Amie Thomasson and I are in agreement about artifacts, in particular about the existential dependence of artifacts on human intentions. Thomasson says, “Since the very idea of an artifact is of something mind-dependent in certain ways, accepting mindindependence as an across-the-board criterion for existence gives us no reason to deny the existence of artifacts; it merely begs the question against them.” I agree entirely.

Artifacts are objects intentionally made to serve a given purpose; natural objects come into being without human intervention. I shall argue that this difference does not signal any ontological deficiency in artifacts qua artifacts. After sketching my view of artifacts as ordinary objects, I’ll argue that ways of demarcating genuine substances do not draw a line with artifacts on one side and natural objects on the other. Finally, I’ll suggest that philosophers have downgraded artifacts because they think of metaphysics as (...) resting on a distinction between what is “mind­independent” and what is “mind­ dependent.” I’ll challenge the use of any such distinction as a foundation for metaphysics. (shrink)

Lynne Rudder Baker presents and defends a unique account of the material world: the Constitution View. In contrast to leading metaphysical views that take everyday things to be either non-existent or reducible to micro-objects, the Constitution View construes familiar things as irreducible parts of reality. Although they are ultimately constituted by microphysical particles, everyday objects are neither identical to, nor reducible to, the aggregates of microphysical particles that constitute them. The result is genuine ontological diversity: people, bacteria, donkeys, mountains and (...) microscopes are fundamentally different kinds of things - all constituted by, but not identical to, aggregates of particles. Baker supports her account with discussions of non-reductive causation, vagueness, mereology, artifacts, three-dimensionalism, ontological novelty, ontological levels and emergence. The upshot is a unified ontological theory of the entire material world that irreducibly contains people, as well as non-human living things and inanimate objects. (shrink)

“Form follows function,” the slogan of modernist architecture, could well be a slogan of artefacts generally. Since the choice of material for a tool is guided by the function of the tool, we may be tempted to think that having a functional nature distinguishes artefacts from natural objects. But that would be a mistake. Certain natural objects—especially biological entities like mammalian hearts—have functional natures too.

Beginning with Aristotle, philosophers have taken artifacts to be ontologically deficient. This paper proposes a theory of artifacts, according to which artifacts are ontologically on a par with other material objects. I formulate a nonreductive theory that regards artifacts as constituted by - but not identical to - aggregates of particles. After setting out the theory, I rebut a number of arguments that disparage the ontological status of artifacts.

In non-philosophical discourse, “identity” is often used when the specific character of artefacts is described or evaluated. We argue that this usage of “identity” can be explicated as referring to the symbol properties of artefacts as they are conceptualized in the symbol theory of Goodman and Elgin. This explication is backed by an analysis of various uses of “identity”. The explicandum clearly differs from the concepts of numerical identity, qualitative identity and essence, but it has a range of similarities with (...) the notion of self-concept used in psychology and practical philosophy. The proposed explication is used to analyse claims about identity-pluralism and identity-conflicts. Firstly, the explication allows us to distinguish various ways how the same artefact can have a plurality of identities. Secondly, more or less sharp conflicts within an identity or between identities of an artefact are distinguished. Thirdly, many phenomena called “identity-conflicts” are only apparently identity-conflicts and can be analysed as involving some other form of tension. (shrink)

What determines our intuitions as to which objects are members of specific artifact kinds? Prior research suggests that factors such as physical appearance, current use, and intended function are not at the core of concepts such as chair, clock and pawn. The theory presented here, based on Levinson`s (1993) intentional-historical theory of our concept of art, is that we determine that something is a member of a given artifact kind by inferring that it was successfully created with the intention to (...) belong to that kind. This theory can explain why some properties (such as shape) are more important than others (such as color) when we determine kind membership and can account for why certain objects are judged to be members of artifact kinds even though they are highly dissimilar from other members of the kinds. It can also provide a framework for explaining the conditions under which broken objects cease to be members of their kinds and new artifacts can come into existence. This account of our understanding of artifact concepts is argued to be consistent with more general "essentialist" theories of our understanding of concepts corresponding to proper.. (shrink)

How do young children extend names for human-made artifacts, such as knife, toy, and painting? We addressed this issue by showing 3-year-olds, 5-year-olds, and adults a series of simple objects and asking them for each, `What is this?' In one condition, the objects were described as purposefully created; in another, the objects were described as being created by accident. This manipulation had a signi®cant effect on the participants' responses: even 3- year-olds were more likely to provide artifact names (e.g. `a (...) knife') when they believed the objects were intentionally created and material-based descriptions (e.g. `plastic') when they believed the objects were accidentally created. This result supports a theory of artifact naming in which intuitions about intention play an important role. q 2000 Elsevier Science B.V. All rights reserved. (shrink)

The goal of the paper is to analyse some specific features of a very central concept for top-level ontologies for information systems: i.e. the concept of artefact. Specifically, we analyse the relation to be a copy of that is strongly linked to the notion of artefact and—as we will demonstrate—could be useful to distinguish artefacts from objects of other kinds. Firstly, we outline some intuitive and commonsensical reasons for the need of a clarification of the notion of artefact in ontologies (...) for information systems, and we analyse some characterisations of the notion given by two top-level ontologies (Cyc and Wordnet). Secondly, we introduce and critically analyse Tzouvaras’ notion of copy. Thirdly, we try to complete an analysis of copy by distinguishing three kinds of copies: replicas (Tzouvaras’ notion of copy), rigid copies, and functional copies. With the help of these three notions we outline a first and preliminary distinction between artefacts, objects of art and natural objects. (shrink)

This fascinating collection on artifacts brings together seven papers by philosophers with nine by psychologists, biologists, and an archaeologist. The psychological papers include two excellent discussions of empirical work on the mental representation of artifact concepts – an assessment by Malt and Sloman of a large variety of studies on the conflicting ways we classify artifacts and extend our applications of artifact categories to new cases, and a review by Mahon and Caramazza of data from semantically impaired patients and from (...) neuroimaging on concepts of living kinds versus artifact kinds. Following these are three papers on the development of artifact concepts in children, including a short but provocative piece by Keil, Greif, and Kerner arguing that there is a mismatch between the patterns of development for our concepts of artifacts and the patterns of representation we end up developing. The final part of the book includes authoritative papers on artifact use by insects, birds, and mammals, by primates, and by Australopithecines and Neanderthals. (shrink)

In a recent article, Harold Noonan argues that application conditions and criteria of identity are not distinct from one another. This seems to threaten the standard approach to distinguishing sortals from adjectival terms. I propose that his observation, while correct, does not have this consequence. I present a simple scheme for distinguishing sortals from adjectival terms. I also propose an amended version of the standard canonical form of criteria of identity.

Musical Platonists identify musical works with abstract sound structures but this implies that they are not created but only discovered. Jerrold Levinson adapts Platonism to allow for creation by identifying musical works with indicated sound structures. In this paper I explore the similarities between Levinson’s view and Kit Fine’s theory of qua objects. Fine offers the theory of qua objects as an account of..

The paper contains a first order formal theory pertaining to artefact designs, designs which are construed as the results of designing activities. The theory is based on a minimal ontology of states of affairs and it is inspired by the ideas of the Polish philosopher Roman Ingarden. After differentiating the philosophical notion of design from the engineering notion of design specifications, I then go on to argue that the philosophical category of artefact designs may be compared with Ingarden’s category of (...) intentional states of affairs. At least some artefacts are found to be determined by more than one design. I also show how this ontological framework allows for the distinction between artefact tokens and artefact types. That leads to a proposal on how to define a criterion of identity for artefact types. The proposed theory serves as a basis both for a better understanding of what artefacts are and for the construction of computer-readable models of design specifications. (shrink)

Software is a ubiquitous artifact, yet not much has been done to understand its ontological nature. There are a few accounts offered so far about the nature of software. I argue that none of those accounts give a plausible picture of the nature of software. I draw attention to the striking similarities between software and musical works. These similarities motivate to look more closely on the discussions regarding the nature of the musical works. With the lessons drawn from the ontology (...) of musical works I offer a novel account of the nature of software. In this account, software is an abstract artifact. I elaborate the conditions under which software comes into existence; how it persists; how and on which entities its existence depends. (shrink)

Ontology tends to be held in deep suspicion by many currently engaged in the study of technology. The aim of this paper is to suggest an ontology of technology that will be both acceptable to ontology’s critics and useful for those engaged with technology. By drawing upon recent developments in social ontology and extending these into the technological realm it is possible to sustain a conception of technology that is not only irreducibly social but able to give due weight to (...) those features that distinguish technical objects from other artefacts. These distinctions, however, require talk of different kinds of causal powers and different types of activity aimed at harnessing such powers. Such discussions are largely absent in recent technological debates, but turn out to be significant both for ongoing technology research and for the recasting of some more traditional debates within the philosophy of technology. (shrink)

This volume will be a fascinating resource for philosophers, cognitive scientists, and psychologists, and the starting point for future research in the study of ...

Function theorists routinely speculate that a viable function theory will be equally applicable to biological traits and artifacts. However, artifact function has received only the most cursory scrutiny in its own right. Closer scrutiny reveals that only a pluralist theory comprising two distinct notions of function--proper function and system function--will serve as an adequate general theory. The first section describes these two notions of function. The second section shows why both notions are necessary, by showing that attempts to do away (...) with one of them fail. This demonstration draws on examples from the artifactual realm to motivate major points of the argument. The third section is an outline of artifact function. It confirms the conclusions of the second section, and also begins the task of describing some of the special features of artifact function needing accommodation within the general theory. (shrink)

The problem of the many poses the task of explaining mereological indeterminacy of ordinary objects in a way that sustains our familiar practice of counting these objects. The aim of this essay is to develop a solution to the problem of the many that is based on an account of mereological indeterminacy as having its source in how ordinary objects are, independently of how we represent them. At the center of the account stands a quasi-hylomorphic ontology of ordinary objects as (...) material objects with multiple individual forms. (shrink)

3-; much of this book attests, a wealth of research provides evidence that human infants have a core capacity for representing objects and their zotions. The environment contains a diversity of objects, however, with varied properties and behaviors. Objects such as pebbles and blocks are inert; tev move or change only in response to an external force. Objects such as utterflies and cars have internal mechanisms generating forces that can propel them. Self-propelled objects can be further differentiated, according to ine (...) nature and characteristic pattern of their motions and the circumstances fiat evoke them. To navigate successfully in this diverse and changing envitonment, perceivers and actors must categorize the objects around them appropriately, determining what kind of thing each object is and how it is Llcely to behave. (shrink)

Are a statue and the lump of clay that constitutes it one object or two? Many philosophers have answered ‘two’ because the lump seems to have properties, such as the property of being able to survive flattening, that the statue lacks. This answer faces a serious problem: it seems that nothing grounds the difference in properties between colocated objects. The statue and lump are in the same environment and inherit properties from the same composing parts. But it seems that differences (...) in properties should be grounded. For this reason, philosophers including Mark Heller, Dean Zimmerman, Theodore Sider, Trenton Merricks, and Eric Olson have rejected the answer ‘two’. -/- I offer a solution to the grounding problem, in order to revive the traditional account. I argue that extrinsic relations contribute to the supervenience base of many kinds or sorts, and these extrinsic relations ground differences between colocated objects, such as statues and lumps of clay, human beings and lumps of tissue, and planets and masses of matter. The same collection of parts can stand in more than one extrinsic relation, with each relation grounding the composition of a distinct kind of object. In cases in which this happens, the properties of each object differ from the properties of other objects that share the same parts. (shrink)

Arguments that ordinary inanimate objects such as tables and chairs, sticks and stones, simply do not exist have become increasingly common and increasingly prominent. Some are based on demands for parsimony or for a non-arbitrary answer to the special composition question; others arise from prohibitions against causal redundancy, ontological vagueness, or co-location; and others still come from worries that a common sense ontology would be a rival to a scientific one. Until now, little has been done to address these arguments (...) in a unified and systematic way. Ordinary Objects is designed to fill this gap, demonstrating that the mistakes behind all of these superficially diverse eliminativist arguments may be traced to a common source. It aims to develop an ontology of ordinary objects subject to no such problems, providing perhaps the first sustained defense of a common sense ontology in two generations. The work done along the way addresses a number of major issues in philosophy of language and metaphysics, contributing to debates about analyticity, identity conditions, co-location and the grounding problem, vagueness, overdetermination, parsimony, and ontological commitment. In the end, the most important result of addressing these eliminativist arguments is not merely avoiding their conclusions; examining their failings also gives us reason to suspect that many apparent disputes in ontology are pseudo-debates. For it brings into question widely-held assumptions about which uses of metaphysical principles are appropriate, which metaphysical demands are answerable, and how we should go about addressing such fundamental questions as "What exists?". As a result, the work of Ordinary Objects promises to provide not only the route to a reflective understanding of our unreflective common-sense view, but also a better understanding of the proper methods and limits of metaphysics. (shrink)

Crawford Elder’s Real Natures and Familiar Objects promises to give naturalistically inclined metaphysicians reason to accept an ontology that includes many common sense objects, including persons, organisms, and at least many artifacts, behaviors, customs, and so on. This is a brave book, running against the current of trends towards austerity in ontology, tackling centuries old problems about how modal facts may be empirically discovered, and defending a commonsense ontology from a strictly naturalistic approach rather than via traditional appeals to ordinary (...) language or common sense. (shrink)

It is often noted that institutional objects and artifacts depend on human beliefs and intentions and so fail to meet the realist paradigm of mind-independent objects. In this paper I draw out exactly in what ways the thesis of mind-independence fails, and show that it has some surprising consequences. For the specific forms of mind-dependence involved entail that we have certain forms of epistemic privilege with regard to our own institutional and artifactual kinds, protecting us from certain possibilities of ignorance (...) and error; they also demonstrate that not all cases of reference to these kinds can proceed along a causal model. As a result, realist views in ontology, epistemology, and semantics that were developed with natural scientific kinds in mind cannot fully apply to the everyday world. In closing I consider some wider consequences of these results for social science and philosophy. (shrink)

The consensus is that musical works and other ‘multiple’ artworks are abstract objects of some sort. According to the standard objections to musical materialism, multiple artworks cannot be identified with any concrete manifestation since concrete manifestations are many, and one thing cannot be identical to many. Multiple artworks are particularly good, while particular concrete manifestations are particularly bad, at surviving the destruction of particular concrete manifestations. Finally, multiple artworks cannot be identified with a particular sum of concrete manifestations since sums (...) and works differ modally. This paper aims to show that by appealing to recent work on the metaphysics of material objects, musical materialists avoid the standard objections. (shrink)

This paper critically examines the forays into metaphysics of The Dual Nature of Technical Artifacts Program (henceforth, DNP). I argue that the work of DNP is a valuable contribution to the epistemology of certain aspects of artifact design and use, but that it fails to advance a persuasive metaphysic. A central problem is that DNP approaches ontology from within a functionalist framework that is mainly concerned with ascriptions and justified beliefs. Thus, the materiality of artifacts emerges only as the external (...) conditions of realizability of function ascription. The work of DNP has a strong programmatic aspect and much of its foray into metaphysics is tentative, so the intent of my argument is partly synthetic: to sum up these issues as they are presented in the literature and highlight some recognized problems. But I also go beyond that, suggesting that these problems are foundational, arising from the very way in which DNP poses the question of artifact metaphysics. Although it sets out to incorporate objective aspects of technology, DNP places a strong focus on the intentional side of the purported matter-mind duality, bracketing off materiality in an irretrievable manner. Thus, some of the advantages of dualism are lost. I claim that DNP is dualistic, not merely based on “duality”, but that its version of dualism does not appropriately account for the material “nature” of artifacts. The paper ends by suggesting some correctives and alternatives to Dual Nature theory. (shrink)

An essential property is a property that an object possesses in every possible world in which that object exists. An individual essence is a property (or set of properties) that an object possesses in every world in which that object exists, and that no other object possesses in any possible world. Call the claim that some artifacts possess an individual essence ‘artifactual essentialism’. I will argue that artifactual essentialism is true.

In trying to establish the view that there are no non-living macrophysical objects, Trenton Merricks has produced an influential argument—the Overdetermination Argument—against the causal efficacy of composite objects. A serious problem for the Overdetermination Argument is the ambiguity in the notion of overdetermination that is being employed, which is due to the fact that Merricks does not provide any theory of causation to support his claims. Once we adopt a plausible theory of causation, viz. interventionism, problems with the Overdetermination will (...) become evident. After laying out the Overdetermination Argument and examining one extant objection to it, I will explicate the relevant aspects of an interventionist theory of causation and provide a characterization of overdetermination that follows from such an account. From this, I will argue that the Causal Principle that undergirds the Overdetermination Argument is false and hence the argument is invalid; and I claim that the only other available characterization of overdetermination would render a key premise in the argument false. Thus, the Overdetermination Argument fails to provide us with any reason to deny the causal efficacy of macrophysical objects, and therefore provides no reason to doubt their existence. (shrink)