstream media, where poetry could be covered by only a small number of so-called authorities. As a result, literary debate had acquired a rather placid quality. Though a variety of camps with different aesthetics could be discerned, most poetical positions shared a general acceptance of poetry as a form of art somewhat apart from fundamental political concerns. Late modernists would pursue subtlety and density of reference. Others would insist poetry was best understood as a form of entertainment that should ideally be accessible and work well on the stage. Still others would insist that poetry is mostly a play with forms. Linguistically disruptive strategies were valued highly by some, but mostly for their aesthetic effect. Values of disinterested playfulness reigned supreme everywhere. Any idea that poetry could be a field in which one confronts politics and the world was decidedly marginal. This led to a climate in which most attempts at polemics were DOA, often based on far too superficial positioning and analysis. The greatest polemical debates were revolving around the question of whether poetry should be difficult or easy, with both camps defining their ideas of difficulty and accessibility in ways that were so utterly shallow as to make the entire point moot. Debates were performed, rather than engaged with. It was a postmodern hell of underarticulated poetics. Half-consciously, people were yearning for new forms of criticism that could put the oomph back into poetry. Weblogs provided for ways to explore debate directly outside of the clotted older channels of the reviews and the newspapers. Belleman’s essay and the resulting online activity had shown that there was a widespread eagerness to take poetry more seriously as a social art form. It was in this environment that Mettes started his remarkable project Dichtersalfabet . At that moment, Mettes was active mostly in academic circles, having become noted at Leiden University as a particularly gifted student of literary theory. Within the Netherlands, the field of literary theory has a very odd relationship to literature as it is practiced in the country. Academic theory tends to have a mostly international view and engage with international debates of cultural criticism, literary theory, and philosophy, with academics often publishing in English and attending conferences around the world. Literature itself however is much more concerned with domestic traditions. Consequently, in the Netherlands, there exists a language gap between academic theoretical practice (as it is studied in the literary theory departments) and literary practice (which, academically, gets studied in specialized departments of Dutch literature). The Dichtersalfabet can be seen as Mettes’s attempt to close this gap. It is also an attempt to bridge the divide between theory and practice, in which he could apply his theoretical knowledge in a very unorthodox and unacademic critical mode that moreover could reach far beyond the domain of conventional criticism. Mettes’s goal was to trace a diagonal through Dutch poetic culture, to “strangle” what he perceived to be its dominant oppressive traditions of agreeable irrelevance, in order to see whatever might be able to survive his critical assaults. But he could only do so by means of a very serious engagement with poetry itself. To this end, he would go systematically through the poetry bookshelf of the Verwijs bookshop (part of a mainstream chain of booksellers) in The Hague, buying one publication per blog item, starting from A and working his way through the alphabet, reading whatever he might encounter that way in the restaurant of the HEMA store (another big commercial chain in the country). He would subsequently write down his reading experiences, refraining however from trying to write a nuanced book review. Rather, he would write about anything that caught his attention and sparked his critical interest. This way of working would yield vast, at times somewhat rambling, dense, lively, and generally brilliant essays, in which he held no punches. He never hesitated to pull out his entire arsenal of concepts from the international theory traditions, while never degenerating into mere academic exercise and pointless intertextualities. The attempt was rather to live the poetry that he read, and to engage it with the full range of political, academic, cultural, and personal references that he had at his disposal—all that composed the individual named Jeroen Mettes as a reader. Often what he wrote would not be according to the standards of what we usually think of as a critical review of a book of poetry. Sometimes he would even be a little sloppy in his judgments of poets or representations of the books he read, for example by basing an entire essay on the blurb of a book rather than its poetry content. But what he did was always brilliant writing nonetheless—virtuoso riffs on poetic fragments randomly found within capitalist society, exposing an incisive and insistent poetical sensibility. Mettes read poetry for political reasons, to see whether poetry could offer him a way to deal with a political world he detested. The right-wing horrors of the Bush years, the Iraq war, and the turn of Dutch public opinion towards ever more conservative, narrow-minded, and xenophobic views alongside a complete failure of the political left to present any credible alternative, were weighing heavily on the times in which Mettes reported on his reading. Poetry was to measure this world, diagram it, to lay bare its inconsistencies and faults, to indicate where lines of flight might be found. Amid the ruins of a world wrecked by imperialist policies, corporate capitalism, and doctrinal neoliberalism it would have to show the possibility of a new community. And it was, through its rhythmical workings, to release the reading subject from his confinement to ideologically conditioned individuality and lead him into the immanent paradise of reading. The stakes were high. Much higher than anything Dutch poetry had seen for many years. Mettes’s blog was widely read from the start. His posts sparked lively debates. Some of these subsequently led to the publication of extensive essays on a few key poets in some literary journals, particularly Parmentier and the Flemish journal yang , for which Mettes would become a member of the editorial board, a few months after starting the Dichtersalfabet . This could have been the start of a brilliant career, but this was not to be. The initial manic energy that fueled the blog gradually subsided. The Alfabet was updated less and less regularly. Mettes sometimes just disappeared for many weeks, then suddenly returning with a brilliant essay. Until, on September 21, 2006, he posted his final blogpost, consisting of no text whatsoever. That night I learned from his mentor at Leiden University that he had committed suicide. Mettes and I had had some fruitful exchanges on poetry, rhythm, music, and form, mostly on the blogs, but also by email. Three weeks before his death was the last time I heard from him: a very sudden, uncharacteristically curt note saying “My old new sentence epic.” Attached to that message I found a DOC-file of a work so major that I felt intimidated. This was N30 , a text he had been working on for over five years. After his death, it took me a long time before I dared to read it in its entirety. In the meantime, the work of preparing the manuscript for publication was entrusted by his relatives to his colleagues at yang magazine. It took them a few years to brush up the text and to edit the Dichtersalfabet -blog (which, apart from the Alphabet project itself, incorporated many other fragments of political, polemical, and theoretical writing) into book form along with the essays. The result of this labor was finally published in 2011 as a two-book set, and Mettes burst onto the Dutch poetry scene for the second time. The work was widely reviewed, on blogs, in journals, magazines, and newspapers. Many critics who had not followed the blogs in 2005 showed themselves surprised, baffled even, by the intensity of Mettes’s critical writing. But for those who had read the blog, the main surprise was in the poetry. During Mettes’s lifetime, some of his poems had already been published in Parmentier . Although these were strong texts by themselves, in no way did they prepare readers for N30 . Nothing like it had been written in Dutch before. Instead, N30 explicitly follows the American tradition of Language Writing, directly referencing Ron Silliman and his concept of The New Sentence. However, it would seem that much of the poetical thinking around his use of this technique puts him closer to a writer such as Bruce Andrews. For Mettes, using non sequiturs as a unit of poetic construction was not only a way of reinventing formal textual construction, but it was another way of finding the fault lines in the social fabric. From the perspective of the Language tradition, one may put N30 somewhere between Silliman and Andrews. N30 shares an autobiographical element with Silliman’s New Sentence projects, and as in Andrews, there is a concern for mapping out social totality within text—what Mettes refers to as a “textual world civil war.” Again this shows a formal textual strategy for allowing the person “Jeroen Mettes” to be absorbed by the world, which here appears as a whirlwind of demotic and demonic chatter, full of violence, humor, intensity, beauty, disgust, sex, commerce, and strife. Influenced as it may by American precursors, Mettes’s tone and form end up quite different from his American counterparts, consistently referencing a world that is Dutch, all too Dutch, taking on the oppressive orderliness of Dutch society with its endemic penchant for consensus by introducing chaos into its daily life and laying bare its implicit aggressions. The work’s 31 chapters each have a different feel and rhythmical outline, but none of them follow a predetermined pattern. Rather, Mettes would consistently edit and reedit the text, randomly rewriting parts of it, as he explains in his poetical creed Politieke Poëzie (Political Poetry). N30 – referring to the 1999 antiglobalist protest in Seattle – was to be the first text of a trilogy. The work itself was written “in the mode of the present.” A second text was to be written in the mode of the future, and a third one, in the mode of the past, was going to be an epic poem about the Paris Commune, and to form an alternative poetic constitution for the European project. I still deeply regret that Jeroen Mettes never got to complete those projects, just as I would be very keen on knowing what he might have had to say about more recent political developments. Instead, in 2006, he remained stuck in the horrors of the present, that ended up consuming him completely. He left Dutch literature with some of its most piercing criticism and its most profoundly moving, exciting and powerful poetry. Excerpts from N30 Translated by Vincent W.J. van Gerven Oei from Jeroen Mettes. "N30." In N30+ . Amsterdam: De wereldbibliotheek, 2011. Published with permission of Uitgeverij Wereldbibliotheek, Amsterdam. Chapter 1 1999. A day is a space too. And another man, who had chained himself, had his ribs crushed, and a motor has driven over somebody’s legs. Dutch health care system spends ±145 million guilders per year on worriers. A spiderweb vibrates as I pass by. Randstad renovating. She slaps her bag against her ass: “Hurry up!” OPINION IS TRUE FRIENDSHIP Your skin. It doesn’t express anything. “But the use of the sword, that’s what I learned, and you’ll need nothing more for the moment.” Just try to interrogate a guy like that. Gullit in Sierra Leone. Codes silently lying all around. But that’s simply what belongs to “that it’s just allowed”: that sigh of “world” (a word expressing that the trees are now standing along the water like black men with white bags in their hair); that’s nothing else right? And you see how everything has to move, and first of all what cannot do so. Without Elysium and without savings, barbarians lashing out, horny for an enemy, staring across the water, staring into the air—staring to get out of it. “You’ve never showed me more than the mall,” she said. All those “dreams” in the end—and now? It was lying on the stairway, so I picked it up and took it upstairs. Chapter 3 “You know what?” Telecommunication. For love… I don’t really like that cheap cultural pessimism, but… The holy city is on pilgrimage in the earthly bodies of the faithful until the time of the heavenly kingdom has come. The end of an exhausting autumn day behind the computer, my eyes filled with tears of fatigue. KITCHEN / INSTALLATION / SPECIALIST. Network integration. In the sun, stretched out on a sheet. (…) I don’t believe what I’m reading, because I want to believe something else. An illusion? Suits me. There’s a variety of shapes and tastes… “So what?” you may think. 102 dalmatians can’t be wrong. But I want more, dear… A feel good movie. I’m smashing the burned body. So what? We continue to save the European civilization. What’s there to win? Plato with poets = Stalin without gulag? Ball against the crossbar. No wonder. She comes straight to her point. She’s standing in the kitchen eating an apple. (…) The godless Napoleon had used her as a stable and wanted to have her taken down. “Our” Rutger Hauer. Ready or not here I come. Psst… are you also wearing a string? Nobody understands our desire. Cliffs breaking the waves and shattering the sunset. I used to be a real romantic (as a poet). A typical fantasy used to be the one in which I brutally raped mother and daughter Seaver from the sitcom Growing Pains . Nevertheless you only contain bad words. Eyelashes. Automatic or manual? That your skin always in the afternoon. Integration. The air is empty. Too bad! Hand in hand on their lonely way. Alaska! Chapter 12 May 5, 2001 [10:00-10:30] A dust cloud on a hill. Globe. Indian (British) (tie) / pope. Damascus. Rape. We’re carrying the ayatollah’s portrait through the streets. At the moment the girl is mostly suede jacket with white ribbons on her sleeves. A small explosion flares up/impact. Camouflage. Close up. We’re analyzing the situation. He’s dead right? Dead dead. Dead. Everything without, these, and only with the body. Indices signal death. Dollar bills are printed in factories. Holes. Light patch. Globe in a box. Microphone. What’s the situation? Grey impact on a green hill (field?). The water is blue. He has no lips. Interns on the background with skirts that are too long. This is an example of a sonnet. An Islamic woman pushes against the door of an electronics shop. Arrows (percentages (prices)). Is this what awaits the American? Touch screen interface. The word, an island, can only be a sign in that situation. We pull up a chair, join in on the fun. On the shelves only books about computers. One glance in the distance is enough to lighten up a luna park in the distance. She’s really desperate, especially when she laughs. Click. Ah. Next. And now it’s raining, but that’s ok. Yellow stains sliding over the south. Shallow caves light: clothes, boots, electrical equipment. 45. 22:10. Nothing gives you the right to eat more than people starving to death. The Hague. Slam dunk. Traffic light. Two H’s, one L (standing for the L (little prick)). We’re happy to say something. Clouds, small suns, temperatures, cities. The truth is never an excuse. Yellow. Yellow. Green. Yellow. Yellow. Yellow. Yellow. Green. Green. Yellow. Will you email me? Skeleton: “No.” Ex-nerds in brand-new and brightly red sport cars. $$$. I love. Shihab. Hooves in the sand. Skinny senior with over-sized sunglasses; old jockey (cap, trophy) smiling in slow motion. And there I am again, flashback, crying with my head in between my hands. Sometimes I’ve got the feeling that cannibals. Eyes: blue. Cancer. Why would I wait until tomorrow? Golden beams protruding from the lifted/lit earth. May 5, 2001 [11:30-12:45] You’ll remember this for the rest of your life. Graphs, diagrams. Bu$ine$$. Blue shirt, white collar, no neck (porn star). A name lights up. I’m hysteric. Will you join us? Letters falling in their words. Fingers set up a tent and start to dance. Young entrepreneurs from poor neighborhoods (read: black) guided by Microsoft. Kinda makes me happy, that sort of kitsch. A sense of exhaustion/impotence to see anything but the present. (…) Wouldn’t you like to? Orange explosion in an industrial zone. YOU’RE DOING THIS FOR AMNESTY INTERNATIONAL. Would you. A familiar face. Clouds and blossom. Sunflowers. Supermodels. Mountainous area in a rectangle: shades of brown, from dark to beige, more green toward the south. Tents and next to them (it’s all a blur) people. Plane. Stadium. Geometrical block of people. No, I ain’t crying. I don’t speak no more. I just want. Quote + photo. (Positive:) screaming crowd. Three-piece suit, seen from the back, before entering the arena. On the back: “Daddy abused me.” Oh, bummer. State of emergency has been declared and everyone has to cooperate. She’s cut her wrists. What we do know (…) is that there’s never been a unique word, an imperative name, nor will there ever be. [Click here for work that suits you.] Barefooted children are watching it (coherent pieces revelation of what’s lying below). Who knows how she’s changed during those two years. “Everything used to be better” + sigh. And here we are. An empty field of parquet. A city lying behind it. Explosion. Blue. A rain drop falling in my coffee. May 5, 2001 [14:30-15:30] A young Arafat on video speaking with raised finger. “I’m calling from my convertible.” Names on walls, victims, numbers… Tourists. Yellow. Yellow. “Your own child! Really, what kind of human are you?” I don’t want to hear it no more. A woman jumping out of the water in a yellow bikini against a background of fireworks and the Cheops pyramid. Thy sorrow shall become good fortune, thy complaints laudation. All planets will float and wander. Wo die Welt zum Bild wird, kommt das System (…) zur Herrschaft. It is something, but is it? May 5, 2001 [18:30-19:00] Iris. Leaves. NASDAQ. Open / and white and. For the one who’s doing nothing, just waiting. (…) NO DEFEAT is made entirely up of defeat -- since / the world it opens is always a place / formerly / unsuspected. October 2002. “Jeroen, I’m leaving for the cemetery, byeeee.” The rise of the middle class. My entire oeuvre is an ode to the. My entire head is a fight against the. God always demands what you cannot sacrifice. You may take that the easy way, but… “The state hasn’t made us, but we make the state” (Hitler). A stork exits the elevator. Skeletons of. Moscow. Helsinki. Palermo. Paris. Chapter 30 Like your paradises: nothing. United Desire, as only remaining superpower. And even though the sea is now calmer and the wind is blowing pleasantly in my face… Heart! Who determines whether a tradition is “alive”? The yellow leaf or the white branch? Mars. This sentence is a typical example. Most Dutch people are happy. No consolation. When I see a girl sitting at a table with a book, a notepad, a pen, a bottle of mineral water, her hand writing in the light—then I consider that one thing. “Presents,” “poetry,” “classics.” We are what we cannot make from ourselves. “Left”: mendicant orders, missionaries. Saint-Just: “A republic is founded on the destruction of its enemies.” She crosses the street with a banana peel between her fingers. (…) We chose our own wardens, torturers, it was us who called all this insanity upon ourselves, we created this nightmare… But “no”? Girl (just like a beach ball) talking rapid Spanish (Portuguese?) in a mobile phone. Do I have a chance now that her boyfriend is getting bold? CLIO, horny bitch. What else do you want? An old woman, between the doors of the C1000, is suddenly unable to go on; her husband stretches out his hand, speaking a few encouraging words. Selection from. Der Führer schenkt den Jüden ein Stadt. How can it reach us if we haven’t been already reached somehow? It doesn’t “speak.” No problem. Each word she uses is a small miracle, as if she doesn’t belong to it, to language, but wanders around with a pocket light looking for the exit; she’s never desperate (maybe a little nervous), lighting up heavy words from the inside. But indeed, we’re free. But the predicate is not an attribute, but an event, and the subject is not a subject, but a shell. That’s why also samurai, knights, and warriors raised the blossom as emblem: they knew how to die. Locked up in a baby carriage with a McDonald’s balloon. Blue helicopter, the blue sky. Whether you want to refer? The point is. How / Motherfucker can I sing a sad song / When I remember Zion? You’ll feel so miserable and worthless that you think: “If only I were dead!,” or: “Just put an end to it!” “So you’re an economist?” Her card—two little birds building a nest, her handwriting shaking—is still on the mantelpiece. Guevara: “No, a communist.” A straw fire, such was our life: rapidly it flared up, rapidly it passed. I’m fleeing, coming from nowhere. (…) Eazy-E drinking coffee with the American president. If I’d scream, would that be an event? Drown it: the cleaner it will rise up from the depths. No! The night, so fast… As if there’s something opened up in that face. Come on, we may not curse life. He shows me his methadone: “If you drink that all at once, you’ll die instantly.” The last one dictates how we should behave to deserve happiness. One shine / above the earth. “I want to go to Bosnia,” I said bluntly. I don’t even know the name of the current mayor. Let’s despise our success! “There is no future; this is the future. Hope is a weakness that we've overcome. We have found happiness!” Sun. Sushi. Volvo. I feel like a bomb about to explode at any moment. Makes a difference for the reconstruction right? The decor moves forward. Daughter of Nereus, you nymphs of the sea, and you Thetis, you should have kept his tired head above the waves! Alas! This sentence has been written wearing a green cap. I receive my orders from the future. A frog jumps into it. Her husband has turned the Intifada, which he follows daily on CCN, into his hobby, “to forget that he doesn’t have his driver’s license yet." Suddenly the sun slides over the crosswalk. Her (his?) foot is playing with the slipper under the table. Is this how I’m writing this book now? I’m not a fellow man. I hate you and I want to hurt you. These are my people. Their screaming doesn’t rise above the constantly wailing sirens which we've learned to ignore. My whole body became warm and suddenly started to tremble. Unfortunate is he who is standing on the threshold of the most beautiful time, but awaits a better one. Arafat’s “removal” is contrary to American interests. Jeep drives into boy. What you can do alone, you should do alone. A food gift from the people of the United States of America. Two seagulls. [...]. (shrink)

Influencing ethics, metaphysics, and philosophy of science, David Hume's Treatise of Human Nature remains unrivalled by perhaps any other works in philosophy. The Treatise is of interest, and not merely historical interest, to professional academic philosophers. It is remarkable that it can, and often does, also serve as one of the best introductions to philosophy-to what philosophers really do-for the novice.

continent. 2.2 (2012): 155–158 Michel Serres. Biogea . Trans. Randolph Burks. Minneapolis: Univocal Publishing. 2012. 200 pp. | ISBN 9781937561086 | $22.95 Conveying to potential readers the significance of a book puts me at risk of glad handing. It’s not in my interest to laud the undeserving, especially on the pages of this journal. This is not a sales pitch, but rather an affirmation of a necessary work on very troubled terms: human, earth, nature, and the problematic world we (...) class='Hi'>made. It is this world that aspirates the silence (so to speak), and therefore the subject which, along with the development of the “made world” exports the excess augmentation of the cosmically missing, this silence of the natural, et cetera. Had we learned from Locke that lesson of “labor,” to consume what we need… but perhaps we need more than what matters? Serres’ Biogea has several functions on this manner, if it is indeed a book to be consumed. First, readers searching for novelistic entertainment have a place to dwell. Biogea deserves a place in your back pocket; biographical generosity and poetic fluidity should satisfy most textual fetishes. For lay philosophers who want to refresh their acumen, Biogea deserves a place on the book shelf, one already reads a sorely needed postmodern tune-up here. Serres’ style is clearly French; he leaves few cheese crumbs on his words, rather preciseness and breathing in the work give way to a sweeping manner that breaks the narrative line of sight. A circular narrative and anachronistic fragmentation of terms allows an abyssal atmosphere to swell, if only to pump into the book the externality of its broader text. Biogea aspires to a higher standard and the book, at times, is thinking this negentropic problem too. Univocal, the publisher, has crafted a book appropriate for the hands to hold and the translations are an achievement of an otherwise difficult writer to translate. Terms are the conditions of a broader text. It is important to note that Serres’ content is as much a thinking of terminal ports. There is a regard for the transportation technology of the written word. For me, this is the mark of genius, a craftiness that tells of a book device that I may trust. Serres is an accomplished thinker and a necessary voice to check the putative trendiness of anti-postmodernist and market-driven theory of endless cultural liquidation. Offering interventions on subjectivity as an open system we are given a chance to affirm the human, not merely to discard it, but to engage its poetic image emotion, the calibratory silent sense of the analogic world; the terms on which we base our efforts. 1 The human is the center of its own negation, constantly mediating it. Something deeper at stake appears in the work then, and it is quite obvious from the onset. Certainly, a book is an intensification of possible text and those who brought this actual book into existence have captured a rarity in regards to the subject matter and artistic accomplishment. I mentioned terms as conditions, so let us understand Biogea as bio-yea, a yes to bios . An affirmation of living and accepting presence for all of its defiance of images, words, and things temporal. Therefore Serres’ existence and its existants plays parts; out of linearity and still like a porous bone pumping blood it manufactures into the fleshy life it becomes. Starting from a man named silence chaos emerges, or the man “Old Taciturn” takes up a journey anticipating a great flood. In other words, a development akin to the one in Genesis. In dealing with this ancestral occupation, fusing Genesis with contemporary philosophical terms, Serres initiates this anachronistic fragmentation under the forming subjectivity of his own autobiography. This mutation in the open system is precisely one of Serres’ terms. There an abyss is at work, stated, but also measured by heels on the ground—the abyss dispatching earthen tensions, that which plays our tunes, that which we abide by and recognize in volcanoes, rivers, oceans, earthquakes and weaponry in the battles of the world. Set in later stages of the book, such tensions are harnessed through scientific principles in an attempt to unify the terms of natural force if only to terminate the world. Thus the elevation of the earth into the world is clearly set forth. Here already, and few pages in, a resonance is set forth under appellations such as the river Garonne, a subjectivity as much as it is inhuman, the river is the inhuman that makes us human. I get the sense that Serres is taking up a challenge issued by Wallace Stevens; namely, that the great poems of heaven and hell have been written, but that only the poem of the earth has resisted composition. 2 On this level we cannot avoid the killing factor of silence, given that our cognition blocks its pure, radical obliteration. Thus a silence of attunement to the earth is in a novel dialectic of the rithmic and rhythm. A technological world, a triumph of termination is set forth. If a text imposes its will given the reader who authorizes it, it is made to convey or convect a presupposition to a reader or its inhabitant(s). Text is therefore both, in-content, contenting, contentedness, and in reading it, a way to navigate self-destruction (dis-content). Here then would one note that the “inhuman” reveals itself, “an aperiodic rhythm of lovers and beloved…the sea as our friend…but as our enemy…maternal vivifying sea.” The sea is an open book, or vaginal birth canal, where the engagement of text comes forth: “…woman sea, open vulva.” One sees like the sea, but only after it, when the uninhabitable truth of inhabiting it switches the polarity of the sailors soul: “I was seeing like the sea” (9-11). In other words, we are invited to embrace the nonsense of the visible. At this point I am taken to Jean-François Lyotard’s work The Inhuman , specifically the first entry on negentropy that would be congruent with Serres’ thematic. 3 The human being exports, deports, or transplants its relation through text, through the system— and this is its sense or relation to silence, to music. Unaware of Serres’ proximity to this work, the concept of gender interrelation as regards a solar catastrophe runs clear. It would be, on this basis, that Serres references his peers, the other texts that, as mentioned above, are discarded in philosophy today. For students of philosophy what we have here is perhaps a gift, a needed project. If silence and death are at work, there is a political valence to deal with, and here, much like the domain of the text and the dominion of the reader, we confront the world of natural, fluid violence. The anti-postmodernist critique is in part based on a weak idea that the loss of ideology, of a world vision, motivates the “correlationist” project. 4 Serres seems to offer another way to view this when he notes that whereas persons “sometimes kill,” it is clearly “the collective” that “always kills” (17). What is the collective today, if not an organizing function we never see yet acts in its favor in the name of truth? One feels a sense of enigma here, if only to link to what Stevens remarked of communism as a “grubby faith,” providing this applies for capitalism as well, namely any ideology of progress overly interested in absolutes. Here we get the sense that the inhuman, silence, this type of killing, always killing, could not be matched by human-made, political dynamos. Or that if it comes to an equilibrium, a catastrophe is never too far from us to read with our heels. We are left to note that the forces of nature presuppose and permeate political systems, the more these systems obtain force, the more the system takes upon itself the proper name of nature that motivates its dissemination, albeit falsely. This note, that in an age of ecocide and technological captivity (sustainability and transparency) political regimes won’t grow our soul-learning ears any larger than our tongues, stands clear to us. The promise of technological desubjectification is here pushed aside. Regarding politics, Serres illustrates this fact: Where did this corpse come from? Who was it? Who killed it? I don’t know. I won’t try to find out. I refuse to get vengeance for it. And I only see Garonne. For our victims, today, are the rivers, too. Their waters have irrigated my life, enchanted my thought, invigorated my body; I’ve known them to be threatening, untamable, as dangerous as the sea when it rages. Yes, murderous. They decided to control their courses; dams, sometimes senseless, destroying sites and valleys, reduced entire populations to servile displacements; programs for the irrigation of thirsty farmland, often beneficial of course, completed their drying up.(22) Serres enters into his idea concerning the captivity of language from the natural into a world system: For thousands of years, we have been licking things with our tongues, covering and daubing them so as to appropriate things for ourselves. If language boils down to a convention, this convention took place between the speakers without consulting the thing named, become as a result the property of those who covered it in this way with their drawn or voiced productions. Malfeasance analyzes these acts of appropriation. Thus every inert object, every living thing as well, sleeps under the covers of signs, a little in the way that, today, a thousand posters shouting messages and ugly riots of color drown, with their filthy flood, the landscapes, or better, exclude them from perception because the meaning, almost nil, of this false language and these base images forms an irresistible source of attraction to our neurons and eyes. This appropriation covers the world’s beauty with ugliness. (38-39) Technological concealment coming to bear, we begin to get a sense of another commentary on the condition of sensing, driving home the necessity of a text dealing with such subject matter to be what its terms insist. Thus toward new openings: The new opening. As low beneath our feet as you like, the Biogea opens us to another space, high enough for us to be able to acquire a wisdom there, that of redeveloping this same place differently from our fathers, this place that’s still politically cut up by old hatreds, beneath the flood of tears and blood that we call history. Without this soft place, spiritually very old, but newly conceived in this way, without the juridical construction of a common good, opposed to our filthy ownership, I don’t see how our planet, hard, will survive. Hardness that depends on a softness, material belonging that depends on this temporary rented location (51). Serres enters into a summit on the content and the structure of his work. Archimedes is brought in with the concept of three volcanoes. Meaning fire, but as well earth, water, air. For it was Archimedes’ war machines that sought to lift the earth, thus bringing in the question of principles of science: “can a principle be invented while controlling its consequences?” (66-7). May the earth be put in a sentence, terminated by terminology, appellations, gone wild? By means of these element-dominating laws, this old physicist began to tear nature away from the ancient myths; by a strange return, today we’re plunging our successes back into the anxieties and terrors from which that ancient physics was born. Yes, our new history of science and technology is plunging, today, as though in a loop, into the fundamental human myths from which Empedocles’ first laws came. A major progression and a regression on the nether side of the origins. Consequently, the contemporary time requires that we try to return to that unity in which the principles of hate and love are at the same time human, living, inert and global. We will never attain a deontology of our knowledge and actions without thinking the subjective, the objective, the collective, and the cognitive all together simultaneously. Here, hate and love are the result of these four components.(71) Working then on the concept of fire-starting mirrors to the atomic annihilation of the Second War, Serres works into the subjectivity in question on the matter of rhythm—say rithmic— precisely at that point: Knowledge is changing today. The all-political is dying; the monarchy of the sciences said to be hard is coming to a close. The science of the things of the world will have to communicate just as much as the things of the world do, which do it much better than humans do, who don’t always want to do it. Let’s celebrate two changes this morning. The first one strikes a new blow to our narcissism. No, knowledge and the world don’t resemble our analytical enjoyments of refined cutting up, of endless debates and of exclusions full of hate. They, on the contrary, form a bloc and a sum, alliance and alloys. Uniting the fields of knowledge among themselves the way the things are connected among themselves, the second newness puts into place sets united by interlacing, webs and simplexes that combine with the things of the world, themselves combined, the combined knowledge that understands them.(130-1) Biogea closes on its opening flood thematic, approaching the initial telos of Genesis. Here the trees are brought into a position with atmosphere, the opaque abyssal reservoir, the tomb of the sun, sea in the polarity of the earthen heaven and hell. The poem of the earth then is silent but deadly, indeed, as funny as that phrase is, mainly a tomb gas. The meaning of the living and the non-meaning of things converge in the muteness of the world; this meaning and non-meaning plunge there and come out, the ultimate eddy. Mundus patet: through a fissure, through an opening, a fault, a cleft come noises, calls as small as these apertures. I’m listening, attentive, I’m translating, I’m advancing in the scaled-down meaning and science. Mundus patet: should the world open greatly, it will launch me into its silence. The totality remains silent. Knowledge expanded in elation. White origin of meaning, fountain of joy. (198) Final Remarks One test of a review is the long term trajectory the referee thinks the book will have. I see Serres’ text lending greatly into the vision of Biogea . In fact, in the vision of the novel inquiries of Stephen Jay Gould’s work there is something to be thought on the level of the individual and the species; namely, that humanity and its uniqueness is in its deferral, its thinking and naming, a thinking surrounded by silence that filters into everything, that pulls us through the world, the kinetic pulse we recognize, and all of that we cleave away in the base philosophical maxim of difference itself. Unique individuals are spatial creatures: we dwell, and we ought to get good at it. Yet this is an imaginative space that, if you are crazy enough to believe it, de-term-ine the conditions of its own terms. That is why we are not merely creating spaces on the acceleration of time, or so this ignoramus thinks, to accidentally transcend. Imagination already has this insatiable silence that we drink up and fail to manifest. Space is timeless. The imagination itself, shared by humans for themselves, their objects, and the species as a whole, is a non-defined space of relation; a whole human trajectory as part of nature, and part of worlds that are the other side of thinking nature, the consequence of it, at least our attempt to do so. Our survival is based on our deliberation, our caution, our natural deconstructive sense toward this silence that is already part of the song, sung, singing of this century without end. Good books will let us inhabit this space and recognize a form of life. Serres’ text moves toward dwelling, as noted, in masterful and accessible ways. The pitched battles are the falling replays of anemic and dead politics. As soon as we realize there is humanity, we may be able to enjoy the end of it, our inhuman capability of listening to silence. NOTES 1. See Michel Serres. The Parasite . Minneapolis: University of Minnesota Press. 2007. 2. Wallace Stevens, “Imagination as Value” [ca. 1945], in Collected Poetry and Prose . New York: The Library of America. 1997. 724-39. 3. Jean-François Lyotard. The Inhuman: Reflections on Time . Trans. Geoffrey Bennington & Rachel Bowlby. Stanford, CA: Stanford University Press. 1992. 4. See the introduction: Quentin Melliassoux. After Finitude: An Essay on the Necessity of Contingency . Trans. Ray Brassier. New York: Continuum. 2008. EDITOR'S NOTE: This review was updated on August 8, 2012. Substantial edits include block quotes from the book under review as well as the inclusion of comments from the author. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Long before the current dispute in the USA about the teaching of evolution, Hume's dialogues presented and critically analyzed the idea of intelligent design. What should we teach our children about the creation of the world? What should we teach them about religion? The characters Demea, Cleanthes, and Philo passionately present and defend different answers to that question. Demea opens the dialogue with a position derived from René Descartes and Father Malebranche — God's nature is a mystery, but God's (...) existence can be proved logically. Cleanthes attacks that view, both because it leads to mysticsm and because it attempts the impossible task of trying to establish existence on the basis of pure reason, without appeal to sense experience. As an alternative, he offers a proof of both God's existence and God's nature based on the same kind of scientific reasoning established by Copernicus, Galileo, and Newton. Taking a skeptical approach, Philo presents a series of arguments that question any attempt to use reason as a basis for religious faith. He suggests that human beings might be better off without religion. The dialolgue ends without genuine agreement among the characters, justifying Hume's choice of dialogue as the form of presentation. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In this paper, we use qualitative and quantitative research, along with reference to current philosophical literature to consider the question of whether the sport of free-soloing is inherently immoral given the unavoidable extreme risk taken by the climber and imposed upon others not directly participating in the sport. The first thing we look at is what kind of values climbers see in free-soloing and show, through interviews we conducted with soloers and through a review of the literature on the philosophy (...) of extreme sports, that climbers derive what might be called ‘higher pleasures’ from free-soloing. We then argue that despite its inherent riskiness, free-soloers ought to be allowed the autonomy and freedom to choose to engage in the sport, provided they are doing so in a conscientious manner. To show that they are, we again appeal to interviews we conducted to demonstrate that soloers decide to attempt a free-solo in a thoughtful manner, as prescribed by philosophers who work on the morality... (shrink)

In this paper we discuss the epistemological positions of evolution theories. A sharp distinction is made between the theory that species evolved from common ancestors along specified lines of descent (here called the theory of common descent), and the theories intended as causal explanations of evolution (e.g. Lamarck's and Darwin's theory). The theory of common descent permits a large number of predictions of new results that would be improbable without evolution. For instance, (a) phylogenetic trees have been validated (...) now; (b) the observed order in fossils of new species discovered since Darwin's time could be predicted from the theory of common descent; (c) owing to the theory of common descent, the degrees of similarity and difference in newly discovered properties of more or less related species could be predicted. Such observations can be regarded as attempts to falsify the theory of common descent. We conclude that the theory of common descent is an easily-falsifiable & often-tested & still-not-falsified theory, which is the strongest predicate a theory in an empirical science can obtain. Theories intended as causal explanations of evolution can be falsified essentially, and Lamarck's theory has been falsified actually. Several elements of Darwin's theory have been modified or falsified: new versions of a theory of evolution by natural selection are now the leading scientific theories on evolution. We have argued that the theory of common descent and Darwinism are ordinary, falsifiable scientific theories. (shrink)

The centrepiece of Earman’s provocatively titled book Hume’s Abject Failure: The Argument against Miracles is a probabilistic interpretation of Hume’s famous ‘maxim’ concerning the credibility of miracle reports, followed by a trenchant critique of the maxim when thus interpreted. He argues that the first part of this maxim, once its obscurity is removed, is simply trivial, while the second part is nonsensical. His subsequent discussion culminates with a forthright challenge to any would-be defender of Hume (...) to ‘point to some thesis which is both philosophically interesting and which Hume has made plausible’. My main aim here is to answer this challenge, by demonstrating a preferable interpretation of Hume’s maxim, according to which its first half is both plausible and non-trivial, while its second half sketches a useful, albeit approximate, corollary. I conclude by contesting Earman’s negative views on the originality and philosophical significance of Hume’s justly famous essay. (shrink)

David Hume (1711-76) is the grand intellectual figure of the Scottish Enlightenment. Ironically, what is now considered his magnum opus, the ill-received three-volume A Treatise of Human Nature (1739-40), was rejected by Hume himself by 1751. Subsequently, when Hume first compiled his Essays and Treatises on Several Subjects two years later, he excluded the Treatise and considered this new collection of essays to be his complete philosophical writings. Hume revised the Essays and Treatises some ten times (...) in various editions, adding, modifying and deleting material. This 1777 edition incorporates his final changes which he made quite literally on his deathbed, fully aware that this edition would be the last to involve his input. As such it is considered the definitive edition of Hume's philosophical writings and should be read alongside the first definitive edition of the Treatise. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Teachers in many countries complain that their pedagogic work is impeded by unreasonable bureaucratic demands by government agencies. This paper suggests that historical, institutional and cultural perspectives are needed to understand the processes at work. It draws on Weber’s classic study of bureaucracy, but also makes reference to claims that traditional bureaucracies have been modified in ways that ameliorate their authoritarian character. The central part of the paper examines the attempts of one country (Scotland) to address complaints about excessive (...) bureaucracy: it is argued that they show a limited understanding of the nature of institutional power. In the discussion that follows, a number of critical interpretations are considered: that bureaucracies are, by their very nature, anti-educational; that they undermine ethical consciousness and cause psychological damage; and that enhanced professionalism can serve as a counterweight to bureaucratic tendencies. The paper ends by suggesting that the powerful pragmatic argument that mass, state-run educational systems cannot function without complex administrative structures, should not be used to disguise the fact that they have unintended consequences, some of which tend to subvert their stated aims. (shrink)

In the second half of this essay, we continue our reading of Leo Strauss’ important later essay on Maimonides, ‘How to Begin to Study the Guide of the Perplexed’. Our method is to try, as best as we are able, to read this essay as Strauss directs us to read esoteric texts in Persecution and the Art of Writing. As a means of testing and attempting to confirm our reading of this difficult later essay on Maimonides, we will close by (...) situating our reading of ‘How to Begin to Study’ and Strauss’ partly concealed positions there on philosophy, prophecy and the Torah alongside the claims of his earlier, much less esoteric, but also rarely studied 1930s essay: ‘Some Remarks on the Political Science of Maimonides and Farabi’. Because of the widely recognised foundational importance of Maimonides in understanding Leo Strauss’ own lasting positions, this work aims at making a contribution to the continuing, and presently highly contentious, task of trying to understand Strauss’ thoughts on Athens and Jerusalem, reason and revelation, the city and man. (shrink)

Research on human genetic variation can present collective risks to all members of a socially identifiable group. Research that associates race or ethnicity with a genetic disposition to disease, for example, presents risks of group discrimination and stigmatization. To better protect against these risks, some have proposed supplemental community-based reviews of research on genetic differences between populations. The assumption behind these appeals is that involving members of study populations in the review process can help to identify and minimize collective risks (...) that otherwise could go unnoticed. In contrast to this position, critics have argued that supplemental community-based reviews are unnecessary, impractical, and morally problematic. This paper is our attempt to advance this debate by distinguishing the various goals of community review and the forms that it can take. (shrink)

Research on human genetic variation can present collective risks to all members of a socially identifiable group. Research that associates race or ethnicity with a genetic disposition to disease, for example, presents risks of group discrimination and stigmatization. To better protect against these risks, some have proposed supplemental community-based reviews of research on genetic differences between populations. The assumption behind these appeals is that involving members of study populations in the review process can help to identify and minimize collective risks (...) that otherwise could go unnoticed. In contrast to this position, critics have argued that supplemental community-based reviews are unnecessary, impractical, and morally problematic. This paper is our attempt to advance this debate by distinguishing the various goals of community review and the forms that it can take. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Again: Hume on Miracles Joseph Ellin At the risk of casting shadows where luminaries of scholarship have failed to throw enough light, I would like to add a note to the debate between Fogelin (1990) and Flew (1990) about what Hume was trying to show in the chapter on miracles (An Enquiry Concerning Human Understanding, sec. 10). Fogelin posits, and Flew with reservations acknowledges, a "traditional interpretation" (...) consisting oftwo theses: TI.1 Hume did not put forward ana priori argument intended to show that miracles are not possible. TI.2 Hume did put forward an a priori argument intended to show that testimony, however strong, could never make it reasonable to believe that a miracle had occurred. (Fogelin 1990, 81) The disagreement between Fogelin and Flew could not be more complete: FogeUn thinks TLl is false and TI.2 true; Flew thinks TI.l is true and TI.2 false. Nonetheless, I disagree with both of them: I defend both theses of TI, and shall give a different (better) reason for each. FogeUn argues against TI.l by citing "clear texts... that go dead against it" (1990, 81). These are three sentences from the last but one paragraph of part 1: Amiracle is a violation ofthe laws ofnature; and as a firm and unalterable experience has established these laws, the proof against a miracle, from the very nature ofthe fact, is as entire as any argument from experience can possibly be imagined.... There must... be a uniform experience against every miraculous event, otherwise the event would not merit that appellation. And as a uniform experience amounts to a proof, there ishere a directand fullproof, from the nature ofthe fact, against the existence of any miracle; nor can such a proofbe destroyed, or the miracle rendered credible, butbyan opposite proof, which is superior.1 From these passages Fogelin constructs an argument, which I shall reconstruct as follows: Volume XLX Number 1 203 JOSEPH ELLIN 1.The proof against any miracle is direct and full unless destroyed by an opposite, superior, proof. 2.Since the proof against any miracle is as entire as any argument from experience can be imagined, there can be no opposite superior proof. Therefore: 3.The proofagainst any miracle is direct and full. FogeUn comments: "the strong claim in the second premise that the proof against a miracle is as entire as any argument from experience can possibly be imagined cancels the possibility left open in the first premise that there might be an opposite proof, which is superior. The conclusion then follows at once" (1990, 83). This argument is certainly sound; is it Hume's? Is it a priori? Does it show that miracles are not possible? Flew argues that it is not Hume's: "Proofs against proofs are no proofs" (1990, 142). Because a "proof" is a conclusive argument, there cannotbe proofs which are opposite but superior to other proofs; hence Hume's term "proof" needs some qualification: Hume means "what would in ordinary circumstances be accounted a proof, yet in the present case may conceivably not be" (Flew 1990, 144). One support for Flew is that when Hume in the previous paragraph supposes "that the testimony [for the miracle] considered apart and in itself, amounts to an entire proof " (E 114), he invokes a double standard, distinguishing the kind of evidence which, in the ordinary case, would be taken as proof, from what shouldbe so regarded in the case ofan alleged miracle (if one hundred witnesses testify that Lazarus got up from his bed and danced, this would ordinarily be taken to be proof; but not if he had died first). But though Flew has the better ofit with regard to the word "proof," 2 he hasn't made out his case against Fogelin, for it is not the word "proof" but the terms "direct and full" and "entire" that seem to carry the burden of Fogelin's reconstructed argument. Hume's distinction is between proof tout court, which means roughly a good enough case, and proof "full" or "entire," which perhaps does mean conclusive demonstration. We could roughly put this reconstruction as follows: If you had a 'conclusive proof ofany miracle, well and good... (shrink)

The essay on abstraction provides an historical review of the notion of abstraction with an attempt being made to show that there is a basic similarity between the doctrines of Aristotle and Aquinas, on the one hand, and Locke on the other. The conclusion that is then drawn is that the nominalistic critique initiated by Berkeley and refined by Hume in direct answer to the Lockean theory of general ideas is effective against all doctrines of abstraction which hope (...) to end up in a moderate realism. Other concerns are 1) to show the basic affinities between Berkeleyean and Humean nominalism, and late medieval nominalism, in particular that of Ockham, 2) to show that such a nominalism is inadequate and must be replaced by, what has been termed in contemporary analytical circles, psychological nominalism. The essay on relation shows the continuity in the history of the doctrine of relations from the time of Melissus to the Rusellian critique of the substance-accident ontology, critique which Weinberg thinks definitively replaced the unilateral-attribute doctrine of relations. The essay on induction attempts to show how the medieval commentators modified Aristotle's intuitionistic and vestigally [[sic]] Platonic doctrine of induction into a doctrine of covert inference, and anticipated, in part, Bacon's and Mill's theories.—E. A. R. (shrink)

A BAYESIAN ARTICULATION OF HUME’S VIEWS IS OFFERED BASED ON A FORM OF THE BAYES-LAPLACE THEOREM THAT IS SUPERFICIALLY LIKE A FORMULA OF CONDORCET’S. INFINITESIMAL PROBABILITIES ARE EMPLOYED FOR MIRACLES AGAINST WHICH THERE ARE ’PROOFS’ THAT ARE NOT OPPOSED BY ’PROOFS’. OBJECTIONS MADE BY RICHARD PRICE ARE DEALT WITH, AND RECENT EXPERIMENTS CONDUCTED BY AMOS TVERSKY AND DANIEL KAHNEMAN ARE CONSIDERED IN WHICH PERSONS TEND TO DISCOUNT PRIOR IMPROBABILITIES WHEN ASSESSING REPORTS OF WITNESSES.

A Lasting tradition among the ancients marked Sicily as the birthplace and Tisias and Corax as inventors of the art of rhetoric: and in this tradition, legendary though it became, there is a stricter truth than in most of the stories related about the foundation of invented arts. We, with more elaborate historical views, shall still say of rhetoric that it was created at a certain epoch; and can still point to the Sicilians Tisias and Corax as its authors. (...) Oratory, to be sure, has existed almost as long as speech. Its beginnings are prehistoric, and must in any case be imperceptible; and if by rhetorician we meant no more than one who uses speech with more than common effect, we might set the origin of rhetoric as far back as we chose, and could hardly bring it lower than the beginning of recorded literature. Indeed we are told that under the Antonine Emperors the eminent scholar Telephus of Pergamum wrote a book on Rhetoric in Homer, in which he illustrated from the Poet the whole contemporary system of the art down to the thirteen constitutions of Minucian; and in the same spirit the Venerable Bede, resenting the claim of the Greeks to have invented tropes and figures of speech, wrote a short work to show that they could all be found in Holy Scripture. But such inquiries, even when conducted less foolishly than by Telephus and less incompetently than by Bede, are irrelevant to the proper history of rhetoric. Let the practice of oratory have begun when it may, the first attempts known to us in Classical Antiquity to formulate a series of principles for the art of speech were made in the fifth century before Christ. These earliest systems were naturally very imperfect: they could not immediately be either comprehensive or well organized. But they were something that had not existed at all before: methodical principles for speaking. At the moment when these were first set out the art of rhetoric began. (shrink)

It is imperative that creative techniques be designed for the conduct of active conflict. The failure to explore alternatives to violent force is fostered by an inbred literature which is preoccupied with descriptive analyses of small group conflict or with policy and the implications of nuclear warfare. An entirely new concept is required based upon the union of technique with theory. Psychoanalytic experience with intrapsychic conflict should be brought to bear upon problems of large-scale conflict in a manner not yet (...) attempted. The central questions and their answers may require the fielding of an experimental corps to refine constructive techniques for engaging in conflict. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:205 TIME AND THE IDEA OF TIME Hume entitled Part II of Book I of the Treatise "Of the Ideas of Space and Time." Students of this most obscure Part of the Book are aware, however, that he spends little time in it on time. The main reason for his concentration on space. is polemical. In Part II his primary object is to exhibit the contradictions and absurdities (...) implicit in the science of his day with its postulation of empty space and of the mathematics with its notion of infinite divisibility, and then to show how these difficulties can be overcome by the adoption and implementation of the theory of ideas he had developed in Part I. As a result, with the exception of a discussion that occupies approximately three pages in Section III, most of his references to time in Part II are little more than brief appendages tacked on to his arguments concerning space. Hume commentators have generally taken their cue from him. Although the literature contains substantial analyses of his views about space, very little can be found on the subject of time. In this paper, I shall attempt to add something to that slim literature. As its title indicates, this paper will be concerned with two subjects, time and the idea of time. Hume accepts the ordinary distinction between thé two. Time and our idea of time are separate realities, the former being a part of the world independent of us and the latter being a part of the content of our consciousness. I shall observe this distinction, beginning with an account of what Hume means by time and following that with an explanation of his theory of the origin and nature of the idea of time. After finishing these two expository sections I shall devote 206 the remainder of the paper to a critical examination of Hume's views on both subjects, ending with a suggestion about a possible alternative route he might have followed in his argument about time and the idea of time in Part II. A final preliminary point: Although Hume devotes most of his attention to space in Part II, he makes it clear that, because space and time (as well as our ideas of them) are analogous to each other in certain vital respects, his views concerning the former can easily be transferred and applied to the latter. 1. Time Hume states or implies several things about the nature of time in Part II. (1)He equates time with duration, treating the two terms as equivalent throughout his discussion. (2)Time is an objective reality, or aspect of the external world. This interpretation may be questioned because Hume never asserts an objectivistic view of time unequivocally and in certain passages writes in a way that could be interpreted as implying that time is a characteristic of our conscious experience. "As 'tis from the disposition of visible and tangible objects we receive the idea of space, so from the succession of ideas and impressions we form the idea of time..." (T 35). But later he writes: "...time is nothing but the manner, in which some real objects exist..." (T 64). Also, in the titles of his first two sections he makes a clear distinction, labelling Section I "Of the infinite divisibility of our ideas of space and time" and Section II "Of the infinite divisibility of space and time." Since, in Section II, it is apparent that he is talking about space as a part 207 of the external world, the natural inference is that he is talking about time in the same way, as, for example, when he writes, "The infinite divisibility of space implies that of time, as is evident from the nature of motion" (T 31). (3)Time is not infinitely divisible but is made up of parts Hume calls 'moments' (T 31). These moments are the 'building blocks' of time and are ultimate and indivisible. They are analogous to the ultimate, indivisible parts of space, which Hume labels 'mathematical points' (T 40). (4)The moments of time are not co-existent but successive. In this respect time differs from space. "'Tis also evident, that these parts [of... (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Long before the current dispute in the USA about the teaching of evolution, Hume's dialogues presented and critically analyzed the idea of intelligent design. What should we teach our children about the creation of the world? What should we teach them about religion? The characters Demea, Cleanthes, and Philo passionately present and defend different answers to that question. Demea opens the dialogue with a position derived from René Descartes and Father Malebranche — God's nature is a mystery, but God's (...) existence can be proved logically. Cleanthes attacks that view, both because it leads to mysticsm and because it attempts the impossible task of trying to establish existence on the basis of pure reason, without appeal to sense experience. As an alternative, he offers a proof of both God's existence and God's nature based on the same kind of scientific reasoning established by Copernicus, Galileo, and Newton. Taking a skeptical approach, Philo presents a series of arguments that question any attempt to use reason as a basis for religious faith. He suggests that human beings might be better off without religion. The dialolgue ends without genuine agreement among the characters, justifying Hume's choice of dialogue as the form of presentation. (shrink)

This paper responds critically to Ronald Srigley’s groundbreaking 2011 study Albert Camus’ Critique of Modernity. Srigley’s book reasserts Camus’ credentials as a deeply serious thinker, whose literary and philosophical oeuvre was dedicated to rethinking modernity on the basis of critical reassessments of the West’s entire premodern heritage. Yet we challenge whether Camus was ever, even in his final writings, so uncompromisingly anti-modern as Srigley contends. Srigley’s attempt to present Camus as committed to a return to the Greeks, on the basis (...) of a total critique of modernity as deleteriously post-Christian, forces him to occlude important distinctions in Camus’ thought: those between unity and totality, rebellion and revolution. By contrast, we compare Camus’ defence of modern rebellion with Blumenberg’s argument in The Legitimacy of the Modern Age: finding justification for this rebellion in the deep problem faced by Christian theology of resolving the ‘problem of evil’. Finally, we suggest that Srigley overplays the extent of Camus’ ‘Hellenic’ critique of the Christian heritage, in contrast to Christian theodicy and eschatology, which serve to rationalize avoidable suffering. (shrink)

To support faculty who teach sections of a new general education course that focuses on ethical reasoning skills, I offered a three-day Ethics Across the Curriculum (EAC) workshop. I wanted to ground the faculty development experience by framing it in terms of expected student learning. In other words, I structured the workshop so as to put faculty in the position of students for the workshop. This student-based experience was supported by having a student serve as co-facilitator of the workshop. The (...) decision to make the EAC workshop a faculty-student collaboration proved to be the most important one I made in the design of the workshop. This essay will document parts of this faculty-student collaboration and review some of the important faculty learning that took place as a result of student involvement and leadership. (shrink)

This paper stages a consideration of Slavoj Zizek’s recent texts discussing the Christian ethics of agape. Iread Zizek’s ‘turn’ to Christian ethics as not a violation of his earlier Kantianism, but as an attempt toovercome two related problems which haunt Kantian deontological moral philosophy. The first is theproblem that Kant severs morality too totally from the realm of ‘pathological’ inclination, and does notoffer us a realistic depiction of moral psychology. The second is that the formal emptiness of thecategorical imperative, especially (...) as this had hitherto been read by Zizek, seems incapable of leading toany concrete ethicopolitical prescriptions. The key move, which is mapped in Part I, is Zizek’s adaptationof a Freudian moral psychology, which he reads as already anticipated in Saint Paul. The key notion is that human desire is generated 'from the ground up' as a perverse desire to transgress what is legislated by law. In Part II, I then look at Zizek’s reading of the JudaeoChristian heritage as one which addresses its ethical call to subjects, independently of their social stations or personal inclinations. Part III then stages Zizek’s recent reading of agape as an affirmative drive to do the good, which is premised on individuals ‘dying tothe law’, and therefore liberating their ‘pathology’ from the perverse dialectic of law and its transgression. When one has attained to this subjective position, Zizek suggests, the need to follow the moral law is no longer experienced as a humiliation of our ‘natural’ self-conceit, but as an affirmative act of bestowal to the Other[s]. (shrink)

This paper stages a consideration of Slavoj Zizek’s recent texts discussing the Christian ethics of agape. I read Zizek’s ‘turn’ to Christian ethics as not a violation of his earlier Kantianism, but as an attempt to overcome two related problems which haunt Kantian deontological moral philosophy. The first is the problem that Kant severs morality too totally from the realm of ‘pathological’ inclination, and does not offer us a realistic depiction of moral psychology. The second is that the formal emptiness (...) of the categorical imperative, especially as this had hitherto been read by Zizek, seems incapable of leading to any concrete ethicopolitical prescriptions. The key move, which is mapped in Part I, is Zizek’s adaptation of a Freudian moral psychology, which he reads as already anticipated in Saint Paul. The key notion is that human desire is generated 'from the ground up' as a perverse desire to transgress what is legislated by law. In Part II, I then look at Zizek’s reading of the JudaeoChristian heritage as one which addresses its ethical call to subjects, independently of their social stations or personal inclinations. Part III then stages Zizek’s recent reading of agape as an affirmative drive to do the good, which is premised on individuals ‘dying to the law’, and therefore liberating their ‘pathology’ from the perverse dialectic of law and its transgression. When one has attained to this subjective position, Zizek suggests, the need to follow the moral law is no longer experienced as a humiliation of our ‘natural’ self-conceit, but as an affirmative act of bestowal to the Other[s]. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Roger A. Shiner GETTING TO KNOW YOU IN pursuits OF happiness, Stanley Cavell attempts to establish the existence of a previously unrecognized genre of film — "comedies of remarriage " — which both includes and is defined by such movies as Adam's Rib, Bringing Up Baby, and TL· Philadelphia Story. l By "marriage" and "remarriage " is meant a certain kind of enduring emotional intimacy with which we (...) as adult men and women will be involved, an intimacy which is an integral part of the human form of life and whose relationship to an institutionally supported legal status in our culture is not one of identity. The same is true for the concept of "divorce" in this context. Using some of Cavell's interpretive ideas as a starting point, I shall seek to present the genre of remarriage as a figure for the profoundest relationships of epistemology and metaphysics — the relationship of the knower to the world which is known and the relationship of the individual to die other individuals widi whom society is shared. Specifically, divorce and remarriage as part of human life are to be seen as figures for separation and kinship, avoidance and acknowledgement in the philosophical sense of those terms.2 My discussion proceeds on several levels. There is film criticism, which attempts to find significance in certain movies. There is an examination of values, which presents a certain view ofmarriage as a human relationship. There is some metaphysics, which addresses certain traditional philosophical problems in a nontraditional way. And finally there is metaphilosophy, which attempts to present a different way ofhow to ask, and how to acknowledge as being answered, the great questions of philosophy. Only the latter two projects could be described as "philosophical" in a conventional sense. Yet, as Arthur Danto has rightly remarked,3 Cavell in Pursuits ofHappiness seems to be trying to suggest that to blur deliberately the distinction between criticism and philosophy is to show something 80 Roger A. Shiner81 important about philosophy (and thus criticism as well). If this essay in some small way is thought to show something similar, I shall be pleased. Cavell begins his chapter on It Happened One Night with some ruminations on Locke, Hume, Kant, and the idea of the limitations of human reason. Kant undertakes to show, Cavell claims (PH, pp. 75-76), that our position as human knowers is both better and worse than the Empiricists suggest. It is worse, because even if we pressed human knowledge to its Kantian limits, we would know more but not enough to fulfill the philosopher 's dream. It is better, because the very facts that are limitations of human knowledge are also the necessary conditions ofknowledge as such and to know those conditions clearly is enormously to increase human knowledge. The link between the limitations ofhuman knowledge and the comedies of remarriage is forged by the thought (CR, p. 74) that the capacity to relate oneself to the world by knowledge and the capacity to relate oneselfto others by marriage are both constitutive ofhuman society. Human community is based in part on the fact that there are limitations as to what each of us as individual knowers can know. We need each other's knowledge. If one of us were per impossibile to transcend the limitations of human knowledge, he would know, as it were, what God knows and thus have the power that God has. But the existence of these limitations reveals something deep about human knowledge, something which traditional theory of knowledge rejects, namely that it is human. Human knowledge is limited, but it is genuine. It rests on no surer a foundation than human community, but human beings are a community. We need each other, but we are there for each other. Community, and therefore knowledge, does not need to be achieved: it exists.4 Similarly, the conventions in society limiting the capacity to relate oneselfto others by marriage (one at a time, and only under protest not one forever) reveal something deep about the nature of marriage. The mutuality of the intimacy ofmarriage is possible only in conjunction with the exclusiveness of marriage. Only by turning away from all others can the taking into... (shrink)

In his writings, David Hume set out to bridge the gap between the learned world of the academy and the marketplace of polite society. This collection, drawing largely on his Essays Moral, Political, and Literary, which was even more popular than his famous Treatise of Human Nature, comprehensively shows how far he succeeded. From `Of Essay Writing' to `Of the Rise and Progress of the Arts and Sciences' Hume embraces a staggering range of social, cultural, political, demographic, and (...) historical concerns. With the scope typical of the Scottish Enlightenment, he charts the state of civil society, manners, morals, and taste, and the development of political economy in the mid-eighteenth century. These essays represent not only those areas where Hume's arguments are revealingly typical of his day, but also where he is strikingly innovative in a period already famous for its great thinkers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Scientific description of Nature is here based on geometry, number and energy. Geometry and number are the two only forms of our mind by which we describe Nature. Energy is here considered as the ultimate entity, which in physics is defined by the help of six propreties. The author holds that for an adequate description of physical Nature seven propreties of energy are required and eight are necessary in biology adding the holistic tendencies. On this basis an attempt is (...) class='Hi'>made to show that holism is a scientific theory. As we can only perceive geometry and number, holistic propreties as such cannot be dealt with, we can only study the underlying physico-chemical manifestation. There are three holistic principles: 1) Interaction of parts leads to neocreation of propreties; this interaction can only be energetic. 2) The propreties of the whole are not potentially contained in the propreties of the parts. 3) The whole is more than the sum of its parts. Close interaction means fields of force and organisation, which implies that holism is organismic. The second principle is a safeguard against all unwarranted extrapolation. The whole and its parts only have additive propreties in common. Thus it is impossible to derive a macroscopic deterministic world from a microscopic undeterministic world because determinism is additive. The third principle is opposed to all attempts to describe holisation on a logical or mathematical basis. There is holisation in time and holisation in space and the latter can be subdivided into three groups according to their type of wholeness. Energy acts on energy and not on wholeness. All energetic interference with the basis has a holistic repercussion. The question of the egg and epigenetic organogenesis are also discussed from a holistic point of view.Naturbeschreibung ist hier auf Geometrie, Zahl und Energie begründet. Geometrie und Zahlenmässigkeit sind die einzigen Formen unseres Geistes durch die wir die Natur beschreiben. Energie, hier als Grundstein der Welt betrachtet, wird in der Physik durch sechs Eigenschaften definiert; zur vollständigen Beschreibung der physischen Welt seien aber sieben notwendig, während in der Biologie acht Eigenschaften nötig sind, indem Ganzheitsschöpfung als achte zählt. Auf dieser Basis wird gezeigt, dass der Holismus eine wissenschaftliche Theorie ist. Da wir nur Geometrie und Zahlenmässigkeit in der Natur erfassen, so können die holistischen Eigenschaften nicht direkt als solche betrachtet werden, sondern immer nur die ihnen zu Grunde liegenden physiko-chemischen Erscheinungen. Es gibt drei holistische Prinzipien: 1) Gegenseitige Beeinflussung führt zu Ganzheitseigenschaften. Beeinflussung kann nur energetisch sein. 2) Die Eigenschaften der Ganzheit sind nicht potential in den Eigenschaften der Teile enthalten. 3) Das Ganze ist mehr als die Summe seiner Teile. Gegenseitige Beeinflussung bedingt Kraftfelder und diese wieder Organisation. und so ist denn der Holismus seinem Wesen nach organismisch. Das zweite Prinzip legt Verwahrung gegen unstatthafte Extrapolation ein. Das Ganze und seine Teile haben nur additive Eigenschaften im gemein. Es ist also unmöglich eine deterministische makroskopische Welt von einer undeterministischen mikrophysischen abzuleiten weil Determinismus additiv ist. Das dritte Prinzip verwehrt sich gegen alle Anwendung von Logik und Mathematik zur Erklärung oder Beschreibung von Holisation . Es gibt Holisation 1) in der Zeit, 2) im Raum. Im Raum unterscheiden sich die Holisationen nach dem Wirkungskreis der Kraftfelder oder durch Abwesenheit solcher. Dies ist eine neue Aufteilung der Welt nach dem Wesen der Ganzheit. Die Einwirkung der Energie auf die Ganzheit ist mikrophysisch. Energie wirkt auf Energie und nicht auf die Ganzheit als solche. Jede energetische Einwirkung besitzt jedoch eine holistische Auswirkung. Das Problem der Eizelle und der epigenetischer Entwicklung wird auch besprochen. (shrink)