Intermodal representationalists hold that the phenomenal characters of experiences are fully determined by their contents. In contrast, intramodal representationalists hold that the phenomenal characters of experiences are determined by their contents together with their intentional modes or manners of representation, which are nonrepresentational features corresponding roughly to the sensory modalities. This paper discusses a kind of experience that provides evidence for an intermodal representationalist view: intermodal experiences, experiences that unify experiences in different modalities. I argue that such experiences are (...) much easier to explain on the intermodal view. (shrink)

My paper is divided into three parts. The first examines the different versions of phenomenology that Husserl used during the Freiburg period, including genetic phenomenology, which is considered, in Experience and Judgment, as the basis for his genealogy of logic. I also examine the doxa-episteme opposition, which is one of the central topics of this book, and I claim that Brentano's epistemic asymmetry between internal and external perception can be considered as a special case of this opposition, which Husserl seeks (...) to overcome. The second part consists in an account of the genesis of the concept of primary content, such as it was first introduced in his Habilitationsschrift in order to replace Brentano's notion of physical phenomenon, to Ideas I where Husserl seems to have abandoned this notion, and replaced it with that of hyle which he conceived in a way similar to that of traditional atomism. The third part shows that the lectures and the working manuscripts of the Freiburg period, including Experience and Judgment, dispel the impression left by Ideas I by providing an original analysis of the dimension of sensory experience. Our starting point is an analysis of the cases of misperception that serve as arguments against Brentano's theory of external perception and whose function here is to uncover several distinctions relating to the modes of consciousness which are directly related to primary contents and to the qualitative dimension of experience. I conclude on the subject of passive syntheses and argue that they refer to a multiplicity of relations that structure phenomenal experience. (shrink)

The concept of an altered state of consciousness may be clarified when three major issues are discussed: the phenomenon, its method of induction, and criteria for evaluating the phenomenon. An ASC is a mental state, but it is not clear how such a mental state is related to subjective experience and cognitive functioning. The relationship between the method of induction and the resulting ASC is also unclear at present. Finally, criteria for determining and evaluating the ASC are indistinguishable from the (...) phenomenon itself, leaving the latter ill-defined. These are the basic issues which are addressed in the theoretical formulation here presented. I propose that the cognitive mode distinguishing the normal waking state from an ASC is the mode of meaning employed. (shrink)

Some have defended a Fregean view of perceptual content. On this view, the constituents of perceptual contents are Fregean modes of presentation (MOPs). In this paper, I propose that perceptual MOPs are best understood in terms of object files. Object files are episodic representations that store perceptual information about objects. This information is updated when sensory conditions change. On the proposed view, when a subject perceptually represents some object a under two distinct MOPs, then the subject initiates two object (...) files that both refer to a. My defense of this view appeals to its satisfaction of four constraints that I argue theories of perceptual MOPs should satisfy. Furthermore, I show that some existent accounts of perceptual MOPs fail to satisfy them. The defended constraints also indicate what is unique about perceptual, as opposed to linguistic or cognitive, MOPs. (shrink)

This chapter has three sections. The first introduces Brentano’s view of sensations by presenting the intentional features of sensations irreducible to features of the sensory objects. The second presents Brentano’s view of sensory objects —which include sensory qualities— and the features of sensations that such objects allow to explain, such as their intensity. The third section presents Brentano’s approach to sensory pleasures and pains, which combines both appeal to specific modes of reference and to specific (...) class='Hi'>sensory qualities. (shrink)

We enjoy modes of sensory imagining corresponding to our five modes of perception - seeing, touching, hearing, smelling and tasting. An account of what constitutes these different modes of perseption needs also to explain what constitutes the corresponding modes of sensory perception. In this paper I argue that we can explain what distinguishes the different modes of sensory imagination in terms of their characteristic experiences without supposing that we must distinguish the senses in terms of the kinds (...) of experience involved. thus the fact that we enjoy different modes of sensory imagining poses no threat to someone who thinks that the five senses are to be distinguished by appeal to the kinds of mechanism or psychological capacities their exercise involves, and not by appeal to experience. (shrink)

This paper consists of two parts. The first criticizes the usual interpretation of the so-called existential quantifier as denoting existence. It is argued that it symbolizes “someness,” as is obvious from its definition as not-all-not, as in “Some citizens will vote,” which is analyzable as “Not all citizens will abstain from voting.” The second part of the paper argues that “existence” is fivefold: real, phenomenal, conceptual, semiotic, and fantastic. A definition and a criterion are proposed for every one of them. (...) Real existence is identified with mutability; phenomenal existence, with occurrence in someone’s sensory experience; conceptual existence, as occurrence in a conceptual system; semiotic existence, as the ability of a sign to excite a reaction in an animal perceiving it; and fantastic existence, as occurrence in a work of fiction that contains or suggests it. Finally, a general concept of existence in a given context is defined with the help of the characteristic function of the said context. In other words, an existence predicate is defined, and so Anselm’s famous proof of the existence of God is shown to be formally correct. (shrink)

As an arts-based research approach, poetic enquiry has been theorised and applied recently in the social sciences and in education. In this article, I extend its usage to eco-critical studies of Australian flora and fauna. The Southwest corner of Western Australia affords opportunities to deploy arts-based methodologies, including field poetry, for celebrating the natural heritage of a region of distinguished biodiversity. I suggest that lyric practices in places such as Lesueur National Park and Anstey-Keane Damplands in southern Perth can catalyse (...) embodied engagements with flora. The outcome of these practices is the invocation of the multiple senses— including the proximities of touch and taste—towards senses of place involving physical interactions with plants and their habitats. I will discuss poetic enquiry in relation to the limitations of landscape aesthetics. Visual aesthetic modes tend to frame botanical environments as a succession of images. In contrast, an embodied aesthetics closes visual distance towards sensory intimacies and experiences of ecological processes as sensations. Throughout the article, I use an interlude structure that shifts between theoretical elaborations, narrative vignettes that contextualise the poetic practice, and the poems themselves initiated in the field. A continuum between visuality and multi-sensoriality emerges and potentially deepens human appreciation of flora. Poetic enquiry into flora is a means for exploring this continuum towards an understanding of what intimacy with plants in a place entails. (shrink)

One key difference between perceptual experience and thought is the distinctly sensory way perception presents things to us. Some philosophers nevertheless suggest this sensory phenomenal character does not exhaust the way things are made manifest to us in perceptual experience. Edmund Husserl maintains that there is also a significant non‐sensory side to perception's phenomenal character. We may experience, for instance, an object's facing surface in a sensory mode and, as part of the same perceptual experience, (...) also that object's out‐of‐view surface in a non‐sensory mode. To the extent that perceptual experience makes things available to us in a non‐sensory mode, Husserl calls it inadequate. Here, I reconstruct four arguments for the conclusion that perceptual experience is inadequately found in various of Husserl's writings and critically evaluated them. My aim is both to showcase the variety and sophistication of Husserl's reasons for thinking perceptual experience is inadequate and to problematize that idea. (shrink)

Recent philosophy of mind has seen an increase of interest in theories of intentionality in offering a functional account of mental states. The standard intentionalist view holds that mental states can be exhaustively accounted for in terms of their representational contents. An alternative view proposed by Tim Crane, called impure intentionalism, specifies mental states in terms of intentional content, mode, and object. This view is also suggested to hold for states of sensory awareness. This paper primarily develops an (...) alternative to the impure intentionalist account of states of sensory awareness. On the basis of Husserl’s phenomenological work, I argue that a focus on intentionality at the level of sensory awareness is phenomenologically implausible. The final part offers an alternative functional account of sensory awareness based on what Husserl called ‘immanent association’. (shrink)

This dissertation examines representationalism about sensory phenomenology—the claim that for a sensory experience to have a particular phenomenal character is a matter of it having a particular representational content. I focus on a particular issue that is central to representationalism: whether reductive versions of the theory should be internalist or externalist. My primary goals are to demonstrate that externalist representationalism fails to provide a reductive explanation for phenomenal qualities, and to present a reductive internalist version of representationalism that (...) utilizes the empirical framework of psychophysics and neuroscience to develop a philosophical theory of content. The bulk of the project is an attempt to provide the outlines of what such an empirically-based representationalist theory would look like. In chapter 2, I argue that reductive externalist representationalism fails because it is vulnerable to the problem of bad structural correlation: the mismatch between the structure of phenomenal qualities and the structure of physical properties “tracked” by our sensory systems with which phenomenal qualities are identified. In chapter 3, I develop the outlines of a reductive internalist version of representationalism that characterizes phenomenal qualities as modes of presentation of sensory representations that can be reductively characterized in terms of a location in a psychophysically-defined quality space, which can in turn be given a neurophysiological interpretation. In addition, I argue that the neural mechanisms responsible for the representation of spatial locations and visual objects serve a referential role in sensory psychosemantics that grounds the intentionality of sensory states. In chapter 5 I provide a detailed account of the representation of spatial locations in sensory experience, and in chapter 6 I examine the “binding problem”, demonstrating how object-based sensory representations function to demonstratively pick out sensory individuals without explicitly representing any of their features. I describe the resulting view as methodological representationalism: an attempt to demonstrate how a particular philosophical theory of sensory phenomenology can be integrated into the empirical framework of cognitive science, and thereby provide an explanatory psychosemantic framework for sensory phenomenology that is valuable to both philosophers and cognitive scientists. (shrink)

Recent philosophy of mind has seen an increase of interest in theories of intentionality in offering a functional account of mental states. The standard intentionalist view holds that mental states can be exhaustively accounted for in terms of their representational contents. An alternative view proposed by Tim Crane, called impure intentionalism, specifies mental states in terms of intentional content, mode, and object. This view is also suggested to hold for states of sensory awareness. This paper primarily develops an (...) alternative to the impure intentionalist account of states of sensory awareness. On the basis of Husserl’s phenomenological work, I argue that a focus on intentionality at the level of sensory awareness is phenomenologically implausible. The final part offers an alternative functional account of sensory awareness based on what Husserl called ‘immanent association’. (shrink)

The continual background awareness of duration is an essential structure of consciousness, conferring temporal extension to the many objects of awareness within the evanescent sensory present. Seeking the possible neural correlates of ubiquitous temporal awareness, this article reexamines fMRI data from off-task “default mode” periods in 25 healthy subjects studied by Grady et al. , 2005). “Brain reading” using support vector machines detected information specifying elapsed time, and further analysis specified distributed networks encoding implicit time. These networks fluctuate; (...) none are continuously active during DM. However, the aggregate regions of greatest variability closely resemble the default mode network. It appears that the default mode network has an important role as a state-dependent monitor of temporality. (shrink)

We introduce a new and time-efficient memory-encoding paradigm for functional magnetic resonance imaging. This paradigm is optimized for mapping multiple contrasts using a mixed design, using auditory and visual stimuli. We demonstrate that the paradigm evokes robust neuronal activity in typical sensory and memory networks. We were able to detect auditory and visual sensory-specific encoding activities in auditory and visual cortices. Also, we detected stimulus-selective activation in environmental-, voice-, scene-, and face-selective brain regions. A subsequent recognition task allowed (...) the detection of sensory-specific encoding success activity in both auditory and visual cortices, as well as sensory-unspecific positive ESA in the hippocampus. Further, sensory-unspecific negative ESA was observed in the precuneus. Among others, the parallel mixed design enabled sustained and transient activity comparison in contrast to rest blocks. Sustained and transient activations showed great overlap in most sensory brain regions, whereas several regions, typically associated with the default-mode network, showed transient rather than sustained deactivation. We also show that the use of a parallel mixed model had relatively little influence on positive or negative ESA. Together, these results demonstrate a feasible, versatile, and brief memory-encoding task, which includes multiple sensory stimuli to guarantee a comprehensive measurement. This task is especially suitable for large-scale clinical or population studies, which aim to test task-evoked sensory-specific and sensory-unspecific memory-encoding performance as well as broad sensory activity across the life span within a very limited time frame. (shrink)

In Chinese body culture, the construct of qi 氣—literally translated as breath or energy—is at the heart of several programs of self‐cultivation, as well as other domains of bodily knowledge related to the subjective and inter‐subjective realm of everyday life. Also, among Chinese societies and communities, discourses on qi have assumed social significance in the milieus of politics, religion, and popular culture. Therefore, it appears to be the case that a concern for the qi experience is significant to both the (...) Chinese sensorium and its sociocultural context. However, while this category is ubiquitous, we are still left with the question of how people learn, elaborate, and make sense of it. By drawing from an in‐depth ethnographic study of a group of neidan qigong 內丹氣功 practitioners in Taipei, Taiwan, the aim of this article is twofold. To a greater extent, it investigates what role qigong, a mind‐body practice to cultivate and balance the vital energy, plays in the individual learning, elaboration, and understanding of the qi sensory experience. To a lesser extent, it considers this case study in the broader sociocultural context, in order to demonstrate that a first‐person approach to the qi experience can contribute to understanding the dynamics between embodied learning, consciousness, and society. (shrink)

his essay explores the universal nature of aesthetic, creative, and mystical experience, tracing some essential interrelations among the three. Enlarging upon the work of anthropologist Jacques Maquet, I speculate that “sensory fixedness” is both necessary and sufficient to achieve aesthetic experience, and that the unification of mind engendered by sensory fixedness is the essential source of aesthetic power. Therefore, the role of the aesthetic object (construed broadly) is either as an arbitrary sensory focusing mechanism, or as the (...) physical embodiment of a gestalt facilitating fixedness; the first category is merely attractive, while the second contains all that is truly great in art (visual and auditory). I suggest further that as both creative inspiration and mystical experience result from fixedness, both are related to aesthetic experience. However, while aesthetic experience is rooted in sensation, mystical and creative experience, though often prepared by sensory fixedness, may transcend the sensory domain altogether toward more abstract forms of mental fixedness. (shrink)

The aim of this paper is to examine W. V.Quine's theory of infants' early acquisition oflanguage, with a narrow focus on Quine's theory ofobservation sentences. Intersubjectivity and sensoryexperiences, the two features that characterise thenotion, receive the most attention. It is argued,following a suggestion from Donald Davidson, thatQuine favours a proximal theory of languageacquisition, i.e., a theory which is focused onprivate experiences as ultimate sources ofstimulation, contrary to a distal theory, where thestimulus source is located in externally observableobjects and events. I (...) use the philosophical criticismof Donald Davidson, Dagfinn Føllesdal and CharlesTaylor to suggest an alternative account of languageacquisition, which emphasises the primacy ofparticipation and joint attention to external stimuli.I argue that such an alternative theory is moreconsistent with recent studies in child developmentand language acquisition. (shrink)

It is a contested question in contemporary theories of religion whether the concept of religion can be defined in a sound way or not. Many theorists maintain that a universal but delimiting definition is impossible. In this study, by contrast, it is argued that a conceptual analysis of religion that holds universally is perfectly possible because the following thesis can be seen as a necessary and sufficient conceptual condition of what religion is: X is a religion if and only if (...) X is a collection of artifacts which has the proper function of representing a supraphysical world. On this thesis, it is argued that artifacts such as pictorial and verbal representations, rituals, symbols, and various tools constitute religion as a cultural object, which, as a collection of artifacts, has the proper function of representing a conceived world that is not entirely physical, and which, allegedly, is a prerequisite for existential welfare in relation to observance. It is here important to understand what is constitutive for these kinds of conceived worlds. Supraphysical world is defined as follows. Given that the actual world is a physical world, a conception S is a construction of a supraphysical world if and only if both of the following conditions apply to S: Metaphysical component: S is a duplicate of the actual world with the addition of an anti-physical substance. Existential-normative component: S is an alleged prerequisite for existential welfare in relation to observance. The core argument of the study is that holds a priori for the concept of religion and as an a posteriori necessity for every instance of a religion. Apart from discussing the methodological problems of defining religion, the study introduces a new theory of religion in terms of. It addresses issues in the theory of artifacts; in the theory of representations; and in the theory of conceptual analysis. (shrink)

This paper shows that direct-object perceptual verbs, such as "hear", "smell", "taste", "feel", and "see", share a collection of distinctive semantic behaviors with depictive verbs, among which are "draw'', "paint", "sketch", and "sculpt". What explains these behaviors in the case of depictives is that they are causative verbs, and have lexical decompositions that involve the creation of concrete artistic artifacts, such as pictures, paintings, and sculptures. For instance, "draw a dog" means "draw a picture of a dog", where the latter (...) occurrence of "draw" denotes a creative activity. While perceptual verbs are not obviously causatives, they have analogous decompositions involving noun phrases that denote modality-specific sense-objects, such as a sounds, smells, flavors, touches, and sights. Thus, "hear a trumpet" means "hear the sound of a trumpet", and the same holds, mutatis mutandis, for verbs denoting the other sensory modes. If we take this analogy at face value, our perceptual reports will commit us to a form of the sense-datum theory of perception. While the analogy can be resisted, resistance requires taking on unexpected commitments. (shrink)

According to Schellenberg, our perceptual experiences have the epistemic force they do because they are exercises of certain sorts of capacity, namely capacities to discriminate particulars—objects, property-instances and events—in a sensory mode. She calls her account the “capacity view.” In this paper, I will raise three concerns about Schellenberg’s capacity view. The first is whether we might do better to leave capacities out of our epistemology and take content properties as the fundamental epistemically relevant features of experiences. I (...) argue we would. The second is whether Schellenberg’s appeal to factive and phenomenal evidence accommodates the intuitive verdicts about the bad case that she claims it does. I argue it does not. The third is whether Schellenberg’s account of factive evidence is adequate to capture nuances concerning the justification for singular but nondemonstrative perceptual beliefs, such as the belief that’s NN, where NN is a proper name. I argue it is not. If I am right, these points suggest a mental-state-first account of perceptual justification, rather than a capacity-first account, and one which treats the good and bad cases alike in respect of justification and complicates the relation between perceptual content and what one is justified in believing. (shrink)

In recent years, calls have been made to address the relative dearth of qualitative sociological investigation into the sensory dimensions of embodiment, including within physical cultures. This article contributes to a small, innovative and developing literature utilizing sociological phenomenology to examine sensuous embodiment. Drawing upon data from three research projects, here we explore some of the ‘sensuousities’ of ‘intense embodiment’ experiences as a distance-running-woman and a boxing-woman, respectively. Our analysis addresses the relatively unexplored haptic senses, particularly the ‘touch’ of (...) heat. Heat has been argued to constitute a specific sensory mode, a trans-boundary sense. Our findings suggest that ‘lived’ heat, in our own physical-cultural experiences, has highly proprioceptive elements and is experienced as both a form of touch and as a distinct perceptual mode, dependent upon context. Our analysis coheres around two key themes that emerged as salient: (1) warming up, and (2) thermoregulation, which in lived experience were encountered as strongly interwoven. (shrink)

: Malebranche famously objects to Descartes' argument that the nature of the mind is better known than the nature of body as follows: if we had an idea of the mind's nature we would know the possible range of modes of the mind, including the sensory modes, but we do not know those modes and thus can't have an idea of the mind's nature. I argue that Malebranche's objections are readily answerable from within the Cartesian system. This argument involves (...) examining the status of sensations in Descartes, innate ideas, and Malebranche's occasionalism. (shrink)