This paper presents an argument for seeing Marcel Duchamp and Robert Mapplethorpe as opposite ends of a tradition of negotiation of art with its conditions of production. The piece takes seriously Kant's suggestions concerning the fine arts and contests views of art that see the Kantian tradition as formally fixed.

The role and place of transcendental psychology in Kant's Critique of Pure Reason has been a source of some contention. This work presents a detailed argument for restoring transcendental psychology to a central place in the interpretation of Kant's Analytic, in the process providing a detailed response to more "austere" analytic readings.

The discussion of Kant's Practical Philosophy has been marred by viewing it as purely formalist and centered only on the categorical imperative. This important new study sets out a much more vivid account of the nature and range of Kant's concerns demonstrating his commitment to the notion of rational religion and including extensive discussion of his treatment of evil. Culminating with accounts of property, the nature of right and virtue, this work presents Kant as a vital revolutionary thinker.

This is a book focused primarily on reading the *Critique of Judgment* but which takes the central topics of it to be central to understanding the Critical Philosophy generally. It distinguishes types of aesthetics and teleology and in the process suggests an ambitious reconstruction of the landscape of Kant's architectonic.

In this article I revisit the relationship between Immanuel Kant and the Marquis De Sade, following not Jacques Lacan but Pierre Klossowski. In the process I suggest that Sade's work is marred by a series of antinomies that prevent him from stating a pure practical libertine reason and leave his view purely theoretical.

In this piece I address the question of how the two parts of the *Metaphysics of Morals* are to be related to each other through invocation of the notion of practical schematism. In the process I argue that understanding the notion of moral teleology will help us address the relationship between Kant's principles of right, virtue and the categorical imperative.

This piece presents an account of Kant's notion of provisional right and connects this conception to his defence of two principles of publicity. The argument is to the effect that understanding the notion of provisional right will enable us to comprehend the Kantian picture of the state of nature, the basis of the transition from such a state to the civil condition and also his treatment of international right. The paper also presents the sketch of a Kantian theory of normatively (...) justified institutions. (shrink)

In this paper I present some reasons for seeing Duchamp's ready-mades as part of the history of sculpture and relate them to his engagement with both nudes and chess motifs.

Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.

British Journal for the History of Philosophy, Volume 20, Issue 2, Page 415-417, March 2012.

Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.

British Journal for the History of Philosophy, Volume 19, Issue 3, Page 549-560, May 2011.

The theme of the ‘deconstruction of Christianity’, which was selected for this special issue of Derrida Today, is one that arises not from the work of Derrida himself in the first instance but instead from that of Jean-L Nancy. Not only is this so but Derrida's ([2000] 2005) own view of the notion of the ‘deconstruction of Christianity’ seems, on the evidence available, to be at least open to quite a bit of interpretation given the ambiguous nature of some of (...) his comments on the question. Given this is so it might not be thought at all obvious why this theme should be selected for a special issue of Derrida Today and in this introduction I want to address both this possible disquiet and also provide some background to the arrival of concern with this topic. (shrink)

The interpretation of Kant's Critical philosophy as a version of traditional idealism has a long history. In spite of Kant's and his commentators’ various attempts to distinguish between traditional and transcendental idealism, his philosophy continues to be construed as committed (whether explicitly or implicitly and whether consistently or inconsistently) to various features usually associated with the traditional idealist project. As a result, most often, the accusation is that his Critical philosophy makes too strong metaphysical and epistemological claims.

The first genuine and comprehensive English-language handbook to the study of Kant's philosophy, containing sections on Kant's key works, the philosophical and historical contexts of his philosophy, essays on the reception and influence of the Kantian philosophy, a lexical A-Z list of lemmata addressing central themes and concepts of Kant's thought and an extensive English-language bibliography of secondary literature.

Paper published on author's website available at http://www.garybanham.net/PAPERS_files/Art%20and%20Symbol%20in%20Nietzsche%27s%20Aesthetics.pdf.

Paper published on author's website available at http://www.garybanham.net/PAPERS_files/Artificial%20Life%20and%20the%20Inhuman%20Condition.pdf.

This paper assesses Jurgen Habermas' reconstruction of Kant's cosmopolitan project suggesting ways in which this reconstruction creates new problems that were not part of Kant's endeavour as well as indicating critical appreciation of the idea of the project.

Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in Parallax, published by and copyright Routledge.

This collection provides a major reassessment of the question of nihilism in modernity. It has a multi-focal approach, looking at the return of angelic and demonic principles in current cultural production and thinking. It also makes a claim for another interpretation of modernity.

Husserl and the Logic of Experience includes both detailed work on particular aspects of logical theory (such as an inquiry into the status of the principle of excluded middle) and also detailed investigations into the nature of the logic of temporal conceptions. Demonstrating the cultural import of Husserl's work while also showing its continuing significance for logical theory, this collection is a milestone in the study of transcendental phenomenology.

This introduction suggests a set of connections between the understanding of modernity and the opening up of a new understanding of politics as cosmopolitics. It argues that the modern understanding of the political has suffered a set of displacements both in regard to understanding cosmology and in the place of the human in relation to technology.

Paper published on author's website available at http://www.garybanham.net/PAPERS_files/Kant%20and%20Leibniz%20on%20Living%20Force.pdf.

The general conception of Kantian cosmology in Universal Natural History is one that folds into the “pre-Critical” period in the basic sense that the status of the types of principles invoked within the work is not subjected by Kant to critical assessment. This is far from meaning that the enquiry of Universal Natural History is simply abandoned by Kant. Rather, the stakes of the inquiry into cosmology become transformed and this transformation has much to do with the results of the (...) Critique of Pure Reason, not least the arguments of the Transcendental Dialectic. In this piece I will first review some of the most salient lines of argument in Universal Natural History prior to undertaking to investigate a reason for re-thinking cosmology in Kantian terms both within the Critique of Pure Reason and in the wake of it. This latter enquiry will hinge both on an understanding of the nature of Kant’s use of the notion of the “regulative idea” and also upon an investigation of his uses of cosmic images within the Critical period. (shrink)