Resemblance Nominalism is the view that denies universals and tropes and claims that what makes F-things F is their resemblances. A famous argument against Resemblance Nominalism is Russell's regress of resemblances, according to which the resemblance nominalist falls into a vicious infinite regress. Aristocratic Resemblance Nominalism, as opposed to Egalitarian Resemblance Nominalism, is the version of Resemblance Nominalism that claims that what makes F-things F is that they resemble the F-paradigms. In this (...) paper I attempt to show that a recently advocated strategy to stop Russell's regress by using paradigms does not succeed. (shrink)

Bertrand Russell argued that any attempt to get rid of universals in favor of resemblances fails. He argued that no resemblance theory could avoid postulating a universal of resemblance without falling prey to a vicious infinite regress. He added that admitting such a universal of resemblance made it pointless to avoid other universals. In this paper I defend resemblance nominalism from both of Russell's points by arguing that (a) resemblance nominalism can avoid the postulation (...) of a universal of resemblance without falling into a vicious infinite regress, and (b) even if resemblance nominalism had to admit a universal of resemblance, this would not make it pointless to avoid postulating other universals. (shrink)

Journal Name: Apeiron Issue: Ahead of print.

According to Johansson (2009: 22) an infinite regress is vicious just in case “what comes first [in the regress-order] is for its definition dependent on what comes afterwards.” Given a few qualifications (to be spelled out below (section 3)), I agree. Again according to Johansson (ibid.), one of the consequences of accepting this way of distinguishing vicious from benign regresses is that the so-called Russellian Resemblance Regress (RRR), if generated in a one-category trope-theoretical framework, is vicious (...) and that, therefore, the existence of tropes only makes sense if trope-theory is understood (minimally) as a two-category theory which accepts, besides the existence of tropes, also the existence of at least one universal: resemblance.1 I disagree. But how can that be? How can Johansson and I agree about what distinguishes a vicious from a benign regress, yet disagree about which regresses are vicious and which are benign? In this paper I attempt to answer that question by first setting out and defending the sense of viciousness which both Johansson and I accept, only to then argue that to be able to determine if a particular regress is vicious in this sense, more than features intrinsic to the regress itself must be taken into account. This is why, although the RRR as originally set out by Russell is vicious, the seemingly identical resemblance regress which ensues in a one-category (standard) trope-theoretical context is not (provided, that is, that we accept certain views about how the nature of tropes relates to the resemblance between tropes, and given that we set our theory in a truthmaker theoretical framework – all of which are standard assumptions for proponents of (the standard-version of) the trope-theory).2. (shrink)

In this paper I argue that the infinite regress of resemblance is vicious in the guise it is given by Russell but that it is virtuous if generated in a (contemporary) trope theoretical framework. To explain why this is so I investigate the infinite regress argument. I find that there is but one interesting and substantial way in which the distinction between vicious and virtuous regresses can be understood: The Dependence Understanding. I argue, furthermore, that to be (...) able to decide whether an infinite regress exhibits a dependence pattern of a vicious or a virtuous kind, facts about the theoretical context in which it is generated become essential. It is precisely because of differences in context that he Russellian resemblance regress is vicious whereas its trope theoretical counterpart is not. (shrink)

What is it for a particular to have a property? many proposed analyses of this situation may be called relational accounts. The particular has some relation, R, To some entity p. R may be the relation of falling under, Being a member of, Resembling or "participating." p may be a predicate, A concept, A class, A paradigm instance or a form. A number of arguments seek to prove that all these accounts are involved in various vicious infinite regresses. These arguments (...) are classified, Their resemblances and differences noted, And their soundness assessed. (edited). (shrink)

In his (2002) Gonzalo Rodriguez-Pereyra provides a powerful articulation of the claim that Resemblance Nominalism provides the best answer to the so-called Problem of Universals. Resemblance Nominalism has not been popular for some time, and one influential reason for this is the widespread belief that Resemblance Nominalism cannot dispense with all universals. The realist critics appeal to what is known as Russell’s Regress (cf. Russell 1997). If properties are to be explained in terms of one object’s (...) resembling another, then this seems to leave the relational property of resemblance itself unexplained. The critics’ objection is that this property itself must be explained by a dyadic universal of resemblance. (shrink)

Below are reflections on Peirce’s conception of abductive methods and Russell’s conception of regressive methods. Along the way, it will be necessary to examine the marked differences between Russell and Frege on the ins and outs of logicism, from which latter the regressivist ideas first emerged. Russell was aware of Peirce’s contributions to the algebraization of logic and Peirce was aware of Russell’s writings on logicism. However, in framing his thoughts about regressive methods, Russell showed no familiarity with Peirce’s treatment (...) of abductive methods. In 1907, Russell read to the Cambridge Mathematics Club an essay entitled “The regressive method of discovering the premises of mathematics.” Since that paper didn’t see the published light of day until three years after Russell’s death in 1970, Peirce couldn’t have taken notice of it in developing his ideas about abduction. Even so, it has been suggested that there exists a noteworthy similarity between Russell’s regressivism and Peirce’s abductivism. The principal purpose of this essay is to show the resemblance to have been misjudged, in which case, my title would have to be corrected. (shrink)

Russell famously argued that Resemblance Nominalism leads to a vicious infinite regress in attempting to avoid admitting universals. Saying that a number of things are white only in that they resemble a particular white thing leaves a number of resemblances to that white thing, each of them constituting the holding of the same relation to the paradigm, qualifying that resemblance relation as a universal. Trying to dismiss that new universal by appeal to resemblances between those first resemblances (...) only leads to a new universal of resemblance, and so on. It is argued here that this does not arise for a properly formulated resemblance theory, which only requires one complex relation among the many particulars we deal with, a complex relation which is not multiply instantiated and thus not a universal. (shrink)

According to the partial identity account of resemblance, exact resemblance is complete identity and inexact resemblance is partial identity. In this paper, I examine Arda Denkel's (1998) argument that this account of resemblance is logically incoherent as it results in a vicious regress. I claim that although Denkel's argument does not succeed, a modified version of it leads to the conclusion that the partial identity account is plausible only if the constituents of every determinate property (...) are ultimately quantitative in nature. (shrink)

This paper discusses one of the major problems for resemblance nominalism, posed by Bertrand Russell in 1911–12, and often referred to as Russell’s regress. It is the problem that resemblance must either be a universal, thus refuting a thorough nominalism, or must itself resemble other resemblances to count as a resemblance, which ultimately leads to an infinite regress of resemblances. I am going to discuss two solutions that have been proposed to this problem. I will (...) then attempt to show in how far these are unsatisfactory, and propose my own solution which treats resemblance as a subject-relative phenomenon. My aim is to show that, on my account, there is no infinite regress and therefore no problem. (shrink)

In Plato’s Parmenides 132a-133b, the widely known Third Man Paradox is stated, which has special interest for the history of logical reasoning. It is important for philosophers because it is often thought to be a devastating argument to Plato’s theory of Forms. Some philosophers have even viewed Aristotle’s theory of predication and the categories as inspired by reflection on it [Owen 1966]. For the historians of logic it is attractive, because of the phenomenon of self-reference that involves. Bocheński denies any (...) possibility of correct logical reasoning before Aristotle. In particular, he flatly declares of Plato that “correct logic we find none in his work” [1951, 15]. In this line, many papers have been written that call attention to the violation of a metalogical principle – the type rules – because of the Third Man Paradox. The problem of interpretation of the paradox raised many discussions, since the 50’s, and the literature devoted to this topic is today enormous. Nevertheless, many points in Plato’s reasoning remain obscure. Hitherto, it is commonly believed that the paradox was simply stated by Plato in his "Parmenides", but not actually solved. Even more, it is believed that it is hardly possible for Plato to have suggested a solution, because he confused the categories of substance and attribute. B. Russell has also argued that Plato violates in his arguments the restrictions imposed on language by the theory of logical types. This view is encouraged by the linguistic difficulties, which Plato has faced in his attempt to formulate an ontology of abstract entities, i.e. that in Greek language abstract and concrete terms are formally indistinguishable [Kneales 1984]. In this paper, we analyse the logical structure of the argument in an attempt to give a systematic consistent reconstruction of the text appealing to methods and concepts of modern logic and semantics. Already in 1954 G. Vlastos had noted in his seminal paper “The ‘Third Man’ Argument in the Parmenides” that “if any progress … is to be made at this juncture it must come from some advance in understanding the logical structure of the Argument”. Accordingly, our analysis is primarily focused on the line of logical reasoning, rather than the metaphysical underpinnings and philosophical implications of the paradox for Plato’s theory of Forms. We divide the Platonic text into three parts, presenting apparent thematic coherence: a) Formulation of the Third Man Paradox (132a-132b). The central issue of this part is a step-like generation of Forms that can continue ad infinitum. b) Discussion of the paradoxical situation (132b-c), by passing to the use of terminology echoing Eleatic philosophy. The concept of “thought” and the underlying semantics of Eleatic origin are central in this passage. c) Solution of the paradox (132d-133a). In our view, this part contains not only a resemblance regress, as most interpretators con-sider, but also the solution of the paradox by the introduction of a sound definition of the concept of “similarity”. We should note that the name ‘Third Man Paradox’ never occurs in Plato, who, strictly speaking, formulates a ‘Third Large Paradox’. The name ‘Third Man Paradox’ appears in the works of Aristotle and the commentators of the Peripatetic tradition. Later commentators have identified Aristotle’s Third Man with Plato’s Third Large Argument. In our paper, we also examine other testimonies about the Third Man Paradox found in the works of commentators in order to illuminate the logical structure of the argument. Although the vocabulary used in these versions is different, they do not affect its logical structure, but rather reveal different understandings by the ancient authors. These testimonies are divided into two main categories: those met in Neo-Platonic authors, notably in Proclus’ "Commentary on Plato’s Parmenides", and the versions of the Third Man Paradox found in texts of the Peripatetic tradition (Eudemus, Aristotle, Alexander). From our discussion, it becomes clear that the approaches to the paradox by the various scholars of antiquity are different, depending also on their participation in the one or the other campus of philosophical thought. We show that the Peripatetic authors are aware of the source of the paradox. However, the first scholar of antiquity who explicitly ascribes a solution to Plato seems to be Proclus. (shrink)

At the end of the 19th century, most professional historians – wherever they existed – deemed history to be a form of knowledge ruled by a method that bears no resemblance with those most commonly traceable in the natural sciences. The bulk of the historian’s task was then frequently regarded as being the application of procedures frequently referred to as ‘historical method’. In the context of such an emerging interest on historical methods and methodology, at least three textbooks stand (...) out: Johann Gustav Droysen’s Grundriss der Historik (Outline of the Theory of History), Ernst Bernheim’s Lehrbuch der historischen Methode (Handbook of Historical Method), and Charles Langlois and Charles Seignobos’s Introduction aux études historiques (Introduction to the Study of History). These books were quite influential in Germany, France, and elsewhere, and they very much helped promote a general idea of historical method that would become relatively consensual among historians of many nationalities by the early 20th century. Such a relative agreement on historical method sponsored both the communication and the development of a sense of disciplinary identity among historians trained within different and sometimes conflicting national traditions. It was then partially extended, partially challenged, and surely made more complex when, from the 1920s on, social and economic historians became a good part of the historiographical establishment in many countries. -/- The three books by Droysen, Bernheim, and Langlois and Seignobos were already pieced together by Rolf Torstendahl, who studied them as a group of texts that, despite their differences, contributed to shape the developments outlined above. However, Torstendahl’s primary aim was to show how Droysen, Bernheim, and Seignobos all resorted to ‘method’ as a way to circumvent skepticism against the possibility of historical knowledge, rather than investigate the internal interrelationships between the three texts. In this chapter I follow precisely this latter, not yet taken, road, focusing on crucial cross-references between the Grundriss, the Lehrbuch, and the Introduction. I intend to show that, at a general level, the schemes of historical method found in these texts are largely convergent, and that this convergence is due to Bernheim’s reading of Droysen and to Langlois and Seignobos’s reading of Bernheim. I will attempt to do it through a regressive approach that starts with an analysis of the Introduction. Aspects of the editorial history and circulation of the three texts will also be briefly addressed, as a way to illustrate their special importance within the framework of early 20th century historical theory. Because my argument calls for a focus on the most general lines of Droysen’s, Bernheim’s, and Langlois and Seignobos’s schemes of historical method, I will, for the sake of consistency, refrain from analysing in-depth the complex epistemological and ontological arguments in which those schemes are nested. (shrink)

continent. 2.2 (2012): 155–158 Michel Serres. Biogea . Trans. Randolph Burks. Minneapolis: Univocal Publishing. 2012. 200 pp. | ISBN 9781937561086 | $22.95 Conveying to potential readers the significance of a book puts me at risk of glad handing. It’s not in my interest to laud the undeserving, especially on the pages of this journal. This is not a sales pitch, but rather an affirmation of a necessary work on very troubled terms: human, earth, nature, and the problematic world we made. (...) It is this world that aspirates the silence (so to speak), and therefore the subject which, along with the development of the “made world” exports the excess augmentation of the cosmically missing, this silence of the natural, et cetera. Had we learned from Locke that lesson of “labor,” to consume what we need… but perhaps we need more than what matters? Serres’ Biogea has several functions on this manner, if it is indeed a book to be consumed. First, readers searching for novelistic entertainment have a place to dwell. Biogea deserves a place in your back pocket; biographical generosity and poetic fluidity should satisfy most textual fetishes. For lay philosophers who want to refresh their acumen, Biogea deserves a place on the book shelf, one already reads a sorely needed postmodern tune-up here. Serres’ style is clearly French; he leaves few cheese crumbs on his words, rather preciseness and breathing in the work give way to a sweeping manner that breaks the narrative line of sight. A circular narrative and anachronistic fragmentation of terms allows an abyssal atmosphere to swell, if only to pump into the book the externality of its broader text. Biogea aspires to a higher standard and the book, at times, is thinking this negentropic problem too. Univocal, the publisher, has crafted a book appropriate for the hands to hold and the translations are an achievement of an otherwise difficult writer to translate. Terms are the conditions of a broader text. It is important to note that Serres’ content is as much a thinking of terminal ports. There is a regard for the transportation technology of the written word. For me, this is the mark of genius, a craftiness that tells of a book device that I may trust. Serres is an accomplished thinker and a necessary voice to check the putative trendiness of anti-postmodernist and market-driven theory of endless cultural liquidation. Offering interventions on subjectivity as an open system we are given a chance to affirm the human, not merely to discard it, but to engage its poetic image emotion, the calibratory silent sense of the analogic world; the terms on which we base our efforts. 1 The human is the center of its own negation, constantly mediating it. Something deeper at stake appears in the work then, and it is quite obvious from the onset. Certainly, a book is an intensification of possible text and those who brought this actual book into existence have captured a rarity in regards to the subject matter and artistic accomplishment. I mentioned terms as conditions, so let us understand Biogea as bio-yea, a yes to bios . An affirmation of living and accepting presence for all of its defiance of images, words, and things temporal. Therefore Serres’ existence and its existants plays parts; out of linearity and still like a porous bone pumping blood it manufactures into the fleshy life it becomes. Starting from a man named silence chaos emerges, or the man “Old Taciturn” takes up a journey anticipating a great flood. In other words, a development akin to the one in Genesis. In dealing with this ancestral occupation, fusing Genesis with contemporary philosophical terms, Serres initiates this anachronistic fragmentation under the forming subjectivity of his own autobiography. This mutation in the open system is precisely one of Serres’ terms. There an abyss is at work, stated, but also measured by heels on the ground—the abyss dispatching earthen tensions, that which plays our tunes, that which we abide by and recognize in volcanoes, rivers, oceans, earthquakes and weaponry in the battles of the world. Set in later stages of the book, such tensions are harnessed through scientific principles in an attempt to unify the terms of natural force if only to terminate the world. Thus the elevation of the earth into the world is clearly set forth. Here already, and few pages in, a resonance is set forth under appellations such as the river Garonne, a subjectivity as much as it is inhuman, the river is the inhuman that makes us human. I get the sense that Serres is taking up a challenge issued by Wallace Stevens; namely, that the great poems of heaven and hell have been written, but that only the poem of the earth has resisted composition. 2 On this level we cannot avoid the killing factor of silence, given that our cognition blocks its pure, radical obliteration. Thus a silence of attunement to the earth is in a novel dialectic of the rithmic and rhythm. A technological world, a triumph of termination is set forth. If a text imposes its will given the reader who authorizes it, it is made to convey or convect a presupposition to a reader or its inhabitant(s). Text is therefore both, in-content, contenting, contentedness, and in reading it, a way to navigate self-destruction (dis-content). Here then would one note that the “inhuman” reveals itself, “an aperiodic rhythm of lovers and beloved…the sea as our friend…but as our enemy…maternal vivifying sea.” The sea is an open book, or vaginal birth canal, where the engagement of text comes forth: “…woman sea, open vulva.” One sees like the sea, but only after it, when the uninhabitable truth of inhabiting it switches the polarity of the sailors soul: “I was seeing like the sea” (9-11). In other words, we are invited to embrace the nonsense of the visible. At this point I am taken to Jean-François Lyotard’s work The Inhuman , specifically the first entry on negentropy that would be congruent with Serres’ thematic. 3 The human being exports, deports, or transplants its relation through text, through the system— and this is its sense or relation to silence, to music. Unaware of Serres’ proximity to this work, the concept of gender interrelation as regards a solar catastrophe runs clear. It would be, on this basis, that Serres references his peers, the other texts that, as mentioned above, are discarded in philosophy today. For students of philosophy what we have here is perhaps a gift, a needed project. If silence and death are at work, there is a political valence to deal with, and here, much like the domain of the text and the dominion of the reader, we confront the world of natural, fluid violence. The anti-postmodernist critique is in part based on a weak idea that the loss of ideology, of a world vision, motivates the “correlationist” project. 4 Serres seems to offer another way to view this when he notes that whereas persons “sometimes kill,” it is clearly “the collective” that “always kills” (17). What is the collective today, if not an organizing function we never see yet acts in its favor in the name of truth? One feels a sense of enigma here, if only to link to what Stevens remarked of communism as a “grubby faith,” providing this applies for capitalism as well, namely any ideology of progress overly interested in absolutes. Here we get the sense that the inhuman, silence, this type of killing, always killing, could not be matched by human-made, political dynamos. Or that if it comes to an equilibrium, a catastrophe is never too far from us to read with our heels. We are left to note that the forces of nature presuppose and permeate political systems, the more these systems obtain force, the more the system takes upon itself the proper name of nature that motivates its dissemination, albeit falsely. This note, that in an age of ecocide and technological captivity (sustainability and transparency) political regimes won’t grow our soul-learning ears any larger than our tongues, stands clear to us. The promise of technological desubjectification is here pushed aside. Regarding politics, Serres illustrates this fact: Where did this corpse come from? Who was it? Who killed it? I don’t know. I won’t try to find out. I refuse to get vengeance for it. And I only see Garonne. For our victims, today, are the rivers, too. Their waters have irrigated my life, enchanted my thought, invigorated my body; I’ve known them to be threatening, untamable, as dangerous as the sea when it rages. Yes, murderous. They decided to control their courses; dams, sometimes senseless, destroying sites and valleys, reduced entire populations to servile displacements; programs for the irrigation of thirsty farmland, often beneficial of course, completed their drying up.(22) Serres enters into his idea concerning the captivity of language from the natural into a world system: For thousands of years, we have been licking things with our tongues, covering and daubing them so as to appropriate things for ourselves. If language boils down to a convention, this convention took place between the speakers without consulting the thing named, become as a result the property of those who covered it in this way with their drawn or voiced productions. Malfeasance analyzes these acts of appropriation. Thus every inert object, every living thing as well, sleeps under the covers of signs, a little in the way that, today, a thousand posters shouting messages and ugly riots of color drown, with their filthy flood, the landscapes, or better, exclude them from perception because the meaning, almost nil, of this false language and these base images forms an irresistible source of attraction to our neurons and eyes. This appropriation covers the world’s beauty with ugliness. (38-39) Technological concealment coming to bear, we begin to get a sense of another commentary on the condition of sensing, driving home the necessity of a text dealing with such subject matter to be what its terms insist. Thus toward new openings: The new opening. As low beneath our feet as you like, the Biogea opens us to another space, high enough for us to be able to acquire a wisdom there, that of redeveloping this same place differently from our fathers, this place that’s still politically cut up by old hatreds, beneath the flood of tears and blood that we call history. Without this soft place, spiritually very old, but newly conceived in this way, without the juridical construction of a common good, opposed to our filthy ownership, I don’t see how our planet, hard, will survive. Hardness that depends on a softness, material belonging that depends on this temporary rented location (51). Serres enters into a summit on the content and the structure of his work. Archimedes is brought in with the concept of three volcanoes. Meaning fire, but as well earth, water, air. For it was Archimedes’ war machines that sought to lift the earth, thus bringing in the question of principles of science: “can a principle be invented while controlling its consequences?” (66-7). May the earth be put in a sentence, terminated by terminology, appellations, gone wild? By means of these element-dominating laws, this old physicist began to tear nature away from the ancient myths; by a strange return, today we’re plunging our successes back into the anxieties and terrors from which that ancient physics was born. Yes, our new history of science and technology is plunging, today, as though in a loop, into the fundamental human myths from which Empedocles’ first laws came. A major progression and a regression on the nether side of the origins. Consequently, the contemporary time requires that we try to return to that unity in which the principles of hate and love are at the same time human, living, inert and global. We will never attain a deontology of our knowledge and actions without thinking the subjective, the objective, the collective, and the cognitive all together simultaneously. Here, hate and love are the result of these four components.(71) Working then on the concept of fire-starting mirrors to the atomic annihilation of the Second War, Serres works into the subjectivity in question on the matter of rhythm—say rithmic— precisely at that point: Knowledge is changing today. The all-political is dying; the monarchy of the sciences said to be hard is coming to a close. The science of the things of the world will have to communicate just as much as the things of the world do, which do it much better than humans do, who don’t always want to do it. Let’s celebrate two changes this morning. The first one strikes a new blow to our narcissism. No, knowledge and the world don’t resemble our analytical enjoyments of refined cutting up, of endless debates and of exclusions full of hate. They, on the contrary, form a bloc and a sum, alliance and alloys. Uniting the fields of knowledge among themselves the way the things are connected among themselves, the second newness puts into place sets united by interlacing, webs and simplexes that combine with the things of the world, themselves combined, the combined knowledge that understands them.(130-1) Biogea closes on its opening flood thematic, approaching the initial telos of Genesis. Here the trees are brought into a position with atmosphere, the opaque abyssal reservoir, the tomb of the sun, sea in the polarity of the earthen heaven and hell. The poem of the earth then is silent but deadly, indeed, as funny as that phrase is, mainly a tomb gas. The meaning of the living and the non-meaning of things converge in the muteness of the world; this meaning and non-meaning plunge there and come out, the ultimate eddy. Mundus patet: through a fissure, through an opening, a fault, a cleft come noises, calls as small as these apertures. I’m listening, attentive, I’m translating, I’m advancing in the scaled-down meaning and science. Mundus patet: should the world open greatly, it will launch me into its silence. The totality remains silent. Knowledge expanded in elation. White origin of meaning, fountain of joy. (198) Final Remarks One test of a review is the long term trajectory the referee thinks the book will have. I see Serres’ text lending greatly into the vision of Biogea . In fact, in the vision of the novel inquiries of Stephen Jay Gould’s work there is something to be thought on the level of the individual and the species; namely, that humanity and its uniqueness is in its deferral, its thinking and naming, a thinking surrounded by silence that filters into everything, that pulls us through the world, the kinetic pulse we recognize, and all of that we cleave away in the base philosophical maxim of difference itself. Unique individuals are spatial creatures: we dwell, and we ought to get good at it. Yet this is an imaginative space that, if you are crazy enough to believe it, de-term-ine the conditions of its own terms. That is why we are not merely creating spaces on the acceleration of time, or so this ignoramus thinks, to accidentally transcend. Imagination already has this insatiable silence that we drink up and fail to manifest. Space is timeless. The imagination itself, shared by humans for themselves, their objects, and the species as a whole, is a non-defined space of relation; a whole human trajectory as part of nature, and part of worlds that are the other side of thinking nature, the consequence of it, at least our attempt to do so. Our survival is based on our deliberation, our caution, our natural deconstructive sense toward this silence that is already part of the song, sung, singing of this century without end. Good books will let us inhabit this space and recognize a form of life. Serres’ text moves toward dwelling, as noted, in masterful and accessible ways. The pitched battles are the falling replays of anemic and dead politics. As soon as we realize there is humanity, we may be able to enjoy the end of it, our inhuman capability of listening to silence. NOTES 1. See Michel Serres. The Parasite . Minneapolis: University of Minnesota Press. 2007. 2. Wallace Stevens, “Imagination as Value” [ca. 1945], in Collected Poetry and Prose . New York: The Library of America. 1997. 724-39. 3. Jean-François Lyotard. The Inhuman: Reflections on Time . Trans. Geoffrey Bennington & Rachel Bowlby. Stanford, CA: Stanford University Press. 1992. 4. See the introduction: Quentin Melliassoux. After Finitude: An Essay on the Necessity of Contingency . Trans. Ray Brassier. New York: Continuum. 2008. EDITOR'S NOTE: This review was updated on August 8, 2012. Substantial edits include block quotes from the book under review as well as the inclusion of comments from the author. (shrink)

From my ongoing "Metalogical Plato" project. The aim of the diagram is to make reasonably intuitive how the Socratic elenchos (the logic of refutation applied to candidate formulations of virtues or ruling knowledges) looks and works as a whole structure. This is my starting point in the project, in part because of its great familiarity and arguable claim to being the inauguration of western philosophy; getting this point less wrong would have broad and deep consequences, including for philosophy’s self-understanding. -/- (...) (i.) is the first pass at elenchos in which the Socratic interlocutor does not reflect on knowledge being the crux of the problem. (ii.) is the second, rarer, reflective pass in which they are, making the investigation explicitly about knowledge. Its centrality in the Charmides makes that neglected dialogue of superlative importance. This structure is also the gateway through which the discussion/dialectic crosses into the Agathology (discussion of the form of the good) at Republic 505. -/- The problem of elenchos, then, grasped as a whole structure, is that it seems that knowledge can neither satisfactorily be included in nor excluded from its own scope. The development of the ti esti (“what is ---?”) question leads to the introduction of knowledge into its own scope (i. implicitly, as goodness contrasted with blind rule-following ii. explicitly qua knowledge) while the development of the dual peri tinos (“----about what?) question leads to K’s elimination from its own scope. The introductions are motivated to avoid contradiction, but produce regress; the eliminations are motivated to avoid regress, but produce contradiction. In scholarship, and in the history of philosophy, the ti esti question is universally recognized, to the point of being identified with philosophy’s origin and essence; the peri tinos question is neglected textually and never recognized as the equal dual to the ti esti. This, I claim, has blocked the development of a nontrivial logical appreciation of what Plato's Socrates is up to. (One rather disastrous effect of this neglect is taking Aristotle as the beginning of the development of logic, rather than, correctly, for the beginning of logic’s fatal separation from mathematics and dialectic.) -/- Further, because of this monopticism of the ti esti, the function of consistency in the elenchos has not been understood, even with respect to the ti esti. The ti esti is actually in search of completeness, given a norm of consistency; the peri tinos is in search of consistency, given a norm of completeness. Only appreciating the two questions as dual allows space in the structure to clarify these different orientations relative to consistency. (And, dually, to completeness, whose function in the elenchos is generally entirely missed by scholars and relegated to discussions of eros; it's not out of place there, of course, but its significance is secured here.) Recognizing the duality of the ti esti and peri tinos questions is thus the royal road, in the Socratic-Platonic context, to catching sight of what we post-Cantorians can recognize as the metalogical duality of consistency and completeness. (The salutary disruptive effects of this Plato-Cantor proximity have, of course, been traced in complementary ways by Badiou.) -/- Note that the diagram is supposed to provide a relatively accessible orientation, not to stand on its own, and certainly not to be the last word on any subject. An important qualification (telegraphed in the previous paragraph) is that what elenchos shows is not finally circular or paradoxical, though the problem first presents as such (stubbornly, obdurately, as "difficult" Plato's Socrates always says with characteristic understatement). What is depicted here is meant, at a first pass, to be the shape of that first presentation, the form of the problem of elenchos, rather than of its solution. It's not an accident that this problem strongly resembles "Russell's paradox" (not Russell's not a paradox.) Problem is to solution as RP is to the diagonal theorems. (shrink)

Things are particulars and their qualities are universals, but do universals have an existence distinct from the particular things describable by those terms? And what must be their nature if they do? This book provides a careful and assured survey of the central issues of debate surrounding universals, in particular those issues that have been a crucial part of the emergence of contemporary analytic ontology. The book begins with a taxonomy of extreme nominalist, moderate nominalist, and realist positions on properties, (...) and outlines the way each handles the phenomena of predication, resemblance, and abstract reference. The debate about properties and philosophical naturalism is also examined. Different forms of extreme nominalism, moderate nominalism, and minimalist realism are critiqued. Later chapters defend a traditional realist view of universals and examine the objections to realism from various infinite regresses, the difficulties in stating identity conditions for properties, and problems with realist accounts of knowledge of abstract objects. In addition, the debate between Platonists and Aristotelians is examined alongside a discussion of the relationship between properties and an adequate theory of existence. The book's final chapter explores the problem of individuating particulars. The book makes accessible a difficult topic without blunting the sophistication of argument required by a more advanced readership. (shrink)

The Theaetetus is subtitled peri epistemes, on knowledge, and peirastikos, tentative. Theaetetus' three attempted definitions of knowledge, each ventured only to fail, are structured in a cascading reduction. This regress functions both negatively, as an indirect demonstration that knowledge is not definable in term of opinion or judgment, that is, knowledge is not "opinion plus," but also positively, as the ill-fated definitions build upon one another to delineate the elements necessary for a possible theory of judgment. The themes of (...) knowledge and judgment never resolve, yet, through the multiple peirastic beginnings that perish struggling to say something lasting about knowledge, this main theme ties together the dialogue's many subthemes-wisdom and character; sophistry and its relation to philosophy; Socrates' trial; intellectual midwifery, or Socratic dialectic; appearance and reality; Heracliteanism; Eleaticism; forms and participation; unity and plurality; particularity and universality; identity and difference; memory and time; relations; the relation of resemblance. One could go on. The guiding question, how to define knowledge, is a theoretical one, and the reasoning becomes progressively more abstract as the dialogue proceeds, while at the same time never straying far from practical implications: the theoretical conception of knowledge holds consequences made manifest in human action and deliberation. The dialogue about knowledge is also a dialogue about wisdom. (shrink)

Roholt’s discussion of the methodological divide between analytic and continental philosophy of music is undertaken with the hope of bringing about the divide’s dissolution. Roholt limits the scope of the discussion to methodological debates in the philosophy of music, without referring to the ongoing debate about the divide at large. This begs the question of how methodological differences in the philosophy of music correlate with differences between analytic and continental philosophy. Upon closer inspection, there is nothing that is essentially analytic (...) or continental about the opposed methodological preferences discussed by Roholt. This acknowledgement is in part what Roholt aimed at: it erects no strict communicative barrier between two methodologically opposed sides. There is however, as I point out, a further unresolved problem with Roholt’s talk of ‘tendencies’ (or the parallel metaphilosophical employment of family resemblances to understand the divide), which if unresolved may allow for a regression to stereotypical conceptions of the divide. (shrink)

This paper formally explores the common ground between mild versions of epistemological coherentism and infinitism; it proposes—and argues for—a hybrid, coherentist–infinitist account of epistemic justification. First, the epistemological regress argument and its relation to the classical taxonomy regarding epistemic justification—of foundationalism, infinitism and coherentism—is reviewed. We then recall recent results proving that an influential argument against infinite regresses of justification, which alleges their incoherence on account of probabilistic inconsistency, cannot be maintained. Furthermore, we prove that the Principle of Inferential (...) Justification has rather unwelcome consequences—formally resembling the Sorites paradox—as soon as it is iterated and combined with a natural Bayesian perspective on probabilistic inferences. We conclude that strong versions of foundationalism and infinitism should be abandoned. Positively, we provide a rough sketch for a graded formal coherence notion, according to which infinite regresses of epistemic justification will often have more than a minimal degree of coherence. (shrink)

The concept of inner experience in Peter John Olivi. This article discusses the notion of inner experience and self-knowledge in Peter John Olivi. According to Olivi, each act of cognition is accompanied by some sort of self-awareness or self-experience. Therefore, the problem of an infinite regress of acts of self-awareness arises. Olivi tries to solve this problem by drawing on a theory of reflection which bears a striking resemblance to modern self-representational or dispositional accounts of consciousness. Thus, in (...) order to be said to be »known« or »certain« it is not necessary for each single act of intellect to be followed by a higher-order act; Olivi argues that in many cases a simple first-order cognitive act suffices. (shrink)

Ethical decision-making is often evaluated in the literature through deontological and teleological approaches, commonly referred to as ethical positions. Ethical decision-making requires an awareness of ethical sensitivity and ethical dilemmas. It involves understanding the emotional experiences of others and assisting them. In cases of alexithymia, where there is difficulty in understanding and expressing emotional experiences, empathy may be limited, and emotions may not be effectively used. In this research, the impact of the level of alexithymia on ethical positions in students (...) of the School of Health Services, along with demographic variables, was evaluated. In this descriptive research using a quantitative research approach, data was obtained using the "Ethical Position Scale-EPQ" and the "Toronto Alexithymia Scale-TAS." Analysis was performed using the reliability testing, t-test, One-Way ANOVA Test, LSD multiple comparison test, and Pearson Correlation and Regression Analysis test were used. In ethical decision-making, it has been found that women are more idealistic than men, while men tend to be more alexithymic and deficient in outward thinking. As students' levels of alexithymia increase, they are determined to adopt a more relativistic approach. It has been observed that relativism increases and idealism decreases significantly among individuals with high alexithymia scores. These findings indicate that the level of alexithymia has a significant impact on ethical positions. The fact that individuals with high levels of alexithymia adopt a subjective position that is less concerned with the consequences of an action on others and resembles egoism suggests that these individuals may have difficulty in empathizing due to emotional inadequacy. (shrink)

Arabic logicians in the thirteenth century discussed a set of arguments raised by the theologian Fakhr al-Dīn al-Rāzī (d. 1210) that in some respects closely resembles Carroll’s paradox. Roughly, the paradox states that we can never reach a conclusion from a set of premises without incurring an infinite regress. The present article presents and discusses Rāzī’s formulation of the problem with syllogistic deduction, his own solutions to the problem, and the contributions of Afḍal al-Dīn al-Khūnajī (d. 1248) and Najm (...) al-Dīn al-Kātibī (d. 1276). It is argued that the proposed solutions developed by these authors are best understood as tending in the direction of Gilbert Ryle’s distinction between knowing-that and knowing-how. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:19. AN 'INCONVENIENCE' OF ANTHROPOMORPHISM In Part II of Hume's Dialogues Concerning Natural Religion Cleanthes maintains that the similarities between the works of nature and those of human contrivance, namely, the presence of means to ends relations and a coherence of parts, are sufficient to enable us to reason analogically to the conclusion that the cause of the design of the world resembles human intelligence. Cleanthes insists in Part (...) IV that the ideas which -we have of mind are 'just and adequate and correspondent' to God's nature. Philo, who throughout the discussion has insisted on 'the adorable mysteriousness ' of the divine nature, responds to Cleanthes by saying that he will endeavour to show the inconveniences of that anthropomorphism, which you have embraced; and shall prove, that there is no ground to suppose a plan of the world to be formed in the divine mind, consisting of distinct ideas, differently arranged; in the same manner as an architect forms in his head the plan of a house which he intends to execute. (D160) It is the aim of this paper to explicate this 'inconvenience of Cleanthes' anthropomorphism. Philo begins by claiming that nothing is gained by Cleanthes' position whether it is assessed by 'reason' or by 'experience'. The judgment of reason is that a mental world or universe of ideas requires a cause as much as does a material world or universe of objects ; and if similar in its arrangement must require a similar cause. For what is there in this subject, which should occasion a different conclusion or inference? In an ahi: L ra.-t view, they are entirely alike; and no difficulty attenda the one supposition, which is not common to both of them. (D160) Similarly, experience cannot perceive any material difference in this particular, between these two kinds of worlds, but finds them to be governed by similar principles, and to depend upon an equal variety of causes in their operations. (D16ÌÌ 20. Philo concludes that the type of argument employed by Cleanthes leads to an infinite regress: How therefore shall we satisfy ourselves concerning the cause of that Being, whom you suppose the Author of nature, or, according to your system of anthropomorphism, the ideal world, into which you trace the material? Have we not the same reason to trace that ideal world into another ideal world, or new intelligent principle. (D161) He then suggests, as though it will prove to be more satisfactory, that we should not go beyond the material world itself: But if we stop, and go no farther; why go so far? Why not stop at the material world? How can we satisfy ourselves without going on in infinitum? And after all, what satisfaction is there in that infinite progression?... If the material world rests upon a similar ideal world, this ideal world must rest upon some other; and so on, without end. It were better... never to look beyond the present material world. (D161-162) In suggesting that it is better never to look beyond the material world, what precisely is it that Philo is 2 advocating? George Nathan maintains that "Cleanthes is unaware that Philo is trying to eliminate only the externality of the cause. He is not trying to deny its intelligence ". (Chappell 410) Pike, on the other hand, interprets Philo' s position as eliminating the requirement for a causal account of the order present in the world: If we introduce an ordered mind in an effort to explain the existence of an ordered world, must we not provide a similar explanation of the ordered mind? But if we accept this demand, we shall have to introduce yet another intelligent being as the creator of the first. This explanatory chain can end only in an infinite regress. We would probably do better to assume that order in the material world is an ultimate fact that does not require explanation. Once we take the first step down the explanatory trail we are committed to go on forever. (Pike 157) 21. I will now examine critically the interpretations suggested by Nathan and Pike. Certain questions suggest themselves regarding Nathan's position. First, what does Nathan mean by the intelligence of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Self-Predication and the "Third Man" Argument ROGER A. SHINER 1.1. IN COMMPm'mO on the 'Third Man' Argument (TMA), Proclus z produces the following line of thought. He argues that. if the relation of resemblance between Form and particular were symmetrical, the argument in question would be valid; the relation is not, however, symmetrical. Where a Form and particular are both alike, have the quality of likeness, the likeness (...) of that which is derived is not the same as the likeness of that from which it is derived, just because of the former's derivatory nature. Consequently, ~k tt~v ala01]x~ bttotoi3c0at ~re[vot~ (sc. xo~ ~Semv), abx~ 8~ xo6~ot~ oSr~xt, 'the sensible particulars resemble the Forms, but they are not in the same relation of resemblance to the particulars' (ibid., 913.29-30). That is to say, the bare relation of similarity may be symmetrical, but the relation of a similar copy to a similar original is not; the copy is 'a copy of' the original, but the original/s not 'a copy of' the copy. This way of defending the Theory of Forms against the TMA I shall for purposes of identification call the 'Ontological Defence'. It lays stress on the ontological difference between Form and particular in order to avoid the fatal implication that the relation between them is symmetrical. If we use the language of predication, the point is as follows: the TMA is valid, if the Forms have a given term predicated of them severally in exactly the same sense as it is predicated of their respective dependent particulars. This, however, is not the case, for the quality in virtue of which a given term is predicated of a given Form differs in ontological status from the quality in virtue of which that term is predicated of that Form's dependent particulars. Thus we see that underlying the Ontological x I am grateful for helpful comments on an earlier version of this paper to Professor Gilbert Ryle, Professor John F. Malcolm and two anonymous readers for this Journal. Since this paper went to press, the following relevant articles have appeared: G. Vlastos, "'Self Predication' in Plato's Later Period," Philosophical Review, LXXVIII (1969), 74-78, and "Plato's 'Third Man' Argument (Parm. 132al-b2): Text and Logic," Philosophical Quarterly, XIX (1969), 289-301; K. W. Rankin, "The Duplicity of Plato's Third Man," Mind, LXXVIII (1969), 178-197; T. O. Smith, "'The Theory of Forms, Relations and Infinite Regress," Dialogue, VIII (1969), 116-123. 2 Proelus, In Platonis Parmenidem, ed. V. Cousin, Paris, 1864; 912.27 ft. [3711 372 HISTORY OF PHILOSOPHY Defence is the following assumption--the fact that the Forms are self-predicating only causes problems for the Theory of Forms, if a given Form F and its corresponding particulars, a set of f things, have 'F' predicated of them univocally, are F in precisely the same sense. My thesis in this paper is that this latter assumption is false, it is, rather, quite sufficient for the Self-Predication Assumption (SPA) to be vicious, if 'F' is predicated of both Form and particular not equivocally. This is not the same as 'univocally', and furthermore it is not possible that Plato could have thought of the predication of a term of both Form and particular as equivocal, the only alternative left to him to escape the TMA. The SPA, therefore, is required for the Theory of Forms to make sense, and leads to an ineradicable defect in that Theory. 1.2. One minor terminological point must be noted before we proceed. There are two versions of the TMA in the Parmenides; the first runs from 131eS-132b2, and the second from 132c11-133a7. The second of these explicitly employs the language of copy-resemblance, 7mpdS~tytm ('paradigm'), 6lxoio)tta ('likeness'), ~tKao0~vat ('resemble') as an explication of ~t~0e~tq ('participation'): the first employs the lan~.,uage of cttx6 ~ xai3xa.., eIvat ('that by which things are...'), which, as Plato has already indicated (Phaedo 100d6-8), is deliberatety noncommittal as to the relation between Forms and particulars. I shall refer to the first argument as TMA(1) and the second... (shrink)

Este trabajo considera el programa de reducción de universales por clases de tropos semejantes. Diversas cuestiones surgen acerca de la relación de semejanza: ¿Presuponen los "respectos" de semejanza un universal? ¿Induce un regres vicioso el hecho de que la relación de semejanza sea una relación? Si hay diferentes respectos de comparación entre tropos, entonces hay espacio para las dificultades tradicionales contra el nominalismo de semejanza: la "comunidad imperfecta" y la "compañía". ¿Pueden ser manejados estos problemas con clases de tropos semejantes? (...) La relación de semejanza requerida es una "semejanza perfecta", esto es, una relación de semejanza transitiva, sin margen para grados y sin variación en los respectos de comparación entre tropos. ¿Hay clases de tropos exactamente semejantes? Después de consideradas estas cuestiones, parece que el defensor de los tropos tiene respuestas para las cuestiones, y, pero parece no haber respuestas plausibles para la cuestión. Las clases de semejanza perfecta que van a reemplazar a los universales deben ser clases de tropos posibles y no hay formas razonables de explicar los hechos modales requeridos para estos tropos.This work considers the program of reduction of universals by classes of resembling tropes. Several questions appear concerning the relation of resemblance: Does not the "respects" for resemblance presuppose a universal? Does not the fact that the relation of resemblance is a relation induce a vicious regress? If there are different respects of comparison between tropes, then there is space for the traditional difficulties against resemblance nominalism: the "imperfect community" and the "companionship" difficulties. Can these problems be handled by classes of tropes? The relation of resemblance required is "perfect resemblance", that is, a relation of resemblance transitive, with no margin for degrees, and with no variation in the respects of comparison between tropes. Are there any perfect resembling tropes? After consideration, it appears that the defender of tropes seems to have answers for the questions, and, but it seems that there are no plausible answers for the question. The classes of exact resemblance that are going to replace the universals should be classes of possible tropes and there are no reasonable ways of explaining the modal facts required for these tropes. (shrink)

Two perspectives from which memories can be retrieved have been distinguished: field resembles the view from the first-person vantage point of original experience, whereas observer resembles the view from the third-person vantage point of a spectator. There is evidence that the incidences of the two types of perspective differ between at least two different cultural groups. It is hypothesised here that this is a special case of a more general relation between memory perspective and cultural individualism, such that field and (...) observer perspectives are more prevalent among people from, respectively, relatively individualist and relatively collectivist societies. Memory perspectives adopted by participants from a range of different countries were recorded, and were found to vary in the predicted manner. Regression analysis showed that the potential effects of three other cultural variables – uncertainty avoidance, masculinity and, to a lesser extent, power distance – were eclipsed by the influence of individualism, and the implications are discussed. (shrink)

Things are particulars and their qualities are universals, but do universals have an existence distinct from the particular things describable by those terms? And what must be their nature if they do? This book provides a careful and assured survey of the central issues of debate surrounding universals, in particular those issues that have been a crucial part of the emergence of contemporary analytic ontology. The book begins with a taxonomy of extreme nominalist, moderate nominalist, and realist positions on properties, (...) and outlines the way each handles the phenomena of predication, resemblance, and abstract reference. The debate about properties and philosophical naturalism is also examined. Different forms of extreme nominalism, moderate nominalism, and minimalist realism are critiqued. Later chapters defend a traditional realist view of universals and examine the objections to realism from various infinite regresses, the difficulties in stating identity conditions for properties, and problems with realist accounts of knowledge of abstract objects. In addition, the debate between Platonists and Aristotelians is examined alongside a discussion of the relationship between properties and an adequate theory of existence. The book's final chapter explores the problem of individuating particulars. The book makes accessible a difficult topic without blunting the sophistication of argument required by a more advanced readership. (shrink)

A Nobel Prize winner, Dr. Szent-Györgyi concerns himself with the underlying forces and conditions that have prevented the realization of the higher possibilities of the American Dream, and, by extension, of all mankind. He addresses himself especially to the youth of the world in his attempt to show how man, the more he progresses technologically, seems the more to regress psychologically and socially, until he resembles his primate ancestors in a state of high schizophrenia. The fundamental question asked by (...) this book is: Why is it that most of the scientific research that is done to elevate human life serves in the end to destroy it? That this phenomenon exists is unarguable. How to alter it is the problem the author tackles. He finds the possibility, indeed the instrument of our survival, in our youth. Dr. Szent-Györgyi calls upon youth the world over to organize and exercise their power to create a new world. He implores them not to waste their energies in petulance and frustration-the world is ripe for the radical changes needed for man's survival, and for youth to fritter away their opportunity would be to compound the tragedy and seal the fate of mankind. Born into the fourth generation of a noted family of scientists in Hungary, Albert Szent-Györgyi decided at an early age to devote his life to biological research. As a medical student he required international recognition for his studies in microscopic anatomy. The First World War, which he spent in the service of the Austro-Hungarian army, caused a break in his career. After the war he left his devastated country to work for ten years in various countries, notably Germany, Holland, England and the United States. He then returned to his native Hungary to help rebuild science there. In 1937, he won the Nobel Prize for his studies on metabolism and for the discovery of ascorbic acid (Vitamin C). He soon found himself in conflict with the growing movement of Nazism, was arrested, escaped, and was hunted for years by the secret service of Hitler. After World War II, disappointed by Soviet colonialism and the terrorist methods of Stalin, he left Hungary and found refuge at the Marine Biological Laboratory of Woods Hole, Massachusetts. (shrink)

Quando olha atentamente para os detalhes de uma obra literária, o leitor mais perspicaz toma consciência de mecanismos que regem e organizam o texto com objetivos específicos para a economia da narrativa. No romance Memorial do Convento , de José Saramago (1994), a relação entre Literatura e Religião é um desses mecanismos, algo que se torna visível no confronto entre sagrado e profano, na inversão de seus valores e na afinidade entre “poder espiritual” e “poder temporal”, o que se assemelha (...) àquilo que Giacomo Marramao definiu como “jogo de espelhos”, ou seja, a “estatização” da Igreja e a “eclesiastização” do Estado. Investigar o estatuto do sagrado e da relação entre a Igreja e a corte portuguesa do século XVIII, analisando suas implicações na narrativa literária, constitui-se como objetivo primordial deste texto. Dessa forma, o artigo se insere no movimento atual que Umberto Eco chamou de “a volta ao pensamento religioso”, um retorno frenético a tudo o que diz respeito ao sagrado e que se situa na contracorrente do cientificismo iluminista, trazendo explicitamente de volta à literatura a “questão de Deus”. Palavras-chave: José Saramago. Literatura portuguesa. Religião. Sagrado. Profano.When the more insightful reader takes a careful look at the details of a literary work, he realizes mechanisms that govern and organize the text with specifics goals for the arrangement of the narrative. In the novel "Memorial do Convento", by José Saramago, the relationship between literature and religion is one of such mechanisms, which becomes visible in the confrontation between sacred and profane, as well as in the reversal of their values and in the affinity between "spiritual power" and "temporal power", resembling what Giacomo Marramao has defined as "game of mirrors", i.e. the "nationalization" of the Church and the "ecclesiastization" of the State. The present text aims to investigate the status of the sacred and the relationship between the Church and the Portuguese court in the 18th century, analyzing its implications in the literary narrative. This article is part of the current movement that Umberto Eco called “the come back to religious thought", one frenetic regress to everything that reports to the sacred, somewhat that is in the countercurrent of Enlightenment scientism, explicitly bringing back the "question of God" to literature. Keywords: José Saramago. Portuguese literature. Religion. Sacred. Profane. (shrink)

This article discusses the notion of inner experience and self-knowledge in Peter John Olivi. According to Olivi, each act of cognition is accompanied by some sort of self-awareness or self-experience. Therefore, the problem of an infinite regress of acts of self-awareness arises. Olivi tries to solve this problem by drawing on a theory of reflection which bears a striking resemblance to modern self-representational or dispositional accounts of (self-)consciousness. Thus, in order to be said to be »known« or »certain« (...) it is not necessary for each single act of intellect to be followed by a higher-order act ; Olivi argues that in many cases a simple first-order cognitive act suffices. (shrink)

It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book (...) is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. -/- It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. -/- The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors. (shrink)

Is structure a fundamental and indispensable part of the world? Is the question of ontology a question about structure? Structure is a central notion in contemporary metaphysics [Sider 2011. Writing the Book of the World. Oxford: Clarendon Press]. Realism about structure claims that the question of ontology is about the fundamental and indispensable structure of the world. In this paper, I present a criticism of the metaphysics of realism about structure based on a version of Russell’s famous regress argument (...) against nominalism [Russell 1911. “On the Relation of Universals and Particular.” In Logic & Knowledge. Reprint, London: George Allen & Unwin]. First, I argue that the three general tests for the fundamentality of structure proposed by realism about structure rely on a particular empirical test for structure, namely, the so-called ‘similarity test for structure.’ Second, I argue that the similarity test is not well-founded because it leads to a vicious regress. Third, I argue that the regress affects the whole metaphysics of realism about structure, and that no structural notion can be said to be fundamental in connection with any of the other tests. Lastly, I argue that the question of ontology as a question about structure is not substantive. (shrink)

This paper responds to comments and criticisms by Stefan Brandt and Eva-Maria Jung, directed at the book "Know-how as Competence. A Rylean Responsibilist Account".

Dispositional monism is the view that natural properties and relations are ‘pure powers’. It is objected that dispositional monism involves some kind of vicious or otherwise unpalatable regress or circularity. I examine ways of making this objection precise. The most pressing interpretation is that is fails to make the identities of powers determinate. I demonstrate that this objection is in error. It does however puts certain constraints on what the structure of fundamental properties is like. I show what a (...) satisfactory structure would be. (shrink)

Gardeners, poets, lovers, and philosophers are all interested in the redness of roses; but only philosophers wonder how it is that two different roses can share the same property. Are red things red because they resemble each other? Or do they resemble each other because they are red? Since the 1970s philosophers have tended to favour the latter view, and held that a satisfactory account of properties must involve the postulation of either universals or tropes. But Gonzalo Rodriguez-Pereyra revives the (...) dormant alternative theory of resemblance nominalism, showing first that it can withstand the attacks of such eminent opponents as Goodman and Armstrong, and then that there are reasons to prefer it to its rival theories. The clarity and rigour of his arguments will challenge metaphysicians to rethink their views on properties. (shrink)

The epistemic regress problem is about the possibility of having beliefs that are based on evidence. The problem of the criterion is about the possibility of having beliefs that are based on general standards for distinguishing what is true from what is false. These problems are similar. Each is constituted by a set of propositions about epistemically valuable relational properties—being supported by evidence and being authorized by a criterion of truth—that are individually plausible but jointly inconsistent, a paradox. The (...) propositions that constitute one problem have the same forms as the propositions that constitute the other. In particular, each problem turns on the claim that a belief can have a valuable relational property only by means of an endless regress and that this requirement cannot be satisfied. Finally, since evidence and criteria are kinds of reasons, each problem is about the possibility of having beliefs that are based on reasons. (shrink)

What is it for a picture to depict a scene? The most orthodox philosophical theory of pictorial representation holds that depiction is grounded in resemblance. A picture represents a scene in virtue of being similar to that scene in certain ways. This essay presents evidence against this claim: curvilinear perspective is one common style of depiction in which successful pictorial representation depends as much on a picture's systematic differences with the scene depicted as on the similarities; it cannot be (...) analyzed in terms of similarity alone. The same problem arises for many other kinds of depiction. The essay concludes that depiction in general is not grounded in resemblance but geometrical transformation. (shrink)

Gonzalo Rodriguez-Pereyra offers a fresh philosophical account of properties. How is it that two different things (such as two red roses) can share the same property (redness)? According to resemblance nominalism, things have their properties in virtue of resembling other things. This unfashionable view is championed with clarity and rigor.

Objects partially resemble when they are alike in some way but not entirely alike. Partial resemblance, then, involves similarity in a respect. It has been observed that talk of “respects” appears to be thinly‐veiled talk of properties. So some theorists take similarity in a respect to require property realism. I will go a step further and argue that similarity in intrinsic respects (partial intrinsic resemblance) requires properties to be immanent in objects. For a property to be immanent in (...) an object is roughly for it to be wholly present in that object. (So understood, immanence does not imply repeatability, and thus tropes count as immanent.) If two objects are intrinsically similar in one way but not another, there must be a difference between the two ways. And if the similarity is between the objects as they are in themselves, then this difference, too, must be within the objects. Partial intrinsic resemblance thus requires internal structure. Without it, there can be no distinctions between ways in which things are intrinsically alike and ways in which they aren't. I will argue, further, that distinctions between properties that transcend objects fail to account for the possibility of partial intrinsic resemblance. (shrink)

Depiction is the form of representation distinctive of figurative paintings, drawings, and photographs. Accounts of depiction attempt to specify the relation something must bear to an object in order to depict it. Resemblance accounts hold that the notion of resemblance is necessary to the specification of this relation. Several difficulties with such analyses have led many philosophers to reject the possibility of an adequate resemblance account of depiction. This essay outlines these difficulties and argues that current (...) class='Hi'>resemblance accounts succumb to them. It then develops an alternative resemblance account, drawing on Grice's account of nonnatural meaning and its role in determining sentence meaning to argue that something depicts an object if it bears intention-based resemblances to the object that jointly capture its overall appearance. In addition to solving the metaphysical problem of what it is for something to depict an object, this account also sheds significant light on the epistemological issue of how we are able to work out that something depicts an object. This essay argues that our ability to work out that something depicts an object results from both our more general ability to identify intentions from the products of communicative behavior and our knowledge of stylistic conventions. This account avoids the difficulties that face rival attempts to analyze depiction in terms of resemblance. It also clarifies and explains the features that distinguish depictive from nondepictive representation. (shrink)

Infinite regress arguments play an important role in many distinct philosophical debates. Yet, exactly how they are to be used to demonstrate anything is a matter of serious controversy. In this paper I take up this metaphilosophical debate, and demonstrate how infinite regress arguments can be used for two different purposes: either they can refute a universally quantified proposition (as the Paradox Theory says), or they can demonstrate that a solution never solves a given problem (as the Failure (...) Theory says). In the meantime, I show that Black’s view on infinite regress arguments (1996, this journal) is incomplete, and how his criticism of Passmore can be countered. (shrink)

This book on infinite regress arguments provides (i) an up-to-date overview of the literature on the topic, (ii) ready-to-use insights for all domains of philosophy, and (iii) two case studies to illustrate these insights in some detail. Infinite regress arguments play an important role in all domains of philosophy. There are infinite regresses of reasons, obligations, rules, and disputes, and all are supposed to have their own moral. Yet most of them are involved in controversy. Hence the question (...) is: what exactly is an infinite regress argument, and when is such an argument a good one? (shrink)

How should you decide what to do when you’re uncertain about basic normative principles? A natural suggestion is to follow some "second-order:" norm: e.g., obey the most probable norm or maximize expected choiceworthiness. But what if you’re uncertain about second-order norms too—must you then invoke some third-order norm? If so, any norm-guided response to normative uncertainty appears doomed to a vicious regress. This paper aims to rescue second-order norms from the threat of regress. I first elaborate and defend (...) the claim some philosophers have made that the regress problem forces us to accept normative externalism, the view that at least one norm is incumbent on all agents regardless of their normative beliefs. But, I then argue, we need not accept externalism about first-order norms, thus closing off any question of how agents should respond to normative uncertainty. Rather, we can head off the threat of regress by ascribing external force to a single second-order norm: the enkratic principle. (shrink)

Influenced by the Wittgensteinian slogan “Don’t look for the meaning, look for the use,” ordinary language philosophers aimed to defuse various philosophical problems by analyzing key words in terms of what they are used to do or the conditions for appropriately using them. Although Moore, Grice and Searle exposed this error – mixing pragmatics with semantics – it still gets committed, now to a different end. Nowadays the aim is to reckon with the fact that the meanings of a great (...) many sentences underdetermine what we would normally mean in using them – even if the sentence is free of indexicality, ambiguity, and vagueness. This can be so because the sentence expresses a “minimal” proposition or even because it doesn’t fully express any proposition. Many theorists are led to defend “truth-conditional pragmatics” (or linguistic “contextualism”), to find a hidden indexical in every syntactic nook or semantic cranny, or otherwise to pay undue respect to seemingly semantic intuitions and intentions. This paper identifies various such moves and explains what’s regressive about them. (shrink)