Emotions are the focus of intense debate both in contemporary philosophy and psychology, and increasingly also in the history of ideas. Simo Knuuttila presents a comprehensive survey of philosophical theories of emotion from Plato to Renaissance times, combining rigorous philosophical analysis with careful historical reconstruction. The first part of the book covers the conceptions of Plato and Aristotle and later ancient views from Stoicism to Neoplatonism and, in addition, their reception and transformation by early Christian thinkers from Clement (...) and Origen to Augustine and Cassian. Knuuttila then proceeds to a discussion of ancient themes in medieval thought, and of new medieval conceptions, codified in the so-called faculty psychology from Avicenna to Aquinas, in thirteenth century taxonomies, and in the voluntarist approach of Duns Scotus, William Ockham, and their followers. Philosophers, classicists, historians of philosophy, historians of psychology, and anyone interested in emotion will find much to stimulate them in this fascinating book. (shrink)

This article focuses on the most recent debates in the vibrant and emerging subfield of philosophy of emotion research. Given the dominance of 'cognitivist' theories of emotion in the philosophy, neurobiology, and cognitive science of emotion, we have witnessed a move away from attempts to pit reason and emotion against each other. This move, however, has opened the door to a host of thorny challenges for how we think about our affective relationship with the world, with concepts, and (...) with other minds. (shrink)

This Handbook presents thirty-one state-of-the-art contributions from the most notable writers on philosophy of emotion today. Anyone working on the nature of emotion, its history, or its relation to reason, self, value, or art, whether at the level of research or advanced study, will find the book an unrivalled resource and a fascinating read.

Passion and Action is an exploration of the role of the passions in seventeenth-century thought. Susan James offers fresh readings of a broad range of thinkers, including such canonical figures as Hobbes, Descartes, Malebranche, Spinoza, Pascal, and Locke, and shows that a full understanding of their philosophies must take account of their interpretations of our affective life. This ground-breaking study throws new light upon the shaping of our ideas about the mind, knowledge, and action, and provides a historical context for (...) burgeoning current debates about the emotions. (shrink)

Discussions about the nature of the emotions in Hellenistic philosophy have aroused intense scholarly interest over the last few years. The topics covered by the essays in this volume range from the classical background of Hellenistic theories, through debates on emotion in the major Hellenistic schools, to discussions in later antiquity. Special emphasis is placed on the development of the Stoic views on the nature and value of the emotions. The essays are written with a high level (...) of philosophical and classical scholarship, but contain no exclusive technicalities. Audience: This first comprehensive treatment of the emotions in Hellenistic philosophy can be read with pleasure and profit not only by professionals in ancient philosophy but also all those who are interested in the philosophy of mind and its history. (shrink)

This book broadens the inquiry into emotion to comprehend a comparative cultural outlook. It begins with an overview of recent work in the West, and then proceeds to the main business of scrutinizing various relevant issues from both Asian and comparative perspectives. Original essays by experts in the field. Finally, Robert Solomon comments and summarizes.

In this chapter, we start by spelling out three important features that distinguish expressives—utterances that express emotions and other affects—from descriptives, including those that describe emotions (Section 1). Drawing on recent insights from the philosophy of emotion and value (2), we show how these three features derive from the nature of affects, concentrating on emotions (3). We then spell out how theories of non-natural meaning and communication in the philosophy of language allow claims that expressives (...) inherit their meaning from specificities of emotions—namely, from being felt, evaluative attitudes toward propositional or non-propositional contents (4). (shrink)

This major volume of original essays maps the place of emotion in human nature, through a discussion of the relation between consciousness and body; by analysing the importance of emotion for human agency by pointing to the ways in which practical rationality may be enhanced, as well as hindered, by emotions; and by exploring questions of value in making sense of emotions at a political, ethical and personal level. Leading researchers in the field reflect on the nature of (...) human feelings, how and why we understand what other people feel, and the way in which our values become involved in specific emotional phenomena, such as guilt, fear, shame, amusement, or love. This collection addresses important questions in the philosophy of mind and comments on the implications of research in biology, cognitive psychology, psychoanalysis, and narrative theory for the philosophical understanding of emotions. (shrink)

Philosophy, Music and Emotion explores two contentious issues in contemporary philosophy: the nature of music´s power to express emotion, and the nature of emotion itself. It shows how closely the two are related and provides a radically new account of what it means to say that music "expresses emotion." Geoffrey Madell maintains that most current accounts of musical expressiveness are fundamentally misguided. He attributes this fact to the influence of a famous argument of the nineteenth-century critic Hanslick, and (...) also to the dominant "cognitivist" approach to the nature of emotion, which sees the essence of emotion to be the entertaining of evaluative judgments and beliefs. This book argues that the cognitivist account of the nature of emotion is false and should be replaced with a conception of emotions as states of feeling. Central to this bold analysis is a new account of two closely connected mental states, desire and pleasure, and their role in human motivation. (shrink)

There remains a division between the work of philosophers who draw on the sciences of the mind to understand emotion and those who see the philosophy of emotion as more self-sufficient. This article examines this methodological division before reviewing some of the debates that have figured in the philosophical literature of the last decade: whether emotion is a single kind of thing, whether there are discrete categories of emotion, and whether emotion is a form of perception. These questions have (...) been addressed by both sides of the methodological divide and the integration of these two approaches would have clear benefits. (shrink)

This chapter examines two premises of cognitive-behavioral therapy (CBT) - that emotions are caused by beliefs and that those beliefs are represented in the mind as words or images. Being a philosophical examination, the chapter also seeks to demonstrate that these two premises essentially are philosophical premises. The chapter begins with a brief methodological suggestion of how to properly evaluate the theory of CBT. From there it works it way from examining the therapeutic practice of capturing the mental representations (...) that supposedly elicit emotional reactions to examining the assumption that emotions are caused by beliefs. The chapter ends by briefly pointing to some consequences of what has been said to the practice of CBT. (shrink)

This volume explores emotion in medieval and early modern thought, and opens a contemporary debate on the way emotions figure in our cognitive lives.

Are emotions bodily feelings or evaluative cognitions? What is happiness, pain, or “being moved”? Are there basic emotions? In this chapter, I review extant empirical work concerning these and related questions in the philosophy of emotion. This will include both (1) studies investigating people’s emotional experiences and (2) studies investigating people’s use of emotion concepts in hypothetical cases. Overall, this review will show the potential of using empirical research methods to inform philosophical questions regarding emotion.

This article examines how British philosophers of the 1930s grappled with the relationship between reason, emotion, and democratic citizenship in the context of a perceived “crisis of democracy” in Europe. Focusing especially on Bertrand Russell, Susan Stebbing, and John Macmurray, it argues that philosophers working from diverse philosophical perspectives shared a sense that the crisis of democracy was simultaneously a crisis of reason and one of emotion. They tended to frame this crisis in terms of three interrelated concerns: first, as (...) a problem of balancing or integrating reason and emotion; second, as a problem of the relationship between emotions and democratic citizenship; and third, as a problem of how to properly train or educate the emotions. Significantly, British philosophers addressed these issues most directly in writings for a non-professional audience, as they sought to translate their professional expertise into popular works that might rejuvenate democratic citizenship. This historical episode is a reminder of how philosophers were deeply engaged in the cultural politics of the interwar period and is a telling example of how personalist concerns were central to philosophy even as the “analytic revolution” was gathering steam. (shrink)

Experimental methods and conceptual confusion : philosophy, science, and what emotions really are -- To 'make our voices resonate' or 'to be silent'? : shame as fundamental ontology -- Emotion, cognition, and world -- Shame and world.

The thoroughly contemporary question of the relationship between emotion and reason was debated with such complexity by the philosophers of the 17th century that their concepts remain a source of inspiration for today’s research about the emotionality of the mind. The analyses of the works of Descartes, Spinoza, Leibniz, and many other thinkers collected in this volume offer new insights into the diversity and significance of philosophical reflections about emotions during the early modern era. A focus is placed on (...) affective components in learning processes and the boundaries between emotions and reason. (shrink)

Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'. Geoffrey Madell maintains that most current accounts of musical expressiveness are fundamentally misguided. He attributes this fact to the influence of a famous argument of (...) the nineteenth-century critic Hanslick, and also to the dominant 'cognitivist' approach to the nature of emotion, which sees the essence of emotion to be the entertaining of evaluative judgements and beliefs of a certain sort, an account very much in accord with Hanslick's position. Such an approach results either in the unpersuasive view that musical expressiveness is somehow akin to human expressive gesture, or in the view that music arouses feelings which have no specific object and, unavoidably, no necessary connection with the music.The book argues that the 'cognitivist' account of the nature of emotion is quite false and that it needs to be replaced with a conception of emotions as states of feeling towards - states of intentional feeling - whose objects are often evaluatively characterised states of affairs; however, in the context of the emotions that are aroused by music these objects are always musical events or states. Central to this bold analysis of emotion is a new account of two closely connected mental states, those of desire and of pleasure, and of what role these states have in human motivation and value. (shrink)

This paper investigates the concept of emotion and its relevance to education via character education through the medium of poetry. The objective is to demonstrate the potential implementation of character education through poetry, and to show the intrinsic link between poetry and virtue, knowledge and reasoning. It is argued that poetry serves as a bridge between emotion and character education. The philosophy of emotions is explored through the works of Aristotle, Karin Bohlin and David Carr. Character education is (...) understood in terms of a Neo-Aristotelian approach, drawing on Kristján Kristjánsson, Bohlin and Carr. My position is that, through exercising the craft of poetry, children and young students are provided with tools for exploring emotions, and for discerning and deliberating about virtues and moral contextual nuances in the broader context of human experience. (shrink)

The relationship between emotion comprehension and social competence from very young ages has been addressed in numerous studies in the field of developmental psychology. Emotion knowledge in childhood seems to have its roots in the conversations and explanations children hear about what emotions are and how to manage them. Given that behavioral interventions often do not achieve medium-term improvements or generalization to other contexts, this study evaluates the results of an intervention using the Thinking Emotions program. This program (...) uses Philosophy for Children as the work format and is based on the idea that reflection and dialogue among peers is one of the most effective ways to interiorize significant knowledge. The program was applied during one school year in two preschool classrooms . Comparisons of the pre- and post-treatment measures of the control and experimental groups show significant improvements in emotion comprehension and social competence in the 5-year-old children and improvements related to social competence in the 4-year-olds. (shrink)

_Philosophically explores the topic of emotional depth._.

This project aims to examine whether music has an emotional nature. I use the ancient Chinese text Music Has No Grief or Joy to construct three arguments for the illusion view, according to which music has no emotional nature and the emotional appearances of music are illusory. These arguments highlight representational inconstancy, expressive incapability, and evocative underdetermination as three ways to problematize the idea that music has an emotional nature. I draw on the Confucian tradition to formulate three responses to (...) the illusion view from representational reliability, expressive sincerity, and evocative appropriateness. These responses are shown to be inadequate. To examine the illusion view in detail, I adopt a comparative approach to structure a dialogue between ancient Eastern philosophy and contemporary Western philosophy. Nine arguments are constructed from three prominent approaches in contemporary Western musical aesthetics on the evocation, expression, and representation of emotion. I argue that each of these arguments reads emotion into music. Nevertheless, three insights emerge from the comparative discussion. The autonomy of emotional enjoyment, the possibility of emotional communication, and the function of emotional language in musical experiences call for explanations. I argue that the illusion view are amenable to these insights. The illusion view allows us to claim full ownership of emotional responses, have emotional communication by recognizing intended emotional meanings in music, and appreciate the practical value of emotional language in music industry and education. I formulate a possible objection on the basis of Charles Swann’s musical experience in Marcel Proust’s novel, according to which music has emotional agency in the formation of an emotion. This objection can be met and Swann’s musical experience can be integrated into the illusion view. The illusion view turns out to be experientially richer than it might appear at first. This project liberates musical listening and philosophical thinking from beliefs entrenched in the emotional illusion of music. (shrink)

Although the topic of emotions was long ignored in British and American analytic philosophy and psychology, it remained a rich and exciting subject in Continental Philosophy. Kierkegaard and Nietzsche celebrated the passionate life. In phenomenology Martin Heidegger, Max Scheler, Emmanuel Levinas, Jean‐Paul Sartre, Maurice Merleau‐Ponty, Gabriel Marcel, and Paul Ricoeur all made major contributions. Heidegger pursued a highly original thesis concerning the vital role of moods in human life, notably angst and boredom. Jean‐Paul Sartre added the tantalizing (...) thesis that our emotions are strategies to help us cope with the difficulties in life. Max Scheler gave us the stunning expression, “the emotional a priori,” the idea that emotions are basic structures of human existence. In this essay, I want to expand on the contributions of the classic phenomenologists and existentialists and do more of what they were doing by way of an “original” project of phenomenological investigation. (This follows publication of the first two volumes of a three‐part study of the emotions, Not Passion's Slave and In Defense of Sentimentality, both published by Oxford University Press.). (shrink)

Emotions punctuate almost all significant events in our lives, but their nature, causes, and consequences are among the least well understood aspects of human experience. It is easier to express emotions than to describe them and even harder to analyse and explain them. Despite their apparent familiarity, emotions are an extremely subtle and complex topic. Unfortunately, the topic was neglected by philosophers and scientists in the past. In recent decades, however, interest in the emotions has grown (...) considerably among scholars and students from many disciplines, as well as among the public at large. If there is to be any progress in this theoretically and practically important field, not only is a broad philosophical examination of basic concepts and issues essential, but also an interdisciplinary approach that combines philosophical analysis with other types of scientific research. The clarification of basic emotional concepts as well as the unification of linguistic usages across disciplines and natural languages are necessary for integrating the growing body of interdisciplinary emotional research. The contemporary philosophy of emotions is equipped for this integrative task. It can provide us with a better and more comprehensive picture of the nature of emotions. (shrink)

The emotions are at the centre of our lives and, for better or worse, imbue them with much of their significance. The philosophical problems stirred up by the existence of the emotions, over which many great philosophers of the past have laboured, revolve around attempts to understand what this significance amounts to. Are emotions feelings, thoughts, or experiences? If they are experiences, what are they experiences of? Are emotions rational? In what sense do emotions give (...) meaning to what surrounds us? -/- The Emotions: A Philosophical Introduction introduces and explores these questions in a clear and accessible way. The authors discuss the following key topics: -/- the diversity and unity of the emotions the relations between emotion, belief and desire the nature of values the relations between emotions and perceptions emotions viewed as evaluative attitudes the link between emotions and evaluative knowledge the nature of moods, sentiments, and character traits. -/- Including chapter summaries and guides to further reading, The Emotions: A Philosophical Introduction is an ideal starting point for any philosopher or student studying the emotions. It will also be of interest to those in related disciplines such as psychology and the social sciences. (shrink)

In the article the specificity of philosophy is considered as a path to spiritual-practical mastering of the world. The spiritual-practical structure of philosophy includes philosophic practice and philosophic consciousness. The latter actualizes in the forms of philosophic thinking and sensory-emotional reflection of reality. Philosophical sensuality has a wide range of manifestations, but its specificity is defined by the emotion of wonder. Wonder is a primal, basic emotion. Fear, curiosity, joy and a number of other emotions also belong (...) to the category of basic emotions. In religious studies the ’theory of fear’ attributes the origin of religion to experience of fear. In psychology of emotion the curiosity is considered as a source of cognitive interest and scientific cognition. Appropriately, it may be possible to propose the ’theory of curiosity’ and the ’theory of wonder’ to explain the origin of science and philosophy. In the context of the theories the science and the religion differ in their emotional sources from the philosophy. The status of wonder as a basic emotion defines the emotional sovereignty of philosophy, its independence from other ways of spiritual-practical mastering of the world. Author demonstrates the incapacity of interpretations of doubt and suffering as emotional origins of philosophy. Doubt as uncertainty is a derivative of faith and lacks the status of basic emotion. The suffering is an emotional tone of every sensation, a pair of the emotional tone of pleasure. It is impossible to consider the suffering as an origin of philosophy due to both the effect of twoness of pleasure and suffering and their status of emotional tones. In addition, suffering is an affect, the repetition and accumulation of which conduces to the emotional discharge, an affective explosion. Therefore, they cannot be the sources of cognitive motion. The cognitive potential of wonder is defined by its character as positive emotion allowing for accumulation of ’wonder points’. The wonder discovers cognitive dissonance and stimulates the cognition by means of expanding the subject field of philosophy and stating new questions. (shrink)

This article sheds light on the relationship between religious philosophy and music to emphasize the formulation of religious emotions in art songs. This study's theoretical framework is based on the "Theory of Religious Philosophy and Music" Using these concepts, this paper explores the religious feelings associated with German and Austrian Art Songs by Bach and Gounod's "Ave Maria." The religious emotions of connectedness with God, serenity and love, faith in the heavens and angels, and the assistance (...) of Christ and the Virgin Mary in "Ave Maria" are ultimately a means of bridging music and religious philosophy. (shrink)

In critical thinking we learn the importance of being fair, and opening up closed and biased minds. In practical philosophy we must learn how to find our happiness in a world where others act with evil intentions. In contemporary Kenya one major challenge is how to react to those who might use witchcraft to try to harm oneself or one’s family. Regardless of whether witchcraft is “real” or not, it is possible to discern the root cause of witchcraft practices (...) as due to jealousy and selfishness. By addressing the root problem, cases of witchcraft practice will diminish. The paper uses Kenyan philosopher Odera Oruka’s “sage philosophy” methodology, to interview rural sages who have reputations as being wise in their communities, so that professional philosophers can learn from their wisdom. For example, Saulo Namianya sees his role as helping to “level tongues” that had been high-pitched in their anger, so that people can discern the cause of a dispute and have it resolved. Adala Otuko emphasizes controlling one’s fear when one first sights a charm. Ngaimarish ole Mulo explains how to encourage parties who are sparring with each other to stop and consider the perspective of the other party. The sages are shown to be wise counselors who encourage critical thinking in their communities. (shrink)

Contemporary philosophers have paid increasing attention to the empirical research on emotions that has blossomed in many areas of the social sciences. In this paper, I first sketch the common roots of science and philosophy in Ancient Greek thought. I illustrate the way that specific empirical sciences can be regarded as branching out from a central trunk of philosophical speculation. On the basis of seven informal characterizations of what is distinctive about philosophical thinking, I then draw attention to (...) the fact that scientific progress frequently requires one to make adjustments to the way its basic terms are conceptualized, and thus cannot avoid philosophical thought. The character of emotions requires attention from many disciplines, and the links among those disciplines inevitably require a broader philosophical perspective to be understood. Thus, emotion science, and indeed all of science, is inextricably committed to philosophical assumptions that demand scrutiny. (shrink)

While philosophical speculation into the nature and value of emotions is at least as old as the Pre-Socratics, William James' "What is an emotion?" reinvigorated interest in the question. Coming to grips with James' proposals, particularly in the light of subsequent concerns for the difficulties inherent in a so-called private language, led philosophers away from analyses centred on feelings to ones centred on thoughts. Analyzing the emotions in this way involves returning to a vision of the emotions (...) that traces its ancestry back to the Stoics, but has proven to be enormously insightful and influential again in modern times. The papers collected here centre on James' question and often respond explicitly to one another. Together, they provide a sense of what a cognitive view of the emotions maintains, what it denies, and how it has arisen. The connection provides wide-ranging coverage of the point of dispute amongst those impressed by the cognitive approach, and gives a good sense too of the tremendous explanatory power of this view. (shrink)

Although generally philosophers have put a high valuation on reason, increasingly the role of emotions in motivating action is being recognized. The essays in this volume explore the emotions from a variety of perspectives, ranging from Aristotelian views of the passions to the new findings of cognitive science, and from such diverse starting points as medieval literature and psychological studies.

Research on the antecedents of consumers’ ethical beliefs has mainly examined cognitive variables and has neglected the relationships among affective variables and consumer ethics. However, research in moral psychology indicates that moral emotions have a significant role in ethical decision-making. Thus, the ability to experience, perceive and regulate emotions should influence consumers’ ethical decision-making. These abilities, which are components of emotional intelligence, are examined as antecedents to consumers’ ethical beliefs in this study. Five hundred Australian consumers participated in (...) this study by completing an online questionnaire that included measures of emotional intelligence, consumers’ ethical beliefs and personal moral philosophies. Results demonstrate that the ability to appraise and express emotions in oneself is directly negatively related to beliefs regarding actively benefiting from illegal actions as a consumer, passively benefiting at the expense of the seller and actively benefiting from questionable but legal actions as a consumer. The ability to appraise and express emotions in oneself is directly positively related to beliefs regarding ‘doing-good’ actions. The ability to appraise and recognise emotions in others is also directly positively related to beliefs regarding ‘doing-good’ actions as well as pro-environmental buying actions. The effects of the different components of emotional intelligence on consumers’ ethical beliefs are mediated by personal moral philosophies. This study demonstrates the relationship between emotional intelligence and consumer ethics and highlights the interplay of affect and cognition in consumers’ ethical decision-making. (shrink)

Wayne A. Davis uses his theory of happiness to clarify and deepen Rand's theory of emotion. He distinguishes belief from knowledge, volitive from appetitive desire, and occurrent thinking from believing. He suggests that values in Rand's sense are things we volitively desire. Happiness is defined in terms of the sum of the products of the degree of belief and desire functions over all thoughts. Davis then evaluates such Randian maxims as that happiness cannot be achieved by the pursuit of irrational (...) whims, and that emotions are not tools of cognition, but products of one's premises—one's philosophy. (shrink)

Michael S. Brady offers a new account of the role of emotions in our lives. He argues that emotional experiences do not give us information in the same way that perceptual experiences do. Instead, they serve our epistemic needs by capturing our attention and facilitating a reappraisal of the evaluative information that emotions themselves provide.

This volume includes essays presented at the conference on Emotions and Rationality in Moral Philosophy held at the Universities of Neuchâtel and Bern in October 2005. The authors of this volume share the Humean insight that the ‘sentiments’ have a crucial role to play in elucidating the practice of morality. In a Humean fashion, they warn us against taking an intellectualist view of emotions and reject the rationalist account of morality.

This volume includes essays presented at the conference on Emotions and Rationality in Moral Philosophy held at the Universities of Neuchâtel and Bern in October 2005. The authors of this volume share the Humean insight that the ‘sentiments’ have a crucial role to play in elucidating the practice of morality. In a Humean fashion, they warn us against taking an intellectualist view of emotions and reject the rationalist account of morality.

이 글은 정인보와 슐라이어마허가 의식과 존재에 대한 매우 유사한 관점을 지니고 있음을 드러내려는 취지로 작성되었다. 양자 모두 현상학적 성찰에서 출발한다는 뜻이다. 이 글의 논지는 다음과 같이 요약된다.BR 1. 정인보와 슐라이어마허는 현상학적 태도를 공유한다. 즉, 양자는 상습적인, 통상 당연한 것으로 여겨지는 이해의 방식들을 괄호치기한다.BR 2. 정인보와 슐라이어마허는 의식을 세계와 외적 대립의 관계를 형성하는 것으로 간주하지 않는다. 양자에게 우리의 의식과 세계 사이에는 객관적으로 실증될 수 있는 어떤 거리도 없다. 즉, 순수하게 내부적인 의식은 존재하지 않는다.BR 3. 정인보와 슐라이어마허는 일종의 지각현상학을 공유하는 바, 세계의 (...) 존재자들은 능동적 주체로서의 우리에 의해 지각되는 정적 객체들이 아니라는 성찰이 그 근본 출발점이다. 양자에 따르면 우리가 그 무엇을 지각하는 순간은 우리가 지각된 존재자들과 언제나 이미 감각적으로-정서적으로 통하여 함께 상응하게 되었다는 것을 알린다. 이것은 우리의 존재가 세계의 존재자들과 외적 대립의 관계를 형성하는 능동적 주체로서의 존재가 아니라는 것을 뜻한다. 양자의 관점에서 보면 우리는 세계와의 근본적 통일성인 그 자신의 존재에 반응하는 행위자로서 규정되어야 한다. (shrink)

“Studies on the emotions became popular in the analytically oriented philosophy of mind in the 1980s” , the author begins, but the status of emotion as reason’s rival or complement in the directing of human nature is, of course, of perennial interest to philosophy per se. True, the topic has acquired a certain prominence in recent decades, and this has led to useful historical investigations, although, as the author says, many more of them have been on (...) class='Hi'>emotions in ancient than in medieval philosophy . In four chapters, he presents a continuous history of philosophical reflection on emotion from Plato to the fourteenth-century Franciscan Adam Wodeham, and late medieval compendia. Along the way he summarizes and comments on a large number of texts in whole or in part, regularly quotes from them in English translation, and often supplies the more significant Greek and Latin terms. For discussion of ancient theories, he acknowledges reliance on works by Martha Nussbaum and Richard Sorabji, but his scholarship extends to a wide range of primary sources and other historical studies. His recognition of the bearing of both theological and medical works on his subject is noteworthy: it is a mark of the singularity of emotion—or, as it is. (shrink)

Matravers examines how emotions form the bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; and we may experience emotions toward, or on behalf of, a particular fictional character. Matravers shows that what these experiences have in common, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. He carries out a critical survey of (...) various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defense of a controversial view about musical expression: that music works by expressing the emotions it causes its listeners to feel. (shrink)

What are emotions? What role do they play in our lives? Are emotions irrational responses or essential to theoretical and practical reasoning? Do they help us achieve goals? How do emotions feel? Because emotions occupy such a central place in our lives they have increasingly come under philosophical scrutiny. Today a complex body of thought exists on emotion, offering competing accounts of the interrelation between emotion, cognition, and feeling. The Philosophy of Emotion opens with a (...) clear overview of theories of emotion from Darwin and Freud to contemporary analysis in philosophy of mind and moral psychology. The book goes on to examine why emotions matter to us, exploring the connections with thought, judgment, sensation, moral value, aesthetic value, action, and the question of our responsibility for our emotions. The Philosophy of Emotion presents a comprehensive introduction to philosophical approaches to the emotions and the search to explain how and why emotions are valuable. (shrink)

Philosophical work on the emotions can take a variety of forms, among which the following three are perhaps most common. There are, first, studies that attempt to analyse the nature of emotions in general, identifying the features that distinguish them from psychological states of other kinds, and their connections with such phenomena as rationality, perception, experience, memory, action, and the like. Second, there are works that focus on particular emotions or classes of emotion, such as guilt, pride, (...) love, and friendship; these works attempt to identify the features that set the selected emotions apart from other emotional states, tracing their links with cognition and affect and their characteristic expression in action. There are, finally, studies of the significance of the emotions for the philosophical understanding of morality. These typically address questions concerning the importance of emotions for character, action, and moral education, and explore the implications of such questions for traditional conceptions of practical reason and moral principle. (shrink)

The aim of this chapter is to discuss the relevance that emotions can play in our epistemic life considering the state of the art of the philosophical debate on emotions. The strategy is the one of focusing on the three main models on emotions as evaluative judgements, bodily feelings, and perceptions, following the fil rouge of emotion intentionality for rising questions about their epistemic functions. From this examination, a major challenge to mainstream epistemology arises, the one that (...) asks to provide prominence to the epistemic agent and to her affects. This chapter discusses these implications, also providing an overview of the many alternatives available nowadays in epistemology, arguing for an open, comprehensive, and interdisciplinary approach to emotions in knowledge. (shrink)

Life, on a day to day basis, is a sequence of emotional states: hope, disappointment, irritation, anger, affection, envy, pride, embarrassment, joy, sadness and many more. We know intuitively that these states express deep things about our character and our view of the world. But what are emotions and why are they so important to us? In one of the most extensive investigations of the emotions ever published, Robert Roberts develops a novel conception of what emotions are (...) and then applies it to a large range of types of emotion and related phenomena. In so doing he lays the foundations for a deeper understanding of our evaluative judgments, our actions, our personal relationships and our fundamental well-being. Aimed principally at philosophers and psychologists, this book will certainly be accessible to readers in other disciplines such as religion and anthropology. (shrink)

Philosophical work on the emotions can take a variety of forms, among which the following three are perhaps most common. There are, first, studies that attempt to analyse the nature of emotions in general, identifying the features that distinguish them from psychological states of other kinds, and their connections with such phenomena as rationality, perception, experience, memory, action, and the like. Second, there are works that focus on particular emotions or classes of emotion, such as guilt, pride, (...) love, and friendship; these works attempt to identify the features that set the selected emotions apart from other emotional states, tracing their links with cognition and affect and their characteristic expression in action. There are, finally, studies of the significance of the emotions for the philosophical understanding of morality. These typically address questions concerning the importance of emotions for character, action, and moral education, and explore the implications of such questions for traditional conceptions of practical reason and moral principle. (shrink)