I explain Kant’s critique of Leibniz’s rejection of real opposition in the Amphiboly in the context of Kant’s pre-Critical writings on vis viva and negative magnitudes and his Metaphysical Foundations of Natural Science. Properly contextualized in terms of the vis viva controversy, I argue, Kant’s arguments against Leibniz succeed, even though they are laden with theoretical inconsistencies and operate under false physical premises.

It is argued that the popular story that portrays Kant’s philosophical development as a gradual emancipation from his Leibniz-Wolffian roots that culminated in a total rejection of the Leibnizian philosophy by 1781 is not accurate. Kant’s many objections against the Leibnizian philosophy in the critical period are not directed against Leibniz himself but against the Leibniz-Wolffians. Kant considers Leibniz’s philosophy to be very close to his own, calling the Critique of Pure Reason the “true apology” (...) of Leibniz. It is claimed that this assessment is correct; the correctness is demonstrated with respect to Kant’s and Leibniz’s theories of space. (shrink)

Kant’s avowed commitment to the basic principles of Leibniz’s metaphysics is evident throughout the critical project and stated explicitly in the Prize Essay. However, it is not until the Critique of Judgment, wherein Kant recognizes that Judgment operating in its reflective mood can engender synthetic a priori claims, that Kant is fully capable of appropriating the basic tenets of Leibniz’s metaphysics. This paper examines Kant’s treatment of Leibniz from the perspective of the Critique of Judgment. (...) It is argued that from this vantage point the metaphysics of Leibniz is viewed as fundamental for Kant’s critical project. Moreover, it is argued that it is not until the retrieval of Leibniz’s metaphysics that Kant has a basis for seeking the unity of pure and practical reason. (shrink)

Daniel Garber has put forward an argument that aims to show that Kant’s understanding of Leibniz’ metaphysics should be discounted because he could only have had access to a small and narrow sample of Leibniz’ works from around 1710–1714. In particular, Garber argues that as Kant could not have read Leibniz’ correspondence with Arnauld or his correspondence with Des Bosses he could not have had an adequate conception of Leibniz’ understanding of the relation between substance and (...) body. I will show that Kant could have read some of the Arnauld correspondence and practically all of the Des Bosses correspondence, as well as a number of other related texts that are important for understanding Leibniz’ metaphysics, over a decade before writing the Critique of Pure Reason. Garber’s historical-textual argument for dismissing Kant’s account of Leibniz’ metaphysics is therefore seriously misleading. (shrink)

In this dissertation it is argued that Kant's critique of Leibniz as found in the amphiboly chapter of the Critique of Pure Reason derives from his theory of reflection. It is argued further that this unfocused and fragmentary amphiboly chapter, which contains the Leibniz-critique, can be seen to have a previously unsuspected unity to it. The keys to perceiving this unity are the appendix's purpose, structure and mosaic composition. ;The primary purpose of the appendix (...) is not to present Kant's criticisms of Leibniz as is commonly thought, but rather it is to sketch his theory of reflection. Not only is this attested to by Kant himself , it is also made evident by the structure of the appendix. Structurally, the appendix is built around an introduction to the operation of transcendental reflection and a discussion of the concepts of reflection, this being the structure of each of the first three sections. By means of each pair of concepts of reflection Kant claims to summarize the basic tenets and origin of Leibniz's philosophy. Kant also claims that Leibnizls whole philosophy rests on one seminal error, which will be shown to be the omission of the operation of transcendental reflection. To be sure, Kant claims Leibniz made a number of other errors, but these various errors all derive from the omission of transcendental reflection. ;While this omission can be used to explain the other more well-known epistemological mistakes with which Kant charges Leibniz, it is undeniable that there are certain textual difficulties with the appendix. These can be dealt with by the hypothesis that the different sections were composed at different times and than pieced together without detailed revisions. If such a mosaic composition is granted, then some allowance can be made for the noticeable incongruities between these sections and for occasional problematic passages. This does not, however, warrant the claim that the appendix is not properly placed or unimportant. On the contrary, supplemented by clearer statements of Kant's theory of reflection and of his Leibniz-critique, the following interpretation shows that the appendix is properly placed and integral to the primary aims of the Critique of Pure Reason. (shrink)

This dissertation examines Kant's transcendental idealism with respect to his account of natural forces. Although force plays a crucial role in Kant's pre-critical writings, especially in his argument against Leibniz's pre-established harmony, it is conspicuously absent in the Critique of Pure Reason . I argue that force has to be excluded once Kant's philosophy takes its "critical turn" in order for his transcendental argument to be able to prove that the categories of thought apply to (...) objects of experience. In order for the forms of thought to apply to the matter of sensibility, both thought and sensible intuition must not only be forms of unity, or unified forms, but also uniform in quality and capable of being measured in terms of extensive magnitudes. Force, on the other hand, is an intensive magnitude which is measured not in terms of homogeneous units, but in terms of degrees. It must be excluded from Kant's critical philosophy since the coherence of the experience that Kant seeks to justify requires the uniformity and consistency of the subject, the ground of knowledge. Nevertheless, the concept of force can still be found to be "at work" in the Critique of Pure Reason in Kant's schematism of the categories of quality and the principle of the anticipations of perception which are based on this schematism. In order for a quality to be predicated of an object it must have an impact on the subject and become an object of attention. Kant's controversial discussion of judgments of perception in the Prolegomena, can be understood as his attempt to incorporate force into his ontology by introducing a new category of thought, that of analogy. In the case of analogy, I argue, the copula of the judgment is not that of being but is that of force itself. This form of judgment ultimately becomes the reflective judgment in Kant's Critique of Judgment, which makes explicit the form of thought that would make the experience of force possible. (shrink)

Looking back at the reception of Kant's philosophy in the twentieth century, it is striking to see how many philosophers tried to enlist Kant in their campaigns to "overcome" and "eliminate" metaphysics. Twentieth-century Kant scholars often shared their contemporaries' hostility to metaphysics, especially the "dogmatic" rationalism of Leibniz and Wolff. These attitudes can still be found within the discipline and among Kant scholars, but much has changed in the last thirty years. Metaphysics has been revived as a central (...) part of both analytic and continental philosophy. And historical, contextualist Kant scholarship has established that there are important continuities between Kant and his rationalist... (shrink)

Two of the most prominent questions in Kant's critical philosophy concern reason. The first, central to his theoretical philosophy, is the unprovable pretensions of reason in earlier “rationalist” philosophers, especially Leibniz and Descartes. The second, central to his practical philosophy, is the subservient role accorded to reason by the British empiricists—above all Hume, who declared, “Reason is wholly inactive, and can never be the source of so active a principle as conscience, or a sense of morals.” Treatise, 3.1.1.11; (...) see also the entry on Rationalism vs. Empiricism .) Thus the titles of two key works: the monumental Critique of Pure Reason, and the Critique of Practical Reason that is middle point of his great trio of moral writings (between the Groundwork of the Metaphysics of Morals and The Metaphysics of Morals). (shrink)

In the 'Critique of Pure Reason' Kant appears to characterize analytic judgments in four distinct ways: once in terms of “containment,” a second time in terms of “identity,” a third time in terms of the explicative–ampliative contrast, and a fourth time in terms of the notion of “cognizability in accordance with the principle of contradiction.” The paper asks: Which of these characterizations—or apparent characterizations—best captures Kant’s conception of analyticity in the first Critique? It suggests: “the second.” It argues, (...) further, that Kant’s distinction is intended to apply only to judgments of subject–predicate form, and that the fourth alleged characterization is not properly speaking a characterization at all. These theses are defended in the course of a more general investigation of the distinction’s meaning, its epistemology, and its tenability. (shrink)

: This paper examines two features of Kant’s 1768 critique of Leibniz’ conception of space. Firstly, Leibniz’ proposed geometrical calculus called ‘analysis situs’; secondly, Leibniz’ relational conception of space. The main thesis of the paper is that Kant’s arguments are more powerful than generally recognized. With regard to the analysis situs, I will show that Kant was quite well informed about this proposed science and that his arguments severely undermine Leibniz’ claims to what it could (...) perform. With regard to the relational theory of space, Kant’s argument would require Leibniz to present a complex story about the relation between God’s act of creation and our spatial experience to defend his relational view, rather than using the simple principle of sufficient reason. (shrink)

The paper puts Kant’s second paralogism in the first edition of his Critique of Pure Reason into the context of eighteenth century debates on materialism. In the second paralogism, Kant argues that neither dualism nor materialism about the human mind can be established, while focusing on a received anti-materialist argument that he dubs the “Achilles argument”. The Achilles argument that Kant ultimately rejects is based on the assumption that the unity of thought requires a unified substratum and thus an (...) immaterial soul. I argue (1) that the second paralogism is not a paralogism formally but (2) nonetheless provides an illuminating discussion of the shortcomings of the Achilles argument. In doing so, I attempt to identify the contemporary background for Kant’s reconstruction of this argument. (shrink)

Kant's Critique of Teleological Judgment is read as a reflection on philosophical methodological problems that arose through the constitution of an independent science of life - biology. This work presents an example of the interconnections between philosophy and the history of science.

Immanuel Kant’s Critique of Pure Reason (1781) remains a landmark work of philosophy and one that most students will encounter at some point in their studies. At nearly seven hundred pages of detailed and complex argument it is a demanding and intimidating read. James O’Shea’s introduction to the Critique seeks to make it less so. Aimed primarily at students coming to the book for the first time, it provides step-by-step analysis in clear, unambiguous prose. The conceptual problems Kant (...) sought to resolve are outlined and his conclusions concerning the nature of human knowledge and the possibility of metaphysics, and the arguments for those conclusions, are explored. Key concepts are explained throughout and the reader is provided with an unrivalled route map through the many and varied parts of the text. In addition, O’Shea’s careful and insightful analysis offers much for more seasoned readers of Kant and his interpretation provides a significant contribution to recent work. -/- “Exhibiting both care and liveliness, the text provides what it set out to offer, namely a readable and philosophically stimulating discussion of a difficult but seminal work. The discussion is genuinely approachable and clear without diminishing the difficulty of the problems it addresses. It provides students with a very helpful basis for understanding Kant’s book.” Graham Bird, Emeritus Professor of Philosophy, University of Manchester. (shrink)

The author briskly gives the principles of criticism which he will follow in examining Kant's theory of time, and the distinctions between absolute time, psychological time, and the duration of events and processes which must be made in order to deal with the time theories of Kant and his great predecessors Newton and Leibniz and their defenders. Al-Azm then follows Kant's writings from 1747 through his brief conversion to the Newtonian "receptacle" theory, through the critical period. He (...) considers the Dissertation of 1770, at least in so far as it deals with space and time, to belong to the latter. The principles of criticism are especially relevant to Al-Azm's interpretation of Kant's time doctrine in the critical period. He holds that we must carefully bear in mind Kant's alternation of analytic and synthetic methods, and their dialectic interplay. If we do so, we can explain away the "patchwork" theory of Kemp Smith and others, as the obscurities and apparent inconsistencies and paradoxes which are resolvable in the light of the roles played for Kant by the approaches he employs. Within the first Critique, the teachings on time in the Aesthetic and the Analytic constitute a "genuine dialectic of a highly complex order." Thus, Kant's final position should be sought in the progressive modifications of the preliminary position. Al-Azm regards the Aesthetic as offering merely provisional statements on the subject of time, reached by a process of analysis, at an early dialectical stage, and offering a starting point for a fresh stage in analysis which aims "at the unveiling of the synthetic processes of the understanding." This is accomplished in the Analytic. In a last section, on the first Antinomy, the author considers Strawson's essay, The Bounds of Sense, published in 1966, and cites passages which he feels defend Kant's theory of time, seen in its relation to the critical philosophy, as successfully against Strawson's interpretation as against the claims of its Leibnizian and Newtonian rivals.--M. B. M. (shrink)

Kant’s Organicism: Epigenesis and the Development of Critical Philosophy, traces the decisive role played by eighteenth century embryological research for Immanuel Kant’s theories of mind and cognition. I begin this book by following the course of life science debates regarding organic generation in England and France between 1650 and 1750 before turning to a description of their influence in Germany in the second half of the eighteenth century. Once this background has been established, the remainder of Kant’s Organicism moves to (...) the influential role played by models of embryological development for Kant’s approach to understanding the cognitive processes responsible for the generation of knowledge, with special attention paid to Kant’s Precritical writings in the 1760s and 1770s. The book closes with a reinterpretation of Kant’s transcendental deduction in the Critique of Pure Reason. (shrink)

In this article I aim to clarify the nature of Kant’s transformation of rationalist metaphysics into a science by focusing on his conception of transcendental reflection. The aim of Kant’s Critique of Pure Reason, it is argued, consists primarily in liberating the productive strand of former general metaphysics – its reflection on the a priori elements of all knowledge – from the uncritical application of these elements to all things (within general metaphysics itself) and to things that can only (...) be thought (in special metaphysics). After considering Kant’s conception of metaphysics and his various uses of the term ‘transcendental’ I closely examine his account of logical and transcendental reflection in the section entitled ‘On the Amphiboly of the Concepts of Reflection’. Whereas commentators generally attribute the activity called transcendental reflection to Kant alone, I contend, first, that Kant regarded philosophy as such to rely on a mode of transcendental reflection and, second, that the critical mode of transcendental reflection enacted in the Critique itself yields insight into the reason why our a priori knowledge is limited to the realm of possible objects. This is illustrated by outlining the difference between Kant’s and Leibniz’ employment of the concepts of reflection. (shrink)

This work makes the revisionist claim that "the theory of mind in the Critique [of Pure Reason] is much more traditional and rationalistic than it at first appears, but that it is also more defensible than is generally recognized". Specifically, Ameriks aims to show that "Kant can be seen as wanting, above all else, to put... into a respectable form" the "core of the rationalist commitment" "to the idea that we have a special kind of identity that can withstand (...) all the kinds of change that ordinarily spell the end of ordinary objects". But, first, Ameriks's account of the "core of the rationalist commitment" is maddeningly vague and unstable--indeed, Ameriks's conception of rationalism is so ill-defined that at one point skepticism about the external world is treated as a part of rationalism rather than as the very much undesired consequence of certain Cartesian premises which Kant thought it to be!--and the discussion is damagingly ahistorical. Ameriks does emphasize the developmental dimension within Kant's own work, ranging over the whole of Kant's published corpus and mining the various lecture courses on metaphysics which have now been gathered together as volume 28 of the Berlin edition of Kants gesammelte Schriften. But his picture of rationalism itself and its characteristic arguments is undifferentiated and undocumented, and this leads to the misconception that Kant thought that some theoretical defense of rationalist theses could still be maintained while what are merely some possible arguments in their behalf were criticized; but some review of Leibniz, Wolff, Baumgarten and Meier would surely have shown that Kant was criticizing all of the chief arguments for the rationalist conception of the soul known to him, and attention to Kant's own claim for the completeness of his presentation of these natural and inevitable illusions of human reason could have suggested only that Kant himself thought that these were all the theoretical arguments for a rationalist philosophy of mind there could be. Second, it is questionable whether Ameriks's view really revises our standard reading of Kant's conclusions at all. The gist of Ameriks's argument is that in spite of Kant's specific criticism of the paralogistic arguments of pure psychology, Kant retained a favorable attitude toward the theoretical and not just practical postulation of such properties as immateriality and transcendental freedom at the noumenal level--but this turns out to mean little more than that Kant accepted his own transcendental idealism. This is hardly revolutionary, and the interest of the point is far from strengthened by Ameriks's own conclusion that transcendental idealism cannot be fully proved. (shrink)

Immanuel Kant has indeed initiated a new era in philosophy with his new ideas on epistemology and ethics with his works Critique of Pure Reason and Critique of Practical Reason. However, prior to these works, Kant underwent certain development in his philosophical thinking— initially as a rationalist, then eventually maturing to the philosopher that he is known for. In line with this development of Kant’s philosophical thought, the researcher’s particular interest is in his ideas on God and metaphysics. (...) By reviewing Kant’s philosophical works especially in the Universal Natural History and the Theory of the Heavens [1755], A New Elucidation of the First Principles of Metaphysical Cognition [1755], and The Only Possible Argument in Support of a Demonstration of the Existence of God [1763], we find out that his initial idea of God reflects his rationalist convictions as thought by his mentors from the Leibniz- Wolffian school. However, his critical project that attempted to put metaphysics on solid ground resulted in more doubt of its certainty. This affected especially his ideas of God, freedom, and immortality, which he believes can no longer be supported with the transcendent metaphysics he used to adhere to. This led Kant to concede that in the realm of pure reason, the idea of God cannot be satisfactorily justified. He eventually found a new ground where the idea of God can stand in his investigations on practical reason and morality. (shrink)

In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of (...) Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kantian" movement in the 1790s, leading directly to German Idealism and Romanticism. The austerity and grandeur of Kant's philosophical writings sometimes make it hard to recognize them as the products of a historical individual situated in the particular constellation of his time and society. Here Kant emerges as a concrete historical figure struggling to preserve the achievements of cosmopolitan Aufkl-rung against challenges in natural science, religion, and politics in the late 1780s. More specifically Zammito suggests that Kant's Third Critique was animated throughout by a fierce personal rivalry with Herder and by a strong commitment to traditional Christian ideas of God and human moral freedom. "A work of extraordinary erudition. Zammito's study is both comprehensive and novel, connecting Kant's work with the aesthetic and religious controversies of the late eighteenth century. He seems to have read everything. I know of no comparable historical study of Kant's Third Critique."-Arnulf Zweig, translator and editor of Kant's ;IPhilosophical Correspondence, 1759-1799;X "An intricate, subtle, and exciting explanation of how Kant's thinking developed and adjusted to new challenges over the decade from the first edition of the Critique of Pure Reason to the appearance of the Critique of Judgment. "--John W. Burbidge, Review of Metaphysics "There has been for a long time a serious gap in English commentary on Kant's Critique of Judgment Zammito's book finally fills it. All students and scholars of Kant will want to consult it."--Frederick Beiser, Times Literary Supplement. (shrink)

For Kant one of the goals of any critique of pure reason is to answer the question, how are a priori synthetic propositions possible? Because rationalists such as Eberhard and Wolff took the principle of sufficient reason (hereafter, the PSR) as the principle of all a priori synthetic judgments, understanding both the various formulations of this principle and arguments in favor of its use as an axiom in metaphysical reasoning provides an interesting back door to understanding The Critique (...) of Pure Reason. Despite his statements in the First Critique rejecting the PSR as a principle of judgment1, I argue that Kant was actually more sympathetic to the PSR than these passages alone would suggest. The Kant-Eberhard Controversy suggests that, even though Kant explicitly denies that the PSR can guide metaphysical reasoning, he actually presupposes its truth. I show that Kant’s position is tenable because, like the rationalists, Kant accepts the assumption that real essences exist and that they ground real possibility2; this leads him to accept the truth of all clear statements of the PSR. Unlike the rationalists, however, he does not accept the assumption that human understanding is isomorphic with real essences. As a result, Kant rejects only the use of the PSR to determine a priori the existence or properties of a thing. In this paper I hope to illuminate this position. I will begin with a survey of the various formulations of the PSR that have been put forward by Kant and his predecessors: Leibniz, Eberhard, and Wolff. Then I will examine Wolff and Eberhard’s arguments in favor of the PSR along with Kant’s criticisms of these arguments. Lastly, I will show why Kant rejected the very possibility of justifying this use of the PSR while presupposing its truth. (shrink)

In this article I aim to clarify the nature of Kant’s transformation of rationalist metaphysics into a science by focusing on his conception of transcendental reflection. The aim of Kant’s Critique of Pure Reason, it is argued, consists primarily in liberating the productive strand of former general metaphysics - its reflection on the a priori elements of all knowledge - from the uncritical application of these elements to all things and to things that can only be thought. After considering (...) Kant’s conception of metaphysics and his various uses of the term ‘transcendental’ I closely examine his account of logical and transcendental reflection in the section entitled ‘On the Amphiboly of the Concepts of Reflection’. Whereas commentators generally attribute the activity called transcendental reflection to Kant alone, I contend, first, that Kant regarded philosophy as such to rely on a mode of transcendental reflection and, second, that the critical mode of transcendental reflection enacted in the Critique itself yields insight into the reason why our a priori knowledge is limited to the realm of possible objects. This is illustrated by outlining the difference between Kant’s and Leibniz’ employment of the concepts of reflection. (shrink)

RÉSUMÉ: Cet article reconstruit en trois étapes l'evolution de Kant sur les notions fondamentales de possibilité et d'existence depuis la Nova dilucidatio (1755) jusqu' à la Kritik der reinen Vernunft (1781-1787), en passant par le Beweisgrund ( 1763), afin, d'une part, de mettre en évidence ce que Kant doit directement à Leibniz et, d'autre part, de montrer comment et pourquoi seul le tournant critique a su arracher l'un à l'autre sur le chemin de la possibilité à I'existence, à (...) travers une double rupture, à la fois épistémologique (le rôle de l'experience) et ontologique ( l'eclipse de Dieu).ABSTRACT: This article offers a contribution to the study of Leibniz's thought on possibility and existence based on a reconstruction of the evolution of Kant's thought on these notions in Nova dilucidatio (1755), Beweisgrund (1763) and Kritik der reinen Vernunft (1781-1787). Its aim is to shed light on Kant's debt to Leibniz and to show that only the critical turn could make thein diverge on this question through a twofold opposition on epistemology (the role of experience) and ontology (the eclipse of God). (shrink)

The starting point of my study is Kant’s remark to the effect that Garve in his treatise on the connection between morality and politics presents arguments in defence of unjust principles. Recognition of these principles is, according to Kant, an inadvisable concession to those who are inclined to abuse it. I interpret this judgement by making a detailed comparison of the texts of the two treatises. I demonstrate that Garve’s work is an eclectic attempt to combine in one concept the (...) lessons of historical experience with the ideas drawn from British empiricism and German rationalism. These ideas were criticised by Kant in his “critical” period. There is a consensus among researchers that Garve condoned the expansionist policy of Frederick II of Prussia, totally denied that legality in international relations was possible and in general deserved the reputation of an conservative. From that point of view the key values for Garve were the security and well-being of the state. I offer an alternative interpretation of Garve’s position because I believe that the value of political stability plays an important role in it. Such an interpretation makes it possible to treat Garve’s narrative as it was assessed by Kant, i.e. as a concession to the common principles of political practice as a result of a failure to find the guiding theory. My study has established that the role of Garve’s work in the writing of Kant’s treatise Toward Perpetual Peace was more significant than Kant’s own words suggest. Besides, I show that it was under Garve’s influence that Kant turned to the problem of excessive complexity of the principles involved in the search for concrete political decisions. Garve obviously laments this complexity and yet makes these principles still more complex. Kant offers a simpler solution of the problem on the basis of his theory of morals and right. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Kant's Critique of Berkeley HENRY E. ALLISON THE CLAIMTHAT KANT'S IDEALISM,or at least certain strands of it, is essentially identical to that of Berkeley has a long and distinguished history. It was first voiced by several of Kant's contemporaries such as Mendelssohn, Herder, Hamann, Pistorius and Eberhard who attacked the alleged subjectivism of the Critique of Pure Reason. 1 This viewpoint found its sharpest (...) contemporary expression in the notorious Garve-Feder review to which Kant responded at length in the Prolegomena. In subsequent times it has been championed by Schopenhauer, and most nineteenth century German commentators on the relation between the two philosophers. 2 In addition, it has been, and continues to be, the prevailing view of the vast majority of British writers on Kant, including, with significant qualifications, Norman Kemp Smith. 3 This tradition continues despite the fact that Kant specifically, and in no uncertain terms, repudiated this identification in the Prolegomena and the second edition of the Critique. In both works he responds to the charges of subjectivism, and in so doing distinguishes his position from that of Berkeley, who in the eighteenth century was commonly regarded as a solipsist and denier of the "external world." 4 In contra-distinction to Kant's own critical or transcendental idealism, which explains the possibility of synthetic a priori knowledge within the realm of possible experience, Berkeley is characterized as a "dogmatic" or "visionary idealist." He is judged guilty of "degrading bodies to mere illusion" (B69), of regarding things in space as "merely imaginary entities" (B274), and of holding with all "genuine idealists" that: "all knowledge through the senses and experience is i Cf. Hans Vaihinger, Commentar zu Kant's Kritik der Reinen Vernunft (Stuttgart, Berlin, Leipzig, 1892), II, 494-505. Cf. Friederich Fredericks, Der Phainomenale Idealisraus Berkeley's und Kant's (Berlin, 1871); Robert Zimmerman, "Ober Kant's Widerlegung des Idealismus yon Berkeley" (Sitzungsberichte der Akademie der Wissenschaften, Vienna, Philox.-hist. Kl.), LXVIII (1871); Gustav Dieckert, tiber dos Verhiiltnis des Berkeleyschen ldealismus zu Kantischen Vernun]tkritik (Konitz, 1888). Tiffs is a consequence of the general British tendency to view Kant in phenomenalist terms. A typical recent example is found in P. F. Strawson, The Bounds of Sense (London, 1966). Kemp Smith in his Commentary to Kant's Critique o[ Pure Reason (2nd ed., rev., 1923) takes greaZ pains to distinguish between the subjectivist strand in Kant's thought, which is essentially identical to Berkeley's position, and the genuine critical doctrine which stands side by side with it in the text. 9 Cf. I-I.M. Bracken, The Early Reception of Berkeley's Materialism 1710-1733, rev. ed. (The Hague: Martinus Nijhoff, 1965). [43] 44 HISTORY OF PHILOSOPHY nothing but sheer illusion, and only in the ideas of pure understanding is there truth" (374). 5 One of the chief reasons for the continuation of the Kant-Berkeley tradition is that these, and similar statements about Berkeley, which we find in these works and in Kant's correspondenc e with Beck, have not been taken very seriously by Kant's critics. They are usually dismissed as obvious misinterpretations, due to Kant's ignorance of Berkeley's actual writings, and of his reliance upon distorted second and third hand accounts of Berkeley's thought such as is to be found in Beattie. Furthermore, this view is often supported by the philological reflection that Kant did not read English, and that Berkeley's writings were not yet available in German translation. 6 The philological argument, however, loses much of its force when we consider that there was indeed a German translation of Berkeley's Dialogues, which although apparently unknown to nineteenth century scholars, was readily accessible to Kant. This is to be found, together with a translation of Collier's Clavis Universalis and critical analyses, in a work by the professor of philosophy at Rostock, Johann Christian Eschenbach, entitled: Samlung der vornehmsten Schri[tsteller die die tFirklichkeit ihres eignen K~rpers und der ganzen Ki~rperwelt leugnen (Rostock, 1756). Furthermore, in addition to this work, which was probably known to Kant, there is Berkeley's important Latin work, De Motu (1721), as well as French translations of many of... (shrink)

"Kant's Critique of Pure Reason" remains one of the landmark works of Western philosophy. Most philosophy students encounter it at some point in their studies but at nearly 700 pages of detailed and complex argument it is also a demanding and intimidating read. James O'Shea's short introduction to "CPR" aims to make it less so. Aimed at students coming to the book for the first time, it provides step by step analysis in clear, unambiguous prose. The conceptual problems (...) Kant sought to resolve are outlined, and his conclusions concerning the nature of the faculty of human knowledge and possibility of metaphysics, and the arguments for those conclusions, are explored. In addition he shows how the "Critique" fits into the history of modern philosophy and how transcendental idealism affected the course of philosophy. Key concepts are explained throughout and the student is provided with an excellent route map through the various parts of the text. (shrink)

This fresh orientation to Kant's _Critique of Pure Reason_ presents his central theme, the development of his Transcendental Idealism, as a ground-breaking response to perceived weaknesses in his predecessors' accounts of experiential knowledge. Traces the central theme of the Critique, the development of Kant's Transcendental Idealism. Offers new and original readings of the central arguments in both the Transcendental Aesthetic and the Transcendental Analytic. Appraises the success and failure of Kant's project in the _Critique_.

Immanuel Kant's Critique of Judgment is widely recognized as a founding document of modern aesthetics, but its legacy has fallen into disrepute. In this book Katalin Makkai calls for the rediscovery of Kant's aesthetics, showing that its centerpiece, his investigation of the judgment of taste, paints a compelling portrait of our relationships with works of art that we love. At its heart is a scene of aesthetic encounter in which one feels oneself to be 'animated' - brought (...) to life - by an object, finding there to be something in one's experience of it, beyond what there is to know about it, that one wants to explore and articulate. Tracing Kant's insight that to judge is to reveal one's sense of what bears judging, and hence of what matters, Makkai situates Kant's aesthetics within his larger study, begun in the first Critique, of judgment's fundamental role in the life of the mind. (shrink)

'Mr Bennett, as was to be expected, has written a first-rate book on Kant's Analytic. It is vivid, entertaining, and extremely instructive. It will be found of absorbing interest both by those who already know the Critique and by those - if there are any such - who have a developed interest in philosophy, yet no direct acquaintance with Kant. These last it will surely drive to the text and, as surely, will drive them to approach it in (...) a truly philosophical spirit. Bennett's Kant is not a giant immersed, or frozen, in time. He is a great contemporary - a little out of touch, admittedly, with recent developments in mathematics and physics - but one with whom we can all argue, against him, at his side, or obliquely to him. And so Bennett does argue, continuously, fiercely, and fruitfully; and summons to join in the argument, at appropriate moments, those older contemporaries, Locke, Leibniz, Berkeley, and Hume, and those younger contemporaries, Wittgenstein, Ryle, Ayler, Quine, Quinton, Warnock, and others. This is splendid, and a necessary corrective to that extraordinary isolation in which Kant tends to be islanded, partly indeed, by his own unique qualities, but partly by oceans of the wrong kind of respect. Bennett, continuously engaging his great antagonist, shows the right kind.'. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Show more ▾ There are various dichotomies in Kant’s philosophy: sensibility vs. rationality, nature vs. freedom, cognition vs. morality, noumenon vs. phenomenon, among others. There are also different ways of mediating these dichotomies, which is the systematic undertaking of Kant’s Critique of the Power of Judgment. One of the most important concepts in this work is the sublime, which exemplifies the connections between the different dichotomies; this fact means the concept’s construction is full of tension. On the one hand, (...) as a pure reflection of aesthetic judgment the sublime must be without interest or purpose, but on the other hand it is “based on the concept of reason” (KU AA:292). On the one hand, the sublime “represents merely the subjective play of the powers of the mind (imagination and reason) as harmonious” (KU AA5:258), but on the other hand, reason “exercises dominion over sensibility” and the imagination is “purposively determined in accordance with a law” of reason (KU AA5:268f). Taking into account these problems concerning the essential definition the sublime, this paper will first illustrate how the sublime embodies the a priori principle of aesthetic judgment through contrasting the judgment of the sublime with the judgment of taste in order to establish a basic logical frame for the judgment of the sublime. Second, this paper redefines the boundary between the mathematically and dynamically sublime in order to reveal both the coexistence of contemplation and movement within the sublime and the unrevealed function of reason and imagination. Finally, contrasting the sublime with moral feeling, this paper elaborates the turning-structure (from sensibility to rationality and from object-intuition to idea-exhibition) of the sublime. (shrink)

In this introductory textbook to Kant's Critique of Pure Reason, Jill Vance Buroker explains the role of this first Critique in Kant's Critical project and offers a line-by-line reading of the major arguments in the text. She situates Kant's views in relation both to his predecessors and to contemporary debates, explaining his Critical philosophy as a response to the failure of rationalism and the challenge of skepticism. Paying special attention to Kant's notoriously difficult vocabulary, (...) she explains the strengths and weaknesses of his arguments, while leaving the final assessment up to the reader. Intended to be read alongside the Critique, this guide is accessible to readers with little background in the history of philosophy, but should also be a valuable resource for more advanced students. (shrink)

"This volume . . . provides wonderful insight into Adorno's understanding of Kant and also allows us to see more clearly the role Kant's thought played in ...

The main topic of the following dissertation is Kant's Third Analogy of Experience, which asserts that one must posit a bond of mutual interaction in order to judge that two substances exist simultaneously. Part One considers the Third Analogy proper and reconstructs two plausible arguments for its main claim. Contrary to the view of most commentators , Kant is entitled to a strong causal notion of mutual interaction. Part Two considers the historical debate between proponents of Pre-established Harmony, Occasionalism, (...) and Physical Influx and how the Third Analogy can be seen as Kant's most developed version of Physical Influx. Thus, we see that Kant's concern with causality is not exhausted by his reply to Hume in the Second Analogy of Experience. For Kant is clearly concerned to attack the rationalist tradition by criticizing Leibniz's and Wolff's Pre-established Harmony, on the one hand, and the Cartesians' and Malebranche's Occasionalism, on the other hand. Part Three considers the argumentative structure of Kant's Metaphysische Anfangsgrunde der Naturwissenschaft and how the Third Analogy relates to this work. Contrary to what one might expect, the MAdN does not proceed by first presupposing a Principle from the first Critique and then substituting in the concept of matter. Rather, its substantial results are obtained through an extended transcendental argument showing how we can have experience of objects of outer sense . Further, we see how the abstract notion of mutual interaction involved in the Third Analogy becomes more specific in the MAdN since two of the most important features of its central notion of matter, namely the capacities of filling a space and of communicating motion, require attractive and repulsive forces and action and reaction, both instances of mutual interaction. These three lines of argument establish that the Third Analogy of Experience both constitutes a crucial part of Kant's position and presents a philosophically plausible view. (shrink)

Of all the major philosophical works, Kant's Critique of Pure Reason is one of the most rewarding, yet one of the most difficult. Norman Kemp Smith's Commentary elucidates not only textural questions and minor issues, but also the central problems which arise, he contends, from the conflicting tendencies of Kant's own thinking. Kemp Smith's Commentary continues to be in demand with Kant scholars, and it is being reissued here with a new introduction by Sebastian Gardner to set (...) it in its contemporary context. (shrink)

This volume provides English translations of texts that form the essential background to Kant's Critique of Pure Reason. Presenting the projects of Kant's predecessors and contemporaries in eighteenth-century Germany, it enables readers to understand the positions that Kant might have identified with 'pure reason', the criticisms of pure reason that had developed prior to Kant's, and alternative attempts at synthesizing empiricist elements within a rationalist framework. The volume contains chapters on Christian Wolff, Martin Knutzen, Alexander Baumgarten, (...) Christian Crusius, Leonhard Euler, Johann Lambert, Marcus Herz, Johann Eberhard, and Johann Tetens. Each chapter includes a brief introduction that provides succinct biographical and bibliographical information on these authors, a concise account of their projects, and information on the importance of these projects to Kant's First Critique. Extensive references to the First Critique, brought together in a concordance, highlight the potential relevance of each text. (shrink)

In Chapter 8 of Kant’s Critique of Pure Reason and the Method of Metaphysics, one of Gabriele Gava’s aims is to argue that Kant’s critique of Wolff’s dogmatic method has two levels: one directed against Wolff’s metaphilosophical views and one attacking his actual procedures of argument. After providing a brief summary of the main claims Gava makes in Chapter 8 of his book, in this paper I argue two things. First, I argue against Gava’s claim that the two (...) forms of dogmatism he distinguishes between are incompatible. Second, I suggest, contrary to Gava, that Kant’s critique of these two forms of dogmatism both operate on the metaphilosophical level in the sense that they both target the dogmatist’s beliefs or theory about the method they take themselves to be following. (shrink)

I begin this study with a review of the 18th-century figures, Leibniz, Wolff, Crusius, Hume and the pre-critical Kant concerning causation, free will and compatibilism. This review provides the background for an investigation into and a reconstruction of Kant's thesis of the compatibility of causal determinism and human freedom. I formulate Kant's argument for causal determinism and present his defense of that argument, devoting an extended discussion to the recent literature regarding its key premise, the Law of (...) Universal Causation. Then I identify and analyze two senses of 'will', the legislative function of practical reason and the executive function of the power of choice, and four senses of 'freedom of the will', spontaneity, independence, autonomy and heteronomy. ;On the strength of these discussions, I attribute to Kant the views that causal determinism obtains and that human beings have free will. After considering and finding unsatisfactory the traditional readings of Kant's resolution of the apparent incompatibility of these two theses, I explicate Kant's often misunderstood distinction between things in themselves and appearances. On the basis of the features of this distinction together with my exposition of Kant's theory of freedom, I ascribe to Kant a token-token identity thesis regarding human actions and natural events, but a type-type irreducibility thesis regarding the sorts of descriptions applicable to human actions and natural events. The consequent compatibilist resolution, in addition to furnishing a way of reading problematic passages underlying standard incompatibilistic interpretations, yields a compatibilism which neither sacrifices the epistemology of the Critique of Pure Reason, nor leaves Kant with only an impoverished theory of human free will. ;Finally, I bring the results of this inquiry into the current debate over the problem of freedom and determinism. Specifically, for the purpose of providing Kantian critiques of current positions and current critiques of the Kantian position, I place Kant's view of token-token identity and type-type irreducibility within the context of contemporary philosophy of mind, aligning him with philosophers who share not only his compatibilism, but also, to a surprising degree, the particulars of his version of compatibilism. (shrink)

In two often neglected passages of the Critique of Pure Reason, Kant submits that the Critique is a 'treatise' or a 'doctrine of method'. These passages are puzzling because the Critique is only cursorily concerned with identifying adequate procedures of argument for philosophy. In this book, Gabriele Gava argues that these passages point out that the Critique is the doctrine of method of metaphysics. Doctrines of method have the task of showing that a given science is (...) indeed a science because it possesses 'architectonic unity' – which happens when it realizes the 'idea' of a science. According to Gava's novel approach, the Critique establishes that metaphysics is capable of this unity, and his reading of the Critique from this perspective not only illuminates the central role of the Transcendental Doctrine of Method within it, but also clarifies the relationship between the different parts of the work. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In On a Discovery, Kant depicts monads as simple beings that are thought in the idea as the ground of appearances. He argues that his account of monads is partially in line with both Leibniz's monadology and his own critical philosophy. However, in the Critique of Pure Reason, Kant appears to depart from the monadologies of his predecessors. In this article, I make sense of Kant's late subscription to a version of Leibniz's monadology by arguing that (...) Kant considers monads to be the objects represented through cosmological and psychological ideas posited by reason in its search for the unconditioned conditions of appearances. In particular, I point to what I take to be two instances of what Kant calls “objects in the idea” in the Critique of Pure Reason, namely (a) the substratum of matter qua ground of external appearances, and (b) the soul qua ground of internal appearances. Drawing on Kant's reply to Eberhard and the Transcendental Dialectic of the first Critique, I highlight the merely regulative—and yet fundamental—role that monads conceived as objects of reason play in Kant's critical philosophy. (shrink)

Sally Sedgwick presents a fresh account of Hegel's critique of Kant's theoretical philosophy. She argues that Hegel offers a compelling critique of and alternative to the conception of cognition that Kant defended in his 'Critical' period, and explores Hegel's claim to derive from Kantian doctrines clues to a superior form of idealism.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Emanuel Kant's Critique of Pure Reason is one of the most widely read texts in the history of philosophy. Douglas Burnham and Harvey Young unravel this difficult text, passage by passage, making reading and appreciating this work achievable and enjoyable. Designed to be read alongside the original, this guide is essential for students and scholars at all levels.