Let me start with an example. Presumably our understanding of the sentence ‘dogs bark’ arises somehow from our understanding of its components and our appreciation of how they are combined. That is to say, ‘dogs bark’ somehow gets its meaning from the meanings of the two words ‘dog’ and ‘bark’, from the meaning of the generalization schema ‘ns v’, and from the fact that the sentence results from placing those words in that schema in a certain order. However, as Davidson (...) was the first to emphasize, it is not possible to produce a strict logical deduction of what ‘dogs bark’ means from these more basic facts alone. So a question arises as to which further premises are required. What assumptions about the character of meaning should be added in order to obtain an explanation of the meaning of the sentence on the basis of the meanings of its words? (shrink)

Let me start with an example. Presumably our understanding of the sentence ‘dogs bark’ arises somehow from our understanding of its components and our appreciation of how they are combined. That is to say, ‘dogs bark’ somehow gets its meaning from the meanings of the two words ‘dog’ and ‘bark’, from the meaning of the generalization schema ‘ns v’, and from the fact that the sentence results from placing those words in that schema in a certain order. However, as Davidson (...) was the first to emphasize, it is not possible to produce a strict logical deduction of what ‘dogs bark’ means from these more basic facts alone. So a question arises as to which further premises are required. What assumptions about the character of meaning should be added in order to obtain an explanation of the meaning of the sentence on the basis of the meanings of its words? (shrink)

This paper presents the first compositional semantics for if then conditionals. The semantics of each element are first examined separately. The meaning of if is modeled according to a possible worlds semantics. The particle then is analyzed as an anaphoric word that places its focused element inside the context settled by a previous element. Their meanings are subsequently combined in order to provide a formal semantics of if A then C conditionals, which differs from the simple if A, C (...) form. This semantics has the particularity of validating contraposition for the first type but invalidating it for the second type. Finally, a detailed examination of the sentences presented in the literature opposing this schema of reasoning shows that these counterexamples do not generally concern if then conditionals but, rather, even if conditionals and that contraposition is therefore a valid means of reasoning with regard to if then conditionals in natural language, as this system predicts. (shrink)

According to Aristotle’s homonymy principle, when we use a common name to refer to wholes and parts that lack the capacity to carry out the function signified by the name, we are using the name in a homonymous way. For example, pictures and statues of a man, or a dead eye, are called “man” and “eye” only homonymously because they cannot carry out their proper function, i.e., to live and to see. This principle serves well Aristotle’s purposes in natural philosophy, (...) for it avoids a reduction of the essence of living bodies and their parts to their material composition and shape. This principle, however, leaves unexplained why we still use those names in common language, despite their homonymy. Using Aristotle’s own comments on homonymy, I will examine the role played by external figure, for it explains why such homonyms are not accidental. In fact, they are correct forms of linguistic usage in non-philosophical contexts. (shrink)

Substantial gender disparities in career advancement are still apparent, for instance in the gender pay gap, the overrepresentation of women in parttime work, and the underrepresentation of women in managerial positions. Regarding the developmental origins of these gender disparities, the current study examined whether children’s views about future career and family involvement were associated with children’s own gender schemas and parents’ career- and family-related gender roles. Participants were 142 Dutch families with a child between the ages of 6 and (...) 12 years old. The families had different compositions. Children completed a computer task assessing gender stereotypes about toys and questionnaires on gender identity and their views about future career and family involvement. Parents reported their occupation, work hours, and task division in the home, which were combined in a composite variable reflecting gender-typicality of career and family involvement. Generalized estimation equations were used to take into account dependency between family members. Results revealed that parents’, and especially mothers’, gender-typical career and family involvement was associated with children’s gender-typical views about future career and family involvement. In addition, children’s felt similarity to the same gender was associated with children’s gender-typical expectations about career and family involvement. These findings suggest that parents’ career, work hours, and task division in the home, together play an important role in how their children envision their future work and family roles. Children themselves also play an active role in developing this vision for the future by their own gender identity, specifically by how similar they feel to individuals of the same gender. To reduce gender disparities in the occupational and domestic domain, programs need to be designed that focus on parental role modeling in the family as well as children’s gender identity development. (shrink)

Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich The paper deals with common elements and differences in Popper and Gombrich, especially concerning their forms of thought and presentational gesture. Among others it considers the model of common sense which was basal for both of them as well as the similarities of searchlight theory (Popper) and some postulates of Gestalt psychology (Gombrich). At the end it analyses their approaches to historiography with special focusing on Gombrich's comments (...) on the concept of social history of art. (shrink)

We show that vector space semantics and functional semantics in two-sorted first order logic are equivalent for pregroup grammars. We present an algorithm that translates functional expressions to vector expressions and vice-versa. The semantics is compositional, variable free and invariant under change of order or multiplicity. It includes the semantic vector models of Information Retrieval Systems and has an interior logic admitting a comprehension schema. A sentence is true in the interior logic if and only if the ‘usual’ first (...) order formula translating the sentence holds. The examples include negation, universal quantifiers and relative pronouns. (shrink)

In a series of recent works, Kit Fine, 605–631, 2003, 2007) has sketched a novel solution to Frege’s puzzle. Radically departing from previous solutions, Fine argues that Frege’s puzzle forces us to reject compositionality. In this paper we first provide an explicit formalization of the relational semantics for first-order logic suggested, but only briefly sketched, by Fine. We then show why the relational semantics alone is technically inadequate, forcing Fine to enrich the syntax with a coordination schema. Given this enrichment, (...) we argue, that that the semantics is compositional. We then examine the deep consequences of this result for Fine’s proposed solution to Frege’s puzzle. We argue that Fine has mis-diagnosed his own solution–his attempted solution does not deny compositionality. The correct characterization of Fine’s solution fits him more comfortably among familiar solutions to the puzzle. (shrink)

Nearly all listeners consider the subjective aspects of music, such as its emotional tone, to have primary importance. But contemporary philosophers often downplay, ignore, or even deny such aspects of experience. Moreover, traditional philosophies of music try to decontextualize it. Using music as an example, this paper explores the structure of qualitative experience, demonstrating that it is multi-layer emergent, non-compositional, enacted, and situation dependent, among other non-Cartesian properties. Our explanations draw on recent work in cognitive science, including blending, image (...) schemas, and sensory memory, as well as on phenomenology. A hierarchical structure transformation based complexity theory is applied to obtain a non-linear dynamical systems explanation of qualia and emotion that respects phenomenological insights about time, including retention and protention. The complexity measure provides both a metric structure and a potential function, on spaces of pieces that are constructed using given elements and transformations, with weights that reflect their cognitive difficulty. However, the approach is not reductionist; using improvisation and the evolution of musical notation as data, we argue that situatedness, especially enactment and social context, are key aspects of musical consciousness. (shrink)

Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in the light of recent psychological research, we present a novel model to explain this much discussed (apparent) paradox. We argue that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability, (...) and hence is precisely what artworks strive for. Two groups of processing mechanisms are identified that conjointly adopt the particular powers of negative emotions for art's purposes. The first group consists of psychological distancing mechanisms that are activated along with the cognitive schemata of art, representation, and fiction. These schemata imply personal safety and control over continuing or discontinuing exposure to artworks, thereby preventing negative emotions from becoming outright incompatible with expectations of enjoyment. This distancing sets the stage for a second group of processing components that allow art recipients to positively embrace the experiencing of negative emotions, thereby rendering art reception more intense, more interesting, more emotionally moving, more profound, and occasionally even more beautiful. These components include compositional interplays of positiveandnegative emotions, the effects of aesthetic virtues of using the media of (re)presentation (musical sound, words/language, color, shapes) on emotion perception, and meaning-making efforts. Moreover, our Distancing-Embracing model proposes that concomitant mixed emotions often help integrate negative emotions into altogether pleasurable trajectories. (shrink)

This article investigates the origin of editorial images, with a focus on the mental processes that enable cartoonists and illustrators across cultures to come up with novel ideas. It provides the most compelling evidence to date that recycling, where artists regularly recycle pictorial and compositional ideas they have developed earlier, is the origin of ideas. Recycling theory is thus compatible with a variety of ongoing research programs. Among these are Turner’s work on blending (2014), Musolff’s research on scenarios (2016), (...) Langacker’s ideas on constructional schemas (1991), Johnson’s work on image schemas (1987), and van Dijk’s proposals concerning discourse complexes and intertextuality (2014). More specifically, the present study gives cognitively plausible answers to the perennial questions: To what extent does recycling shape and constrain the human way of thinking? Is it bound to certain cultural traditions? Does it characterize the style of certain artists or artistic movements? How does it contribute to discourse? Are the products of recycling always imaginative and creative? Is it a mode of efficiency? The theoretical insights are applied to 440 editorial images of Egyptian and British origin. This investigation will aid both semiotics scholarship and cognition studies based on multimodal stimuli. (shrink)

A hyperintensional semantics for natural language is proposed which is agnostic about the question of whether propositions are sets of worlds or worlds are sets of propositions. Montague’s theory of intensional senses is replaced by a weaker theory, written in standard classical higher-order logic, of fine-grained senses which are in a many-to-one correspondence with intensions; Montague’s theory can then be recovered from the proposed theory by identifying the type of propositions with the type of sets of worlds and adding an (...) axiom to the effect that each world is the set of propositions which are true there. Senses are compositionally assigned to linguistic expressions by a categorial grammar with only two rule schemas, based on the implicative fragment of intuitionistic linear propositional logic, and a fully explicit grammar fragment is provided that illustrates the compositional assignment of sense to a variety of constructions, including dummy-subject constructions, infinitive complements, predicative adjectives and nominals, raising to subject, ‘tough-movement’, and quantifier scope ambiguities. Notably, the grammar and the derivations that it licenses never make reference to either worlds or to the extensions of senses. (shrink)

This chapter contrasts Alfred Tarski's compositional conception (whereby the truth-values of sentences are explained in terms of the referential characteristics of their component words) unfavorably with minimalism (which relies merely on the schema, ‘(p) is true ↔ p’). First, it argues against Tarski that his approach is: (i) misdirected, insofar as it doesn't elucidate our actual concept of truth, which applies to propositions rather than sentences; (ii) ill-motivated, insofar as it reflects an insistence on explicit definitions; (iii) not generally (...) workable, insofar as those definitions cannot devised for all the multifarious constructions that occur in natural languages; and (iv) pointless, insofar as it addresses no question worth answering. Second, it is shown that minimalism can be the basis for a superior treatment of the liar paradoxes. And, finally, a response is developed to the claim (Tarski, Gupta, Soames, Halbach) that Tarski-style compositional definitions are needed in order to accommodate generalizations about truth (e.g., that all instances of ‘p→p’ are true). (shrink)

Chapter 1 First Person Access to Mental States. Mind Science and Subjective Qualities -/- Abstract. The philosophy of mind as we know it today starts with Ryle. What defines and at the same time differentiates it from the previous tradition of study on mind is the persuasion that any rigorous approach to mental phenomena must conform to the criteria of scientificity applied by the natural sciences, i.e. its investigations and results must be intersubjectively and publicly controllable. In Ryle’s view, philosophy (...) of mind needs to adopt an antimentalist stance to achieve this aim. Antimentalism not only definitively rejects the idea that mind is a substance separated from the body, it also denies that mental phenomena radically differ from physical phenomena by virtue of several unique features. Most problematically, mental phenomena have a conscious character (mental states are related to specific qualitative feelings) and are accessible only to the first-person (only the subject knows directly what s/he is experiencing inside his/her mind). Ryle takes a strong stance on antimentalism going so far as to maintain that an approach to mind which aims to meet the criteria of scientificity set by the natural sciences must avoid any reference to internal, unobservable mental states. In his view (which is considered a specifically philosophical version of psychological behaviorism and also addresses questions put forward in psychological research), mental states can be redescribed in terms of behavioral dispositions. In this chapter, we address the historical roots of the antimentalist view and analyze its relation to the later tradition of research on mind. We show that, compared to the antimentalist stance, functionalism and cognitivism take a step back when they maintain that direct reference to mental states is necessary since mental states cause and therefore explain human behavior. This step backwards is often interpreted as a return to mentalism. However, this is only partially true. Indeed, we suggest that these later traditions retain one important element of Ryle’s antimentalism, i.e. the idea that mental states must be uniquely identified using external and publicly observable criteria, while excluding any reference to introspection and those qualitative dimensions of a mental state, which are accessible only to the first-person. According to the perspective we put forward, this epistemological stance has continued to influence contemporary research on mind and current philosophical and psychological theories which both tend to exclude the subjective qualities of human experience from their accounts of how the mind works. The issue we raise here is whether this is legitimate or whether subjective qualities do play a role with respect to the way our mind works. The conclusion of this chapter anticipates the argument the book makes in in favor of this latter position, starting from a particular angle, i.e. the problem of how we categorize concepts related to our internal states. -/- Chapter 2 The Misleading Aspects of the Mind/Computer Analogy. The Grounding Problem and the Thorny Issue of Propriosensitive Information -/- Abstract. After the crisis of behaviorism, cognitivism and functionalism became the predominant models in the field of psychology and of philosophy, respectively. Their success is mainly due to the new key they use for interpreting mental processes: the mind/computer analogy. On the basis of this analogy, mental operations are seen as cognitive processes based on computations, i.e. on manipulations of abstract symbols which are in turn understood as informational unities (representations). This chapter identifies two main problems with this model. The first is how these symbols can relate to and communicate with perception and thus allow us to identify and classify what we perceive through the senses. Here we limit ourselves to presenting this issue in relation to the classical symbol grounding problem originally put forward by Harnad on the basis of Searle’s Chinese room argument. An attempt to address the problem raised here will be made in chap. 3. The second point we discuss in relation to the mind/computer analogy concerns the idea of information it fosters. Indeed, following this analogy, information is something available in the external world which can be captured by the senses and transmitted to the central system without being influenced or modified by the procedures of transmission. This perspective does not take into account that – unlike computers – in living beings information is acquired by means of the body. As Ulric Neisser has already pointed out, the body is itself an informational source that provides us with additional sensory experience that influences (modifies or complements) the information extracted from the external world by the senses. To develop this line of analysis and to determine exactly what information is provided by the body and how this might influence cognition, we examine Sherrington’s and Gibson’s positions. Moving on from their views, we qualify bodily information in terms of ‘proprioception’. We use ‘proprioception’ in a broad sense to describe any kind of experience we have of our internal states (including postural information as well as sensations related to the general state of the body and its parts). Following Damasio’s and Craig’s studies, we further elaborate this position, arguing that living beings are equipped with an internal propriosensitive monitoring system which maps all the changes that constantly occur in our body and that give us perceptual (‘proprioceptive’ or propriosensitive) information about what happens inside us. Moreover, relying on Goldie’s and Ratcliffe’s view, we show that emotional information can also be considered as a form of ‘proprioception’ which contributes to determining everything we perceive. This analysis leads us to the second main thesis of this book: ‘proprioception’ is a form of internal perception and it is an essential component of the sensory information we can access and use for all cognitive purposes. -/- Chapter 3 Semantic Competence from the Inside: Conceptual Architecture and Composition -/- Abstract. Concepts are essential constituents of thought: they are the instruments we use to categorize our experience, i.e. to classify things and group them together in homogeneous sets. Here we define concepts as the internal mental information (representations) that allows us, among other things, to master words in natural language. By analyzing the way in which individuals master word meanings we explore a number of hypotheses regarding the nature of concepts. Following Diego Marconi’s research, we differentiate between two kind of abilities that underpin lexical competence – so-called ‘referential’ and ‘inferential competence’ – and we suggest that, in order to support these abilities, concepts must also include two corresponding kinds of information, i.e. inferential and referential information. We point out that the most widely used and acknowledged theories of concepts do not make this distinction, instead broadly characterizing the information used for categorization in terms of propositionally described feature lists. However, we show that while feature lists can explain inferential competence, they do not account for referential competence. To address the issue of referential competence we examine Ray Jackendoff’s hypothesis that to account for the possibility of linking perceptual and conceptual information we need to assume the existence of a (visual) representation that encodes the geometric and topological properties of objects and bridges the gap between the percept and the concept. Furthermore, we analyze the extension of this work by Jesse Prinz who introduced the notion of a proxytype, a perceptual representation of a class of objects that incorporates structural and parametric information related to their appearance. However, as we point out, proxytypes can only explain the relationship between perception and concepts with respect to instances that can be perceived through the senses and that belong to the same class by virtue of their physical similarity. We suggest that this notion be extended to include larger conceptual classes. To accomplish this, we further develop Mark Johnson, George Lakoff and Jean Mandler’s idea of a schematic image and argue that conceptual representations include a perceptual schema. Perceptual schemata are non-linguistic, structured experiential gestalts (patterns or maps) that make use of information taken from all sensory modalities, including body perception. They accomplish a quasi-conceptual function: they allow us to recognize and to classify different instances. In this work, we hypothesize that perceptual schemata are an essential component of concepts, but not identical to them. Instead, we suggest that concepts include both perceptual and propositional information with perceptual schemata providing the ‘perceptual core concept’ that grounds related propositional information. -/- Chapter 4 In the Beginning There Were Categories. The Bodily Origin of Prelinguistic Categorical Organization: The Example of Folkbiological Taxonomies -/- Abstract. Studies of categorization in psychology and the cognitive sciences have made use of the notions of ‘category’ and ‘concept’ without precisely defining what is meant by either; in fact, often these terms have been used as synonyms, making it difficult to address specific issues related to conceptual development. This chapter begins by discussing the definitions of, as well as the distinctions between, ‘categories’ and ‘concepts’ in the classical philosophical tradition (Aristotle, Kant and Husserl). We introduce our view of categories with reference to Husserl. Categorization is defined as the way in which our experience is originally (pre-linguistically) organized in a passive and fully unconscious manner on the basis of universal structuring principles. Conceptualization is explained as a later process in which the earlier categorical macro-classes are further subdivided into more specific and detailed sets; this later process also relies on linguistic learning and exposure to culture. On the basis of Ray Jackendoff, Jean Mandler, George Lakoff and Mark Johnson’s work, we hypothesize that categorization is a two-step process that begins with the formation of homogeneous sets of entities partitioned into regions that describe the ontological boundaries of the objects that humans perceive (categories) and continues at a later stage with the development of more specific classifications (concepts). In this chapter, we mainly address three related issues: Why should we assume that there is categorical organization which precedes the development of a conceptual system? How do categories and concepts relate to each other? Shall we hypothesize that categories are innate or that they are formed before concepts on the basis of information and organizational structure available at a very early developmental stage? We show that categorical partitions are necessary for categorization and, following Mandler, that the general categories we form at an early age do not match our adult superordinate concepts. As for the third issue, we argue that there might be no need to assume that categories are innately present in the human mind, since their formation can be explained – at least in certain cases – by basic mechanisms that work on body (propriosensitive) information. This hypothesis will not be discussed in general, but in relation to a particularly relevant example of categorical partition, i.e. the folk-biological dichotomy between ANIMATE/INANIMATE. This is compared with other dichotomies that derive from it, but are not directly categorical such as LIVING/NON-LIVING and BIOLOGICAL/NON-BIOLOGICAL. -/- Chapter 5 Internal States: From Headache to Anger. Conceptualization and Semantic Mastery -/- Abstract. Here we ask if we can also apply the distinction between referential and inferential competence we introduced in Chapter 3 to words that do not refer to things that are perceived using the external senses, especially to words/concepts that denote bodily experiences (such as pain, thirst, hunger, etc.) or emotions. We introduce and discuss the hypothesis that – even though such words/concepts do not refer to intersubjectively identifiable entities in the external world – they do have a kind of referent that can be accessed via direct perception, more specifically ‘proprioception’, as we have defined it in terms of all propriosensitive information we can consciously access. In the first part of the chapter, we specifically consider terms denoting bodily experiences such as ‘pain’ or ‘hunger’ and argue that their referents are identified and classified from a first-personal point of view on the basis of four main characteristics: their specific intensity, their localization in the body, their co-occurrence with other signals and above all their specific qualitative sensations. Emotions are addressed in the second part of the chapter. We suggest that there is a continuity between bodily experiences and emotions. In particular, we argue for a perceptual theory of emotions in line with that proposed by James and Lange at the end of the 19th century and developed more recently by authors such as Damasio (see also chap. 2§5, §6). The hypothesis we put forward is that the referential information that supports the categorization of emotions and therefore also our mastery of terms referring to emotions consists in the perception (i.e. the ‘proprioception’) of those bodily states and changes in bodily states which constitute our emotional experience. In the context of this discussion we examine some objections to this line of reasoning that arise from a cognitivist perspective and following authors such as Oatley, Johnson-Laird and Frijda, we distinguish between basic emotions that can be identified and classified solely on the basis on how they feel and complex emotions whose identification and classification additionally depends on cognitive factors. To describe how emotions are identified and classified on the basis of how they feel, we rely on Marcel and Lambie’s distinction between an ‘emotion state’ and an ‘emotion experience’. Both notions indicate kinds of feelings that we consciously experience. However, they describe first-order and second order emotion awareness respectively. The emotion state is the feeling we have of the bodily states and changes that occur when we are experiencing an emotion, while the emotion experience is the fully developed and integrated emotion we both experience and are, with reflection, aware of experiencing. On the basis of this differentiation, we also show that the same characteristics that aid in the identification and classification of bodily experiences (specific qualitative sensations; somatic localization; specific intensity; presence/absence of specific concomitant sensations) can also be used for the identification and classification of emotions – at least basic emotions. In the last two sections of the chapter we present some clinical evidence on the semantic competence of people who suffer from Alexithymia and Autism Spectrum Disorder which supports the conclusions of our preceding analyses. -/- Chapter 6 The ‘Proprioceptive’ Component of Abstract Concepts -/- Abstract. In this chapter, we address the issue of whether the mastery of abstract words requires only inferential knowledge and thus, if the concepts that support the mastery of abstract words include only linguistic information. We start by differentiating the notions of ‘abstract’ and ‘general’ which are often erroneously confused. We then identify a strict definition of abstract, as contrasted with ‘concrete’, that applies to words or concepts whose referent cannot be experienced by the senses. We argue that abstract words/concepts would be better described as theoretical, because they are usually conceived as structured sets of inferential knowledge expressed linguistically; that is, as small theories. Pointing out parallels with Carnap’s analysis of this issue in philosophy of science, we hypothesize that words/concepts denoting non-observable entities are not all ‘equally theoretical’, because their link to sensory experience can be stronger or weaker. We revive the distinction, inspired by Quine, between theoretical and intertheoretical concepts/words. This distinction relies on the fact that the former – unlike the latter – retains a strong, although indirect, connection with perception. In Quine’s discussion, perception is understood uniquely in terms of observability, i.e. of external sensory experience. Here we argue, however, that bodily, ‘proprioceptive’ (i.e. propriosensitive) experience can also serve to referentially ground theoretical (i.e. abstract) concepts/words. We frame this issue using the example of the theoretical concept ‘freedom’ and Lakoff’s hypothesis that this concept is developed on the basis of bodily information. We contrast this with the example of ‘democracy’ which more closely resembles an intertheoretical concept/word. Furthermore, we show that one of the classical views put forward in psycholinguistic research to explain how abstract concepts are mentally represented – i.e. Paivio’s Dual Coding Theory – points in the same direction as our analysis. The same is true of Barsalou’s work suggesting that we use internal information to understand at least some abstract words. To sustain this position, we put forward two lines of evidence: the first comes from psycholinguistic studies while the second examines deficits of semantic competence exhibited by people with Autism Spectrum Disorder. On the basis of our analysis, we put forward a classification that distinguishes between different kinds of concreteness and different degrees of abstraction: concepts/words referring to body experiences and basic emotions are described as analogous to concrete concepts/words because they are grounded in perceptual (i.e. propriosensitive) experience, while abstract concepts/words are considered more or less abstract depending on whether they are intratheoretical (and rely entirely on inferential information) or theoretical (and are partially grounded in perceptual – or more often in propriosensitive perceptual – information). In the last section of the chapter we consider two scales that have been used in psycholinguistic research to measure the degree of concreteness vs. abstractness of words and we show that – used conjointly – they can provide a measure of the internal vs. external grounding of specific words. (shrink)

Everything is Something is a book about Stoic metaphysics. It argues that the Stoics are best understood as forging a bold new path between materialism and idealism, a path best characterized as non-reductive physicalism. To be sure, only individual bodies exist for the Stoics, but not everything there is exists — some things are said to subsist. However, this is no Meinongian move beyond existence, to the philosophy of intentionality (as the language of subsistence might suggest), but a one-world metaphysics (...) that both counts its entities by logical criteria, and grounds them in body by physical principles, yielding a tightly ordered ontology in which everything is Something and nothing is not. -/- This last phrase is not innocent. It invokes the Stoic innovation of Something (ti) as the highest genus of reality, and takes the stand that it is not only principled and coherent, but comprehensive — anything that is not Something is nothing at all (for the initiated: there is no class of Not-Somethings between Something and nothing). Further, everything that is Something is either itself a body, or ontologically dependent on body. Herein lies the Stoics’ non-reductive physicalism, and the beating heart of their response to the Battle of Gods and Giants in Plato’s Sophist: a one-world metaphysics. -/- The foundation of Stoic metaphysics is their ground-breaking corporealism, which introduces an alternative to both atomism and hylomorphism. The Stoics are continuum physicists for whom body as such, i.e. solid, three-dimensional extension, is homogeneous, partless, uniform, and infinitely divisible without reaching minima (atoms). And because body is not conceived along hylomorphic lines, i.e. as a composite of matter and form, the Stoics are free to make body fundamental. Out of two basic bodies, then (the archai), and by the tantalizing mechanism of through and through blending (krasis di’ holou), Stoic physics constructs the cosmos (and every body it contains) in completely corporealist terms, composing one thing out of many. And once those bodies are built, Stoic logic gives an account of their identity conditions, kinds, and qualities according to the vexed schema of the Categories, making now many out of one by the constitution relation, as a statue is constituted by its clay. With these distinct mereological relations of composition and constitution, Stoic corporealism artfully divides the labor of Plato’s Forms between physics and logic. -/- Next in the ontological order, with bodies as their foundation, are the incorporeals (asōmata): space (place, room, and surface), time, void, and the (awkwardly named) sayables, or lekta (roughly, though controversially, the meanings of our words). These entities do not exist; they do, however, subsist, inheriting their physical properties and, hence, their subsistence, from the bodies on which they depend. For example, place depends for its three-dimensional (non-solid) extension on the bodies that occupy or delimit it. The ontological dependence of space, time, and their novel semantic entities (the lekta) on body, is what takes Stoic metaphysics beyond corporealism to non-reductive physicalism, beyond a merely sorted ontology to an ordered, one-world metaphysics. Each incorporeal counts as Something according to the Stoic criterion for subsistence (hence, the theory is non-reductive), and what they have in common as incorporeals (and what makes the account physicalist), is their dependence on underlying body. -/- In addition to the incorporeals, the Stoics also recognize the subsistence of things like creatures of fiction and geometrical limits, which they classify as neither corporeal nor incorporeal. What these entities have in common is that they are products of thought; and since thoughts are themselves bodies according to Stoic corporealism, this remains a physicalist account. As before, the account is not Meinongian; neither all objects of thought, nor all products of thought count as Something. Indeed, the Stoics’ eliminative treatment of universals (and Forms) turns on their denying concepts (ennoēmata) a place on the ontological map altogether — concepts are simply not Somethings (and, again, not some further category of Not-Somethings, intermediate between Something and nothing at all). If all this is right, then the Stoics are not flat-footed materialists or ersatz Platonists, as so often assumed, but our first non-reductive physicalists. (shrink)

On the historiographic plane, the confrontation between the texts of Bonaventure and of Thomas Aquinas regarding the structure of human knowledge, reveals common features and divergent ones. Both are, moreover, «scholastics» in the elaboration of the sources, in so far as they do not select only some data of tradition , but seek through various paths to assume and to synthetise coherently the whole tradition known to them. Bonaventure has followed the path of extrapollation of the single data from their (...) original context and of their insertion into a schema altogether traditional as to the content, but altogether new as for the structure. Thomas, on the contrary, has chosen the way of composition of the data through the concordance and the hierarchy of the schema, giving clearly the epistemological primacy to the Aristotelian system, but without showing himself ever fully satisfied with the schemata obtained. In articulating philosophy and theology Thomas et Bonaventure share the paradigm of the «double in parallel», bringing it perhaps to the extreme rigour, though with different nuances: Thomas by showing the natural basis of the supernatural perfection, and Bonaventure by showing the necessity and the natural impossibility of such perfectioning. (shrink)

This paper gives an analysis of the adverbial quantifiers exemplified in “I regretted it every time I had dinner with him.” Sentences of this kind display what I call a ‘matching effect’; they are true if every event in the denotation oftime I had dinner with him can be matched with an event regretting that dinner event. They are thus truth-conditionally equivalent to sentences of the form “There are at least as many As as Bs.” The difficulties of giving a (...) compositional interpretation to sentences of this form have been discussed in, e.g., Boolos 1981. I first show that the matching effect is semantic and not pragmatic. I then give an analysis of these sentences in a neo-Davidsonian framework, interpreting the adverbials as quantifiers over events. Syntactically they are analyzed as objects of a null preposition. This allows a simple compositional semantic interpretation in which the null preposition is interpreted exactly as other prepositions are by Davidson (1967), namely as denoting a function from the event argument of the matrix verb to the prepositional object. The matching effect then follows automatically. I extend the analysis to account for other sentences which directly instantiate the schema “For every A there is a B” and its equivalents, and show how the matching effect follows in general from the functional nature of thematic roles and prepositions. (shrink)

This chapter argues that it is possible to identify, in the coming to be of knowledge, the three elements that Aristotle says are involved in any kind of coming to be whatsoever (viz., matter, form, and the generated composite object). Specifically, it is argued that in this schema the passive intellect (pathetikos nous) corresponds to the matter, the active intellect (poetikos nous) corresponds to the form, and the composite object corresponds to the mind as actually knowing.

Parallels between the mathematics of tiling, which describes geometries of visual space, and neo-Riemannian theory, which describes geometries of musical space, make it possible to show that certain paradoxes featured in the visual artworks of M. C. Escher also appear in the pitch space modelled by the neo-Riemannian Tonnetz . This article makes these paradoxes visually apparent by constructing an embodied model of triadic pitch space in accordance with principles drawn from the mathematics of tiling, on the one hand, and (...) from cognitive science, on the other – specifically, the notion that our experience of pitch relationships is governed in part by the metaphorical projection of patterns abstracted from embodied experience known as image schemas. These paradoxes are illustrated with reference to passages drawn from four compositions to whose expressive character such paradoxes contribute: the fifteenth-century motet 'Absalon fili mi'; the finale of Haydn's String Quartet in G major, Op. 76 No. 1; Brahms's Intermezzo in B minor, Op. 119 No. 1; and Wagner's Parsifal. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Christian Structure of Politics: On the De Regno of Thomas Aquinas by William McCormickD. C. SchindlerMcCORMICK, William. The Christian Structure of Politics: On the De Regno of Thomas Aquinas. Washington, D.C.: The Catholic University of America Press, 2022. xiii + 272 pp. Cloth, $75.00Challenging general assumptions that, because of its genre as a letter to a king in the speculum principis tradition, Aquinas's De Regno is a (...) minor source for Aquinas's political theory in comparison to the political passages from the Summa and Sentence Commentary, William McCormick, S.J. presents a new interpretation of this somewhat neglected text. Though there exist a few classic articles comparing Aquinas's thought in this letter and elsewhere, and substantial introductions to the De Regno in editions by Eschmann (1949) and Dondaine (1979), The Christian Structure of Politics is the first book-length study of Aquinas's letter to the king of Cyprus. In this respect, the volume makes a very welcome contribution to our understanding of Aquinas's understanding of political order, bringing out a dimension of his thought—its awareness of history and its pedagogical sensitivity—not so apparent in Aquinas's other writings.The book is very much what it presents itself as being, namely, a "close reading" of the text, following the letter's two parts (the second of which [End Page 150] Aquinas left unfinished) paragraph by paragraph, considering various interpretative possibilities and suspending judgment—the words "might" and "perhaps" are no doubt two of the most frequent in the book—until more evidence comes into view, and working up to general principles only at the end. McCormick thus eschews substantial engagement with theoretical issues that would form the backdrop to the discussion (for example, the relation between nature and grace, and between practical and theoretical reason), opting instead to focus on a more immediate engagement with what is presented in the text itself. He also does not make more than passing comments on Aquinas's better-known formulations on political matters from the Summa or Sentences Commentary. On the other hand, the "close reading" does not keep McCormick from discerning a general order in Aquinas's letter, which he divides up thematically according to a proposed schema. His approach shows a sensitivity to the historical context in which Aquinas was writing, even if particular details about Aquinas's addressee and the occasion of composition remain uncertain, but his aim is not simply to produce a historical study. Instead, as the book's title itself already indicates, he investigates the De Regno in order to show that the text offers fundamental principles for a distinctively Christian approach to politics, and thus can shed light even on our contemporary situation.The book is divided into five basic chapters, in addition to a substantial introduction and brief conclusion. The first four chapters follow the order of the De Regno, though the basic lines of division are McCormick's own interpretative proposal. Chapter 1 treats the letter's prooemium and the first two chapters of part one (I.1-2) under the title "The Aristotelian State of Nature," showing that, contrary to ideas found in a certain current of Christian thought, political order is fully natural to man and not simply a practical response to violence. Chapter 2, "The Augustinian Earthly City," treating I.3-6, complements the natural character of politics with the realistic acknowledgment of man's fallen nature. While some commentators have worried that the discussion of tyranny in these and subsequent chapters of the De Regno eclipses the positive account of politics given rather schematically at the start, and so diminishes the interest the text might hold for the political philosopher, McCormick argues that the engagement with the tyrant, and the disorder he generates, represents an essential dimension of Aquinas's political vision. Indeed, one of the principal theses of The Christian Structure of Politics is that Aquinas manages to integrate Aristotelian and Augustinian perspectives in an unusually illuminating way: Christian revelation, which introduces the eschatological horizon and foregrounds the historical narrative of sin and redemption, does not supplant but instead grounds and deepens the integrity of politics and... (shrink)

Allen, B., Arithmetizing Uniform NC, Annals of Pure and Applied Logic 53 1–50. We give a characterization of the complexity class Uniform NC as an algebra of functions on the natural numbers which is the closure of several basic functions under composition and a schema of recursion. We then define a fragment of bounded arithmetic, and, using our characterization of Uniform NC, show that this fragment is capable of proving the totality of all of the functions in Uniform NC. Lastly, (...) in the spirit of Buss, we show that any function which is definable by a ∑b1-formula in our theory is a function which is in Uniform NC. (shrink)

Translations across symbolic forms necessarily involve shifts and transformations of meaning due to the logic of the medium. They challenge us to examine fundamental metaphors as an aspect of design reasoning, particularly in relation to the construction of spatial relationships and meanings. They also involve the exploration of diagrams as a way of moving from the space of linguistic description to architectural space where topology and visual image are tightly interfaced. In this paper, Terragni's unrealized design for a monument to (...) Dante, which projects The Divine Comedy into an architectural schema is examined as a case study. The Divine Comedy is treated as an expanded body of work that includes, in addition to the original text, a multitude of paintings, as well as Terragni's project. The paper draws a distinction between transformations of meaning that arise of necessity due to the internal logic of symbolic forms and transformations which manifest specific design intentions. The Divine Comedy with its compositional, numerological, and descriptive attributes forms the program for the architectural project. Nevertheless, as in any project, the program does not, in itself, generate architecture. This paper shows that in the Danteum project three major operations are involved in design synthesis. The first inflects the familiar metaphor of the column as a body. The second uses recursive 'extreme to mean ratio' proportions to establish nesting, repetition and scaling, and through these a sense of unity. The third uses a pattern of overlapping squares so as to create a dialogue between strongly differentiated interiors and transitional zones. These operations in conjunction with the compositional and narrative aspects of the poem interpreted as program make the translation from linguistic space to architectural space possible. Thus, in this case, design formulation is not based on a single metaphor, but rather on a system of metaphors working together to bring physical elements, spatial relationships and design operations within a coherent framework of design reasoning. (shrink)

The traditional definition per genus et differentiam is argued to be cognitively grounded in perception and in order to avoid needless argument, definitions are stipulated to assert boundaries. An analysis of the notion of perspective shows that a boundary is a composite of two distinctions: similarity that includes and difference that excludes. The concept is applied to the type-token distinction and percepts are shown to be the result of a comparison between a token as representing some phenomenon and a type (...) as representing the kind of object the phenomenon might be. The Principle of Connection is proposed as the mental architecture that gives rise to percepts. The value of a percept is shown to be one of Identical, Similar, Different or Contrary and its perceptual aspects represent the cognitive schema of Essence, Quality, Quantity and Relation. The two notions of similarity and difference are claimed to constitute the necessary and sufficient conditions for definitions. Accordingly, the qualitative elements of a definition signify the genus as representing the similarity of the defined entity in terms of others of its kind and the quantitative elements signify the differentia as representing the difference it has from everything else. Paying proper attention to both qualitative and quantitative aspects will enable formulation of definitions that are ‘good’. (shrink)

L'écologie cherche à connaître les conditions d'existence des organismes par rapport à leur milieu physique et biotique.D'une part elle étudie les exigences des organismes envers le milieu et leurs adaptations à celui-ci; d'autre part, elle recherche comment le milieu influe sur les organismes. Or, puisque chaque être vivant fait partie du milieu des autres et que sa présence et son activité modifient le milieu physique et biotique pour lui-même comme pour les autres, l'écologie est amenée à considérer en général les (...) interactions entre les facteurs constitués par les organismes ainsi que par les agents inorganiques.Toutefois, la complexité de ces interactions est telle qu'à leur analyse physico-chimique s'opposent des difficultés partiellement insurmontables. La raison en est que les multiples facteurs écologiques n'agissent pas isolément, mais en combinaison dans l'espace et dans le temps. Il en résulte des états d'équilibre relatif dont seule l'expérience multiséculaire de la nature nous révèle l'aboutissement avec certitude. Aussi bien l'écologiste qui veut en tenir compte commence-t-il ses recherches par le relevé qualitatif et quantitatif des groupements biologiques spontanés. Le chercheur les reconnaît à la constance relative de leur composition, dans les divers endroits où ils sont réalisés, constance résultant de l'équilibre relatif entre les facteurs. C'est exactement pour de tels groupements queMöbius à créé le terme de biocénose. Ainsi la biocénotique peut être considérée comme la propédeutique d'une écologie justement conçue; elle ne serait que préparatoire et provisoire si la Science pouvait un jour entièrement éclaircir le jeu des forces écologiques.Enfin en essayant de bien situer l'écologie dans le cadre des disciplines biologiques voisines, il est utile d'avoir présent à l'esprit l'ébauche suivante d'un nouveau système de la biologie:Dans mes „Analyses et synthèses biocénotiques” , j'ai discuté la conception d'Agrell, qui se base sur des stations-types préétablies. Depuis,Agrell a consacrédeux articles polémiques à soutenir que ses „Bestandestypen” s'identifient aux groupements écologiques tels que je le conçois.Il n'en est rien.Dans l'idée d'Agrell, tous les relevés provenant d'un même type de stations font a priori partie d'un même „Bestandestyp”. La conséquence en est que certaines espèces en réalité vicariantes, c'est-à-dire ne cohabitant jamais -Tetracanthella wahlgreni etFolsomia brevicauda, par exemple — se trouvent réunies, sur le papier, dans une même „communauté”. Au contraire, dans mon système, les relevés faits dans un certain type de stations sont classés tantôt dans un groupement , tantôt dans un autre , d'après leur composition faunistique servant d'indicateur. Cette différence explique amplement les discordances qu'Arell relève entre mes indices d'abondance-fréquence et les siens, discordance prouvant une fois de plus que les „Bestandestypen” et les groupements ne sont pas la même chose.Agrell qualifie de résidu l'un de mes groupements. Or, rien n'est plus résiduel queson Bestandestyp 2, qui représente l'ensemble de 7 stations sur 10, celles qui restent après avoir retranché les 3 stations de milieux extrêmes.Agrell reproche à ma méthode de laisser inclassables certains relevés dépourvusd'espèces vicariantes. Cela n'est-il pas préférable au classement de force de relevés, fragmentaires et aux calculs hasardeux basés sur des unités hétérogènes?Enfin,Agrell estime que le choix des espèces caractéristiques est subjectif. J'ai: montré qu'il ne l'est ni plus ni moins que celui des caractères spécifiques en taxonomie.Oekologie, Ethologie, Biogeographie und Biocoenotik werden noch häufig miteinander verwechselt. Diese Disziplinen lassen sich an Hand des Schemas unterscheiden, das in vorstehenden Schlussfolgerungen wiedergegeben ist. Dieses Schema ist zugleich ein Beitrag zu einem neuen, dreidimensionalen System der Biologie.Speziell wird auf den methodischen Unterschied zwischen Oekologie und Biocoenotik eingegangen. Die Biocoenotik kann als eine unentbehrliche Vorstufe der Oekologie angesehen werden, insofern sie die natürliche Vergemeinschaftung der Organismen als ein grossartiges, von der Natur selbst eingesetztes Experiment betrachtet. Ihre Aufgabe ist es, dass Ergebnis dieses Experiments zu beschreiben. Die Lebensgemeinschaften, die sie dabei unterscheidet, sind gekennzeichnet durch ihre häufig wiederkehrende, einigermassen konstante Zusammensetzung, entsprechend den relativen Faktoren-Gleichgewichten, welche sich im Laufe der Jahrhunderte einstellen. Die Lebensgemeinschaften sind aber viel leichter zu erfassen als die Faktoren-Gleichgewichte und deren biologische Bedeutung. Ihre Abgrenzung erfolgt, — wie in der Taxonomie diejenige der Arten — auf Grund objektiver Diskontinuitäten. Letztere gründen sich in der Biocoenotik auf die sich ökologisch ersetzenden Arten. Sie sind die Prüfsteine für die Grundeinheiten der Biocoenotik: die Biocoenosen.] Soweit die Organismen einer Biocoenose aufeinander einwirken, stellen sie gleichzeitig einen Konnex dar; und soweit sie in ihren Ansprüchen oder Anpassungen übereinstimmen, gehören sie auch zum gleichen Lebensformen-Typ. Es ist praktisch, drei Grössenordnungen von Biocoenosen zu unterscheiden: Synusien, Assoziationen und Biome. (shrink)

Wittgenstein's conception of the general form of a truth function given in thesis 6 can be presented as a sort of a trade-off: the author of the Tractatus is unable to reconcile the simplicity of his original idea of a series of forms with the simplicity of his generalisation of Sheffer's stroke; therefore, he is forced to sacrifice one of them. As we argue in this paper, the choice he makes – to weaken the logical constraints put on the concept (...) of a series of forms, thus effectively metaphorising that concept for the sake of upholding the N-operation's role of generating the series – is unfortunate. An actual expansion of a series of truth functions as defined in 6 would require either making decisions at each step (Anscombe) or outwardly rejecting the concept of a series (Sundholm). However, neither is faithful to Wittgenstein's own fundamental intuitions regarding the nature of logic. For this reason, a different trade-off that prioritises upholding the basic features of a series of forms over the simplicity of the operation that generates that series seems to be much more reasonable. We offer such a trade-off by developing the schema already present in the Tractatus (5.101). The key element of our alternative solution is the construction of an operation that can perform the task of producing all consecutive truth functions of a given collection of atomic propositions as an invariant difference between any base and its successor throughout the series. We define it as a composition of three functions (in an algebraic sense): the first turns a symbol of a given truth function into a binary number, the second increments that number, the third turns the result back into a symbol of another truth function. We also show how the operation can be defined by means of a different notation without invoking binary arithmetic. (shrink)

The Stoics are famously committed to the thesis that only bodies are, and for this reason they are rightly called “corporealists.” They are also famously compared to Plato’s earthborn Giants in the Sophist, and rightly so given their steadfast commitment to body as being. But the Stoics also notoriously turn the tables on Plato and coopt his “dunamis proposal” that being is whatever can act or be acted upon to underwrite their commitment to body rather than shrink from it as (...) the Giants do. The substance of Stoic corporealism, however, has not been fully appreciated. This paper argues that Stoic corporealism goes beyond the dunamis proposal, which is simply an ontological criterion for being, to the metaphysics of body. This involves, first, an account of body as metaphysically simple and hence fundamental; second, an account of body as malleable and continuous, hence fit for blending (krasis di’ holou) and composition. In addition, the metaphysics of body involves a distinction between this composition relation seen in the cosmology, and the constitution relation by which the four-fold schema called the Stoic Categories proceeds, e.g. the relation between a statue and its clay, or a fist and its underlying hand. It has not been appreciated that the cosmology and the Categories are distinct — and complementary — explanatory enterprises, the one accounting for generation and unity, the other taking those individuals once generated, and giving a mereological analysis of their identity and persistence conditions, kinds, and qualities. The result is an elegant division of Plato’s labor from the Battle of Gods and Giants. On the one hand, the Stoics rehabilitate the crude cosmology of the Presocratics to deliver generation and unity in completely corporeal terms, and that work is found in their Physics. On the other hand, they reform the Giants and “dare to corporealize,” delivering all manner of predication (from identity to the virtues), and that work is found in Stoic Logic. Recognizing the distinctness of these explanatory enterprises helps dissolve scholarly puzzles, and harmonizes the Stoics with themselves. (shrink)

Résumé La théorie ricœurienne de la triple mimèsis est susceptible de recevoir deux lectures différentes et exclusives l'une de l'autre. Soit l'on considère, en vertu du « caractère majeur de l'action d'être dès toujours symboliquement médiatisée », que notre praxis est ontologiquement structurée selon des schémas narratifs — mais cette conception essentialiste de l'action minore le rôle configurant de la mise en intrigue et affaiblit d'autant la thèse de Temps et Récit concernant la « force d'innovation de la composition poétique (...) » ; soit on considère l'action comme inanalysable en amont de la représentation narrative, qui seule est en mesure de définir sa sémantique, sa symbolique et sa temporalité. En privilégiant la seconde interprétation, nous tâchons de démontrer ici que l'oeuvre poétique n'a pas qu'une fonction de re figuration et fait plus que de suggérer au lecteur de « change[r] son agir » : l'action n'est humaine et n'est possible que d'être médiatisée par une voix narrative, toute narration créant sa propre référence mais aucune ne donnant accès à un univers référentiel préexistant qui serait ontologiquement signifiant. (shrink)

Résumé La théorie ricœurienne de la triple mimèsis est susceptible de recevoir deux lectures différentes et exclusives l'une de l'autre. Soit l'on considère, en vertu du « caractère majeur de l'action d'être dès toujours symboliquement médiatisée », que notre praxis est ontologiquement structurée selon des schémas narratifs — mais cette conception essentialiste de l'action minore le rôle configurant de la mise en intrigue et affaiblit d'autant la thèse de Temps et Récit concernant la « force d'innovation de la composition poétique (...) » ; soit on considère l'action comme inanalysable en amont de la représentation narrative, qui seule est en mesure de définir sa sémantique, sa symbolique et sa temporalité. En privilégiant la seconde interprétation, nous tâchons de démontrer ici que l'oeuvre poétique n'a pas qu'une fonction de re figuration et fait plus que de suggérer au lecteur de « change[r] son agir » : l'action n'est humaine et n'est possible que d'être médiatisée par une voix narrative, toute narration créant sa propre référence mais aucune ne donnant accès à un univers référentiel préexistant qui serait ontologiquement signifiant. (shrink)

Résumé La théorie ricœurienne de la triple mimèsis est susceptible de recevoir deux lectures différentes et exclusives l'une de l'autre. Soit l'on considère, en vertu du « caractère majeur de l'action d'être dès toujours symboliquement médiatisée », que notre praxis est ontologiquement structurée selon des schémas narratifs — mais cette conception essentialiste de l'action minore le rôle configurant de la mise en intrigue et affaiblit d'autant la thèse de Temps et Récit concernant la « force d'innovation de la composition poétique (...) » ; soit on considère l'action comme inanalysable en amont de la représentation narrative, qui seule est en mesure de définir sa sémantique, sa symbolique et sa temporalité. En privilégiant la seconde interprétation, nous tâchons de démontrer ici que l'oeuvre poétique n'a pas qu'une fonction de re figuration et fait plus que de suggérer au lecteur de « change[r] son agir » : l'action n'est humaine et n'est possible que d'être médiatisée par une voix narrative, toute narration créant sa propre référence mais aucune ne donnant accès à un univers référentiel préexistant qui serait ontologiquement signifiant. (shrink)

The traditional definition per genus et differentiam is argued to be cognitively grounded in perception and in order to avoid needless argument, definitions are stipulated to assert boundaries. An analysis of the notion of perspective shows that a boundary is a composite of two distinctions: similarity that includes and difference that excludes. The concept is applied to the type-token distinction and percepts are shown to be the result of a comparison between a token as representing some phenomenon and a type (...) as representing the kind of object the phenomenon might be. The Principle of Connection is proposed as the mental architecture that gives rise to percepts. The value of a percept is shown to be one of Identical, Similar, Different or Contrary and its perceptual aspects represent the cognitive schema of Essence, Quality, Quantity and Relation. The two notions of similarity and difference are claimed to constitute the necessary and sufficient conditions for definitions. Accordingly, the qualitative elements of a definition signify the genus as representing the similarity of the defined entity in terms of others of its kind and the quantitative elements signify the differentia as representing the difference it has from everything else. Paying proper attention to both qualitative and quantitative aspects will enable formulation of definitions that are ‘good’. (shrink)

In this study, we investigate the way in which Damascius describes the relation of the ‘forms’ with the ‘parts’ and the ‘elements’ in his treatise De Principiis, in which he utilizes aspects of the Pre-Socratic natural philosophy as well as Aristotle’s Physica. We also shed light on the epistemological terms and conditions of his analysis. From a methodological point of view, we follow the categorical schemas found in the text, which reflect the philosopher’s general positions with respect to the (...) formation of the natural world, through which a particularly advanced and mathematically expressed natural science for studying the structures of the universe is revealed. Considering that Damascius’ main research goal is to analytically describe the general archetypical categories of the sensible world, the greatest conclusion that we draw is that the formation of the natural world came from the activation-composition of the ‘elements’, that is, the material projections, in their separations, of the productive manifestations of the metaphysical archetypal Ideas. (shrink)

The traditional definition per genus et differentiam is argued to be cognitively grounded in perception and in order to avoid needless argument, definitions are stipulated to assert boundaries. An analysis of the notion of perspective shows that a boundary is a composite of two distinctions: similarity that includes and difference that excludes. The concept is applied to the type-token distinction and percepts are shown to be the result of a comparison between a token as representing some phenomenon and a type (...) as representing the kind of object the phenomenon might be. The Principle of Connection is proposed as the mental architecture that gives rise to percepts. The value of a percept is shown to be one of Identical, Similar, Different or Contrary and its perceptual aspects represent the cognitive schema of Essence, Quality, Quantity and Relation. The two notions of similarity and difference are claimed to constitute the necessary and sufficient conditions for definitions. Accordingly, the qualitative elements of a definition signify the genus as representing the similarity of the defined entity in terms of others of its kind and the quantitative elements signify the differentia as representing the difference it has from everything else. Paying proper attention to both qualitative and quantitative aspects will enable formulation of definitions that are ‘good’. (shrink)

Fragments of painted plaster found in the destruction layer of three first floor rooms in the House of Seals and of one first floor room of the House of the Sword had broken from the ceiling. They allow the restoration of the schema in the room of the House of the Sword and of two of the rooms in the House of Seals, the latter in colour. Composed of bands surrounding a quadrangular field, these décorations, evoking carpets stretched on the (...) ceiling, are richer (costly pigments, gold leaf) and more complex (some fifteen motifs) than those in tombs of the same period, which adopted the same « carpet » composition and which borrowed from the same repertoire, often confirmed by the textiles. Since we know of no other ceiling decoration in habitation rooms, it is unwise to contrast the exuberance of these ceilings with the tomb ceilings. The room that could not be restored had moreover a much more perfunctory decoration. (shrink)

Clarke acknowledges in his collected essays that he is a "Thomistically inspired" metaphysician rather than simply "Thomistic," because his principal aim is the creative retrieval and completion of Aquinas's metaphysics in the light of contemporary thought. Self-styled Thomists will inevitably and justifiably contest some of Clarke's creative completions of Aquinas, preferring the original to the interpretation, yet they can learn from his efforts at retrieval. While Clarke claims that his main interest is not historical exposition, two early essays show him (...) eminently capable of such writing. One is a classic exposition of how Aquinas transformed the Aristotelian act-potency theory to do the work of explaining the metaphysical composition of esse and essentia within a Neoplatonically inspired participation schema wherein act is considered to be intrinsically unlimited. The second is a general account of participation in Aquinas which displays Clarke's early assimilation of this central theme and his deep grounding in the European scholarship that transformed the landscape of Thomism at the midpoint of this century. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:284 HISTORY OF PHILOSOPHY traversing "the great Arabian Desert," as Paten has so justly described it. Ewing's commentary is too compact to satisfy even a beginner. Paton's monumental two volumes are too de= tailed. The interest of Kemp Smith's classic work in the historical problem of the Critique prevents the student from gaining an over=all view of the long and prolix argument of the Analytic. Wolff's Commentary meets the (...) insufficiencies of these works remarkably well. The author presents a strong case for the view that the Analytic from beginning to end is one closely reasoned argument that reaches its climax only in the Second Analogy where Kant justifies the principle of causality. The lucidity with which he describes this adventure is masterful. In his introduction Wolff frames the questions which Kant undertook to answer. Beginning with Kant's pre=Critical writings, that worked within the problematic set up by Leibniz and Newton, he shows the transformation in viewpoint that Kant underwent by his exposure to Hume. In his section on Kant's method, the author dwells upon the modes of logic employed by Kant in his arguments. He contrasts the synthetic me~hod which Kant usuaIIy adopts in the Analytic with the analytic procedure of the Prolegomena. Wolff's observations here are extremely useful. They serve to explain the mysterious transitions and apparent backtracking of the Analytic, while at the same time they show the paramount importance of the transcendental unity of apperception in Kant's chain of argument. The author then proceeds to a step-by=step analysis of the two deductions. Faced with the problem of explaining the development of Kant's thought through the two editions, he provides schematic outlines of four successive versions of the argument at the end of each section in his discussion. This is certainly one of the most valuable features of Wolff's book. These schemas clearly isolate the premisses and put into logical progression material that is often misplaced in the actual text from what we would expect to be its natural sequence. After short discussions of the Schematism and the First Analogy, the author moves on the Second Analogy (causality), which he treats as the real kernel of the Analytic. Wolff shows that Kant's definition of synthesis is stated in merely general terms in the deductions and needs the Second Analogy for adequate development. Wolff then recasts the four preliminary arguments in a fifth and final schema. Beginning with the unity of apperception and the temporal character of perception as his two premisses, he deduces the existence of a mental synthesis stated in terms equivalent to the principle of causality. In interpreting the five arguments of the Analytic, Wolff employs three chief guidlines. First, Kant develops his doctrine by taking the "epistemological turn," rejecting the attempts of earlier subjectivists to pass beyond their ideas to some kind of metaphysical statement about the reality beyond. Kant seeks the characteristics and bases of the knowledge of objects, rather than the characteristics of the objects in themselves. Secondly, Kant characterizes the knowledge of objects by the modes of necessity and universality. Finally, Kant grounds these characteristics by a dynamic analysis of the cognitive act; the mind, in its functioning, must conform to innate rules that govern the association of mental images. The author's discussion of Kant's notion of "rule" is probably the most illuminatingsection of his whole commen= tary. While the author does not gloss over the difficulties of Kant's text, the reader sometimes feels that Wolff sees logic and neatness in Kant's argument where there is none. This minor defect detracts but little, however, from the immense service which the author has done for the student of the Critique. CHARLESJ. RIECK, 0.P. Aquinas Institute, River Forest, Illinois Young Nietzsche and the Wagnerian Experience. By Frederick R. Love. (Chapel Hill, University of North Carolina Press, 1963.Pp. xi + 103.) Professor Love's little book differs from previous studies of Nietzsche's relation to Wagner by taking into account Nietzsche's compositions, including unpublished items in the BOOK REVIEWS 285 Nietzsche archives in Weimar.1 The author visited the archives, which are now... (shrink)

Some claim that Composition as Identity (CI) entails Mereological Essentialism (ME). If this is right, then we have an effective modus tollens against CI: ME is clearly false, so CI is, too. Rather than deny the conditional, I will argue that a CI theorist should embrace ME. I endorse a theory of modal parts such that ordinary objects are spatially, temporally, and modally extended. Accepting modal parts is certainly beneficial to CI theorists, but it also provides elegant solutions to the (...) traditional puzzles of constitution, making it a competitive move in its own right. (shrink)

If we want to retain classical logic and standard syntax in light of the liar, we are forced to restrict the T-schema. The traditional philosophical justification for this is sentential – liar sentences somehow malfunction. But the standard formal way of implementing this is conditional, our T-sentences tell us that if “p” does not malfunction, then “p” is true if and only if p. Recently Bacon and others have pointed out that conditional T-restrictions like this flirt with incoherence. If we (...) want to keep the “malfunction” motivation, our only other option is to non-conditionally restrict the T-schema, but Field and others have given powerful philosophical and technical arguments against this kind of approach. Here I argue that if we really take the philosophical motivation for restricting T-sentences seriously, we can explain why conditional restrictions fail, answer Field's argument, and reason in a coherent way about truth using a non-conditional restriction strategy. This cracks the door open for a fully classical response to the liar and related paradoxes. In closing, I argue that, when properly understood, this kind of “restriction” is not really a restriction at all. If this is right, then the holy grail of liar studies (classical logic, naïve truth, and standard syntax) may yet be attainable. (Note for readers: when this paper was first put online, the typesetters had changed some instances of corners to brackets, leading to confusion. The paper has now been corrected online by PPR, so please make sure you have the corrected version before reading or citing.). (shrink)

Some mereologists boast that their view of parts and wholes is ontologically innocent.[Lewis 1991: 72-87] They claim that a fusion is nothing over and above its parts; once you’ve committed to the parts, you get the fusion for free. In other words, fusions are not a further ontological commitment beyond the commitment to the parts. There are various proposals to explain how it is that fusions can come about so cheap. Perhaps the most straightforward of these explanations, and the one (...) I will be concerned with in this paper, is to accept the Strong Composition Thesis:2, 3.. (shrink)

According to many, to have epistemic justification to believe P is just for it to be epistemically permissible to believe P. Others think it is for believing P to be epistemically good. Yet others think it has to do with being epistemically blameless in believing P. All such views of justification encounter problems. Here, a new view of justification is proposed according to which justification is a kind of composite normative status. The result is a view of justification that offers (...) hope of solving some longstanding epistemological problems. (shrink)

Cultural schemas are a central cognitive mechanism through which culture affects action. In this article, we develop a theoretical model of cultural schemas that is better able to support empirical work, including inferential, sensitizing, and operational uses. We propose a multilevel framework centered on a high-level definition of cultural schemas that is sufficiently broad to capture its major sociological applications but still sufficiently narrow to identify a set of cognitive phenomena with key functional properties in common: cultural (...) schemas are socially shared representations deployable in automatic cognition. We use this conception to elaborate the main theoretical properties of cultural schemas, and to provide clear criteria that distinguish them from other cultural or cognitive elements. We then propose a series of concrete tests empirical scholarship can use to determine if these properties apply. We also demonstrate how this approach can identify potentially faulty theoretical inferences present in existing work. Moving to a lower level of analysis, we elaborate how cultural schemas can be algorithmically conceptualized in terms of their building blocks. This leads us to recommend improvements to methods for measuring cultural schemas. We conclude by outlining questions for a broader research program. (shrink)

Recently, some mechanists have embraced reductionism and some reductionists have endorsed mechanism. However, the two camps disagree sharply about the extent to which mechanistic explanation is a reductionistic enterprise. Reductionists maintain that cellular and molecular mechanisms can explain mental phenomena without necessary appeal to higher-level mechanisms. Mechanists deny this claim. I argue that this dispute turns on whether reduction is a transitive relation. I show that it is. Therefore, mechanistic explanations at the cellular and molecular level explain mental phenomena. I (...) make my case in part by noting that mechanisms at higher levels are composed of mechanisms at lower levels. Compositional relations are transitive. In addition, they are explanatory. I conclude that there are explanatory linkages from cellular and molecular mechanisms to mental phenomena within a hierarchy of nested mechanisms. (shrink)

This chapter presents an account of Merleau-Ponty’s interpretation of the body schema as an operative intentionality that is not only opposed to, but also complexly intermingled with, the representation-like grasp of the world and one’s own body, or the body image. The chapter reconstructs Merleau-Ponty’s position primarily based on his preparatory notes for his 1953 lecture ‘The Sensible World and the World of Expression’. Here, Merleau-Ponty elaborates his earlier efforts to show that the body schema is a perceptual ground against (...) which the perceived world stands out as a complex of perceptual figures. The chapter clarifies how Merleau-Ponty’s renewed interpretation of the figure-ground structure makes it possible for him to describe the relationship between body schema and perceptual (body) image as a strictly systematic phenomenon. Subsequently, the chapter shows how Merleau-Ponty understands apraxia, sleep, and perceptual orientation as examples of dedifferentiation and subtler differentiation of the body-schematic system. The last section clarifies how such body-schematic differentiating processes give rise to relatively independent superstructures of vision and symbolic cognition which constitute our body image. It, moreover, explains how, according to Merleau-Ponty, the cognitive superstructures always need to be supported by praxic operative intentionality to maintain their full sense, even though, in some cases, they have the power to compensate for praxic deficiencies. (shrink)

Following on from Shaun Gallagher's influential 2005 book How the Body Shapes the Mind, this volume brings together leading experts from the fields of philosophy, neuroscience, psychology, and psychiatry in a productive dialogue, exploring key questions and debates about the relationship between body schema and body image.

Most research on image schema examined the meaning configuration of words connotation. However, previous studies of adjectives are meaningful in cognitive linguistics because they provide insight into how those adjectives are involved with psychological movement. In this sense, from the perspective of cognitive linguistics, one’s conceptualization and cognition are closely associated with their bodily experience and surroundings; adjectives are no exception. The varieties of transformations of image schemas lay the foundation for the conception and perception. Accordingly, this study is (...) an investigation into the perception of adjectives and psychological activities associated with image schema. Data in this study come from adjectives in the novel The Great Gatsby, which were tagged and calculated with the help of software Python and the NLTK package. The results demonstrate that a significant amount of adjectives were used in the novel. Moreover, Nick’s psychological activities changed significantly from the SOURCE to the DESTINATION schematic stage, which is uncovered by his expression of adjectives. Finally, the results further suggest that transformations of image schema as BALANCE, CONTAINER, and PATH work together to motivate one’s linguistic expression of adjectives. The present findings have several implications for research on lexicons and literacy interpretation from cognitive linguistics. (shrink)

There seems to be no dimension of bodily awareness that cannot be disrupted. To account for such variety, there is a growing consensus that there are at least two distinct types of body representation that can be impaired, the body schema and the body image. However, the definition of these notions is often unclear. The notion of body image has attracted most controversy because of its lack of unifying positive definition. The notion of body schema, onto which there seems to (...) be a more widespread agreement, also covers a variety of sensorimotor representations. Here, I provide a conceptual analysis of the body schema contrasting it with the body image as well as assess whether the body schema can be specifically impaired, while other types of body representation are preserved; and the body schema obeys principles that are different from those that apply to other types of body representation. (shrink)

-/- A schema (plural: schemata, or schemas), also known as a scheme (plural: schemes), is a linguistic template or pattern together with a rule for using it to specify a potentially infinite multitude of phrases, sentences, or arguments, which are called instances of the schema. Schemas are used in logic to specify rules of inference, in mathematics to describe theories with infinitely many axioms, and in semantics to give adequacy conditions for definitions of truth. -/- 1. What is (...) a Schema? 2. Uses of Schemas 3. The Ontological Status of Schemas 4. Schemas in the History of Logic Bibliography. (shrink)

A body schema is an agent's model of its own body that enables it to act on affordances in the environment. This paper presents a body schema system for the Learning Intelligent Decision Agent (LIDA) cognitive architecture. LIDA is a conceptual and computational implementation of Global Workspace Theory, also integrating other theories from neuroscience and psychology. This paper contends that the ‘body schema' should be split into three separate functions based on the functional role of consciousness in Global Workspace Theory. (...) There is (1) an online model of the agent's effectors and effector variables (Current Body Schema), (2) a long-term, recognitional storage of embodied capacities for action and affordances (Habitual Body Schema), and (3) "dorsal" stream information feeding directly from early perception to sensorimotor processes (Online Body Schema). This paper then discusses how the LIDA model of the body schema explains several experiments in psychology and ethology. (shrink)

According to standard, pre-philosophical intuitions, there are many composite objects in the physical universe. There is, for example, my bicycle, which is composed of various parts - wheels, handlebars, molecules, atoms, etc. Recently, a growing body of philosophical literature has concerned itself with questions about the nature of composition.1 The main question that has been raised about composition is, roughly, this: Under what circumstances do some things compose, or add up to, or form, a single object? It turns out that (...) it is surprisingly difficult to give a satisfactory answer to this question that accords with standard, pre-philosophical intuitions about the universe's composite objects. In fact, the three rival views in response to this question that have received the most support in the literature are (i) that there are no objects composed of two or more parts (which means that there are no stars, chairs, humans, or bicycles);2 (ii) that the only objects composed of two or more parts are living organisms (which still means no stars. (shrink)

I argue that composition as identity is incompatible with the possibility of emergent properties (as characterized in the paper) and so should be rejected.