In Speech Acts, John Searle argues that institutional facts presuppose, for their existence, the existence of certain institutions (understood as systems of constitutive rules). In this paper I extend Searle’s theory of institutional facts arguing that a further level is needed for the investigation of the structure of institutional reality: the level of meta-institutional concepts. The meta-institutional concepts are concepts that go beyond (Greek: metá) the institutions of which they are conditions of possibility. An example of meta-institutional (...) concept is the concept of game. In a culture which does not have the concept of game, we could move the chess-men according to the rules of chess, we could also perform a castling, but it would be impossible to play chess. (shrink)

La prima parte dell'articolo è stata pubblicata nella stessa rivista 2 443-501, cfr. MEL XIV 3554. La classificazione e l'ordinamento delle argomentazioni e delle soluzioni presenti nei commenti esaminati si fondano sulla distinzione di due concetti di infinito: l'infinito nel continuo e l'infinito nel numero. Segue un'analisi del problema relativo al confronto degli infiniti, un tema presente in molti dei commenti presi in esame. In Appendice viene fornito un elenco delle questioni relative a Fisica III, 4-8, ordinate, per temi (...) dottrinali o esegetici, in tre gruppi: 1) caratteristiche generali dell'infinito; 2) l'infinito nella quantità continua; 3) l'infinito nella quantità discreta. L'A. rileva che nelle trattazioni studiate è assente un'analisi specifica della nozione d'infinito. I commentatori non solo usano il termine «infinito» senza specificarne il significato, ma sembrano essere anche del tutto inconsapevoli di alcune difficoltà che, nella dottrina aristotelica, derivano dall'uso ambiguo del termine. Tali trattazioni arricchiscono tuttavia il dibattito sull'infinito sia attraverso la discussione di problemi non affrontati da Aristotele sia per la varietà di argomenti ed esempi formulati per spiegare le principali tesi di Fisica III, 4-8. (shrink)

(1996). International policy of Albania: 1912–21. The European Legacy: Vol. 1, Fourth International Conference of the International Society for the study of European Ideas, pp. 852-857.

One of the common domains in health care in which the concept of vulnerability is used is end-of-life care, including euthanasia and assisted suicide (EAS). Since different uses and implications of the notion have been recognised in the literature on EAS, this paper aims to analyse them and reflect on who is the most vulnerable in the context of EAS. A prior exploratory review of the literature has served as a starting point for the discussion. We concluded that vulnerability is (...) a complex, multi-perspective and multi-layered concept, which implies the vulnerability of different stakeholders involved in EAS practices and vulnerability in different aspects of being human (i.e., physical, mental, moral, social and spiritual). A comprehensive understanding of the notion of vulnerability, which balances as well as complements the concept of autonomy, seems to be an indispensable element of the discourse on EAS. (shrink)

We introduce a new and time-efficient memory-encoding paradigm for functional magnetic resonance imaging. This paradigm is optimized for mapping multiple contrasts using a mixed design, using auditory and visual stimuli. We demonstrate that the paradigm evokes robust neuronal activity in typical sensory and memory networks. We were able to detect auditory and visual sensory-specific encoding activities in auditory and visual cortices. Also, we detected stimulus-selective activation in environmental-, voice-, scene-, and face-selective brain regions. A subsequent recognition task allowed the detection (...) of sensory-specific encoding success activity in both auditory and visual cortices, as well as sensory-unspecific positive ESA in the hippocampus. Further, sensory-unspecific negative ESA was observed in the precuneus. Among others, the parallel mixed design enabled sustained and transient activity comparison in contrast to rest blocks. Sustained and transient activations showed great overlap in most sensory brain regions, whereas several regions, typically associated with the default-mode network, showed transient rather than sustained deactivation. We also show that the use of a parallel mixed model had relatively little influence on positive or negative ESA. Together, these results demonstrate a feasible, versatile, and brief memory-encoding task, which includes multiple sensory stimuli to guarantee a comprehensive measurement. This task is especially suitable for large-scale clinical or population studies, which aim to test task-evoked sensory-specific and sensory-unspecific memory-encoding performance as well as broad sensory activity across the life span within a very limited time frame. (shrink)

In controlled human infection (CHI) studies, investigators deliberately infect healthy individuals with pathogens in order to study mechanisms of disease or obtain preliminary efficacy data on investigational vaccines and medicines. CHI studies offer a fast and cost‐effective way of generating new scientific insights, prioritizing investigational products for clinical testing, and reducing the risk that large numbers of people are exposed to ineffective or harmful substances in research or in practice. Yet depending on the pathogen, CHI studies can involve significant risks (...) or burdens for participants, pose risks to individuals or communities not involved in the research, and lead to public controversy. It is therefore essential to ensure that the risks of CHI studies are justified by their social value—that is, their potential to generate benefits for society—and that public trust can be maintained. In this paper, we aim to clarify how research sponsors, research ethics committees and other reviewers should judge the social value of CHI studies. We develop a list of relevant considerations for making social value judgments based on the standard view of social value. We then use this list to discuss the example of potentially conducting dengue virus CHI studies in endemic settings. We argue that dengue virus CHI studies in endemic settings would fall on the higher end of the spectrum of social value, mostly because of their potential to redirect all fields of future dengue research. Drawing on this discussion, we derive several general recommendations for how reviewers should judge the social value of CHI studies. (shrink)

This Open Access book offers a synthetic reflection on the authors’ fieldwork experiences in seven countries within the framework of ‘Authoritarianism in a Global Age’, a major comparative research project. It responds to the demand for increased attention to methodological rigor and transparency in qualitative research, and seeks to advance and practically support field research in authoritarian contexts. Without reducing the conundrums of authoritarian field research to a simple how-to guide, the book systematically reflects and reports on the authors’ combined (...) experiences in getting access to the field, assessing risk, navigating ‘red lines’, building relations with local collaborators and respondents, handling the psychological pressures on field researchers, and balancing transparency and prudence in publishing research. It offers unique insights into this particularly challenging area of field research, makes explicit how the authors handled methodological challenges and ethical dilemmas, and offers recommendations where appropriate. This book is open access under a CC BY 4.0 license. (shrink)

O Katulu vemo zelo malo zanesljivega in celo večino tega je treba razbrati iz njegovega lastnega literarnega dela. To je vedno tvegan pristop, ki mu kritika danes večinoma nasprotuje (četudi je kritika vedno spremenljiva in znaki teh sprememb so že v zraku). Toda po drugi strani vemo kar precej o zadnjem stoletju rimske republike, o času torej, v katerem je Katul preživel svoje kratko, a intenzivno življenje, in o številnih javnih osebnostih, tako iz sveta književnosti kot politike, ki jih je (...) štel med svoje prijatelje ali sovražnike. Tako kot Byron, ki je bil Katulu v nekaterih pogledih podoben, se je gibal v krogih visoke družbe, imel je radikalna stališča, ne da bi se aktivno politično udejstvoval, ter je pisal poezijo, ki daje vtis, da je nastala kot odziv na družbeno dogajanje, literarne tokove ali zasebne škandale takratne aristokracije. (shrink)

El presente volumen incluye la edición crítica, acompañada de un completo estudio introductorio, del Arte de bien morir, texto en prosa sin autor declarado, y de La contienda del cuerpo y alma, una composición en verso firmada por Antón López de Meta. Ambas obras integraban un mismo libro destinado a preparar al hombre para enfrentar su tránsito final hacia la vida eterna y forman parte de la tradición del Memento mori.

Issues related to controlled human infection studies using Schistosoma mansoni (CHI-S) were explored to ensure the ethical and voluntary participation of potential CHI-S volunteers in an endemic setting in Uganda. We invited volunteers from a fishing community and a tertiary education community to guide the development of informed consent procedures. Consultative group discussions were held to modify educational materials on schistosomiasis, vaccines and the CHI-S model and similar discussions were held with a test group. With both groups, a mock consent (...) process was conducted. Fourteen in-depth key informant interviews and three group discussions were held to explore perceptions towards participating in a CHI-S. Most of the participants had not heard of the CHI-S. Willingness to take part depended on understanding the study procedures and the consenting process. Close social networks were key in deciding to take part. The worry of adverse effects was cited as a possible hindrance to taking part. Volunteer time compensation was unclear for a CHI-S. Potential volunteers in these communities are willing to take part in a CHI-S. Community engagement is needed to build trust and time must be taken to share study procedures and ensure understanding of key messages. (shrink)

L’articolo si concentra sull’analisi della filosofia come istituzione affermatasi neutrale che, tuttavia, si rivela sessuata al maschile attraverso la comprensione del concetto di «differenza sessuale» per come teorizzato da Adriana Cavarero. Utilizzando il quadro concettuale della filosofia come «pratica» intrecciata alle pratiche di vita sviluppato da Carlo Sini, e quello di «ordine del discorso» fornito da Michel Foucault, vengono esplicitate le premesse e le conseguenze dell’ordine del discorso nell’elaborazione dei concetti, per poi presentare delle possibilità di un suo ripensamento (...) attraverso la prassi teorica di Adriana Cavarero – di cui viene proposta un’analisi e sono presentati dei risultati rilevanti anche per il contesto attuale. L’ipotesi in esame suggerisce che la pretesa di neutralità e universalità della filosofia sia minata dalla consapevolezza che il pensatore è un essere vivente la cui esperienza di vita, compresa la propria sessuazione, permea sia il mondo della vita che il mondo del sapere. Dunque, la formazione dei concetti filosofici risulta vincolata alla prospettiva sessuata del soggetto che li elabora. Di conseguenza, l’ordine del discorso neutrale rappresenta tanto lo scacco del pensiero delle donne quanto l’occasione di essere ripraticato. Infine, l’articolo propone una riflessione sui cambiamenti istituzionali avvenuti tra gli anni Ottanta, il periodo di riferimento per la formulazione teorica di Cavarero su cui l’articolo si sofferma, e la situazione attuale dell’Università Italiana in relazione alle questioni di genere. (shrink)

La circolazione dell’Arte della guerra di Machiavelli ha dato un fondamentale contributo allo sviluppo della cultura militare europea in volgare del Cinquecento. Questo saggio analizza alcuni specifici aspetti della ricezione di quest’opera nella produzione scrittoria militare del tempo e in particolare si concentra su quegli elementi di pensiero legati al tema delle “armi proprie” fortemente propagandato dal libro machiavelliano. A questo proposito, si è qui deliberatamente scelto di offrire l’esempio di due opere diverse per natura ideologica e altezza cronologica: l’una (...) risalente alla prima metà del Cinquecento, l’altra originatasi nell’ambito delle guerre di religione e della diaspora dei protestanti francesi in area elvetica. Si tratta, in effetti, di due libri che permettono di comprendere sfumature poco note del processo di riuso di certi concetti machiavelliani che all’epoca potevano essere considerati politicamente controversi. Al tempo stesso, le due opere sono capaci di far risaltare le difficoltà che emergono ogni volta che si prova ad applicare il moderno concetto di autore a testi nati in un contesto caratterizzato da un continuo riutilizzo e dalla rielaborazione di temi ed elementi ascrivibili a una lunga e articolata tradizione di scrittura militare che si sviluppò lungo il corso del secolo, la quale, tuttavia, aveva trovato un momento di passaggio cruciale nel contributo di Machiavelli. (shrink)

Prendendo le mosse dall’esame del ciclo pianistico Quatre études de rythme, di Olivier Messiaen , scritto fra il 1949 e il 1950, l’articolo delinea un sintetico confronto fra due differenti espressioni dell’arte musicale. Da un lato una composizione della metà del Novecento: repertorio profano, strumentale, frutto di concezioni individuali, testimonianza della fase post-tonale del pensiero musicale. Dall’altro la monodia gregoriana: repertorio sacro, vocale, anonimo, che esprime concetti formali pre-tonali. Occasione di tale raffronto è l’indagine sulla portata concettuale e tecnica (...) di termini chiave come “modo” e “neuma”, che Messiaen mutua dalla teoria musicale medioevale facendone oggetto di riflessione teorica e principio di concezioni tecniche. L’articolo tenta di sondare la complessa trama di rapporti mediante la quale due espressioni artistiche apparentemente agli antipodi entrano in contatto e si illuminano a vicenda. Expanding on the study of the piano cycle Quatre Études de Rythme by Olivier Messiaen , composed in 1949–1950, this article provides a brief comparison between two different expressions of art music. On the one hand we have a composition dating back to the mid-1900s: profane instrumental music, the result of individual conceptions, bearing witness to the post-tonal development in musical thought. On the other, Gregorian monody: sacred vocal music, anonymous, expressing formal pre-tonal concepts. This comparison is developed by looking at the conceptual and technical meaning of key terms, such as “mode” and “neume”, which Messiaen turned from Mediaeval musical theory into subjects for theoretical reflection and a principle of technical conceptions. The article sets out to discuss their complex inter-relationships whereby these two artistic, seemingly opposing, expressions converge and are thus reciprocally enhanced. (shrink)

Ci imbattiamo in un confine ogni volta che pensiamo a un’entità demarcata rispetto a ciò che la circonda. C’è un confine (una superficie) che delimita l’interno di una sfera dal suo esterno; c’è un confine (una frontiera) che separa il Maryland dalla Pennsylvania. Talvolta la collocazione esatta di un confine non è chiara o è in qualche modo controversa (come quando si cerchi di tracciare i limiti del monte Everest, o il confine del nostro corpo). Talaltra il confine non corrisponde (...) a una discontinuità fisica o a una differenziazione qualitativa (come nel caso dei confini del Wyoming, o della demarcazione tra la metà superiore e la metà inferiore di una sfera omogenea). Ma, che sia netto o confuso, naturale o artificiale, sembra esservi per ogni oggetto un confine che lo separa dal resto del mondo. Anche gli eventi hanno confini, quantomeno confini temporali. Le nostre vite sono delimitate dalle nostre nascite e morti; una partita di calcio comincia alle quindici in punto e termina col fischio finale dell’arbitro alle sedici e quarantacinque. E a volte si dice che anche le entità astratte, come i concetti o gli insiemi, hanno dei propri confini. Se tutto questo parlare di confini abbia davvero un senso, e se rifletta la struttura del mondo o solo l’attività organizzatrice del nostro intelletto, è però oggetto di profonda controversia filosofica. (shrink)

Lorsqu’elle apparaît au milieu du XVIIe siècle, l’expression « le moi » vise-t-elle un phénomène nouveau ou son sens est-il réductible aux concepts anciens que sont l’âme, l’esprit, le sujet, l’individu, la personne, etc.? Si les faits de la langue philosophique sont gouvernés par des décisions philosophiques, le moi doit se distinguer de ces concepts. Notre hypothèse est que le rapport ambivalent que le Dasein entretient avec l’ego cartésien peut nous éclairer sur cette distinction. D’une part, en effet, l’ego n’est (...) pas le Dasein, en ce que, se pensant lui-même selon la Vorhandenheit, il reste aveugle au phénomène du monde : de ce point de vue l’ego n’est, dans l’histoire de l’ontologie, qu’un exemple parmi d’autres, tous disqualifiés. D’autre part, le Dasein peut se reconnaître dans l’ego, ne fût-ce qu’au titre de la mienneté : mais cette reconnaissance tourne court, dès lors que l’ego est interrogé, comme tous les étants intramondains, avec la question quid? et non pas avec la question quis?, de laquelle seule part l’analytique existentiale. Or, même si, dans les Meditationes, la première question en vient à se substituer subrepticement à la seconde, c’est bien en demandant quis sum? que l’ego s’interroge initialement lui-même : le déploiement de cette question suffit à distinguer radicalement le moi de l’âme, la conscience, l’individu, etc. – même si l’incapacité de l’ego à saisir son mode d’être comme être-au-monde exclut de voir dans la pertinence de la question initiale plus qu’une indication de la constitution ontologique du Dasein. Il appartiendra en revanche à la description pascalienne de l’existence humaine d’anticiper l’analyse heideggérienne de l’être-au-monde impropre du Dasein.Qui est le moi?Allorché, alla metà del secolo XVII, l’espressione « il me » fa la sua comparsa, essa indicherà un fenomeno nuovo o il suo senso sarà riconducibile a vecchi concetti come quelli di anima, spirito, soggetto, individuo, persona, e cosî via? Se i fatti della lingua filosofica sono governati da decisioni filosofiche, il me si deve distinguere da questi concetti. La mia ipotesi è che il rapporto ambivalente che il Dasein intrattiene con l’ego cartesiano può chiarire questa distinzione. Da una parte, infatti, l’ego non è il Dasein, in quanto, pensandosi secondo la Vorhandenheit, resta cieco al fenomeno del mondo : da questo punto di vista, l’ego non è, nella storia dell’ontologia, che un esempio tra altri, tutti rifiutati. D’altra parte, il Dasein si può riconoscere nell’ego, almeno per l’aspetto della meità : ma questo riconoscimento cade non appena l’ego viene interrogato, come tutti gli enti intramondani, con la questione : quid? e non con la questione : quis?, dalla quale soltanto muove l’Analitica esistenziale. Ora, nelle Meditazioni, anche se la prima questione si sostituisce surrettiziamente alla seconda, è proprio domandandosi quis sum? che l’ego si interroga inizialmente su se stesso : il dispiegarsi di tale questione basta a distinguere radicalmente il me dall’anima, dalla coscienza, dall’individuo e cosî via, anche se l’incapacità dell’ego di conoscere il suo modo di essere come essere-nel-mondo interdice di vedere nella pertinenza della questione iniziale più che un’indicazione della costituzione ontologica del Dasein. Spetterà invece alla descrizione pascaliana dell’esistenza umana anticipare l’analisi heideggeriana dell’essere-nel-mondo inautentico del Dasein. (shrink)

L’articolo ricostruisce la genealogia del concetto di ideologia nei Quaderni del carcere di Antonio Gramsci, mostrando come esso sia centrale nell’elaborazione del marxista sardo e come sia funzionale a una lettura materialista ma non riduzionista dei fenomeni “sovrastrutturali”. L’ideologia viene analizzata attraverso la costellazione concettuale di cui fa parte, insieme ai concetti di blocco storico, senso comune, religione, scienza e filosofia. All’interno di questo quadro emerge un concetto di ideologia peculiare ed “eterodosso” per un marxista della prima metà del (...) XX secolo, che anticipa teorizzazioni successive e acquisizioni scientifiche in altri campi del sapere. La teoria dell’ideologia in Gramsci, per come è qui ricostruita, rappresenta la premessa necessaria alla sua teoria dell’egemonia. (shrink)

The education of students and professionals in business ethics is an increasingly important goal on the agenda of business schools and corporations. The present study provides a meta-analysis of 25 previously conducted business ethics instructional programs. The role of criteria, study design, participant characteristics, quality of instruction, instructional content, instructional program characteristics, and characteristics of instructional methods as moderators of the effectiveness of business ethics instruction were examined. Overall, results indicate that business ethics instructional programs have a minimal␣impact on (...) increasing outcomes related to ethical perceptions, behavior, or awareness. However, specific criteria, content, and methodological moderators of effectiveness shed light on potential recommendations for␣improving business ethics instruction. Implications for␣future research and practice in business ethics are discussed. (shrink)

This is a paper about the problem of realism in meta-ethics (and, I hope, also in other areas, but that hope is so far pretty speculative). But it is not about the problem of whether realism is true. It is about the problem of what realism is. More specifically, it is about the question of what divides meta-ethical realists from irrealists. I start with a potted history of the Good Old Days.

Classical philosophical notions, such as conceptual truth, analyticity, and a priori knowledge, have recently re-entered the mainstream philosophical debate, after fifty years of depreciation. This paper illustrates how such notions are reintroduced and discussed in a current debate on the nature of concepts, along with the idea that a concept is individuated by an implicit definition. This traditional Neopositivist device has recently been redeployed by writers such as Peacocke, Horwich, and Boghossian. Implicit definitions raise a variety of interesting issues, from (...) semantics to epistemology: how can they succeed in fixing a concept’s semantic property, if not by convention? are they analytic, in the Quinean sense? Do they provide with a priori knowledge? Which constraints are appropriate, for some formulation genuinely to pick up the semantic property of a concept?. (shrink)

La dimensione teorica della musica occidentale, nella sua evoluzione storica, ha inevitabilmente fatto uso di concetti essenziali alla definizione di come il suono è musicalmente organizzato o organizzabile. Fra questi, risultano imprescindibili le nozioni di materia, forma e ordine, che implicano rispettivamente, nei pur diversi ambiti linguistici e contesti storico-filosofici di riferimento, ciò di cui è fatta la musica, ciò a cui la materia sonora tende, e come tale tensione è realizzata. Scopo di questo contributo è una valutazione d’insieme (...) sulla valenza filosofica e l’uso di tali concetti nel pensiero musicale occidentale altomedievale e in quello del Novecento, che nonostante la distanza cronologica presentano convergenze significative. Nel Medioevo, un lungo processo di elaborazione teorico-pratica permise la matematizzazione dello spazio musicale, attraverso l’adattamento di moduli melodici, trasmessi oralmente, alle strutture scalari desunte dalla teoria greco-boeziana. La forma e l’ordo musicali furono quindi riferiti ai criteri fisico-matematici atti a distinguere nella materia sonora, in sé disorganica e indefinita, ciò che è musicale da ciò che non lo è. Tale concezione sparisce con l’affermarsi del sistema tonale, ove il suono fisico è concepito come “pre-formato” e “pre-ordinato” nella gamma scalare e nei vincoli attrattivi “naturali” degli armonici. In conseguenza, i concetti di forma e ordine abbandonano il contesto acustico, andando a definire i criteri teorici della composizione artistica, in linea con l’idea filosofica del loro esprimere la coerenza logico-sintattica dell’“insieme organico” . Nell’ambito del pensiero musicale del Novecento, la crisi del sistema tonale e la messa a punto di nuove modalità e tecniche di produzione del suono hanno riorientato la valenza significante e l’uso di questi tre concetti, implicando il loro tornare a imporsi sugli elementi primari della fisica del suono, non solo l’altezza, ma soprattutto il timbro, il volume e la durata. Già Schönberg, nel 1911, affermava come “l’ordine che chiamiamo forma artistica” è “un necessario espediente” elaborato “a causa della nostra incapacità a comprendere l’indistinto e il non-ordinato”, che è la condizione propria della materia sonora. In its historical development, the Western theory of music has inevitably made use of specific concepts to define how the sound is musically organized or organizable. Among these notions, those of matter, form and order signify – in spite of the different linguistic areas and the various historical and philosophical backgrounds – that from which music is made, that to which it tends and how such tendency is realized. This paper aims to evaluate the philosophical implications and the use of these three concepts in the musical theories of the high Middle Ages and of the twentieth century, since, in spite of their chronological distance, they present significant similarities. A long process of theoretical and practical adjustments of the melodic structures of liturgical chants to the scale-systems of the Greek and Boethian theory contributed to developing what would become a familiar notion throughout the Middle Ages: that musical intervals can be expressed in mathematical terms. According to this view, the words forma and ordo signify the mathematical measures that are applied to the “matter” of sound, which is considered as inorganic and indefinite in itself. This conception gradually disappears when the tonal system begins to emerge, since this new modality of composition implies that the physical sound is “pre-formed” and “pre-ordered” within the musical scale, according to the “natural” links of the harmonics. Consequently, the concepts of “form” and “order” do not refer any more to the context of sound generation, but are now used to define the theoretical criteria of the artistic composition, so to accomplish the new philosophic idea of their expressing the logical-syntactic coherence of the “organic-whole” . In the early twentieth century, when the tonal system starts to be replaced by new methods of composition and when new modalities and techniques of sound production emerge, those three concepts are used, again, to express the basic elements of the physics of sound: not only its height, but also its timbre, volume, and duration. In 1911, Schönberg argued that the order that we call “artistic form” is a necessary device, elaborated “because of our incapacity to comprehend the indistinct and unordered thing”, that is the own condition of the matter of sound. (shrink)

The meta-ethical commitments of folk respondents – specifically their commitment to the objectivity of moral claims – have recently become subject to empirical scrutiny. Experimental findings suggest that people are meta-ethical pluralists: There is both inter- and intrapersonal variation with regard to people’s objectivist commitments. What meta-ethical implications, if any, do these findings have? I point out that current research does not directly address traditional meta-ethical questions: The methods used and distinctions drawn by experimenters do not (...) perfectly match those of meta-ethicists. However, I go on to argue that, in spite of this mismatch, the research findings should be of interest to moral philosophers, including meta-ethicists. Not only do these findings extend the field of moral psychology with new data and hypotheses, but they also provide tentative evidence that touches on the adequacy of theses in moral semantics and moral metaphysics. Specifically, they put pressure on argum... (shrink)

The nominal ground that entwines human beings and animal behaviours is unwilling to admit moral valuing as a non-human act. Just to nail it down explicitly, two clauses ramify the moral conscience of human beings as follows: a) Can non-humans be moral beings?, b) Unconscious animal behaviours go beyond any moral judgments. My approach aims to rebuff these anthropomorphic clauses by justifying animals’ moral beings and animals’ moral behaviours from a meta-ethical stance. A meta-ethical outlook may enable an (...) analysis of ethical and normative views through the limit of moral motives and reasoning. Animals’ sense of moral motives and their apparatus of getting involved in moral acts cannot be compared with human actions. In human moral engagement, we abide by moral paradigmatic theories and their diversified attitudes that could have conceptual and linguistic use in our societal discourses. However, animals’ intentional apparatus may have the propensity to choose an act following the moral consequences (care, utility, responsibility, etc.) in their life-forms. (shrink)

Ludwig Wittgenstein has often been called a quietist. His work has inspired a rich and varied array of theories in moral philosophy. Some prominent meta-ethicists have also been called quietists, or ‘relaxed’ as opposed to ‘robust’ realists, sometimes with explicit reference to Wittgenstein in attempts to clarify their views. In this chapter, I compare and contrast these groups of theories and draw out their importance for contemporary meta-ethical debate. They represent countercultures to contemporary meta-ethics. That is, they (...) reject in different ways one or more of the common assumptions that, whilst not universally shared, shape how to understand and engage in contemporary meta-ethical debate. Despite striking similarities, I argue that the ‘quietist’ label has obscured the views it is used to describe, the crucial differences between them, and the challenge that they offer to the predominant culture of meta-ethical enquiry. That challenge is this: there are plausible different ways of understanding and doing meta-ethics to those of the meta-ethical orthodoxy. We ignore such heterodoxy at our own peril. (shrink)

An astonishing volume and diversity of evidence is available for many hypotheses in the biomedical and social sciences. Some of this evidence—usually from randomized controlled trials (RCTs)—is amalgamated by meta-analysis. Despite the ongoing debate regarding whether or not RCTs are the ‘gold-standard’ of evidence, it is usually meta-analysis which is considered the best source of evidence: meta-analysis is thought by many to be the platinum standard of evidence. However, I argue that meta-analysis falls far short of (...) that standard. Different meta-analyses of the same evidence can reach contradictory conclusions. Meta-analysis fails to provide objective grounds for intersubjective assessments of hypotheses because numerous decisions must be made when performing a meta-analysis which allow wide latitude for subjective idiosyncrasies to influence its outcome. I end by suggesting that an older tradition of evidence in medicine—the plurality of reasoning strategies appealed to by the epidemiologist Sir Bradford Hill—is a superior strategy for assessing a large volume and diversity of evidence. (shrink)

This paper provides a thorough analysis of two often informally stated claims. First, successful argumentation in the sense of persuasive argumentation requires agreement between the interlocutors about the rationality of arguments. Second, a general agreement about rationality of arguments cannot itself be established via argumentation, since such an attempt leads to an infinite meta‐regress. Hence, agreement about the rationality of arguments is a precondition for successful argumentation. As the paper argues, these plausible claims hold under the assumption that interlocutors (...) are subjectively rational and follow their own standards of rationality when engaging in argumentation. (shrink)

The relationship between corporate social responsibility and corporate financial performance has long been a central and contentious debate in the literature. However, prior empirical studies provide indefinite conclusions. The purpose of this study is to review systematically and quantify the CSR–CFP link in a meta-analytic framework. Based on 119 effect sizes from 42 studies, this study estimates that the overall effect size of the CSR–CFP relationship is positive and significant, thus endorsing the argument that CSR does enhance financial performance. (...) Furthermore, this work sheds light on the causal relationship between CSR and CFP. Subsequent financial performance is associated with prior social responsibility, while the reverse direction is not supported. This finding supports the instrumental stakeholder theory. As predicted, the meta-analysis results indicate that the measurement strategies of the two key constructs of CSR and CFP explain some variations of the CSR–CFP relationship. Last, this study examines the moderating effect of the environmental context on the CSR–CFP link. This work proposes that CSR in the developed world, with a relatively mature institutional system and efficient market mechanism, will be more visible than CSR in the developing world. The results show that the CSR–CFP relationship is stronger for firms from advanced economies than for firms from developing economies. (shrink)

Meta-arguments are arguments about one or more arguments, or argumentation in general. They contrast to ground-level arguments, which are about natural phenomena, historical events, human actions, abstract entities, etc. Although meta-arguments are common in all areas of human cognitive practice, and although implicit studies of them are found in many works, and although a few explicit scholarly contributions exist, meta-argumentation has never been examined explicitly, directly, and systematically in book-length treatment. This lacuna is especially unfortunate because such (...) treatment can offer not only an understanding of a special class of arguments, but also a promising way of doing logic and argumentation theory. This is the first book that attempts a systematic treatment of meta-arguments, providing both an illustration of the meta-argumentational approach to logical theory, and an analysis of an especially rich collection of meta-arguments. First, it elaborates an empirical methodology derived partly from a critical appreciation of Stephen Toulmin's applied-logic approach, and partly from a novel application of the author's historical-textual approach. Then it examines theoretical meta-arguments, by such scholars as Tony Blair, Robert Fogelin, Alvin Goldman, Trudy Govier, David Hitchcock, Ralph Johnson, Henry Johnstone, Erik Krabbe, Frans van Eemeren, Carl Wellman, and John Woods, on such topics as defining argument, methods of criticism, deep disagreements, and conductive or pro-and-con arguments. Thirdly, it studies famous meta-arguments by such classics as John Stuart Mill, David Hume, and Galileo Galilei, on such topics as freedom of discussion, women's liberation, the existence of God and intelligent design, and the motion of the earth. (shrink)