In addition to its interest as one of Plato's most brilliant dramatic masterpieces, the Protagoras presents a vivid picture of the crisis of fifth-century Greek thought, in which traditional values and conceptions of man were subjected on the one hand to the criticism of the Sophists and on the other to the far more radical criticism of Socrates. The dialogue deals with many themes which are central to the ethical theories which Plato developed under the influence of Socrates, notably the (...) nature of human excellence, the relation of knowledge to right conduct, and the place of pleasure in the good life. This translation of the Protagoras was originally published in 1976. In this revised edition, C. C. W. Taylor has made a number of changes in the translation and commentary, and has added a new Preface and Introduction. The Bibliography has also been extended to include titles published up to 1990. (shrink)

A reprint of the Routledge edition of 1935.

A lively dialogue between a foreign philosopher and a powerful statesman, Plato's Laws reflects the essence of the philosopher's reasoning on political theory and practice. It also embodies his mature and more practical ideas about a utopian republic. Plato's discourse ranges from everyday issues of criminal and matrimonial law to wider considerations involving the existence of the gods, the nature of the soul, and the problem of evil. Translated by the distinguished scholar Benjamin Jowett, this edition is an authoritative choice (...) for students of philosophy, political science, and literature. (shrink)

Contradicting the long-held belief that Aristotle was the first to discuss individuation systematically, Mary Margaret McCabe argues that Plato was concerned with what makes something a something and that he solved the problem in a ...

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Did Plato abandon, or sharply modify, the Theory of Forms in later life? In the Phaedo, Symposium, and Republic it is generally agreed that Plato held that universals exist. But in Parmenides, he subjected that theory to criticism. If the criticism were valid, and Plato knew so, then the Parmenides marks a turning point in his thought. If, however, Plato became aware that there are radical differences in the logical behaviour of concepts, and the later dialogues are a record of (...) his attempt to analyse those differences, then Plato’s thought can be said to have moved in a new and vitally important direction after the Parmenides . Studies in Plato’s Metaphysics brings together twenty essays by leading philosophers from the UK and the USA reflecting upon this important issue and upon the questions arising from it. (shrink)

Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a (...) detailed glossary, and a selected bibliography are also included. (shrink)

AT PHAEDO 96A-C Plato portrays Socrates as describing his past study of "the kind of wisdom known as περὶ φυσέως ἱστορία." At 96c-97b, Socrates says that this study led him to realize that he had an inadequate understanding of certain basic concepts which it involved. In consequence, he says at 97b, he abandoned this method and turned to a method of his own. But at this point in the dialogue, instead of proceeding immediately to describe his method, Plato has him (...) interjecting a complaint concerning Anaxagoras and his view that everything should be explained in terms of Mind. His complaint is that Mind would order things in the best possible way and that, therefore, an account of things in terms of Mind would amount to showing that they are ordered in the best possible way. But Anaxagoras did not show this and, instead, offered other kinds of explanations of the various phenomena. Socrates is not just criticizing Anaxagoras here for not doing what he set out to do; he makes it clear, for example at 99b-c, that he believes that the best kind of explanation of the phenomena would be to show that they are ordered in the best possible way. But he was unable to discover an explanation of this kind, either for himself or from others, and so turned to a method which he calls "second best". The actual description of this method is contained in two passages, 99e5-100a7 and 101d5-e1. Between these passages, Socrates invokes the doctrine of Forms and, in particular, the formula. (shrink)

Plato's Phaedo, written by legendary author Plato, is widely considered to be one of the greatest classic texts of all time. This great classic will surely attract a whole new generation of readers. For many, Plato's Phaedo is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Plato is highly recommended. Published by Classic Books International and beautifully produced, Plato's Phaedo would make an ideal gift and it (...) should be a part of everyone's personal library. (shrink)

In Plato's Gorgias, Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best human life, providing a penetrating examination of ethics, the foundations of knowledge, and the nature of the good.

In this essy I shall enter into the vexing question of Plato’s „theory of intermediates“, and the relation of this theory to the Sun, Line and Cave section of Republic VI and VII. My thesis is that in the last 75 years or so scholarly opinion has reached a complete impasse, having veered from one extreme to another, rather than in the fashion of an Hegelian thesis and antithesis; this conflict of opinion desperately requires a sythesizing „third“, and in the (...) conclusion of the paper I try to supply this „third“. (shrink)

Plato's dialogues frequently treat several topics and show their connection to each other. The Phaedrus is a model of that skill because of its seamless progression from examples of speeches about the nature of love to mythical visions of human nature and destiny to the essence of beauty and, finally, to a penetrating discussion of speaking and writing. It ends with an examination of the love of wisdom as a dialectical activity in the human mind. Phaedrus lures Socrates outside the (...) walls of Athens, where he seldom goes, by promising to share a new work by his friend and mentor Lysias, a famous writer of speeches. This dialogue provides a powerful example of the dialectical writing that Plato uses to manifest ideas that are essential to human existence and to living a good life. The Phaedrus shows how oral and written forms of language relate to each other and to philosophy. It simultaneously embodies the entire process in some of the greatest poetry ever written. (shrink)

Once we realize that the indivisible and infinitely repeatable One of the arithmetic lesson in Republic7 is generated by διάνοια at Parmenides 143a6-9, it becomes possible to revisit the Divided Line’s Second Part and see that Aristotle’s error was not to claim that Plato placed Intermediates between the Ideas and sensible things but to restrict that class to the mathematical objects Socrates used to explain it. All of the One-Over-Many Forms of Republic10 that Aristotle, following Plato, attacked with the Third (...) Man, are equally dependent on Images and above all on the Hypothesis of the One. (shrink)

The theory of forms makes a very poor theory of universals. It-or at least the "phaedo's" version of it-makes excellent sense as a theory of the elemental stuffs from which everything is made. This is shown by a detailed examination of all that this "phaedo" has to say about forms.

This edition of Martin Ostwald's revised version of J. B. Skemp's 1952 translation of _Statesman_ includes a new selected bibliography, as well as Ostwald's interpretive introduction, which traces the evolution in Plato's political philosophy from _Republic_ to _Statesman to Laws_--from philosopher-king to royal statesman.

Plato's theory in the Republic has been a model for realist metaphysics. His text, however, is not easy to understand because his language is often only suggestive or metaphorical with the result that many different interpretations have flourished, especially in this century, and many questions have not been resolved. ;My dissertation is a new and up-to-date defense of a traditional reading of Plato's metaphysics in the Republic, focusing on three central problem areas: the degrees of reality, Plato's arguments for Forms, (...) and mathematical intermediates. ;First, Plato distinguishes knowledge and opinion, and characterizes their objects as "what is" and "what is and is not," and some scholars have taken these to represent degrees of reality. This is a fundamental distinction for Plato; however, exactly what does he mean by "what is" and "what is and is not"? I shall argue that Plato primarily means "what exists" and "what exists and does not exist ", and that the distinction amounts to degrees of reality: being and becoming. ;Second, Plato uses two arguments for the existence of Forms: the Argument from Conflicting Appearances and the One-over-Many Argument . Exactly what are these arguments, and why does Plato use two, when one argument would seem to suffice? I shall argue that the two arguments can jointly generate Forms but taken separately each generates something short of Forms. They therefore function as one argument. ;Third, scholars have disagreed over whether Plato requires a separate metaphysical category for mathematical entities when he distinguishes two stages of knowledge in the Simile of the Line--noesis and dianoia. Granted that the objects of noesis are Forms, what are the objects of dianoia? I shall argue that they must be mathematical intermediates, while discussing related issues in the interpretation of this Simile. Without mathematical intermediates we could not understand the unique position of mathematics in Plato's educational program. ;The three problem areas are closed related, and my discussions will shed light to the basic tenets and logic of Plato's metaphysics. (shrink)

Given its brevity, Plato's Meno covers an astonishingly wide array of topics: politics, education, virtue, definition, philosophical method, mathematics, the nature and acquisition of knowledge and immortality. Its treatment of these, though profound, is tantalisingly short, leaving the reader with many unresolved questions. This book confronts the dialogue's many enigmas and attempts to solve them in a way that is both lucid and sympathetic to Plato's philosophy. Reading the dialogue as a whole, it explains how different arguments are related to (...) one another and how the interplay between characters is connected to the philosophical content of the work. In a new departure, this book's exploration focuses primarily on the content and coherence of the dialogue in its own right and not merely in the context of other dialogues, making it required reading for all students of Plato, be they from the world of classics or philosophy. (shrink)

In the "Republic" Plato draws a distinction among goods between (1) those that are good in themselves but not good for their consequences, (2) those that are good both in themselves and for their consequences, and (3) those that are not good in themselves but are good for their consequences. This paper presents an interpretation of this classification, in particular its application to the case of justice. It is argued that certain causal consequences of justice as well as factors that (...) are not causal consequences of justice are relevant in explaining why justice is good in itself; and that it is only the reputation for justice and the causal consequences that follow from that reputation that are relevant in explaining why it is good for its consequences. (shrink)

Admirers of Plato are usually lovers of literary art, for Plato wrote dramatic dialogues rather than didactic volumes and did so with rare literary skill. You would expect such a philosopher to place a high value on literary art, but Plato actually attacked it, along with other forms of what he called mimêsis, and argued that most of it should be banned from the ideal society that he described in the Republic. What objections did Plato have with mimêsis? Do those (...) objections apply to the sort of art we value today? Are they well founded? These are the questions that I shall be discussing in my talk today. (shrink)

The Crito dramatizes the impossibility, and the indispensability, of persuasion sby locating it between two extremes, Socrates and the Laws, the truths of philosophy and the force of politics. The question is whether those two limits are themselves inside or outside rhetoric. Can philosophy persuade, ormust it always be an alternative sto persuasion? Socrates insists on ignoring the opinion, and the power, of the many, and so the Laws have to show themselves as different from the opinion of the many (...) in order for him to obey. If Socrates and the Laws cannot talk to each other, it is because philosophy and politics are incommensurable. If there is common ground, it is because persuasion can make the two, philosophy and politics, commensurable to each other. Socrates exhibits the philosopher’s task as transforming himself from a universal thinker into a particular agent, while the Laws face the opposite challenge, aspiring to a generality that makes them rational and normative, and so open to discourse and persuasion. The many whom Socrates constantly denigrates have the particularity of being fickle and changeable, while the Laws look rigid. Socrates, as he says in the Apology, is always the same. Both sides look to the flexibility and adaptability to circumstances central to rhetoric. (shrink)

The Crito dramatizes the impossibility, and the indispensability, of persuasion sby locating it between two extremes, Socrates and the Laws, the truths of philosophy and the force of politics. The question is whether those two limits are themselves inside or outside rhetoric. Can philosophy persuade, ormust it always be an alternative sto persuasion? Socrates insists on ignoring the opinion, and the power, of the many, and so the Laws have to show themselves as different from the opinion of the many (...) in order for him to obey. If Socrates and the Laws cannot talk to each other, it is because philosophy and politics are incommensurable. If there is common ground, it is because persuasion can make the two, philosophy and politics, commensurable to each other. Socrates exhibits the philosopher’s task as transforming himself from a universal thinker into a particular agent, while the Laws face the opposite challenge, aspiring to a generality that makes them rational and normative, and so open to discourse and persuasion. The many whom Socrates constantly denigrates have the particularity of being fickle and changeable, while the Laws look rigid. Socrates, as he says in the Apology, is always the same. Both sides look to the flexibility and adaptability to circumstances central to rhetoric. (shrink)

This study argues both that the proofs are ultimately unconvincing and that Plato was aware of the problems. The Phaedo is shown as a truly dialectical philosophical conversation about the immortality of the soul.

It has been said that in Plato the intuitive mode of receiving knowledge is accepted implicitly, and that it is left to Aristotle to make a clear-cut distinction between Intuition and Reason.

The present volume is the PhD thesis of Samuel Scolnicov, co-founder of the International Plato Society, published posthumously to illustrate the foundation of his interest in the 'core Plato'. The issues raised in this thesis are now of wider interest than they were then and many of his theses have found wider acceptance. The book is edited by Harold Tarrant, long-time colleague and friend of Samuel Scolnicov and preceded by a foreword not only by the editor, but also the authoris (...) niece, Hanna Scolnicov, giving a more personal and detailed introduction to the author behind the thesis and putting his achievements into a broader perspective. (shrink)

Set in the idyllic countryside outside Athens, the Phraedrus is a dialogue between the philosopher Socrates and his friend Phaedrus, inspired by their reading of a clumsy speech by the writer Lysias on the nature of love. Their conversation develops into a wide-ranging discussion on such subjects as the pursuit of beauty, the immortality of the soul and the attainment of truth, and ends with an in-depth consideration of the principles of rhetoric. Probably a work of Plato's maturity, the Phaedrus (...) represents a high point in his achievement as a writer. This volume also contains two of his letters, which discuss his involvement in politics, in particular his role as adviser to Dionysius II of Syracuse, which are crucial documents for our understanding of Plato's life and career. (shrink)

I'd like to trace here a great rhetorical-philosophical project which runs through the writings of Plato – his attempt to moralize norms of honor and glory, his attempt to harness the powerful feelings of shame and glory to the ineffectual norms of justice.

Jeff Mason looks at what Plato had to say about love and desire.