In this essay I argue that the traditional mind-body problem, which seems intractable in its own terms, could be helpfully reconfigured by drawing on insights from the Phenomenological tradition concerning the “body-subject” or “lived body.” Rather than attempting to explain how consciousness relates to the body as understood by the natural sciences, the Phenomenologists concentrate on elucidating the first-person sense that we have of our own bodies in ordinary, prescientific existence. After surveying the traditional mind-body problem in section 1, I (...) introduce the Phenomenological account of embodied subjectivity in section 2. In the remainder of the essay I discuss two important issues raised by this account. First, in section 3, I consider how we can relate our everyday sense of ourselves as embodied subjects to the scientific understanding of the human body—what we might call the “body-body problem.” I argue that, in any case, the latter understanding cannot coherently be supposed to undermine or debunk the former. Secondly, in section 4, I consider whether the Phenomenological stress on the bodily nature of subjectivity allows any room for the notion of disembodied existence. (shrink)

In the philosophy of Merleau-Ponty, learning is not a paradox, as suggested by Plato’s Meno, but the fundamental form of experience. To experience is precisely to be permeable and open to being reshaped by one’s experiences. I explore the reconceptualization of the human subject within Merleau-Ponty’s philosophy that allows us to understand how the body-subject can be a learning subject. Fundamentally this involves consideration of the nature of habit, and the way in which habit simultaneously locks us into a repressiveattachment (...) to a specific past and opens us up to the possibilities of meaningful engagement with the world. Through an analysis of the temporality of habit, I conclude that understanding habit as the fundamental launching-place of learning also allows us to see how essential learning is to the experience of human freedom. (shrink)

Experiential consciousness is characterized by subjectivity: There is something it is like to be a subject of experience – a first-personal perspective, a what-it-is-like-for-me. In this paper I defend two proposals. First, I contend that to understand the subjectivity of consciousness we must turn to the subject: we are embodied sub- jects of experience. Thus, I argue, the subjectivity of experiential consciousness should be understood as a bodily subjectivity. Sec- ond, if we take this approach, (...) I propose that we can finally begin to explain the structure of experiential consciousness as subjective by looking at certain bodily processes in particular interoception. (shrink)

This paper examines two different ways of understanding the concept of bodily integrity and their political implications. In Drucilla Cornell's use of the concept, the body cannot be separated from the mind. Protecting bodily integrity means protecting possibilities of imagining the self as whole. Martha Nussbaum's theorizing is based on a liberal way of conceptualizing subjectivity, in which the mind and the body are separate, and bodily integrity is used to refer to physical inviolability.

This paper is about one of the puzzles of bodily self-consciousness: can an experience be both and at the same time an experience of one′s physicality and of one′s subjectivity ? We will answer this question positively by determining a form of experience where the body′s physicality is experienced in a non-reifying manner. We will consider a form of experience of oneself as bodily which is different from both “prenoetic embodiment” and “pre-reflective bodily consciousness” and rather (...) corresponds to a form of reflective access to subjectivity at the bodily level. In particular, we argue that subjectivity is bodily expressed, thereby allowing the experience of the body′s subjectivity directly during perceptual experiences of the body. We use an interweaving of phenomenological explorations and ethnographical methods which allows validating this proposal by considering the experience of body experts (dancers). (shrink)

This paper treats Deleuze's first synthesis of time and the corresponding concept of larval subjectivity by routing it through a biophilosophy of organism. I develop, out of my reading of Deleuze, a temporal concept of organismic subjectivity.

The naturalization of consciousness and the way a subjective perspective arises are hotly debated both in the cognitive sciences and in more strictly philosophical contexts. A number of these debates, mainly inspired by neuroscientific findings, focus on the ‘visceral’ dimension of the body in order to formulate a hypothesis for the coming about of consciousness. This focus on what might be called the ‘in-depth body’ shows that consciousness or the subjective perspective is intimately linked with vital and visceral regulatory processes.I (...) join the debate by arguing that representationalist accounts of the origin of consciousness in the in-depth body exhibit a number of flaws hitherto mainly unnoticed. Furthermore, some aspects of neuroscientific theories are explored as possible validations of a nonrepresentationalist model of consciousness and the subjective perspective. Inspired by phenomenological philosophy, I present a hypothesis in which the subjective perspective constitutes itself and in which the ‘in-depth’ body is not the object of representations in the brain. Rather, the ‘in-depth body’ is in a non-objectified way built-in in the subjective perspective itself. In this account, therefore, the subjective perspective looses its transparency and gains ‘interoceptive thickness’. (shrink)

Bodily movement has become an interesting topic in recent philosophy, both in analytic and phenomenological versions. Philosophy from Descartes to Kant defined the human being as a mental subject in a material body. This mechanistic attitude toward the body still lingers on in many studies of motor learning and control. The article shows how alternative philosophical views can give a better understanding of bodily movement. The article starts with Heidegger's contribution to overcoming the subject-object dichotomy and his new (...) understanding of the primacy of the practical involvement with the surrounding world. Heidegger, however, in many ways neglected the role of the human body. Merleau-Ponty took a huge step forward when he focused on the bodily intentionality of our interaction with the world. The next step was taken by Samuel Todes who presented a better understanding of how we are bodily oriented in space. After having seen how the body is oriented outward towards the environment it is proper that the final part of this article goes inward toward the role of bodily awareness and the role of proprioception in human movement. The goal of the presentation is to contribute to a better understanding of what goes on in sport. The article therefore uses examples from sport, especially football, to show the relevance of the new insights for sport studies. (shrink)

The concept of bodily alienation is promising for critical phenomenologies of race because it marries description and evaluation. With this concept, we can go beyond mere descriptions of lived experience and provide arguments for challenging the status quo. In fact, we can steer clear of another danger: an overly “objective” form of theorizing about race that is unresponsive to the lived experiences of the subjects whose lives it aims to reimagine. By contrast, phenomenologies founded on the concept of (...) class='Hi'>bodily alienation teach us which social interactions and spaces alienate people of color. In turn, this knowledge can help us envision a more hospitable world for all. (shrink)

The study addresses some aspects of Suprematist theory of perception, allowing to investigate the structure of Suprematist phenomenon in the context of ontology, socio-political and religious-mystical works of K. Malevich. The aim of the paper is to present Malevich’s theory of perception in the framework of enactivism. Namely, the article focuses on the theory of social affordances, which today is widely used in design, game development and other everyday practices. The author refers to Malevich’s theoretical and sociopolitical essays, as well (...) as to the commentary literature. Although Suprematism represents a well-researched tradition in art theory, the author stress the need for a follow-up study of Malevich’s theoretical essays in the contemporary context of philosophy of consciousness. The author also emphasizes the relevance of Suprematist philosophy for today’s way of thinking. For the most authentic presentation of Malevich’s ideas I use the phenomenological and hermeneutical method on a par with elements of the ecological approach in psychology and enactivism in the philosophy of consciousness. Consequently, the theory of affordances an effective and natural unification of all the aspects discussed above. The study shows the affinity of Malevich’s ideas to this theory. The author focused on the thesis of feeling as the goal of the expressive act of art. As one could see, Kazemir Malevich always emphasized the bodily-affective dimension of art, and in this sense he participated in a global cultural-historical shift in our conception of the essence of art. Since then, art has ceased to be elitist, but has instead inherited everyday practices. Thus, Malevich speaks of a new art that suits the man of the new world, the Soviet citizen. In this context, I relate the idea of affordance, which means the creation of a feeling-opportunity for subjective action (agency), to the artistic act whose goal, according to Malevich, is the creation of an emotional body-affective feeling. I defend the theory of social affordances, explaining the mechanism of social interaction, as the most adequate model for explaining Suprematism. As a result, based on the already developed concept of bodily-affective dynamics, I show how visionary and creative Malevich was, and how his ideas contribute to the development of a theory of social, emotional affordances. (shrink)

Reflection is generally considered to be important for learning from simulation-based training in professional and vocational education. The mainstream conceptualization of reflection is argued to rest on a dualistic ground separating the mind from the body. Drawing on phenomenological analyses of bodily awareness and an ethnographic case study of maritime safety training we show how and why students’ embodied experiences and subjectivity play a foundational role in reflection. We develop and illustrate the notion of bodily-awareness-in-reflection which captures (...) a mode of reflection wherein non-conceptual pre-reflective bodily experiences are integrated with conceptual thought. In this way, we aim to enrich and complement prior work on simulation-based training and embodied professional learning by providing an enactivist epistemological foundation of reflection in debriefing, highlighting awareness of the lived body as a necessary ground of reflective self-knowledge. (shrink)

Chakravarthi Ram-Prasad offers illuminating new perspectives on contemporary phenomenological theories of body and subjectivity, based on studies of diverse classical Indian texts. He argues for a 'phenomenological ecology' of bodily subjectivity in health, gender, contemplation, and lovemaking.

Patients with somatoparaphrenia articulate a disavowal of ownership over a extremity. In philosophy, somatoparaphrenia serves as a focal point for discussions concerning the intricacies of self-awareness, specifically the sense of ownership inherent in all mental experiences. Additionally, this disorder prompts reflections on bodily self-awareness, namely, the perception of a body part as an integral component of bodily spatiality. I extend beyond conventional discussions, positing that somatoparaphrenia introduces an anomalous intercorporeal dimension. Diverging from other pathologies associated with bodily (...) spatiality, in somatoparaphrenia the subject establishes a sense of otherness beyond the confines of their organic body: the alien extremity becomes ascribed to another. The exposition is done in two parts. First, I engage in philosophical discourse on bodily awareness, utilizing somatoparaphrenia as an illustrative example. Subsequently, I discuss the issue of otherness within the context of somatoparaphrenia, elucidating the rationale behind conceptualizing this disorder as an intercorporeal experience. (shrink)

Is it possible to donate unpaired vital organs, foreseeing but not intending one's own death? We argue that this is indeed psychologically possible, and thus far agree with Charles Camosy and Joseph Vukov in their recent paper on 'double effect donation.' Where we disagree with these authors is that we see double effect donation not as a morally praiseworthy act akin to martyrdom but as a morally impermissible act that necessarily disrespects human bodily integrity. Respect for bodily integrity (...) goes beyond avoiding the aim to kill: not all side effects of deliberate bodily interventions can be outweighed by intended benefits for another even if the subject fully consents. It is not any necessary intention to kill or harm another or oneself that makes lethal donation/harvesting illicit but the more immediate intention to accept or perform surgery on an (innocent) person combined with the foresight of lethal harm and no health-related good for him or her. Double effect donation falls foul of the first condition of double effect reasoning in that the immediate act is wrong in itself. We argue further that the wider effects of such donation would be socially disastrous and corrupting of the medical profession: doctors should retain a sense of nonnegotiable respect for bodily integrity even when they intervene on willing subjects for the benefit of others. (shrink)

This article analyzes the views of representatives of the scientific community on ancient Chinese landscape painting, emphasis is mainly placed on views that concern the spiritual qualities of landscape painting, as well as rethinking concepts that ignore the significance of sensual perception. Landscape painting is usually considered as a spiritual work of Taoism: landscape painting developed from Taoist thought, Taoist philosophy determined the identity of the artistic style and the inherent spirit of landscape painting. Moreover, some researchers even believe that (...) bodily contemplation of landscape painting means setting the very original nature of mountains and waters, and the "knowledge of the truth" is a spiritual process that is more blocked by the human capacity for sensual perception. Some of the scientists completely deny the possibility and truth of sensual perception of physical objects in landscape painting. The author of this article believes that the spiritual component of landscape painting lurks precisely in the value of sensual perception, and bodily contemplation of mountains and waters is impossible without the participation of the body, clear confirmation of which we find in the ancient Chinese theory of arts. Ancient Chinese works of art traditionally had a close connection with sensual perception through bodily contemplation. This process is not simply about capturing object information, but when the subject takes an active part in the vision of the object, when the subject gives feedback to the object, and through acquiring the object its meaning is transmitted. Only through bodily contemplation, the individual can fully feel the artistic value of landscape painting, and Taoist philosophy thus gains a real existence in landscape painting, becoming a kind of emotional thinking. (shrink)

This paper challenges the philosophical assumption that bodily sensations are free from normative constraints. It examines the normative status of bodily sensations through two studies: a corpus-linguistic analysis and an experimental investigation. The corpus analysis shows that while emotions are frequently subject to normative judgments concerning their appropriateness, similar attitudes are less evident towards bodily sensations like feelings of pain, hunger and cold. In contrast, however, the experimental study reveals notable differences in conceptions of bodily sensations. (...) It finds that sensations of hunger and cold are occasionally subject to normative assessment, with about half of the participants considering it reasonable to assess these sensations normatively. (shrink)

The experience of one’s body as one’s own is normally referred to as one’s “bodily sense of ownership” (BSO). Despite its centrality and importance in our lives, BSO is highly elusive and complex. Different psychopathologies demonstrate that a BSO is unnecessary and that it is possible to develop a limited BSO that extends beyond the borders of one’s biological body. Therefore, it is worth asking: what grounds one’s BSO? The purpose of this paper is to sketch a preliminary answer (...) to the ‘grounding question.’ Thus, I begin by briefly presenting some contemporary competing hypotheses concerning the ‘grounding question’ and explain why they seem unsatisfying. Second, I discuss the “dual-aspect” of bodily awareness, which is manifest in every normal tactile experience and consists in a subject-object structure of awareness. I then argue that the “dual-aspect” of bodily awareness has the potential of explaining BSO and can, therefore, be considered its grounds. Taking the “dual-aspect” of bodily awareness as the grounds of BSO manages to escape difficulties faced by contemporary hypotheses concerning BSO, fulfills certain necessary demands upon any account of BSO, and explains relevant empirical findings and psychopathologies. Consequently, I argue that it is a hypothesis worth pursuing. (shrink)

Subjects suffering from extreme peripheral deafferentation can recruit vision to perform a significant range of basic physical actions with limbs they can’t proprioceptively feel. Self-ascriptions of deafferented action – just as deafferented action itself – fundamentally depend, therefore, on visual information of limb position and movement. But what’s the significance of this result for the concept of self patently at work in these self-ascriptions? In this paper, I argue that these cases show that bodily awareness grounding employment of the (...) self-concept in self-ascriptions of action can be fundamentally third-personal and concern a body that is not presented as one’s own, but as an object among others. (shrink)

As a consequence of recent changes, health research policies in the United States mandate the inclusion of women and members of racial and ethnic minority groups as experimental subjects in biomedical research. This article analyzes debates that underlie these policies and that concern the medical management of bodies, groups, identities and differences. Much of the uncertainty surrounding these new policies reflects the fact that researchers, physicians, policy makers and health advocates have adopted competing, and often murky, understandings of the nature (...) of sex, gender, racial and ethnic differences, and of the relation of the biological to the social in the manifestation of bodily illness. (shrink)

Humans all around the world are drawn to creating and consuming art due to its capability to evoke emotions, but the mechanisms underlying art-evoked feelings remain poorly characterised. Here we show how embodiement contributes to emotions evoked by a large database of visual art pieces (n = 336). In four experiments, we mapped the subjective feeling space of art-evoked emotions (n = 244), quantified “bodily fingerprints” of these emotions (n = 615), and recorded the subjects’ interest annotations (n = (...) 306) and eye movements (n = 21) while viewing the art. We show that art evokes a wide spectrum of feelings, and that the bodily fingerprints triggered by art are central to these feelings, especially in artworks where human figures are salient. Altogether these results support the model that bodily sensations are central to the aesthetic experience. (shrink)

According to proponents of the sensorimotor contingency theory of perception (Hurley & Noë 2003, Noë 2004, O’Regan 2011), active control of camera movement is necessary for the emergence of distal attribution in tactile-visual sensory substitution (TVSS) because it enables the subject to acquire knowledge of the way stimulation in the substituting modality varies as a function of self-initiated, bodily action. This chapter, by contrast, approaches distal attribution as a solution to a causal inference problem faced by the subject’s perceptual (...) systems. Given all of the available endogenous and exogenous evidence available to those systems, what is the most probable source of stimulation in the substituting modality? From this perspective, active control over the camera’s movements matters for rather different reasons. Most importantly, it generates proprioceptive and efference-copy based information about the camera’s body-relative position necessary to make use of the spatial cues present in the stimulation that the subject receives for purposes of egocentric object localization. (shrink)

In bodily awareness body parts are felt to occupy locations relative to the rest of the body. Bodily sensations are felt to be, in Brian O’Shaughnessy’s terms ‘in-a-certain-body-part-at-a-position-in-body-relative-physical-space’. In this paper I put forward a dispositional account of the structure of the spatial content of bodily awareness, which takes inspiration from Gareth Evans’s account of egocentric spatial content in The Varieties of Reference. On the Dispositional View, bodily awareness experiences have spatial content in virtue of a (...) set of connections having been established between somatosensory and proprioceptive inputs on the one hand, and motor outputs on the other hand. This kind of account, according to which spatial content depends constitutively on bodily action, has been challenged by a set of neurological cases and behavioural studies on healthy subjects. The evidence has been used to motivate a functional distinction between two kinds of body representation: representations for perception and representations for action. I review and assess some of the main sources of evidence for this distinction, arguing that the evidence presents a challenge to the dispositional view only if we accept the unjustified assumption that differences in task performance can only be explained in terms of a difference in representation. I close by proposing, and offering some empirical support for, an alternative explanation of the empirical results. The availability of the alternative explanation means that further work is needed to establish whether or not there is any challenge to the Dispositional View. (shrink)

In this paper, relying on both phenomenology and psychoanalysis, I introduce the concept of transbodily intentionality with the aim of exploring the significance of bodily expression for subjective constitution. The role of the body for the constitution of subjective experience becomes increasingly important in phenomenological analysis. This faces us with the challenge of understanding the intersubjective relevance of bodily processes together with the genetic turn of phenomenology. On this background, the revaluation of the concept of gesture comes into (...) light. The meaning of the gesture cannot be framed in an exclusively subjective context, but rather requires a communicative and intersubjective horizon. (shrink)

In certain startling neurological and psychiatric conditions, what is ordinarily most intimate and familiar to us—our own body—can feel alien. For instance, in cases of somatoparaphrenia subjects misattribute their body parts to others, while in cases of depersonalization subjects feel estranged from their bodies. These ownership disorders thus appear to consist in a loss of any feeling of bodily ownership, the felt sense we have of our bodies as our own. Against this interpretation of ownership disorders, I defend Sufficiency, (...) the thesis that every experience of bodily awareness suffices for a feeling of bodily ownership. Since Sufficiency conflicts with a face‐value interpretation of these ownership disorders, the burden is on me to explain away the apparent tension. To do so, I identify and correct what I believe to be the fundamental mistake in the extant literature on the feeling of bodily ownership, namely the tendency to treat the notion of a feeling of bodily ownership as a single psychological construct. Instead, I distinguish the feeling of minimal ownership, the first‐personal character of bodily awareness, from the feeling of affective ownership, the distinctive type of felt concern we have for our bodies. I motivate this distinction by raising the disownership puzzle, the fact that subjects suffering from ownership disorders display an ambiguous set of symptoms, arguing the distinction I draw between minimal and affective ownership is just what is required to resolve the puzzle. (shrink)

This article explores the relationship between the bodily presence of other humans in the lived urban world and the experience of everyday architecture. We suggest, from the perspectives of phenomenology and architecture, that being in the company of others changes the way the built environment appears to subjects, and that this enables us to perform simple daily tasks while still attending to the built environment. Our analysis shows that in mundane urban settings attending to the environment involves a unique (...) attentional mode, which does not rely on concentrating on, or appreciating the architectural objects, but rather on social attention and on the subject’s kinesthesis in relation to the built environment. (shrink)

This article argues against the no-self or nonegological account of bodily self-awareness. It proposes an account of consciousness that challenges Miri Albahari's forceful defence of a nonegological view of consciousness, particularly its sharp distinction between subject and self. It contends that the subject of experience is a bodily subject and not merely an embodied one and argues that in order to be a subject of experience even in the minimal sense of witnessing-from-a-perspective, one must be prereflectively aware of (...) oneself as a living body. It also argues in defence of the necessary presence of a minimal bodily sense of self as a constitutive feature of perspectival awareness of the world. (shrink)

Literature on bodily habit has often emphasised the inculcation of new bodily skills and embodied ways of being in practice. However, recent work demonstrates that skilled experts do focus on the body, its sensuous information, and engage in conscious and deliberate forms of bodily awareness during the performance of bodily skills. In this article, I present data from interviews with barbell coaches and yoga teachers in order to explore the social transmission of bodily knowledge. I (...) analyse accounts from these experts about the techniques and approaches they use to teach bodily skills, focusing on objective, subjective, and intersubjective strategies. I argue that while bodily knowledge is difficult to articulate, its fundamentally social basis means that it can be translated through coordinated activities and shaped by social processes. I thus advance literature on bodily knowledge by accounting for deliberation and reflexivity in learning bodily skills. (shrink)

Existing phenomenological accounts of anorexia nervosa suggest that various forms of bodily alienation and distorted bodily self-consciousness are common among subjects with this condition. Subjects often experience a sense of distance or estrangement from their body and its needs and demands. What is more, first-person reports and existing qualitative research reveal struggles with authenticity and a search for identity. Is there a connection between the two? I argue that to gain a fuller understanding of anorexia nervosa, how it (...) is experienced by subjects, and why many of them express concerns about authenticity, we need to look more closely at their experiences of bodily alienation and the ways in which they encounter a diminished sense of bodily ownership. After presenting a general overview of the various sorts of bodily alienation that appear to be characteristic of anorexia nervosa, I outline three conceptions of authenticity and introduce some empirical evidence indicating that many subjects with this condition have concerns about identity and authenticity. Then, I examine how different sorts of bodily alienation have the potential to compromise authenticity at various stages of the disorder. Throughout, I draw from several first-person accounts of anorexia nervosa to illustrate and support my claims. (shrink)

The debate on personal persistence has been characterized by a dichotomy which is due to its still Cartesian framwork: On the one side we find proponents of psychological continuity who connect, in Locke’s tradition, the persistence of the person with the constancy of the first-person perspective in retrospection. On the other side, proponents of a biological approach take diachronic identity to consist in the continuity of the organism as the carrier of personal existence from a third-person-perspective. Thus, what accounts for (...) someone’s persistence over time, is the continuity of his mind on the one hand, and the continuity of his body on the other. In contrast to those views, the paper intends to show that bodily existence represents the basis of selfhood across time, both as the continuity of the experiential self and as the continuity of the autopoietic organism. On the one hand, the lived body conveys a continuity of the self from a first-person perspective, namely a pre-reflective feeling of sameness or a felt constancy of subjectivity. Moreover, an analysis of awakening and sleep shows that there is a continuous transition from full wakefulness to periods of deep sleep which may thus not be regarded as a complete interruption of subjective experience. On the other hand, this constancy converges with the continuity of the organismic life process as conceived from a third-person perspective. Thus, the experiential self of bodily subjectivity and the autopoietic self of the living organism should be regarded as two aspects of one and the same life process. Finally, the lived body also exhibits a specific form of memory that results from the continual embodiment of existence: it consists of all the affinities, capacities and experiences, which a person has acquired throughout his life. Thus, it provides a continuity of self that must not be actively produced through remembering, but rather integrates the person’s entire past in his present being and potentiality. (shrink)

Is it possible to donate unpaired vital organs, foreseeing but not intending one’s own death? We argue that this is indeed psychologically possible, and thus far agree with Charles Camosy and Joseph Vukov in their recent paper on “double effect donation.” Where we disagree with these authors is that we see double-effect donation not as a morally praiseworthy act akin to mar- tyrdom but as a morally impermissible act that necessarily disrespects human bodily integrity. Respect for bodily integrity (...) goes beyond avoiding the aim to kill; not all side effects of deliberate bodily interventions can be outweighed by intended benefits for another even if the subject fully consents. It is not any necessary intention to kill or harm another or oneself that makes lethal donation/harvesting illicit but the more immediate intention to accept or perform surgery on an (innocent) person combined with the foresight of lethal harm and no health-related good for him or her. Double-effect donation falls foul of the first condition of double-effect reasoning in that the immediate act is wrong in itself. We argue further that the wider effects of such don- ation would be socially disastrous and corrupting of the medical profession: doctors should retain a sense of nonnegotiable respect for bodily integrity even when they intervene on willing subjects for the benefit of others. (shrink)

We investigated the interface between biomedia and humans by inviting participants to interact with biometric devices that measured and visualized their body data. At first, they struggled with the alienating and disembodying nature of the devices and the constrained, reductionist representation of data. Through their bodily interactions with these devices, however, participants reframed the data and inserted their bodies into the process of data collection. Drawing on the ideas of Bergson, Grosz, Merleau-Ponty and Bachelard, we argue that by working (...) with their subjectivity in a mediated process of becoming, participants ‘filled in the intervals’ of the visual representations of their bodies to interpret them in ways that marked the duration and meaning of their selves. We conclude that even when presented with artificial representations, individuals convert the representation of the data into narratives inspired by their embodied experience, and the ‘virtual’ pasts of their own lives. (shrink)

This paper questions the view that knowledge must be articulable or at least experiential. It asserts that what distinguishes habitual yet intentional action from a mechanistic response is its grounding in a suitable claim to knowledge. However, it denies that a necessary condition for knowing how to perform an action is the ability of the subject to either articulate the particulars of that act, or experience it as appropriate.

Is the opposition to circumcision partly driven by cultural prejudices?In this issue of the Journal of Medical Ethics you can read a minisymposium on circumcision, mainly dealing with the circumcision of male children at an age where they cannot consent, but also touching upon issues of female genital mutilation.When reading the papers I found it strange, but of course not really surprising given its symbolic importance, that we are so worried about interventions on the male penis. Why are we not (...) equally worried about other irreversible bodily and mental interventions to which parents subject their children? I will not dwell on the irreversible mental imprinting, apart from mentioning that upon becoming a father I was amused to find that certain Danish lullabies and children’s rhymes had apparently been stored in my mind for the last 40 …. (shrink)

The aim of this article is to explore nuances within the field of bodily self-awareness. My starting-point is phenomenological. I focus on how the subject experiences her or his body, i.e. how the body stands forth to the subject. I build on the phenomenologist Drew Leder’s distinction between bodily dis-appearance and dys-appearance. In bodily dis-appearance, I am only prereflectively aware of my body. My body is not a thematic object of my experience. Bodily dys-appearance takes place (...) when the body appears to me as “ill” or “bad.” This is often the case when I experience pain or illness. Here, I will examine three versions of bodily dys-appearance. Whereas many phenomenological studies have explored cases of bodily dys-appearance, few studies have focused on the opposite of bodily dys-appearance, i.e. on bodily modes of being where the body appears to the subject as something good, easy or well. This is done in this article. When the body stands forth as good, easy or well to the subject, I suggest that the body eu-appears to this person. The analysis of eu-appearance shows that the subject can attend to her or his body as something positive and that this attention need not result in discomfort or alienation. Eu-appearance can take place in physical exercise, in sexual pleasure and in some cases of wanted pregnancies. I also discuss, briefly, the case of masochism. (shrink)

The much neglected "fifth sense" provides the subject matter for this analytical study. The author distinguishes two kinds of perception associated with this sense, perception by touch and perception of bodily state, and gives an account of the nature of the sensations proper to each. The latter are divided into intransitive bodily sensations and transitive bodily sensations. The greater part of the book is devoted to developing the thesis that bodily sensations can be interpreted as sense (...) impressions of occurrences in our own body.--R. H. K. (shrink)

In this paper I investigate whether in the 'Phaedo' the body or the soul is the subject of bodily desires. By analyzing Plato’s portrayal of the disembodied soul in the dialogue, I argue that because many souls are shown possessing bodily desires after death, the soul can possess bodily desires. Part of my analysis is built on my argument that the best way to understand afterlife punishment in the dialogue is as the necessary frustration of persistent (...) class='Hi'>bodily desires. Finally, I end the paper by offering some reasons to think that the soul is the only subject of bodily desires in the dialogue. (shrink)

Summary In opposition to the traditional empiricist understanding of phantasy as a copy of perception and therefore as a weakened form of experience, this paper interprets phantasy as an independent and creative modus of consciousness that is responsible for the individuation of the subject. The article reconstructs Husserl’s approach to phantasy as a specific kind of intentional operation as well as its relationship with mood-intentionality, bodily-kinesthetic expressivity and with hyletic anticipation as a structure of sensibility. In this way, the (...) bi-valence of human experiential orders is claimed and the concept of bodily phantasy is pointed out. This leads the phenomenological analysis closer to the psychoanalytical approach to fantasy. The latter is investigated with reference to Freud’s concept of primary processual thinking and Gaddini’s understanding of bodily phantasy as a specific individuation factor within the personal history of bonding. (shrink)

The enactive approach offers a distinctive view of how mental life relates to bodily activity at three levels: bodily self-regulation, sensorimotor coupling, and intersubjective interaction. This paper concentrates on the second level of sensorimotor coupling. An account is given of how the subjectively lived body and the living body of the organism are related via dynamic sensorimotor activity, and it is shown how this account helps to bridge the explanatory gap between consciousness and the brain. Arguments by O'Regan, (...) Noë, and Myin that seek to account for the phenomenal character of perceptual consciousness in terms of ‘bodiliness’ and ‘grabbiness’ are considered. It is suggested that their account does not pay sufficient attention to two other key aspects of perceptual phenomenality: the autonomous nature of the experiencing self or agent, and the pre-reflective nature of bodily self-consciousness. (shrink)

Bodily sensations are mental states typically suitable to be reported in judgments in which a first-person indexical is used to qualify the felt body. In other words, subjects typically have a sense of bodily ownership for the body that they feel in bodily sensations. This paper puts forward, firstly, three desiderata that theories on the sense of bodily ownership should meet. Secondly, it assesses two views that account for the sense of bodily ownership in terms (...) of the spatial content of bodily sensations, appealing to a notion of a sense of boundedness, and argues that they do not meet the goals defined. (shrink)

Thomas Aquinas consistently maintains that there are two kinds of beauty: bodily or sensible beauty and spiritual or intelligible beauty. Due to the lively debate over whether intelligible beauty is a transcendental for Thomas, discussions of his aesthetics have tended either to ignore his views on sensible beauty or to mention them only in passing. The present paper will therefore give a brief overview of Thomas’s thought on bodily beauty. The first section will discuss the objective aspects of (...) sensible beauty for Thomas, i.e., its definition and three conditions, while the second will present his views on its subjective aspects, i.e., how we experience it, why it pleases us, and its importance for human flourishing. The third and final section will examine how Thomas’s account of sensible beauty affects his views on the beauty of the glorified human body and of the universe as a whole after the Last Judgment. (shrink)

What forms of consciousness can the subject have of her body in action? This is a recurrent issue in contemporary research on skilled movement and expertise, and according to a widespread view, the body makes itself inconspicuous in performance in favour of the object or goal that the activity is directed to. However, this attitude to consciousness in bodily performance seems unsatisfying for an understanding of skilled action, and the work of several researchers can be seen as responding to (...) this view: Montero, Legrand, Ravn and others in the philosophy of expertise and of dance have developed various notions of consciousness and cognition to account for the mindful processes at play in performance. Two related questions can be distinguished here: 1. Is there an inherent conflict between skilled action and at least more than marginal awareness of that action, or is it possible – and even desirable – to reflect on our own performance without considerably impeding on it? 2. What forms of consciousness pertaining to the body in action must we distinguish in order to answer the first question? This paper gives an overview of this discussion, focusing on the second issue, although the first will come into play in so far as it is linked with the latter question. Drawing on Merleau-Ponty’s analyses of bodily reflection and on dancers’ descriptions, I show that there is, in phenomenological terms, a bodily level of reflection: a fully conscious and exploratory activity that is led by the skilled body, and that is explicitly aimed at by many performers. (shrink)

This article examines the multi-dimensions of bodily self-consciousness. It explains the distinction between the self-as-subject and the self-as-object and argues that each act of consciousness is adequately characterized by two modes of givenness. These are the intentional mode of givenness by which the subject is conscious of intentional objects and the subjective mode by which the subject is conscious of intentional objects as experienced by him. It clarifies the relationship of these modes of givenness to the transitivity and non-transitivity (...) of self-consciousness. (shrink)

The subject of this extraordinary, demanding, and often moving book is being human. What it means to be such a being is here explored by means of scrupulous attention to ways in which "bodily being"--the author's term for how subjectivity may be expressed through contextually specific modes of embodiment--are drawn on, expressed, and transformed in what one might call different epistemic and experiential contexts found in premodern Indian thought in Sanskrit and Pāli.One of the most attractive things in (...) this book is that, within its pages, Indian philosophy is found in a number of genres: in medical texts, in epic (in the... (shrink)

In Levinas’s early works, the ‘body as subjectivity’ is the focus of research bearing significant implications for his later philosophy of the body. How this is achieved becomes the thrust of this article. We analyze how the existent, through hypostasis, emerges hic et nunc, and explores further its effort to exist is effected in its relation to existence. In delineating this, we argue that the existent does not emerge from the il y a as an idealistic subject, but rather (...) is born as a natural subject. This is arguably the most remarkable aspect of Levinas’s analysis of the dawn of the bodily subject. However, the subjectivity of the subject is to be found in the inescapable self-possession of its embodiment. The body, in turn, is a conditional possibility for being a corporeal subject. We argue that the subject as a being in the flesh is the meaning of the embodied human subject, and it bears fertile implications for the ethical signification of the body. In re-conceiving the meaning of the ‘body as subjectivity’ to ‘ethical signification of the body’ against the odds of the traditional dichotomies, we argue that Levinas tries to overcome the bio-political understanding of racist conception of the body subject. Given this ethical meaning beyond materiality we reconsider how the embodied subject is a radical passivity as a ‘here I am’. In suggesting the implication of this claim with Levinas we find how the ethical subjectivity is beyond dualistic assertions and racist conceptions. (shrink)