Two topics determine today's liberal tolerant attitude towards Others: the respect of Otherness and the obsessive fear of harassment: the Other is OK insofar as its presence is not intrusive, insofar as the Other is not really Other. The central human right in late-capitalist society, namely the right to be free from all harassment by the Other including the violent imposition of ethical norms, contrasts sharply with the violent imposition of divine Mosaic law – the Decalogue – from which the (...) idea of human rights ultimately derives. The underlying discursive shift can be analyzed with the help of Lacan: the discourse of the Master had been replaced by university discourse. While the Master's decision is per se violent, university discourse is enunciated from the position of neutral Knowledge. The truth of the university discourse is power: the constitutive lie of the university discourse is that it disavows its performative dimension, presenting what effectively amounts to a political decision based on power as a simple insight into the factual state of things. (shrink)

This paper focuses on the realm of omnipotence from a Lacanian viewpoint.

Bioethical discourse on organ donation covers a wide range of topics, from informed consent procedures and scarcity issues up to ‘transplant tourism’ and ‘organ trade’. This paper presents a ‘depth ethics’ approach, notably focussing on the tensions, conflicts and ambiguities concerning the status of the human body. These will be addressed from a psychoanalytical angle. First, I will outline Lacan’s view on embodiment as such. Subsequently, I will argue that, for organ recipients, the donor organ becomes what Lacan refers to (...) as an object a, the ‘partial object’ of desire, the elusive thing we are deprived of, apparently beyond our grasp. Within the recipient’s body an empty space emerges, a kind of ‘vacuole’, once occupied by a faltering organ. This space can only be filled by a ‘gift’ from the other, by an object a. Once implanted, however, this implant becomes an ‘extimate’ object: something both ‘external’ and ‘intimate’, both ‘embedded’ and ‘foreign’, and which is bound to remain an object of concern for quite some time, if not for life. A Lacanian analysis allows us, first of all, to address the question what organ transplantation has in common with other bodily practices involving bodily parts procured from others, such as cannibalism. But it also reveals the basic difference between the two, as well as the distance between the ‘fragmented body’ of Frankenstein’s ‘monster’—as an aggregate of replaceable parts—and the multiple organ recipients of today. (shrink)

The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of (...) dialectical materialism.Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences ; and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics--including an ethical act in a novel by Henry James and anti-anti-Semitism.The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes. (shrink)

The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of (...) dialectical materialism.Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences ; and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics--including an ethical act in a novel by Henry James and anti-anti-Semitism.The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes. (shrink)

In examining Hegel's and Kierkegaard's theories of language, I argue that both entail conceptions of the therapeutic power of language to heal us from madness and despair. I show that whereas Hegel quite straightforwardly celebrates the emancipatory power of language, Kierkegaard is more ambivalent; on the one hand, he devotes his life to a maieutic authorship in service of aiding the reader, but on the other, he believes that ultimately it is only faith in God that can cure us, and (...) that faith requires silence. I use Lacan's psychoanalytic account of the role of language to explore Hegel's view that language constitutes the self and Kierkegaard's experimentation with an indirect form of communication that he hopes will enable him to fulfill each of his apparently conflicting goals, to write and yet to remain silent. (shrink)

Following Žižek's hermeneutics of Hegelo-Lacanian theory, this paper provides a Žižekian reading of the early American novel: The Female American. Viewed through the dialectical lenses of Hegel's concrete universality, and, homologous to the latter, Lacan's formulae of sexuation, the overall aim of this paper is to refute the predominating critiques of The Female American currently in circulation; that the text is not a proto-feminist subversion of the standard, masculine-oriented castaway novel. Rather, the novel itself operates precisely as a "re-marking" (...) of the masculist ideology of its time. By providing a detailed explication of the complex nature of Žižek's rendition of Hegel's concrete universality à la Lacan's formulae of sexuation, this paper presents the following argument: The Female American functions as a point de capiton, creating a new space into which the old elements of the universal ideology of its time get reinscribed; therefore weakening today's leading commentary on the matter that The Female American is a feminist text. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Slavoj Žižek’s Hegelian ReformationGiving a Hearing to The Parallax ViewAdrian Johnston (bio)Slavoj Žižek. THE PARALLAX VIEW. Cambridge: MIT P, 2006. [PV]Near the end of a two-hour presentation at Calvin College in Grand Rapids, Michigan, on November 10, 2006, Slavoj Žižek confesses that, in terms of the intellectual ambitions nearest to his heart, “my secret dream is to be Hegel’s Luther” [“Why Only an Atheist Can Believe”]. This confession comes (...) just months after the publication of his latest major work, The Parallax View, a book described as a new magnum opus. There are ample justifications within this text to license retroactively rereading it through the lens of Žižek’s subsequent public admission that he is now preoccupied with rescuing Hegel from the numerous misinterpretations to which this giant of German idealism (who casts such a long shadow over the Continental European philosophical tradition) has been repeatedly subjected over the past two hundred years. The Parallax View, at certain points explicitly and in other places implicitly, can be seen as centered on an effort to confront aggressively the various received versions of Hegel widely accepted as official and orthodox exegetical renditions. The motif of the “parallax gap,” elaborated in a plethora of guises throughout this 2006 tome, condenses and reflects the axiomatic theses of what could be called Žižek’s Hegelian reformation.The critical assessment of The Parallax View offered here seeks to go straight to its theoretical heart by highlighting a single line of argumentation running through the full span of this text’s different moments and phases. Žižek’s own Hegelian-style conceptions of truth (as fiercely partisan rather than calmly neutral) and universality (as immanently concrete rather than transcendently abstract) validate such an interpretive approach—“universal Truth is accessible only from a partial engaged subjective position” [PV 35]. Deliberately extracting particular conceptual constellations and forcing them to link up with each other according to the plan of a certain directed philosophical agenda promises to be much more revealing of the essential features of Žižekian thought than a comprehensive survey of this latest of his major works.The specific argumentative thread to be isolated here is the new extended engagement with the terrain covered by cognitive science and the neurosciences. Apart from the task of denouncing falsifying popular pictures of Hegel, one of Žižek’s other driving ambitions in this book is the desire to formulate a fundamental ontology appropriate to the theory of subjectivity mapped out over the course of his entire intellectual itinerary (a theory informed by Kant and post-Kantian German idealism combined with Lacanian psychoanalytic metapsychology). And, herein, the articulation of such an ontology appropriately gets entangled, via reflections on the nature of the brain, with the latest instantiations of the perennial philosophical problem of the relationship between mind and [End Page 3] body. Žižek grants that the central nervous system is, in at least several undeniable and important senses, the material, corporeal ground of the subject, the bodily being without which there cannot be the parlêtre (speaking being). But, in the spirit of Schelling and Hegel (especially their philosophies of “productive” nature), the fashions in which Žižek attempts to tie together systematically a materialist ontology with an account of more-than-material, transontological subjectivity illuminate a normally obscured and ignored set of implied consequences flowing from the gesture of dissolving hard-and-fast dualist distinctions between body and mind, nature and spirit.The past few decades of philosophical engagement with the neurosciences, an engagement almost completely monopolized by the Anglo-American Analytic philosophical tradition and neglected by the Continental European philosophical tradition to an equal degree, has emphasized (to put this in the vernacular of German idealism) the naturalization of spirit resulting from the collapse of any strict nature-spirit dichotomy. The materialisms promoted by those Analytic philosophers amenable to grounding the mental on the neuronal simply assume that the outcome of folding mind and matter into each other is a becoming-material of the mind, namely, a naturalization of the spirit (that is, the mind comes to resemble the brain conceived of as just another part... (shrink)

This paper looks at the tragedy of Qiao Feng in Jin Yong’s The Demi-Gods and the Semi-Devils. While it is common practice for Žižekean scholars to examine genre writing and popular culture with Lacanian theory, the martial arts genre has received little attention. In Demi-Gods, Qiao Feng experiences an ‘identity crisis’ at the peak of his career: rumour has it that though he was raised and trained in China, he was born a Khitan. Qiao Feng at first believes it (...) is a just conspiracy, and henceforth is blind-sided by the imaginary relation between his ego and small others. He mis-recognises others’ scheming as ‘the Other of the Other,’ while his supposedly deceased Khitan father occupies the corner of the Other in the schema L to orchestra the manipulation game. However, what Qiao Feng is really under prey is the desire of the father, and of the two fatherlands, one Han-Chinese, one Khitan: his tragedy lies in the split of the national Other, in the impossibility of the ethical imperative Your duty is to be loyal to your country. And yet, it is exactly because of the emptiness in the ethical call that Qiao Feng can start to act as a subject, a subject that is by definition already always split. This paper thus interprets the actions of Jin Yong’s hero according to Lacan’s schema L, and also provides variations of the schema based on the twists and turns of this martial arts tragedy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 480-484 [Access article in PDF] The Raymond Tallis Reader, edited by Michael Grant; xxx & 382 pp. Houndmills: Palgrave Macmillan, 2000, $79.95. For some people, the name Raymond Tallis evokes theoretical controversy, oversimplified arguments, biting rhetoric, and bruised egos. For others, like the editor of The Raymond Tallis Reader, Michael Grant, he is a twenty-first-century man of Enlightenment who has the vision and the (...) courage to reveal the foibles of poststructuralist literary and cultural theory. It should come as no surprise that an overview of his work so far shows that both of these views are justified, though incomplete.This selection of Tallis's writings draws on most of his published works, aside from his clinical writings. Texts range from philosophical investigations into the nature of consciousness to close methodological critiques of poststructuralist (or what Tallis also calls post-Saussurean) theory. He has consistently argued that that such theories are fundamentally flawed by relativism, obscurantism [End Page 480] and anti-humanist concepts (such as the language-bound subject), and many of his views are shared by scholars such as Wendell V. Harris (Beyond Poststructuralism and Literary Meaning) and Paisley Livingston (Literary Knowledge). "It is poststructuralism," Tallis writes, "that has brought to a climax the anti-rationalist, anti-individualist and, indeed, anti-humanist strains of the Counter-Enlightenment thought" (p. 152). Tallis has done a valuable service in expressing the most common objections to such theorizing with clarity and vigor, and The Raymond Tallis Reader is useful in collecting his arguments in a single volume, with Grant's prefaces to each reading providing a clear view of the main points. The collection does, however, also bring into focus some of the problems involved in Tallis's critiques. He is an admirable synthesizer of thought, but does occasionally fall into the trap of unsupported generalizations he spends so much effort in trying to eradicate in the writings of others.The first of section of the book focuses on Tallis's conception of "the explicit animal," on rescuing the idea of consciousness and rational will from scientistic neurological theories. Such views may come as a surprise to those readers who have come to know Tallis as the champion of Enlightenment thinking. He argues, however, that even though neurology has been in many ways invaluable, it has not been able to explain the synchronic and diachronic unity of the self, which collects the various impulses experienced by a human being and which preserves a connection between them over time.The second section brings together writings concerning the nature of language. Again, the central concept is explicitness: Tallis emphasizes the way human language differs from animal signaling systems or natural signs by virtue of being composed of explicit signs—signs in the Saussurean sense of combining a signifier with a signified in an arbitrary fashion. What he absolutely denies, however, is that such a system of signs would be completely cut off from reality: "Because words do not mirror the world, it does not follow that discourse is cut off from the world" (p. 134). Those theorists who have taken the step from defining the relationship between the signifier and the signified as arbitrary to declaring the relationship between reality and the sign as a whole to be equally arbitrary, have moved from Saussurean theories to what Tallis calls post-Saussurean thinking. His main objection lies in the way such theories deny the existence and efficacy of individual, explicit and conscious human selves: "Our contemporary anti-Enlightenment figures see society, or one of its proxies such as history, socially mediated instincts or language, as being anterior to, and transcending, the individuals that make it up.... The post-Saussureans... saw selves vanish completely into nodes in sign systems or soluble fish in a boundless sea of discourse" (pp. 148-49). Tallis particularly opposes the Lacanian view of the language-bound psyche. When discussing Lacan's mirror stage he attacks not only Lacan's obscurantist style and undefined terminology, but also the self-contradictory and empirically unsupported theory of the child's entry into the Symbolic... (shrink)

One might gather from a reading of Lacan’s ouvre that he never advanced an explicit and systematic theory of resistance and defense, his early critique of IPA methods notwithstanding. Indeed, the combativeness of this critique may lead readers to think that any talk of defense analysis is non-Lacanian. Yet such an omission of a key psychic phenomenon presents a puzzle for clinicians and theorists alike, insofar as it disallows a reckoning with a real-life phenomenon. Taking as its focus Lacan’s (...) remarks in Seminars 1 and 2, this article pushes beyond Lacan’s critique of Ego Psychology, claiming that it is possible to establish a positive Lacanian theory of defenses and of defense analysis in the clinical context. To this end, the article offers a systematic and standardized reconstruction of a positive – distinctively Lacanian – view of what defenses are, where they come from, and how analysts should handle them. In so doing, it presents his startling claim that resistance itself was ultimately a red herring, an artificial problem occasioned by the analyst’s erred handling of the transindividual defenses speaking through the analysand. (shrink)

This paper beginning with a Lacanian view point describes fragmentation and the unfolding of awareness in the process of embodiment within the understanding of dzogchen.

Drawing on the work of Levi-Strauss, Malinowski, Dumezil, Van Gennep, Eliade and many others, Dr. Marsland proposes a dual/triune structure to early religion--a structure which appears to be worldwide.Marslander discusses the ideas of E.B.Tylor?s PRIMITIVE CULTURE (1872); James Frazer?s GOLDEN BOUGH (1890): the work of the Cambridge Ritualists, such as Jane Harrison?s THEMIS (1912) and F.M.Cornford?s ORIGINS OF ATTIC COMMEDY (1914); and Jessie Weston?s FROM RITUAL TO ROMANCE (1920). Also explored are the epistemological dilemmas of culture-formation and cultural diffusion based (...) on mythic and societal change. This synthesis encompasses in a coherent whole gods, goddesses and their functions, festival rituals, the composition of sacred sites, the meaning of animal emblems and symbols in art, along with tribal social patterns. Taking a post-Lacanian view of the religious origin of culture, Dr.Marslander posits the use and structure of symbol in new and intricate ways. (shrink)

This essay is primarily an exposition of a Lacanian view of subjectivity, as one that is literally informed by the fact of speaking. The genesis within speaking is related to a possible bridge between the social and the subjective that has troubled psychology for decades. The inherence of alterity to the structuration of the subject is described as part of this exposition. This intrinsic otherness as a self-difference and as a framing of the speaking act is described as a (...) way to reexamine recalcitrance and everyday problems in diversity. It is argued that diversity, far from being a dalliance or trite new set of rules for civil behavior, taps into a problematic of the subject. Ways of understanding the encounter with the other, as might follow from Lacan's work, are articulated within the context of religious law and of the social contract in current late capitalist society. Each foray into a particular instance of encountering diversity is framed within the overall exposition of subjective structuration. 2012 APA, all rights reserved). (shrink)

Psychoanalytic feminism is that body of writing which uses psychoanalysis to further feminist theory and, in principle, feminist practice.

In view of scholarly work that has explored the socio-psycho significance of national performativity, the body and the “other,” this article critically analyses newspaper representations of the Canadian-born British tennis player Greg Rusedski. Drawing on Lacanian interpretations of the body, it illustrates how Rusedski’s media framing centered on a particular feature of his body—his “smile.” In doing so, we detail how Rusedski’s “post-imperial” Otherness—conceived as a form of “extimacy” (extimité)—complicated any clear delineation between “us” and “them,” positing instead a (...) dialectical understanding of the splits, voids and contradictions that underscore the national “us.”. (shrink)

Did Freud present a scientific hypothesis about the unconscious, as he always maintained and as many of his disciples keep repeating? This question has long prompted debates concerning the legitimacy and usefulness of psychoanalysis, and it is of utmost importance to Lacanian analysts, whose main project has been to stress Freud's scientific grounding. Here Jacques Bouveresse, a noted authority on Ludwig Wittgenstein, contributes to the debate by turning to this Austrian-born philosopher and contemporary of Freud for a candid assessment (...) of the early issues surrounding psychoanalysis. Wittgenstein, who himself had delivered a devastating critique of traditional philosophy, sympathetically pondered Freud's claim to have produced a scientific theory in proposing a new model of the human psyche. What Wittgenstein recognized--and what Bouveresse so eloquently stresses for today's reader--is that psychoanalysis does not aim to produce a change limited to the intellect but rather seeks to provoke an authentic change of human attitudes. The beauty behind the theory of the unconscious for Wittgenstein is that it breaks away from scientific, causal explanations to offer new forms of thinking and speaking, or rather, a new mythology. Offering a critical view of all the texts in which Wittgenstein mentions Freud, Bouveresse immerses us in the intellectual climate of Vienna in the early part of the twentieth century. Although we come to see why Wittgenstein did not view psychoanalysis as a science proper, we are nonetheless made to feel the philosopher's sense of wonder and respect for the cultural task Freud took on as he found new ways meaningfully to discuss human concerns. Intertwined in this story of Wittgenstein's grappling with the theory of the unconscious is the story of how he came to question the authority of science and of philosophy itself. While aiming primarily at the clarification of Wittgenstein's opinion of Freud, Bouveresse's book can be read as a challenge to the French psychoanalytic school of Lacan and as a provocative commentary on cultural authority. (shrink)

Deconstruction both by its friends and enemies has come to be associated with a set of cliches that completely misunderstands its ethical aspiration. It is particularly within the field of law that we can see the ethical force of deconstruction, and also illuminate its concrete and practical importance. In The Philosophy of the Limit Drucilla Cornell examines the relationship of deconstruction to questions of ethics, justice and legal interpretation. She argues that renaming deconstruction "the philosophy of the limit" will allow (...) us to be more precise about what deconstruction actually is philosophically and hence to articulate more clearly its significance for law. Cornell explores the ethical and juridical significance of the so-called postmodern rebellion against metaphysics. A shared ethical rebellion links philosophers as different as Theodor Adorno, Jacques Derrida, Jacques Lacan, and Emmanuel Levinas. Together they present a new ethical configuration, new in its difference from both the critical social theory of J$u$urgen Habermas and the analytic jurisprudence of Nagel and Rawls. A key aspect of this newness is the centrality given to the relationship between questions of ethics and sexual difference. Cornell argues that the appeal of Lacan's analysis to feminists is that it helps to explain the profound hold the gender hierarchy has over Western culture, including its theories of political transformation. Under a Lacanian analysis the law of gender identity will be replicated in the laws of an existing legal system. This means that we cannot hope to sustain legal reforms unless the gender hierarchy is challenged. Cornell examines Derrida's position on the significance of the gender hierarchy in philosophy and explores its ethical and political importance. Derrida's intervention against legal positivism has important implications for the legal reforms necessary to protect marginalized groups. His emphasis on the limit, she argues, is crucial to thosewhose well-being and very lives may depend on legal transformation, women and homosexuals, for example. In an important contribution to legal philosophy, Cornell explores the affinities of Derrida's writings with recent liberal analytic jurisprudence. She also explores the differences. Comparing Rawls's and Derrida's accounts of justice, she argues that Derrida gives greater attention to the necessary utopian moment in his insistence on maintaining the divide between law, established norms, and justice. Cornell's focus on the importance of the limit and the centrality of the gender hierarchy allows her to offer a view of jurisprudence different from both critical social theory and analytic jurisprudence. As we watch the long-fought-for civil rights of women systematically overturned, we have reason to think about how the connections she makes shed light on an underlying truth of our social, political, and legal reality. (shrink)

I examine the Lacanian concept of misrecognition by comparing it with the Sartrean notion of bad faith. I focus on Jacques Lacan’s 1946 article ‘Presentation on Psychical Causality’ in which Lacan criticises organicist psychology for misrecognising the cause of madness to be essentially organic and consequently failing to distinguish between ‘mad’ and ‘true’ ideas. I argue that bad faith, discussed by Jean-Paul Sartre in Being and Nothingness in 1943—and referred to six times in the Écrits by Lacan—has essential similarities (...) with misrecognition in the Lacanian sense. By juxtaposing these concepts, I argue that this early Lacanian text is marked by an existentialist attitude which views human reality—and madness—as meaningful and grounded in being. (shrink)

Truth and knowledge are conceptually related and there is a way of construing both that implies that they cannot be solely derived from a description that restricts itself to a set of scientific facts. In the first section of this essay, I analyse truth as a relation between a praxis, ways of knowing, and the world. In the second section, I invoke the third thing—the objective reality on which we triangulate as knowing subjects for the purpose of complex scientific endeavours (...) like medical science and clinical care. Such praxes develop robust methods of “keeping in touch” with disease and illness (like biomarkers). An analysis drawing on philosophical semantics motivates the needed (anti-scientistic) account of meaning and truth (and therefore knowledge) and underpins the following argument: (i) the formulation and dissemination of knowledge rests on language; (ii) language is selective in what it represents in any given situation; (iii) the praxes of a given (sub)culture are based on this selectivity; but (iv) human health and illness involve whole human beings in a human life-world; therefore, (v) medical knowledge should reflectively transcend, where required, biomedical science towards a more inclusive view. Parts three and four argue that a post-structuralist (Lacanian) account of the human subject can avoid both scientism and idealism or unconstrained relativism. (shrink)

Many critics view Irigaray's work as an extension or deconstruction of a Lacanian paradigm. Few actually analyse it as a direct challenge to Lacanian concepts of symbolic subjectivity, and the consequent, alternative framework this would envisage. This article discusses a poss ible beyond the phallus, in relation to mediating concepts of the female imaginary and symbolic within her work, and an understanding of the female imaginary and symbolic within different feminist interpretations of the maternal imaginary and symbolic, arguing (...) that the imaginary is crucial in delineating a non-separatist cultural sublimation of female desire. Feminist revisions of the Oedipal by Jessica Benjamin and Kaja Silverman are examined in relation to the question of a maternal imagin ary and symbolic. Irigaray objects to Silverman's privileging of a Lacan ian concept of symbolic castration because it cannot negotiate between the literal relation to the body, and the metaphors and language of our cultural symbolic. Her female imaginary and symbolic provide this mediating link in direct challenge to the overly literal penis of Freud's castration complex and the essentially metaphorical nature of Lacan's phallus. Her mediation is related to the work of diverse psychoanalytic thinkers such as Andrew Samuels, Cornelius Castoriadis and Anthony Elliott. Returning to a feminist reading by Margaret Whitford, this article finally negates a Lacanian understanding of these structures and goes on to explore Irigaray's creative bodily imaginary, within two of her papers on analytic practice. Elaboration of a bodily and creative imaginary within the clinical setting can represent necessary mediation between real and symbolic and between the psyche and culture: this HISTORY OF THE HUMAN SCIENCES Vol. 10 No. 2 @ 1997 SAGE Publications (London, Thousand Oaks and New Delhi) pp. 41-60 [0952-6951(199705)10:2] mediation is personified through the hysteric, not through the Oedipal Law of the Father, which is finally the key question in culturally locat ing female desire, thereby connecting the theory of psychoanalysis with practice and with history. (shrink)

The work of Jacques Lacan is second only to Freud in its impact on psychoanalysis. Yannis Stavrakakis clearly examines Lacan's challenging views on time, history, language, alterity, desire and sexuality from a political standpoint. It is the first book to provide an overview of the social and political implications of Lacan's work as a whole for students coming to Lacan for the first time. The first part of _Lacan and the Political_ offers a straightforward and systematic assessment of the (...) importance of Lacan's categories and theoretical constructions for concrete political analysis. The second half of the book applies Lacanian theory to specific examples of widely discussed political issues, such as Green ideology, the question of democracy and the hegemony of advertising in contemporary culture. (shrink)

Creating a snapshot of current thinking about psychoanalysis, this lively collection examines the legacy of Freud and Lacan. Through provocative and penetrating arguments, the contributors take psychoanalysis to task for 0ts dark view of human nature, theoretical sorcery, devaluation of femininity, self-referentiality, discipleship, negativity, ignorance of history and more. The essays also examine the complex relationships between Freudian and Lacanian theory and philosophy, feminism, anthropology, communications theory, deconstruction, Foucauldian genealogy and medical history. The outstanding list of contributors includes Paul (...) Roazen, Francois Roustang, John Forrester, Rodolphe Gasche, Mikkel Borch-Jacobsen and Jacques Derrida. (shrink)

In this landmark collection of original essays, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism, and explore the significance of its institutional context. They write against the received views on 'French feminism' and essentialism. A remarkable restatement of (...) current positions within psychoanalysis and feminism, the volume as a whole will change the terms of existing debates, and make its arguments and concerns more generally accessible. (shrink)

Levinas's ethics has in the last decades exerted a significant influence on Nursing and Caring Science. The core of Levinas's ethics – his analyses of how our subjectivity is established in the ethical encounter with our neighbour or the Other – is applied both to healthcare practice and in the project of building an identity of Nursing and Caring Science. Levinas's analyses are highly abstract and metaphysical, and also non‐normative. Thus, his analyses cannot be applied directly to practical problems and (...) questions. Theorists in Nursing and Caring Science are generally aware of this. Nevertheless, many of them use Levinas's analyses to explore and solve questions of practical and normative character. This article focuses on the challenges and dilemmas of using Levinas in this manner.The article is divided into two parts. The first part presents some central ideas of Levinas's ethics based on the latter part of his authorship. The main focus is on the radicalism of Levinas's critique of the symbolic order (which includes concepts, categories, knowledge, etc.) – or as he puts it ‘the said’ – as a basis for subjectivity and responsibility. Levinas's notions of saying, anarchy, and singularity accentuate this point of view. These notions refer to conditions in the language, which counteract the symbolic order in the ethical encounter to such an extent that it becomes an incomprehensible. Levinas gives the argumentation a metaphysical frame: The encounter with the incomprehensible is an encounter with the Holy, which is not the ontological God, but a metaphysical desire. It is a mystery as to what this means, and herein lies possibly the main challenge when using Levinas's ethics in science and research: How to maintain the radicalism of his critique of the symbolic order when this is to be communicated in a scientific context that expects clarification of statements and ideas? The second part of the article explores this question by examining how some theorists use Levinas's ethics on questions and problems in the area of healthcare and Nursing and Caring Science. The focus is especially on the theorists' reception and use of the just mentioned notions. The study reveals that these theorists to a large extent transform Levinas's ethics according to their own approaches, with the result that his ethics loses its critical radicalism. Thus, I question the reason why they use Levinas. (shrink)

_ The Subject of Human Being_ discusses the basic powers of human kind arising from the foundation of the biological brain and manifesting in extraordinary psychological and social capacities and developments. The book consolidates theoretical insights into social ontology from several thinkers, whose profound advances toward understanding the relationship between individuals and society ought to revolutionize social theory as understood and practiced in the social sciences and humanities. Drawing from critical realist social theory developed by Bhaskar and Margaret Archer, John (...) Searle’s philosophy of mind and social ontology, Husserlean and Sartrean phenomenology of consciousness, and Lacanian and existential psychoanalytic theory, the book seeks to portray a unified social ontology that is materialist, emergent, realist, dialectical, processual, and liberatory. Offering a dialectical and progressive view of human being to counter the forces of exploitation and division inflicted on human kind and the ecosystems in which we reside, this book is essential reading for students and scholars of critical realism, philosophy and sociology. (shrink)

Did Freud present a scientific hypothesis about the unconscious, as he always maintained and as many of his disciples keep repeating? This question has long prompted debates concerning the legitimacy and usefulness of psychoanalysis, and it is of utmost importance to Lacanian analysts, whose main project has been to stress Freud's scientific grounding. Here Jacques Bouveresse, a noted authority on Ludwig Wittgenstein, contributes to the debate by turning to this Austrian-born philosopher and contemporary of Freud for a candid assessment (...) of the early issues surrounding psychoanalysis. Wittgenstein, who himself had delivered a devastating critique of traditional philosophy, sympathetically pondered Freud's claim to have produced a scientific theory in proposing a new model of the human psyche. What Wittgenstein recognized--and what Bouveresse so eloquently stresses for today's reader--is that psychoanalysis does not aim to produce a change limited to the intellect but rather seeks to provoke an authentic change of human attitudes. The beauty behind the theory of the unconscious for Wittgenstein is that it breaks away from scientific, causal explanations to offer new forms of thinking and speaking, or rather, a new mythology. Offering a critical view of all the texts in which Wittgenstein mentions Freud, Bouveresse immerses us in the intellectual climate of Vienna in the early part of the twentieth century. Although we come to see why Wittgenstein did not view psychoanalysis as a science proper, we are nonetheless made to feel the philosopher's sense of wonder and respect for the cultural task Freud took on as he found new ways meaningfully to discuss human concerns. Intertwined in this story of Wittgenstein's grappling with the theory of the unconscious is the story of how he came to question the authority of science and of philosophy itself. While aiming primarily at the clarification of Wittgenstein's opinion of Freud, Bouveresse's book can be read as a challenge to the French psychoanalytic school of Lacan and as a provocative commentary on cultural authority. (shrink)

Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines--European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience-- Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and (...) psychoanalysis with neuroscience. Their experiments yield different outcomes. Johnston finds psychoanalysis and neurobiology have the potential to enrich each other, though affective neuroscience demands a reconsideration of whether affects can be unconscious. Investigating this vexed issue has profound implications for theoretical and practical analysis, as well as philosophical understandings of the emotions. Malabou believes scientific explorations of the brain seriously problematize established notions of affective subjectivity in Continental philosophy and Freudian-Lacanian analysis. She confronts philosophy and psychoanalysis with something neither field has seriously considered: the concept of wonder and the cold, disturbing visage of those who have been affected by disease or injury, such that they are no longer affected emotionally. At stake in this exchange are some of philosophy's most important claims concerning the relationship between the subjective mind and the objective body, the structures and dynamics of the unconscious dimensions of mental life, the role emotion plays in making us human, and the functional differences between philosophy and science. (shrink)

This article is a cross-disciplinary investigation into the role of political violence, in the present era, from a progressive’s viewpoint. Starting from the view that explanations of the rapidly changing politics in the West must take account of an often unconscious, emotional landscape, it invokes Lacanian concepts and artistic representations, including references to Anthony Burgess’s classic novel of dystopian ultra-violence, A Clockwork Orange. Here, I review a long history of the enjoyment of violent performance in politics, from the arenas (...) of Ancient Rome to extremist right-wing websites. Along the way, we hear from neo-Nazis, political activists, stand-up comedians, satirists and philosophers. My aim to prevent an increasingly polarised society descending further into authoritarianism and eventually outright warfare, provokes a surprising final reversal: resistance, sometimes violent (both to self and others) must be protected, in order to lead progressives to those “excluded” from our demos and towards what Connolly (2017) refers to as “multifaceted democracy”. (shrink)

The aim of this paper is to provide an appreciation of Michel Foucault’s The Order of Things reception, from the latest book by Ivan Domingues entitled “Foucault, a arqueologia e As palavras e as coisas: cinquenta anos depois” (Ed. UFMG, 2023). One of the scopes of the book is to examine the range of The Order of Things and its archaeological strategy to account for the presentation of the birth of human sciences, as well as its fragility and instability in (...) the face of a possible change in the disposition of knowledge. Or Episteme’s disposition, according to Foucault terminology, whose signs of change can be observed on the occasion of the advent, in the twentieth century, of Lacanian psychoanalysis, ethnology and structural linguistics. By privileging its repercussions, expansions and rectifications fifty years later, it is not intended to “correct” Foucault from an epistemological point of view, but to point out the fertility and power of his thoughts for posterity. It is about going through “fertile errors and anodyne truths” (DOMINGUES, 2020, p. 386). The bet is that possible gaps, errors or confusions identifiable by Foucault himself and by his critics at the time never invalidate the fertility of a discussion concerning human sciences, which were never the same after Foucault. (shrink)

This paper examines how semiotics, in conjunction with hermeneutics, can illuminate the structure of James Joyce's 'Ulysses' as a literary text. The paper begins with an account of two poet-critics who examined Joyce's novel in terms of classical myths and literary precedents. A crucial turning-point in the essay occurs when Jean Michel Rabate's Lacanian reading of the novel is introduced to clarify Joyce's use of the "signifier of absence" to clarify the meaning of paternity in the novel. The function (...) of the intertext is then examined, particularly in view of the relationship between Stephen Dedalus and Leopold Bloom. The conclusion of the paper shows how a dialogical reading supports the belief in a 'hermeneutical self' as part of the text's underlying meaning. (shrink)

Truth is a locus of guilt for the Christian, according to Jacques Lacan. The religious person, he argues, punitively defers truth eschatologically. Yet Lacan’s own view dissolves eschatological deferral to the world, as the “Real”. The metaphysics of Erich Przywara SJ helps highlight that this mirrors Lacan’s view of the religious person. Przywara’s Christian metaphysics and Lacanian psychoanalysis converge on the immanence of truth to history. But Przywaran analogy corrects Lacan’s position on the religious person, which by implication calls (...) for an adjustment to Lacan’s worldview. In the final analysis, Lacan’s dialectical nihilism should yield to a Christian’s hopeful relation to the truth. (shrink)

The psychoanalyst Jacques Lacan (1901–81) left a legacy of thought that increasingly commands the attention of American scholars and critics. His provocative essays and wide-ranging seminars and lectures attempted, with remarkable success, to bridge the supposedly unbridgeable gap between the humanities and modern science. For some time his influence has shadowed the theoretical work being done in philosophy, psychology, anthropology, women’s studies, and literature. In Lacan and the Human Sciences eight eminent scholars examine how ideas entered these fields, how well (...) they were understood and adapted, and what fruit they have produced. The editor, Alexandre Leupin, whose introduction reveals the underpinnings of Lacan’s thought, views the book as a blueprint for overcoming the present impasses of scientific and humanistic discourses and their imaginary contradictions. The essays demonstrate the interdisciplinary nature of Lacanian psychoanalysis. The relevance of his work to epistemology is considered by Jean-Claude Milner, François Regnault, and Ellie Ragland-Sullivan; to anthropology, by Jean-Joseph Goux; to feminist studies, by Jane Gallop; and to literature, by Dennis Porter and Denis Hollier. The result is a book that points to a new and more pertinent way of dealing, on one hand, with the problems of epistemology and, on the other, with the question of literary theory in the humanities. (shrink)

Poststructuralist Discourse Theory is, in my view, a social theory for our time; embracing, as it does, the unconscious and capable of providing new insights into everything from the rise of Trumpian “post truth” through to our collective inability to universally engage with the existential threat of climate change. This article suggests an approach to the empirical analysis of problematised discourses starting from a search for dislocations. I draw from the writings of Laclau, Adorno and Derrida and use Žižek’s (...) class='Hi'>Lacanian reading of Hegel to find support for this approach as one useful way to proceed towards new critical explanations and understandings. (shrink)

Critical food scholars have long noted that much of local food discourse in the US is underwritten by a deeply regressive agrarian imaginary that valorizes “small family farms” while erasing historical legacies of racism. In this paper, I examine one influential expression of the agrarian imaginary that I call the fantasy of “real food,” and illustrate how that discourse contributes to ongoing exclusions in farmers markets. Drawing on Lacanian psychoanalysis, I explain how the fantasy of real food positions white (...) middle-class consumers to view themselves as protagonists in a romantic narrative of loss and recovery, in which their enlightened consumption practices precipitate the return of authentic social relations and connections to nature. I then trace the influence of this fantasy through a reading of selected popular media, and illustrate how the racist, classist, and patriarchal antipathies of the agrarian imaginary find legitimate expression in an alternate form as affectively charged moral and aesthetic commitments. Finally, I show how this fantasy logic makes both the exclusion of outsiders and the policing of farmers appear not only reasonable but morally righteous. I conclude by arguing that we cannot rely on the reflexivity of the privileged to deliver justice, no matter how well-meaning they may be, and suggest that we need new imaginaries and new narratives to guide our politics of consumption. (shrink)

There are a variety of interpretations of Manet's Un Bar auxFolies Bergères, but there is no genuinely neutral standpoint from which to judge their seemingly opposed accounts. T. J. Clark's analysis involves placing the work in the context of critical commentary by the artist's contemporaries, and examining the exact place and role of the mirror. Just as Manet painted two versions of the picture, so Clark has published two analyses of it; and just as we can ask whether the artist (...) thus resolved the ambiguities of his first image, so an analogous question can be asked about Clark's commentaries. When we have two such pictures or texts, how do we understand their relationship? Perhaps the best way is to find a further commentary. A Lacanian interpretation is proposed. We may see in the picture a triangular structure of perception; between the gaze and the subject stands the screen on which the image is cast. This view, even more speculative than Clark's, offers a new suggestive way of grasping the relation between picture and texts interpreting it. (shrink)

Recent discussions of the notion of the act in Lacan and Žižek have made the act out to be something like a stand in for the old idea of freedom. And so, the debate tends to be about whether acts are spontaneous or not, whether they result from decisions coming from a conscious subject or not, and what relation acts have to the circumstances that precede them. But much of this debate may be a red herring. I will be taking (...) the view here that, despite important similarities, the major difference between Badiou and Žižek on this point can be traced back to their differing views on the subject. By thinking the subject as a void, or as negative, Žižek’s subject looks more like a decisionist, even Sartrean subject. Badiou’s subject seems more fully post-phenomenological, and this difference has an important effect on how the act is conceived in his work.How Badiou’s subject fits within a psychoanalytic perspective is something I will explore in my second part. Badiou’s theory seems to have taken a psychoanalytic and Lacanian perspective very much to heart when thinking about the act. I will explain how this is so by using two models for an act coming from two different artistic practices: the surrealist practice of automatic writing, which I will compare to psychoanalytic free association, and the practice that Marcel Duchamp dubbed “over-censorship,” which I will compare to “working-through”. Each gives us a different model for the production of truth, and, in line with Badiou’s call to become the “pitiless censors of ourselves,” I argue that Duchamp’s technique has quite a bit to teach us about the structure of an act. It also helps to shed light on some aspects of Žižek’s view. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Why Narcissists Are Morally ResponsibleAleksandar Fatic, PhDIn his insightful commentary of ‘Narcissism as a moral incompetence,’ Professor Pies proposes several principal objections to my line of argument. First, Pies mentions that I embrace a Platonic essentialism and a ‘binary’ view of narcissism, whilst in fact narcissistic traits present themselves in degrees, within a continuum of pathology.Let us clarify the meaning of essentialism. When applied to the phenomenology of narcissism, (...) Platonic essentialism would imply that there is an idea, or ideal, of ‘pure’ narcissism, which governs our cognition of narcissistic phenomenology. Without an ‘essentialist’ understanding of what narcissism as a more or less pure phenomenon would look like, it would make no semantic or logical sense to speak of various ‘types’ or ‘degrees’ of narcissism. In the 1940s, in The Concept of Mind, Gilbert Ryle offered the now infamous logical analysis of ‘false’ and ‘true coins’: if there were not true coins of which we had some idea, it would be logically impossible to speak of counterfeit coins (McDermid, 2004; Ryle, 1949, pp. 94–99). There are shoddily produced coins that bear only a vague resemblance to the original idea or mint of the real coin, however, for each we would ultimately have to decide whether the resemblance is sufficient for it to be considered a real coin. Shoddily produced coins represent various ‘degrees’ of resemblance of the idea, or form, of a coin, but to call them coins, and to decide whether they are true coins or not, it is a logical presupposition that we must first have an ‘idea’ of what an ‘ideal’ real coin is like. This, at its core, is essentialism.There is no escape from this type of essentialism in any rigorous argument, because Platonic essentialism is the foundation of the very meanings of the concepts we use. Plato’s ideas are paradigms, where the particular instantiations of their qualities are called ‘phenomena’ (Sedley, 2016; Taylor, 2016). Thus, the nuanced expression of ideas or forms in their various phenomena is the very substance of the essentialist theory of ideas. It appears that Professor Pies is also a Platonic essentialist, as am I.So why is it often impossible in clinical practice to ascribe necessary and sufficient conditions to narcissism? Well, let us remember Rosenhan’s experiments (1973). Rosenhan illustrates how the same individuals were diagnosed with very different disorders by different clinicians at roughly the same time, and how healthy individuals, once they had been instructed to ‘fake’ psychotic symptoms, remained under the same or more serious [End Page 177] diagnoses even when they stopped pretending and behaved completely normally. The reason for the arbitrariness of psych-diagnoses is the insufficiency of the psych-diagnostic language, including the actual diagnostic criteria, a kind of Lacanian ‘lack’ that is built into the very structure of psychodiagnostics (Ruti, 2008), and not a metaphysics behind such use of diagnostic language, whether it is essentialist or non-essentialist. Whether a particular patient actually has NPD or not in practice comes down to a consensual judgement—one that has been notoriously lacking in the history of psychiatry (Verhaeghe, 2008, pp. 71–125).Second, Pies suggests that empathy is ‘a complex, multidimensional construct comprising cognitive and affective components.’ I do not think this is a correct understanding of empathy. In fact, it is a conceptual revision of the original concept of empathy, which is one of a moral emotion (Kauppinen, 2014). What Pies calls ‘cognitive empathy,’ namely the ability to recognize and influence the emotions of others is an entirely different quality capacity that has recently been called ‘emotional intelligence’ (e.g., Conte, 2005). Many Cluster B personality disorders are characterized by an exceptionally high emotional intelligence and an almost complete lack of empathy, which allows them to use their emotional intelligence to manipulate and mistreat others. Surely such emotionally intelligent, but highly malignant strategies would not be considered ‘empathy.”Relatedly, Pies objects to Slote’s alleged view that only actions arising from factual empathy are morally justifiable. This is a ‘naturalist fallacy’ in reading Slote. The natural fallacy is a confusion between the ‘is’ and the ‘ought.’ Slote actually argues that only actions that are consistent with... (shrink)

In this paper a distinction is made between two conceptions of the ego in freudian metapsychology. According to the first conception, a conception which Freud never gave up, the ego is conceived as a specific function on the surface of the living organism ; it is the result of a progressive differentiation of the Id ('Es') under the driving power of internal stimuli and external reality. Fitted with specific neutral, i.e. non-conflictual functions as perception, memory, control of the bodily motions (...) and consciousness, the ego has to defend the individual as a biological living organism against the threats from without and within. In this conception the ego is treated as an instance that doesn't take part in the different psychic conflicts. We analyse the philosophical presuppositions and show the metapsychological disadvantages of this hypothesis that has been worked out especially in the American ego-psychology. According to the second conception, that takes into account important clinical pheno mena as identification, idealisation, narcissism, ideal of the ego, the ego is conceived as a metaphorical effect of a specific psychic act. With Lacan, we try to analyse and to interpret this specific act as an act that causes an infinite splitting in the ego : the ego is constituted as a subject that from its origin is separated from itself. Instead of being a biological function that lives in the immediate metonymical prolongiation of the living organism, it rather has to defend a certain representation of himself. This point of view doesn't exclude a purely functional description of the ego ; but the different functions have now to be interpreted differently because the ego is the effect of conflicts in which it takes part (consciousness is interlaced with unconsciousness, perception with denying...). In the last part of our study we show how Freud makes the philosophically important distinction between the ego as an object of the Id and the ego as a subject that has to speak in the first person ('I'). We try to give a Lacanian interpretation of the subject as act on the basis of the well-known Freudian formula 'Wo Es war soll Ich werden'. (shrink)

This dissertation reassesses the complex philosophical relationship between Sartre and psychoanalysis. Most scholarship on this topic focuses on Sartre’s criticisms of the unconscious as anathema both to his conception of the human psyche as devoid of any hidden depths or mental compartments and, correlatively, his account of human freedom. Many philosophers conclude that there is little common ground between Sartrean existentialism and psychoanalytic theory. I argue, on the contrary, that by shifting the emphasis from concerns about the nature of the (...) unconscious to questions about the role of imagination in psychical life, we can see that Sartre and Freudian-Lacanian psychoanalytic theory develop strikingly similar accounts of human subjectivity. After establishing the historical background of Sartre’s career-long engagement with psychoanalysis, I demonstrate the proximity of Sartre and Lacan on the nature of unconscious thought. I proceed to develop the claim that there is a homology between the concept of unconscious fantasy in psychoanalysis and the concept of the imaginary in Sartre’s philosophical corpus. Despite the concept of fantasy being one of the more structuralist-inspired aspects of Lacan’s metapsychology, I show that Sartre’s concept of the imaginary is likewise a structural feature of the psyche, one which establishes the coordinates within which the subject engages with the world. For Sartre, Freud, and Lacan fantasies form the core of subjectivity, giving form to the basic patterns of one’s character. Taken together, these three thinkers furnish a nuanced view of fantasy/the imaginary. On the one hand it is determining insofar as it is responsible for many of the psychopathologies met with in psychoanalysis. On the other hand, it is liberating insofar as the agency of the subject is implicated in the formation of fantasy. I thereby show that Sartre does not fit the caricatured picture of a radical voluntarist that is often attributed to him and that psychoanalysis can accommodate a conception of human freedom. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Testament of the Other: Abraham and Torok’s Failed Expiation of GhostsChristopher Lane (bio)Nicolas Abraham and Maria Torok. The Shell and the Kernel. Vol. 1. Ed., trans., and intro. Nicholas T. Rand. Chicago: U of Chicago P, 1994.Nicholas Rand and Maria Torok. Questions à Freud: Du Devenir de la Psychanalyse. Paris: Belles Lettres-Archimbaud, 1995.Nicholas Rand and Maria Torok. “Questions to Freudian Psychoanalysis: Dream Interpretation, Reality, Fantasy.” Trans. Rand. Critical (...) Inquiry 19.3 (1993): 567–94. [“QFP”]Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable and immortal elements of life, which, having once been, can never die, though they blend and change and change again for ever.—H. Rider Haggard, King Solomon’s MinesWhat haunts are not the dead, but the gaps left within us by the secrets of others.—Nicolas Abraham and Maria Torok, The Shell and the Kernel1. PrologueNicolas Abraham and Maria Torok may be best known for advancing a theory of transgenerational haunting. According to this theory, repressed secrets are passed from one generation to the next if they are “encrypted” as unprocessed and traumatic information. Before Abraham’s death in 1975, he and Torok saw their analytic role as reparative: Encouraging their analysands to mourn repressed secrets, they hoped to transform their analysands’ perspectives on family history.Abraham and Torok quickly became known for expanding Freud’s emphasis on the subject’s conflicting desires and identifications. From 1968 on, when Abraham published “L’écorce et le noyau” (“The Shell and the Kernel”) as an extended review of Laplanche and Pontalis’s The Language of Psychoanalysis, he and Torok published their claims in cheerful defiance of Freudian orthodoxy, acquiring a reputation in France—and, later, in England and the United States—for shattering such “doctrinaire” elements of psychoanalysis [End Page 3] as the Oedipus complex and death drive, penis envy, and the primal scene, as well as for criticizing Lacan’s alleged stranglehold on psychoanalysis in France and much of Europe. 1 After publishing L’écorce et le noyau (1987), a collection of their essays (many coauthored), and a radically new interpretation of Freud’s patient “the Wolf Man,” Cryptonymie: Le verbier de l’homme aux loups (1976; trans. The Wolf Man’s Magic Word: A Cryptonomy), Abraham and Torok were championed in Europe and the United States by theorists delighted to see a “poststructuralist” critique of Freudian and Lacanian psychoanalysis. Ironically, Abraham and Torok’s work received almost comparable support from analytical philosophers eager to denounce Freud’s “unscientific” precepts.Now that the first volume of Abraham and Torok’s essays has appeared in translation, non-Francophone readers have an opportunity to assess what Abraham and Torok contributed to psychoanalysis and to revisit the debates they staged with Freud and Lacan in the 1970s and—posthumously for Abraham—in the ‘80s. Reviewing this collection is not a simple task, however, because its conceptual interests are so diverse and because Torok’s coauthored work with Abraham differs radically from the essays and book she published recently with Nicholas Rand, editor and translator of The Shell and the Kernel. Rand’s interventions confirm Torok’s latest arguments but they also, occasionally, misleadingly frame the older work in terms of the new. Readers may therefore see Rand’s editorial notes and introduction as guides to how he and Torok now view Torok’s collaboration with Abraham. We can only speculate whether Abraham would have interpreted the collaboration the same way. 2How does Abraham and Torok’s account of psychic “encryptment” differ from Freud’s model of repression? Assessing their revision of Freud’s metapsychological project, Abraham and Torok declare, “It would be presumptuous indeed to allege that we have reached our goal. Yet it would be false modesty to deny our suspicion that we are finally entering an open road” [140]. 3 Echoing Freud’s conviction that in dreams he had discovered “the royal road to the unconscious,” Abraham and Torok encourage a comparative reading of their psychoanalytic “road” and Freud’s. The following essay undertakes this reading, but it also speculates on what Freud’s and Lacan’s emphasis on [End Page 4] psychic... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Mother-Daughter Relations and the Maternal in Irigaray and ChodorowAlison StoneGod the Father and Jesus the Son; Abraham and Isaac; Uranus, Cronus, and Zeus; Zeus and Dionysus; Hamlet and his father; Fyodor Karamazov and his three sons—representations of and fantasies about father-son relationships are central to Western culture and philosophy. Within philosophy, one thinks of Hegel’s conception of the dialectic in terms of the divine trinity, Nietzsche’s preoccupation with Christ (...) and Dionysus, or Kierkegaard’s meditations on Abraham’s near-murder of Isaac. In contrast, mother-daughter relationships have been shrouded in near-universal silence—much more so than representations of either mothers and sons (Oedipus and Jocasta; Mary and Jesus) or fathers and daughters (Agamemnon and Iphigenia; Lear and Cordelia). Female and feminist theorists, writers, and artists have done much to bring mother-daughter relationships into representation and to reimagine the maternal beyond its traditional subservience to father-son dynasties.Amongst continental feminists, Luce Irigaray and Julia Kristeva have, of course, made major contributions to this task. Within Anglophone feminism, too, feminist psychoanalytic thinkers have sought to rectify Freud’s overemphasis on the paternal and on father-son relations. Nancy Chodorow’s important work in this area paints a portrait of contemporary mother-daughter relations which seems, at first sight, strikingly similar to Irigaray’s. Both thinkers suggest that mothers and their infant daughters experience a unique level of mutual identification. But under patriarchy—specifically, given exclusively female childrearing for Chodorow and given the absence of any symbolization of female subjectivity for Irigaray—daughters are forced to turn to the father [End Page 45] to achieve any psychical independence from their mothers. The independence that daughters thus attain coexists with ongoing psychical identification with their mothers, so that women oscillate endlessly between separation from and mergence with their mothers. If the dominant template for father-son relations involves violent rivalry followed by guilt-ridden father-worship as the cement of fraternal society, as Freud described in Totem and Taboo (Freud 2001), the template for mother-daughter relations involves hostile separation constantly undone by ongoing fusion. This difference in templates maps the social-symbolic difference between the paternal position of power/authority/law and the maternal position of powerlessness/silence/body.However, the manifest similarities between Irigaray’s and Chodorow’s pictures are embedded in deep theoretical differences. The details of their descriptions of mother-daughter relations differ, and they give different explanations for why these relations follow a logic of separation and fusion: female mothering for Chodorow, the paternal symbolic order for Irigaray. They make different proposals for how to change these relations: shared parenting for Chodorow versus symbolic transformation for Irigaray. They hold conflicting conceptions of the self and of language, reflecting their heterogeneous psychoanalytic backgrounds in Anglo-American object relations versus French Lacanianism and poststructuralism. These deep differences raise questions about whether Chodorow and Irigaray are discussing mother-daughter relations in the same sense at all.Bringing Irigaray and Chodorow together across their different intellectual contexts, this article compares and partially synthesizes their visions of the maternal and of mother-daughter relations. By integrating their perspectives, we can move beyond the “impasse” between Lacanian and object-relations feminisms that dominated psychoanalytic feminist debates in the 1980s and 1990s (Brennan 1991)—debates that have crucially shaped continental feminists’ orientation towards questions of sexual difference, language and representation, and the embodied psyche.The impasse in question has at least two strands. First, for object-relations feminists such as Chodorow, our pre-Oedipal relations with our mothers shape us so that we acquire “core” selves with a fairly stable gender. This approach elevates the mother in importance (compared to classical psychoanalysis with its emphasis on the father), but it loses sight of psychic and gender instability. This can make Chodorow’s views seem rather dated given the impact of Judith Butler’s work and her emphasis on the unstable, shifting nature of gender. Lacanian feminists such as Jacquelyn Rose (Rose 1986) reemphasize psychic instability, but they do so by stressing that the subject is split between paternal language and the pre-Oedipal maternal realm, which means that these theorists also... (shrink)

En este trabajo se intenta elaborar una indagación epistemológica crítica que contribuya a enriquecer al debate sobre la posibilidad o imposibilidad de abordar los fenómenos de las ciencias sociales y humanísticas de una manera neutral y/o objetiva.. A partir de un enfoque centrado en la teoría post-estructuralista francesa y, más específicamente, en los aportes brindados por el psicoanálisis lacaniano, se concluirá que el psicoanálisis, en su vertiente lacaniana, y retomado de un modo distinto por otros autores, como Zizek, ha mostrado (...) de una manera consistente que este supuesto objetivismo no es más que un imposible. La realidad objetiva no puede ser más que una utopía, en tanto toda realidad es construida por un lenguaje, un orden simbólico, que es contingente y, por lo tanto, relativo. Sin caer en un mero relativismo de los actuales enfoques “posmodernos”, que no exista la Verdad con mayúscula no implica que no existan verdades a medias, “minoradas”, como las denomina Lacan en su obra.Palabras clave: Objetividad, neutralidad valorativa, pos-estructuralismo lacaniano, ciencia sociales y humanísticas.This work tries to elaborate a critical epistemological inquiry that enriches the debate about the possibility or impossibility of approaching social and human science phenomena in a neutral and/or objective way. Starting from a view based on French post-structuralist theory, and more specifically, on contributions from Lacanian psychoanalysis, conclusions will be that psychoanalysis, at least Lacanian psychoanalysis, taken up again in a different way by other authors such as Zizek, has consistently shown that this supposed objectivism is impossible. Objective reality can be no more than a utopia, because all reality is constructed by a language, a symbolic order which is contingent, therefore relative. Without falling into postmodern relativism, the fact that there is no Truth with a capital letter does not imply that there are no truths.Key words: Objectivity, valuative neutrality, Lacanian post-structuralism, social and human sciences. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dr. Jacques L. and Martin Hide-a-Guerre: The Subject of New HistoricismStephen Bretzius (bio)Joel Fineman. The Subjectivity Effect in Western Literary Tradition: Essays Toward the Release of Shakespeare’s Will. Cambridge: MIT P, 1991. [SW]Stephen Greenblatt. Learning to Curse: Essays in Early Modern Culture. New York: Routledge, 1990.Stephen Greenblatt. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: U of California P, 1988.The word ‘theory’ stems from the Greek (...) verb theorein. The noun belonging to it is theoria. Peculiar to these words is a lofty and mysterious meaning. The verb theorein grew out of the coalescing of two root words, thea and horao. Thea (cf. theater) is the outward look, the aspect, in which something shows itself.... The second root word in theorein, horao, means: to look at something attentively, to look it over, to view it closely. Thus it follows that theorein is thean horan, to look attentively on the outward appearance wherein what presences becomes visible and, through such sight—seeing—to linger with it.—Martin Heidegger, “Science and Reflection”Hamlet: ‘Sblood, there is something in this more than natural, if philosophy could find it out. A flourish.Guildenstern: There are the players.—Hamlet 2.2.366–681In setting forth Shakespeare’s unique role within an important institutional appropriation of the early modern theater by the postmodern university, together with a corresponding postmodern theory already shaping the early modern theater, a highly stylized early play like Romeo and Juliet is a good place to begin. For here, and from the beginning, the play unfolds outside (and therefore inside) the “deconstructed” binarisms characteristic of a certain poststructural literary theory generally—womb-tomb, light-dark, female-male, Capulet-Montague, waking-sleeping, all-nothing, lark-nightingale, love-hate, late-early, vice-virtue, poison-remedy, mercy-murder, wedding-funeral, dove-raven, fiend-angel, wolf-lamb, miss-mend, stand-stir, haste-destiny, and so on. 1 Here the nonbinary language [End Page 73] of the theater anticipates the “unlimited semiosis” of postmodern literary and cultural theory precisely by extending that nonbinary language to the opposition theater-theory, which the play also undermines. To cite only one particularly central example, literary criticism’s ongoing concerns with the cultural and ritualistic origins of tragedy are not just explored but explained—theorized—by the play’s self-conscious identification of Juliet as both “dove” (“So shows a snowy dove trooping with crows” [1.5.48]) and “lamb” (“Juliet! Fast, I warrant her, she. / Why, lamb! Why, lady!” [4.5.1–2]). The theatrical experience of the play’s “poor sacrifices” [5.3.318] is further related to the Catholic mass, out of which Shakespeare’s own tragic theater significantly evolves, by “Come Lammas Eve at night shall she be fourteen” [1.3.17] (Lammas [hlammas] hlaf ‘loaf, bread,’ maesse ‘mass’) and “God’s bread, it makes me mad!” [3.5.176]. 2 Redoubling this Christian context for sacrifice, a seasonal parallel in the myth of Persephone stolen away by Pluto shows through “Death lies on her like an untimely frost / Upon the sweetest flower of all the field” [4.5.28–29] and “O son, the night before thy wedding-day / Hath Death lain with thy wife” [35–36]. Within the same ongoing theorization of the play’s own theater, the “pomegranate tree” in Juliet’s “It was the nightingale, and not the lark... / Nightly she sings on yon pomegranate tree” [3.5.2–4] further joins Juliet to Persephone, Lady Capulet to Ceres, and “love-devouring death” [2.6.7] to Hades.From the play to the theory, then, influential critiques of performative discourse and its ritualistic origins in postsubjective (post-Lacanian) sacrifice are generated not only by the postmodern university, but also, in Romeo and Juliet, by the early modern theater. For the play, and not simply the theory, is already about the play—and autobiographical, from Montague’s “Away from light steals home my heavy son, / And private in his chamber pens himself” [1.1.137–38] through Juliet’s “Was ever book containing such vile matter / So fairly bound” [3.2.83–84] to Romeo’s frantic “get me ink and paper... (shrink)

Resumo: Interessa ao pesquisador como o corpo poético negro e travesti da artista Castiel Vitorino Brasileiro se contrapõe à História e ao Sistema da Arte hegemônicos, ao mesmo tempo que contribui para uma revisão de suas práticas discursivas de inclusão e exclusão, por meio de sua poiesis, sua fabulação poética, na qual a um só tempo se visita e se reinventa uma ancestralidade afroindígena, atinente às origens e religiosidade da artista. A aparição e a visão do corpo preto e dissidente (...) de Castiel apontam para uma desestabilização do que Hubert Damisch nomeará “o teatro da representação”. Teoricamente, este texto recorre a um campo caracterizado pela interdisciplinaridade, no intuito de responder à complexidade de seu objeto de eleição: teorias decoloniais, estudos de gênero, teoria queer, filosofia, teoria lacaniana, teoria e história da arte, o que o aproximaria daquilo que a teórica holandesa Mieke Bal denomina Análise Cultural.: Our interest herein resides in how the poetical, black and travesti body of the artist Castiel Vitorino Brasileiro opposes and confronts the hegemonic Art History and its System, while contributing to a revision of its discursive practices of inclusion and exclusion through its poiesis, its poetical fabrication in which the artist’s afro-ameridian ancestry is both visited and reinvented. The apparition and vision of Castiel’s black, dissident body suggests, in our reading, a destabilization of what Hubert Damisch calls “the theatre of representation”. Theoretically, this text resorts to a field characterized by interdisciplinarity with a view to attempting to contemplate the complexity of its objet: gender studies, queer theory, philosophy, Lacanian theory, art history and theory, which would qualify it as an exercise in Cultural Analysis, as Dutch theorist Mieke Bal would have it. (shrink)

The thought of the psychoanalytical thinker, Jacques Lacan, is examined in this paper with a view to ascertaining the place and function of the so-called imaginary in it, the symbolic as well as the 'real'. The extent to which the imaginary or realm of images is construed by Lacan as being the order of identification and a (spurious) sense of unity of the ego or self, is contrasted with the symbolic (or linguistic) order as that of the subject and of (...) desire, in fact, of the subject of desire. The place and meaning of the enigmatic third register in Lacan's thought, namely the 'real', is also addressed in relation to the question of desire. Furthermore, the question is raised, where philosophy in its traditional sense belongs – to the Lacanian register of the imaginary or to that of the symbolic. S. Afr. J. Philos. Vol.23(1) 2004: 1–19. (shrink)